It is a celebration of the singularity and connectedness of each and every one of us. It demands of us what it demanded of her: the courage to see things as they are and the grace to permit them to simply be. For Diane Arbus, this is what making pictures was all about.These photographs achieve a lyricism, an emotional purity that sets them apart from all her other accomplishments. "Finally what I've been searching for, " she wrote at the time. The product of her consistently unflinching regard for reality as she found it, the images in this book have less in common with the documentary than with the mythic.

    He creates these majestic sepia and blue-tone photoscontrasting moments of quintessential stillness with bursts of dramatic actionby engaging with these creatures on an exceptionally intimate level, without the customary use of a telephoto lens. Evocative of classical art, from dignified portraits to sweeping natural tableaux, Brandt's images artfully and simply capture animals in their natural states of being. With a foreword by Alice Sebold and an introduction by Jane Goodall, On This Earth is a gorgeous portfolio of some of the last wild animalsand a heartfelt elegy to a vanishing world.

    That made him one of the most influential portrait photographers of our days. In Corbijn’s career, however, there has been one constant: the band U2, and their collaboration of 22 years. His most recent publication—number seven in the line of Corbijn books published by Schirmer/Mosel—is dedicated to Bono, Edge, Larry, and Adam, to their longstanding friendship, mutual inspiration, and shared experience of rock history that is part of the history of photography. It was Anton Corbijn who "invented" U2’s public image and he is still shaping it. The long way from their first encounter in February 1982 in New Orleans to their April 2004 Lisbon shooting for the most recent U2 album is documented in a wealth of private and so-called official pictures with hand-written annotations by the photographer. Interview between Bono and Anton Corbijn and texts by Bono, Helena Christensen, Bill Clinton, William Gibson, Paul Morley, Salman Rushdie, Michael Stipe, and Wim Wenders. Book design by smel, creative & strategic design studio, Amsterdam Anton Corbijn, born in Strijen, Holland, in 1955, photographer, filmmaker and designer, started his career in the 70s with portraits of David Bowie, Lou Reed, Miles Davis, and Peter Gabriel. He has produced numerous books, more than 75 music videos and many album covers. His work has been widely exhibited throughout Europe, the US, and Japan. U2, Irish rock band, by many considered the greatest rock band in the world, was founded in Dublin in 1978 by Paul "Bono" Hewson, Dave "The Edge" Evans, Adam Clayton, and Larry Mullen Jr. 379 color and duotone plates

    

    The unprecedented scope of this collection provides the opportunity to study his more composed, aesthetically structured images alongside his snapshots, which offer a more anecdotal account of Doisneau's Paris. Organized thematically, the book leads us on an entrancing tour through the gardens of Paris, along the Seine, and through the crowds of Parisians who define their beloved city. More than 600 photographs-many rare, forgotten, and previously unpublished-are assembled in this beautiful volume to create a unique portrait of Paris. From toddlers scrambling to cross rue de Rivoli to fresh-faced accordionists, from elegant dog walkers to exuberant roller skaters, and from the indelible kiss in front of the Hétel de Ville to cyclists beneath the Eiffel Tower, the magic of Paris in black and white is a timeless treasure. The photographs, edited by Doisneau's daughter, are complemented by citations from the photographer himself, which reveal his profound fascination with the city where he lived and worked.

    Sally Mann came to the attention of the public in 1992, with a series of intimate portraits of her children and her reputation has risen since then.

    His earliest photographs were images of decadent movie palaces built in the 20s and 30s. By timing the exposure of his photos to the exact length of the film being screened, he produced images that depict theater interiors bathed in the magical glare of an all-white screen: pure light. Next Sugimoto began a body of work that he continues to this day, photographing views of the sea from land, traveling around the world to make pictures that, despite their vastly different geographic origins, seem at first to be the same, with only slight variations. Their captions, however, confirm that each is of a different body of water: Caspian, Ligurian, Black. Other series include his out-of-focus impressions of landmark architectural monuments, wherein the Empire State Building, Le Corbusier's "Chapel de Notre Dame du Haut," and Tadao Ando's "Church of Light in Osaka," among others, are essentialized rather than documented. This volume presents a monographic retrospective of Hiroshi Sugimoto's complete body of work, including the projects described above and others. New, mostly unpublished images from his recent color work are featured: impressions of the impeccably proportioned shrine Sugimoto designed in Naoshima Island in Japan, as well as a series entitled "Colors of Shadow," Specially commissioned essays by photography curators David Elliot and Kerry Brougher examine Sugimoto's work in depth, while an exhibition history and bibliography round out the volume.

    Always transcending categorization-he was both a fashion photographer and known as a "poet of portraiture"-Avedon was interested in seeing how elemental facts of modern life and human existence were reflected in his work. And what could be more elemental than women, who have mesmerized artists across the centuries? Looking at his work in this way, Avedon was able to create an unparalleled view of women in his time, a tumultuous half century of rapidly changing social facts, cultural ideals, popular styles, and high fashion. As an artist, Avedon was deeply responsive to nuances of expression, gesture, and comportment, and his photographs unfailingly opened a window to the interior lives of his subjects. These ranged from celebrities (Marilyn Monroe), artists (Marguerite Duras, June Leaf), and high-fashion models (Suzy Parker, Dovima) to anonymous people that simply drew his attention. Like the best of art and literature, they evoke rich lives and complex experiences. An incisive essay by art historian Anne Hollander offers an overview of a half century of Avedon's images of women.

    This is the 'smaller majority' that we meet eye-to-eye, often for the first time and certainly as never before, in Piotr Naskrecki's spectacular book. A large-format volume of over 400 exquisite, full-colour photographs, some depicting animals never before captured with a camera, The Smaller Majority takes us on a visual journey into the remote world of organisms that, however little known, overlooked, or even reviled, are critical to the bio-diversity of the tropics, and to the life of our planet. Here are the species who truly dominate the tropics, both in terms of their diversity and the ecological functions they play - invertebrates such as insects, arachnids, or flatworms, but also little-known vertebrates such as the pygmy chameleons of Madagascar or legless, underground frog kin known as caecilians; here is behaviour never before documented, as in katydids preying upon one another, photographed in places few have visited. creatures from their point of view, the book exposes the environment in which they live, the threats they face, and the devastating impact their disappearance may have. A unique introduction to the marvellous variety of the overlooked life under our feet, Naskrecki's book returns us to a child's sense of wonder with a fully informed, deeply felt understanding of the importance of so much of the world's smaller, teeming life.

    In the early days of photography, many believed and hoped that the camera would prove more efficient than the human eye in capturing the unseen. Spiritualists and animists of the nineteenth century seized on the new technology as a method of substantiating the existence of supernatural beings and happenings. This fascinating book assembles more than 250 photographic images from the Victorian era to the 1960s, each purporting to document an occult phenomenon: levitations, apparitions, transfigurations, ectoplasms, spectres, ghosts, and auras. Drawn from the archives of European and American occult societies and private and public collections, the photographs in many cases have never before been published.The Perfect Medium studies these rare and remarkable photographs through cultural, historical, and artistic lenses. More than mere curiosities, the images on film are important records of the cultural forces and technical methods that brought about their production. They document in unexpected ways a period when developing photographic technology merged with a popular obsession with the occult to create a new genre of haunting experimental photographs.

    Nowhere is that magic more apparent than in its LAB color processing capabilities, which can make even the subtle canyon colors of rock, sand, and dirt come to vivid life. However, you may be wary of taming the complex beast. Here s your guide! In these pages, Dan shows that you can derive enormous benefits from just a few simple tools and techniques. He also demonstrates that you can take these techniques as far as you wish, employing the power-user features he describes in later chapters. Starting with canyons and progressing to faces, you will see just how quickly you can begin improving your images by following the recipes included here. Each chapter includes a sidebar with review questions and exercises as well as a Closer Look section that examines some of the principles behind the techniques. A CD includes exercise files."

    Since nobody photographs libraries as beautifully as Hofer, it seemed only natural to dedicate one of her publications to the splendid and intimate cathedrals of knowledge across Europe and the US: the Escorial in Spain, the Whitney Museum in New york, Villa Medici in Rome, the Hamburg University library, the Bibliotheque nationale de France in Paris, the Museo Archeologico in Madrid, and Pierpont Morgan Library in New York, to name just a few. Almost completely devoid of people, as is Candida Hofer's trademark, these pictures radiate a comforting serenity that is exceptional in contemporary photography. Now available in an unchanged reprint.

    Shabazz is the best kind of photojournalist: one driven simply by curiosity about other human beings.” —Ken Johnson, The New York Times Once upon a time before crack, inner city communities were blighted by poverty and unemployment—but not by the drug wars that tore families apart, destroying lives with needless violence and mindless addiction. Once upon a time before crack, pride and style were as inseparable as a beatbox and mixtape, or as a pair of shoes and matching purse. Once upon a time before crack, Jamel Shabazz was on the scene, working the streets of New York City, capturing the faces and places of an era that have long since disappeared. Best known as Hip Hop’s finest fashion photographer for his blockbuster best-selling monograph, Back in the Days (powerHouse Books, 2001), Shabazz revisited his archive and unearthed an extraordinary collection of never-before-published documentary photographs collected for his third powerHouse Books release, A Time Before Crack , a visual diary of the streets of New York City from the mid-seventies to the mid-eighties, Shabazz’s distinctive photographs reveal the families, the poses, and the players who made this age extraordinary.

    A collection of 260 photographs, many never before published, offers panoramic views of scenes from every region of the world.

    The viewer, at first seduced by what appears to be an idyllic scene, soon discovers subtle off-kilter elements more akin to Film Noir than an NBC comedy. In a work from his Twilight series, yellow school buses are parked outside white wooden houses, and students stand and lounge around in seeming passivity. Something is happening--what, we don't know. The vision is familiar yet unfamiliar, seemingly benign yet threatening. Crewdson goes to great lengths in dramatizing his disturbing suburban scenes, employing elaborate lighting, cranes, props, and extras, espousing a level of behind-the-scenes preparation more akin to the making of a Hollywood movie than the making of a still image. Here perhaps is one place to locate the eerie unreality and narrativity of his pictures, the creepy attention to detail so out of place, come to think of it, in the oh-so-ordinary settings he evokes. Middle-class reality meets the other side of the normal here--by way of Sigmund Freud.

    Though he died nearly fifty years ago, the enigmatic star of East of Eden (1955), Rebel without a Cause (1955), and Giant (1956) still symbolizes the mystery and torment of adolescence - an image that his sudden, violent death fixed forever in the public mind. Photographer Dennis Stock met Dean in Hollywood in 1953 and, intrigued, began to photograph him. Following him for three months on his return to his birthplace in Indiana, his journey to New York City, and then back to Hollywood, Stock recorded unforgettable and iconic views of the young actor in both his professional and his private worlds.

    Now, in a follow-up to the extraordinarily successful first book from Stephen Green-Armytage, the photographer presents 61 breeds and 5 species, including 14 breeds not previously included in the first book, a new series of chicken couples, and virtually all new images. Capturing with his camera chickens of all sizes, shapes, and colors, he illuminates gorgeous feather patterns worthy of French fabric designers, as well as elaborate wattles, elegant crests, and many other details. Through his exquisite photographs, he captures the surprising and expressive personality of these amazing creatures. Included are breeds developed in Japan, Malaysia, Britain, France, Italy, Belgium, Germany, Holland, Poland, Australia, South America, Canada, the United States, and elsewhere. For breeders and enthusiasts, this volume will be a treasure they must own; for others it will be a revelation, worth having for the sheer enjoyment of the beautiful photographs and the wonderful birds they portray.

    1940) made her first iconic pictures when living in Turkey on a Fulbright Fellowship in the mid-1960s. Her photographs of Bombay brothels, shot in the late 1970s, were published in 1981 in Falkland Road, a book that became legendary and confirmed her status as one of the most prominent and provocative documentary photographers working todayMark’s pictures are a celebration of humanity in its most diverse and eccentric forms. Circuses, gypsy camps, children yearning for adulthood, the poor and destitute are some of her recurring themes. Mark has the unique ability to capture gestures and expressions that translate the intense emotions of her subjects. Compassionate but never literal, her pictures can be humorous, tragic, enigmatic, shocking, and oftentimes all of these simultaneouslyThis book presents for the first time a selection of the strongest pictures of Mark’s forty-year career, drawing from emblematic series such as "Falkland Road," "Indian Circus," and "Twins," as well as a selection of previously unpublished images. The photographs are accompanied by an introduction by Weston Naef, and an interview with Mark that provides context and behind-the-scene anecdotes. Together Mark’s images and words provide intimate insights into the lives of others, presenting compelling stories of human strength and suffering

    The photographer, Georg Gerster, has been shooting ancient sites from the air for more than fifty years. In this current collection, his subjects range from the temple complex at Karnak to the Great Wall of China, and from the Acropolis in Athens to Aztec palaces in Mexico. Gerster's photographs are technical achievements--often produced under hair-raising circumstances--in their own right but at the same time offer a unique visual history of mankind stretching back to the dawn of civilization. Charlotte Tr: umpler introduces the photographs with an overview of the critical role that aerial photography has played in archaeological research.

    It includes obscure punk shots, including the Bad Brains, Black Flag, Minor Threat, and many more.

    Accompanies an Academy Award-winning documentary.

    The result of their collaboration was an amazing collection of photographs and recordings of legendary artists as well as unknown street musicians. The book Jazzlife, the original fruit of their labors, has become a collectors item that is highly treasured among jazz and photography fans. In 2003, TASCHEN began reassembling this important collection of material-along with many never-before-seen color images from those trips. They are brought together in this updated volume, which includes a foreword by William Claxton tracing his travels with Berendt and his love affair with jazz music in general. Jazz fans will be delighted to be able to take a jazz-trip through time, seeing the music as Claxton and Berendt originally experienced it. Featuring photographs of Charlie Parker, Count Basie, Duke Ellington, Muddy Waters, Gabor Szabo, and more.

    The volume includes 350 black and white photographs taken between 1945-50 including rare unpublished images

    10,000 first printing.

    Home to nearly seventy percent of our nation's coral reefs, known as the "rainforests of the sea," the Northwestern Hawaiian Islands is a remarkable ecosystem that supports a vast array of interdependent native plants and animals that have evolved in this habitat over millions of years, many existing nowhere else on the planet.The result is Archipelago. With its more than 300 stunning images, the book illustrates the spectacular diversity of these ocean and island creatures, as well as profiles many of the people dedicated to the preservation of this habitat. The inaccessibility of these islands and the need to protect them means that few people will ever be able to visit them in person, though now, for the first time, the area's inhabitants are available for all the world to see through this important body of work. In conjunction with the publication of Archipelago, exhibitions of these photographs will be mounted in Honolulu and Washington, and will then travel to venues around the country throughout 2006.

    This book offers an illustrated examination of Taylor's practice, tracing her images from inspiration through execution. It is suitable for all those interested in applying technology to a creative personal vision. Full description

    After the international success of Lux et Nox Scalo is proud and excited to announce the definitive mid-life retrospective book on Australian artist Bill Henson. The book combines all groups of work that Henson has created up to the present: from his early Ballet pictures (1974), to his body and nude portraits (1977-1986), from his photographs of street-crowds (1979-1982) to his Baroque Triptychs (1983-84), from his fantastic combinations of pictures taken in the Australian Suburbs and Egypt (1985/86) to his Los Angeles and New York nightscapes (1987-88), from his famous cut-out collages shown at the centenary Venice Biennale in 1995, to the portraits of adolescents and his magical color compositions for the Paris Opera (1990/91), and, most recently, a haunting selection of his images of children adrift in the wilderness of night (1997-2004), many of these appearing for the first time. Bill Henson is a continent in photography to be discovered. This book will be one of Scalo's major contributions to the understanding of contemporary photography. Published on the occasion of the artist's retrospective at the Art Gallery of New South Wales, Sydney, opening January 2005 and touring to the National Gallery of Victoria, Melbourne in April. Essays by Judy Annear, Jennie Boddington, Edmund Capon, Dennis Cooper, Peter Craven, Isobel Crombie, John Forbes, Michael Heyward, Alwynne Mackie, David Malouf, Bernice Murphy, Peter Schjeldahl, and an interview with Bill Henson by Sebastian Smee.

    His subjects were the beautiful and the celebrated, the rich and the powerful, the talented and the privileged, high society and aristocracy. Slim Aarons captured their image for the picture magazines of the 1940s - '90s, and, in so doing so, defined the image of the Beautiful People - the post-war international Jet Set. Aarons always shows his subjects in their natural setting, in a circumstance synonymous with their station in life, and in so doing, he gained their trust and a most precious thing - access. And so he was welcomed into the exclusive precincts of the world's elite, in essence attaining the status of court photographer. The images included here are the fruit of that access.

    One of the world's preeminent nature photographers shows the beauty and evolutionary brilliance of animals and insects with a tenacious will to stay alive in an eat-or-be-eaten world.

    The artist only does half of the work; the viewer has to come up with the rest, and it is by empowering the viewer that the miracle of art gains its force. --Vik Muniz An American artist of Brazilian origin, Vik Muniz stands out as one of the most articulate and innovative artists of his generation, equally at home working with images of chocolate sauce, spaghetti marinara, or the detritus of hole punchers. In doing so, he has carved out a unique niche within contemporary photography: one of trickster and philosopher as well as the creator of compelling, delightful images.Reflex: A Vik Muniz Primer is a privileged, guided tour of the contents of Muniz's pyrotechnic imagination, walking us through each of his major series. From Equivalents, his fluffy, sculpted cotton "clouds," to his latest color work, Magazines, Muniz accompanies each series with in-depth writing that tickles our minds with amusing anecdotes detailing his inspiration for each; fascinates by revealing his methodology and working process; and enlightens by unveiling the thinking and historical influences behind each image.

    For photographer Richard Bowen, that thread led him to China's state-run welfare institutions, where there are thousands of children, primarily girls, growing up without families to take care of them. Mei Mei presents a poignant glimpse of just a few of these remarkable children. Composed against neutral backgrounds, these portraits capture the girls inner lives, away from their often bleak surroundings. The images show an almost endless range of expressions: small faces filled with longing and hope, joy and sadness, humor and mischief, defiance and despair. Through the camera's eye these young children are no longer orphans, but individuals whose personalities are as vital, distinct, and beautiful as any mother's child. When that unique human being comes into focus, the connection is made and the red thread becomes visible. And once seen, the bond can never be broken.

    Puppies and tigers and pigs...oh my! Get ready for more oohs and aahs. It's a Zoo Out There is the next adorable installment of Rachael Hale's bestselling book series. This collection of Hale's finest photographs of enchanting and magnificent creatures both large and small, domestic and exotic, is beautifully presented in this over-sized volume. Hale's special rapport with animals has allowed her to capture the true essence of her subjects.

    These buildings were used during the Civil War. The men were all dead, but the buildings were still here, left behind as the city grew around them....The passing of buildings was for me a great event. It didn’t matter so much whether they were of architectural importance. What mattered to me was that they were about to be destroyed. Whole blocks would disappear. An entire neighborhood. Its few last loft occupying tenants were being evicted, and no place like it would ever be built again. The streets involved were among the oldest in New York and when sections of some were closed by the barriers of the demolition men, it meant they would never be opened again.” —Danny Lyon In late 1966, Danny Lyon returned to New York City, having just finished The Bikeriders. He was twenty-five. Living in a loft on the corner of Beekman and William Streets in Downtown Manhattan, Lyon saw that half the buildings on Beekman Street were boarded up, about to be demolished. That year an incredible sixty acres of mostly nineteenth-century buildings were slated for demolition, all below Canal Street. The seven-acre site where the Twin Towers would eventually stand was being cleared, a new ramp added to the Brooklyn Bridge, Pace University expanded, and the Washington Market was being moved to the Bronx. Whole sections of Lower Manhattan were being turned into rubble. Lyon thought of the title The Destruction of Lower Manhattan first, and then made a record of each building before it was demolished. The book was released by Macmillan Publishers in 1969, and remaindered a few years later; the copies sold for one dollar each. It has been a collector’s item ever since. Thirty-eight years after these photographs were made, many of them are the only record that survives of entire blocks that once lined Fulton Street, and West Street along the Hudson. Because of the disaster that would strike the city a generation later, New Yorkers have taken on a renewed and fervent interest in the architecture of their city. This work is a major contribution to that new world. For Lyon, these buildings in their last days standing were the embodiment of a beauty and pathos that people walking by in the street seldom noticed at the time. Those feelings were preserved in the photographs that today survive exactly as the young author intended, as a memory and a record of what was.

    His orders were to document the aftermath of U.S. bombing raids in Japanese cities, including not only Hiroshima and Nagasaki, but also cities such as Sasebo, one of the more than sixty Japanese cities firebombed before the atomic blasts. The people I met, he now recalls, the suffering I witnessed, and the scenes of incredible devastation taken by my camera caused me to question every belief I had previously held about my so-called enemies.

    Rescued from toy box obscurity with the publication of Garan's first book, This Is Blythe (50,000 copies sold), the 12-inch tall diva has been celebrated in the front windows of Bloomingdales; on the cover of Women's Wear Daily; on VH1's "I Love the '70s"; in People, the New York Times, and ad campaigns for Nordstrom, Sony, and trendy Japanese department stores. In Blythe Style, she shows off 100 to-die-for outfits created for her by top designers from around the world and photographed with colorful invention by Garan, including Gucci, Prada, Versace, Christian Dior, Dolce & Gabbana, John Galliano, Paul Smith, Issey Miyake, Vivienne Westwood, and dozens more, all for the sake of charity. Trs chic!

    Through his photographs of these magnificent beasts, he sees a way to bridge what he calls “modern life’s disturbing separation between people and nature.” The result is Spirit Horses, showcasing 140 of Stromberg’s extraordinary color portraits of these animals, along with quotations from leading teachers and writers exploring equine wisdom and its intersection with spirituality. The photographs in Spirit Horses were shot in a variety of locales, from wildlife sanctuaries to private ranches to natural habitats in Europe and the western United States. These images — and the accompanying quotes — offer a portrait of horses as profound teachers, giving strength and stability to a world out of balance.

    and Europe. Offering a comprehensive retrospective of this vital photographer's work, Saga gives new meaning to the self-portrait. Eschewing digital manipulation, Minkkinen juxtaposes his own body (and occasionally those of his family) with details in the landscape so that, in whole or in part, the human form collaborates with nature to create a work of lyrical beauty. Essays by a stellar roster of writers and scholarsnovelist Alan Lightman and critics A.D. Coleman and Arthur Dantoexplore the inner world of Minkkinen's pictures. Surreal and humorous, documentary and artful, the photographs of Arno Minkkinen leave the viewer moved and captivated.

    These images are metaphors for the dilemma of our modern existence: we are drawn by desire--the desire to live well and in comfort--yet we all know that the world is suffering to meet those demands. Our dependence on nature to provide the materials for our consumption and our concern for the health of our planet sets us into uneasy contradiction and feeds the dialogue in Burtynsky's images between attraction and repulsion, seduction and fear. Burtynsky's latest body of work gives visual form to the industrial and urban transformation of China, a place where industrial forces are gathering on a scale that the world has never experienced before. If the earth's resources were up to now under siege through western colonialism and technological progress, then China is on the brink of a sweeping assault on the planet's ecosystem that is only just forming and is nowhere close to expressing its full impact.

    Curtis' stunning, evocative and hugely popular portraits of Native American Women--with never-before-published images.

    The exquisite beauty and depth of his work draw the viewer into a relationship with nature. For more than thirty years he has been preserving the untouched areas of the landscape on film, and for twenty of those years he has concentrated on Florida. His images are captured with 8"x10", 11"x14", and 12"x20" view cameras. The large format allows him to express in elaborate detail the textures that distinguish the beauty of the landscape.            Butcher has recently been honored by the State of Florida with the highest award given to a private citizen, the Artists Hall of Fame Award, for photographic excellence, as well as the Heartland Community Service Award for his work in educating the people of Florida about the beauty of their state.            He has received the Conservation Colleague Award from The Nature Conservancy, and the Ansel Adams Conservation Award from the Sierra Club. He was chosen as Person of the Week on the ABC Evening News with Peter Jennings. Two videos, the PBS documentary “Visions of Florida” and “Big Cypress Preserve: Jewel of the Everglades,” have also won awards.

    Considering the world from a child's point of view, he photographed household objects from surprising perspectives to produce unfamiliar and disconcerting results that challenge the viewer’s perception of reality. Morell continues to take photographs that explore reality and illusion and has created images with books, money, maps and paintings as their subject, alongside his best known series of camera obscura photographs.

    In Ronis's photos of Paris, the city is inseparable from the working class men, women, and children who inhabit its streets and cafes. He once described his approach to photography in five words: "patience, thinking, chance, form, and time." Working with available light, Ronis sought to capture the fleeting moments of everyday life, and his body of work documents, with timeless beauty and grace, the feel of French life in the 20th century.

    In their general quality and coherence, moreover, the photographs as a whole body, as a book, seem to me to combine into a unified view of the world, an uninsistent but irrefutable manifesto of a way of seeing, and in a gently and wholly unpretentious way, a major poetic work." --James AgeeWorld-renowned for her iconic black-and-white street photographs, New York City's visual poet laureate Helen Levitt also possessed a little-known archive of color work, which was been collected for the first time in Slide Show , her third powerHouse Books monograph.In 1959, and again in 1960, Helen Levitt received grants from the Guggenheim Foundation to photograph in color on the streets of New York, where she had photographed two decades earlier in black-and-white. But tragically, the best of these pioneering color pictures were stolen from her apartment in 1970 and she had to start over again. In 1974 the new work was shown as a continuous slide projection at New York's Museum of Modern Art--an early example of a slide show presentation by a museum and one of the first exhibitions of serious color photography anywhere in the world.Slide Show presents more than one hundred photographs--including eight surviving images from the 1959-60 series--more than half of which have never been exhibited or published before. This impressive monograph is a worthy successor to her magnum opus, Crosstown (powerHouse, 2001), which included the largest collection of her color pictures to date, and to her more intimate volume of black-and-white work, Here and There (powerHouse, 2004), which presented more than eighty "unknown" Levitts taken over six decades.

    This new collection of stunning wildlife photographs represents the best images taken by top nature photographers around the world that have been submitted to the 2005 Wildlife Photographer of the Year competition.This lavish book features 90-100 unforgettable, beautiful images of nature, of everything from animal behaviour and portraits, to underwater scenes, landscapes and abstract compositions. Selected from more than 18,000 entries representing photographers from at least 50 countries, these winning and commended images are a commemorative collection from the worlds largest and most prestigious wildlife photography competition. Each is accompanied by an informative and memorable caption, which includes photographic details.

    Blonde? Brunette? Redhead? In the fifties, sixties, and seventies, it seemed like all the Playboy models, not just blondes, had more fun. Building sandcastles in the buff, romping on tiger skin rugs, or starting pillow fights, beauties of every tress are captured in these timeless color photographs. Playboy contributing editor James R. Petersen introduces each book with a heartfelt text, and witty quotes are sprinkled throughout. At once evocative and whimsical, this handsome collection is a perfect gift for a gentlemanwhether he prefers a blonde, marries a brunette, or has always had a thing for a redhead.

    Here are our four-legged companions at their best, up close and personal in small towns and big cities, farms and parks, kitchens and living rooms. Combining great pictures, compelling stories, and insightful essays, this lavish volume is a fitting tribute to our feline friends.

    Ranging from the elegiac to the experimental, these pictures offer a kaleidoscopic survey of innovative photographic techniques--including multiple exposures and "slide sandwiching" --along with instructions for creating similar effects in your own photography. Perfectly balancing grace and spontaneity, Fine Art Flower Photography ensures that none of us will look at (or photograph) flowers the same way again.

    It features a blend of new photos including previously unreleased footage from her prize-winning videos created for music acts including Christina Aguilera, The Cure, Sigur Ros, Incubus, Bjork, Leonard Cohen and The Living Things. These are complimented by personal projects and self-portraits.

    With the aid of over 250 source images and documents, this text reveals how photographs, film, mass-media imagery and other sources informed Bacon's painting and, in particular, how 'lens-based images' helped to trigger the most significant turning point in his stylistic development.

    

    A master of modernist experimentation, Callahan explored a range of subjects—from landscapes to city streets to portraits of his wife—and techniques throughout his career.Beautifully designed and produced, this book focuses on understanding how Callahan worked—both his day-to-day photographic explorations and his resulting fifty-year career in photography. Exploring the rich contents of the Harry Callahan Archive at the Center for Creative Photography, the authors look at how Callahan’s choice of subjects and visual ideas emerged from deliberate and improvisational processes, and how such processes might be revealed with archival materials such as negatives, transparencies, proof prints, sequential ordering, and variant printings. This close investigation of Callahan’s individual and experimental approach to materials in turn leads to a larger consideration of his relationship to seemingly contradictory strains in American visual culture of the twentieth century.Reproducing a host of previously unpublished images and documents, this volume juxtaposes select artifacts—such as contact sheets and variants—with final images to explicate Callahan’s life in and influence upon photography. Harry Callahan: The Photographer at Work will offer a rare glimpse into the creative process of an important and fascinating artist.

    Formally, these staged photographs share the style of contemporary photographers like Gregory Crewdson and Anna Gaskell, among others. Yet Hilliard draws less from the realm of the fantastic and instead looks to his immediate surroundings to draw inspiration, as he deftly fuses autobiography with fiction to engage a host of complex ideas. This lush monograph is the first major publication of Hilliard's work. Included are works from the artist's ongoing series of his father that demonstrate Hilliard's ability to tangle fact with fiction as the resulting images, underscored by the artist's wry outlook on the world, convey a distinct poignancy. Other works engage issues of intimacy, homoeroticism and identity. The resulting scenes are as often elegiac as they are comical, always orchestrated with precision, and with a marriage of form and content that work together to immerse the viewer in the visual narrative.

    'France From the Air' enables you to recognise some of the most famous of French landmarks: the Pont du Gard, Notre Dame, Loire Valley castles, and the Bordeaux vineyards, as well as exploring the less known forest of Compiegnes, the Vanoise National Park, and the villages of Brittany and Normandy.

    These Pulitzer Prize-winning photographers caught every aspect of the storm and its aftermath on film and many of those photos will be seen for the first time in this stirring work of photojournalism at its best. Nearly 270 images-culled from over 3,000 taken before, during, and after Katrina struck-capture the heartbreak of hundreds of thousands of people suddenly made homeless, Gulf Coast towns completely wiped out by wind and storm surge, and, ultimately, scenes of hope as people return, rebuild, and rebound from one of the nation's worst natural disasters. Looking past the political and bureaucratic squabbles that seem to have dominated the news at the expense of human suffering, the book's focus is squarely on the people of Katrina-both rescuer and rescued, old and young, helpful and heroic. For every scene of utter devastation there is a corresponding image of the will to survive, such as a church service in a parking lot, or a horse seeking refuge from a flooded paddock by climbing on to the front porch of a house. Separations as well as reunions are captured in moving images that will endure alongside classic photographs from America's previous calamities, and will draw comparisons to the work of Arthur Rothstein, Dorothea Lange, and Walker Evans. Eyes of the Storm is not only a graphic visual record of nature at its most malevolent, but also a testament to the ultimate triumph of the human spirit.

    Photographer Lourdes Grobet's penentrating study of Mexican professional wrestling culture features more than 500 photographs of luchadores like Blue Demon, Santo, The Witch, Adorable Rub', El Solitario and Hurricane Ramirez, as well as pictures of their families, friends and fans--onstage, backstage and even at home. Lucha Libre also includes photographs of stickers, flyers, postcards, stills from Mexi-lucha-cinema, interviews with the wrestlers, essays and much, much more! In this comprehensive 20-year study, Grobet has put together the definitive look at Mexico's masked superstars. Viva la Lucha Libre! Now in its second printing.

    Located in the southern part of the Anhui province in northern China, Mount Huangshan has often been described as the world’s most beautiful and enchanting mountain. Over the centuries this mountain with its seventy-two peaks has been the subject of Chinese landscape painters, whose singular works are so haunting it seems impossible that these mountains exist in nature. Inspired by the legacy of these paintings, Wang Wusheng has sought to portray this scenic wonder. As shown in the collection of ninety photographs in this extraordinary volume, here are mist-shrouded, granite peaks emerging from an ever-changing veil of clouds, sculptural craggy rocks on lofty cliffs, and weathered, oddly-shaped pine trees, depicted in all seasons and at various times of day. Wang Wusheng’s images are so exceptional that they look like paintings.Accompanying the photographs are two fascinating essays about the art history and natural history of the Yellow Mountains. Art historian Wu Hung provides an eloquent, comprehensive survey of the region’s artistic, literary, and photographic tradition, relating how Wang Wusheng’s work is an important part of this notable legacy.In a second essay, Damian Harper presents an authoritative account of the geology, geography, and natural history of this legendary place. In addition, there is an introduction by the Japanese critic Seigo Matsuoka, who contributes an insightful appraisal of Wang Wusheng’s work.

    Having inspired the likes of Eugene Richards and Thomas Roma, Brooklyn provides an inexhaustible muse, and Kenneally comes to the familiar ground with a fresh perspective. Her poignant, psychological photographs span generations, tracing the same people she sees everyday on her street. With her camera, Kenneally narrates their tale of both hope and despair as she explores how her subjects empower themselves in a lost culture of drugs and prison. Money, Power, Respect: Pictures of My Neighborhood chronicles pregnancies and births, institutions and streets, drugs and rehab, showing the community of inner-city families at once full of life and also institutionalized by the welfare system. Through it all, Kenneally evokes their dreams for a better life, tempered with the awareness that they may be caught in the cyclic lifestyle of limited opportunites. The photographs are in the best sense fully present, alive to what, rather than searching for what is not. Her images draw us to hope for their survival and compel us to experience the depths and complexities of family life in the American social and justice systems. Money, Power, Respect details a crucial historical moment in our nation's nearly total abandonment of the poor. This book makes it impossible to turn away from the yearning towards life, to detach the economics of the situation from the machinery of the heart.

    The photographs are all by Paul Edmond, who captured Duran Duran at the moment when they broke through to stardom. Many of the pictures also feature other personalities from the early 80s New Romantic scene, including Patti Belle, Jane Kahn, Jon Mulligan, Jane Farrimond, and Martin Degville.

    Beginning with Marilyn Monroe herself and including such favorites as Pamela Anderson, Anna Nicole Smith, and Jenny McCarthy, this chronological look at the history of Playboy centerfolds includes photos of the Playmates as well as updated personal information about their lives to this day - just enough to spark your memory or pique your interest and surely leaving you yearning for more...

    Jones is devoted entirely to the park's junior residents.

    This accessible monograph reviews the complete spectrum of his work from documentary photographs of conflict in Afghanistan to memorable images of Buddhist temples in Southeast Asia, in which he captures the essence of human experience

    You'll learn the tricks for fixing common problems, retouching secrets, how to colour correct any photo, and a whole chapter is dedicated to Photoshop special effects.

    ashes and Snow, Colbert's lifelong project, explores the nature of animals in their natrual habitat as they interact with human beings. his images attempt to lift the natural and artificial barriers between humans and other species-to re-awaken in us an understanding of our shared animal nature. Ashes and Snow Book No. 2 collects images of whales from the exhibition in Venice, Italy (2002) and New York City (2005). The books were printed and bound in Italy; the covers are created out of handmade paper from Nepal which is sealed with natural beeswax; interior pages are printed on handmade Italian paper; each book is hand sewn and tied with thread stained with hibiscus tea leaves.

    French fur traders arrived around 1717, and by 1779, 'Fort Nashborough' was officially established. In 1843, the settlement, now renamed 'Nashville,' became the capital of Tennessee. Since its early days, Nashville has had a colorful history, surviving both the Civil War and two cholera epidemics. This city, once home to Daniel Boone and President Andrew Jackson, is now home to the Grand Ole Opry. With side-by-side archival and contemporary photos, Nashville Then and Now gives readers a visual tour of the city's most enduring landmarks, like the Parthenon, built for the Tennessee Centennial in 1897, and Andrew Jackson's Hermitage.

    Renowned for his carefully composed, almost cinematic shots, Newton's signature style makes for a dramatic counterpoint to the Playboy nudes known the world over. Collected between shimmering metallic covers are more than 150 color and black and white photographs. Here we see Newton's take on Playmates in Los Angeles, Nastassja Kinski playing out a fantasy with a doppelgnger doll, a Lolita-esque travelog, and more. With a foreword by Hugh M. Hefner, an introduction by celebrated writer Walter Abish, and an afterword by Playboy's director of photography for the past 30 years, Gary Cole, Playboy: Helmut Newton is the definitive book of Newton nudes.

    Born Mike Meyer, he changed his name to distance himself from both the surrounding farming community of his native Arkansas and from his own kinfolk—claiming that a tornado had accidentally blown him onto the Meyer family farm as a baby. The son of a German-born Union soldier in the heart of the South, Disfarmer was an agnostic from Lutheran stock among the church-going Baptists and Methodists, and remained a confirmed bachelor in a community of large families. Despite his outsider status, as the resident studio photographer in the tiny town of Heber Springs from 1917–1956, Disfarmer was the ultimate insider, privy to each family’s rites of passage—from first birthdays to high-school graduations, from engagements to anniversaries, from army furloughs to funerals. His studio portraits present the people of the heartland during the turbulent times of the early twentieth century. Disfarmer documented the farm families as they sent their sons to fight World War I, struggled through the Great Depression and returned to battle for World War II. His career concludes with the optimistic 1950s, as his previously somber camera joyfully captures the pairings of bobby-soxed young women and their James Dean–wannabe boyfriends. Previously, Disfarmer’s work was known only from a cache of glass-plate negatives that had been salvaged from his studio after his death and spanned a fifth of his forty-year career. The culmination of an unprecedented two-year historical reclamation project in which a dedicated team of researchers scoured every family album in every home along every dirt road in Cleburne Count, Disfarmer: The Vintage Prints presents the never-before-seen original vintage prints of the enigmatic photographer throughout his career.

    Ruth Rudner's moving essay coupled with Muench's visual celebration of these great lands, brings to life everything from the Great Smokies to the Grand Canyon, Yellowstone, to Bryce Canyon and hundreds of other unique images.

    Gottscho, the preeminent architectural photographer of his generation, captured it. Through his lens, New York of the 1930s became the quintessential modern metropolis, a round-the-clock city in which night was as charismatic as day. Rigorously editing out the Depression-weary city's more seamy aspectsits tenement slums, breadlines, and soup kitchensGottscho presented a dreamlike Gotham of skyscrapers and penthouse luxury that literally and figuratively glowed with glamour's sheen. His gimlet eye focused on the bold interplay of sun and shadow, dramatizing the chiseled forms of Manhattan's signature skyline and bridges. The Empire State and Chrysler buildings, Rockefeller Center, the Plaza, the George Washington BridgeGottscho brought them all to sparkling life. In this beautifully produced, landmark book, historian Donald Albrecht presents 175 of Gottscho's extraordinary images of the city, from the Battery to Harlem. An introductory essay tells the story of this legendary photographer, describing his working methods and philosophy, while placing his work in the broader context of photographic history. The exhibition The Mythic City will open at the Museum of the City of New York in the fall of 2005.Published in association with the Museum of the City of New York.

    Over 80 black-and-white and color photographs are included.

    The access his subjects allow him and their obvious ease around him give these photographs an unequalled intimacy. This portfolio of Marshall's favorite shots shows the classics of jazz onstage, backstage, in the studioand also in their kitchens and living rooms. Ray Charles, Duke Ellington, Sarah Vaughan, John Coltrane, Miles Davis, Thelonious Monk, Coleman HawkinsMarshall's images capture these faces and many, many more in authentic and unguarded moments. Jazz critic Phil Elwood provides an introduction, and captions throughout present Marshall's reminiscences in his own words, making this book a must-have for both jazz and photography aficionados. By turns illuminating and haunting, Jim Marshall: Jazz confirms his place as one of the great portrait photographers.

    -John Loengard John Loengard, one of the great LIFE magazine photographers, sums up his 50-year career in this handsome volume. His subjects include movie stars, writers, politicians, artists, and other photographers, as well as everyday people engaged in a host of extraordinary activities-or, rather, typical activities rendered unforgettable and compelling by the photographer's vision. From a shimmering Marilyn Monroe to a man dozing on the beach, from a guffawing Ronald Reagan to Henri Cartier-Bresson flying a kite, from a groundskeeper in Dublin to picnickers in Central Park, Loengard's vision moves us with its humanity and artistry. John Loengard's own commentaries on his pictures enlarge our understanding and deepen our appreciation of them. These vivid texts-who knew that the term silhouette was the name of Louis XV's budget-conscious finance minister?-help us to see as if through Loengard's own eyes.

    Here are our four-legged companions at their best, up close and personal in small towns and big cities, farms and parks, kitchens and living rooms. Combining great pictures, compelling stories, and insightful essays, this lavish volume is a fitting tribute to our canine friends.

    Instead, each image--invariably comprised of a lone child in a sparse landscape--is painstakingly composed and manipulated to create psychically charged explorations of the nature of childhood and the process of self-discovery. Originally trained as a painter, Lux continues to draw influence from paintings by old masters such as Velasquez, Goya and Runge. This influence is especially apparent in Lux's compositions. After carefully choosing the models, costumes and backdrops--sometimes using her own paintings--she digitally combines and enhances each element to form meticulously structured tableaux. The consistently forlorn expressions of her models combined with the hyperreality of the image create portraits that transcend their subjects and remind us that childhood is as chaotic and multidimensional as any other part of life.

    This survey features more than 400 works from the Polaroid Collection along with essays by Hitchcock, who illuminates the beginnings and history of the Polaroid Corporation.

    This expanded edition features an additional chapter and is co-published by OB Press and RIT Cary Graphic Arts Press, both affiliated with Rochester Institute of Technology. In Teaching Photography., Perkis draws from four decades of teaching experience at such institutions as Pratt Institute, and Cooper Union, as well as School of Visual Arts in New York. He has distilled his knowledge into this volume of thoughts on visual perception, successful photo lesson exercises, and practical teaching advice for photography instructors. Perkis expresses his acute observations as a means of provoking discussion and inspiring the younger generation of photography students and educators. Carefully typeset with ample margins and devoid of photographic images, the reader is encouraged to exercise the mind's capacity to visualize - a vital tool for the art of making photographs. PHILIP PERKIS attended the San Francisco Art Institute and studied with Ansel Adams, Dorothea Lange, and John Collier, Jr. He served as chair of photography at Pratt Institute and is currently on the graduate faculty for the School of Visual Arts and Tisch School of the Arts, NYU. Perkis's work is represented in many museum collections, including: George Eastman House, The Getty Museum, Metropolitan Museum of Art, NY MoMA, and SF MoMA.

    His references to youth movements (like punk, goth, and mod) are not meant to be retro; instead Simons tries to translate their energy and determination into modern statements about mental independence. Yet, although they are impeccably cut and created with love and care, clothes are not at the core of Simons' universe. More important to this cult stylist are attitudes, moods and statements. Music, art, performance, images and words have each been a starting point for his designs, and, in an attempt to examine today's male psyche Simons takes his inspiration from the rebellion of past and present youth cultures, blending these notions with tradition and roots. This book--published on the occasion of the tenth anniversary of Simons's work--presents both a wide range of the intellectual and creative aspects of the designer's work that have sealed his position at the top of fashion's roster.

    Each artist, dancer, and writer brings a different personality to the room, and Seliger captures that spirit in each photograph. From Paul McCartney to Susan Sarandon, from Tom Wolfe to Lou Reed, all of the participants in this project demonstrate the greatest integrity and highest creativity in their crafts. Other memorable portraits include those of Tony Hawk, Richard Serra, Bill Irwin, Laurie Anderson, and Lenny Kravitz. All 75 photographs were printed with a turn-of-the-century platinum palladium photographic process, a procedure that results in a highly detailed, rich texture. The images are printed in tritone. Fred Woodward, the prominent New York designer of Rolling Stone and such ground-breaking books as Crazy, Sexy, Cool, is the mastermind behind the book's cutting-edge design.

    Building on the national recognition it enjoyed as the host of the World Fair in 1968, San Antonio is a center for the medical and biotechnology industry, as well as many multi-national companies. Twenty-first century business development blends harmoniously with Spanish and Mexican influences, local authors provide authoritative, insider text, and the archival and contemporary format of this tour offers a lively journey through San Antonio's fascinating history.

    This follow-up to "One Hundred Flowers" features gorgeous color photographs of seashells both familiar and exotic.

    But, like a panda, our outlook on life can get a bit fuzzy at times. Ray Strobel's panda philosophies are just the thing to help bring life back into focus. In Ray Strobel's gift book A Black Eye Isn't the End of the World, photos of adorable pandas illustrate uplifting messages about basic life principles.The charming animals provide a cuddly, warm perspective on handling painful setbacks ("When life knocks you down, nap"), establishing camaraderie ("Share more than small stuff"), maintaining friendships ("Don't hog the log"), and managing everyday stress ("When panic threatens, go for a stroll").Some more examples of the panda philosophy:* "When you cuddle, cuddle with conviction."* "Frolic while you're still frolicable."* "Look at life sideways."* "Tickle, don't scratch."A Black Eye Isn't the End of the World is an ideal gift for anyone who needs a quick and thoughtful pick-me-up.

    Aubrey Bodine Bodine's Chesapeake Bay Country is by and about A. Aubrey Bodine, one of the greatest photographers of his time and a Maryland treasure. Bodine's photographs chronicled nearly every aspect of Maryland life on the pages of the Baltimore Sun papers from 1924 to 1970, and won nearly a thousand awards in national and international competitions. This volume, containing 286 digitally restored pictures, is divided into five distinct areas of Maryland: Baltimore and surrounds, Chesapeake Bay, Eastern Shore, Southern Maryland and Annapolis, and Western Maryland. Published between 1952 and 1970, Bodine's first four books, My Maryland, Chesapeake Bay and Tidewater, Face of Maryland, and Face of Virginia, were immensely popular. This volume follows a similar format to those books. Editor Jennifer Bodine, the photographer's daughter, has used essays and photo captions from Bodine's earlier books, where appropriate, to convey Bodine's unique observations and his own words. The Baltimore Sun graciously gave Jennifer Bodine access to its extensive archive, allowing her to include unique, interesting, and historical photographs from the Sun collection. Photographs also were selected from Bodine's books, and the Bodine family archive.

    It is also, according to the New York City Audubon Society, one of the top ten birding spots in America. More than 200 species pass through the park on their migratory routes each spring and fall, close to one third of the bird species found in the United States. For the past two and a half years Cal Vornberger has been in the park every day photographing these feathered park residents. The best of those images are now collected in this gorgeous volume. Vornberger's photos capture birds engaged in all types of activities: feeding, bathing, caring for their young, flying, singing. Among the more than 100 species featured are warblers, egrets, herons, kingfishers, a boreal owl, and hawks (including the famous Pale Male, whose eviction last December from its ritzy Fifth Avenue perch sparked nationwide news stories). Packaged inside the book is a removable foldout pocket guide. Vornberger's spectacular photography, interspersed with his comments about birds, the park, and photography, will appeal to all bird-watchers, nature lovers, photography aficionados, and visitors to New York's Central Park.

    The first anthology of its kind to appear in English, this book collects key texts written from the 1950s to the present by the country's most celebrated and controversial photographers, and illuminates a set of ideas, rules and aesthetics that are specific to Japanese culture, but often little known elsewhere. Contributors include Takuma Nakahira and Daido Moriyama, in whose landmark late-60s magazine Provoke a radically new direction in Japanese photography was set; Nobuyoshi Araki, the provocative and prolific chronicler of bound girls (among other subjects); and Eikoh Hosoe, whose collaborations with the Butoh dance master Hijikata and the novelist Mishima made him prominent as an intellectual figure as well as a photographer. In addition, there are selections from modern masters such as Masahisa Fukase, Takashi Homma, Takuma Nakahira and Hiroshi Sugimoto. Each chapter in the book is devoted to a central theme that is particular to Japanese photography, such as the role of nostalgia in a culture that has often sought to jettison its past amid the shadows of a war lost. The writings vary in form from diary entry to scholarly treatise, but all reflect a clear connection between word and image, one so essential that no comprehensive consideration of Japanese photography can be complete without it.

    Sherman systematically photographed more than 200 families, groups, and individuals while they were being held by customs for special investigations. This volume collects and provides an essential revaluation of Sherman's striking portraits, which predate August Sander's cataloging efforts by several years. A historical document of unprecedented worth, "Augustus F. Sherman: Ellis Island Portraits" includes almost one-hundred portraits taken from 1905 through 1920. The subjects are frequently dressed in elaborate national costumes or folk dress, emphasizing the variety and richness of the cultural heritage that came together to form the United States. Romanian shepherds, German stowaways, Russian vegetarians, Greek priests, and Ghanaian women in elaborately patterned dresses, are treated with equal gravitas. The resulting body of work presents a unique and powerful picture of the stream of immigrants who came through Ellis Island. In its time, the material contributed to the larger project of ethnographic categorization and typology typical of the early twentieth century, much as Edward S. Curtis's portraits romanticized the "last Indians" or John Thomson's "Street Life in London" identified and codified social class in the late 1800s. Though originally taken for his own personal study, Sherman's work appeared in the public eye as illustrations for publications with titles such as "Alien or American," and hung on the walls of the custom offices as cautionary or exemplary models of the new American species. In this book, Peter Mesenh ller, Research Associate with theRautenstrauch-Joest-Museum of Anthropology in Cologne, Germany, provides new critical context and analysis of this rich collection, but also addresses the individual images as powerful, engaging photographs created by a master portraitist. The publication is accompanied by a traveling exhibition that will open at the Ellis Island Immigration Museum in the summer of 2005.

    To his critics, he is no more than a pornographer and a misogynist; to his supporters he is a radical and a revolutionary. This book explains Araki in its sheer range of text and images, and is a comprehensive volume on his life's work.

    We examine the enormous impact of Playboy, not only on American titles, but on magazines worldwide. This is the decade when France finally declines as a great force in magazine production; England starts to show her pervy side; Argentina embraces burlesque; and Germany once again blends political activism with nudity. By 1965 even Australia has a booming men's magazine industry. The volume ends with a look at those great back-of-the-magazine ads for party pills and the first inflatable ?dates?. The History of Men's Magazines, Volume III contains over 400 full color pages of vintage covers and interiors and a well-researched text profiling quirky publishers and artists, individual magazines, and the place of it all in the Swinging Sixties culture.

    "Owens' photographs find unexpected beauty and mystery within the American vernacular. This collision between normality and strangeness transforms the American landscape into a place of wonder and anxiety." -- from the introduction by Gregory Crewdson. Black and white and color photographs.

    The Pentagon's largely successful effort to embed the press with the troops has served to obscure much of the truth of the War in Iraq, a point that is vividly illustrated by this collection of photographs by four independent photojournalists, whose refusal to be embedded have allowed them to capture images of the war not commonly seen in mainstr

    A remarkable collection of never-before-published photographs from the reclusive actress's own collection features a dramatic array of tritone portraits by Clarence Bull, Arthur Genthe, Ruth Harriet Louise, and other notable photographers that capture the diverse dimensions of the star throughout her storied career, accompanied by a complete filmog

    He lived in a typical two-up, two-down terraced house amongst many other two-up, two-down terraced houses... it was yellow and orange. In that respect it was totally different from every other house on the street. Charlie was a simple, gentle man. He loved flowers and the names of flowers. He loved color and surrounded himself with color. He loved his wife. Without ever trying or intending to, he showed me that the most important things in life cost nothing at all. He was my antidote to modern living." Over eight years, photographer Julian Germain documented Charlie, an elderly man living alone on England's Southern Coast, unfettered by the misplaced aspirations of the modern world; instead he spent the last years of his life absorbed in memories of his family, his love for flowers, music and the quotidian pleasures of the crossword. Germain's charming photographs are a beautiful, gentle portrait of a gentleman in his twilight years.

    Appendix with biography, exhibition history, bibliography, production credits. This publication is the first to assemble all of the artist's photographic productions in a single volume and includes his most recent, previously unpublished series Beneath the Roses. Texts in German and English. First edition.

    It’s therapeutic.” Tisch Sims says that wearing fantasy hair makes her feel “like a goddess, a queen.”From the afro to the ponytail to dreadlocks to braids to relaxed hair to fantasy hair; from “good hair” to bad hair days, in this stunningly designed book black women from the United States, Africa, and London explore the fascination with hair and beauty that has long been a cherished part of African American culture. In fifty gorgeous photographs accompanied by vivid, personal narratives, Queens, by turns moving and funny, is the ultimate all-occasion gift book, perfect for Christmas, Kwanzaa, Mother’s Day, and birthdays.

    The text is dual language, Bosnian and English. The photographs presented at the memorial in Potočari are taken from this work.

    Taking as their subjects both the greatest personalities of the day and the natural spectacles of the American landscape, such as Niagara Falls, Southworth & Hawes elevated the new medium of daguerreotype photography to the level of art. Transcending the mere recording of factual detail, their daguerreotypes reflect a quintessentially American aesthetic and embody an emerging national culture and spirit. Young America will be the most significant publication to date on Southworth & Hawes, featuring full-scale color reproductions of all plates in the exhibition as well as 2,000 additional black-and-white illustrations. It will include a critical analysis of the historical and cultural importance of the work of Southworth & Hawes, with original texts by Brian Wallis, ICP Director of Exhibitions and Chief Curator, and Grant Romer, Director of the advanced program in Photography Conservation at George Eastman House, among other scholars. Appendices will include a chronology, an annotated bibliography, an exploration of the daguerreotype process, brief biographies of the sitters and a Southworth & Hawes family genealogy, making the catalogue an invaluable resource for researchers as well as general readers. The book will include an annotated bibliography, exhibition checklist and chronology.

    But when a Frenchie raises his broad, sweet face for a kiss, you know you've never seen a more appealing sight. Frenchie lovers will quickly testify to the undying loyalty of this little dog with big bat ears and a most curious expression. With the wisdom of an old soul in his eyes-and his endearing, satisfied snore-this playful and sometimes stubborn little pooch has a big heart and a personality all his own. A clown always ready for tricks, the French Bulldog laughs with his whole body and is a big part of his human family. Frenchie Kisses captures the spirit of this one-of-a-kind breed.

    At Bondi in Sydney, Australia, the eastward growth of the city is halted by the Pacific Ocean. Despite the unappealing architecture of the area, it has developed among the warm climate and natural wonders a free-spirited subculture of young men. It is a mecca for young men from all over the world. Paul Freeman's work captures that free-wheeling and devil-may-care attitude of this current youth culture.

    Through the camera’s eye, we see the war from both the combatants’ perspective and that of the Vietnamese civilians, for whom the conflict was a constant and horrendous backdrop. Some of the photographs are well known, verging on the iconic, others are less well circulated but no less evocative. All make indelible impressions on the viewer–perhaps more so now than when they were taken, thirty to fifty years ago. The essays accompanying the photographs tell us about what happened to the photos’ subjects, both when the shutter captured them and since; about the challenges facing the photographers in the heat of battle; and how, in some cases, the photographers changed history by bringing Vietnam’s senseless violence to ordinary Americans’ doorsteps, thereby helping turn public opinion against the war. Published to coincide with the thirtieth anniversary of the fall of Saigon, Under Fire is a potent, often poignant reminder of the men and women whose work helped forge the collective memory of a generation.

    It is, in fact, an artist’s autobiography, the life told through the work, since Goude has never been able or willing to separate his personal growth and personal desires from his art. Beginning with the strongest influences of his early years, it moves with unusual honesty and a good deal of humour through his teenage love of dance (his mother was a Broadway dancer), sport and jazz; his youthful hangouts in the sixties; his years at art school and his discovery of drawing as a means of seduction; his time at Esquire; his revolutionary work with Grace Jones for Jungle Fever; his videos for MTV and for Azzedine Alaïa; his advertising work for Lee Cooper, Chanel, Cacharel; his involvement with the Bicentennial Parade; his wife and family... 360 Pages. About the Author Selected and arranged by Jean-Paul Goude himself, written by Goude and Patrick Mauriès, So Far So Goude is the definitive book on the work of an extraordinarily innovative, talented and unorthodox man. With more than 350 illustrations in full color, it will be endlessly fascinating to all those interested in fashion illustration, photography, and all avenues of commercial design and advertising. Patrick Mauriès has written extensively on twentieth-century design and fashion. His previous books include Jewelry by Chanel, Fornasetti: Designer of Dreams, Christian Lacroix: The Diary of a Collection and, at Assouline, Jean Cocteau.

    This is a collection of photographs of the beautiful and complex land of Ireland, by some of the greatest names at Magnum, the leading photographic agency of modern times.

    In his own quiet way, by snapping a shot of every crowd the Yeah Yeah Yeahs have played for, every hotel room they've left in disarray, and every moment of consequence they've had together, Zinner makes hacks of us all and brings us behind the music for real." -- Jenny Eliscu, Rolling Stone In four years the Yeah Yeah Yeahs went from underground sensation to internationally acclaimmed rock band.Through the lens of his camera, lead guitarist Nicholas Zinner, documented the group's meteoric rise to fame. From the Grammys to the concerts, Nick captured the glamour, debauchery and road-weary tedium of his world. I hope you are all happy now gives readers a never before seen look at rock 'n'roll.This collection includes essays by Jim Jarmusch, director of Coffee and Cigarettes, and comedian David Cross.