It is a celebration of the singularity and connectedness of each and every one of us. It demands of us what it demanded of her: the courage to see things as they are and the grace to permit them to simply be. For Diane Arbus, this is what making pictures was all about.These photographs achieve a lyricism, an emotional purity that sets them apart from all her other accomplishments. "Finally what I've been searching for, " she wrote at the time. The product of her consistently unflinching regard for reality as she found it, the images in this book have less in common with the documentary than with the mythic.

    A leading figure in the early twentieth century's Golden Age of Illustration, Rackham interpreted scenes from such diverse material as fairy tales, Wagnerian opera, and Shakespearean comedy. His memorable images, which combine whimsy, romance, and sophistication, continue to enchant children and adults alike.Magnificently reprinted from more than 25 rare early editions, these 86 illustrations were selected from hundreds of possibilities and include many plates that have not been reproduced in decades. They span Rackham's career — from his landmark 1905 edition of Rip Van Winkle to masterworks such as Undine and A Midsummer Night's Dream and his final publication, Wind in the Willows, in 1939. Art lovers, book collectors, and anyone with an appreciation for imaginative visual storytelling will prize this marvelous treasury.

    In 1992, the year she completed her studies at Glasgow School of Art, her graduation exhibition sold out. Most notably, one painting was bought by Charles Saatchi and, since then, her international reputation has grown at a rapid and steady pace.Jenny Saville is described as a "New Old Master" for the technical proficiency of her oversize nudes that have earned her comparisons to Rubens and Lucian Freud and universal praise from critics and art historians alike. For the conceptual underpinnings of her work, she has been hailed as one of the most interesting artists of the last decade. Her work has been shown alongside that of Damien Hirst and the other Young British Artists in the acclaimed and seminal survey of new British art Sensation at the Royal Academy (London, 1997) and the Brooklyn Museum of Art (New York, 2000).This is the only monograph devoted to the critically acclaimed young artist and features all of Jenny Saville's paintings to date-including many previously unpublished. This volume is being published in association with the Gagosian Gallery in London. The power of her brilliant and relentless embodiment of our worst anxieties about our own corporeality and gender is what distinguishes Saville from other paint-obsessed representers of the naked human body. To my eye, no other artist in recent memory has combined empathy and distance with such visual and emotional impact. -Linda Nochlin, Art in America, March 2000

    The unprecedented scope of this collection provides the opportunity to study his more composed, aesthetically structured images alongside his snapshots, which offer a more anecdotal account of Doisneau's Paris. Organized thematically, the book leads us on an entrancing tour through the gardens of Paris, along the Seine, and through the crowds of Parisians who define their beloved city. More than 600 photographs-many rare, forgotten, and previously unpublished-are assembled in this beautiful volume to create a unique portrait of Paris. From toddlers scrambling to cross rue de Rivoli to fresh-faced accordionists, from elegant dog walkers to exuberant roller skaters, and from the indelible kiss in front of the Hétel de Ville to cyclists beneath the Eiffel Tower, the magic of Paris in black and white is a timeless treasure. The photographs, edited by Doisneau's daughter, are complemented by citations from the photographer himself, which reveal his profound fascination with the city where he lived and worked.

    It offers new perspectives on Basquiat's achievements, exploring them in the contexts of his key influences, and explores many individual works in detail.

    Beautifully produced and co-published with La Lux de Jesus, this is an objet d'art in itself, revealing the complexity of Elizabeth McGrath's sweetly twisted creatures, giving a glimpse of what the Island of Misfit Toys might have become had it been saved by Satan rather than Santa.

    Published to accompany the hugely popular Vivienne Westwood exhibition at the V&A, this book is the first in-depth Vivienne Westwood retrospective. It studies her work as a groundbreaking fashion designer and celebrates her visual impact and iconic profile world-wide.

    She first appeared as a Playmate in the pages of PLAYBOY in January, 1955 in a fetching yuletide photo shot by Bunny Yeager. At the end of the decade, she disappeared, but her legend continued to grow until, by the 1990s, she had become an icon.

    Sally Mann came to the attention of the public in 1992, with a series of intimate portraits of her children and her reputation has risen since then.

    A collection of 260 photographs, many never before published, offers panoramic views of scenes from every region of the world.

    Avidly sponsored by The New Yorker, he arrived in Manhattan the following year, only to join the military on a worldwide tour of duty, which he chronicled in the pages of the magazine. Through the 1950s, Steinberg's acute, spontaneous, fluid line was in constant demand among periodicals and book publishers throughout Europe and the United States. In sixty years, he worked with every editor The New Yorker has had, and he created art of every category it employed, including covers, cartoons, spot drawings, illustrations for Profiles, and multi-page portfolios. All 87 of Steinberg's covers are seen here in full colour, as well as colour drawings which originally appeared in black and white, and 25 thematic plate sections which explore his defining preoccupations. The accompanying essay by art historian Joel Smith considers Steinberg's work in the context of the magazine's evolution, during and after World War II, from a humorous weekly to one of the defining standard bearers of taste and intelligence in American letters.

    Featuring witches, ghouls, ghosts, and jack-o-lanterns, the scariest postcards and decorations, the silliest costumes and candid photos are collected here. With an introduction tracing the unexpected history of Halloween and its traditions, Vintage Halloween is a nostalgic tribute to one of America's favorite holidays.

    These buildings were used during the Civil War. The men were all dead, but the buildings were still here, left behind as the city grew around them....The passing of buildings was for me a great event. It didn’t matter so much whether they were of architectural importance. What mattered to me was that they were about to be destroyed. Whole blocks would disappear. An entire neighborhood. Its few last loft occupying tenants were being evicted, and no place like it would ever be built again. The streets involved were among the oldest in New York and when sections of some were closed by the barriers of the demolition men, it meant they would never be opened again.” —Danny Lyon In late 1966, Danny Lyon returned to New York City, having just finished The Bikeriders. He was twenty-five. Living in a loft on the corner of Beekman and William Streets in Downtown Manhattan, Lyon saw that half the buildings on Beekman Street were boarded up, about to be demolished. That year an incredible sixty acres of mostly nineteenth-century buildings were slated for demolition, all below Canal Street. The seven-acre site where the Twin Towers would eventually stand was being cleared, a new ramp added to the Brooklyn Bridge, Pace University expanded, and the Washington Market was being moved to the Bronx. Whole sections of Lower Manhattan were being turned into rubble. Lyon thought of the title The Destruction of Lower Manhattan first, and then made a record of each building before it was demolished. The book was released by Macmillan Publishers in 1969, and remaindered a few years later; the copies sold for one dollar each. It has been a collector’s item ever since. Thirty-eight years after these photographs were made, many of them are the only record that survives of entire blocks that once lined Fulton Street, and West Street along the Hudson. Because of the disaster that would strike the city a generation later, New Yorkers have taken on a renewed and fervent interest in the architecture of their city. This work is a major contribution to that new world. For Lyon, these buildings in their last days standing were the embodiment of a beauty and pathos that people walking by in the street seldom noticed at the time. Those feelings were preserved in the photographs that today survive exactly as the young author intended, as a memory and a record of what was.

    His orders were to document the aftermath of U.S. bombing raids in Japanese cities, including not only Hiroshima and Nagasaki, but also cities such as Sasebo, one of the more than sixty Japanese cities firebombed before the atomic blasts. The people I met, he now recalls, the suffering I witnessed, and the scenes of incredible devastation taken by my camera caused me to question every belief I had previously held about my so-called enemies.

    A beautiful, unusual and engaging compendium of art history, providing an accessible entree into the world of art for everyone, regardless of their experience.From cave paintings to the Renaissance, Impressionism to Pop Art, The Collins Big Book of Art takes you on a journey through the history of art in a delightful and informative way. With more than 1200 works of art represented, this is both a coffee– table book and an educational experience; cross–referenced throughout, and including the following sections and features:A Chronology spans the history of art, step by step, from 38,000 BC to the present. Pieces from around the world are juxtaposed to place them in historical context. Each is labelled with date, country, title, artist, materials, size and current location. In addition, each piece of art is tied to its movement and key themes, which are pursued in greater detail in the other sections of the book.Turning Points, interspersed throughout the chronology, delve into both the major artistic movements and highlight the technical breakthroughs which changed how artists of the time worked, and affected how they saw the world. For example, the glass lens allowed more lifelike portraiture in the early Renaissance, the ability to put paint into tubes gave the Impressionists the freedom to work outdoors, and Freud's work in psychoanalysis had a major impact on Surrealism.The second part of the book explores enduring Themes of art, taking a subject and showing how artists through the ages have depicted it. Various approaches to portraits and landscapes, allegory and religion, still life and abstraction are compared and contrasted, using carefully selected images to illuminate each point made.In addition, an extensive Reference section allows the reader to access information in numerous ways; the multiple indices include a glossary of terms, artists registry, index of museums, and more.With easy navigation and an engaging presentation of the material, The Collins Big Book of Art will inform, inspire, and entertain art enthusiasts at any level of understanding and appreciation.

    Blonde? Brunette? Redhead? In the fifties, sixties, and seventies, it seemed like all the Playboy models, not just blondes, had more fun. Building sandcastles in the buff, romping on tiger skin rugs, or starting pillow fights, beauties of every tress are captured in these timeless color photographs. Playboy contributing editor James R. Petersen introduces each book with a heartfelt text, and witty quotes are sprinkled throughout. At once evocative and whimsical, this handsome collection is a perfect gift for a gentlemanwhether he prefers a blonde, marries a brunette, or has always had a thing for a redhead.

    Using celebrity busts, outrageous everyman busts, and the author's professional experience, Busted! is everything you need to know about the criminal justice system, Drug War style, before it's too late. Like a Law & Order episode, the book takes the reader through a typical small-time drug possession case from committing the crime (the buy/recommending a dealer), to handling police encounters like a pro, to getting busted, to spending a night in jail, to fighting your drug bust, to pleading guilty, through trials and appeals, and, finally, punishment - with irreverent humor and expert advice all the way to the bitter end.Busted! also includes drug possession law for the house party, the rave, your roommate's stash; search and seizure on the street, in your ride, in your apartment, and up your ass. Drug War Driving Lessons covers DUI's and drugged driving; also learn how to make your phone call from jail count, how to ace your bail hearing, and protect your Internet privacy. The Dope Law Index includes possession law for marijuana, ecstasy, cocaine and methamphetamine for all 50 states. BUSTED! helps the casual drug user to know his rights, walk the thin grey line between legal and illegal and ultimately stay out of jail.