. . .Nineteen-year-old Juicy Stanfield is the sexy young girlfriend of Granite “G” McKay, owner of Harlem’s notorious G-Spot Social Club. A drug dealer with a lethal streak, he runs Harlem with an iron fist. But even the cash and the bling can’t keep Juicy from getting restless, and while G fulfills her every material desire, she’s burning up with unrequited sexual energy. To cheat on him would mean a death sentence; so Juicy finds pleasure in secret ways: fantasizing on crowded subways or allowing her eyes to hungrily take in the male dancers on the club’s ladies night.But as Juicy’s sexual cravings grow stronger, one thing becomes frighteningly clear: She’s a virtual prisoner in G’s dangerous world. As G begins to suspect her of playin’ him, he pulls the reins he keeps on her even tighter. If she’s ever to escape and get a life of her own she must find a way to start stashing away some of G’s cash. But doing that under G’s watchful eye is a challenge she might not live up to–especially when her appetite tempts her with the deadliest desire of all: G’s very own son. . . .From the Trade Paperback edition.

     When Washington, D.C., chiropractor Yardley Brown goes to his local bank, it isn't only to make deposits into his account. He has long since accrued some interest in Rayne Waters, a bank employee who's too beautiful to be true -- and too beautiful to be single. At least that's what Yardley believes, which is why he has never approached her. Little does he know that Rayne is anything but taken. Not for want of trying, of course. But after barely surviving a dating disaster with her hairdresser's brother and then falling for a member of her church band who, it turns out, is celibate, she's on the verge of giving up. That is, until Yardley -- discouraged by his own slew of dead-end romances -- finally works up the courage to give her a try. The true craziness, however, is just beginning, thanks to a cast of characters who seem bent on botching the young couple's relationship. There's Rayne's erratic mother, who constantly boasts about being a "good whore"; Yardley's playboy buddies, always trolling for sex; and, worst of all, past lovers who make a habit of popping up and ruining things as only old flames (or previous mistakes) can. Weaving the carnal and the comical in true Zane fashion, Rayne and Yardley's struggle to find love in a world gone mad is a timeless talk about everything that can go wrong in the dating game -- and a few things that can go right.

    This beautiful collection is the product of years of full-time research by a team of British and American scholars and represents the most thorough examination ever undertaken of the nature and authority of Shakespeare's work. The editors reconsidered every detail of the text in the light of modern scholarship and they thoroughly re-examined the earliest printed versions of the plays, firmly establishing the canon and chronological order of composition. All stage directions have been reconsidered in light of original staging, and many new directions for essential action have been added. This superb volume also features a brief introduction to each work as well as an illuminating General Introduction. Finally, the editors have added a wealth of secondary material, including an essay on language, a list of contemporary allusions to Shakespeare, an index of Shakespearean characters, a glossary, a consolidated bibliography, and an index of first lines of the Sonnets.Compiled by the world's leading authorities, packed with information, and attractively designed, The Oxford Shakespeare is the gold standard of Shakespearean anthologies.

    You got to fight it with your heart."An internationally famous photographer, Tucker Mason has traveled the world, capturing things other people don’t see. But what Tucker himself can’t see is how to let go of the past and forgive his father.On a sprawling Southern estate, Tucker and his younger brother, Mutt, were raised by their housekeeper, Miss Ella Rain, who loved the motherless boys like her own. Hiring her to take care of Waverly Hall and the boys was the only good thing their father ever did.When his brother escapes from a mental hospital and an old girlfriend appears with her son and a black eye, Tucker is forced to return home and face the agony of his own tragic past.Though Miss Ella has been gone for many years, Tuck can still hear her voice—and her prayers. But finding peace and starting anew will take a measure of grace that Tucker scarcely believes in.

    K. Wilson has decided to run for borough president. But his family values platform may backfire. In public, his wife and two children are a shining example of respectability. Yet privately, the Wilson offspring are giving in to the same temptations as other young adults - and their parents have no idea.

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    Two girls quite accidentally crossed paths: one, pretty and popular; the other smart and . . . green. The story of how these two unlikely friends became Glinda the Good and the Wicked Witch of the West has made for the most spellbinding musical in years: WickedWicked: The Grimmerie is the behind-the-scenes story of the hit that has captivated Broadway—and now the world. Designed to resemble the ancient book of spells that changes Ozian history, Wicked: The Grimmerie includes profiles of the cast and creative team, the complete, illustrated lyrics to all the songs, and more than 200 full-color photographs. Packed with thrillifying details, Wicked: The Grimmerie is also full of bonus features that will delight fans of the show, from an Ozian Glossararium and an Oz travelogue to a step-by-step look at how Elphaba gets green. No need for innuendo or outuendo: This is a must-have for Wicked fans of all ages.

    This latest work from the author of Our Lady of 121st Street "shares many of the traits that have made Mr. Guirgis a playwright to reckon with in recent years: a fierce and questing mind that refuses to settle for glib answers, a gift for identifying with life's losers and an unforced eloquence that finds the poetry in lowdown street talk. [Guirgis brings to the play] a stirring sense of Christian existential pain, which wonders at the paradoxes of faith" (Ben Brantley, The New York Times).

    He's done his time, made the right connections, and now he's ready to use them. His wife Jackie just wants her husband home, but she's forgotten the rows, the violence, and the girls Freddie can't leave alone. Bitter, resentful, and increasingly unstable, Jackie watches her life crumble while her little sister Maggie's star rises. In love with Freddie's cousin Jimmy, Maggie is determined not to end up like her sister.Families should stick together, but behind closed doors, jealousy and betrayal can fester until everyone's life is infected. And for the Jacksons, loyalty cannot win out. Because in their world you can trust no one. In their world everyone is on the take.

    Her husband has a thriving career. Together, they have a beautiful home in Los Angeles. Together, they're crazy in love. Then one day a family tragedy brings Genevieve back to her Alabama hometown, back to a past she hoped her husband would never discover, and back to secrets shared by her sister Kenya-mysterious, teasing, and dangerously irresistible. Soon, Genevieve's husband will discover the truth about his wife and her family. Something he was never meant to know-and a desire he was never meant to explore.

    Doretay is a state within a kingdom called Vidien, which Angelica's and Francesca's great uncle, King Oscar, rules. Pellrue attempts to keep control of his wicked, evil daughters as they keep entering his city and raising havoc by torturing and murdering the common citizens within. Angelica and Francesca is an excellent, dramatic play, which will never be forgotten.

    Harry gets a job as warehouse manager and his wife, Martha, works in a grocer's shop, whilst Seraphina trains as a teacher, Angela works in Bunney's Department Store and young Evie starts at regular school.Then circumstances change and Seraphina takes a job as a nippy in Lyon's Corner House. Customers vie for her favours, including an old friend, Toby.When war is declared the older girls join up, leaving Evie and Martha to cope with rationing, shortages, and the terrible raids on Liverpool which devastate the city. Meanwhile, Toby is a Japanese POW, working on the infamous Burma railway and dreaming of Seraphina...Darkest Before Dawn is a warm passionate story that makes it easy to see why Katie Flynn is one of Britain's most popular saga writers.

    Liverpool 1920s: Michael Quinn the cobbler returns home after the First World War forever changed by his experiences on the front line. He moves his family from their comfortable home to live over a shop in Liverpool's notorious Scotland Road. Though admired and liked by his customers, behind closed doors he rules his family with a fist of steel. Fourteen-year-old Vera Quinn longs for a life of her own. But when their mother dies, she must keep house for her father Michael and her brothers, Eddy and young Benny. So begins a life of hardship, until an unexpected series of events leads Vera to discover she is far stronger than she could have ever known…

    During their childhood years in the Kenya Highlands three girls from vastly different backgrounds become blood sisters, promising that nothing will ever destroy the bond between them. But the legacy of the Mau Mau rebellion, and the tensions and upheavals of newly independent Kenya, tear their childhood dreams apart. Separated by distance and by family obligation, the three young women are thrown into a larger world of conflicting interests. Camilla Broughton Smith becomes a successful model in the studios and smoky nightclubs of London in the swinging sixties. Sarah Mackay is sent to university in her native Ireland, an alien experience that only strengthens her resolve to return to Africa. Hannah Van der Beer's family struggles to retain the farm that her Afrikaans forebears established at the turn of the century. Time and again their bond is almost destroyed. Their friendship becomes a backdrop for competing love interests and broken promises. Political unrest brings violence, and savage murder becomes part of their lives. "Blood Sisters" is the story of painful transition, from the innocent ideals of childhood to the demands of reality, amidst the cataclysmic events of the African continent

    Facing a future of cooking, cleaning and unsatisfying sex, Trudy decides to make some changes while she still can.

    Her no-nonsense aunt, a nun, appears by her side and suggests Yu-Jung accompany her on a charitable visit to death row. At her lowest ebb, Yu-Jung is resistant. But something compels her to go to the prison. There she meets Yun-Soo, a convicted murderer who will soon be put to death. Though she is repulsed by his crimes, something about the depth of his suffering strikes a chord in her. Shaken by their encounter, she returns to visit him the next week. And the next…Through their weekly, hour-long meetings, Yu-Jung and Yun-Soo slowly reveal to each other the dark secrets of their pasts and the hidden traumas that have shaped their lives. In doing so they form a deep, unbreakable bond, helping one another overcome their demons. But Yun-Soo’s hands are always in cuffs, the prison officers are always in the background, and they can never lose sight of the fact that their happy time together is tragically brief.Gracefully poetic and ideal for fans of Kyung-Sook Shin’s Please Look After Mother, Our Happy Time is a passionate and heartbreaking love story as well as an important, hard-hitting, and compassionate fable.

    Anton Chekhov is a unique force in modern drama, his works interpreted and adapted internationally and beloved for their understanding of the human condition and their brilliant wit. This volume contains work that has never previously been translated including the newly discovered farce The Power of Hypnosis and the first version of Ivanov, as well as Chekhov's early humorous dialogues. No less important, Laurence Senelick, who has staged many of these plays, has freshly translated them to bring into English Chekhov's jokes, the deliberate repetitions of his dialogue, and his verbal characterizations. Senelick has also annotated the works to bring clarity for the general reader and has included variants of the plays. His translations infuse new life into such classics as The Cherry Orchard and Three Sisters.

    Jocie's father, preacher David Brooke, has done his best to be both father and mother to his daughter. Even Jocie's spinster Great-aunt Love, who's slowly going senile, cares for Jocie in her own stern way. But in their small town of Hollyhill, Kentucky, painful secrets lie just beneath the surface, and inquisitive spirits discover surprising truths. There's a reason why Aunt Love hides behind black dresses and a stoic countenance. And David takes his morning walks not just for quiet solitude, but to wrestle with the past. Full of stories of lost loves and the trials of small-town living, this heartwarming novel explores the journey of faith and family.

    It is an inspired study in moral uncertainty with the compellingly certain structure of an old-fashioned detective drama. Even as Doubt holds your conscious attention as an intelligently measured debate play, it sends off stealth charges that go deeper emotionally. One of the year’s ten best.”—Ben Brantley, The New York Times“[The] #1 show of the year. How splendid it feels to be trusted with such passionate, exquisite ambiguity unlike anything we have seen from this prolific playwright so far. Blunt yet subtle, manipulative but full of empathy for all sides, the play is set in 1964 but could not be more timely. Doubt is a lean, potent drama . . . passionate, exquisite, important, and engrossing.”—Linda Winer, NewsdayChosen as the best play of the year by over 10 newspapers and magazines, Doubt is set in a Bronx Catholic school in 1964, where a strong-minded woman wrestles with conscience and uncertainty as she is faced with concerns about one of her male colleagues. This play by John Patrick Shanley—the Bronx-born-and-bred playwright and Academy Award-winning author of Moonstruck—dramatizes issues straight from today’s headlines within a world re-created with knowing detail and a judicious eye. After a stunning, sold-out production at Manhattan Theatre Club, the play has transferred to Broadway.John Patrick Shanley is the author of numerous plays, including Danny and the Deep Blue Sea, Dirty Story, Four Dogs and a Bone, Psychopathia Sexualis, Sailor’s Song, Savage in Limbo, and Where’s My Money?. He has written extensively for TV and film, and his credits include the teleplay for Live from Baghdad and screenplays for Congo, Alive, Five Corners, Joe Versus the Volcano (which he also directed), and Moonstruck, for which he won an Academy Award for original screenplay.

    But she has long since lost touch with the rest of her family, and Mandy returns as a virtual stranger. As memories come back to her, Mandy begins to remember why events brought a sudden end to her visits.

    She cannot forgive him for breaking her heart, but can she really learn to let go? More importantly, will he allow her go?

    But Sofia has never spoken of it. All she admits to is growing up in a small Cretan village before moving to London. When Alexis decides to visit Crete, however, Sofia gives her daughter a letter to take to an old friend, and promises that through her she will learn more.Arriving in Plaka, Alexis is astonished to see that it lies a stone's throw from the tiny, deserted island of Spinalonga - Greece's former leper colony. Then she finds Fotini, and at last hears the story that Sofia has buried all her life: the tale of her great-grandmother Eleni and her daughters and a family rent by tragedy, war and passion. She discovers how intimately she is connected with the island, and how secrecy holds them all in its powerful grip...

    Now the major motion picture "Brokeback Mountain" is being hailed as equally masterful, with performances that are "the stuff of Hollywood history" "(The New York Times)." "Brokeback Mountain: Story to Screenplay" offers readers insight into how this classic short story was turned into an award-winning screenplay and film. "Brokeback Mountain" was originally published in "The New Yorker." It won the National Magazine Award. It also won an O. Henry Prize. Included in this volume is Annie Proulx's haunting story about the difficult, dangerous love affair between a ranch hand and a rodeo cowboy. Also included is the Oscar-nominated and Golden Globe-winning screenplay for the major motion picture, written by Larry McMurtry and Diana Ossana. All three writers have contributed essays on the process of adapting this critically acclaimed story for film. This book is an indispensable tool for film students and aficionados.

    Pam Lyons has a husband who places more trust in money and marijuana than in God. Yvonne Hastings is a minister's wife whose husband's infidelity and physical abuse brings their marriage to a crossroads. Taylor Johnson is a single mother who is looking for a good Christian man to help raise her son, but is unable to rid herself of the guilt left over from her promiscuous past. The secret of Taylor's child's paternity is the catalyst for the tumultuous relationship between the three women. Together, they will learn unforgettable lessons about love, forgiveness, prayer, and sisterhood.

    Questions about Julie's own complicity, about a devastating secret her mother kept from them all. Questions about the person who went to prison for Izzy's murder -- and about the man who didn't.Now Julie must harness the courage to revisit her past and untangle the shattering emotions that led to one unspeakable act of violence on the bay at midnight.

    In a tragic turn of events, her beloved little brother dies and Hyun-Bin runs away from the begging, from the gangs - straight into the clutches of a rich family. Her life might have become better but it's far from rosy: she has to undergo strict training every day and guard the family's youngest member, innocent and princess-like Yae-Ha. There are only two rules, Hyun-Bin has to protect Yae-Ha with her life and no one must ever find out that she's a girl. It's a lonely and cold way of life but a fateful encounter with the delinquent Yun-Ha becomes a catalyst of changes to come, where loyalty and a sense of duty clash with feelings of love.

    An orphan since 11, she thought she would never again have a family or security. Then she meets handsome, charming Joel Parry, and he just happens to need a place to stay. Before long, Joel has moved into Maria’s new house and has begun spending her money. But Joel is deep in Manchester’s drug scene, and his terrifying past is about to catch up with him—and the naïve girl who trusts him.

    Ruhl dramatizes a community of players rehearsing their annual staging of the Easter Passion in three different eras: 1575 northern England, just before Queen Elizabeth outlaws the ritual; 1934 Oberammergua, Bavaria, as Hitler is rising to power; and Spearfish, South Dakota, from the time of Vietnam through Reagan’s presidency. In each period, the players grapple in different ways with the transformative nature of art, and politics are never far in the background, as Queen Elizabeth, Hitler, and Reagan each appear, played by a single commanding actor.Sarah Ruhl’s plays include Dead Man’s Cell Phone, Eurydice, and The Clean House, which was nominated for the Pulitzer Prize. Her work has been widely produced both throughout the country and internationally, and she is the recipient of the MacArthur “Genius” Fellowship.

    When Mary finds a framed motto promising that “It’s never too late to be who you might have been,” she is haunted by the memory of an old flame and guilt over the way things ended between them. In a desperate attempt to reconcile the past and find a new future, Mary returns to Paris, the city where she won and lost her first love. Paris will change everything for Mary and her daughter, in ways neither could imagine.

    and her marriage. The family's secluded cabin in Kings Canyon National Park seemed the only place for her to find peace. But it took Shawn Weber coming into her life for her to find the courage to make changes. The budding friendship between the two women strengthens into an intense emotional bond, a bond that soon eclipses friendship. Despite pressure from her family to reconcile with her husband, Susan can't deny the feelings that Shawn stirs in her. Susan finds she's willing to forsake her entire family for a chance at love with Shawn.

    24 stories

    She meets the women of Lockerbie, who are fighting the U.S. government to obtain the clothing of the victims found in the plane s wreckage. The women, determined to convert an act of hatred into an act of love, want to wash the clothes of the dead and return them to the victim s families. THE WOMEN OF LOCKERBIE is loosely inspired by a true story, although the characters and situations in the play are purely fictional. Written in the structure of a Greek tragedy, it is a poetic drama about the triumph of love over hate. Winner of the silver medal in the Onassis International Playwriting Competition and the Kennedy Center Fund for New American Plays award.

    This Essence bestseller from an author to watch takes an unforgettable look at love, lust, and secrets that can break hearts--and destroy homes.

    Two great best selling novels in one bumper omnibus.

    Everywhere he went, people scorned him, feared him, hated him—and he expected the same when hired on at the Lazy S Ranch to help catch rustlers. What he didn’t expect was a woman like Randi. Her impulsive spirit and generous heart broke through his reserve and made him want to love again. But he couldn’t afford to get close to anyone. Not with the job he had to do.Randi Stockton grew up around rough cowboys on her father’s ranch. None had managed to win her love…until the mysterious stranger with the power to tame the legendary wild horse strode into her life. Randi knew he was a halfbreed, but something about him called to her. And he was the only one who could save her from the traitor at the Lazy S. The danger lurking in the shadows and canyons threatened to draw the two apart, but Randi knew in her heart that Hawk would always be her...Halfbreed Warrior.

    Hundreds of active and former officers responded from all over the United States: men and women from big cities and small towns, some who had written professionally, but most for the first time. Sutton culled the selections into five categories: The Beat, Line of Duty, War Stories, Officer Down, and Ground Zero. The result is True Blue, a collection of funny, charming, exciting, haunting stories about murder investigations, missing children, bungling burglars, car chases, lonely and desperate shut-ins, routine traffic stops, officers killed in the line of duty, and the life-changing events of September 11. Here, officers reveal their emotions-fear and pride, joy and disgust, shame and love-as they recount the defining moments of their careers. In these stories, the heart and soul behind the badge shines through in unexpected ways. True Blue will change the way we think about the deeply human realm of police service.

    Renovating the home, Dock stumbles upon a treasure trove of Civil War memorabilia squirreled away in an old root cellar, including pictures and possibly even a recording of Abraham Lincoln at Gettysburg. As he's forced to defend his new find from the onslaught of collectors, history buffs, and media hounds, Dock discovers that, much like Honest Abe himself, he's the right man for the fight--independent, funny, loyal, and stubborn as a Missouri mule. When the scallywags and opportunists--including an easy-on-the-eyes television reporter with one hell of an attitude--start crawling out of the woodwork, he'll need all of that and a bit more.

    Othello's recount of her childhood, of the truck that was the only home she knew during the first six years of her life, the two-room shack that claimed her mother's life in a tragic fire, the abusive behavior of an alcoholic father, and the eleven long years she spent with her siblings at an Oklahoma orphanage, is captivating. Recording her memories in a simple yet touching style, Othello conveys strength of emotions that have been distilled and clarified over time. Cry Into the Wind is a story of triumph over adversity: a testimony to the strength of the American Spirit and a valuable source of inspiration for those struggling to overcome the effects of an abusive childhood.

    His real-life story inspired the Oscar®-nominated writer of In the Name of the Father, Terry George, to make the extraordinary film, Hotel Rwanda, starring Don Cheadle, Sophie Okonedo, Joaquin Phoenix, and Nick Nolte, which has received accolades from critics and moviegoers alike, winning numerous awards.Now, in the only official companion book, comes the fascinating filmmaking story, with first-person pieces by Terry George and co-screenwriter Keir Pearson about their three-year struggle to gain support and financing, as well as a brief history of Rwanda with details on the actual events portrayed in the movie.Illustrated with more than 70 historical and contemporary photos and movie stills, the book also includes journalist Nicola Graydon's report on joining Paul Rusesabagina when he first returned to Rwanda on the tenth anniversary of the genocide; writer Anne Thompson's personal journal of her visit to the set in Africa during production in February 2004; and a compelling transcript of the PBS Frontline documentary revealing the afterthoughts of officials who chose not to listen to the cries for help. In addition there is a timeline of the crisis, a further reading and viewing list, and the complete screenplay.

    But through a series of exhilarating tales Ram explains to his lawyer how episodes in his life gave him the answer to each question.Ram takes us on an amazing review of his own history - from the day he was found as a baby in the clothes donation box of a Delhi church to his employment by a faded Bollywood star to his adventure with a security-crazed Australian army colonel to his career as an overly creative tour guide at the Taj Mahal.Vikas Swarup's Q & A is a beguiling blend of high comedy, drama, and romance that reveals how we know what we know - not just about trivia, but about life itself. Cutting across humanity in all its squalor and glory, Vikas Swarup presents a kaleidoscopic vision of the struggle between good and evil - and what happens when one boy has no other choice in life but to survive.

    He is trying to save his life, to save your life—in that order. In his quest for salvation, he'll stop at nothing, be distracted by nothing, except maybe a piece of lint, or the woman in the second row.

    Esther, a black seamstress, sews exquisite lingerie for clients who range from wealthy white patrons to prostitutes. She has saved enough to allow her to dream of one day opening a beauty salon for black women, and at thirty-five years old, longs for a husband and a future. When she begins to receive beautiful letters from a lonesome Caribbean man who is working on the Panama Canal, it looks like life may be about to take a different course.This is the acting edition of the play.

    Whether you are a student or perhaps have simply been intimidated by Shakespeare's text, this is the novelization for you.

    With full coverage of the 39 Shakespearian plays, including a synopsis, full character list, stage history and a critical essay for each, this comprehensive guide is both a quick reference and in-depth background guide for theatre goers, students, film buffs and lovers of literature alike. The Globe Guide to Shakespeare also explores Shakespeare's sonnets and the narrative poems, combined with fascinating accounts of Shakespeare's life and theatre, exploring in colourful detail each play's original performances.This comprehensive guide includes up-to-date reviews of the best films and audio recordings of each play, from Laurence Olivier to Baz Luhrmann, Kozintsev to Kurosawa. The Globe Guide to Shakespeare is a celebration of all things Shakespearian.Published to coincide with the 400th anniversary of Shakespeare's death.

    Humiliated, penniless, pregnant, and very much alone, J

    Sylvia Bergstrom Compson, the Master Quilter, has her own reasons for preferring a quiet, even subdued, Christmas. Her young friend Sarah McClure, however, takes the opposite view and decides to deck the halls brightly. As she explores the trunks packed with Bergstrom family decorations that haven't been touched in more than fifty years, Sarah discovers a curious Christmas quilt. Begun in seasonal fabrics and patterns, the quilt remains unfinished. Sylvia reveals that the handiwork spans several generations and a quartet of Bergstrom quilters—her great aunt, her mother, her sister, and herself. As she examines the array of quilt blocks each family member contributed but never completed, memories of Christmases past emerge. At Elm Creek Manor, Christmas began as a celebration of simple virtues—joy and hope buoyed by the spirit of giving. As each successive generation of Bergstroms lived through its unique trials—the antebellum era, the Great Depression, World War II—tradition offered sustenance even during the most difficult times. For Sylvia, who is coping with the modern problem of family dispersed, estranged, or even forgotten, reconciliation with her personal history may prove as elusive as piecing the Christmas Quilt. Elm Creek Manor is full of secrets, from a Christmas tree with unusual properties to the sublime Bergstrom strudel recipe. Sylvia's tales at first seem to inform her family legacy but ultimately illuminate far more, from the importance of women's art to its place in commemorating our shared experience, at Christmastime and in every season.

    Romaine was then thrust to the center of the worldwide media frenzy that descended on Laramie, and she came face-to-face with twisted homophobia when Baptist minister Fred Phelps and his followers picketed Matthew’s funeral with signs reading, “Matt burns in hell.” Upon learning of Phelps’ plan to bring his ministry of hate to support Matt’s killers at their trial, Romaine went into action. Who can forget the image of Romaine and her friends donning seven-foot angel wings so they could encircle Phelps and his gang, leaving the picketers silent and invisible? From that moment forward, Romaine has become a spokesperson for tolerance, acceptance, and nonviolence around the globe, whether as a founder of Angel Action, as a consultant for The Laramie Project (the award-winning play that has been produced hundreds of times and became an acclaimed HBO film starring Christina Ricci as Romaine). In one of their last conversations, Matt told Romaine that he wanted to spend his life helping people realize that they as individuals could make a difference in the world. This is Romaine Patterson’s journey to realizing the truth of that statement.Wyoming native Romaine Patterson got started in activism when her close friend Matthew Shepard was killed. In April of 1999, she founded Angel Action, an organization for peaceful demonstration. Angel Action is now used all over the world as a means of combating hate. She has also served as a regional media manager for the Gay & Lesbian Alliance Against Defamation (GLAAD). She continues her work educating youth about hate crimes and has lectured at the University of Wyoming, Georgetown University, Penn State, and others. She currently lives in Brooklyn.

    Five of Shakespeare's most popular comedies appear here, in one convenient and economical volume. Contents include:Much Ado About Nothing, in which a betrothed couple set a lover's trap for a confirmed bachelor and his sharp-tongued sparring partnerTwelfth Night; or What You Will, the tale of a shipwrecked maiden who disguises herself as a boy and assists a duke in wooing a recalcitrant sweetheartA Midsummer Night's Dream, in which the fairies of an enchanted forest employ a love potion to sport with four young loversAs You Like It, concerning the retreat of banished royalty to a greenwood, where the constraints of everyday life are loosened and the characters free to reinvent themselvesThe Merry Wives of Windsor, starring the jolly old rogue Sir John Falstaff in a madcap romp that gives his greed and vanity a humorous comeuppance.--back cover

     Tanya Kaufman has had one shock too many—one minute she's a fiancée, the next she finds out she's been the mistress all along. When Tanya shows up during the surprise anniversary party to take Brandi up on her offer, the women seize the opportunity to teach Vernon that infidelity will no longer come at the expense of the women's time, money, and happiness. Vernon fights back by launching a high-profile court battle that doesn't have a thing to do with splitting the money, keeping the house, or visitation rights. Had any married couple ever fought for custody of...the mistress?

    With characteristic narrative panache, Ackroyd immerses us in sixteenth-century Stratford and the rural landscape–the industry, the animals, even the flowers–that would appear in Shakespeare’s plays. He takes us through Shakespeare’s London neighborhood and the fertile, competitive theater world where he worked as actor and writer. He shows us Shakespeare as a businessman, and as a constant reviser of his writing. In joining these intimate details with profound intuitions about the playwright and his work, Ackroyd has produced an altogether engaging masterpiece.

    Their bitter breakup, caused by David's infidelity, left Jocelyn angry and David filled with regrets. But a chance meeting in Philadelphia spurs them to get back together, and it's soon obvious that the feelings they thought were dead and buried are as strong as ever. But there's a problem with this romantic reunion - two problems in fact. David is engaged to Janelle, and Jocelyn is married to Eric. And now, two people desperate to keep the love they've rediscovered will have to decide how much they're willing to give up to be together.

    Woe from Wit was hailed as a masterpiece by no less than Pushkin, who predicted that half its lines would end up as proverbs. Here Hobson offers each of those elegant and surprisingly realistic lines in English, and includes a comprehensive nine-chapter commentary, including that on Griboedov's stylistic influences and personal conventions, his use of writing as a weapon and his motivations for considering it so, and his use of duality and opposition. In the process she also provides a wealth of critical responses, reflected in her comprehensive bibliography. Annotation ©2006 Book News, Inc., Portland, OR

    Vocal selections from the uproarious Broadway production that won the Tony Award for Best Musical in 2005. Songs include: All for One * Always Look on the Bright Side of Life * Brave Sir Robin * Come with Me * Find Your Grail * Fisch Schlapping Dance * He Is Not Dead Yet * His Name Is Lancelot * I'm All Alone * King Arthur's Song * Knights of the Round Table * Laker Girls Cheer * Monks Chant * Run Away! * The Song That Goes Like This * Whatever Happened to My Part? * Where Are You? * You Won't Succeed on Broadway. Includes five pages of color photos.

    Presents a collection of letters written by Dian Fossey that captures her spirit, activism, setbacks, and triumphs during the eighteen years she spent studying and preserving mountain gorillas.

    When her school announces its annual talent show, Kyla May seizes her chance to imagine life as a pop superstar!  Get a backstage pass as Kyla tests her musical skills, finds her singing voice, and discovers just how far her imagination (and a little hard work) can take her!

    The party that he and his brother Darren have been planning has been brought forward - to tonight.In a lawless, ravaged city, where memories of the past have been brutally erased, the boys and their team survive by realising their clients' darkest fantasies. But just how far are they prepared to go in trading humanity for information? As the light fades and events spiral out of control it becomes clear that on the success of the evening hangs not just their security, but their existence. The world is at its worst?let the party begin. Mercury Fur is a challenging new work containing some explicit scenes that may cause offence.Published to tie-in with the play's premier at the Drum Theatre, Plymouth and The Chololate Factory, London in February 2005, produced by Paines Plough."Philip Ridley is a singular writer, a prolific polymath, probably a genius, and the creator of some of the most peculiar, grotesque and compelling British plays (and films) of the last several years" Time Out

    The Essential Pinter, which includes key plays, poetry, essays, and screenplays, is an indispensable companion for anyone wishing to delve into the astonishingly dazzling and frequently ominous world of Harold Pinter. In voyaging in, we not only come to fully appreciate the breadth of a body of work spanning over fifty years, but acquire a better understanding of human interaction.

    At the school he makes friends quickly. Particularly a fellow student named Michael who is also a senior.As soon as Robby arrives, Michael tells him about social groups within the school and how they are important within the establishment. He mentions to Robby about the group he was in called the Donner Society. Robby, with Michael's help, joins the group.During his time at Lafayette, Robby learns more than just academics. He comes to learn about friendship and trust, but above all of his lessons he learns that things are not always as they seem.

    Now, get the exclusive inside story on the amazing twenty-five year history of the "Degrassi" phenomenon With dozens of interviews and over 700 photos -- many from the personal collections of the Degrassi cast -- "Degrassi: Generation" is the ultimate fan book

    Original.

    Break a leg!Welcome to the Globe, the greatest theater in the world! The year is 1612, and leading Shakespearean actor Richard Burbage is conducting a backstage tour of everything from the pit below the stage to the grand ceiling painted to resemble the heavens. Take a peek inside this marvelous miniature theater to find: — A 3-D pop-up model of the Globe Theatre — A book of fascinating inside facts on the theater's history, design, and legendary performances — 10 sheets containing a total of 20 press-out, standup characters — Two booklets — one for you and one for a friend — featuring popular scenes from 12 Shakespearean plays, including A MIDSUMMER NIGHT'S DREAM, ROMEO AND JULIET, TWELFTH NIGHT, AS YOU LIKE IT, and moreIn SHAKESPEARE'S GLOBE — approved by the Globe Theatre itself — you'll find everything you need to stage your own performances of the most memorable scenes in theater history.

    Jayne is gorgeous and she is just Delia's type, if she weren't so straight, homophobic and a bitch! Shavonne is getting beaten on a regular basis by her live-in girl freind, Tracy, and Delia doesn't know. She also doesn't know that Shavonne has a secret crush on her. Then there is Stacy, rich, beautiful, goal-oriented and in a relationship with a hamsome man. Her life is perfectly planned until she spots Kendal, handsome, laid-back and sexy. Kendal would be Stacy's type if she wasn't already involved and if she wasn't a girl!

    Most were written in the 1930s and early 1940s when Williams was already flexing his theatrical imagination. Chosen from over seventy unpublished one-acts, these are some of Williams's finest; several have premiered recently at The Hartford Stage Co., The Kennedy Center, the Manhattan Theatre Club and the Tennessee Williams/New Orleans Literary Festival. Included in this volume:These Are the Stairs You Got to WatchMister ParadiseThe PalookaEscapeWhy Do You Smoke So Much, Lily?Summer At the LakeThe Big GameThe Pink BedroomThe Fat Man's WifeThank You, Kind SpiritThe Municipal AbattoirAdam and Eve on a FerryAnd Tell Sad Stories of the Deaths of Queens...Long associated with Williams, acclaimed stage and film actors Eli Wallach and Anne Jackson provide a fresh and challenging foreword for actors, directors, and readers.

    Bernard (Jeff Daniels), a once successful novelist, and hiswife Joan (Laura Linney), an up-and-coming writer, have given upon their marriage.Their two sons Walt (Jesse Eisenberg), 16, andFrank (Owen Kline), 12, are left to grapple with their confusingand conflicted feelings.The experience is a tender, funny, and ultimatelymoving coming-of-age for Walt and a tortuously prematureone for Frank.The emotional tensions and strains that emergeduring this difficult period for the Berkmans are given a remarkablysubtle and nuanced portrayal.

    Utopia in Performance argues with eloquence and insight how theatre makes a difference, and in the process demonstrates that scholarship matters, too. It is a book that readers will cherish and hold close as a personal favorite, and that scholars will cite for years to come."---David Román, University of Southern CaliforniaWhat is it about performance that draws people to sit and listen attentively in a theater, hoping to be moved and provoked, challenged and comforted? In Utopia in Performance, Jill Dolan traces the sense of visceral, emotional, and social connection that we experience at such times, connections that allow us to feel for a moment not what a better world might look like, but what it might feel like, and how that hopeful utopic sentiment might become motivation for social change. She traces these "utopian performatives" in a range of performances, including the solo performances of feminist artists Holly Hughes, Deb Margolin, and Peggy Shaw; multicharacter solo performances by Lily Tomlin, Danny Hoch, and Anna Deavere Smith; the slam poetry event Def Poetry Jam; The Laramie Project; Blanket, a performance by postmodern choreographer Ann Carlson; Metamorphoses by Mary Zimmerman; and Deborah Warner's production of Medea starring Fiona Shaw. While the book richly captures moments of "feeling utopia" found within specific performances, it also celebrates the broad potential that performance has to provide a forum for being human together; for feeling love, hope, and commonality in particular and historical (rather than universal and transcendent) ways.

    In order to fill the position, the city council invites a small number of musicians to audition for the appointment, including Johann Sebastian Bach. This, however, is not his story. Based on actual events, Bach at Leipzig imagines with uncommon intelligence and wit how six little-known musicians resorted to bribery, blackmail, and betrayal in an attempt to secure the most coveted musical post in all of Europe.

    Meineck delves into major themes of and the social and political context of several of the most notable Greek tragedies and comedies. Primary attention is given to Aeschylus' Oresteia (Agamemnon, The Libation Bearers, The Furies), Sophocles' Oedipus plays, Euripides' The Bacchae, and Aristophanes' Clouds.

    "She said yes to me between bites of a slaw burger all-the-way." A college graduate and daughter of a prominent lawyer, Irene was an unlikely match for Prate, a high school dropout. He lived his married life aware of the question on people's minds: How in the world did a tall, thin, fair-skinned beauty and one of the most respected high school English teachers in all of Greenville County, in all of South Carolina for that matter, wind up married to a short, dark, fat-faced, jug-eared house painter? That their marriage not only survived for fifty years, but flourished, is a source of constant wonder to Prate. Now he faces a new challenge with Irene.From the author of In The Family Way, a novel the Atlanta Constitution called "an instant classic" and the Charlotte Observer praised as "a lovely, moving book," comes a powerful story of hard-earned hope. The Pleasure Was Mine takes place during a critical summer in the life of Prate Marshbanks, when he retires to care for his wife, who is gradually slipping away. To complicate things, Prate's son, Newell, a recently widowed single father, asks Prate to keep nine-year-old Jackson for the summer. Though Prate is irritated by the presence of his moody grandson, during the summer Jackson helps tend his grandmother, and grandfather and grandson form a bond. As Irene's memory fades, Prate, a hardworking man who has kept to himself most of his life, has little choice but to get to know his family.With elegance and skillful economy of language, Tommy Hays renders an unforgettable character in Prate Marshbanks. The Pleasure Was Mine is at once a quietly wrenching portrayal of grief, a magical and romantic story about the power of love, and an unexpectedly moving take on the resilience of family.

    She dreams that one day, her daughter will become a lady of quality and marry a wealthy man—and she is prepared to dedicate her life to make it happen. Hundreds of miles away, young Kevin Newkirk is growing up in a prominent Boston family, accustomed to a life of prestige. He is keenly aware that he is the last Newkirk male and in need of a suitable wife to provide him with a son to carry on the family name. In love with a woman whose heritage is questionable, Kevin has no idea that Cordelia even exists. When fate brings Kevin and Cordelia together during a weekend at a summer home, he decides she is the answer to his dilemma. Cordelia sees Kevin as the means to fulfill her mother’s burning passion. Their relationship seems destined to be a match made in heaven. The first book of The Bridgewater Chronicles, STAIRWAY TO MY HEART introduces us to the Newkirk family, an emblematic turn-of-the-century affluent family and their devoted household staff.

    Gathered here are three of Wright's early plays, including Interrogating the Nude, a tongue-in-cheek reimagining of the uproar surrounding the debut of Marcel Duchamp's work in America; Watbanaland, a satiric dissection of yuppie desire and a haunting look at family and faith; and the Obie Award-winning Quills, which explores the boundaries of artistic expression and the dangers of censorship as they played out in the Marquis de Sade's final days at Charenton Asylum.

    Forged by the collaborative efforts of professional artists and local residents, this unique field brings performance together with a range of political, cultural, and social projects, such as community-organizing, cultural self-representation, and education. Local Acts presents a long-overdue survey of community-based performance from its early roots, through its flourishing during the politically-turbulent 1960s, to present-day popular culture. Drawing on nine case studies, including groups such as the African American Junebug Productions, the Appalachian Roadside Theater, and the Puerto Rican Teatro Pregones, Jan Cohen-Cruz provides detailed descriptions of performances and processes, first-person stories, and analysis. She shows how the ritual side of these endeavors reinforces a sense of community identification while the aesthetic side enables local residents to transgress cultural norms, to question group habits, and to incorporate a level of craft that makes the work accessible to individuals beyond any one community. The book concludes by exploring how community-based performance transcends even national boundaries, connecting the local United States with international theater and cultural movements.

    As Milton figures prominently here, so too must the Lord Protector, Cromwell, addressed in a memorable sonnet sequence. Also considered by Hill are other poets to whom he nods in gratitude, not just Milton and “my god” Ben Jonson, or Robert Herrick, or William Blake, but also Robert Lowell and, perhaps most interestingly, John Berryman, whose Dream Songs haunts this present collection.Here we again confront the poet’s familiar obsessions—language, governance, war, politics, the contemporary and classical worlds, and the nature of poetry itself. John Hollander writes of Hill’s poems that they immerse themselves “in the matters of stones and rock, of permanence and historical change, martyrdoms and mockeries, and above all history and the monuments and residua of its consequences in places, things, and persons.” A Treatise of Civil Power is the work of a major poet at the height of his powers.

    Winsome watercolor paintings by artist Lisa McCue bring fresh appeal to this classic of children's literature. Delicately abridged text preserves the charm and flavor of the original story.

    Routledge is an imprint of Taylor & Francis, an informa company.

    Arnold Aronson, an internationally prominent historian and theorist of theater set design, opens with an overview of scenographic concepts, including postmodern design and the use of new media in the theater, and continues with analyses of the work of specific designers (including Richard Foreman and David Rockwell) and scenographic responses to playwrights like Chekhov and Tony Kushner. These essays serve to open a dialogue that will bring the physical aspect of theater back into its proper place: an element as integral to the performance as the spoken word, and they will inspire theater-goers to become more aware of their role as seers of the theater.Arnold Aronson is Professor of Theater, Columbia University. He is author of American Avant-Garde Theatre: A History; Architect of Dreams: The Theatrical Vision of Joseph Urban; American Set Design; and The History and Theory of Environmental Scenography.

    Sexin� a ball-player, fightin� hoochies, back-stabbin�, lyin� and cheatin� are all fair game in the ordinary day of Destiny. When Destiny�s wild behavior catches-up with her and lands her in serious trouble with the law, it�s up to her brother (Chicago) to again rescue her. Having no choice, Chicago accepts a favor from a rogue cop -- a favor that he�ll soon regret taking � one that will cost much more than they�re willing to pay! Though Chicago takes it upon himself to look-out for his full-grown sister, especially after the broad-daylight murder of their mother � he�s also struggling with his own personal-demons. On-and-off relationships with hoodish girlfriends, money problems, court battles, consistent drama-situations in Destiny�s life and the rogue cop�s increasing strong-arming of him � all of these things are beginning to wear him down to a breaking point. Chicago tries his best to hold it together � keep from going gangsta, and solving problems in his normal way…with a gun! � But when the tables are turned on him and he smells a set-up that threatens his life, he�s forced to take matters into his own hands! And, when an unexpected event reveals the identity of his mother�s killer, placing him face-to-face with them, it�s definitely gonna be ON!….There�s NO WAY and NOBODY that can stop the DRAMA!

    Forced into acts that become progressively more shady and criminal, Del finally rebels when they demand the unthinkable. To kill.Desperate for a way out, he flees the Core, only to find himself entangled with the dazzling and dangerous Shays. Sin Shay's offer of protection seems too good to be true and her motives are suspect. Is Shay Enterprises simply a rival of the Core or a partner in crime? Is Sin's offer of a new life his last chance at redemption or just another version of hell?

    culture. Looking at a series of specific performances mounted between 1994 and 2004, well-known performance studies scholar David Román challenges the belief that theatre, dance, and live music are marginal art forms in the United States. He describes the crucial role that the performing arts play in local, regional, and national communities, emphasizing the power of live performance, particularly its immediacy and capacity to create a dialogue between artists and audiences. Román draws attention to the ways that the performing arts provide unique perspectives on many of the most pressing concerns within American studies: questions about history and politics, citizenship and society, and culture and nation.The performances that Román analyzes range from localized community-based arts events to full-scale Broadway productions and from the controversial works of established artists such as Tony Kushner to those of emerging artists. Román considers dances produced by the choreographers Bill T. Jones and Neil Greenberg in the mid-1990s as new aids treatments became available and the aids crisis was reconfigured; a production of the Asian American playwright Chay Yew’s A Beautiful Country in a high-school auditorium in Los Angeles’s Chinatown; and Latino performer John Leguizamo’s one-man Broadway show Freak. He examines the revival of theatrical legacies by female impersonators and the resurgence of cabaret in New York City. Román also looks at how the performing arts have responded to 9/11, the U.S. invasion of Afghanistan, and the second war in Iraq. Including more than eighty illustrations, Performance in America highlights the dynamic relationships among performance, history, and contemporary culture through which the past is revisited and the future reimagined.

    Fewer Emergencies'Things are definitely looking up--brighter light--more frequent boating--more confident smile--things are improving day by day--who ever would've guessed?'Fewer Emergencies premiered at the Royal Court Theatre, London, in September 2005.

    Mixing laughter and tears—and told in words, music, and dance—the stories explore the hardship, struggles, and joys of their lives. ’da Kink has been staged in Toronto and New York and served as the basis for a recent drama special on Vision TV.

    In this sly critique of contemporary relationships, Reza skillfully picks apart the friendship of three men via a bowl of olives and a white-on-white painting. Now translated into more than 30 languages, Art continues to be performed worldwide, even as Reza's other plays have garnered similar acclaim. Life x 3, Reza's most recent offering, again highlights her satirical wit as two couples face off in three different versions of the dinner from hell. Praised as "compact, cool and clever" by Christopher Isherwood of Variety, Reza uses the acidic exchanges of her characters to illuminate their inner desire for love and acceptance. Also included in this edition are two earlier plays, The Unexpected Man and Conversations After a Burial. Each elucidates the startling difference between public and private life, be it in the confines of a train compartment or a country estate in the aftermath of a loved one's passing.

    The newly manufactured "Rianna Kingsley" only knew that her martial-arts skills and weaponry and assassination techniques went far beyond the average person's....A MARK THAT BECAME A DEATH WARRANTThe men who'd tried to assassinate her all shared one common trait: a tattoo of a winged horse, exactly like the one on her ankle. Where had it come from--and what did it mean to her survival?A MAN WHO WAS MORE THAN A STRANGERIt was dangerous for Rianna to share too much with anyone--much less the criminal hired to kill her--but she couldn't resist Jake Tarrance's arms, his bed. With her shadowy past hot on her heels, would Rianna's business with Jake be passionate...or deadly?

    Comprised of both a one-act and a two-act play, this powerful dramatic pairing centers on Sister Dianna Ortiz, who was kidnapped, raped, and tortured by U.S.-sponsored Guatemalan security forces in 1989.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Book by Toni Press-Coffman

    Asian American Studies. Gay and Lesbian Studies. As a performance artist, Justin Chin has created eight full-length solo performance works and several shorter works, which have been presented nationally and abroad. ATTACK OF THE MAN-EATING LOTUS BLOSSOMS is a collection of performance art texts, documents, and scripts. These writings collect the author's performance work from 1993-2001. "Chin is one of the few national-caliber slam poets who succeed with material that's gut-wrenchingly personal and at the same time loaded with satire and commentary on pop culture"--SF Bay Guardian.

    In so doing, this book seeks to challenge currently prevalent views of Shakespeare's women-both the women he depicted in his plays and the women he encountered in the world he inhabited.Chapter 1, A Usable History, analyses the implications and consequences of the emphasis on patriarchal power, male misogyny, and women's oppression that has dominated recent feminist Shakespeare scholarship, while subsequent chapters propose alternative models for feminist analysis. Chapter 2, The Place(s) of Women in Shakespeare's World, emphasizes the frequently overlooked kinds of social, political, and economic agency exercised by the women Shakespeare would have known in both Stratford and London. Chapter 3, Our Canon, Ourselves, addresses the implications of the modern popularity of plays such as The Taming of the Shrew which seem to endorse women's subjugation, arguing that the plays--and the aspects of those plays--that we have chosen to emphasize tell us more about our own assumptions than about the beliefs that informed the responses of Shakespeare's first audiences. Chapter 4, Boys will be Girls, explores the consequences for women of the use of male actors to play women's roles. Chapter 5, The Lady's Reeking Breath, turns to the sonnets, the texts that seem most resistant to feminist appropriation, to argue that Shakespeare's rewriting of the idealized Petrarchan lady anticipates modern feminist critiques of the essential misogyny of the Petrarchan tradition. The final chapter, Shakespeare's Timeless Women, surveys the implication of Shakespeare's female characters in the process of historical change, as they have been repeatedly updated to conform to changing conceptions of women's nature and women's social roles, serving in ever-changing guises as models of an unchanging, universal female nature.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    She has been running away from it and trying to put the past behind her. She changes her name, moves to a new town, and even starts a new career. Just when she feels that she can move on with her life, her past comes back to haunt her. Her best friend, Greg, appears out of the blue and constantly reminds her of what she did four years ago. During her personal venture for freedom, she gives in to her attraction to a married man. When a violent stalker sets his sights on her, she finds love in an unlikely place. But who wants her love so much, that he is willing to kill her for of it?

    When the wizard Prospero seeks revenge on his enemies, his beautiful daughter, Miranda, combines forces with the playful sprite Ariel and the handsome Prince Ferdinand to teach him the power of love and forgiveness. Through exquisitely crafted prose and luminous paintings, adventure, romance, and reconciliation unfold amidst hilarious mix-ups and magic, reminding us why The Tempest, Shakespeare's last comedy, remains one of his most popular plays.

    This textbook approaches Shakespeare's plays through the lens of interpretation, combining film theory, literary theory, and close readings of the texts to provide students with a scholarly yet accessible way to approach 14 of Shakespeare's most-often produced plays. Descriptions of key stage, film, and video interpretations, along with scrupulously edited and annotated play scripts, reinforce the belief that each staging--whether in the theater, on film, or for television--is an interpretation of the play, its point of view conditioned by the times, the medium, and the artist's vision. This innovative approach empowers students to develop their own critical interpretations and is especially well suited to today's students who respond readily to visual media.

    She'd traveled hundreds of miles to marry a man she had never met before - a widower with five children, a hundred and sixty acres, and a flock of sheep. It had sounded so romantic once, before the dirty, dusty reality sprawled before her in all its fetid glory. She scanned the crowd, wondering which of the paunchy, balding men would claim her.None of them, apparently. Mr. John O'Shea was nowhere to be seen. What's more, the townspeople try to convince her to leave, to give up her dreams without even meeting her intended. They believe he's not quite right in the head. Undaunted, she hires a driver to take her to his homestead. But when she finally meets the man who sent the poetic letters and fare for her passage, her dreams are shattered, for John O'Shea is little more than a child himself. Had she come all this way for nothing? Would she ever be a bride, or was it her destiny to be a mail-order mama?Book Length: 8 Chapters / 33,904 words