Today is Bear's special day and Franklin is determined not to be late!

    Based on the true story of how Israel's Mossad agents stole three tonnes of Mirage fighter drawings following General de Gaulle's disastrous ban on the supply of these aircraft that were vital to Israel's defence.

    This translation of his 1989 novel Nostalgia, writes Andrei Codrescu, "introduces to English a writer who has always had a place reserved for him in a constellation that includes the Brothers Grimm, Franz Kafka, Jorge Luis Borges, Bruno Schulz, Julio Cortazar, Gabriel Garcia Marquez, Milan Kundera, and Milorad Pavic, to mention just a few." Like most of his literary contemporaries of the avant-garde Eighties Generation, his major work has been translated into several European languages, with the notable exception, until now, of English.Readers opening the pages of Nostalgia should brace themselves for a verbal tidal wave of the imagination that will wash away previous ideas of what a novel is or ought to be. Although each of its five chapters is separate and stands alone, a thematic, even mesmeric harmony finds itself in children's games, the music of the spheres, humankind's primordial myth-making, the origins of the universe, and in the dilapidated tenement blocks of an apocalyptic Bucharest during the years of communist dictatorship.

    The reader starts playing the old childhood game of 'Just one more chapter and I'll turn out the lights,' only to look up and discover it's after midnight.”—Los Angeles Times Book Review Originally serialized in the San Francisco Chronicle, Armistead Maupin’s Tales of the City (1978), More Tales of the City (1980), and Further Tales of the City (1982) afforded a mainstream audience of millions its first exposure to straight and gay characters experiencing on equal terms the follies of urban life.Among the cast of this groundbreaking saga are the lovelorn residents of 28 Barbary Lane: the bewildered but aspiring Mary Ann Singleton, the libidinous Brian Hawkins; Mona Ramsey, still in a sixties trance, Michael "Mouse" Tolliver, forever in bright-eyed pursuit of Mr. Right; and their marijuana-growing landlady, the indefatigable Mrs. Madrigal.Hurdling barriers both social and sexual, Maupin leads them through heartbreak and triumph, through nail-biting terrors and gleeful coincidences. The result is a glittering and addictive comedy of manners that continues to beguile new generations of readers.

    The late Gavelis's first translation into English centers on Vytautas Vargalys, a semijustifiably paranoid labor camp survivor who works at a library no one visits while he desperately investigates the Them or They responsible for dehumanizing and killing the humans around him, including his wife, Irena; his genius friend, Gedis; and the young siren, Lolita. Meanwhile, failed intellectual Martynas chronicles Vargalys's struggle and the city's mysterious energy in his mlog, library worker Stefanija Monkeviciute dwells on her wavering faith and personal humiliations, and the city itself speaks in the voice of a dog, claiming that Vilnius can't distinguish dreams from reality. Wrought—and fraught—with symbolism and ennui, the oppressive internal monologues of the characters and the city show the intense importance and equal absurdity of life.

    Four novellas of crime and suspense featuring Feluda, the brilliant Bengali private investigator.ContentsThe Golden FortressThe Buccaneer of Bombay (The Bandits of Bombay)Mystery at Golok Lodge (A Mysterious Tenant)Trouble in the Graveyard (The Secret of the Cemetery)

    The six-day excursion becomes a journey into the past of Stevens and England, a past that takes in fascism, two world wars, and an unrealised love between the butler and his housekeeper.

    A practical and spiritual handbook for coping with adversity, building relationships, cultivating inner peace, overcoming worry and understanding death.

    Now, for the 25th Anniversary of Eightball, Fantagraphics is collecting these long out-of-print issues in a slipcased set of two hardcover volumes, reproducing each issue in facsimile form exactly as they were originally published. Included are over 450 pages of vintage Clowes, including such seminal serialized graphic novels/strips/rants as Like a Velvet Glove Cast in Iron, Ghost World, Pussey, I Hate You Deeply, Sexual Frustration, Ugly Girls, Why I Hate Christians, Message to the People of the Future, Paranoid, My Suicide, Chicago, Art School Confidential, On Sports, Zubrick and Pogeybait, Hippypants and Peace-Bear, Grip Glutz, The Sensual Santa, Feldman, and so many more."

    They worked together once, in the film Whatever Happened To Baby Jane, but their real-life dislike of one another transcended even the antagonism depicted in the film.

    The Melancholy of Resistance, László Krasznahorkai's magisterial novel, depicts a chain of mysterious events in a small Hungarian town. A circus, promising to display the stuffed body of the largest whale in the world, arrives in the dead of winter, prompting bizarre rumours. Word spreads that the circus folk have a sinister purpose in mind, and the frightened citizens cling to any manifestation of order they can find - music, cosmology, fascism. The novel's characters are unforgettable: the evil Mrs. Eszter, plotting her takeover of the town; her weakling husband; and Valuska, our hapless hero with his head in the clouds, who is the tender center of the book, the only pure and noble soul to be found. Compact, powerful and intense, The Melancholy of Resistance, as its enormously gifted translator George Szirtes puts it, "is a slow lava flow of narrative, a vast black river of type." And yet, miraculously, the novel, in the words of The Guardian, "lifts the reader along in lunar leaps and bounds."

    Recognizing that The Great War was the psychological turning point . . . for modernism as a whole, author Modris Eksteins examines the lives of ordinary people, works of modern literature, and pivotal historical events to redefine the way we look at our past and toward our future.

    

    There, as some of the fiercest fighting of the war rages around her, she must live alone, with nothing to fall back on but her own wits and daring. Fleeing from encroaching enemy forces, searching desperately for her lost sisters, taking scraps of food from the knapsacks of dead soldiers, risking death at every turn, Tomiko somehow finds the strength and courage to survive.Many years later she decided to tell this story. Originally intended for juvenile readers, it is sure to move adults as well, because it is such a vivid portrait of the unintended civilian casualties of any war.

    His tumultuous life and musical brilliance are explored in depth through hundreds of interviews, 49 transcribed musical scores, two hours of recorded all-star performances, and more than 50 rarely seen photos in this stellar tribute to behind-the-scenes Motown. Features a 120-minute CD Allan Slutsky's 2002 documentary of the same name is the winner of the New York Film Critics "Best Documentary of the Year" award

    As the young Louis Armstrong blows his horn in the infamous Blue Canary, impetuous Nob Hill Socialite Elizabeth Stafford Hamilton plunges into a reckless affair with mysterious Li Kwan Won. Unknown to Lizzie, Li is the overlord of the city’s vast bootlegging empire—and archenemy of her powerful husband, the San Francisco district attorney. Suddenly Lizzie’s privileged, upper-crust life is shadowed by danger and intrigue—as she’s trapped between her lover and her husband while they battle for control of the city.Eio Books has reissued Ki Longfellow's first novel, published by Harper Collins in England in 1989.

    Before the revolution, Akhmatova was a wildly popular young poet who lived a bohemian life. She was one of the leaders of a movement of poets whose ideal was “beautiful clarity”—in her deeply personal work, themes of love and mourning are conveyed with passionate intensity and economy, her voice by turns tender and fierce. A vocal critic of Stalinism, she saw her work banned for many years and was expelled from the Writers’ Union—condemned as “half nun, half harlot.” Despite this censorship, her reputation continued to flourish underground, and she is still among Russia’s most beloved poets. Here are poems from all her major works—including the magnificent “Requiem” commemorating the victims of Stalin’s terror—and some that have been newly translated for this edition About The Author: Anna Akhmatova was born Anna Gorenko in 1888 and died in 1966. A popular poet of the Acmeist school, she took a pseudonym when her upper-class father objected to her "decadent" choice of career. She was married to the Acmeist poet Gumilev from 1910 until 1918, and spent time in Paris, where she posed nude for Modigliani. After the Revolution, Akhmatova remained silent for two decades. Her ex-husband was executed in 1921, their son was imprisoned for sixteen years, and her third husband died in a Siberian prison camp. She began publishing again at the outbreak of World War II, and her writings regained popularity despite being harshly denounced by the Soviet regime in 1946 and 1957 for "bourgeois decadence." Ejected from the Writers' Union in 1946, she was made its president two years before her death in 1966.

    . . Phil Dick's life was as weird and mysterious as any of his science fiction books."--Robert Anton Wilson With thirty-eight books currently in print and seven of his novels and short stories adapted into blockbuster films, Philip K. Dick is recognized worldwide as one of our time's greatest and most influential novelists. Lawrence Sutin's Divine Invasions, acknowledged by the Dick family as the official Philip K. Dick biography, illuminates the life of the man who loosed the bonds of the science-fiction genre and profoundly influenced such writers as Pynchon, Delillo, David Foster Wallace, and Jonathan Lethem. Absorbing, beautifully written, and profoundly revealing, Divine Invasions is a must-read for Dick fans and for all fans of contemporary fiction and film.

    Reflections on writing and writers, freedom of speech and censorship, pornography, violence against women, and the politics of our time.

    Traces the history of the Philippines, discusses the influence of Spain and the United States, and looks at the problems facing the Philippines today.

    This and subsequent issues will Maus, and state-of-the-art work by contemporary American and European artists.

    It was during the carnival of 1913 that a young Stalin arrived on a mission that would launch him into the upper echelon of Russian revolutionaries, and it was here that he first collided with Trotsky. It was in Vienna that the failed artist Adolf Hitler kept daubing watercolors and spouting tirades at fellow drifters in a flophouse. Here Archduke Franz Ferdinand had a troubled audience with Emperor Franz Joseph—and soon the bullet that killed the archduke would set off the Great War that would kill ten million more. With luminous prose that has twice made him a finalist for the National Book Award, Frederic Morton evokes the opulent, elegant, incomparable sunset metropolis—Vienna on the brink of cataclysm.

    It picks up where A Legacy leaves off, leading us from the Kaiser's Germany into the wider Europe of the 1920s and the limbo between world wars. The narrator, Billi, tells the story of her apprenticeship to life, and of her many teachers: her father, a pleasure-loving German baron; her brilliant, beautiful, erratic English mother; and later, on the Mediterranean coast of France, the Huxleys, Aldous and Maria.

    This collection of nearly fifty pieces brings together the contents of two published volumes, A Haunted House and Mrs. Dalloway’s Party; a number of uncollected stories; and several previously unpublished pieces. Edited and with an Introduction by Susan Dick.

    From Hollywood animal behavioristand author of Modoc: The True Story of the Greatest Elephant That Ever Lived, Ralph Helfer, comes a surprising behind-the-scenes account of his years working as a trainer to the (four-legged) stars.In The Beauty of the Beasts, Helfer chronicles the many television programs and films in which his animals appeared, including Charlie's Angels and The Ten Commandments, and the stars he and his animals worked with such as Elvis Presley, Clint Eastwood, Marilyn Monroe, Sonny and Cher, and more.Complete with a 16-page insert of photos from Helfer, The Beauty of the Beasts is a book about the important role animals play in our lives, and how much less human we would be without them.

    Martin Middlebrook has produced a genuine 'first' with this unique work.Martin Middlebrook is the only British historian to have been granted open access to the Argentines who planned and fought the Falklands War. It ranks with Liddel Hart's The Other side of the Hill in analyzing and understanding the military thinking and strategies of Britain's sometime enemy, and is essential reading for all who wish to understand the workings of military minds.The book provides new light on the way Argentine forces were organized for war, the plans and reactions of the commanders, the sufferings of the soldiers and the shame and disillusionment of defeat.

    Growing up after World War I and the collapse of the empire, Rezzori lived in a twilit world suspended between the formalities of the old nineteenth-century order which had shaped his aristocratic parents, and the innovations, uncertainties, and raw terror of the new century. The haunted atmosphere of this dying world is beautifully rendered in the pages of The Snows of Yesteryear. The book is a series of portraits—amused, fond, sometimes appalling—of Rezzori’s family: his hysterical and histrionic mother, disappointed by marriage, destructively obsessed with her children’s health and breeding; his father, a flinty reactionary, whose only real love was hunting; his haughty older sister, fated to die before thirty; his earthy nursemaid, who introduced Rezzori to the power of storytelling and the inevitability of death; and a beloved governess, Bunchy. Telling their stories, Rezzori tells his own, holding his early life to the light like a crystal until it shines for us with a prismatic brilliance

     After investing in a property in the Lowlands, Three Oaks Farm, Cunningham starts kennels for breeding and training gun dogs. The farm is in the middle of dog-breeding country. Neighbour Joe Little raises Labradors; Laura Daiches and Olive Cory, who live next to each other, also raise spaniels, but strictly for show - and never fail to express contempt for Cunningham's working dogs. But the dog breeding world proves to be a ruthlessly competitive business, where enemies are easily made. Especially when a rival breeder is murdered, and Cunningham is framed for the crime... Gerald Hammond is a retired architect and the creator of the mystery series featuring John Cunningham, a dog breeder in Scotland, and Keith Calder, a gunsmith. He also writes under the pseudonyms Arthur Douglas and Dalby Holden.

    After his older brother abdicated to marry Wallis Simpson, the younger George (born Albert) assumed the throne at a crucial time in history, with Hitler and Mussolini allied and Europe moving inexorably towards war. 16 pages of photographs.

    Some were privileged, some were innocent, some were lost. But to the Japanese they were all the enemy-Europeans and Americans living in Singapore, separated from their husbands and families and taken on a forced march through the jungles of Sumatra to an isolated prison camp. There, they would be tortured into submission and made to bow before the Emperor's war machine...HAZEL HAMPTONA timid young American, she would learn to walk the dangerous tightrope between survival and collaboration...AUDREY ST. JOHNThe Pregnant mistress of an English officer, she was appalled by the squalid camp conditions-and humiliated that she would share them with her lover's wife...GLORIA DENKAn Australian nurse who loved reckless adventure, she took risk and life-threatening risk-until she went too far...DR. MARGARET SUTHERLANDA prominent biographer and personal friend of Madame Chiang Kai-shek, she was forced to hide her identity or face death by firing squad...In a haunting novel of the horrors of war and the strength of friendship, these indomitable women never cease to believe in freedom, even though they are...GUESTS OF THE EMPEROR

    Now this critically acclaimed biography--abridged by the author--offers a portrait of the legendary modern-day knight, Arab revolt leader, British secret agent and World War I military genius. 32 pages of photographs.

    Against the mythical dreamscape of America, Auster brilliantly weaves the bizarre narrative of Marco Stanley Fogg, an orphan searching for love, his father, and the key to the riddle of his origin and fate.

    As Marco sets out on a journey from the canyons of Manhattan to the deserts of Utah, he encounters a gallery of characters and a series of events as rich and surprising as any in modern fiction.Beginning during the summer that men first walked on the moon, and moving backward and forward in time to span three generations, Moon Palace is propelled by coincidence and memory, and illuminated by marvelous flights of lyricism and wit. Here is the most entertaining and moving novel yet from an author well known for his breathtaking imagination.

    Romantically attached, they continue to exchange letters through the boarding school and college years—where Andy goes on to excel at Yale and law school, while Melissa flunks out of a series of "good schools." While Andy is off at war Melissa marries, but her attachment to Andy remains strong and she continues to keep in touch as he marries, becomes a successful attorney, gets involved in politics and, eventually, is elected to the U.S. Senate. Meanwhile, her marriage in tatters, Melissa dabbles in art and gigolos, drinks more than she should, and becomes estranged from her children. Eventually she and Andy do become involved in a brief affair, but it is really too late for both of them. However Andy's last letter, written to her mother after Melissa's untimely death, makes it eloquently clear how much they really meant, and gave to, each other over the years—physically apart, perhaps, but spiritually as close as only true lovers can be.

    By demystifying the fantasies surrounding cancer, Sontag shows cancer for what it is--just a disease. Cancer, she argues, is not a curse, not a punishment, certainly not an embarrassment and, it is highly curable, if good treatment is followed.Almost a decade later, with the outbreak of a new, stigmatized disease replete with mystifications and punitive metaphors, Sontag wrote a sequel to Illness as Metaphor, extending the argument of the earlier book to the AIDS pandemic.These two essays now published together, Illness as Metaphor and AIDS and Its Metaphors, have been translated into many languages and continue to have an enormous influence on the thinking of medical professionals and, above all, on the lives of many thousands of patients and caregivers.

    Brings together three hilarious pieces by America's comic genius: Without Feathers, a secret journal that addresses life's "big" questions; Getting Even, Woody as psychologist, historian, and philosopher; and Side Effects, Woody's take on UFOs and more.

    Containing 150 recent photographs by the American photographer William Eggleston, this volume provides a sequence of images which form an almost autobiographic narrative, beginning with pictures of Eggleston's home territory in the Mississippi Delta and radiating out across the USA.

    G. Jung presented a series of seminars in English in which he spoke for the first time in public about his early spiritualistic experiences, his encounter with Freud, the genesis of his psychology, and the self-experimentation he called his "confrontation with the unconscious," describing in detail a number of pivotal dreams and fantasies. He then presented an introductory overview of his ideas about psychological typology and the archetypes of the collective unconscious, illustrated with case material and discussions concerning contemporary art. He focused particularly on the contra-sexual elements of the personality, the anima and the animus, which he discussed with the participants through psychological analyses of popular novels, such as Rider Haggard's She. The notes from these seminars form the only reliable published autobiographical account by Jung and the clearest and most important account of the development of his work. This revised edition features additional annotations, information from the Red Book, and an introduction by Sonu Shamdasani, Philemon Professor of Jung History at University College London.

    A political humorist's caustically hilarious month-by-month archive of the 1980s includes memorable photographs, newspaper headlines, press clippings, pop quizzes, outrageous quotes, bizarre facts, and implausible yet true events.

    But disagreements over training methods soon bring to a head a bitter clash between the elected President of the Dark Blues and a fiery-tempered rower from California. Much more than the race is at stake in this clash between the amateur sporting tradition of the Boat Race and New World big-star sportsmanship. In the resulting battle, which made headline news worldwide, the rebels, having failed to remove the Boat Club President, pull out six weeks before the race. Will Oxford Coach Topolski, against all odds, mould an inexperienced and demoralized reserve crew of no-hopers into a winning team?

    The Crisis of Western Education, originally published in 1961, served as a capstone of Christopher Dawson's thought on the Western educational system. Long out of print, the book has now been updated with a new introduction by Glenn W. Olsen and is included in the ongoing Works of Christopher Dawson series. In all of his writings, Dawson masterfully brings various disciplinary perspectives and historical sources into a complex unity of expression and applies them to concrete conditions of modern society.Dawson argued that Western culture had become increasingly defined by a set of economic and political preoccupations ultimately hostile to its larger spiritual end. Inevitably, its educational systems also became increasingly technological and pragmatic, undermining the long standing emphasis on liberal learning and spiritual reflection which were hallmarks of the Christian humanism that created it. In this important work on the Western educational system, Dawson traces the history of these developments and argues that Western civilization can only be saved by redirecting its entire educational system from its increasing vocationalism and specialization. He insists that the Christian college must be the cornerstone of such an educational reform. However, he argued that this redirection would require a much more organic and comprehensive study of the living Christian tradition than had been attempted in the past.Dawson had reservations about educational initiatives that had been developed in response to this crisis of education. Among them, he expressed doubts about newly emerging great books programs fearing that they would reduce the great tradition of a living culture to a set of central texts or great ideas. In contrast, he insisted that a Christian education had to be concerned with "how spiritual forces are transmitted and how they change culture, often in unexpected ways." This would require an understanding of the living and vital character of culture. As Dawson saw it, "culture is essentially a network of relations, and it is only by studying a number of personalities that you can trace this network." Dawson offers a diagnosis of modern education and proposes the retrieval of an organic and living culture which alone has the power to renew Western culture.

    She has never spoken a word; never walked, never fed herself, never combed her own hair. Trapped in a body that is functionally useless, her mind works perfectly. This is her story. Absorbing and heartbreaking, it was written with the collaboration of Ruth's friend, Steven Kaplan. Without any self pity Ruth recounts her early childhood with a loving family and some happy years at a rehabilitation center, then virtual incarceration at the notorious Belchertown State School in Massachusetts. After 16 years she was released and now she enjoys a life of purpose and personal triumph. I Raise My Eyes to Say Yes will permanently alter your perception of the severely disabled and it will inspire you with the extraordinary power of love, thought, and the human spirit.

    Berger, is in the grips of an obsession. The Gursky family with its colourful bootlegging history, its bizarre connections with the North and the Inuit, and its wildly eccentric relations, both fascinates and infuriates him. His quest to unravel their story leads to the enigmatic Ephraim Gursky: document forger in Victorian England, sole survivor of the ill-fated Franklin expedition and charasmatic religious leader of the Arctic. Of Ephraim's three grandsons, Bernard has fought, wheeled and cheated his way to the head of a liquor empire. His brother Morrie has reluctantly followed along. But how does Ephraim's protege, Solomon, fit in? Elusive, mysterious and powerful, Solomon Gursky hovers in the background, always out of Moses' grasp, but present-like an omen.

    In this delightful tour of the galaxies, Merlin often recounts his conversations with these historical figures in his responses to popular astronomy questions asked by adults and children alike. Merlin's well-informed answers combine a unique combination of wit and poetry along with serious science explained in refreshingly clear, reader-friendly language.Dear Merlin: Can a person cross our galaxy in a spaceship during one human lifespan?Merlin: In 1905, Merlin's good friend Albert Einstein introduced the "Special Theory of Relativity," which predicts that time will tick slower and slower the faster you travel. Were you to embark on such an adventure you could conceivably age as little as you wish, depending of course, on your exact speed. The problem arises when you return to Earth, which will have moved several hundred thousand years into the future and everyone will have forgotten about you.A skywatcher's book for lovers of the universe by one of its greatest lights.

    To celebrate, this book covers his amazing writing career, spanning over four decades and more than 400

    Before Swamiji came, Hinduism was a loose confederation of many different sects. Swamiji was the first religious leader to speak about the common bases of Hinduism and he was the first person, as guided by his Master Sri Ramakrishna, to accept all Hindu doctrines and views of all Hindu philosophies one total view of Reality. In this book, his lectures on Hinduism are discussed and it will help the reader to know hinduism in a nutshell.

    This bestseller balances a comprehensive and up-to-date anthology of major documents in literary criticism and theory — from Plato to the present — with the most thorough editorial support for understanding these challenging readings.

    Now, share their adventures, pleasures, and frustrations: the joys and occasional hazards of wining and dining in France, taking part in goat races, attending a Pavorotti concert under the stars -- and much more. Meet Provence's unique characters: a wary truffle hunter, a gourmet in a track suit, the wise and crafty Massot -- and many more. Funny, touching, endearing -- Peter Mayle's Provence proves the adage that while you may not be able to escape from it all, you sure can have fun trying.

    This book teaches people to utilize the enormous power of the brain's creative right side, and learn to strengthen their natural insight, banish negative thoughts, improve relationships, get rid of fatigue and stress, and much more.

    Accompanied by eleven soldiers and their families, the captain is under orders to defend the isolated but strategically well situated island against an improbable French invasion. With its treacherous coral reef and stagnant lagoon, Clipperton is a dire, forbidding place for the new inhabitants. Rigid military order soon gives way to more informal island living, but under Ramón's guidance and inspired by Alicia's determination the group manages to create a viable community. There are a food store, pharmacy, lighthouse, even dinner parties. But then, amid political upheaval at home and the first rumblings of World War I, the Clipperton residents are forgotten. The supply ship slated to come every two months comes every third, then sixth, then not at all. Left to the mercies of nature and each other, they fall victim one by one to scurvy, hunger, despair, rivalry, lust and, ultimately, violence.Alicia, steadfast and resourceful, becomes a beacon of strength for the remaining castaways, whose collective survival will depend upon her courage and cunning. Drawing on historical records, archives and interviews, prize-winning novelist Laura Restrepo has reimagined the incredible true story of love and war, hardship and endurance, adventure and hope on the Isle of Passion. In prose that is lush, evocative and utterly beguiling, she brings to life a bizarre, moving episode in Mexican history and its extraordinary, unforgettable heroine.

    In 1949 David Park destroyed many of his nonobjective canvases and began a new style of consciously naive figuration. Soon Elmer Bischoff and Richard Diebenkorn joined Park and other painters such as Nathan Oliveira, Theophilus Brown, James Weeks, and Paul Wonner in the move away from abstraction and toward figurative subject matter. When artists such as Bruce McGaw, Manuel Neri, and Joan Brown emerged as a second generation of figurative artists, the momentum grew for a powerful new development in American painting.The achievement of Bay Area Figurative painters and sculptors has become directly relevant to current debates regarding abstraction and representation, as well as to discourses on modernism and postmodernism. Indeed, the historical phenomenon of the movement is an important case study in the evolution of modernism in America, serving as an early example of rupture in the formalist "mainstream."Bay Area Figurative Art 1950-1965 was written to accompany an exhibition of the same name at the San Francisco Museum of Modern Art. Based on extensive archival research and interviews, it is the first study of the movement as a whole and is the broadest and most accurate account of the careers and interactions of ten Bay Area artists who worked in this new style.

    In a Vienna window, he glimpses the face of a lost erotic dream, and from there travels to the Twentieth Century's darkest corner to confront its shocked and secret conscience. One of Steve Erickson's most acclaimed novels, Tours of the Black Clock crosses the intersections of passion and power and gazes into a clock with no face, where memory is the gravity of time and all the numbers fall like rain.

    Drawing from a number of aesthetic and literary sources, Perry Nodelman explores the ways in which the interplay of the verbal and visual aspects of picture books conveys more narrative information and stimulation than either medium could achieve alone. Moving from "baby" books, alphabet books, and word books to such well-known children's picture books as Nancy Ekholm Burkert's Snow White and the Seven Dwarfs, Gerald McDermott's Arrow to the Sun, Maurice Sendak's Where the Wild Things Are, and Chris Van Allsburg's The Garden of Abdul Gasazi, Nodelman reveals how picture-book narrative is affected by the exclusively visual information of picture-book design and illustration as well as by the relationships between pictures and their complementary texts.

    Detailed suggestions for strategy use in each of the four language skills are included as well as case studies and models for setting up similar programs.

    Danny is determined to get closer to his son, Jack, to teach him traditional ways to steer him away from rodeoing. Danny and Jack survive a forest fire, make a go of it as migrant workers, then finally settle down to salmon fishing on the Columbia River. There they join forces with Willis Salwish, a mysterious old Yakima Indian who clings to traditional fishing sites despite opposition from white fisherman. Danny's friendship with Willis draws him into the dispute over fishing rights, and it's Willis who brings him face to face with ghosts from his past, and leads him to his lost heritage.

    He hopes that by engaging with the hard realities of the rock and the fall he can grasp what is important about life. But as he is drawn into the obsessive world of climbing he learns that taking things to the edge comes with its own price.Retreating from his failed marriage to Pauline, Mike leaves London for the Yorkshire moors, where he meets Normal and his entourage, busy pursuing their own dreams of escape. Travelling from crag to crag throughout the country, they are searching for the unattainable: the perfect climb. Through rock-climbing, Mike discovers an intensity of experience - a wash of pain, fear and excitement - that obliterates the rest of his world. Increasingly addicted to the adrenaline, folklore and camaraderie of the sport, he finds, for a time, a genuine escape. But it is gained at a price...

    Arriving in 1934, he found a city imbued with the atmosphere of the recent imperial past and haunted by the powerful spirit of the late Dowager Empress Tzu Hsi. He entered a world of magnificent palaces and temples of the Forbidden City, of lotus-covered lakes and lush pleasure-gardens, of bustling bazaars and peaceful bathhouses, and of "flower houses" with their beautiful young courtesans versed in the arts of pleasing men. With a novelists' command of detail and dialogue, Blofeld vividly re-creates the magic of these years and conveys to the reader his appreciation and nostalgia for a way of life long vanished.

    Haraway's discussions of how scientists have perceived the sexual nature of female primates opens a new chapter in feminist theory, raising unsettling questions about models of the family and of heterosexuality in primate research.

    When the first volume, Early Jazz, appeared two decades ago, it immediately established itself as one of the seminal works on American music. Nat Hentoff called it aremarkable breakthrough in musical analysis of jazz, and Frank Conroy, in The New York Times Book Review, praised it as definitive.... A remarkable book by any standard...unparalleled in the literature of jazz. It has been universally recognized as the basic musical analysis of jazz from itsbeginnings until 1933. The Swing Era focuses on that extraordinary period in American musical history--1933 to 1945--when jazz was synonymous with America's popular music, its social dances and musical entertainment. The book's thorough scholarship, critical perceptions, and great love and respect for jazz puts thiswell-remembered era of American music into new and revealing perspective. It examines how the arrangements of Fletcher Henderson and Eddie Sauter--whom Schuller equates with Richard Strauss as a master of harmonic modulation--contributed to Benny Goodman's finest work...how Duke Ellingtonp usedthe highly individualistic trombone trio of Joe Tricky Sam Nanton, Juan Tizol, and Lawrence Brown to enrich his elegant compositions...how Billie Holiday developed her horn-like instrumental approach to singing...and how the seminal compositions and arrangements of the long-forgotten John Nesbitthelped shape Swing Era styles through their influence on Gene Gifford and the famous Casa Loma Orchestra. Schuller also provides serious reappraisals of such often neglected jazz figures as Cab Calloway, Henry Red Allen, Horace Henderson, Pee Wee Russell, and Joe Mooney. Much of the book's focus is on the famous swing bands of the time, which were the essence of the Swing Era. There are the great black bands--Duke Ellington, Count Basie, Jimmie Lunceford, Earl Hines, Andy Kirk, and the often superb but little known territory bands--and popular white bands likeBenny Goodman, Tommy Dorsie, Artie Shaw, and Woody Herman, plus the first serious critical assessment of that most famous of Swing Era bandleaders, Glenn Miller. There are incisive portraits of the great musical soloists--such as Art Tatum, Teddy Wilson, Coleman Hawkins, Lester Young, Bunny Berigan, and Jack Teagarden--and such singers as Billie Holiday, Frank Sinatra, Peggy Lee, and Helen Forest.

    Published the following year, it was then forgotten, and has until now remained unknown to a wider public.Dating from the weeks and months immediately after the war, Auschwitz Report represents a fascinating and unusual return to the very earliest phase of Holocaust testimony. It details the author’s deportation to Auschwitz, selections for work and extermination, everyday life in the camp, and the organization and working of the gas chambers. It constitutes Levi’s first, astonishingly lucid attempts to come to terms with the raw horror of events that would drive him to create some of the greatest works of twentieth-century literature and testimony. Auschwitz Report is a major literary and historical discovery.

    These texts are characterized by a startling and macabre novelty, with elements of the grotesque, fantastic and child-like touching the imagination of the everyday. They express the cultural landscape of Stalinism -- years of show trials, mass atrocities and stifled political life. Their painful, unsettling eloquence testify to the humane and the comic in this absurdist writer's work. The translator Neil Cornwall gives a biographical introduction to his subject, enlarged upon by the poet Hugh Maxton in a contextual assessment of the writing of Flann O'Brien, Le Fanu and Doyle, and of their shared concerns with detective fiction, terror and death. Daniil Kharms 91905-42) died under Stalin. Along with fellow poets and prose-writers of the era -- Khlebnikov, Biely, Mandelstam, Zabolotsky and Pasternak -- he is one of the emerging experimentalists of Russian modernism.

    Over 400,000 people were cut off from the outside world in the ghetto, among them a 47-year-old school teacher who kept a record of the terrible events and conditions. Part of Abraham Lewin's diary, covering the period from April 1942 to January 1943, was found hidden in a milk churn after the war and is now published in English for the first time. This document, fit to rank with the accounts of Anne Frank and of Emanuel Ringelblum, is especially illuminating on how far the Jews were aware of their possible fate and on how they reacted to the threat of deportation to the death camps. Antony Polonsky's introduction and notes place the events in the history of the Warsaw Ghetto and the fate of Polish Jewry as a whole, and demonstrate how Lewin's diary is an important contribution to the knowledge of the Holocaust.

    This governmentality perspective has had important implications for a range of academic disciplines including criminology, political theory, sociology and psychology and has generated much theoretical innovation and empirical investigation. The second edition contains a new introduction, which sets out the methodological and conceptual bases of this approach. Also, a new final chapter has been added that considers some of the implications of recent developments in the government of subjectivity.

    This new paperback version will make the classic work available for general readers, bookstores, and classrooms. Wayne Flynt addresses the life experiences of poor whites through their occupations, society, and culture. He explores their family structure, music, religion, folklore, crafts, and politics and describes their attempts to resolve their own problems through labor unions and political movements. He reveals that many of our stereotypes about poor whites are wildly exaggerated; few were derelicts or "white trash." Even though racism, emotionalism, and a penchant for violence were possible among poor whites, most bore their troubles with dignity and self-respect - working hard to eventually lift themselves out of poverty. The phrase "poor but proud" aptly describes many white Alabamians who settled the state and persisted through time. During the antebellum years, poor whites developed a distinctive culture on the periphery of the cotton belt. As herdsmen, subsistence farmers, mill workers, and miners, they flourished in a society more renowned for its two-class division of planters and slaves. The New Deal era and the advent of World War II broke the long downward spiral of poverty and afforded new opportunities for upward mobility.

    L. Mencken published a reminiscence of his Baltimore boyhood in The New Yorker. With this modest beginning, Mencken embarked on what would become the Days trilogy, a long and magnificent adventure in autobiography by America’s greatest journalist. Finding it “always agreeable to ponder upon the adventures of childhood” (as he wrote in his diary), Mencken created more of these masterful novelistic evocations of a bygone era, eventually collected in Happy Days (1940). The book was an immediate critical and popular success, surprising many of its readers with its glimpses of a less curmudgeonly Mencken.Urged by New Yorker editor Harold Ross to send yet more pieces, Mencken moved on from his childhood to revisit the beginnings of his legendary career. Newspaper Days (1941) charts the rise of the brilliant, ambitious young newspaperman, in an astonishingly short time, from cub reporter to managing editor of the Baltimore Herald. Among the book’s memorable episodes are the display of Mencken’s “talent for faking” in his invented dispatches of the Battle of Tsushima in the Russo-Japanese War—accounts that largely turned out to be accurate—and his riveting narrative of the Great Baltimore Fire of 1904. “In my day a reporter who took an assignment was wholly on his own until he got back to the office, . . . today he tends to become only a homunculus at the end of a telephone wire.”The final volume of the published trilogy, Heathen Days (1943), recounts his varied excursions as one of America’s most famous men, and one who, by his own account, “enjoyed himself immensely,” including his bibulous adventures during Prohibition and his reporting of the 1925 Scopes trial over the teaching of evolution.Until now, however, the story told in Mencken’s beloved Days books has been incomplete. In the 1940s, Mencken began making extensive notes about the published books, commenting on what he had written and adding new material—but stipulating that these writings were not to be made public until twenty-five years after his death. Days Revisited presents more than two hundred pages of this material for the first time. Commentaries are keyed to the main text they gloss with subtle marks in the margin (the volume includes two ribbons to allow readers to flip back to the notes), and they are supplemented by rare photographs, many taken by Mencken himself. Here is Mencken’s classic autobiography as it has never been seen before.

    His subjects include the permeable boundaries of Belfast neighborhoods, of memory, of public and private fear, and, indeed, of the forms of language and art. Carson finds unexpected uses—constructive and destructive—of the building rubble of Belfast history. Rich in lore of place, these innovative and vividly fresh poems draw deeply on traditions—oral, local, and literary.

    Journalist, essayist, reviewer, playwright, and novelist, Robertson Davies has not only been a leading figure in Canadian literature since World War II, but, since the publication of Fifth Business in 1970, he has become known throughout the world.Conversations with Robertson Davies will be of interest both to the student of Canadian literature and culture and to the scholar examining Davies's plays and novels as well as to the general reader who would like to know more about the awesome man behind the Salterton and Deptford trilogies, What's Bred in the Bone, and The Lyre of Orpheus.A majority of this anthology of twenty-eight interviews has never before appeared in print. Along with these previously unpublished interviews, the reader finds a selection of the best print interviews: Tom Harpur of the Toronto Star proves Davies's spiritual beliefs, Ann Saddlemyer looks into his dreams, and author Terence M. Green questions Davies on the supernatural.

    P. Pavlov, the possibilities for experimenting, following the example set by the classical, exact sciences, were made available to the behavioral sciences. Many psychologists hoped that the component parts of behavior had also been found from which the entire, multifaceted cosmos of behavior could then be constructed. An experimentally oriented psychology subsequently developed including the influential school of behaviorism.This first text on human ethology presents itself as a unified work, even though not every area could be treated with equal depth. For example, a branch of ethology has developed in the past decade which places particular emphasis on ecology and population genetics. This field, known as sociobiology, has enriched discussion beyond the boundaries of behavioral biology through its stimulating, and often provocative, theses.After vigorous debates between behaviorists, anthropologists, and sociologists, we have entered a period of exchange of thoughts and a mutual approach, which in many instances has led to cooperative projects of researchers from different disciplines. This work offers a biological point of view for discussion and includes data from the author's cross-cultural work and research from the staff of his institute. It confirms, above all else, the astonishing unity of mankind and paints a basically positive picture of how we are moved by the same passions, jealousies, friendliness, and active curiosity.The need to understand ourselves has never been as great as it is today. An ideologically torn humanity struggles for its survival. Our species, does not know how it should compensate its workers, and it experiments with various economic systems, constitutions, and forms of government. It struggles for freedom and stumbles into newer conflicts. Population growth is apparently completely out of hand, and at the same time many resources are being depleted. We must consider our existence rationally in order to understand it, but certainly not with cold, calculating reason but with the warm feeling of a heart concerned for the welfare of later generations.

    Clarke: "Any sufficiently advanced technology is indistinguishable from magic." This elegant, richly illustrated book tells the story of animation from its 18th-century beginnings as a magic lantern show (a box with a lamp and a mirror) to the creation of Jurassic Park and The Lion King.

    Through a series of readings in the work of the decisive triumvirate of Victorian fiction, Dickens, Trollope and Wilkie Collins, Miller investigates the novel as an oblique form of social control.

    Lavishly illustrated, with text written and selected by the celebrated Guadeloupian novelist Simone Schwarz-Bart, this four-volume series celebrates remarkable women who distinguished themselves in their time and shaped the course of culture and history.    Volume 1: Ancient African Queens weaves together oral tradition, folk legends and stories, songs and poems, historical accounts, and travelers’ tales from Egypt to southern Africa, from prehistory to the nineteenth century. These women rulers, warriors, and heroines include Amanirenas, the queen of Kush who battled Roman armies and defeated them at Aswan; Daurama, mother of the seven Hausa kingdoms; Amina Kulibali, founder of the Gabu dynasty in Senegal; Ana de Sousa Nzinga, who resisted the Portuguese conquest of Angola; Beatrice Kimpa Vita, a Kongo prophet burned at the stake by Christian missionaries; Nanda, mother of the famous warrior-king Shaka Zulu; and many others.    These extraordinary women's stories, narrated in the style of African oral tradition, are absorbing, informative, and accessible. The abundant illustrations, many of them rare archival images, depict the diversity among Black women and make this volume a unique treasure for every art lover, every school, and every family.

    They show how different cultures at different times have entwined physical capacities and mental mechanisms in order to construct a body adapted to moral ideas or social circumstances -- the body of a charismatic citizen or a visionary monk, a mirror image of the world or a reflection of the spirit.Each volume emphasizes a particular perspective. Part 1 explores the human body's relationship to the divine, to the bestial, and to the machines that imitate or simulate it. Part 2 covers the junctures between the body's "outside" and "inside" by studying the manifestations -- or production -- of the soul and the expression of the emotions and, on another level, by examining the speculations inspired by cenesthesia, pain, and death. Part 3 brings into play the classical opposition between organ and function by showing how organs or bodily substances can be used to justify or challenge the way human societies function and, conversely, how political and social functions tend to make the bodies of the persons filling them the organs of a larger body -- the social body or the universe as a whole.Among the contributors to Fragments for a History of the Human Body are Mark Elvin, Catherine Gallagher, Fran�oise H�ritier-Aug�, Julia Kristeva, William R. LaFleur, Thomas W. Laqueur, Jacques Le Goff, Nicole Loraux, Mario Perniola, Hillel Schwartz, Jean Starobinski, Jean-Pierre Vernant, and Caroline Walker Bynum.

    He heads to Japan to find Nagoya, leader of the Yakuza, the only mobsters capable of destroying the DeSantos clan. Originally a spoiled, feckless WASP, Miles is transformed into a fierce warrior of the Yakuza, whose greatest challenge is to survive the pathological hatred of Sato, Nagoya's heir apparent. Sato is jealous of the American's influence with the other warriors, not to mention his fiancee, the porcelain-complexioned--what else?--Tomiko.This situation occasions the most bizarre episode in the novel--a brawl in a heap of manure. Afterward, Miles returns to New York to lead the Yakuza against the DeSanto mob and the fun begins: heads are decapitated, arrows fly, necks are snapped, knives with oriental tassels are thrown at the faces of unsuspecting mafiosi, hands chop spinal cords. The final shoot-out in Central Park is a muddled orgy of mindless bloodletting.

    In Laughing Wild, two comic monologues evolve into a man and a woman’s shared nightmare of modern life and the isolation it creates. From her turf battles at the supermarket to the desperate clichés of self-affirmation he learns at his “per­sonality workshop,” they run the gamut of everyday life’s small brutalizations until they meet, with disastrous inevitability, at the Harmonic Convergence in Central Park.

    Now, Marvin finds himself in Falsettoland and Finn is firmly established as one of the most intriguing composers/lyricists working today. Here, together in one exclusive hardcover volume is the complete libretto of Finn's extraordinary "Marvin Songs." Marvin is funny sensitive, and bewildered by life. He is married to Trina, devoted to his son Jason, and in love with a man named Whizzer. In the course of this hilarious and moving journey, Marvin comes to terms with his sexual preference, Trina marries Marvin's psychiatrist, Mendel, Jason comes of age, and Whizzer falls victim to AIDS.Through Finn's one-of-a-kind lyrics and the imaginative collaboration of James Lapine (co-winner of the Pulitzer Prize for Sunday in the Park with George), Marvin's confusion, obsession, love, and loss are totally compelling. With their unique talents perfectly in sync, Finn and Lapine "pull off the balancing act between satire and seriousness brilliantly."--Michael Kuchwara, AP

    "Baca's evocation of this landscape," as City Paper noted, "its aridity and fertility, is nothing short of brilliant." The individual poems of Black Mesa are embedded both in the family and in the community life of the barrio, detailing births and deaths, neighbors and seasons, injustices and victories. Loosely interconnected, the poems trace a visionary biography of place.

    G. Jung himself are the best place to read about all his main ideas--but where to start, when Jung's Collected Works run to more than eighteen volumes? Robert H. Hopcke's guide to Jung's voluminous writings shows exactly the best place to begin for getting a handle on each of Jung's key concepts and ideas--from archetypal symbols to analytical psychology to UFOs. Each chapter explains one of Jung's principal concerns, then directs the reader where to read about it in depth in the Collected Works. Each chapter includes a list of secondary sources to approach for further study--which the author has updated for this edition to include books published in the ten years since the Guided Tour's first appearance.

    'The Art of Excess' combines intensive literary scholarship and wide-ranging multidisciplinary though to restore the meaning of criticism - evaluation - to the study of recent American fiction.

     Just eleven years after the Wright brothers' first flight, the Royal Flying Corps set off for France, and every aspect of air-fighting had to be discovered for the first time. At the start of the First World War, the flying machine was hardly taken seriously; it was an odd, accident-prone diversion for the rich and the obsessed. Four years later when the war had ended, such had been the pace of development that almost the entire range of modern aircraft types had evolved: from fighters to bombers, from ground attack to reconnaissance. ‘The First Great Air War’ is the full, fascinating account of how a handful of men, British, French, German and Italian, young, with a love of flying and adventure, went to war. Of how tactics, planes and attitudes developed from the amateur to the professional. It is the story of air aces and individual courage, of technical innovation and the coming of age of air power. ‘A valuable history of the air war that began it all … by an ex-flyer of the Second World War who has a genuine feeling for the feats of his predecessors’ - THE BIRMINGHAM POST ‘His sympathy with the fighting man (and woman) shines out of every page’ - LIVERPOOL DAILY POST Richard Townsend Bickers volunteered for the RAF on the outbreak of the second world war and served, with a Permanent Commission, for eighteen years. He wrote a range of military fiction and non-fiction books, including ‘Torpedo Attack’, ‘My Enemy Came Nigh’, ‘Bombing Run’, ‘Fighters Up’ and ‘Summer of No Surrender’.

    Discusses the historical context and the political, psychological, and autobiographical aspects of specific films, and traces overall characteristics of his film care

    Reprint.

    The Oxford Book of Irish Short Stories triumphantly demonstrates the development of the short story in Ireland--from the early folk tales of the oral tradition (here translated from the Irish) to the writing of Oliver Goldsmith, Oscar Wilde, and James Joyce. William Trevor, himself a distinguished short story writer, brings a special sensibility and awareness to his role as editor as he presents stories by Maria Edgeworth, Elizabeth Bowen, Liam O'Flaherty and such modern rising stars as Edna O'Brian, Desmond Hogan, and Joyce Cary. This wide-ranging collection of forty-five stories will certainly serve to entertain and enrich our understanding of this unique literary genre.

    But in 1914 an unusual troupe of characters rents the house next door, and Miranda falls into a scene straight out of silent movie comedies. In fact, her fall from a tree lands her in the middle of the fledgling movie industry and opens up a whole new world to the headstrong preteen. Miranda and the Movies introduces Miranda Gaines, an endearing and funny heroine—and offers a colorful look at the early days of American filmmaking.

    In 1969 four young men-two budding entrepreneurs who really wanted to write sitcoms, a former head shop proprietor turned rock band manager, and a record company executive who smoked hash in his office-had a dream: to produce the greatest rock concert ever held. Little did they know how enormous a reality their dream would become. Woodstock is the fascinating story of how it all came together-and almost fell apart-told exclusively in the voices of the men and women who made it happen. It shares the adventures of a ragtag bunch of businessmen and bohemians, of hippies, hucksters, handymen, and hangers-on, working against all odds to unite a generation for one wild, glorious weekend in August 1969. You'll get behind-the-scenes stories from such people as David Crosby, Abbie Hoffman, Miriam Yasgur (who, along with her husband, Max, owned the land on which the festival was held), Richie Havens, Wavy Gravy, Paul Kantner, Chip Monck, and a host of others. This special 40th anniversary edition features a new foreword by Michael Lang and Joel Rosenman, two of the original coproducers of Woodstock, as well as updated information on the people who made the music festival happen.

    Closely examining the dynamics of the doctor-patient exchange, he seeks to locate and describe the elusive therapeutic environment within which psychological healing most effectively takes place.

    Even the aid of the wizard Mercury Boltblaster is not enough to combat the Demon Lords and the Dark Magic Society. And to make matters even more dangerous, the Gods decide that Jason must become the Mighty Champion in deed as well as name. He must Overcome All Odds to wrest the magic Superwand from Deadly Enemies. For no one else would be foolish enough to stand against the magical forces to restore the dread power of the long-vanquished Evil Empire!

    The complete span of McGough's writing, from the 1960s to the new millennium, is represented. 'McGough's trademarks: the craft worn as lightly as the crown, the jokes that are something more, the underlying heartache, the acute sense of the way time slips away' Ian McMillan, Poetry Review 'McGough has done for poetry what champagne does for weddings' Time Out

    

    Over the next fifty years she enriched American literature in endless ways through her writings and, in 1993, she received the National Book Award for Lifetime Achievement.This Is My Century is Walker's own defining summation of her career. Selected by the author herself, the one hundred poems include thirty-seven previously uncollected pieces and the entire contents of three hard-to-find volumes: the award-winning For My People (1942), Prophets for a New Day (1970), and October Journey (1975).

    His portrait of a huge, fog-bound, romantic, and sinister city at the peak of its imperial greatness remains, to this day, convincing and atmospheric. Holmes and Watson ranged far and wide across the metropolis, and Charles Viney retraces their footsteps in over 200 contemporary photographs of London, taken between 1879 and 1914. Each illustrates an event from one of the stories in 'The Complete Adventures of Sherlock Holmes, and its location is pinpointed on a Victorian street map of the city. 'The Authentic World of Sherlock Holmes' is a tribute to the authenticity of Conan Doyle's descriptive writing, a record of a vanished world... and a reference and guidebook for all Holmes fans.

    A brilliant example of the most accessible writing by the towering genius who set the standard for the Modern period of English literature, "The Dead" features the rich interior monologues for which Joyce is known-an especially rewarding experience in the audio medium. 2 cassettes.

    Sayers, detective novelist, poet, scholar, playwright and Christian apologist, spent the last fourteen years of her life reading and translating Dante's "Divine Comedy". The first two volumes of her translation, "Hell" and "Purgatory", were published during her lifetime, but when she died in 1957 the third volume, "Paradise", was unfinished. It was completed by her friend Barbara Reynolds. And now Barbara Reynolds has written the first full-length study of this illuminating stage in the creative life of Dorothy Sayers. Drawing on personal reminiscences and unpublished letters, she explores the dynamic impact of Dante upon a mature mind. New light is shed on Dorothy Sayers's personality, her relationship with her friends, her methods of work, and her intellectual and spiritual development. Readers of Dante, no less than readers of Sayers, will find this of interest.

    It is a collection of short, topical and intriguing essays through which Isaac Asimov, the incomparable writer of science fiction, proposes brand new answers to classic scientific conundrums.

    

    The drug literature is filled with the stereotyped opinions of non-addicted, middle-class pundits who have had little direct contact with addicts.a These stories are reality.a Narcotic addicts of the inner cities are both tough and gentle, deceptive when necessary and yet often generous--above all, shrewd judges of character.a While judging them, the clinician is also being judged.OCoVincent P. Dole, M.D., The Rockefeller Institute. What was it like to be a narcotic addict during the Anslinger era?a No book will probably ever appear that gives a better picture than this one. . . . a singularly readable and informative work on a subject ordinarily buried in clich(r)s and stereotypes.OCoDonald W. Goodwin, Journal of the American Medical Association . . . an important contribution to the growing body of literature that attempts to more clearly define the nature of drug addiction. . . . [This book] will appeal to a diverse audience.a Academicians, politicians, and the general reader will find this approach to drug addiction extremely beneficial, insightful, and instructive. . . . Without qualification anyone wishing to acquire a better understanding of drug addicts and addiction will benefit from reading this book.OCoJohn C. McWilliams, Pennsylvania Magazine of History and Biography This study has much to say to a general audience, as well as those involved in drug control.OCoPublishers Weekly The authors' comments are perceptive and the interviews make interesting reading.OCoJohn Duffy, Journal of American History This book adds a vital and often compelling human dimension to the story of drug use and law enforcement.a The material will be of great value to other specialists, such as those interested in the history of organized crime and of outsiders in general.OCoH. Wayne Morgan, Journal of Southern History This book represents a significant and valuable addition to the contemporary substance abuse literature. . . .a this book presents findings from a novel and remarkably imaginative research approach in a cogent and exceptionally informative manner.OCoWilliam M. Harvey, Journal of Psychoactive Drugs This is a good and important book filled with new information containing provocative elements usually brought forth through the touching details of personal experience. . . .a There isn't a recollection which isn't of intrinsic value and many point to issues hardly ever broached in more conventional studies.OCoAlan Block, Journal of Social History

    Editor Pangle has gathered five of Strauss's previously unpublished lectures and five hard-to-find published writings and has arranged them so as to demonstrate the systematic progression of the major themes that underlay Strauss's mature work. "[These essays] display the incomparable insight and remarkable range of knowledge that set Strauss's works apart from any other twentieth-century philosopher's."—Charles R. Kesler, National Review

    to the present decade is the most imaginative single-volume guide to the French literary tradition available in English.Conceived for the general reader, this volume presents French literature not as a simple inventory of authors or titles, but rather as a historical and cultural field viewed from a wide array of contemporary critical perspectives. The book consists of 164 essays by American and European scholars, and covers the history of French literature from 842 to 1989.

    One of the most widely used series of methods for individual or like-instrument class instruction. Using a very well-rounded approach including scales, arpeggios, technical studies, studies for musicianship, articulation studies, solos, duets, and studies devoted to the special needs of each instrument, this series provides a fantastic wealth of material for all student musicians.

    Sisällys:Varjo Innsmouthin yllä (The Shadow Over Innsmouth, 1931)Cthulhun kutsu (The Call of Cthulhu, 1926)Dunwichin hirviö (The Dunwich Horror, 1928)Kuiskaus pimeässä (The Whisperer in Darkness, 1930)

    These stories are a modern bestiary which rework the stuff of mythologies, spanning the cultures of the planet, reclaiming for the Imagination its territories from Science. They are counterfables in which the usual fabulous project is reversed: animal characteristics are attributed to humans, and humans and animals are seen as codeterminants of the moral and cultural landscape.