It is unusual, remarkable, for a major writer also to be an accomplished photographer. Eudora Welty is one of the very few whose great talent has been expressed in both photographs and fiction. This book, Eudora Welty: Photographs, brings together in one volume about 250 representative photographs from the few thousand that she took during the 1930s, '40s, and '50s. Although her camera's view finder compresses much, like the frame in which she conceives her fiction, it finds elements that convey her deep compassion and her artist's sensibilities. From the confines of her native Mississippi these photographs unfold the world of Eudora Welty's art, reaching, extending, and exploring. In the Deep South of Depression times, when she began writing, she discovered the place into which she had been born and which would always be her subject. From here, as these photographs show, she approached and risked the outside world. From rural Mississippi to New Orleans, Charleston, New York City, and Yaddo, and then to Ireland, England, and the Continent, Welty widened her vision and expanded her art. These photographs reveal that both in her fiction and in the pictures she took it has always been in place, in the special qualities of what is local, that she found her impulse.

    It charts their achievements and their continued impact on the world. Foreword by Maya Angelou.

    Evans documented the look and feel of much of his native country in a notably distinct way throughout the majority of the twentieth century. This definitive retrospective of Evans's career, which received France's Prix de Nadar and England's Krasna-Kraus Award when first published in hardcover, is now available for the first time as a reduced-format paperback." "Prepared by John T. Hill in cooperation with Gilles Mora, Walker Evans: The Hungry Eye begins with the artist's early abstractions and his project on the Brooklyn Bridge done in collaboration with American poet Hart Crane, and continues through Evans's photographic studies of New England and New York Victorian buildings; his travels to Tahiti and Cuba; his work in Florida and New Orleans; and his three-year involvement with the Farm Security Administration. A highlight of this volume is the material from Evans's highly influential show American Photographs at The Museum of Modern Art in New York, re-created in exactly the sequence that Evans established for the original exhibition." No broader or more comprehensive view of this important, innovative, and distinguished photographer exists to date. With all of the images superbly reproduced from negatives prepared by Thomas Palmer, this volume will long stand as a tribute to an American original.

    In often torturous or eroticized still lifes and tableaux, cadavers, physical anomalies, transsexuals and animals are carefully arranged to create a mythology that could originate only in the imagination of this singular artist. In Gods of Earth and Heaven, Witkin advances an aesthetic point of view in a manner that raises his artistic output to a new level of sophistication. As often praised as he is derided by critics, his work has become a basis for serious debate on issues of life and death, love and sexuality. At the very least Witkin's work challenges traditional canons of beauty and the spiritual in art. An updated bibliography and exhibition history are included.

    With technical perfection, an extremely detailed style and a relentless directness, Newton staged the never-ending psychodrama that contrasts glamour with the need for admiration, self-confidence with the desire for self-presentation. Private Property was originally a three-part portfolio containing 45 black-and-white photographs. It includes Newton's best work from the 1972 - 1983 period - an exquisite assortment of fashion shots, portraits, and erotic motifs which are all based on real locations and luxurious life styles.

    Containing 150 recent photographs by the American photographer William Eggleston, this volume provides a sequence of images which form an almost autobiographic narrative, beginning with pictures of Eggleston's home territory in the Mississippi Delta and radiating out across the USA.

    Gather photographs of mountains, rivers, canyons, forests, plains, and native peoples around the world.

    This is Coyote's country--a landscape of the imagination, where nothing is as it appears.

    He was hired by movie mogul Sam Goldwyn in 1920 to photograph publicity stills of the studio's stars. Four years later, when Metro-Goldwyn-Mayer was founded, Bull was appointed as the head of their stills department where he remained throughout his career. During that time he took portraits of the most celebrated Hollywood film stars, however, he is particularly known for his photographs fo Greta Garbo who was almost exclusively photographed by Bull from 1921 to 1941. This book highlights Bull's 40-year career at MGM with nearly 200 of his enduring portraits of filmstars such as Clark Gable, Joan Crawford, Vivian Leigh, Spencer Tracy, Elizabeth Taylor, Grace Kelly and Katherine Hepburn. This monograph presents an array of star portraits as well as a history of Hollywood in its heyday. The book will accompany a major exhibition organized by the National Portrait Gallery in collaboration with the John Kobal Collection and American Express.

    

    Photographs.

    Accompanying a major retrospective exhibition opening at The Museum of Modern Art and travelling until 1991, this is a publication of White's work using the artist's extensive personal archive bequeathed to Princeton University on his death.

    This work is geared to the curriculums of allied health and nursing students who need a high-quality, regionally-organized anatomy atlas. Includes some 290 excellent full-color dissection photos. No bibliography. Annotation copyright Book News, Inc. Portland, Or.

    The book shows his work for Calvin Klein, British Vogue and Vanity Fair, his portraits of Merial Hemingway, Warren Beatty and others.

    160 photos.

    Photography for the Joy of It, offers clear instruction when choosing equipment, selecting correct exposure, understanding depth of field and much more.

    Reprint.

    government to take a series of photos of the Western national parks. But World War II intervened, and though Adams completed and delivered a series of signed exhibition prints in August 1942, they were shelved and forgotten--until now.

    In this book, Rudolf Kingslake traces the historical development of the various types of lenses from Daguerre's invention of photography in 1839 through lenses commonly used today.From an early lens still being manufactured for use in low-cost cameras to designs made possible through such innovations as lens coating, rare-earth glasses, and computer aided lens design and testing, the author details each major advance in design and fabrication. The book explains how and why each new lens type was developed, and why most of them have since been abandoned. This authoritative history of lens technology also includes brief biographies of several outstanding lens designers and manufacturers of the past.

    This stunning collection of historic portraits--some famous, others rarelyseen--marks the 150th anniversary of the invention of photography, providing not only an engaging survey of its development from the earliest daguerreotypes onward, but also a fascinating pictorial Who's Who of British culture from Queen Victoria to Princess Di. Featuring a preface by Alan Fern, Director of the National Portrait Gallery in Washington, D.C., this volume presents an unprecedented gathering of great portraits. There are major figures from literature, ranging from Charles Dickens and Thomas Carlyle, to D.H. Lawrence and Virginia Woolf, toGraham Greene and T.S. Eliot; scientists such as Michael Faraday and Charles Darwin; influential thinkers Bertrand Russell and John Ruskin; political figures including Winston Churchill and Harold Macmillan; artists such as James Whistler, Aubrey Beardsley, and David Hockney; and entertainmentfigures from Lillie Langtry and John Gielgud to the Beatles and Sting. And the photographers themselves assemble their own Who's Who of masters, including Julia Margaret Cameron, Lewis Carroll, Edward Steichen, Man Ray, Cecil Beaton, Richard Avedon, Helmut Newton, and Cornell Capa. Not the least of this book's charm is the delightfully informative commentary Rogers provides for each sitter and photographer, capsule biographies filled with amusing asides (Florence Nightingale, for instance, thought her portrait looked like Medea after killing her children). But thetrue appeal of the book, the attraction, is simply turning page after page and coming face to face with another figure of Britain's past, staring out at us in defiance of time, captured forever in the thinnest layer of chemicals.

    9-Nov. 26, 1989, and the Los Angeles County Museum of Art, Dec. 21, 1989-Feb. 25, 1990.

    His wife Yvonne worked by his side, taking her own photographs of him as he worked. The pictures in this book reveal the creative mind behind the camera.