For Deleuze, philosophy cannot be a reflection of something else; philosophical concepts are, rather, the images of thought, to be understood on their own terms. Here he puts this view of philosophy to work in understanding the concepts—or images—of film.Cinema, to Deleuze, is not a language that requires probing and interpretation, a search for hidden meanings; it can be understood directly, as a composition of images and signs, pre-verbal in nature. Thus he offers a powerful alternative to the psychoanalytic and semiological approaches that have dominated film studies.Drawing upon Henri Bergson’s thesis on perception and C. S. Peirce’s classification of images and signs, Deleuze is able to put forth a new theory and taxonomy of the image, which he then applies to concrete examples from the work of a diverse group of filmmakers—Griffith, Eisenstein, Pasolini, Rohmer, Bresson, Dreyer, Stroheim, Buñuel, and many others. Because he finds movement to be the primary characteristic of cinema in the first half of the twentieth century, he devotes this first volume to that aspect of film. In the years since World War II, time has come to dominate film; that shift, and the signs and images associated with it, are addressed in Cinema 2: The Time-Image.

    Without oversimplifying or glossing over the challenges, Norris makes deconstruction more accessible to the reader. The volume focuses on the works of Jacques Derrida which caused this seismic shift in critical thought, as well as the work of North American critics Paul de Man, Geoffrey Hartman, J. Hillis Miller and Harold Bloom.In this third, revised edition, Norris builds on his 1991 Afterword with an entirely new Postscript, reflecting upon recent critical debate. The Postscript includes an extensive list of recommended reading, complementing what was already one of the most useful bibliographies available.

    In this classic work, now updated, the author of Culture and Imperialism reveals the hidden agendas and distortions of fact that underlie even the most "objective" coverage of the Islamic world.

    Beginning with: "It was Sappho who first called eros 'bittersweet.' No one who has been in love disputes her. What does the word mean?", Carson examines her subject from numerous points of view and styles, transcending the constraints of the scholarly exercise for an evocative and lyrical meditation in the tradition of William Carlos William's Spring and All and William H. Gass's On Being Blue.

    It covers the most fertile and the most lasting work on every significant area he published in.

    Each guide includes an author biography, chapter summaries, creative cross-curricular activities, vocabulary builders, reproducibles, and discussion questions.

    Topics: elimination of metaphysics, function of philosophy, nature of philosophical analysis, the a priori, truth & probability, critique of ethics & theology, self & the common world etc.IntroductionThe elimination of metaphysicsThe function of philosophy The nature of philosophical analysisThe a priori Truth & probabilityCritique of ethics & theologyThe self & the common worldSolutions of outstanding philosophical disputesIndex

    Combining memoir with artistic and philosophical musings, the poet and National Book Critics Circle Award winner (for My Alexandria) begins by confessing his obsession with the 17th-century Dutch still life that serves as the title of this book. As he analyzes the items depicted in the painting, he skillfully introduces his thoughts on our intimate relationships to objects and subsequently explains how they are often inextricably bound to the people and places of an individual lifetime. Further defined by imperfections attained from use, each object from an aging oak table to a chipped blue and white china platter forms a springboard for reflection. Doty intersperses personal reminiscences throughout, but he always returns to the subject of still-life painting and its silent eloquence. Doty's observations on balance, grief, beauty, space, love, and time are imparted with wisdom and poetic grace.Books like this, that address the sources of creation and the sources of our humanness, come along once in a decade. -Susan Salter Reynolds, Los Angeles Times"This small book is as wise, sensitive, intense, and affecting as anything I have read in recent years." -Doris Grumbach, author of Fifty Days of Solitude"A gem." -Library Journal"Mark Doty's prose is insistently exploratory, yet every aside, every detour, turns into pertinence, and it all seems effortless, as though the author were wondering, and marveling, aloud." -Bernard Cooper, author of Truth Serum"A dazzling accomplishment, its radiance bred of lucid attention and acute insight. The subject is the profoundly personal act of perception translated into description. Doty succeeds in rendering this most contemplative of arts-the still life-into a riveting drama." -Patricia Hampl, author of I Could Tell You Stories

    Roy Peter Clark, author of Writing Tools, aims to put the glamour back in grammar with this fun, engaging alternative to stuffy instructionals. In this practical guide, readers will learn everything from the different parts of speech to why effective writers prefer concrete nouns and active verbs. The Glamour of Grammar gives readers all the tools they need to"live inside the language" -- to take advantage of grammar to perfect their use of English, to instill meaning, and to charm through their writing. With this indispensable book, readers will come to see just how glamorous grammar can be.

    This concise and engaging text not only presents Sartre's ontology of truth but also addresses the key moral questions of freedom, action, and bad faith.Truth and Existence is introduced by an extended biographical, historical, and analytical essay by Ronald Aronson."Truth and Existence is another important element in the recently published links between Sartre's existentialist ontology and his later ethical, political, and literary concerns. . . . The excellent introduction by Aronson will help readers not experienced in reading Sartre."—Choice"Accompanied by an excellent introduction, this dense, lucidly translated treatise reveals Sartre as a characteristically 20th-century figure."—Publishers WeeklyJean-Paul Sartre (1906-1980) was offered, but declined, the Nobel Prize for literature in 1964. His many works of fiction, drama, and philosophy include the monumental study of Flaubert, The Family Idiot, and The Freud Scenario, both published in translation by the University of Chicago Press.

    This new and expanded third edition continues to offer students and readers the best one-volume introduction to the field.The bewildering variety of approaches, theorists and technical language is lucidly and expertly unraveled. Unlike many books which assume certain positions about the critics and the theories they represent, Peter Barry allows readers to develop their own ideas once first principles and concepts have been grasped.

    Book annotation not available for this title.Title: Traditions & EncountersAuthor: Bentley, Jerry H./ Ziegler, Herbert F.Publisher: McGraw-Hill CollegePublication Date: 2010/10/08Number of Pages: 460Binding Type: PAPERBACKLibrary of Congress: 2010036144

    From its publication amid the social upheavals of the 1960s up to the present, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism and everyday life in the late twentieth century. Now finally available in a superb English translation approved by the author, Debord's text remains as crucial as ever for understanding the contemporary effects of power, which are increasingly inseparable from the new virtual worlds of our rapidly changing image/information culture.

    You’ll have heard of most of these notorious criminals, but possibly not so much about one or two of them. All of them were real, ruthless hoodlums, and all had their "15 minutes of fame", leaving trails of death and mayhem behind them. Most did not live to an old age, and those that did were probably in jail. Their escapades were daring and reckless and many paid the ultimate price in the end. Volume 1 contains • Lucky Luciano –From Streetwise Kid to the Father of Organized Crime Leaving poverty ravaged Sicily for New York with his family at the age of 10; Lucky was running his own protection racket and making a name for himself whilst still in his teens. Inevitably, he moved on to become the undisputed boss of organized crime in the USA, but it was his own ‘family’s’ involvement in prostitution which landed him a jail sentence of 30 to 50 years. It didn’t end there however as he continued to run the family affairs from prison where Lady Luck visited him with an offer he couldn’t refuse. • Bugsy Siegel and “The Flamingo Hotel”Through his gambling and bootlegging operations, plus numerous ruthless contract murders, Bugsy Siegel established himself as a key member of “The Syndicate” in New York. Relocating to Las Vegas with the blessing of Lucky Luciano in 1945 to expand the organizations activities, he built the famous Flamingo Club and Casino in the desert of Las Vegas using money provided by the East Coast mobsters. The hopelessly mismanaged project went way over budget, implicating Bugsy in the ‘misappropriation’ of funds and enraging his bosses – Bugsy’s day were numbered.• Dutch Schultz – Beer Baron and Vicious Killer From the slums of New York, Dutch Schultz rose through the ranks of crime to be named “the nation’s top gangster” by the FBI. Claiming to be a good guy simply supplying people with the beer they wanted, (illegally of course), he was also responsible for killing at least two of his own men he suspected of ‘skimming’ more of the proceeds than was due to them. • Hymies Weiss - The Man Al Capone FearedEarl Wojciechowski was born on Jan 25th 1898 in Chicago, but over time became known as Hymie Weiss, eventually teaming up with Dean O'Banion the leader of the North Side Gang who he succeeded after his murder in 1924. Hymie swore to avenge his friends death and waged wore on the Torrio-Capone criminal empire, even attempting to assassinate Capone himself. Violent gun battles on the streets of Chicago were regular occurrences during this period as the gangs fought for control of the lucrative bootlegging and other rackets - things had to come to a head sooner or later. • Wilbur Underhill – The Tri-State TerrorIt took a 24 man task force to bring down Mad Dog Wilbur Underhill in the end. During 12 years of rampaging through the Southwest he was sentenced to life for a murder in Oklahoma, and received another life sentence in Kansas after escaping jail in a ten man breakout and murdering a policeman. Suspected of involvement in the famous Kansas City Massacre, Wilbur began his life of crime as a burglar, and quickly moved on to armed robbery and murder. Order your copy today..! Scroll back up for instant download

    All the while he has been writing some of the wittiest, most incisive criticism we have on an astonishing array of subjects—music, literature, photography, and travel journalism—that, in Dyer's expert hands, becomes a kind of irresistible self-reportage.Otherwise Known as the Human Condition collects twenty-five years of essays, reviews, and misadventures. Here he is pursuing the shadow of Camus in Algeria and remembering life on the dole in Brixton in the 1980s; reflecting on Richard Avedon and Ruth Orkin, on the status of jazz and the wonderous Nusrat Fateh Ali Khan, on the sculptor ZadKine and the saxophonist David Murray (in the same essay), on his heroes Rebecca West and Ryszard Kapus´cin´ski, on haute couture and sex in hotels. Whatever he writes about, his responses never fail to surprise. For Dyer there is no division between the reflective work of the critic and the novelist's commitment to lived experience: they are mutually illuminating ways to sharpen our perceptions. His is the rare body of work that manages to both frame our world and enlarge it.