Tolkien's extraordinary creation Middle-earth, as depicted in the movie The Fellowship of the Ring - the first of three blockbuster films from New Line Cinema. Filled with stunning imagery and with a thorough, informative narrative text, The Fellowship of the Ring Visual Companion will provide the reader with a rich feast of detail and information. Featuring exclusive photos of Frodo, Gandalf, the Ringwraiths, elves, and all the other main characters and creatures of the first film, the book also includes breathtaking pictures of Hobbiton, Rivendell, and Moria. The first of a projected three-book series that no Tolkien fan, from novice to expert, should be without, The Fellowship of the Ring Visual Companion contains a special eight-page gatefold of large-format images unique to this book.

    Features commentary, color stills, sketches, storyboards, and illustrations used to envision the rich fantasy world of the film. Also includes a complete English-language script.

    During his more than forty years in the business, Williams has been one of the true innovators, winning three Academy Awards and serving as the link between Disney's golden age of animation by hand and the new computer animation exemplified by Toy Story. Perhaps even more important, though, has been his dedication in passing along his knowledge to a new generation of animators so that they in turn could push the medium in new directions. In this book, based on his sold-out master classes in the United States and across Europe, Williams provides the underlying principles of animation that every animator--from beginner to expert, classic animator to computer animation whiz --needs. Urging his readers to "invent but be believable," he illustrates his points with hundreds of drawings, distilling the secrets of the masters into a working system in order to create a book that will become the standard work on all forms of animation for professionals, students, and fans.

    An overview of the world-famous comic character and of his adventures through the 23 titles of the complete oeuvre, the Complete Companion contextualizes Hergé's work and places it in its historical period by showing side by side by side the drawings and the references used by the artist to establish believable backgrounds and realistic details.Also included are large numbers of sketches that Herge would rework and polish until he would find the clearest, most easily readable line, giving birth to a style that would later be called the Clear Line.

    Organized according to body systems, each of the 170 plates featured in this book includes an ingenious color-key system where anatomical terminology is linked to detailed illustrations of the structures of the body. Often imitated, never duplicated. New! Lay-flat binding makes coloring easier. New! 8 plates have been added: Accessory Structures of the Skin, Temporomandibular Joint, Upper Limb: Shoulder (Glenohumeral) Joint, Upper Limb: Elbow Joints, Lower Limb: Male and female Pelves, Lower Limb: Sacroiliac and Hip Joints, Lower Limb: Knee Joints, Somatic Visceral Receptors. New! 7 additional sections: Skeletal and Articular Systems, Skeletal Muscular System, Central Nervous System, Central Nervous System: Cavities and Coverings, Peripheral Nervous System, Autonomic Nervous System, Human Development.

    In it, Anne Bogart speaks candidly and with wisdom of the courage required to create 'art with great presence'. Each chapter tackles one of the seven major areas Bogart has identified as both potential partner and potential obstacle to art-making. They are Violence; Memory; Terror; Eroticism; Stereotype; Embarrassment; and Resistance. Each one can be used to generate extraordinary creative energy, if we know how to use it.A Director Prepares offers every practitioner an extraordinary insight into the creative process. It is a handbook, Bible and manifesto, all in one. No other book on the art of theatre comes even close to offering this much understanding, experience and inspiration.

    Schulz and his art, providing an unprecedented look at the work of the most brilliant and beloved cartoonist of the twentieth century. Here is the whole gang–Charlie Brown, Lucy, Linus, Snoopy, Peppermint Patty, Schroeder, Pig-Pen, and all the others from the original Peanuts strips.More than five hundred comic strips are reproduced, as well as such rare or never-before-seen items as a sketchbook from Schulz's army days in the early 1940s; his very first printed strip, Just Keep Laughing; his private scrapbook of pre-Peanuts Li'l Folks strips; developmental sketches for the first versions of Charlie Brown and the other Peanuts characters; a sketchbook from 1963; and many more materials gathered from the Schulz archives in Santa Rosa, California.The art has been stunningly photographed by Geoff Spear in full color, capturing the subtle textures of paper, ink, and line. The strips–which were shot only from the original art or vintage newsprint–reveal how, from the 1950s through 2000, Schulz's style and the Peanuts world evolved. The book features an introduction by Jean Schulz and has been designed and edited by renowned graphic artist Chip Kidd, who also provides an informed and appreciative commentary. This celebration of the genius of the most revered cartoonist of our time is a must for anyone who has ever come under the spell of Peanuts.From the Hardcover edition.

    The legendary curator John Szarkowski, director emeritus of the Department of Photography at New York's Museum of Modern Art, has painstakingly selected what he considers Adams' finest work and has attempted to find the single best photographic print of each. Szarkowski writes that "Ansel Adams at 100 is the product of a thorough review of work that Adams, at various times in his career, considered important. It includes many photographs that will be unfamiliar to lovers of Adams' work, and a substantial number that will be new to Adams scholars. The book is an attempt to identify that work on which Adams' claim as an important modern artist must rest." Ansel Adams at 100-the highly acclaimed international exhibition and the book, with Szarkowski's incisive critical essay-is the first serious effort since Adams' death in 1984 to reevaluate his achievement as an artist. The exhibition prints, drawn from important public and private collections, have been meticulously reproduced in tritone to create the splendid plates in this edition, faithfully rendering the nuances of the original prints. Ansel Adams at 100 is destined to be the definitive book on this great American artist. John Szarkowski is director emeritus of the Department of Photography, The Museum of Modern Art, New York. He is the author of such classic works as Looking at Photographs, The Photographer's Eye, Photography Until Now, and Atget, as well as several books of his own photographs, including the recently reissued The Idea of Louis Sullivan.

    Such an artist is able to transcend established thinking and help us redefine ourselves and our world. Today, a growing number of art critics, philosophers, and spiritual seekers believe that they have found that vision in the art of Alex Grey. Transfigurations, the follow-up to Grey’s Sacred Mirrors (1991)--one of the most successful art books of the 1990s--includes all of Grey’s major works completed in the following decade, including the masterful seven-paneled altarpiece Nature of Mind, called “the grand climax of Grey’s art” by Donald Kuspit. His portrayals of human beings blend anatomical exactitude with visionary depictions of universal life energy. Alex Grey’s striking artwork leads us on the soul’s journey from material world encasement to recovery of the divinely illuminated core.

    These fascinating fauns have been captured here in the only comprehensive annotated field guide of its kind. Many years of extensive study and on-site observation have gone into these renderings, and great risk taken to learn about the natural habitats of all of the creatures. From the ice fields of Hoth and the pastures of Naboo to the concrete jungle of Coruscant and the intense heat and wind of Tatooine, identify and learn about the mating habits, feeding patterns, herding instincts, and defense mechanisms of these incredible beings. This extraordinary field guide provides the ultimate look at the wildlife of Star Wars.

    This, and the book's clear red case and silver-gilded pages, seem contrary to the raw, handwritten style he is known for, already setting us up for a wild and very personal ride through almost the entire corpus of the 39-year-old designer's work. Sagmeister once scratched words into his skin for his own lecture poster at Cranbrook, and this is the book version--sometimes enlightening, sometimes embarrassing, always self-conscious, and ultimately touching. The story is a conversation between Peter Hall's text and Sagmeister's handwritten commentary, a perfect and believable device for an absorbing dialogue. Self-indulgent as Made You Look may be, Sagmeister lays himself open with idealism, irony, and humor, creating one of the most moving books about design. --Juliette Cezzar

    Pre-eminent among those who have is John Howe.  Now, for the first time ever, a portfolio of more than 250 of his paintings and sketches has been collected together which celebrates the breathtaking vision of one of the foremost fantasy artists working today. Myth & Magic takes the reader on a journey through John Howe’s work, from his early days as a student to his most recent paintings, and features a number of previously unseen pictures. All of his Tolkien work inspired by The Hobbit, The Lord of the Rings, The Silmarillion and The History of Middle-earth is included, and this is complemented by a dazzling array of the many works of art that he has produced, ranging from books on dragons and myth and legend, children’s books that he has written as well as illustrated, to a wealth of cover paintings for some of the biggest names in fantasy. John Howe has additionally provided an entertaining and informative commentary which gives the story behind his work.  Myth & Magic also boasts contributions from Tolkien expert and author of The Lord of the Rings Movie Guide, Brian Sibley, and top fantasy authors such as Robin Hobb and Robert Holdstock, features a revealing insight from Oscar-winning actor Sir Ian McKellen into the challenge of becoming John Howe’s ‘Gandalf’, and includes an exclusive Foreword by Peter Jackson, the directorof The Lord of the Rings Movie Trilogy. From the beloved painting of ‘Smaug’ that decorates The Hobbit, and the world famous ‘Gandalf’ picture which is synonymous with the one-volume edition of The Lord of the Rings, to the spectacular images which adorn best-selling novels around the world, this sumptuous gallery will delight all fans of Tolkien and fantasy, as it takes us on an unforgettable tour through the imagination of one of the finest artists in the world. A tour through the realms of Myth & Magic.

    Combining memoir with artistic and philosophical musings, the poet and National Book Critics Circle Award winner (for My Alexandria) begins by confessing his obsession with the 17th-century Dutch still life that serves as the title of this book. As he analyzes the items depicted in the painting, he skillfully introduces his thoughts on our intimate relationships to objects and subsequently explains how they are often inextricably bound to the people and places of an individual lifetime. Further defined by imperfections attained from use, each object from an aging oak table to a chipped blue and white china platter forms a springboard for reflection. Doty intersperses personal reminiscences throughout, but he always returns to the subject of still-life painting and its silent eloquence. Doty's observations on balance, grief, beauty, space, love, and time are imparted with wisdom and poetic grace.Books like this, that address the sources of creation and the sources of our humanness, come along once in a decade. -Susan Salter Reynolds, Los Angeles Times"This small book is as wise, sensitive, intense, and affecting as anything I have read in recent years." -Doris Grumbach, author of Fifty Days of Solitude"A gem." -Library Journal"Mark Doty's prose is insistently exploratory, yet every aside, every detour, turns into pertinence, and it all seems effortless, as though the author were wondering, and marveling, aloud." -Bernard Cooper, author of Truth Serum"A dazzling accomplishment, its radiance bred of lucid attention and acute insight. The subject is the profoundly personal act of perception translated into description. Doty succeeds in rendering this most contemplative of arts-the still life-into a riveting drama." -Patricia Hampl, author of I Could Tell You Stories

    In addition to covers from best-selling novels by Terry Brooks and Anne McCaffrey, there are illustrations for comic books (Batman); movies (Galaxy Quest and Sleepy Hollow); computer games (Doom II), and collectible cards (ICE’s Lord of the Rings). More than 120 haunting images.

    The only definitive collection of photographs spanning the entire career of war photographer Robert Capa.

    opens the door into Pixar's colorful archives of concept art and to the endearing story of Monsters, Inc. Since the very first bedtime, children around the world have known that once their parents tuck them into bed and shut off the light, monsters lie waiting behind closet doors, ready to emerge. But what they don't realize is that these monsters scare children because they have to. It's their job.The newest film from Pizar Animation Studios, the people who brought you Toy Story, A Bug's Life, and Toy Story 2, reveals the truth about monsters with the brilliant techniques that have earned them their reputation as a groundbreaking animation studio. This incredible body of artwork was commissioned from the top artists, illustrators, and animators in the industry, and from it the ultimate visual approach of the film was defined. From sketches scribbled on napkins and quickly inked marker drawings to finished oil paintings and fabulous pastel color scripts, this behind-the-scenes artwork reveals the elaborate creative process behind a blockbuster film.

    Throughout his career he produced eight certified platinum albums and had numerous singles and LPs debut at No. 1 on the charts. This folio features Tupac's most successful works spanning his career. Titles are: R U Still Down? * Brenda's Got a Baby * California Love * Changes * Dear Mama * Do for Love * How Do U Want It * I Ain't Mad at Cha * I Get Around * I Wonder If Heaven Got a Ghetto * Me Against the World * Papa'z Song * So Many Tears * To Live & Die in L.A. * 2 of Amerikaz Most Wanted.

    It's odd stuff. I'm trying to decide if I've encountered an elaborate fiction, or a series of events that, if true, cast doubt over any concept of reality I've ever held.--MatthewThe correspondence of Griffin Moss and Sabine Strohem, at turns enigmatic, sumptuous, and romantic, reveals dangerous undercurrents and strange forces at work in the universe. These powers have only grown stronger with the couple's disappearance. Nothing is heard from them for quite some time, until Sabine asks Matthew Sedon, a young archaeologist working in Egypt, for help. As Matthew is reluctantly drawn into the intrigue, he finds encouragement from his strong-willed girlfriend, Isabella de Reims. Miles away in Paris, Isabella struggles with haunting glimpses of mythic landscapes and surreal creatures that come to her in waking dreams. Slowly Matthew and Isabella realize that to unlock this secret world is to open the door to their deepest yearnings. Author and artist Nick Bantock tells a story like no other: As you pull handwritten letters from stamped envelopes, the enchanting world of The Gryphon literally unfolds in your hands as it takes root in your imagination.

    He left a lifetime of adventures that continue to inspire. Raised in Kenya, he took numerous expeditions across Africa that helped him to understand and love the continent. Through his safaris and benevolent crusades--and with interludes of study and work in the US and London, and trips around the world--he crafted a philosophy of curiosity, creativity, adventure, and charity. Intensely visual, like the life it describes, Dan Eldon: The Art of Life is more than a biography. It is an exploration of one man's will to take in everything life has to offer; an example of a life lived for art, and art experienced as lif

    The art book includes original color images from the popular manga, One Piece. See King-of-the-Pirates wannabe Fuffy and his crew -- thief Nami, swordsman Zolo, liar Usopp and chef Sanji -- and the enemies they encounter on their quest amid the high seas -- Buggy the Clown, Captain Kuro, Don Krieg, Mihawk, Arlong and more Also includes character sketches by Oda and an exclusive interview with DRAGON BALL creator Akira Toriyama and ONE PIECE creator Eiichiro Oda

    Over 250 photos, production drawings, historical documents, and interviews with the filmmakers detail the behind-the-scenes story of the making of the film, including excerpts from the script and songs, a portrait of Bohemian Paris in the 1890s, and spectacular portfolios of behind-the-scenes photography.

    While he was notoriously protective of his privacy, Gorey did grant dozens of interviews over the course of his life. And as these conversations demonstrate, he proved to be unfailingly charming, gracious, and fascinating. Here is Gorey in his own words, ruminating on everything from French symbolist poetry to soap operas, from George Balanchine and the unique beauty of ballet to Victorian photographs of dead children. We meet the artist in his ramshackle, book-lined studio in Manhattan and his equally bizarre house on Cape Cod. He describes his legendary upbringing and vast range of influences, as well as how he managed to work amid all his cats. Ascending Peculiarity is a rare and wonderful entree into the inner workings of an artistic genius.Includes reproductions of previously unpublished drawings and photographs

    Hockney’s extensive research led him to conclude that artists such as Caravaggio, Velázquez, da Vinci, and other hyperrealists actually used optics and lenses to create their masterpieces.In this passionate yet pithy book, Hockney takes readers on a journey of discovery as he builds a case that mirrors and lenses were used by the great masters to create their highly detailed and realistic paintings and drawings. Hundreds of the best-known and best-loved paintings are reproduced alongside his straightforward analysis. Hockney also includes his own photographs and drawings to illustrate techniques used to capture such accurate likenesses. Extracts from historical and modern documents and correspondence with experts from around the world further illuminate this thought-provoking book that will forever change how the world looks at art.Secret Knowledge will open your eyes to how we perceive the world and how we choose to represent it.

    From a heart-shaped mangrove forest in New Caledonia to a flock of red ibises in Venezuela, from a caravan of camels in Mauritania to Mt. Everest and Mammoth Hot Springs, re nowned aerial photographer Yann Arthus-Bertrand presents nearly 200 striking color images that put our home planet in a whole new perspective. Produced under the sponsorship of UNESCO, the book is also a unique documentary record of the earth's fragile ecosystems at the dawn of the new millennium. Commentaries by noted specialists illuminate what we see-and explain exactly what we stand to lose as demographic pressures put more stress on the environment.

    In this essential volume, Geoff Dyer has brought together a rich selection of many of Berger’s seminal essays. Berger’s insights make it impossible to look at a painting, watch a film, or even visit a zoo in quite the same way again. The vast range of subjects he addresses, the lean beauty of his prose, and the keenness of his anger against injustice move us to view the world with a new lens of awareness. Whether he is discussing the singleminded intensity of Picasso’s Guernica, the parallel violence and alienation in the art of Francis Bacon and Walt Disney, or the enigmatic silence of his own mother, what binds these pieces throughout is the depth and fury of Berger’s passion, challenging us to participate, to protest, and above all, to see.

    This seventh edition has been revised and expanded and six new authors have been selected. Every image from the previous edition has been enhanced/refreshed using modern imaging technology.

    We need a brand new way to take it all in. 'Information is Beautiful' transforms the ideas surrounding and swamping us into graphs and maps that anyone can follow at a single glance.

    His work recalls a parallel universe of 1950s Golden Books and the whimsy of Lewis Carroll. His cheery bunnies, rendered in the glowing hues of children's books, are likely to be carving slabs of meat rather than frolicking in the forest. Ryden's work mingles superb technique with outre images to create a world of strange and disturbing beauty.

    Back in the days, gangs would battle not with guns, but by breakdancing. Back in the days, the streets-not corporate planning-set the standards for style. Back in the days, Jamel Shabazz was on the scene, photographing everyday people hangin' in Harlem, kickin' it in Queens, and cold chillin' in Brooklyn. Street styling with an attitude not seen in fashion for another twenty years to come, Shabazz's subjects strike poses that put supermodels to shame-showing off Kangol caps and Gazelle glasses, shell-top Adidas and suede Pumas with fat laces, shearling coats and leather jackets, gold rope chains, door-knocker earrings, name belts, boom boxes, and other designer finery. For anyone who wants to know what "keepin' it real" means, Back in the Days is the book of your dreams.

    A member of the prestigious Magnum agency since 1954, he has photographed all over the world and his images have been the subject of many books and exhibitions.Containing over 500 pictures, over half of which have never been published before, Elliott Erwitt Snaps is a unique and comprehensive survey of his work. From famous images such as Nikita Khrushchev and Richard Nixon arguing in Moscow in 1959 and Marilyn Monroe with the cast of the movie The Misfits, to his many more personal images of places, things, people and animals, Erwitt's unmistakable, often witty, style gives us a snapshot of the famous and the ordinary, the strange and the mundane over a period of more than half a century, through the lens of one of the period's finest image-makers.The book is arranged in nine chapters, each with a one-word title: Look, Move, Play, Read, Rest, Touch, Tell, Point, Stand. For Erwitt, whose photography is a study and celebration of life, these are the basic actions of life - the things people do. The photographs are not intended to illustrate the words, but the words act as a means of grouping and organizing, making broad connections and also playing with pun and ambiguity, in keeping with the visual games Erwitt plays.

    Comments and anecdotes by the artist and the editors, along with testimonials from graphic-art luminaries Dave Stevens, Bruce Timm, and Bernie Wrightson, flesh out this portrait of the artist.

    His drawings are famed for their striking use of pen and ink, their inimitable style, and most of all for their satire and tragic-comic vision. The 128 drawings in this charming portfolio are sweet and sentimental. They somehow manage to be gentle even when the topic is difficult. They probe the quirkiness of life in Paris and wordlessly pinpoint the quintessential features of the City of Light, creating a world peopled by lovers strolling along the Seine, culture mavens preening in the Louvre, and characters who are ready to see the comic and the light-hearted beyond life's problems. Anyone who has fallen in love with Paris will be sure to cherish this charming keepsake.

    It is an inexhaustible mine of anecdotes, quotations, images, curious facts and useless information, oddities, serious science, jokes and memories, all concerned with the interplay between the verbal and the visual, and the limitless resources of the human mind. Loosely arranged in 72 chapters, all this material is presented in a wonderfully inventive series of pages that are themselves masterly demonstrations of the expressive use of type, space, color and imagery.This book does not set out to teach lessons, but it is full of wisdom and insight collected from all over the world. Describing himself as a visual jackdaw, master designer Alan Fletcher has distilled a lifetime of experience and reflection into a brilliantly witty and inimitable exploration of such subjects as perception, color, pattern, proportion, paradox, illusion, language, alphabets, words, letters, ideas, creativity, culture, style, aesthetics and value.The Art of Looking Sideways is the ultimate guide to visual awareness, a magical compilation that will entertain and inspire all those who enjoy the interplay between word and image, and who relish the odd and the unexpected.

    We are connected through an intertwining sameness called the struggles and joys of finding and becoming our authentic selves. When I read her words, I felt acknowledged for my journey and for being a woman in these complex times... Thank you, Sabrina, for sharing your gift with us. May we all continue to share our journeys together so we know we are not alone."--from the Foreword by Hilary Swank, actorFrom the acclaimed twenty-five-year-old author/artist of the stunning visual memoir Spilling Open comes the all-new multimedia installment of her intimate journey Brave on the Rocks: If You Don't Go, You Don't See.Picking up where Spilling Open left off, Sabrina Ward Harrison tells us about the surprising reaction to her first book. Via her readers' letters and e-mails, she realized that through her journal she had become an identifying voice for women around the world. However, along with recognition came a certain pressure to uphold her new image. Overwhelmed by her attempt to live up to what she thought she had to become, Sabrina decided to head out on her own. She chose as her destination Italy, a place she had always dreamed and written about, a place she felt she could go to "recolor" herself. In her journey she discovered a universal identity with other travelers and a particular kinship with the women she met. But back home she struggled to keep her newfound confidence intact as she navigated her life.Harrison writes and illustrates with a powerful and creative voice. Her thoughts are real and brave. She explores with sensitivity questions of love, faith, growing pains, being true to oneself, and what it means to be unique. With unfaltering honesty, she allows us to witness and share in her reconnection with herself, her growing and reaching, and, ultimately, her voyage home again.

    This significantly expanded edition is a full-color, lavishly illustrated, comprehensive resource that explores every aspect of alternative process image making. With his highly conversational writing style, James explores the techniques, processes, idiosyncrasies, history, and cultural connections that are such a significant part of the genre. Best of all, James makes it extremely accessible, providing clear instructions and practical workflow advice. The book delves into a vast menu of alternative and traditional options, among them: calotype, salted paper, cyanotype, argyrotype, chrysotype, POP, kallitype, ambrotype/wet collodion, Van Dyke, platinum/palladium, Ziatype, gelatin dry plate emulsions, carbon, gum bichromate, albumen, hand-applied emulsions, paper, alternative imaging systems, and digital negative production for alternative process image making. This book has become the unanimous standard reference text for alternative process photography, one that students love to read and work from. Not only does this definitive work make the most complex ideas easy to understand, it is conversational, comfortable, inspirational, and fun to read- a tremendous resource and a treasure trove of alternative process images. "The first edition was a stunning achievement, and one I felt that was not likely to be superceded. Five short years later Christopher James has created a very new work and a new standard. The Book of Alternative Photographic Processes: 2nd Edition is, by far, the best alternative photographic process book ever!" - Richard Sullivan, Founder and Co-Owner, Bostick & Sullivan "If I could only have one photography book this would be it." -Timothy Whelan, Photographic Books

    The trove included massive, multi-volume illustrated manuscripts, double-sided nine-foot-long watercolor murals, photo-enlarged tracings, and hundreds of sketches. Depicting a turbulent world, these works are the product of the fertile yet tormented imagination of a secretive Chicago janitor who has since been recognized as one of the supreme self-taught artists of the 20th century.Cataloguing in full color the American Folk Art Museum's recent acquisition of 37 paintings, among other Darger works, this informative yet affordable volume offers a general introduction to a controversial self-taught artist.

    Mimi, a little girl from a painting nearby, comes to help Katie, but when Mimi's dog Zazou comes too disaster follows! This imaginative fantasy about a mischievous character is an original and fun way to introduce children to art. A page of notes at the end gives background information on the artists. Includes reproductions of five famous post-Impressionist masterpieces: Sunflowers by Vincent Van Gogh Breton Girls Dancing by Paul Gauguin Cafe Terrace at Night by Vincent Van Gogh Still Life, with Apples and Oranges by Paul Cezanne Tahitian Pastorals by Paul Gauguin

    Think of your favorite moments and characters in Disney films from the thirties to the seventies and chances are most were animated by one of Walt Disney's "Nine Old Men." Through the span of their careers, these nine highly skilled animators exhibited an unparalleled loyalty to their employer. This book explores their artisitic breakthroughs, failures, and rivalries, and their individual relationships with each other and with Walt.

    Fifteen new paintings, along with numerous drawings, portray a world of warriors, hellish beasts, and infernal landscapes. With its heavy stock, embossed cover, and button-tie closure, this book resembles an authentic portfolio.

    Famous Manuscripts - The fascinating world of medieval miniature painting and illumination

    A well-established artist, Harley has gained a large following with his frank, no-nonsense approach to teaching art.

    Widely acknowledged as both beautiful and intelligent, a sourcebook of art informed by feminism from the 1960s to the start of the 21st century, now available in paperback.

    

    It's an ancient art, dating as far back as Ancient Greece and the Roman Empire, and today is enjoying a revival. Here is the first comprehensive guide available on mastering this beautiful yet demanding medium. In The Art of Encaustic Painting, readers will learn surefire ways to achieve vibrant color and create surfaces that look as light as a wash or as densely textured as impasto. They will see how to produce effects from abstract to figurative to minimal. Finally, they will discover dozens of clear, step-by-step directions detailing how to use these various encaustic techniques in their own art. This remarkable reference also includes 200 attractive full-color photographs of the author's own work, as well as stunning examples by such premier encaustic artists as Jasper Johns, Arthur Dove, and Nancy Graves.

    The Uffizi Gallery in Florence is one of the oldest and most famous art museums in the world. First commissioned as offices for the Florentine magistrates by Cosimo de Medici, it is now houses some of the world's most outstanding works of art. This superb volume offers a comprehensive, detailed, and informative look at the entire exhibited collection of the Gallery - from masterpieces such as Botticelli's "The Birth of Venus" and Caravaggio's "Medusa" to many works of classical sculpture. "The Uffizi Gallery" also provides readers with an insightful look at the gallery's origins and history, as well as discussions about ongoing restoration efforts, and biographies of selected artists.

    As McCarthyism swept across the United States and capitalism was king, white America enjoyed a feeling of pride and security that was reflected in advertising.

    Before there were Muppets, there were Jim Henson's designs and doodles. This collection of Henson's early drawings forms a trail back to his roots as a graphic artist.

    On the streets and in the yards, the word was the Name. And the name was everything. It was persona and place, form and content, truth and fiction. The name was an act of self-invention, a pure visual manifestation, through alter ego, alias, and nom de plume, of personal expressions in the public realm. The name was a line and the line begat the Mark. Then, in the great style wars toward the end of the second millennium, medium, meaning, and message were joined in a golden era where the name became the source and signifier of Style. And when the name became wild style, the word was Dondi."-- from the ForewordThe dominance of the graffiti aesthetic in contemporary culture is undeniable. But how did an art form spawned in the train yards of 1970s New York achieve the ubiquity it now enjoys at every level of the mass-media landscape? There are many answers to the question, but one major factor is indisputable: Dondi White.Coming of age in hardscrabble East New York in the early 1970s, Dondi White unknowingly began the process of introducing a whole new artistic dialect into the cacophony of the American art scene. His train pieces painted from roughly 1977 to 1982 stand as some of the most influential works ever committed to Transit Authority steel. Writing with legendary partners such as DURO, NOC 167, KID 56, KEL 139, and FUZZ ONE, Dondi created some of graffiti art's most enduring iconography. His pieces just don't stop -- and neither do the aliases. From the badass Mr. Whites to the cocky, self-satisfied Busses, from the nasty Pres to the perfect, vicious Rolls, Dondi straight killed it, again and again. Works like Children of the Grave Part 2 and Mr White + Bev remain benchmark pieces for graffiti aficionados the world over.In the 1980s, partially through his collaborations with noted photographers Henry Chalfant and Martha Cooper, Dondi White's work entered the rarefied world of fine art. In making the transition from subway car to canvas, Dondi retained his unfaltering sense of letter form and balance, and his paintings remain a testament to the clarity of his aesthetic. Dondi's canvases were subsequently shown in galleries from New York to Amsterdam to Tokyo and beyond, influencing a new generation of young artists and introducing an indigenous American art form to the rest of the world.Dondi White: Style Master General presents the life and work of a seminal -- yet heretofore overlooked -- American artist whose work has resonated on every level of our popular culture. Filled with rare photographs, original sketches, unpublished interview materials, and testimony from some of Dondi's closest cohorts, here, finally, is the full story. At the time of his death in 1998, Dondi had seen the majority of his work destroyed -- scraped off, painted over, or chemically removed from the steel upon which it thrived. Within these pages, however, it still speaks volumes.

    Now comes Greg and Tim Hildebrandt -- The Tolkien Years, Expanded Edition featuring 12 new pages of original Tolkien drawings and paintings, plus a brand-new pullout poster A fascinating behind-the-scenes look at the work of two renowned fantasy artists, written through the eyes of their closest family member The million-selling Lord of the Rings calendars created during the '70s by renowned fantasy artists Greg and Tim Hildebrandt are now considered artistic masterpieces. Greg and Tim Hildebrandt -- The Tolkien Years tells the untold story behind the creation of these cherished illustrations, written by an author with real firsthand knowledge of the creative genius behind these paintings.Written by Greg Hildebrandt, Jr., Greg Hildebrandt's son, this fascinating book tells the story through the eyes of young Gregory when, at ages five, six, and seven he posed for the various "little people" characters known as the Hobbits. Gregory reminisces about his key role in the development of these calendar paintings and the unique creative ingenuity of his father and uncle.This updated and expanded edition of the best-selling Greg and Tim Hildebrandt -- The Tolkien Years provides Tolkien-lovers with a fantastic treasury of Lord of the Rings art. Not only is all the artwork from the first edition here, but this new edition also features 28 new, exclusive Hildebrant drawings and paintings; a fabulous new cover; and a brand-new pull-out poster of an original painting specifically commissioned by the Hildebrandts for this book.

    Country musicians and magicians, professional wrestlers and rock stars, all have turned to Nashville's historic Hatch Show Print to create showstopping posters. Established in 1879, Hatch preserves the art of traditional printing that has earned a loyal following to this day (including the likes of Beck, Emmylou Harris, and the Beastie Boys). Hatch Show Print: The History of a Great American Poster Shop is the first fully illustrated tour of this iconic print shop and also chronicles the long life and large cast of employees, entertainers, and American legends whose histories are intertwined with it. Complete with 190 illustrations--as well as a special book jacket that unfolds to reveal an original Hatch poster on the reverse--Hatch Show Print is a dazzling document of this legendary institution.

    and strangely comforting. Hido photographs the interior rooms of repossessed tract homes, and the outsides of similar houses at night whose habitation is suggested by the glow of a television set or unseen overhead bulb. Seldom does the similar evoke such melancholy. Yet rather than passing judgment on his anonymous subjects, Hido manages to turn the banal into something beautiful, imbuing his prints of interiors with soft pastels, and allowing the exteriors to glow in the cool evening air.' (From our description of the first printing of 'House Hunting', announced in 2000) We are excited to announce a newly remastered edition of Todd Hido's iconic and highly sought-after first monograph, House Hunting. To celebrate the upcoming 20th anniversary of this important book - certainly one of the most influential and oft-cited photography monographs of our time - we have collaborated closely with the artist to achieve a new impression of the highest possible fidelity. Printed on heavy weight matte art paper, using cutting-edge technologies in both the pre-press and production phases, this new edition of 'House Hunting' stays true to the original design and format while delivering even more accurate color rendition and nuances in tone and saturation. It will be a welcome addition to collections lacking access to the very scarce original printings; and to those fortunate enough to own a copy of the original edition, it further illuminates the images themselves that first catapulted the artist and his first monograph to fame.

    Each volume is dedicated to the work of one key photographer who, through a series of bite-sized lessons and ideas, tells you everything you always wanted to know about their approach to taking photographs. From their influences, ideas and experiences, to tech tips and best shots. The series begins with Joel Meyerowitz, who will teach you, among other essentials: How to use a camera to reclaim the streets as your own, why you need to watch the world always with a sense of possibility, how to set your subjects at ease, and the importance of being playful and of finding a lens that suits your personality.

    He believes Christians should confront society and the church with the powerful impact art can convey. He believes art can faithfully chronicle the lives of ordinary people and equally express the transcendence of God. He believes that Christians should be involved in every level of the art world and in every media. Yet art and artists have not always been held in high esteem by conservative Christians. Art rarely seems to communicate clear propositional truth, rarely deals with certainties and absolutes. And the lifestyles of artists too frequently seem at odds with the gospel. So the arts have often been discouraged among Christians. Throughout this stimulating book, however, Turner builds a compelling case against such a perspective. He shows that if Jesus is Lord of all of life and creation, then art is not out of bounds for Christians. Rather it can and should be a way of expressing faith in creatively, beautifully, truthfully arranged words, sounds and sights. This stirring call is must reading for every Christian who has been drawn to the arts or been influenced by them.

    It is modest in scale, imaginative and ecological, painstakingly crafted and 'unheroic'. Friedman suggests a new direction in art: post video, post political/identity issues, post digital media, post ready-mades. Friedman works in a windowless studio (more like a playground-kitchen-laboratory) in rural Massachusetts, relentlessly inventing these startling ephemeral objects 'out of the stuff in my house': bits of Styrofoam, packing material, bottle tops, pencil shavings, plastic straws, dental floss, spaghetti, toothpicks, bubble gum. Some of his works are too delicate to move, existing solely in photographs and, above all, in the imagination. This is art that, to quote New York Times critic Roberta Smith, 'raises wonderful questions about the making and seeing of art': about paying attention, about how we spend our time, and about the pleasures of small transformations producing sudden beauty. Solo exhibitions of Friedman's works have been held at The Museum of Modern Art in New York and at The Art Institute of Chicago. A major exhibition of his work, 'Tom Friedman: The Epic in the Everyday' toured in 2000-2 to the Museum of Contemporary Art in Chicago, the Yerba Buena Center for the Arts in San Francisco, the New Museum of Contemporary Art in New York and the Southeastern Center for Contemporary Art in Winston-Salem, North Carolina. American art critic Bruce Hainley examines the artist's work as a kind of giant self-portrait. Poet and novelist Dennis Cooper discusses with the artist such unexpected influences as contemporary electronic music. Guardian art critic Adrian Searle looks at the artist's work Untitled, 1993: a ring of plastic cups in a home-made Minimalist tradition. The Artist's Choices are The Dinner Party (1919) by Swiss writer Robert Walser, and the glossary to Info-Psychology (1975-6) by Timothy Leary, the cult psychologist who advocated the use of psychedelic drugs. Facsimiles of the artist's notebooks and text works are published alongside an important interview by renowned curator Robert Storr.

    To record the form, colour, and details of different plant species requires both accuracy and aesthetic skill.FromByzantine manuscripts to 19th century masterworks, thisBibliotheca Universalisedition traces the botanical tradition with the finest botanical manuscripts from theNational Library of Vienna. In exquisite color reproductions, it showcases the skill involved in portraying plants for scientific purposes, for the historical record of vanishing species, or for the simple celebration of thebeauty and variety of the natural world. About the series: Bibliotheca Universalis Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing.Bibliotheca Universalisbrings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.Bookworm s delight never bore, always excite! Text in English, French, and German "

    Following the simple SoulCollage directions, your hands move fragments of cut-out magazine pictures around, fitting them together in a surprising new way and gluing them down on a card. Cards containing the images you select — or the images that select you — come straight through your Soul, bypassing the mind. This is a multi-leveled, creative process which anyone can do. All you need is a good pair of scissors, pre-cut mat board cards, glue, and images you can cut out from magazines, greeting cards, personal photos, postcards, catalogues, and calendars. It is wonderful to have other people with whom to share the process. The cards are fun to take to a friend's house, to work with in therapy or support groups, or to keep on your coffee table.

    The Pop-Up Book of Nightmares brings them vividly to life with ten richly illustrated, over-the-top pop-ups that put the reader right in the center of a world gone mad. Which one of these nightmares did you have last night?--Being unprepared for a final exam--Going for a midnight snack and finding a refrigerator teeming with rats--Giving birth to a baby that's anything but normal--Being chased by a menace that seems to be everywhere at once--Free falling with no hope of a safe landingThe Pop-Up Book of Nightmares is the perfect gift for anyone who wants to mine the psychological riches of their deepest slumber.

    What took place as an astonished public came upon these snowballs -- each weighing about a ton -- is captured in spontaneous and evocative pictures taken by photographers working around the clock.Here, then, is the story of Goldsworthy's largest ephemeral work to date. Made in one century (the 20th) and unwrapped to melt very slowly in the next, this is four-dimensional sculpture in which the lifespan and history of the snowballs are as important as their appearance at any moment. As Judith Collins explains in her introduction, and Goldsworthy in his diaries, this is a natural progression from his previous work with snow. Goldsworthy presents a unique confrontation between the wilderness and the city -- snowballs made in the Scottish winter brought to the streets of London in the summertime.

    . . . Shiner's text is scholarly but accessible, and should appeal to readers with even a dabbler's interest in art theory."—Publishers Weekly"The Invention of Art is enjoyable to read and provides a welcome addition to the history and philosophy of art."—Terrie L. Wilson, Art Documentation"A lucid book . . . it should be a must-read for anyone active in the arts."—Marc Spiegler, Chicago Tribune Books

    At once comic and tragic, grotesque and beautiful, the series of 64 images features his wife, Madelyn, in a hag's Halloween mask together in each with a different friend or relative in a transparent mask. Original copies of this small but seminal work now sell for upwards of $500. Critic and scholar James Rhem has worked closely with the archives in the photographer's estate, as well as directly with his surviving family members to reconstruct Meatyard's original, and unrealized, intentions for the publication of this project. As a result, this revised edition features the correct sequencing of images and, most importantly, the missing captions, which, in accordance with Meatyard's instructions, are reproduced in his own handwriting as white type knocked out of a black background. In addition, each surviving participant in the Lucybelle Crater project has been interviewed by Rhem, and the book includes a critical essay and extensive background information. Accompanying the Album are 40 more figurative works establishing a context for it and exploring important themes in Meatyard's work. This is an important rediscovery in the history of American photography.

    When he met The Clash, however, a synergy of mutual respect and musical passion was established, leading to six years of documenting the globally worshipped band's adventures.

    A collection of pictures from the award-winning photographer Mick Rock, featuring some of the most seminal images of the glam-rock era.

    She endured a catastrophic set of physical calamities as a child and young woman, was an active member of the Communist Party, and survived a tempestuous marriage to the artist Diego Rivera. This book includes many photographs of her life alongside her extraordinary paintings, and presents commentary by leading Mexican art historians, stunning reproductions of her most seminal works -- some never before reproduced, and nine gate-folds allowing the reader to examine in detail aspects of her larger works.

    Foregoing photography's traditional role of romanticizing the Western landscape, Adams focused instead on the construction of tract and mobile homes, subdivisions, shopping centers and urban sprawl in the suburbs of Colorado Springs and the Denver area. Adams transmuted these zones with his minimalist vision of their austerity; as he has noted, "no place is boring, if you've had a good night's sleep and have a pocket full of unexposed film." Objective and direct, Adams' photographs, rendered in his signature middle-gray scale, unsentimentally depict a despoiled landscape washed in the intense Colorado sunlight. Today The New West stands alongside Walker Evans' American Photographs, Robert Frank's The Americans and Stephen Shore's Uncommon Places in the pantheon of landmark projects on American culture and society. This second reissue of the classic publication has been recreated from Adams' original prints, and will be released ahead of a major traveling exhibition that will launch in 2010. Foreword by John Szarkowski.

    A pocket is formed when two or more people come together in agreement. The resistance is against the inhumanity of the New World Economic Order. The people coming together are the reader, me, and those the essays are about–Rembrandt, Paleolithic cave painters, a Romanian peasant, ancient Egyptians, an expert in the loneliness of a certain hotel bedroom, dogs at dusk, a man in a radio station. And unexpectedly, our exchanges strengthen each of us in our conviction that what is happening in the world today is wrong, and that what is often said about it is a lie. I’ve never written a book with a greater sense of urgency.–John Berger

    One of surrealism's defining themes, desire was expressed variously in Dali's charged landscapes, Mir�'s lyric abstractions, and Bellmer's unsettling nudes. Influenced by Freud, the surrealists saw sexual desire as a path to self-knowledge--a theatre of provocations and prohibitions in which life's most profound urges confront one another. Published to accompany a major transatlantic exhibition of international surrealism, this lavishly illustrated catalogue explores desire in surrealist art in both words and images. Key works by such artists as Duchamp, Magritte, Ernst, Dali, de Chirico, Giacometti, Bellmer, Oppenheim, and Cahun are illustrated and discussed, as are surrealist films and photographs by Man Ray, Brassa�, and others. The volume also features some of the rare and beautiful books produced by the surrealists in their celebration of love, as well as a selection of fascinating manuscripts, letters, and documentary photographs that reveal the personal contexts of the group's exploration of desire. Essays by leading scholars show how the theme of desire was implicated in almost all aspects of surrealist activity--not only its art and writings, but also its political struggles and its ethical stances on issues involving individual liberty and the social control of sexuality. This attractive and provocative volume illustrates a vision of desire that embraces both sublime exaltation and dark carnality. It shows the unprecedented intensity with which the surrealists extolled love and the extent to which they depicted desire as implicated in every thought, action, event, and encounter. A major contribution to surrealist studies, this volume is edited by Jennifer Mundy, and has contributions from Dawn Ades, Katharine Conley, Neil Cox, Carolyn J. Dean, Hal Foster, Vincent Gille, Jean-Michel Goutier, David Hopkins, Radovan Ivsic, Julia Kelly, Annie Le Brun, David Lomas, and Alyce Mahon. EXHIBITION SCHEDULE:Tate Modern, LondonSeptember 20, 2001-January 1, 2002The Metropolitan Museum of Art, New YorkFebruary 6, 2002-May 12, 2002

    This book is printed individually on uncoated (non-glossy) paper with the best quality printers available. The printing quality of this copy will vary from the original offset printing edition and may look more saturated. The information presented in this version is the same as the latest edition. Any pattern pullouts have been separated and presented as single pages. If the pullout patterns are missing, please contact c&t publishing.

    Projects include a bakery, a delicatessen, a meat stall, and a fruit and veg stall.

    This is a tale of one such girl who was caught up in ballet's mesmerizing spell and became one of the greatest ballerinas of all time.In a story drawn from her memoirs, Anna Pavlova describes her first visit to the ballet to see the "Sleeping Beauty." With simple, childlike language, she captures her love for her mother, the splendor of the ballet, and the moments that changed her life. The words are matched with paintings, pastels, and drawings of the French Impressionist Edgar Degas, to give this story all the magic of a fairytale.Complete with short biographies of Pavlova and Degas, "I Dreamed I Was a Ballerina" will delight any child with ballerina dreams.

    As the daughter of a German-born photographer, Kahlo was used to posing, and from early youth she was adept at guiding the public perception of her person. In her often anguished self-portraits, she dissected her conflicts and her physical traumas, soon becoming an iconic figure and a symbol for Mexican culture. Yet ironically she transgressed many boundaries and shattered taboos in a way that was perhaps shocking to most Mexicans. In portraits by friends and photographers such as Tina Modotti and Edward Weston she wears traditional clothing and features many Mexican folk traditions, transforming her "Mexicanidad" into an indelible personal trademark. Through numerous paintings and photographs, and with articles by acclaimed theorists such as Griselda Pollock and Mieke Bal, this book traces the major events of this unique artist's life, while relating Kahlo's art to that of her contemporaries, such as Diego Rivera, Mar�a Izquierdo, David Alfaro Siquieros and Jos� Clemente Orozco.

    She has always been at the vanguard, exploding convention and leading her listeners down the uncharted paths of a haunting and harmonic trip through sound. Last year, she starred in Lars von Trier's acclaimed Dancer in the Dark, and took home the coveted Best Actress award at Cannes. A true artist whose work has consistently transcended creative and geographic borders, Björk turns every medium she touches to gold.Her next project is a gorgeously produced, stunningly beautiful collection of photographs and text that is being published simultaneously around the world. Designed by Björk and m/m, the celebrated Paris design firm that has already collaborated Balenciaga, Visionaire, and Yohji Yamamoto, the book boasts contributions from the world's top photographers, fashion designers and video makers as well as original writing and artwork by Björk herself.A breathtaking photographic odyssey through Björk's career, a stunning visual and literary companion to one of the most original performers of our time, Björk promises to be like no book you've ever seen. Coinciding with the release of her new album, Vespertine, and the supporting tour, this book is a must-have for Björk's admirers as well as anyone craving a touch of beauty for their bookshelf.

    Steven chronicles Claude Monet's rise to fame and contributions to Impressionism in this colorful report, featuring Steven's funny cartoons alongside reproductions of classic paintings like Waterlilies.

    . . a well-researched, lively, and comprehensive overview of the development and contribution of these African-American artists and their place in the history of Florida’s popular culture."--Mallory McCane O’Connor, author of Lost Cities of the Ancient SoutheastThe Highwaymen introduces a group of young black artists who painted  their way out of the despair awaiting them in citrus groves and packing houses of 1950s Florida. As their story recaptures the imagination of Floridians and their paintings fetch ever-escalating prices, the legacy of their freshly conceived landscapes exerts a new and powerful influence on the popular conception of the Sunshine State.While the value of Highwaymen paintings has soared in recent years, until now no authoritative account of the lives and work of these black Florida artists has existed. Emerging in the late 1950s, the Highwaymen created idyllic, quickly realized images of the Florida dream and peddled some 100,000 of them from the trunks of their cars.   Working with inexpensive materials, the Highwaymen produced an astonishing number of landscapes that depict a romanticized Florida--a faraway place of wind-swept palm trees, billowing cumulus clouds, wetlands, lakes, rivers, ocean, and setting sun. With paintings still wet, they loaded their cars and traveled the state's east coast, selling the images door-to-door and store-to-store, in restaurants, offices, courthouses, and bank lobbies.  Sometimes characterized as motel art, the work is a hybrid form of landscape painting, corrupting the classically influenced ideals of the Highwaymen’s white mentor, A. E. "Bean" Backus. At first, the paintings sold like boom-time real estate. In succeeding decades, however, they were consigned to attics and garage sales. Rediscovered in the mid-1990s, today they are recognized as the work of American folk artists.  Gary Monroe tells the story behind the Highwaymen, a loose association of 25 men and 1 woman from the Ft. Pierce area--a fascinating mixture of individual talent, collective enterprise, and cultural heritage. He also offers a critical look at the paintings and the movement's development. Added to this are personal reminiscences by some of the artists, along with a gallery of 63 full-color reproductions of their paintings.

    Despite her untimely and tragic death, she created an extraordinarily rich and complex body of work that reflected the profound developments of her time and place--including the radical changes in art--and her own cultural alienation. The Dream of the Audience, a touring exhibition organized by the Berkeley Art Museum, showcases the full range of work by this influential yet underrepresented Korean American artist, who worked in media ranging from performance, video, and film to artists' books, mail art, and works on paper and cloth. This book, designed to accompany the exhibition, is an essential reference to Cha's work. It contains three essays that provide an in-depth context to her visual art and the fullest analysis of her work to date. This volume's comprehensive view of Cha's oeuvre illuminates the recurring themes and formal approaches that distinguish her art. Constance M. Lewallen traces the influences on Cha's development while she was a student at the University of California, Berkeley, and places her work in the context of the artistic and social climate of the San Francisco Bay Area. Lawrence R. Rinder analyzes the theoretical underpinnings of the artist's multileveled and interrelated work. Trinh T. Minh-ha's essay is a poetic evocation of Cha's work as it relates to her ancestry and the suffering of the Korean people under the Japanese colonial policy of deracination. Together the essays show how her rich and original art is informed by a dizzying array of influences--from French film theory to Korean history.

    But his irreverent and wildly funny work, with all its odd takes on life, will surprise you in how keenly it reflects the "real" world. And therein is the brilliance of Glen Baxter: his unhinged world turns out to be the one we all live in. Here is a welcome anthology of three of Baxter's out-of-print books: Atlas, The Impending Gleam, and Jodhpurs in the Quantocks.

    She is most famous for the long-term photographic record of the lives of her and her friends, The Ballad of Sexual Dependency. She calls this "the diary I let people read." Her work comments frankly on all aspects of the lives of her immediate circle, the main themes being relationships, sexuality, eroticism, and the problems of alcohol and drug addiction. More recently, her images have shown the devastating effect AIDS has had on this community of friends. Her work is by turns disturbing, poignant, and celebratory.

    His revolutionary ad campaign for Charles Jourdan shoes fascinated readers with photographs as provocative and edgy today as they were almost three decades ago. Bourdin's influence on modern photography is sweeping and far-reaching -- yet he died in 1991 without ever having published a collection of his work. Now his son, Samuel Bourdin, working with creative director Fernando Delgado, has created this gorgeous overview of some of the finest images from his father's legacy. The powerful images are accompanied by a foreword by writer and critic Luc Sante, and a biographical essay by Michel Guerrin, photography critic of Le Monde.

    Kelly. These residents of the world's most romantic capital city are the perfect guides to its streets, monuments, gardens and delightfully hidden corners.

    World War II brought unprecedented pride and prosperity to the American people and nothing better mirrors the new wave of consumerism and progress than the ads of the time.

    Excerpts from the Taoist classic the Chuang-tzu and the writings of Western aesthetes are complemented by over 60 photographs from the work of such canonical photographers as Henri Cartier-Bresson, Alfred Stieglitz, and Dorothea Lange. Lucid instructional text and enlightening exercises assure that photographers of all levels will be able to incorporate the lessons of the Tao into their own work.

    Including the work of Nan Goldin, Graciela Iturbide, Julia Margaret Cameron, Lisette Model and Dorothea Lange, this collection includes 55 key photographs from each, giving a chronological overview of the main themes and ideas behind their photography.

    Rice has created a series of beautiful and jarring montages in which the mixture of languages, slang, poetry, and prose of Gómez-Peña's performance texts are woven through and around Chagoya's collages filled with pre-Hispanic drawings, colonial-era representations of New World natives, and comic book superheroes. Irreverent to the last, Gómez-Peña and Chagoya employ iconic figures and persistent stereotypes to overturn the fantasies of nationalism, ethnocentrism, and historical amnesia that cloud international relations. Rice's masterful typographic compositions orchestrate the text's many voices and views, offering a history of the Americas which must be read forward and backward, in fragments and in recurring episodes - in short, as history itself tends to unfold.Guillermo Gómez-Peña was born in Mexico City in 1955 and came to the U.S. in 1978. His work, which includes performance art, poetry, journalism, criticism, and cultural theory, explores cross-cultural issues and North/South relations. He is the recipient of an American Book Award for The New World Border (City Lights) and a MacArthur Foundation Genius Award, among many other honors.Enrique Chagoya is a Mexican-born painter and printmaker who has been living and working in the U.S. since 1977. The recipient of two NEA Fellowships, his most recent show of paintings was at the DeYoung Museum in San Francisco. He currently teaches at Stanford University.Felicia Rice is a book artist, typographer, printer, and publisher whose work has earned her many honors. She lectures and exhibits internationally, and her books are represented in the collections of various museums and libraries. She currently directs the graphic design and production program at the University of California, Santa Cruz Extension.

    This unusual book comes in a linen slipcase and opens accordion-fashion into a 22-foot-long panorama, the east on one side, west on the other. As critic Paul Goldberger writes in the accompanying booklet, "Pericoli has given us the Manhattan skyline in all its awesome chaos, but he has rendered it readable and manageable."

    His skilled, wonderfully atmospheric photos of Paris's parks, buildings, streets, store windows, prostitutes, workers, and even door handles are a joy to behold. This abbreviated volume contains a selection of Atget's best photographs and is the perfect introduction to this master photographer's work.

    It is a personal, private place where you have unlimited freedom to express yourself, experiment, discover, dream and document your world. The possibilities are endless.In How to Keep a Sketchbook Journal, Claudia Nice shows you samples from her own journals and provides you with advice and encouragement for keeping your own. She reviews types of journals, from theme and garden journals to travel journals and fantasy sketchbooks, as well as the basic techniques for using pencils, pens, brushes, inks and watercolors to capture your thoughts and impressions.Exactly what goes in your journal is up to you. Sketch quickly to capture a thought or image before it vanishes. Draw or paint with care, to render an idea or vision as realistically as possible. Write about what you see. The choice is yours--and the memories you'll preserve will last a lifetime.

    A true iconoclast, McKean mixes illustration, painting, photography, sculpture, and digital art for a comics experience unlike any other. Some pieces are poignant, some are silly, but all are beautiful and thought provoking. Each is completely unique, and gathered together they represent a tour-de-force achievement. A perfect companion to McKean's Cages, Pictures That Tick stretches the boundaries of comics art, and the short-story format in some ways allows him to create an even broader artistic vision.

    Mary Ellen Mark's award-winning work continues the American tradition of social documentary, focusing on such problems as homelessness, suffering, prostitution and the lifestyle of specific communities.

    With more than 400 color reproductions and a compact handheld size, this book manages to be affordable and comprehensive. It's like a catalogue raisonne that fits in a backpack. This accessible format is a perfect match for the paintings of Rene Magritte-one of the few twentieth-century painters whose works are immediately approachable and who has an enduring cultlike following. His surrealistic and mysterious visions always provoke introspective thought and imagination. All of Magritte's most characteristic and beloved motifs-the green apple, the bowler hat, and the dreamlike twilight hour-make their appearance, along with some surprising lesser-known paintings. The artist's method and meaning is explored in an intriguing essay by Robert Hughes, the art critic for "Time" magazine and acclaimed commentator on art and culture. A hip and current update on this timeless artist, "The Portable Magritte" makes an ideal gift for students as well as art lovers of any age.

    But few meet the standard of perfection of the American poultry show, the beauty pageant of the barnyard and the true test of poultry pulchritude. In The Fairest Fowl, photographer Tamara Staples celebrates the champions of the chicken world at their best. Dozens of stunning portraits capture the quirky personality and undeniable grace of these noble birds as you've never seen them before. Location photography of the shows, details of the judging process, strategies from poultry farmers, and profiles of each prize breed set the scene and offer insight for the discerning chicken aficionado. And an appreciation of Staples' photography by public radio's Ira Glass of This American Life explores the finer points of chicken portraiture. Finally, chickens receive the respect they're due.

    Conceived, designed, written and made by hand as a prototype by master photographer Roy DeCarava (b.1919) in the early 1960s, yet unpublished for nearly half a century, The Sound I Saw has largely existed as a legend among the cognoscenti of the photography world. Presented as a stream of 196 soulful images interspersed with DeCarava's own evocative poetry, the book is, in its form and effect, the printed equivalent of jazz. "This is a book about people, about jazz, and about things. The work between its covers tries to present images for the head and for the heart and, like its subject matter, is particular, subjective, and individual," writes the author. DeCarava is a life-long New Yorker who from his immediate world creates images that transcend the specific to depict universal themes of joy, anticipation, pain and survival. Largely unpublished, he was first recognized for his images of daily life in Harlem (the subject of The Sweet Flypaper of Life, his 1955 collaboration with Harlem Renaissance poet Langston Hughes) and portraits of musicians like Duke Ellington and Billie Holiday. It is these two themes, Harlem and jazz, interwoven and inseparable, that are the ostensible subject of the book. However, the seemingly casual yet deeply felt compositions and the deep, rich tones of DeCarava's photographs stir emotions that resonate far beyond one neighbourhood and one era.

    And images of a fantastic idyll complete with falling stars, the sound of the sea, and beautiful countryside. In the hands of Surrealists, though, love poetry also includes gravediggers and murderers, dice and garbage, snakeskin purses and "the drunken kisses of cyclones." Surrealism, the movement founded in the 1920s on the ashes of Dada's nihilism, embraced absurdity, contradiction, and, to a supreme extent, passion and desire. From André Breton's battle cry of "Mad Love" to the quiet lyricism of Robert Desnos, Surrealist writers and artists obsessively expressed the permutations of that fundamental human state, love, and they did so with the vocabulary of natural and unnatural worlds, the explicit language of sex, and a great deal of humor.Surrealist Love Poems brings together sixty poems by Surrealists who charged their work with all forms of eroticism. Expertly and energetically edited by Mary Ann Caws, this collection seeks to demonstrate the truth of Breton's words, that "the embrace of poetry like that of bodies / As long as it lasts / Shuts out all the woes of the world.""Erotic, impassioned and necrophilic, the sixty works gathered in Surrealist Love Poems celebrate the idea of obsessive and transformative love. 'I want to sleep with you side by side. . . . Stretched out on your shadow / Hammered by your tongue / To die in a rabbit's rotting teeth / Happy' writes Joyce Mansour. . . . Caws places poems by major surrealist writers like André Breton and Paul Eluard, along with the poetry of Picasso, Dalí, and Frida Kahlo, side by side with fourteen lushly printed and alluring black-and-white photos by the likes of Man Ray, Lee Miller, and Claude Cahun."—Publishers Weekly

    By magically combining contemporary and traditional artistic styles, Sharma creates icons of Hindu gods and goddesses that are altars of worship for millions. Steeped in India's ancient Vedic cosmology, these prayerful, captivating paintings contain a complete who's who of the Hindu pantheon. Ganesh, Shiva, Laxmi and Krishna come alive as divine forms in this unique and richly colored work.

    Some People Can't Surf: The Graphic Design of Art Chantry is the first survey of this visual iconoclast, who also designed the book and packed it with hundreds of his vibrant images. Gritty, funny, and refreshingly low-tech, his award-winning work has promoted countless bands, social causes, and non-profits. Tracing Chantry's career from his covers and layouts for the seminal music magazine The Rocket, to album covers for such cult bands as Mudhoney, the Reverend Horton Heat, and the Fastbacks, Some People Can't Surf is a comprehensive look at his creative evolution. Complete with commentary on the unusual origins and unorthodox processes behind his work, as well as providing context for his oft-copied look, Some People Can't Surf is a much-anticipated exploration of this idiosyncratic design master.

    All great movements propelled by artists such as Courbet, Manet, Renoir, Monet, Degas, Van Gogh, and Gauguin are depicted with full page prints of the classical works of art.The guide features biographical information about the artist, comprehensive information on a piece's size and medium used, chronological references, thematic sections for a contextual understanding of the work, and explanatory text.

    A hymn may pierce the soul with sound convictions; poetry can awaken the mind and quicken the spirit; and artwork invites quiet contemplation.

    From the creation of the first state on the banks of the Nile to its submission to the Roman empire, the millennial story of ancient Egypt is recounted here through the artistic masterpieces, the everyday objects, the spectacular jewels, and the magnificent remains from the tombs of the pharaohs, all remarkably assembled within the walls of a single institution.Structured as a guide, but fully illustrated with superb color photographs, this book suggests a simple but comprehensive itinerary through the museum, subdividing the tour into chapters devoted to the most important episodes in Egyptian history. Collected during the course of over a century of archaeological excavations, jewelry, tools, toys, models, religious objects, mummies, and monumental sculptures offer vivid glimpses of a formidable civilization. The rich funerary cache of Tutankhamun, the treasures of Tanis, and the jewels of Queen Ahhotep reflect the glory of the Egyptian monarchy, but there are insights too into the day-to-day lives of the more humble sections of society. Previously unpublished photographs and plans alongside texts prepared by the museum curators themselves help readers to penetrate the corridors and halls of the great museum in search of a heritage unique in its richness and variety, following in the footsteps of the great figures in Egyptian history: from the pharaohs, suspended between heaven and earth, to the archaeologists who, with their patient excavations, have helped to shed new light on the land of the pyramids.

    A concise collection of 15 of Leonard Cohen's best, including: Bird on a Wire * Chelsea Hotel #2 * Dress Rehearsal Rag * Everybody Knows * Famous Blue Raincoat * First We Take Manhattan * I'm Your Man * Joan of Arc * So Long Marianne * Suzanne * Take This Waltz * Tower of Song * Who by Fire * and more.

    The Complete Graphics of Eyvind Earle and Selected Poems, Drawings and Writings by Eyvind Earle 1991-2000 by Eyvind Earle (Oct 2001)

    This volume - investigating the work of a particular photographer, in this case, Graciela Iturbide - comprises a 4000-word essay by an expert in the field, 55 photographs presented chronologically, each with a commentary, and a biography of the featured photographer.

    Organized by topic and thoroughly cross-referenced, this comprehensive volume enables the reader to explore and understand every facet of the Middle Ages, an era of breathtaking artistic achievement and religious faith in a world where life was often coarse and cruel, cut short by war, famine, and disease. Framed by chapters that bracket the beginning and the end of this misunderstood period, The Medieval World Complete covers religion and the Church, nations and laws, daily life, art and architecture, scholarship and philosophy, and the world beyond Christendom. The book is completed by biographies of key personalities, from Charlemagne to Wycliffe, as well as timelines, maps, a glossary, a gazetteer, and a bibliography.