Whether talking about the legacy of slavery, relationships and marriage in Black life, the prose and poetry of Martin Luther King, Jr., James Baldwin, and Maya Angelou, the liberation movements of the 1950s, 60s, and 70s, or hip hop and gangsta rap culture, hooks lets us know what love’s got to do with it.Combining the passionate politics of W.E.B. DuBois with fresh, contemporary insights, hooks brilliantly offers new visions that will heal our nation’s wounds from a culture of lovelessness. Her writings on love and its impact on race, class, family, history, and popular culture raise all the relevant issues. This is work that helps us heal. Salvation shows us how to create beloved American communities.

    Parker knew, at that moment, that if she were to answer the woman's question truthfully she would have to rethink her theology. And she would have to think hard about some of the choices she was making in her own life. When Rita Nakashima Brock was a young child growing up in Kansas, kids taunted her viciously, calling her names like "Chink" or "Jap." She learned to pretend that she did not feel the sting of scorn and the humiliation of contempt. The solitude and silence of her suffering-decreed by both her mother's Japanese culture and her father's Christian heritage-kept the wound alive. It was the gap between knowledge born of personal experience and traditional theology that led Rita Brock and Rebecca Parker to write this emotionally gripping and intellectually rich exploration of the doctrine of the atonement. Using an unusual combination of memoir and theology in the tradition of Augustine's Confessions, they lament the inadequacy of how Christian tradition has interpreted the violence that happened to Jesus. Ultimately, they argue, the idea that the death of Jesus on the cross saves us reveals a sanctioning of violence at the heart of Christianity. Brock and Parker draw on a wide array of intimate stories about family violence, the sexual abuse of children, racism, homophobia, and war to reveal how they came to understand the widespread damage being done by this theology. But the authors also undertake their own arduous and unexpected journeys to recover from violence and to assist others to do so. On these journeys they discover communities that begin to give them the strength to question the destructive ideas they have internalized, and the strength to seek out an alternative vision of Christianity, one based on healing and love. Proverbs of Ashes is both a condemnation of bad theology and a passionate search for what truly saves us.

    From the Montgomery bus boycott to the lunch counter sit-ins to the Freedom Rides, Lynne Olson skillfully tells the long-overlooked story of the extraordinary women who were among the most fearless, resourceful, and tenacious leaders of the civil rights movement. Freedom's Daughters includes portraits of more than sixty women—many until now forgotten and some never before written about—from key figures like Ida B. Wells, Eleanor Roosevelt, Ella Baker, and Septima Clark to some of the smaller players who represent the hundreds of women who each came forth to do her own small part and who together ultimately formed the mass movements that made the difference. Freedom's Daughters puts a human face on the civil rights struggle—and shows that that face was often female.

    She survived, but her world was destroyed. Her training as a philosopher could not help her make sense of things, and many of her fundamental assumptions about the nature of the self and the world it inhabits were shattered.At once a personal narrative of recovery and a philosophical exploration of trauma, this book examines the undoing and remaking of a self in the aftermath of violence. It explores, from an interdisciplinary perspective, memory and truth, identity and self, autonomy and community. It offers imaginative access to the experience of a rape survivor as well as a reflective critique of a society in which women routinely fear and suffer sexual violence.As Brison observes, trauma disrupts memory, severs past from present, and incapacitates the ability to envision a future. Yet the act of bearing witness, she argues, facilitates recovery by integrating the experience into the survivor's life's story. She also argues for the importance, as well as the hazards, of using first-person narratives in understanding not only trauma, but also larger philosophical questions about what we can know and how we should live.Bravely and beautifully written, Aftermath is that rare book that is an illustration of its own arguments.

    Only recently have historians begun to recognize the central role women played in the battle for racial equality.In Sisters in the Struggle, we hear about the unsung heroes of the civil rights movements such as Ella Baker, who helped found the Student Non-Violent Coordinating Committee, Fannie Lou Hamer, a sharecropper who took on segregation in the Democratic party (and won), and Septima Clark, who created a network of "Citizenship Schools" to teach poor Black men and women to read and write and help them to register to vote. We learn of Black women's activism in the Black Panther Party where they fought the police, as well as the entrenched male leadership, and the Southern Christian Leadership Conference, where the behind-the-scenes work of women kept the organization afloat when it was under siege. It also includes first-person testimonials from the women who made headlines with their courageous resistance to segregation--Rosa Parks, Charlayne Hunter-Gault, and Dorothy Height.This collection represents the coming of age of African-American women's history and presents new stories that point the way to future study.Contributors: Bettye Collier-Thomas, Vicki Crawford, Cynthia Griggs Fleming, V. P. Franklin, Charlayne Hunter-Gault, Farah Jasmine Griffin, Duchess Harris, Sharon Harley, Dorothy I. Height, Chana Kai Lee, Tracye Matthews, Genna Rae McNeil, Rosa Parks, Barbara Ransby, Jacqueline A. Rouse, Elaine Moore Smith, and Linda Faye Williams.

    Widely acknowledged as both beautiful and intelligent, a sourcebook of art informed by feminism from the 1960s to the start of the 21st century, now available in paperback.

    Although women surf the Web in equal numbers to men and make a majority of online purchases, few are involved in the design and creation of new technology. It is mostly men whose perspectives and priorities inform the development of computing innovations and who reap the lion's share of the financial rewards. As only a small fraction of high school and college computer science students are female, the field is likely to remain a male clubhouse, absent major changes.In Unlocking the Clubhouse, social scientist Jane Margolis and computer scientist and educator Allan Fisher examine the many influences contributing to the gender gap in computing. The book is based on interviews with more than 100 computer science students of both sexes from Carnegie Mellon University, a major center of computer science research, over a period of four years, as well as classroom observations and conversations with hundreds of college and high school faculty. The interviews capture the dynamic details of the female computing experience, from the family computer kept in a brother's bedroom to women's feelings of alienation in college computing classes. The authors investigate the familial, educational, and institutional origins of the computing gender gap. They also describe educational reforms that have made a dramatic difference at Carnegie Mellon--where the percentage of women entering the School of Computer Science rose from 7% in 1995 to 42% in 2000--and at high schools around the country.

    In this provocative book, award-winning economics journalist Ann Crittenden argues that although women have been liberated, mothers have not. Drawing on hundreds of interviews from around the country, as well as the most current research in economics, sociology, history, child development,. and law, she shows how mothers are systematically disadvantaged and made dependent by a society that celebrates the labor of child-rearing but undervalues and even exploits those who perform it. The price of motherhood is everywhere apparent. College-educated women pay a "mommy tax" of more than a million dollars in lost income when they have a child. Family law deprives mothers of financial equality in marriage. Most child care is excluded from the gross domestic product, at-home mothers are not counted in the labor force, and the social safety net simply leaves them out. With passion and clarity, Crittenden dismantles the principal argument for the status quo: that it's a woman's "choice." She demonstrates, on the contrary, that if mothers had more resources and respect, everyone -- including children -- would be better off. Bold and galvanizing, full of innovative solutions, The Price of Motherhood reveals the glaring disparity between the value created by mothers' work and the reward women receive for carrying out society's most important job.

    They call on the fluidity of the imagination, from poetic vision to social justice, from the badlands of political demoralization to an art that might wound, that may open scars when engaged in its work, but will finally suture and not tear apart.This volume collects Rich's essays from the last decade of the twentieth century, including four earlier essays, as well as several conversations that go further than the usual interview. Also included is her essay explaining her reasons for declining the National Medal for the Arts.

    She wrote about the world that she knew, bringing the idiom of the middle class to Urdu prose, and totally transformed the complexion of Urdu fiction. Lifting the Veil brings together Ismat Chughtai's fiction and non-fiction writing. The twenty-one pieces in this selection are Chughtai at her best, marked by her brilliant turn of phrase, scintillating dialogue and wry humor, her characteristic irreverence, wit and eye for detail.

    Here, in memoirs, testimonials, diaries, essays, and fiction, mothers describe first-hand the changes brought to their lives by pregnancy, childbirth, and mothering.Many of the writers articulate difficult and socially unsanctioned maternal anger and ambivalence. In Mother Reader, motherhood is scrutinized for all its painful and illuminating subtleties, and addressed with unconventional wisdom and candor. What emerges is a sense of a community of writers speaking to and about each other out of a common experience, and a compilation of extraordinary literature never before assembled in a single volume.

    Its contributors reflect varied class, religious, ethnic, racial, linguistic, sexual, and national backgrounds. Yet in one way or another they are all professional producers of testimonios—or life stories—whether as poets, oral historians, literary scholars, ethnographers, or psychologists. Through coalitional politics, these women have forged feminist political stances about generating knowledge through experience. Reclaiming testimonio as a tool for understanding the complexities of Latina identity, they compare how each made the journey to become credentialed creative thinkers and writers. Telling to Live unleashes the clarifying power of sharing these stories. The complex and rich tapestry of narratives that comprises this book introduces us to an intergenerational group of Latina women who negotiate their place in U.S. society at the cusp of the twenty-first century. These are the stories of women who struggled to reach the echelons of higher education, often against great odds, and constructed relationships of sustenance and creativity along the way. The stories, poetry, memoirs, and reflections of this diverse group of Puerto Rican, Chicana, Native American, Mexican, Cuban, Dominican, Sephardic, mixed-heritage, and Central American women provide new perspectives on feminist theorizing, perspectives located in the borderlands of Latino cultures. This often heart wrenching, sometimes playful, yet always insightful collection will interest those who wish to understand the challenges U.S. society poses for women of complex cultural heritages who strive to carve out their own spaces in the ivory tower.Contributors. Luz del Alba Acevedo, Norma Alarcón, Celia Alvarez, Ruth Behar, Rina Benmayor, Norma E. Cantú, Daisy Cocco De Filippis, Gloria Holguín Cuádraz, Liza Fiol-Matta, Yvette Flores-Ortiz, Inés Hernández-Avila, Aurora Levins Morales, Clara Lomas, Iris Ofelia López, Mirtha N. Quintanales, Eliana Rivero, Caridad Souza, Patricia Zavella

    When Bolen's earlier book Goddesses in Everywoman was first published, it became a surprise bestseller and an unexpected star in the womens' spirituality movement. Bolen viewed archetypal patterns from a Jungian-feminist point of view as they affected the first two phases of a woman's life. Now she has devoted an entire book to the third phase of a woman's life, that of a "green and juicy crone." Here again, the goddesses (Demeter, Artemis, Persephone etc,) as they would age are invoked as role models as well as some non-Western goddesses. All can add perspective and wisdom to any woman's Act III.

    Drawing from the ancient tradition of midrash, the author brings to life the inner world and the experiences of these women, weaving rabbinic legends and her own imagination into the biblical texts. Readers will discover Lilith—not as the night demon alluded to in Isaiah, but as another aspect of Eve herself. Sarah is a moon priestess and as great a prophet as Abraham. Miriam is not merely a figure of song and dance, but also one of revelation, a source of Torah. These stories were written to give biblical women the honor they deserve—due to them as prophets, rulers, and teachers. The Introduction to Sisters at Sinai offers the rationale and the need for midrash - the writing in the margins - expressing how it can be liberating as well as deeply comforting. Perfect for women’s studies courses, adult study groups, confirmation classes and book groups.

    Contributors to the ground-breaking Africa's Ogun, edited by Sandra Barnes (Indiana University Press, 1997), explored the complex nature of Ogun, the orisa who transforms life through iron and technology. Osun across the Waters continues this exploration of Yoruba religion by documenting Osun religion. Osun presents a dynamic example of the resilience and renewed importance of traditional Yoruba images in negotiating spiritual experience, social identity, and political power in contemporary Africa and the African diaspora.The 17 contributors to Osun across the Waters delineate the special dimensions of Osun religion as it appears through multiple disciplines in multiple cultural contexts. Tracing the extent of Osun traditions takes us across the waters and back again. Osun traditions continue to grow and change as they flow and return from their sources in Africa and the Americas.

    But after Roe v. Wade, their determination to develop a respectable, nonconfrontational movement encouraged many of them to use the word choice--an easier concept for people weary of various rights movements. At first the distinction in language didn't seem to make much difference-the law seemed to guarantee both. But in the years since, the change has become enormously important.In Beggars and Choosers, Solinger shows how historical distinctions between women of color and white women, between poor and middle-class women, were used in new ways during the era of "choice." Politicians and policy makers began to exclude certain women from the class of "deserving mothers" by using the language of choice to create new public policies concerning everything from Medicaid funding for abortions to family tax credits, infertility treatments, international adoption, teen pregnancy, and welfare. Solinger argues that the class-and-race-inflected guarantee of "choice" is a shaky foundation on which to build our notions of reproductive freedom. Her impassioned argument is for reproductive rights as human rights--as a basis for full citizenship status for women.

    The organic world, to Solnit, gives rise to the social, political, and philosophical landscapes we inhabit. As Eve Said to the Serpent skillfully weaves the natural world with the realm of art--its history, techniques, and criticism--to offer a remarkable compendium of Solnit's research and ruminations.The nineteen pieces in this book range from the intellectual formality of traditional art criticism to highly personal, lyrical meditations. All are distinguished by Solnit's vivid, original style that blends imaginative associations with penetrating insights. These thoughts produce quirky, intelligent, and wryly humorous content as Solnit ranges across disciplines to explore nuclear test sites, the meaning of national borders, deserts, clouds, and caves--as well as ideas of the feminine and the sublime as they relate to our physical and psychological terrains.Sixty images throughout the book display the work of the contemporary artists under discussion, including landscape photographers, performance artists, sculptors, and installation artists. Alongside her text, Solnit's gallery of images provides a vivid excursion into new ways of perceiving landscape, bodies, and art. Animals and the human body appear together with space and terra firma as Solnit reconfigures the blurred lines that define nature.

    Women of the Six Nations Iroquois Confederacy possessed freedoms far beyond those of their white sisters: decisive political power, control of their bodies, control of their own property, custody of children they bore, the power to initiate divorce, satisfying work, and a society generally free of rape and domestic violence. The thoughts of Elizabeth Cady Stanton and Matilda Joslyn Gage were shaped by their involvement with indigenous women neighbors in upstate New York.Intrepid historian Sally Roesch Wagner recounts the compelling struggle for freedom and equality waged by women in the United States and documents the influence and inspiration Native American women gave to this dynamic social movement. The personal and political changes unleashed by the Iroquois/feminist relationship continue to transform our lives.

    -- Profiles the lives and careers of women whose accomplishments have contributed to our society-- Fully illustrated with photographs and paintings

    The twenty-one pieces in this selection are Chughtai at her best, marked by her brilliant turn of phrase, scintillating dialogue and wry humour, her characteristic irreverence, wit and eye for detail.

    The oldest sanctuary in the world was created in 40,000 BCE by african migrants in Har Karkom, later called Mt. Sinai, foundation place of judaism, christianity, and islam. Lucia documents the continuing memory of the dark mother and her values in prehistoric images of the dark mother, in historic black madonnas and in other dark women divinities whose sanctuaries are on african paths. She tracks the memory in rituals and stories of her sicilian grandmothers, in persecution of dark others in patriarchal Europe and the United States, in the rise of nonviolent dark others since the 1960s,in the banners of the 1995 world conference of women at Beijing, and in art. She finds the dark mother's values-justice with compassion, equality, and transformation-in everyday and celebratory rituals of the world's subaltern cultures-and suggests that the image and values are in the submerged memories of everyone.

    Poised in the slender moment between too early and too late, between the difficult past and the unimaginable future, Mead's poems remind us that the old debates about fate and free will, nature and nurture, are also matters of personal urgency.      More than anything, it is her spiritual dimension that offers Mead a way into the future--but that way must be paved, image by image, with the world before her.  Simultaneously conversational and lyrical, these fearless poems extend the possibilities of narrative verse.

    Women in Haiti have played a large role in changing the balance of political and social power, even as they have endured rampant and devastating state-sponsored violence, including torture, rape, abuse, illegal arrest, disappearance, and assassination.Beverly Bell, an activist and an expert on Haitian social movements, brings together thirty-eight oral histories from a diverse group of Haitian women. The interviewees include, for example, a former prime minister, an illiterate poet, a leading feminist theologian, and a vodou dancer. Defying victim status despite gender- and state-based repression, they tell how Haiti's poor and dispossessed women have fought for their personal and collective survival. The women's powerfully moving accounts of horror and heroism can best be characterized by the Creole word istwa, which means both "story" and "history." They combine theory with case studies concerning resistance, gender, and alternative models of power. Photographs of the women who have lived through Haiti's recent past accompany their words to further personalize the interviews in Walking on Fire.

    It is essential reading for researchers, therapists, fieldworkers, for those on the frontlines of rape crisis and domestic violence work, and for anyone concerned with the role of emotions in social science.

    As Folbre points out in her provocative and insightful new book, every society must confront the problem of balancing self-interested pursuits with care for others—including children, the elderly, and the infirm. Historically, most societies enjoyed an increased supply of care by maintaining strict limits on women’s freedom. But as these limits happily and inevitably give way, there are many consequences for those who still need care.Using the image of “the invisible heart” to evoke the forces of compassion that must temper the forces of self-interest, Folbre argues that if we don’t establish a new set of rules defining our mutual responsibilities for caregiving, the penalties suffered by the needy—our very families—will increase. Intensified economic competition may drive altruism and families out of business.A leading feminist economist, Nancy Folbre writes in a lively, personal style—Molly Ivins cheek-to-cheek with John Kenneth Galbraith—and develops a distinctive approach to the economics of care. Unlike others who praise family values, Folbre acknowledges the complicated relationship between women and altruism. Her book offers new interpretations of such policy issues as welfare reform, school finance, and progressive taxation, and it confronts the challenges of globalization, outlining strategies for developing an economic system that rewards both individual achievement and care for others.

    Charting over 30 years of debate on the significance of gender in the making and understanding of art, this anthology gathers together 99 representative texts from North America, Europe and Australasia.

    It marks an innovative interdisciplinary approach to questions of embodiment and subjectivity′ - Disability and Society ′This is an elegantly written book which has, as its main aim, to rethink the idea of difference in the western imaginary through a consideration of two themes: monsters and how these have come to define, but potentially to deconstruct, normality; and the whole idea of vulnerability and the vulnerable and the extent to which such a state is one that all of us are constantly in danger of entering ... The theoretical and philosophical content - Derrida, Lacan, Foucault, Irrigaray, Butler, Levinas, and Haraway in particular - together with the range of empirical examples used to illustrate the arguments, make the book an ideal one for third level undergraduates and for post-graduates, particularly those studying the sociology of embodiment, feminist theory, critical theory and cultural studies. Shildrick accomplishes the task of making difficult ideas comprehensible without reducing them to the simplistic′ - Sociology Written by one of the most distinguished commentators in the field, this book asks why we see some bodies as `monstrous′ or `vulnerable′ and examines what this tells us about ideas of bodily `normality′ and bodily perfection.Drawing on feminist theories of the body, biomedical discourse and historical data, Margrit Shildrick argues that the response to the monstrous body has always been ambivalent. In trying to organize it out of the discourses of normality, we point to the impossibility of realizing a fully developed, invulnerable self. She calls upon us to rethink the monstrous, not as an abnormal category, but as a condition of attractivenes, and demonstrates how this involves an exploration of relationships between bodies and embodied selves, and a revising of the phenomenology of the body.

    The physical journeys undertaken by the speaker reflect her inner journey from immigrant child to Indian American woman, struggling to find her place between India and America, Krishna and Jesus, samosas and hamburgers. The speaker constantly tries to recapture visions, smells, and sounds of her childhood and her travels, but cannot do so without imagination. Her memory fails her, so through metaphor she invents her past as it should have been. Traveling through her reflections on childhood, fate, faith, death, and belonging, she comes to accept her reality as a construct of lived memories and wished-for fantasies.

    From Charles Darwin and nineteenth-century racism to black nationalism and the Nation of Islam, from Baptist women's groups to James Baldwin; E. Frances White takes on one institution after another as she re-centers the role of black women in the United States' intellectual heritage. White presents identity politics as a complex activity, with entangled branches of race and gender, of invisibility and voyeurism, of defiance and passivity and conformism.White's powerful introduction draws on oral narratives from her own family history to illuminate the nature of narrative, both what is said and what is left unsaid. She then sets the historical stage with a helpful history of the inception and development of black feminism and a critique of major black feminist writings. In the three chapters that follow, she addresses the obstacles black feminism has already surmounted and must continue to traverse. Confronting what White calls "the politics of respectability," these chapters move the reader from simplistic views of race and gender in the nineteenth century through black nationalism and the radical movements of the sixties, and their relationship to feminist thought, to the linkages between race, gender, and sexuality in the works of such giants as Toni Morrison and James Baldwin. No one who finishes Dark Continent of Our Bodies will look at race and gender in the same way again.

    Contributors examine white feminist theology's misappropriations of Native North American women, Chinese footbinding, and veiling by Muslim women, as well as the Jewish emancipation in France, the symbolic dismemberment of black women by rap and sermons, and the potential to rewrite and reclaim canonical stories.

    Ed Silvoso takes a fresh look at the Fall in Genesis, specifically how it relates to women's ultimate role in

    Leigh Gilmore presents a series of "limit-cases"-texts that combine elements of autobiography, fiction, biography, history, and theory while representing trauma and the self-and demonstrates how and why their authors swerve from the formal constraints of autobiography when the representation of trauma coincides with self-representation. Gilmore maintains that conflicting demands on both the self and narrative may prompt formal experimentation by such writers and lead to texts that are not, strictly speaking, autobiography, but are nonetheless deeply engaged with its central concerns.In astute and compelling readings of texts by Michel Foucault, Louis Althusser, Dorothy Allison, Mikal Gilmore, Jamaica Kincaid, and Jeanette Winterson, Gilmore explores how each of them poses the questions, "How have I lived? How will I live?" in relation to the social and psychic forms within which trauma emerges. Challenging the very boundaries of autobiography as well as trauma, these stories are not told in conventional ways: the writers testify to how self-representation and the representation of trauma grow beyond simple causes and effects, exceed their duration in time, and connect to other forms of historical, familial, and personal pain. In their movement from an overtly testimonial form to one that draws on legal as well as literary knowledge, such texts produce an alternative means of confronting kinship, violence, and self-representation.

    It did more than report on the contemporary scene—it was part of the action—and its preoccupations preoccupy us still: birth control, women's rights, civil liberties, and questions of social and economic justice. Mother Earth appeared without interruption until August 1917, when it was killed by wartime postal censorship. Though Emma Goldman has since become a legendary figure, scarcely any material from her magazine ahs remained in print. This Mother Earth reader sets right this great wrong, and restores to public memory and important body of work—provocative writings by Margaret Sanger, Alexander Kropotkin, and dozens of other radical thinkers of the early twentieth century. About the Author:Peter Glassgold's fiction, poetry, translations, essays, and reviews have appeared in such publications as Forward, The Nation, The New Leader, and Publishers Weekly. His most recent book, the novel Angel Max, was nominated for the 1998 America Award for Fiction. He lives in Brooklyn Heights, New York.

    Peckham’s images alternately whet and sting the senses as rich chador fabrics and earthy cooking scents give way to scenes of women being persecuted and even killed. But it is love for family and culture that give this collection a gentle glow.Susan Atefat Peckham was born in New Jersey to Iranian immigrant parents. This is her first poetry collection.

    Theoretical and practical, scholarly and engaged, domestic and transnational, this volume combines a thorough canvas of the law of the status of the sexes with an insightful authoritative treatise and creative litigation manual. The first half of the book, Foundations, interrogates the mainstream legal equality paradigm through materials drawn from theory, social science, history, and comparative law. Cases on racism, work, education, athletics, and pregnancy are examined in detail, accessibly presenting the statutory and constitutional materials of sex discrimination law in a fresh light. A chapter on Sex, Race and Nation expands on the connections between racism and sexism raised throughout. Burdens of Proof equips the litigator with basic technical skills while examining the political and theoretical issues on procedural terrain. Applications, the second half of the book, explores issues that have received less legal equality attention, including the law of the family, rape, abortion, prostitution, and pornography. The argument that gay and lesbian rights are sex equality rights is advanced. Sexual harassment in employment and education are discussed in depth. In this volume, legal doctrine and social theory are analyzed together with international and comparative perspectives supplied throughout. Sex Equality provides an exciting interdisciplinary, global, practical state-of-the-art inquiry into the past, present and possible law of relations between the sexes.

    Based on groundbreaking research that spanned eight years, Our Separate Ways compares and contrasts the experiences of 120 black and white female managers in the American business arena. In-depth histories bring to life the women's powerful and often difficult journeys from childhood to professional success, highlighting the roles that gender, race, and class played in their development.Although successful professional women come from widely diverse family backgrounds, educational experiences, and community values, they share a common assumption upon entering the workforce: I have a chance. Along the way, however, they discover that people question their authority, challenge their intelligence, and discount their ideas. And while gender is a common denominator among these women, race and class are often wedges between them.In Our Separate Ways, you will find candid discussions about stereotypes, learn how black women's early experiences affect their attitudes in the business world, become aware of how white women have--perhaps unwittingly--aligned themselves more often with white men than with black women, and see ways that our country continues to come to terms with diversity in all of its dimensions.Whether you are a human resources director wondering why you're having trouble retaining black women, a white female manager considering the role of race in your office, or a black female manager searching for perspectives, you will find fresh insights about how black and white women's struggles differ and encounter provocative ideas for creating a better workplace environment for everyone.

    The well-known feminist author argues that politics always needs the personal, and that the personal is never enough on its own. Her return to the personal side of the political combines the two for a radicalized way of seeing, viewing, and knowing.The author strives to bring together a critique of environmental damage and the health of women's bodies, gain perspective on the role race plays as a factor in breast cancers and in political agendas, link prevention and treatment, and connect individual support and political change.Eisenstein was sixteen when her forty-five-year-old mother successfully battled breast cancer. Her two sisters, Sarah and Giah, were in their twenties when they were diagnosed, but neither of them survived. She received her own diagnosis when she was forty. Despite her family history, however, Eisenstein rejects the simple argument that genes are simply determining, rather than liable to influence by external factors. She also questions the dominance of the theory that breast cancer is caused by high lifetime exposure to estrogen. Instead, she views breast cancer as an environmental disease, best understood in terms of ecological, racial, economic, and sexual influences on individual women. She uses the term manmade to indicate not only industrial carcinogens and other cultural causes, but also the male-dominated and -defined scientific practices of research and treatment.In response, Manmade Breast Cancers offers a retelling of the meaning of breast cancer and a discussion of universal feminist issues about the body. The author says she writes to discover a more just globe which will treasure the health of all of our bodies. The emotional depth and intellectual breadth of her argument adds new dimensions to how we understand breast cancer.

    The author's critical engagement with major texts of contemporary philosophy prepares the way for a highly original conception of ethics based on witnessing.Central to this project is Oliver's contention that the demand for recognition is a symptom of the pathology of oppression that perpetuates subject-object and same-different hierarchies. While theorists across the disciplines of the humanities and social sciences focus their research on multiculturalism around the struggle for recognition, Oliver argues that the actual texts and survivors' accounts from the aftermath of the Holocaust and slavery are testimonials to a pathos that is "beyond recognition".Oliver traces many of the problems with the recognition model of subjective identity to a particular notion of vision presupposed in theories of recognition and misrecognition. Contesting the idea of an objectifying gaze, she reformulates vision as a loving look that facilitates connection rather than necessitates alienation. As an alternative, Oliver develops a theory of witnessing subjectivity. She suggests that the notion of witnessing, with its double meaning as either eyewitness or bearing witness to the unseen, is more promising than recognition for describing the onset and sustenance of subjectivity. Subjectivity is born out of and sustained by the process of witnessing -- the possibility of address and response -- which puts ethicalobligations at its heart.

    Yet although a wide range of relevant evidence survives from the ancient Near East, it has been exceptional for those studying women in the ancient world to stray outside the traditional bounds of Greece and Rome.Women of Babylon is a much-needed historical/art historical study that investigates the concepts of femininity which prevailed in Assyro-Babylonian society. Zainab Bahrani's detailed analysis of how the culture of ancient Mesopotamia defined sexuality and gender roles both in, and through, representation is enhanced by a rich selection of visual material extending from 6500 BC - 1891 AD. Professor Bahrani also investigates the ways in which women of the ancient Near East have been perceived in classical scholarship up to the nineteenth century.

    Russo provides a multi-oppression approach to understanding the violence that is done to women, incorporating issues of gender, race, class and sexuality in her analysis.

    This updated and expanded edition of the critically acclaimed "The New Quotable Woman gathers 19

    Garrard, author of the acclaimed Artemisia Gentileschi, furthers her study of the seventeenth-century artist in this groundbreaking investigation of two little-known paintings. Taking as case studies the Seville Mary Magdalene and the Burghley House Susanna and the Elders, paintings of circa 1621-22 attributed to Artemisia, Garrard examines the ways that identity, gender, and market pressures interact both in the artist's work and in the criticism and connoisseurship that have surrounded it.

    Women and black scholars were relegated to the field's periphery. From this marginal place, white feminist anthropologists have successfully carved out an acknowledged intellectual space, identified as feminist anthropology. Unfortunately, the works of black and non-western feminist anthropologists are rarely cited, and they have yet to be respected as significant shapers of the direction and transformation of feminist anthropology. In this volume, Irma McClaurin has collected-for the first time-essays that explore the role and contributions of black feminist anthropologists. She has asked her contributors to disclose how their experiences as black women have influenced their anthropological practice in Africa, the Caribbean, and the United States, and how anthropology has influenced their development as black feminists. Every chapter is a unique journey that enables the reader to see how scholars are made. The writers present material from their own fieldwork to demonstrate how these experiences were shaped by their identities. Finally, each essay suggests how the author's field experiences have influenced the theoretical and methodological choices she has made throughout her career. Not since Diane Wolf's Feminist Dilemmas in the Field or Hortense Powdermaker's Stranger and Friend have we had such a breadth of women anthropologists discussing the critical (and personal) issues that emerge when doing ethnographic research.

    She argues that we need to see nature as an end itself, rather than an instrument to get what we want. Using a range of examples, Plumwood presents a radically new picture of how our culture must change to accommodate nature.

    This Victorian icon has inspired more passionate debate than any other article of clothing. As a means of body modification, perhaps only foot binding and female genital mutilation have aroused more controversy.Summers' provocative book dismantles many of the commonly held misconceptions about the corset. In examining the role of corsetry in the minds and lives of Victorian women, it focuses on how corsetry punished, regulated and sculpted the female form from childhood and adolescence through to pregnancy and even old age. The author reveals how the ‘steels and bones', which damaged bodies and undermined mental health, were a crucial element in constructing middle-class women as psychologically submissive subjects. Underlying this compelling discussion are issues surrounding the development and expression of juvenile and adult sexuality. While maintaining that the corset was the perfect vehicle through which to police femininity, the author unpacks the myriad ways in which women consciously resisted its restrictions and reveals the hidden, macabre romance of this potent Victorian symbol.

    She reveals the connections among gender, race and madness created by the dominant power centers. In her examples, she is equally at home with the short story writer Bessie Head, the novelists Charlotte Bronte and Joseph Conrad and the psychoanalyst Carl Jung - as well as with the many commercial advertisements from the nineteenth century that conjoin whiteness and moral superiority. While fascinated by the ways in which the self, nation and race are constructed in discourse, McClintock also asks us to move beyond discourse studies to investigate the actual people who bore the marks of imperial legislation on their bodies.

    She contends that, although postmodern analyses yield important insights about the place of discourse in constituting subjectivity, they lack the ability to examine how experience often exceeds the limits of discourse. To address this lack and explain why it matters for feminist politics, Kruks retrieves and employs aspects of postwar French existential theory--a tradition that, she argues, postmodernism has obscured by militantly rejecting its own genealogy.Kruks seeks to refocus our attention on the importance for feminism of embodied and lived experiences. Through her original readings of Simone de Beauvoir and other existential thinkers--including Sartre, Fanon, and Merleau-Ponty--and her own analyses inspired by their work, Kruks sheds new light on central problems in feminist theory and politics. These include debates about subjectivity and individual agency; questions about recognition and identity politics; and discussion of whether embodied experiences may sometimes facilitate solidarity among groups of different women.

    

    A sociologist and theologian proposes a framework for understanding the origins of the differences between women and men

    Real person.~California resident Shirley S. Allen takes real people - her own ancestors - and tells the story of how their west was won, through the eyes of one woman, Roxanna Britton.~Review:Ever since I immigrated to the United States, some 60 years ago, I have been interested in reading about the lives of others who shared this experience, particularly of our early settlers. The story of Shirley Allen’s immigrant great-grandparents is of importance to all Americans. Her heartwarming history of settlers speaks to lives of hard work and loneliness. Ms. Allen’s book is a moving documentary, relevant to many Americans. I recommend it to all interested in American history.Sidsel Anschutz

    This selection from her prose writing comprises autobiographical essays, literary criticism and pen portraits of her well-known contemporaries. The collection aims to make an important contribution to the social fabric of her life and times. Section One includes essays like "Communal Violence and Literature"; "Where Should We Go?"; "A Word"; "Heroine"; and "From Bombay to Bhopal". Section Two contains excerpts from "The Lihaaf Trial", where Chughtai had to answer to charges of obscenity; "From Here to There", which is an account of her journey from India to Pakistan after Partition; "The Caravan's Dust"; and other pieces. Her lively personality sketches of writers like Patras Bokhari, Manto and Krishan Chander, and of her brother, Azim Beg Chughtai who was her first teacher and mentor, form part of Section Three.

    Susan Ehrlich argues that language is central to all legal settings - specifically sexual harassment and acquaintance rape hearings where linguistic descriptions of the events are often the only type of evidence available. Language does not simply reflect but helps to construct the character of the people and events under investigation. The book is based around a case study of the trial of a male student accused of two instances of sexual assault in two different settings: a university tribunal and a criminal trial. This case is situated within international studies on rape trials and is relevant to the legal systems of the US, Canada, Britain, Australia, and New Zealand. She shows how culturally-dominant notions about rape percolate through the talk of sexual assault cases in a variety of settings and ultimately shape their outcome. Ehrlich hopes that to understand rape trials in this way is to recognize their capacity for change. By highlighting the underlying preconceptions and prejudices in the language of courtrooms today, this important book paves the way towards a fairer judicial system for the future.

    During the Civil War, plantation mistress Adelicia H.F.A Cheatham outfoxed Union and Confederate soldiers alike to make a fortune cashing in her cotton crop in London. With a 40,000 dollar bounty on her head, Harriet Tubman led slaves to freedom. Molly Brown refused to sink. In I Dwell in Possibility, award-winning author Donna Lucey turns our attention to the pioneering, innovative, and brave ways that women influenced the building of America before they had the right to vote.Through diaries, letters, and rare photographs and art works, this book evokes the many struggles and indispensable contributions of women who forged the nation we know today. Ranging from the outrageous -- daring young woman smoke in the Gilded Age! -- to the heartstopping -- an African-American woman jumps to her death rather than face slavery -- Lucey masterfully reveals that women's contributions to the life of America did not begin only with the right to vote, but long before even the concept of such a right became the American ideal.Intimate, compelling, and richly illustrated, I Dwell in Possibility is a truly unique look at American history.

    An extended interview with the three political prisoners - a frank discussion of past political movements, victories and errors, and the current political climate for revolutionary struggle within the USA.

    Working from the assumption that sex is pleasurable and fulfilling insofar as its participants fully understand how it works, sexologist Jelto Drenth gives readers a guided tour of the complex, challenging, and often misunderstood "origin of the world." Drenth describes the workings of the vagina in simple language, enriching his description throughout the book with the imagery, mythology, lore, and history that has surrounded the vagina since the Middle Ages. The Origin of the World moves from basic physiognomic facts to the realms of anthropology, art history, science fiction, and feminist literature-all in the service of mapping the dark continent. Drenth's journey takes him from Renaissance woodcuts to vibrators, clitoridectomies to "virginity checks," fears of the vagina (the vagina dentata) to its celebration. Part medical exposition covering the function of female genitalia from orgasm to pregnancy and part cultural history discussing contemporary and historical views of such aspects of the feminine as pubic hair, Freud's theories of coitus, and slang terms for the vagina, The Origin of the World is encyclopedic in its breadth, fascinating in its content, and familiar in its subject. This lightly written exploration can be seen as both an owner's manual and a guide for the perplexed. Women and men alike will benefit from its entertaining erudition and from its fundamental mission of demystifying sex and sexuality in the service of greater understanding and, from that understanding, greater pleasure.

    In this outsdanding collection, writers and scholars in literature, film, television, theatre, music, art, material culture, and other cultural forms explicate Black women's artistry within the context of an activist framework. The contributors are concerned with the politics of cultural production and the ways in which Black women have confronted institutional and social barriers.

    There, some violent expression of nature disrupts their lives, forcing them to readjust their vision of the world. Like the places they live—Washington state in the aftermath of the eruption of Mount St. Helens; the rubble-strewn epicenter of Southern California after a recent earthquake; the flooded streets of a desert town in Utah—the characters in this collection are all "picking up the pieces" of lives shaken by both natural and spiritual disaster. In the precariousness of their lives, these characters find redemption by submitting to the indeterminacy of human life.

    For many, girls represented the true essence of childhood or bygone times of innocence; but for middle-class men, especially writers, the interest ran much deeper. In Men in Wonderland, Catherine Robson explores the ways in which various nineteenth-century British male authors constructed girlhood, and analyzes the nature of their investment in the figure of the girl. In so doing, she reveals the link between the idealization of little girls and a widespread fantasy of male development--a myth suggesting that men become masculine only after an initial feminine stage, lived out in the protective environment of the nursery. Little girls, argues Robson, thus offer an adult male the best opportunity to reconnect with his own lost self.Tracing the beginnings of this myth in the writings of Romantics Wordsworth and De Quincey, Robson identifies the consolidation of this paradigm in numerous Victorian artifacts, ranging from literary works by Dickens and Barrett Browning, to paintings by Frith and Millais, to reports of the Royal Commission on Children's Employment. She analyzes Ruskin and Carroll's "high noon" of girl worship and investigates the destruction of the fantasy in the closing decades of the century, when social concerns about the working girl sexualized the image of young females.Men in Wonderland contributes to a growing interest in the nineteenth century's construction of childhood, sexuality, and masculinity, and illuminates their complex interconnections with a startlingly different light. Not only does it complicate the narratives of pedophilic desire that are generally used to explain figures like Ruskin and Carroll, but it offers a new understanding of the Victorian era's obsession with loss, its rampant sentimentality, and its intense valorization of the little girl at the expense of mature femininity.

    Contributions analyze examples from Algeria, Canada, Israel and South Africa.

    In this pioneering history, Nancy F. Cott demonstrates that marriage is and always has been a public institution.From the founding of the United States to the present day, imperatives about the necessity of marriage and its proper form have been deeply embedded in national policy, law, and political rhetoric. Legislators and judges have envisioned and enforced their preferred model of consensual, lifelong monogamy--a model derived from Christian tenets and the English common law that posits the husband as provider and the wife as dependent. In early confrontations with Native Americans, emancipated slaves, Mormon polygamists, and immigrant spouses, through the invention of the New Deal, federal income tax, and welfare programs, the federal government consistently influenced the shape of marriages. And even the immense social and legal changes of the last third of the twentieth century have not unraveled official reliance on marriage as a "pillar of the state."By excluding some kinds of marriages and encouraging others, marital policies have helped to sculpt the nation's citizenry, as well as its moral and social standards, and have directly affected national understandings of gender roles and racial difference. Public Vows is a panoramic view of marriage's political history, revealing the national government's profound role in our most private of choices. No one who reads this book will think of marriage in the same way again.

    As teacher, administrator, author, and performer, Dolan places her professional labor in relation to issues of community, pedagogy, public culture, administration, university missions, and citizenship. She works from the assumption that the production and dissemination of knowledge can be forms of activism, extending conversations on radical politics in the academy by other writers, such as Cary Nelson, Michael Berube, Gerald Graff, and Richard Ohmann. The five interconnected essays in Geographies of Learning map the divisions and dissensions that stall the production of progressive knowledge in theatre and performance studies, LGQ studies, and women's studies, while at the same time exploring some of the theoretical and pedagogical tools these fields have to offer one another.

    In Beckett's play, a grieving beloved seeks relief from the haunting presence of a departed lover in a place where "From its single window he could see the downstream extremity of the Isle of Swans." With a bow to Beckett's style and linguistic playfulness, Mary Jo Bang's collection of poems deals compassionately and gracefully with the tangible world.Bang's savvy alliterative insistence sweeps the reader along, as her poems collectively offer a world delicately structured from memorable fragments of experience, emotion, things, and places--inside and outside the human psyche.

    Latino/a Studies. Weaving the threads of Lacandon myth and history with the events culminating in the guerilla uprising, Graciela Limon in ERASED FACES creates a rich fabric that restores an identity to those rendered invisible, or whose faces were erased by years of oppression. ERASED FACES is a story about forbidden love set against the backdrop of a complicated war. "What courage to take on the Chiapas rebellion, to tell that story from the point of view of women and their own double and triple struggles for liberation from not only a racial and economic war, but a sexual one..."-Alicia Gaspar de Alba, author of Sor Juana's Second Dream.

    Domosh and Seager show how notions of maleness and femaleness have influenced our built environment, the locations in which we invest meaning, and the ways we live, work, travel, and explore. From the arrangement of furniture in Victorian homes to the movements of refugees over contemporary borders, the book explores gender patterns and roles across cultures and historical periods. It is lavishly illustrated with line drawings, photographs, and maps.

    Her fantasy life is a kind of denial—her father was a drunk, her mother was mad—but her creative escape has given birth to 20 books of poems."—Kate Taylor, The Globe and Mail

    Tens of millions of children are being deprived of their human and psychological rights to treasured relationships with male parents. Why? How can fathers fight for justice?"Betrayal of the Child", written with compassion and insight, refutes "The Best Interests of the Child" (Freud, Solnit & Goldstein) single parent theology and concludes that only two parents can serve the best interests of children.About the AuthorStewart Rein has been intimately involved in children's and human rights issues for over thirteen years.He has worked with Families Need Fathers in the United Kingdom, The Children's & Human Rights Council, CRC, The United Nations Human Rights Commission, and has advised on government social policy issues.He has argued before state, federal and international courts, defending children's rights and has advised pro se litigants in the conduct of their cases.Mr. Rein has authored several important papers, given evidence before the New York State Legislature, addressed International Conferences for CRC and PARENT, Inc. and has produced TV programs such as "The Human Rights Enigma" on children's rights in international law and "Wednesday's Children" a TV Special on Parental Child Abduction. He has appeared on radio and television in Europe for BBC, ITV, Radio Monte Carlo and America for Newstalk TV and The Bob Salter Show.

    Based on data from the Citizen Political Ambition Panel Study, a national survey conducted of almost 3,800 "potential candidates" in 2001 and a second survey of more than 2,000 of these same individuals in 2008, Jennifer L. Lawless and Richard L. Fox find that women, even in the highest tiers of professional accomplishment, are substantially less likely than men to demonstrate ambition to seek elective office. Women are less likely than men to be recruited to run for office. They are less likely than men to think they are qualified to run for office. And they are less likely than men to express a willingness to run for office in the future. This gender gap in political ambition persists across generations and over time. Despite cultural evolution and society's changing attitudes toward women in politics, running for public office remains a much less attractive and feasible endeavor for women than men.

    By focusing on individual sculptors, painters, and illustrators, Laura Prieto gives us a compelling picture of the prospects and constraints faced by women artists in the United States from the late eighteenth century through the 1930s.Prieto tracks the transformation from female artisans and ladies with genteel "artistic accomplishments" to middle-class professional artists. Domestic spaces and familial metaphors helped legitimate the production of art by women. Expression of sexuality and representation of the nude body, on the other hand, posed problems for these artists. Women artists at first worked within their separate sphere, but by the end of the nineteenth century "New Women" grew increasingly uncomfortable with separatism, wanting ungendered recognition. With the twentieth century came striking attempts to reconcile domestic lives and careers with new expectations; these decades also ruptured the women's earlier sense of community with amateur women artists in favor of specifically professional allegiances. This study of a diverse group of women artists--diverse in critical reception, geographic location, race, and social background--reveals a forgotten aspect of art history and women's history.

    Theoreticians and activists from feminist, environmental, anti-imperialist and anti-racist struggles across five continents report on existing community-based initiatives, and demonstrate how we can all defy the creed of corporate globalization.Inspired by the groundbreaking work of Maria Mies and her colleagues, which culminates in the elaboration of the ‘subsistence perspective’, the book is in three parts, dealing first with the theory of subsistence, then considering globalization as colonization and finally reporting on concrete cases of resistance to globalization in Africa, Asia, Europe, the Americas, Australia and the Pacific. The subsistence perspective emerges as a fertile matrix for creative thinking and action to reclaim our labour, our communities, our environment, our bodies and our lives.Anyone who refuses to believe that corporate globalization is our inevitable destiny will find this book a solid basis for formulating ideas and implementing strategies for the creation of a future in the image and the interest of the world’s peoples.

    In an eloquent challenge to the privileging of queer theory in the academy, Garber calls for recognition of the historical -- and intellectually significant -- role of lesbian poets as theorists of lesbian identity and activism.

    Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1916. Not illustrated. Excerpt: ... CHAPTER IV WOMEN'S MEMORIES INTEGRATING INDUSTRY If it has always been the mission of literature to translate the particular act into something of the universal, to reduce the element of crude pain in the isolated experience by bringing to the sufferer a realization that his is but the common lot, this mission may have been performed through such stories as that of the Devil Baby for simple, hardworking women who at any given moment compose the bulk of the women in the world. Certainly some of the visitors to the Devil Baby attempted to generalize and evidently found a certain enlargement of the horizon, an interpretation of life as it were, in the effort. They exhibited that confidence which sometimes comes to the more literate person when, finding himself 84 morally isolated among those hostile to his immediate aims, his reading assures him that other people in the world have thought as he does. Later when he dares to act on the conviction his own experience has forced upon him, he has become so conscious of a cloud of witnesses torn out of literature and warmed into living comradeship, that he scarcely distinguishes them from the likeminded people actually in the world whom he has later discovered as a consequence of his deed. In some of the reminiscences related by working women I was surprised, not so much by the fact that memory could integrate the individual experience into a sense of relation with the more impersonal aspects of life, as that the larger meaning had been obtained when the fructifying memory had had nothing to feed upon but the harshest and most monotonous of industrial experiences. I held a conversation with one such woman when she came to confess that her long struggle was over and that she and her sister had at last turned their...

    This great guitar songbook features Ani's hand-picked selection of 20 tunes as originally recorded on her solo albums through Dilate in 1996: Anticipate * Blood in the Boardroom * Buildings and Bridges * Dilate * The Diner * Fixing Her Hair * God's Country * If He Tries Anything * In or Out * Joyful Girl * Letter to a John * Not a Pretty Girl * Out of Habit * Out of Range * Shameless * Shy * Sorry I Am * Talk to Me Now * What If No One's Watching * The Whole Night. Includes a biography of DiFranco and an intro by Ron Ehmke, Minister of Communications for Ani's Righteous Babe Records.

    A poetic exploration of feminine spirituality.

    In this thoughtful collection, contributors refashion essays from the international conference on feminist ethics, Feminist Ethics Revisited (October 1999), with an aim to critique social practice and develop an ethics of universal justice. The essays in this exciting volume explore the intricacies and impact of reasoned moral action, the virtues of character, and the empowering responsibility that morality generates. Feminists Doing Ethics brings to light concepts and ideas that are intended to extend our understanding of morality and of ourselves.

    In her quest to show how both the body and soul of the married woman became the site of anxious inquiry, Dopico Black mines a variety of Golden Age texts for instances in which the era’s persistent preoccupation with racial, religious, and cultural otherness was reflected in the depiction of women. Subject to the scrutiny of a remarkable array of gazes—inquisitors, theologians, religious reformers, confessors, poets, playwrights, and, not least among them, husbands—the bodies of perfect and imperfect wives elicited diverse readings. Dopico Black reveals how imperialism, the Inquisition, inflation, and economic decline each contributed to a correspondence between the meanings of these human bodies and “other” bodies, such as those of the Jew, the Moor, the Lutheran, the degenerate, and whoever else departed from a recognized norm. The body of the wife, in other words, became associated with categories separate from anatomy, reflecting the particular hermeneutics employed during the Inquisition regarding the surveillance of otherness. Dopico Black’s compelling argument will engage students of Spanish and Spanish American history and literature, gender studies, women’s studies, social psychology and cultural studies.