From the Montgomery bus boycott to the lunch counter sit-ins to the Freedom Rides, Lynne Olson skillfully tells the long-overlooked story of the extraordinary women who were among the most fearless, resourceful, and tenacious leaders of the civil rights movement. Freedom's Daughters includes portraits of more than sixty women—many until now forgotten and some never before written about—from key figures like Ida B. Wells, Eleanor Roosevelt, Ella Baker, and Septima Clark to some of the smaller players who represent the hundreds of women who each came forth to do her own small part and who together ultimately formed the mass movements that made the difference. Freedom's Daughters puts a human face on the civil rights struggle—and shows that that face was often female.

    There are good examples in the lifestyle of the Mothers of The Believers and women Companions especially for the Muslim women. It is necessary for all of us to study the Seerah of these noble and fortunate women. Besides the Mothers of The Believers, the compiler of the book has included the description of those sixteen women who had been given the good News of the Paradise in this world by the Prophet Muhammad (salallahu alayhi wasallam). Although the original book is in the Urdu language, the efforts of the translator have made it more beneficial for the readers.

    This book offers a solution Bestselling author and nationally renowned therapist Terrence Real unearths the causes of communication blocks between men and women in this groundbreaking work. Relationships are in trouble; the demand for intimacy today must be met with new skills, and Real -- drawing on his pioneering work on male depression -- gives both men and women those skills, empowering women and connecting men, radically reversing the attitudes and emotional stumbling blocks of the patriarchal culture in which we were raised. Filled with powerful stories of the couples Real treats, no other relationship book is as straight talking or compelling in its innovative approach to healing wounds and reconnecting partners with a new strength and understanding.

    Khaled Abou El Fadl cites a series of injustices in Islamic society and ultimately proposes a return to the original ethics at the heart of the Muslim legal system.

    Only recently have historians begun to recognize the central role women played in the battle for racial equality.In Sisters in the Struggle, we hear about the unsung heroes of the civil rights movements such as Ella Baker, who helped found the Student Non-Violent Coordinating Committee, Fannie Lou Hamer, a sharecropper who took on segregation in the Democratic party (and won), and Septima Clark, who created a network of "Citizenship Schools" to teach poor Black men and women to read and write and help them to register to vote. We learn of Black women's activism in the Black Panther Party where they fought the police, as well as the entrenched male leadership, and the Southern Christian Leadership Conference, where the behind-the-scenes work of women kept the organization afloat when it was under siege. It also includes first-person testimonials from the women who made headlines with their courageous resistance to segregation--Rosa Parks, Charlayne Hunter-Gault, and Dorothy Height.This collection represents the coming of age of African-American women's history and presents new stories that point the way to future study.Contributors: Bettye Collier-Thomas, Vicki Crawford, Cynthia Griggs Fleming, V. P. Franklin, Charlayne Hunter-Gault, Farah Jasmine Griffin, Duchess Harris, Sharon Harley, Dorothy I. Height, Chana Kai Lee, Tracye Matthews, Genna Rae McNeil, Rosa Parks, Barbara Ransby, Jacqueline A. Rouse, Elaine Moore Smith, and Linda Faye Williams.

    Although women surf the Web in equal numbers to men and make a majority of online purchases, few are involved in the design and creation of new technology. It is mostly men whose perspectives and priorities inform the development of computing innovations and who reap the lion's share of the financial rewards. As only a small fraction of high school and college computer science students are female, the field is likely to remain a male clubhouse, absent major changes.In Unlocking the Clubhouse, social scientist Jane Margolis and computer scientist and educator Allan Fisher examine the many influences contributing to the gender gap in computing. The book is based on interviews with more than 100 computer science students of both sexes from Carnegie Mellon University, a major center of computer science research, over a period of four years, as well as classroom observations and conversations with hundreds of college and high school faculty. The interviews capture the dynamic details of the female computing experience, from the family computer kept in a brother's bedroom to women's feelings of alienation in college computing classes. The authors investigate the familial, educational, and institutional origins of the computing gender gap. They also describe educational reforms that have made a dramatic difference at Carnegie Mellon--where the percentage of women entering the School of Computer Science rose from 7% in 1995 to 42% in 2000--and at high schools around the country.

    Its contributors reflect varied class, religious, ethnic, racial, linguistic, sexual, and national backgrounds. Yet in one way or another they are all professional producers of testimonios—or life stories—whether as poets, oral historians, literary scholars, ethnographers, or psychologists. Through coalitional politics, these women have forged feminist political stances about generating knowledge through experience. Reclaiming testimonio as a tool for understanding the complexities of Latina identity, they compare how each made the journey to become credentialed creative thinkers and writers. Telling to Live unleashes the clarifying power of sharing these stories. The complex and rich tapestry of narratives that comprises this book introduces us to an intergenerational group of Latina women who negotiate their place in U.S. society at the cusp of the twenty-first century. These are the stories of women who struggled to reach the echelons of higher education, often against great odds, and constructed relationships of sustenance and creativity along the way. The stories, poetry, memoirs, and reflections of this diverse group of Puerto Rican, Chicana, Native American, Mexican, Cuban, Dominican, Sephardic, mixed-heritage, and Central American women provide new perspectives on feminist theorizing, perspectives located in the borderlands of Latino cultures. This often heart wrenching, sometimes playful, yet always insightful collection will interest those who wish to understand the challenges U.S. society poses for women of complex cultural heritages who strive to carve out their own spaces in the ivory tower.Contributors. Luz del Alba Acevedo, Norma Alarcón, Celia Alvarez, Ruth Behar, Rina Benmayor, Norma E. Cantú, Daisy Cocco De Filippis, Gloria Holguín Cuádraz, Liza Fiol-Matta, Yvette Flores-Ortiz, Inés Hernández-Avila, Aurora Levins Morales, Clara Lomas, Iris Ofelia López, Mirtha N. Quintanales, Eliana Rivero, Caridad Souza, Patricia Zavella

    In this provocative book, award-winning economics journalist Ann Crittenden argues that although women have been liberated, mothers have not. Drawing on hundreds of interviews from around the country, as well as the most current research in economics, sociology, history, child development,. and law, she shows how mothers are systematically disadvantaged and made dependent by a society that celebrates the labor of child-rearing but undervalues and even exploits those who perform it. The price of motherhood is everywhere apparent. College-educated women pay a "mommy tax" of more than a million dollars in lost income when they have a child. Family law deprives mothers of financial equality in marriage. Most child care is excluded from the gross domestic product, at-home mothers are not counted in the labor force, and the social safety net simply leaves them out. With passion and clarity, Crittenden dismantles the principal argument for the status quo: that it's a woman's "choice." She demonstrates, on the contrary, that if mothers had more resources and respect, everyone -- including children -- would be better off. Bold and galvanizing, full of innovative solutions, The Price of Motherhood reveals the glaring disparity between the value created by mothers' work and the reward women receive for carrying out society's most important job.

    In The Grrl Genius Guide to Life, stand-up comic and Grrl Genius Club founder Cathryn Michon explains why she is a genius and demonstrates how you can become one, too, by following her easy twelve-step program.The first step in the program is the most important: Admit that you are a Grrl Genius. Acknowledge that you are beautiful, intelligent, and talented and that you are the only person in the world who can decide just how great you are. In subsequent steps, you will learn to embrace the domestic arts, love your Grrl Genius good looks, celebrate your sexuality, appreciate your Grrl Genius mother, and pass the Grrl Genius message on to others!Filled with little-known facts about such unacknowledged Grrl Geniuses as Mozart's younger sister Nannerl and Einstein's wife Mileva, as well as hilarious, embarrassing stories from Michon's own life, The Grrl Genius Guide to Life is a must-read for Grrl Geniuses and Enlightened Males everywhere. Michon shares her most humiliating memories -- singing show tunes at her aunt's funeral, crying uncontrollably in an airplane bathroom and holding up the flight -- as well as her moments of triumph, like attending the birth of her niece (a future Grrl Genius) and getting liposuction that not a single human being noticed. This is an uproarious roller-coaster ride through the life of a self-declared Genius -- in which Michon writes about everything from doughnuts to divorce, from physics to push-up bras -- and a comic inspirational guide for those aspiring to Grrl Geniushood.Cathryn Michon is a genius -- just because she says she is. Read her book, and you will become one, too. As with any twelve-step program, becoming a Grrl Genius takes work. All your life you have been telling yourself that your butt is too big, your ideas are too small, and your love for creme-filled doughnuts is inherently evil. With the help of The Grrl Genius Guide to Life, you will learn to recognize your own brilliance, shamelessly proclaim it to the rest of the world, and eat all the Krispy Kreme doughnuts you want. In case you need inspiration, Michon has included numerous Grrl Genius slogans and Little Pink Post-it Notes; in case you get hungry, she has included her recipe for the best chocolate chip cookies in the world. So go on -- take the first step. Read the book that is guaranteed to change your life forever (or at the very least to make you laugh yourself silly) -- and declare your Genius to yourself and the world!

    Rather, it is the result of a well-tended soul. In this inspirational and Wise book, Moran shares the wisdom and experience from her own search for inner and outer beauty. Her thoughtful observations and advice show how anyone can transform their thinking about what makes us beautiful, while providing simple guidance for creating a radiance that only comes from within.Each compact essay contains a tool you can Put to use today to heighten your awareness of your own inner beauty. With her trademark candor, Moran illustrates how true beauty comes from a sense of wholeness. She combines tips for taking care of your spirit with simple techniques for tending the needs of your body and essays on self-affirmation and the care and feeding of the soul. Women of all ages will relate to Moran's reflections on her journey to a deeper understanding of inner radiance -- beauty that is soul deep.This sane, sensible approach to a strong self-image and loving self-care is firmly grounded in spiritual common sense, the marriage of body and soul. You start by lighting up your life -- and before you know it, you're lighting up the room.

    Every day Mike takes Pugdog for a walk in the park; every night he treats Pugdog to a belly scratch before bed. But Mike doesn't know very much about dogs. Not only is Pugdog not a pug -- Pugdog is not even a he, as Mike had thought all along, but a she! Oh my! Mike feels obliged to give Pugdog a crash course on how to look and act the way a girl dog should. The only problem is, Mike doesn't know much about this subject either. Andrea U'Ren's debut picture book is a funny romp featuring an adorable canine who ends up teaching her owner a few tricks.

    Both a celebration of black gay male identity as well as a powerful critique of the structures that allow for the production of that identity, Black Gay Man introduces the eloquent new voice of Robert Reid-Pharr in cultural criticism.At once erudite and readable, the range of topics and positions taken up in Black Gay Man reflect the complexity of American life itself. Treating subjects as diverse as the Million Man March, interracial sex, anti-Semitism, turn of the century American intellectualism as well as literary and cultural figures ranging from Essex Hemphill and Audre Lorde to W.E.B. DuBois, Frantz Fanon and James Baldwin, Black Gay Man is a bold and nuanced attempt to question prevailing ideas about community, desire, politics and culture. Moving beyond critique, Reid-Pharr also pronounces upon the promises of a new America. With the publication of Black Gay Man, Robert Reid-Pharr is sure to take his place as one of this country's most exciting and challenging left intellectuals.

    But not without peril. Sappho’s writing remains only in fragments, partly due to the passage of time, but mostly as a result of systematic efforts to silence women’s voices. Sappho’s hopeful boast captures the mission of this anthology: to gather together women engaged in the art of persuasion—across differences of race, class, sexual orientation, historical and physical locations—in order to remember that the rhetorical tradition indeed includes them.Available Means offers seventy women rhetoricians—from ancient Greece to the twenty-first century—a room of their own for the first time. Editors Joy Ritchie and Kate Ronald do so in the feminist tradition of recovering a previously unarticulated canon of women’s rhetoric. Women whose voices are central to such scholarship are included here, such as Aspasia (a contemporary of Plato’s), Margery Kempe,  Margaret Fuller, and Ida B. Wells. Added are influential works on what it means to write as a woman—by Virginia Woolf, Adrienne Rich, Nancy Mairs, Alice Walker, and Hélène Cixous. Public “manifestos” on the rights of women by Hortensia, Mary Astell, Maria Stewart, Sarah and Angelina Grimké, Anna Julia Cooper, Margaret Sanger, and Audre Lorde also join the discourse. But Available Means searches for rhetorical tradition in less obvious places, too. Letters, journals, speeches, newspaper columns, diaries, meditations, and a fable (Rachel Carson’s introduction to Silent Spring) also find places in this room. Such unconventional documents challenge traditional notions of invention, arrangement, style, and delivery, and blur the boundaries between public and private discourse. Included, too, are writers whose voices have not been heard in any tradition. Ritchie and Ronald seek to “unsettle” as they expand the women’s rhetorical canon. Arranged chronologically, Available Means is designed as a classroom text that will allow students to hear women speaking to each other across centuries, and to see how women have added new places from which arguments can be made. Each selection is accompanied by an extensive headnote, which sets the reading in context. The breadth of material will allow students to ask such questions as “How might we define women’s rhetoric?  How have women used and subverted traditional rhetoric?” A topical index at the end of the book provides teachers a guide through the rhetorical riches. Available Means will be an invaluable text for rhetoric courses of all levels, as well as for women’s studies courses.

    The volume features poems from Duhamel's five previous collections, which include Smile!, The Star-Spangled Banner and Girl Soldier.

    So where do we find the courage to anticipate the future God has promised?This refreshingly honest and compassionate look at both sides of hope will help you find the courage to keep seeking--even in those places where hope doesn't seem to exist.

    While their perspectives are often different, they have many common reference points: psychoanalysis, above all, but also the authors and works that have come to be known outside France as “post-structuralist.”Beginning with a revealing glance back at the French intellectual scene over the past forty years, Derrida and Roudinesco go on to address a number of major social and political issues. Their extraordinarily wide-ranging discussion covers topics such as immigration, hospitality, gender equality, and “political correctness”; the disordering of the traditional family, same-sex unions, and reproductive technologies; the freedom of the “subject” over and against “scientism”; violence against animals; the haunting specter of communism and revolution; the present and future of anti-Semitism (as well as that which marked Derrida’s own history) and the hazardous politics of criticizing the state of Israel; the principled abolition of the death penalty; and, to conclude, a chapter “in praise of psychoanalysis.”These exchanges not only help to situate Derrida's thought within the milieu out of which it grew, they also show more clearly than ever how this thought, impelled by a deep concern for justice, can be brought to bear on the social and political issues of our day. What emerges here above all, far from an abstract, apolitical discourse, is a call to take responsibility—for the inheritance of a past, for the singularities of the present, and for the unforeseeable tasks of the future.

    The organic world, to Solnit, gives rise to the social, political, and philosophical landscapes we inhabit. As Eve Said to the Serpent skillfully weaves the natural world with the realm of art--its history, techniques, and criticism--to offer a remarkable compendium of Solnit's research and ruminations.The nineteen pieces in this book range from the intellectual formality of traditional art criticism to highly personal, lyrical meditations. All are distinguished by Solnit's vivid, original style that blends imaginative associations with penetrating insights. These thoughts produce quirky, intelligent, and wryly humorous content as Solnit ranges across disciplines to explore nuclear test sites, the meaning of national borders, deserts, clouds, and caves--as well as ideas of the feminine and the sublime as they relate to our physical and psychological terrains.Sixty images throughout the book display the work of the contemporary artists under discussion, including landscape photographers, performance artists, sculptors, and installation artists. Alongside her text, Solnit's gallery of images provides a vivid excursion into new ways of perceiving landscape, bodies, and art. Animals and the human body appear together with space and terra firma as Solnit reconfigures the blurred lines that define nature.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    I felt very happy to meet them and very comfortable for the first time in my life. They were singing and dancing very well. After one week they invited me to stay in their house with them." "Myself Mona Ahmed" is the first book by New Delhi-based photographer Dayanita Singh. It is the story of eunuch Mona Ahmed whom Singh met and began photographing more than ten years ago. Mona Ahmed is a member of a secret community that normally does not permit access to outsiders. We follow the daily life and the rituals of the eunuchs, are invited to their parties and ceremonies, and learn about prejudice and the reality of a eunuch's life. We witness the story of Mona's castration and the loss of her adopted child. Mona is a member of the real third gender. She is a very sensitive person, as her moving e-mails to the publisher of Scalo show. To preserve Mona's own voice, and to give her the power of expressing herself, these emails are published in their original form, with as little editing as possible. 120 duotones. 7 x 8 in.

    The book's title reflects the sometimes ironic relationship between Confucian viewpoints and women's visibility in Chinese historical documents. The texts, written by both men and women, show that Confucian values and scholarly practices produced a rich documentary record of women's lives. Includes a brief guide for use by students and teachers

    This story of a sadistic transvestite and her pretty male lover was the first in a long series of novels, plays and stories dealing often in the most macabre and sensationalistic terms with sadism, gender inversion, and sexual desire.At the heart of the French literary world, Rachilde's life and writing defied patriarchal rules, particularly in relation to female sexuality, but she consistently and vehemently rejected feminism. Her extraordinary life and work, including a vast output as a literary reviewer, offer a prism through which to view the vibrant social and cultural history of France from the belle époque to the Second World War. This book is the first serious critical study of Rachilde's work. Exploring the interwoven themes of French naturalism, modernism, decadence and feminism, it will be essential reading for anyone interested in French culture, literature and sexuality at the turn of the twentieth century.

    From Charles Darwin and nineteenth-century racism to black nationalism and the Nation of Islam, from Baptist women's groups to James Baldwin; E. Frances White takes on one institution after another as she re-centers the role of black women in the United States' intellectual heritage. White presents identity politics as a complex activity, with entangled branches of race and gender, of invisibility and voyeurism, of defiance and passivity and conformism.White's powerful introduction draws on oral narratives from her own family history to illuminate the nature of narrative, both what is said and what is left unsaid. She then sets the historical stage with a helpful history of the inception and development of black feminism and a critique of major black feminist writings. In the three chapters that follow, she addresses the obstacles black feminism has already surmounted and must continue to traverse. Confronting what White calls "the politics of respectability," these chapters move the reader from simplistic views of race and gender in the nineteenth century through black nationalism and the radical movements of the sixties, and their relationship to feminist thought, to the linkages between race, gender, and sexuality in the works of such giants as Toni Morrison and James Baldwin. No one who finishes Dark Continent of Our Bodies will look at race and gender in the same way again.

    This is not a depressing book but an inspiriting and encouraging one." --Doris Lessing"The sixteen life stories are riveting.... testimony to the complexity of the human spirit[, ] to miracles of survival and endurance in the most hellish of conditions.... Till My Tale Is Told remind[s] us of the importance of remembrance and testimony about this particularly brutal chapter of human history."--The Women's Review of BooksArrest, interrogation, imprisonment, trial and sentencing, transport, labor camps, internal exile, sometimes release, often followed by re-arrest and re-imprisonment and, for those who outlived Stalin, eventual reprieve and rehabilitation these are the outlines of the experiences recorded by 16 courageous Russian women whose moving testimonies, most of them written in secret and at great personal risk, are presented here.

    In Wisdom Ways she invites readers to join her on a journey of discovery." Addressing both feminist students and all those who wish to understand the exciting field of feminist biblical interpretation, she offers a review that is not merely informative but liberating. While challenging mainstream reading strategies, she empowers students to think critically and enter creatively into the life-transforming "way of wisdom".

     Women Gifted for Ministry is designed specifically to help women discover and put into practice their own spiritual gifts.The spiritual gifts questionnaire provided in this book will help you determine your main spiritual gift (or gifts) and learn how to better serve God.  Each chapter also includes Practical Takeaways, a Three-Step Bible Study, a prayer guide, and steps to personal journaling and meditation.  You'll even find a list of things to watch for in young girls that suggest which gifts they may have.Women Gifted for Ministry is ideal for individual or small group study.  This workbook offers a fresh look at spiritual gifts and a unique perspective on how women apply their gifts differently from men.

    This book traces the journeys of these villagers from the ranks of the peasantry into a middle class of their own making. Inventing Home delves into the stories of these travels, shedding much needed light on the impact of emigration and immigration in the development of modernity. It focuses on a critical period in the social history of Lebanon--the "long peace" between the uprising of 1860 and the beginning of the French mandate in 1920. The book explores in depth the phenomena of return emigration, the questioning and changing of gender roles, and the rise of the middle class. Exploring new areas in the history of Lebanon, Inventing Home asks how new notions of gender, family, and class were articulated and how a local "modernity" was invented in the process.Akram Khater maps the jagged and uncertain paths that the fellahin from Mount Lebanon carved through time and space in their attempt to control their future and their destinies. His study offers a significant contribution to the literature on the Middle East, as well as a new perspective on women and on gender issues in the context of developing modernity in the region.

    Elizalde Navarro for Art.

    

    Garrard, author of the acclaimed Artemisia Gentileschi, furthers her study of the seventeenth-century artist in this groundbreaking investigation of two little-known paintings. Taking as case studies the Seville Mary Magdalene and the Burghley House Susanna and the Elders, paintings of circa 1621-22 attributed to Artemisia, Garrard examines the ways that identity, gender, and market pressures interact both in the artist's work and in the criticism and connoisseurship that have surrounded it.

    These testimonies demonstrate that true scientists can also be genuine Christians and that faith in God and the authority of the Bible is not a sign of inferior intellect. This book includes scientists such as Johannes Kepler, Robert Boyle, Michael Faraday, Samuel Morse, James Clark Maxwell, Lord Kelvin, Henry Morris, and Walt Brown.

    These well-written essays describe developments in the game's past, assess their impact, and explain how they reflect the period in which they occurred. The essays also explore baseball's influences outside the field of play as well as the effect of external factors on the game. The contributors discuss such key issues as demographics, communities, social mobility, race and ethnicity, baseball as a business, player-management relations, amateurs, women, and international play.

    Some sixty authors of Chinese, Filipino, Japanese, Korean, South Asian, and Southeast Asian American origin are represented, with an equal split between male and female writers. The collection is divided into four sections-memoir, fiction, poetry, and drama-prefaced by an introductory essay from a well-known practitioner of that genre: Meena Alexander on memoir, Gary Pak on fiction, Eileen Tabios on poetry, and Roberta Uno on drama. The selections depict the complex realities and wide range of experiences of Asians in the United States. They illuminate the writers' creative responses to issues as diverse as resistance, aesthetics, biculturalism, sexuality, gender relations, racism, war, diaspora, and family. Rajini Srikanth teaches at the University of Massachusetts, Boston. She is the coeditor of the award-winning anthology Contours of the Heart: South Asians Map North America and the collection A Part, Yet Apart: South Asians in Asian America. Esther Y. Iwanaga teaches Asian American literature and literature-based writing courses at Wellesley College and the University of Massachusetts, Boston.

    This Victorian icon has inspired more passionate debate than any other article of clothing. As a means of body modification, perhaps only foot binding and female genital mutilation have aroused more controversy.Summers' provocative book dismantles many of the commonly held misconceptions about the corset. In examining the role of corsetry in the minds and lives of Victorian women, it focuses on how corsetry punished, regulated and sculpted the female form from childhood and adolescence through to pregnancy and even old age. The author reveals how the ‘steels and bones', which damaged bodies and undermined mental health, were a crucial element in constructing middle-class women as psychologically submissive subjects. Underlying this compelling discussion are issues surrounding the development and expression of juvenile and adult sexuality. While maintaining that the corset was the perfect vehicle through which to police femininity, the author unpacks the myriad ways in which women consciously resisted its restrictions and reveals the hidden, macabre romance of this potent Victorian symbol.

    Yet very few realize that Andrew Goodman had been in Mississippi for one day when he was killed; Rita Schwerner, Mickey's wife, had been organizing in Mississippi for six difficult months.Organized around a rich blend of oral histories, Going South followsa group of Jewish women--come of age in the shadow of the Holocaust and deeply committed to social justice--who put their bodies and lives on the line to fight racism. Actively rejecting the post-war idyll of suburban, Jewish, middle-class life, these women were deeply influenced by Jewish notions of morality and social justice. Many thus perceived the call of the movement as positively irresistible.Representing a link between the sensibilities of the early civil rights era and contemporary efforts to move beyond the limits of identity politics, the book provides a resource for all who are interested in anti-racism, the civil rights movement, social justice, Jewish activism and radical women's traditions.

    Debunking common myths about fatherhood, reveals the corrosive effects of negative media, government, and the legal system on the role of fathers, and discusses why fathers should be reunited with their children.

    But it can also be a uniquely pleasurable experience, one that trades on the erotics of secrecy and revelation. It is precisely passing's radical playfulness, the way it asks us to reconsider our assumptions and forces our most cherished fantasies of identity to self-destruct, that is centrally addressed in Passing: Identity and Interpretation in Sexuality, Race, and Religion. Identity in Western culture is largely structured around visibility, whether in the service of science (Victorian physiognomy), psychoanalysis (Lacan's mirror stage), or philosophy (the Panopticon). As such, it is charged with anxieties regarding classification and social demarcation. Passing wreaks havoc with accepted systems of social recognition and cultural intelligibility, blurring the carefully-marked lines of race, gender, and class. Bringing together theories of passing across a host of disciplines--from critical race theory and lesbian and gay studies, to literary theory and religious studies--Passing complicates our current understanding of the visual and categories of identity. Contributors: Michael Bronski, Karen McCarthy Brown, Bradley Epps, Judith Halberstam, Peter Hitchcock, Daniel Itzkovitz, Patrick O'Malley, Miriam Peskowitz, Mar�a C. S�nchez Linda Schlossberg, and Sharon Ullman.

    She argues that we need to see nature as an end itself, rather than an instrument to get what we want. Using a range of examples, Plumwood presents a radically new picture of how our culture must change to accommodate nature.

    Contributions analyze examples from Algeria, Canada, Israel and South Africa.

    It explores their lives and work both individually and communally, taking particular note of the relationships they formed, which enabled many of them to excel. Along with individual portraits of the artists, the book includes discussions of such contextual issues as the importance of the Arts and Crafts movement, concerns of marriage, family and sexuality, and the role of the MFA School. "A Studio of Her Own" is the definitive work on an important moment in America's cultural and artistic history.

    During the Civil War, plantation mistress Adelicia H.F.A Cheatham outfoxed Union and Confederate soldiers alike to make a fortune cashing in her cotton crop in London. With a 40,000 dollar bounty on her head, Harriet Tubman led slaves to freedom. Molly Brown refused to sink. In I Dwell in Possibility, award-winning author Donna Lucey turns our attention to the pioneering, innovative, and brave ways that women influenced the building of America before they had the right to vote.Through diaries, letters, and rare photographs and art works, this book evokes the many struggles and indispensable contributions of women who forged the nation we know today. Ranging from the outrageous -- daring young woman smoke in the Gilded Age! -- to the heartstopping -- an African-American woman jumps to her death rather than face slavery -- Lucey masterfully reveals that women's contributions to the life of America did not begin only with the right to vote, but long before even the concept of such a right became the American ideal.Intimate, compelling, and richly illustrated, I Dwell in Possibility is a truly unique look at American history.

    In this thoughtful collection, contributors refashion essays from the international conference on feminist ethics, Feminist Ethics Revisited (October 1999), with an aim to critique social practice and develop an ethics of universal justice. The essays in this exciting volume explore the intricacies and impact of reasoned moral action, the virtues of character, and the empowering responsibility that morality generates. Feminists Doing Ethics brings to light concepts and ideas that are intended to extend our understanding of morality and of ourselves.

    In her quest to show how both the body and soul of the married woman became the site of anxious inquiry, Dopico Black mines a variety of Golden Age texts for instances in which the era’s persistent preoccupation with racial, religious, and cultural otherness was reflected in the depiction of women. Subject to the scrutiny of a remarkable array of gazes—inquisitors, theologians, religious reformers, confessors, poets, playwrights, and, not least among them, husbands—the bodies of perfect and imperfect wives elicited diverse readings. Dopico Black reveals how imperialism, the Inquisition, inflation, and economic decline each contributed to a correspondence between the meanings of these human bodies and “other” bodies, such as those of the Jew, the Moor, the Lutheran, the degenerate, and whoever else departed from a recognized norm. The body of the wife, in other words, became associated with categories separate from anatomy, reflecting the particular hermeneutics employed during the Inquisition regarding the surveillance of otherness. Dopico Black’s compelling argument will engage students of Spanish and Spanish American history and literature, gender studies, women’s studies, social psychology and cultural studies.

    Treasury office. Berebitsky recounts the actual experiences of female and male office workers; draws on archival sources ranging from the records of investigators looking for waste in government offices during World War II to the personal papers of Cosmopolitan editor Helen Gurley Brown and Ms. magazine founder Gloria Steinem; and explores how popular sources—including cartoons, advertisements, advice guides, and a wide array of fictional accounts—have represented wanted and unwelcome romantic and sexual advances. This range of evidence and the study’s long scope expose both notable transformations and startling continuities in the interplay of gender, power and desire at work.

    The first of a three-part series, "Spreading Misandry" offers an impressive critique of popular culture to identify a phenomenon that is just now being recognized as a serious cultural problem - misandry, the sexist counterpart of misogyny. Nathanson and Young urge us to rethink prevalent assumptions about men that result in profoundly disturbing stereotypes that foster contempt. "Spreading Misandry" breaks new ground by discussing misandry in moral terms rather than purely psychological or sociological ones and by criticizing not only ideological feminism but other ideologies on both the left and the right.

    Charting over 30 years of debate on the significance of gender in the making and understanding of art, this anthology gathers together 99 representative texts from North America, Europe and Australasia.

    Domosh and Seager show how notions of maleness and femaleness have influenced our built environment, the locations in which we invest meaning, and the ways we live, work, travel, and explore. From the arrangement of furniture in Victorian homes to the movements of refugees over contemporary borders, the book explores gender patterns and roles across cultures and historical periods. It is lavishly illustrated with line drawings, photographs, and maps.

    As a result of enforced, neo-liberal reforms the fledgling republics were exposed to the familiar effects of globalised capital. Focusing on Kazakhstan, where violence and corruption are now facts of everyday life, Joma Nazpary examines the impact of the new capitalism on the people of Central Asia. Using in-depth interviews and material gathered over more than a year's fieldwork, Nazpary explores the responses of the dispossessed to their dispossession. He uncovers the construction of 'imagined communities', grounded in Soviet nostalgia, which serve to resist the economic order, as well as the more practical survival strategies, especially of women, often forced into prostitution where they are subject to violence and stigma. By revealing the extent to which Kazakh society has disintegrated and the cultural responses to it, Nazpary argues that dispossession has been a stronger unifying force than even ethnicity or religion. Comparing the effects of neo-liberal reforms in Kazakhstan with those in other regions, he concludes that causes, forms and consequences of dispossession in Kazakhstan are particular instances of a much wider global trend.

    Addressing a constellation of diverse thinkers—including Emmanuel Levinas, Patricia Williams, Jean-François Lyotard, Michel Foucault, Frantz Fanon, Julia Kristeva, and Luce Irigaray—the author proposes a new conception of ethics, an ethics of dissensus that rethinks the relation between freedom and obligation in a double context of embodiment and antagonism.As the unavoidable yet productive dissonance among antagonism, freedom, and obligation suggests, the ethics of dissensus seeks not to transcend politics but to articulate the difficult role of responsibility and freedom in democratic struggles against racist and sexist oppression. Opposing the conservative political work of privatized moral discourse that reduces social antagonism to the apolitical experience of good and evil, the ethics of dissensus calls into question not only the depoliticized subject of ethics but also the disembodied notions of citizenship, rights, and democratic community.

    A comprehensive guide to authors, literary works, groups, movements, and influential periodicals which have shaped America's literary tradition since the early 1600s.

    He achieved his comeback in large part through the innovative means he used to promote himself and the artists of his inner circle. Stieglitz and a number of well-established critics drew on period conceptions of sexuality, gender, and cultural identity to characterize the artists he championed as the fulfillment of a shared vision of a vital, nonrepressed American art.In Painting Gender, Constructing Theory, Marcia Brennan examines how Stieglitz and the critics drew on early-twentieth-century discourses on sex and the psyche, particularly the theories of Sigmund Freud and Havelock Ellis, to characterize the artworks of the Stieglitz circle. Critics routinely described the often highly abstracted paintings of Georgia O'Keeffe, Arthur Dove, John Marin, Marsden Hartley, and Charles Demuth as transparent displays of the most intimate aspects of the self, taking both subject matter and painterly form to be guided by the artist's own gendered and psychic energies.Focusing on the key historical criticism and artworks, Brennan shows how the identities of all five Stieglitz circle artists were presented in terms of the masculinity and femininity, and the heterosexuality and homosexuality, thought to be embedded in their work. Brennan also discusses Stieglitz's relation to competing artistic and critical movements, including Thomas Hart Benton's regionalist art and Clement Greenberg's reformulation of formalism. Arguing that American formalist criticism consisted of a complex and paradoxical mixture of corporeality and disembodied transcendence, Brennan provides insight not only into the works of the Stieglitz circle but into the development of formalist criticism itself.

    Here William F. Pinar elucidates the great �American dilemma�, that �peculiar� institution of racial subjugation, especially its gendered - and specifically �queer� - psychosexual dynamics. Explicating in detail two imprinting episodes in American racial history - lynching and prison rape - Pinar argues that the gender of racial politics and violence in America is in some fundamental sense �queer�. This book will be of interest to students in education, cultural studies, African American studies, women's and gender studies, and history.

    He's been bewitched by Raj, a nice boy he met on the cruising beach who's the adopted son of a Guru Hijra. Determined not to be separated, they hatch a plan to smuggle Raj as Nils' wife back to Wembley, and it will take all the resources of Guru Hijra's supernatural support to avoid disaster."--BOOK JACKET.

    Venus Green—a former Bell System employee and current labor historian—presents a hundred year history of telephone operators and their work processes, from the invention of the telephone in 1876 to the period immediately before the break-up of the American Telephone and Telegraph Company in 1984. Green shows how, as technology changed from a manual process to a computerized one, sexual and racial stereotypes enabled management to manipulate both the workers and the workplace. More than a simple story of the impact of technology, Race on the Line combines oral history, personal experience, and archival research to weave a complicated history of how skill is constructed and how its meanings change within a rapidly expanding industry. Green discusses how women faced an environment where male union leaders displayed economic as well as gender biases and where racism served as a persistent system of division. Separated into chronological sections, the study moves from the early years when the Bell company gave both male and female workers opportunities to advance; to the era of the “white lady” image of the company, when African American women were excluded from the industry and feminist working-class consciousness among white women was consequently inhibited; to the computer era, a time when black women had waged a successful struggle to integrate the telephone operating system but faced technological displacement and unrewarding work. An important study of working-class American women during the twentieth century, this book will appeal to a wide audience, particularly students and scholars with interest in women’s history, labor history, African American history, the history of technology, and business history.

    Images of their disloyalty pervade American culture, from the daughter who is branded a traitor to family for adopting American ways, to the war bride who immigrates in defiance of her countrymen, to a figure such as Yoko Ono, accused of breaking up the Beatles with her seduction of John Lennon. Leslie Bow here explores how representations of females transgressing the social order play out in literature by Asian American women. Questions of ethnic belonging, sexuality, identification, and political allegiance are among the issues raised by such writers as Jeanne Wakatsuki Houston, Bharati Mukherjee, Jade Snow Wong, Amy Tan, Sky Lee, Le Ly Hayslip, Wendy Law-Yone, Fiona Cheong, and Nellie Wong. Beginning with the notion that feminist and Asian American identity are mutually exclusive, Bow analyzes how women serve as boundary markers between ethnic or national collectives in order to reveal the male-based nature of social cohesion.In exploring the relationship between femininity and citizenship, liberal feminism and American racial discourse, and women's domestic abuse and human rights, the author suggests that Asian American women not only mediate sexuality's construction as a determiner of loyalty but also manipulate that construction as a tool of political persuasion in their writing. The language of betrayal, she argues, offers a potent rhetorical means of signaling how belonging is policed by individuals and by the state. Bow's bold analysis exposes the stakes behind maintaining ethnic, feminist, and national alliances, particularly for women who claim multiple loyalties.

    Although this episode may sound like a police action in the former East Germany, in fact it was implemented by the U.S. Justice Department, then headed by Edwin Meese, against Adam & Eve, a North Carolina business that sells contraceptives, sex toys, and adult videos. Owner Phil Harvey's first-hand account of this David-and-Goliath battle goes to the heart of our national debate over First Amendment freedom of expression versus government attempts to limit the availability of erotic materials.Harvey not only writes a personal memoir of his harrowing struggle against the strong-arm tactics of the Justice Department; he also raises important questions about federal abuse of power, the slow erosion of First Amendment rights through government intimidation, the effects of pornography, archaic laws that attempt to regulate sexuality between consenting adults, the class-war implications of this battle, and the interplay between sex and religion. In the end the courts ruled against the Justice Department's actions, but only because Harvey chose to resist an eight-year siege by a government bent on imposing its moral agenda by force.This fascinating story is a wake-up call for all who would be complacent about First Amendment rights.

    Although the two regions are separated by half a world in distance and at least 40,000 years of history, their cultures nonetheless reveal striking similarities in the areas of sex and gender. In both Amazonia and Melanesia, male-female differences infuse social organization and self-conception. They are the core of religion, symbolism, and cosmology, and they permeate ideas about body imagery, procreation, growth, men's cults, and rituals of initiation. The contributors to this innovative volume illuminate the various ways in which sex and gender are elaborated, obsessed over, and internalized, shaping subjective experiences common to entire cultural regions, and beyond. Through comparison of the life ways of Melanesia and Amazonia the authors expand the study of gender, as well as the comparative method in anthropology, in new and rewarding directions.

    Focusing on the 1920s and 1930s, a time when white women were actively refashioning Freud’s problematic accounts of sexual subjectivity, Walton rereads in particular the writing of British analysts Joan Riviere and Melanie Klein, modernist poet H.D., the eccentric French analyst Marie Bonaparte, and anthropologist Margaret Mead. Charting the fantasies of racial difference in these women’s writings, Walton establishes that race—particularly during this period—was inseparable from accounts of gender and sexuality. While arguing that these women remained notably oblivious to the racial meanings embedded in their own attempts to rearticulate feminine sexuality, Walton uses these very blindspots to understand how race and sex are deeply imbricated in the constitution of subjectivity. Challenging the notion that subjects acquire gender identities in isolation from racial ones, she thus demonstrates how white-centered psychoanalytic theories have formed the basis for more contemporary feminist and queer explorations of fantasy, desire, power, and subjectivity. Fair Sex, Savage Dreams will appeal to scholars of psychoanalysis, literary and cinematic modernism, race studies, queer theory, feminist theory, and anthropology.

    Ann Tickner focuses her distinctively feminist approach on new issues of the international relations agenda since the end of the Cold War, such as ethnic conflict and other new security issues, globalizations, democratization, and human rights. As in her previous work, these topics are placed in the context of brief reviews of more traditional approaches to the same issues. She also looks at the considerable feminist work that has been published on these topics since the previous book came out.Tickner highlights the misunderstandings that exist between mainstream and feminist approaches, and explores how these debates developed in the new environment of post--Cold War international relations.Acclaim for Tickner's Gender in International Relations:"For all who seek new ways to think about and understand world politics" -- Political Science Quarterly"Tickner... rethinks from a feminist point of view virtually every conventional category used by theorists and practictioners of international relations." -- Susan Moller Okin, Stanford University

    

    Challenging romantic views of the Jewish family in the shtetl, she shows that divorce rates among Russian Jews in the first half of the century were astronomical compared to the non-Jewish population. Even more surprising is her conclusion that these divorce rates tended to drop later in the century, in contrast to the rising pattern among populations undergoing modernization. Freeze also studies the growing involvement of the Tsarist state. This occurred partly at the behest of Jewish women contesting patriarchy and parental power and partly because the government felt that Jewish families were in complete anarchy and in need of order and regulation. Extensive research in newly-declassified collections from twelve archives in Russia, Ukraine, and Lithuania enables Freeze to reconstruct Jewish patterns of marriage and divorce and to analyze the often conflicting interests of Jewish husbands and wives, rabbinic authorities, and the Russian state. Balancing archival resources with memoirs and printed sources in Hebrew, Yiddish, and Russian, she offers a tantalizing glimpse of the desires and travails of Jewish spouses, showing how individual life histories reflect the impact of modernization on Jewish matchmaking, gender relations, the "emancipation" of Jewish women, and the incursion of the Tsarist state into the lives of ordinary Jews.

    But it is sometimes hard to separate fact from fiction. Did you know, for example, that Annie Oakley was a talented marksman who shot an estimated 40,000 rounds per year while practicing and performing for Buffalo Bill Cody's Wild West Show in the late l800s? Or that many interpreters believe that The Wonderful Wizard of Oz is not just a fairy tale, but also a Populist allegory?These are just two of the folk legends dissected and examined in this veritable cultural geography. The volume covers everything from billionaire Howard Hughes and composer Aaron Copeland to Aztlan (the legendary first city of the Aztecs) and Area 51, the top-secret U.S. Air Force base at Groom Lake, Nevada, that has fascinated UFO and conspiracy buffs.

    By placing their stories side by side with narratives about the groups in question, Nelson arrives at some important insights regarding the nature of identity. She regards personal identity as consisting not only of how people view themselves but also of how others view them. These perceptions combine to shape the person's field of action. If a dominant group constructs the identities of certain people through socially shared narratives that mark them as morally subnormal, those who bear the damaged identity cannot exercise their moral agency freely.Nelson identifies two kinds of damage inflicted on identities by abusive group relations: one kind deprives individuals of important social goods, and the other deprives them of self-respect. To intervene in the production of either kind of damage, Nelson develops the counterstory, a strategy of resistance that allows the identity to be narratively repaired and so restores the person to full membership in the social and moral community. By attending to the power dynamics that constrict agency, Damaged Identities, Narrative Repair augments the narrative approaches of ethicists such as Alasdair MacIntyre, Martha Nussbaum, Richard Rorty, and Charles Taylor.

    In this elegantly written book, these two figures become vehicles for an exploration of race, sex, and violence that pulls the reader into the vivid landscapes and lively cities of the Andes. Weismantel's theory of race and sex begins not with individual identity but with three forms of social and economic interaction: estrangement, exchange, and accumulation. She maps the barriers that separate white and Indian, male and female-barriers that exist not in order to prevent exchange, but rather to exacerbate its inequality.Weismantel weaves together sources ranging from her own fieldwork and the words of potato sellers, hotel maids, and tourists to classic works by photographer Martin Chambi and novelist José María Arguedas. Cholas and Pishtacos is also an enjoyable and informative introduction to a relatively unknown region of the Americas.