"To be a Frenchman means to fight for your country and its wine." -Claude Terrail, owner, Restaurant La Tour d'ArgentIn 1940, France fell to the Nazis and almost immediately the German army began a campaign of pillaging one of the assets the French hold most dear: their wine. Like others in the French Resistance, winemakers mobilized to oppose their occupiers, but the tale of their extraordinary efforts has remained largely unknown-until now. This is the thrilling and harrowing story of the French wine producers who undertook ingenious, daring measures to save their cherished crops and bottles as the Germans closed in on them. Wine and War illuminates a compelling, little-known chapter of history, and stands as a tribute to extraordinary individuals who waged a battle that, in a very real way, saved the spirit of France.

    It also dares to introduce an asthmatic middle-aged Proust into its masterfully manipulated plot and invents a series of deeply felt letters written by him to the novel's young protagonist, Vincent de l'Etoile. In the summer of 1916, the emotionally precocious Vincent, who is the same age as the century, awakens to the possibilities of both erotic and platonic love. In the course of one week-at literary salons, at the Ritz, in cork-lined rooms-Vincent launches an intense friendship with the celebrated Proust, while at his parents' house in Paris he embarks on a sensual journey with Arthur Vales, the soldier son of a family servant, on leave from the front. Unknowingly, Vincent is also beginning a passage into a manhood that will be haunted by the secret he uncovers behind the love he bears for a doomed French infantryman and a famous middle-aged Jewish writer.

    As civilizations collide around two men, a battle begins: for survival, for love, and for a destiny written in a desert's shifting sands.The year is 1870. Paris is under siege, and two boys, best friends and cousins, are swept from their life of privilege. A brutal killing forces Michel deVries — called Moussa — to flee to his mother's homeland in North Africa. A family disgrace forces Paul deVries to seek redemption in the French military. Ten years will pass before they come face-to-face again. Now Moussa has become a desert warrior and a beautiful woman's forbidden lover, while Paul leads an ill-fated French force into the Sahara. Against a breathtaking landscape of blazing sands and ancient mysteries, these two men face a struggle that will shatter lives across two continents — and force them to choose between separate dreams and shared blood....

    His skilled, wonderfully atmospheric photos of Paris's parks, buildings, streets, store windows, prostitutes, workers, and even door handles are a joy to behold. This abbreviated volume contains a selection of Atget's best photographs and is the perfect introduction to this master photographer's work.

    Capturing the beauty and pain of two extraordinary love affairs separated by a gulf of 2000 years, this book explores true emotion, loss, and the healing power of forgiveness.

    Kelly. These residents of the world's most romantic capital city are the perfect guides to its streets, monuments, gardens and delightfully hidden corners.

    We visit the Foire aux Escargots. We attend a truly French marathon, where the beverage of choice is Ch�teau Lafite-Rothschild rather than Gatorade. We search out the most pungent cheese in France, and eavesdrop on a heated debate on the perfect way to prepare an omelet. We even attend a Catholic mass in the village of Richerenches, a sacred event at which thanks are given for the aromatic, mysterious, and breathtakingly expensive black truffle. With Mayle as our charming guide, we come away satisfied (if a little hungry), and with a sudden desire to book a flight to France at once.

    But what began then as an apprenticeship at La Varenne École de Cuisine evolved into a lifelong immersion in French cuisine and culture, culminating in permanent residency in 1994. On Rue Tatin chronicles her journey to an ancient little street in Louviers, one of Normandy’s most picturesque towns. With lyrical prose and wry candor, Loomis recalls the miraculous restoration that she and her husband performed on the dilapidated convent they chose for their new residence. As its ochre and azure floor tiles emerged, challenges outside the dwelling mounted. From squatters to a surly priest next door, along with a close-knit community wary of outsiders, Loomis tackled the social challenges head-on, through persistent dialogue–and baking. On Rue Tatin includes delicious recipes that evoke the essence of this region, such as Apple and Thyme Tart, Duck Breast with Cider, and Braised Chicken in White Wine and Mustard. Transporting readers to a world where tradition is cherished, On Rue Tatin provides a touching glimpse of the camaraderie, exquisite food, and simple pleasures of daily life in a truly glorious corner of Normandy.

    Exasperated by her tyrannical family, Vicky escapes from rationing and austerity Britain and flees to the south of France.But she’s not there just for the glorious food, wine and sunshine: she has an inheritance to claim, and a mystery to solve. Can she find her wartime husband, Philippe d’Icère? Is he alive or dead? A hero or a traitor?  An imposter, or a true Frenchman? Do the answers lie in the Languedoc village of St Aphrodise, where danger lurks in the ancient streets?How can she be sure who’s a loyal friend and who a bitter enemy? Vicky seems destined to fail—or will she, in the end, find out the truth about Philippe?

    Jean-Jacques Sempe, whose books receive instant classic status in France, is an artist known and loved worldwide, with more than twenty collections of drawings published in over thirty countries. He has created the most immediately recognizable style of any illustrator since James Thurber. It is his genius for sweeping satirical observation that has won him such a tremendous following in America. Like every great artist, Sempe has created a world above and beyond specific cultural and political references, a world all his own, one populated by long-faced, aquiline-nosed depressives -- psychoanalysts, housewives, and concert pianists. Mother rabbits explain divorce, dogs groove to Walkmans, old women nag their Higher Power about money, and any reader who falls into this hilarious and all-too-familiar world finds it hard to leave.

    To many people, she is still 'la reine méchante', whose extravagance and frivolity helped to bring down the French monarchy; her indifference to popular suffering epitomised by the (apocryphal) words: 'let them eat cake'. Others are equally passionate in her defence: to them, she is a victim of misogyny.Antonia Fraser examines her influence over the king, Louis XVI, the accusations and sexual slurs made against her, her patronage of the arts which enhanced French cultural life, her imprisonment, the death threats made against her, rumours of lesbian affairs, her trial (during which her young son was forced to testify to sexual abuse by his mother) and her eventual execution by guillotine in 1793.

    The author examines the nature and extent of collaboration and resistance, different experiences of Occupation, the persecution of the Jews, intellectual and cultural life under Occupation, and thepurge trials that followed. He concludes by tracing the legacy and memory of the Occupation since 1945. Taking in ordinary peoples' experiences, this volume uncovers the conflicting memories of occupation which ensure that even today France continues to debate the legacy of the Vichy years.

    Then everything changed. Peter opened his heart to the Scottish Fold kitten and their adventures to Paris, Fire Island, and in the subways of Manhattan took on the color of legend and mutual love. The Cat Who Went to Paris proves that sometimes all it takes is paws and personality to change a life.In A Cat Abroad, Peter Gethers recounts the further adventures of Norton, the extraordinary cat with the great Scottish Fold ears, who finds new worlds and people to conquer. Norton, who charmed even the most avowed cat haters with his antics in the best-selling The Cat Who Went to Paris, now hightails it to the south of France - stopping off all over Europe along the way - for a year with his favorite human. As always, Norton astounds those around him with his calm, uncatlike demeanor and succeeds in becoming the object of everyone's affections. In America, Norton goes on the TV talk-show circuit, finds himself on the "A" list of desirable celebrities who stay at the ultra-chic Four Seasons Hotel in Los Angeles, and is the star of a party at Spago, where superstar chef Wolfgang Puck presents him with a Pounce pizza. When Norton and Peter tour the Continent, Norton leaves his mark on Paris, where he encounters five not-so-friendly dogs and a devious chef; Italy, where he almost starts a war over an uneaten sardine; Holland, where he tours the canals; the Swiss Alps, where he has his first raclette dinner; and, of course, Provence, where over the course of a year he hikes in the mountains, makes friends with a goatherder (and his goats), dines in three-star restaurants, and, generally, becomes the most recognizable new inhabitant of the area since Peter Mayle decided to leave London. Along the way, Norton and his human companion face change and learn to understand the problems and the pleasures that come with growing up and growing older together. Like its predecessor, A Cat Abroad is funny, touching, and wise.

    Each volume of the Art & Architecture series is opulently illustrated.

    Presents the history of the French salons of the seventeenth and eighteenth century, which were presided over by women of the aristocracy and which influenced the development of literary forms and fostered intellectual debate.

    Beckett is a writer whose relevance to his time and use of poetic imagery can be compared to Shakespeare's in the late Renaissance.John Calder has examined the work of Beckett principally for what it has to say about our time in terms of philosophy, theology and ethics, and he points to aspects of his subject's thinking that others have ignored or preferred not to see.Samuel Beckett's acute mind pulled apart with courage and much humour the basic assumptions and beliefs by which most people live. His satire can be biting and his wit devastating. He found no escape from human tragedy in the comforts we build to shield ourselves from reality – even in art, which for most intellectuals has replaced religion. However, he did develop a moral message – one which is in direct contradiction to the values of ambition, success, acquisition and security which is normally held up for admiration, and he looks at the greed, God-worship, and cruelty to others which we increasingly take for granted, in a way that is both unconventional and revolutionary.If this study shocks many readers it is because the honesty, the integrity and the depth of Beckett's thinking- expressed through his novels, plays and poetry, but also through his other writings and correspondence- is itself shocking, to conventional thinking. Yet what he has to say is also comforting. He offers a different ethic and prescription for living – a message based on stoic courage, compassion and an ability to understand and forgive.

    They stand in a league of their own. Napoleon, himself left a donation of 100,000 to him, for his refutation of General Rogniat's work - to quote Napoleon's will "I recommend him to continue to write in defense of the glory of the French armies, and to confound their calumniators and apostates."So entertaining and full of vivid details that Sir Arthur Conan Doyle fictionalized them into his adventures of Brigadier Gerard.In this the first volume of his translated memoirs, it covers his early childhood, born into a military family, to his first steps on the military ladder as a hussar in the 1e Regiment de Hussards (ex-Bercheny). His dash and leadership lead to a commission and appointments on the staff of Generals Augereau and Masséna. He writes poignantly of his fathers death at the siege of Genoa (1800) and the privations suffered in the city by the defenders and the inhabitants alike. His career takes him to the battles of Austerlitz, Friedland, Eylau and Aspern-Essling.His narrative is full of anecdotes and vignettes of the great and the good of the Consulate and Empire, he portrays himself in the midst of such luminaries as the Emperor, his Marshals and Generals.Contains portrait of de Marbot from 1812 as a colonel of 23e Hussards, and maps illustrating the 1805, 1806 and 1809 battles.Author - Jean Baptiste Antoine Marcelin, Baron de Marbot, 1782-1854Translator - Arthur John Butler 1844-1910

    Man Ray, the renowned photographer, was there to document it all: he took his camera into cafes, salons, artists' studios, and writer's homes, and the resulting pictures provide a singular -- and intimate -- perspective on this legendary period in cultural and art history.Well-known cultural and social historian Herbert R. Lottman interweaves Man Ray's biography, filled with intriguing stories of artists, models, dealers, poets, and hangers-on, with his stunning black-and-white images of everyone from Picasso, Duchamp, Dali, and Gertrude Stein to the famed model Kiki, poet Andre Breton, and Marcel Proust on his deathbed. The result is an enthralling view of that remarkable time and place, a subject that has endless appeal.

    In what would be his last home, he enjoyed the camaraderie of fellow artists and an unparalleled burst of creativity. The auberge still operates today as the Maison de Van Gogh. Little has changed since Van Gogh set down his bags more than a century ago, and visitors to its cafT are treated to the same regional cuisine that he dined upon.Here is an intimate view into Van Gogh's world, as stirring as sharing poulet and pommes sautTes with the artist himself. Written by one of America's foremost culinary historians, with Dr. Fred Leeman, the former chief curator of the Van Gogh Museum in Amsterdam, and including an introduction by the auberge's proprietor, this unique cookbook/art book explores life in the artists' cafT, with traditional recipes ranging from the hearty to the refined. Letters, engravings, postcards, and a selection of Van Gogh's paintings transport the reader to the turn of the century.

    In the Paris Sketchbook, its essence is captured beautifully in more than a hundred watercolour and pencil sketches.

    Directly behind her throne stood a savvy dressmaker, Rose Bertin, who helped transform the young Antoinette from a foreign princess into the epitome of French fashion and the most glamorous woman of her era. Two figures portraying the queen and her dressmaker appear in this lavish paper doll collection, along with fifteen extraordinary costumes. These elegant ensembles attest to Rose Bertin's skills as a designer and her place as an innovator in fashion history. Her shop served as a center for the beau monde, and its displays of garments for an international clientele mark the first recorded showings of a couture collection. No one acted as a more conspicuous model than the ill-fated queen, who abandoned hoop skirts and monumental hairstyles in favor of her trademark style, magnificent renditions of the simple garb worn by shepherdesses and milkmaids.These dazzling costumes, scrupulously researched and meticulously rendered, come with detailed descriptive notes, providing a treasury of historic fashions for paper doll fans and costume enthusiasts.

    This honor catapulted her into contact with both high society and the greatest artists and writers of the day. Marie Antoinette, Catherine the Great, Benjamin Franklin, and Lord Byron were only a few of her vast and prestigious clientele. While describing her life as an artist, Vigee Lebrun also provides an exciting account of the dramatic events of her day, particularly the French Revolution and the Terror, from which she barely escaped.

    Local author Emily Emerson LeMoing has handpicked 68 fun and fabulous things to do around Paris with kids in tow. You’ll look at old favorites in a new light, from………•Terrific ideas for family days, from museums to puppet shows•Kid-friendly snack spots and restaurant suggestions included with each activity•Themed directories let parents plan their days with kids’ special interests in mind•Insider tips help parents make the best use of their time while saving money and stress•Paris-specific flip art, trivia, and a chapter of games keep kids entertained en route and in line•All attractions include addresses, phone numbers, Web sites, admission prices, and age-appropriateness

    Within days Vianne opens a very unusual chocolate shop filled with mouthwatering confections. Her uncanny ability to perceive her customers' private desires and satisfy them with just the right confections coaxes the villagers into abandoning themselves to temptation and happiness.Reynaud (Alfred Molina), the self-appointed leader of this town rooted in tradition, is shocked that Vianne is tempting the parishioners with her delicacies. Fearing it will ruin his town, Reynaud pits himself against the beautiful chocolatiere. But when another stranger arrives, the handsome Roux (Johnny Depp), and joins Vianne in her quest to liberate the town, a dramatic confrontation arises between those who prefer the ways of the past and those who revel in their newly discovered taste for pleasure.

    A mere 1900 kms. Backwards through his life, from his home in the French Pyrenees to his beginnings in Northern England. His aims: to walk for 70 days – to arrive on his 70th birthday – to raise funds for pancreatic cancer research. 2 years of training; 17.5 Million steps walked – to raise funds and awareness of this dreadful illness. Vic Heaney’s first wife Gaile was a victim of pancreatic cancer. There are many physical challenges, not least an eye condition which means he can not read maps and has difficulty walking on uneven ground. Some weeks his total climbs would have seen him conquer Everest. Many characters are met on the way. Even those who say, “Where are the Pyrenees?” are sent on their way with an appreciation of the awfulness of pancreatic cancer. Then the same grandfather writes a book about his epic walk. Join Vic in his great adventure. And feel good about it – every purchase will help to raise more funds to help conquer pancreatic cancer.

    The Loire River itself is the longest in France and passes through a succession of landscapes, many of them of a richness that proves this is truly "the garden of France." And there is variety too, reflected in the buildings and settings of the beautiful villages so stunningly illustrated in this book. Traveling west, James Bentley and Hugh Palmer take us first to the communities around Orleans, the villages of the Loiret and Cher departements. We then progress to the lands around Blois and Tours, where, it is said, the purest French is spoken. Here begin the villages with the great chatea ux, such as Chambord, Cheverny, and Azay-le-Rideau, reached by long roads lined with poplars or lying beside the banks of one of the many tributaries of the Loire. The slopes here are frequently vine-clad, producing the delicious white wines that make such a fine accompaniment to the traditional fish cuisine of the region. And finally we arrive at the villages around Angers and Nantes where willow-lined rivers divide a landscape of quiet opulence, and green fields alternate with market gardens growing vegetables, flowers, and fruit. Over thirty villages of the Loire valley are described and beautifully photographed in this book, which is completed by special sections on wine and food and abbeys and churches. As with all the volumes in The Most Beautiful Villages series, there are appendices listing the most important sites, markets, hotels, and restaurants. 275 color illustrations.

    And so, with a little help from some talented artists, she transformed her own simple Denver home (inside and out) into a small bit of Provençal heaven. Everywhere trompe l'oeil murals turn the walls into a storybook peopled with imaginary characters and landscapes from a tiny imaginary Provençal village. And each detail, from the ceramic dishes to the small soaps in the bathroom to the wrought iron furniture on the patio, has the perfect Provençal touch. Williams herself explains her inspiration, and the reasons behind all her choices. A pure delight and true original, this blend of romance and design primer also includes tasty tidbits like Provençal recipes (Garlic Rabbit) and information on the Provençal crafts of lacemaking, enamelware, and more.

    Each chapter deals with a particular battle, but Guthrie also examines wider questions of strategy, leadership, armaments, organization, logistics, and war finances. The main emphasis is on the unique character and aspects of the Thirty Years War, with attention to the evolution of warfare and weapons, the impact of this evolution on actual operations, and the replacement of the previously dominant tercio style of warfare by the nascent linear system.The Thirty Years War is considered within its own context, rather than merely as a poor relation to the linear or Napoleonic periods. The campaigns covered in this volume include the defeat of the Bohemian and German Protestants (1618-1623), the Danish War (1625-1629), the victories of the Swedes under Gustavus Adolphus (1630-1632), and the final defeat of the Swedes at Nordlingen in 1634. Guthrie also pays particular notice to the important battle of Breitenfeld. With the inclusion of many secondary theaters and minor actions, the whole of this work constitutes a complete military history of the German War.

    This story of a sadistic transvestite and her pretty male lover was the first in a long series of novels, plays and stories dealing often in the most macabre and sensationalistic terms with sadism, gender inversion, and sexual desire.At the heart of the French literary world, Rachilde's life and writing defied patriarchal rules, particularly in relation to female sexuality, but she consistently and vehemently rejected feminism. Her extraordinary life and work, including a vast output as a literary reviewer, offer a prism through which to view the vibrant social and cultural history of France from the belle époque to the Second World War. This book is the first serious critical study of Rachilde's work. Exploring the interwoven themes of French naturalism, modernism, decadence and feminism, it will be essential reading for anyone interested in French culture, literature and sexuality at the turn of the twentieth century.

    One's kin could be one's closest political and military allies or one's fiercest enemies. While the general term used to describe family members was consanguinei mei, those of my blood, not all of those relations-parents, siblings, children, distant cousins, maternal relatives, paternal ancestors, and so on-counted as true family in any given time, place, or circumstance. In the early and high Middle Ages, the family was a very different group than it is in modern society, and the ways in which medieval men and women conceptualized and structured the family unit changed markedly over time.Focusing on the Frankish realm between the eighth and twelfth centuries, Constance Brittain Bouchard outlines the operative definitions of family in this period when there existed various and flexible ways by which individuals were or were not incorporated into the family group. Even in medieval patriarchal society, women of the aristocracy, who were considered outsiders by their husbands and their husbands' siblings and elders, were never completely marginalized and paradoxically represented the very essence of family to their male children.Bouchard also engages in the ongoing scholarly debate about the nobility around the year 1000, arguing that there was no clear point of transition from amorphous family units to agnatically structured kindred. Instead, she points out that great noble families always privileged the male line of descent, even if most did not establish father-son inheritance until the eleventh or twelfth century. Those of My Blood clarifies the complex meanings of medieval family structure and family consciousness and shows the many ways in which negotiations of power within the noble family can help explain early medieval politics.

    His dreamlike canvases populated with pubescent girls in provocative poses garnered him both praise and scorn from artists and critics alike. This volume, edited by renowned scholar Jean Clair, includes more than 400 color plates and includes essays by the premier experts on Balthus's work and life as well as recollections of the artist by his colleagues and friends. Since the beginning of his seventy-five year career, he was admired for his extraordinary ability to straddle tradition and modernity, as is evident with his references to Renaissance masters such as Piero della Francesca. His work also revealed ties to early modernism as his first apprenticeships were guided by Claude Monet, Emile Bonnard, and Andre Derain. Nonetheless, by 1926, the year of his first solo exhibition in Paris, the exceptional "newness" of his work had garnered him a distinguished following including major French intellectuals such as Georges Bataille, Albert Camus, and Antonin Artaud. This volume, which accompanies the largest exhibition to date of the artist's work, traces every stage of Balthus's career including an essay devoted to his early life and influences as well as a chapter devoted to the influence of Chinese paintings on his landscapes. A portion of the book is devoted to recollections by his friends who shed light on the elusive painter's life. The volume is complete with an extensive catalogue of his work which includes paintings, drawings, sketches for theatre sets as well as scores of photos of the artist taken by majorphotographers.

    This edition includes a new foreword by Pierre Manent, Professor of Political Science at the Centre de Recherches Politiques Raymond Aron in Paris.As the twenty-first century begins, the relationships this book explores are as relevant as they were in the last century, when French poet and essayist Charles Péguy addressed them in “Memories of Youth” and “Clio I”, the two essays in this volume.The brevity, beauty, and timeless relevance of Péguy’s prose make this volume attractive for historians, scholars, and laymen.

    It is a memoir of horror and hope recounted by a man who survived the organized terror of Hitler’s "Final Solution" as it destroyed entire generations of European Jewish life within ten catastrophic years in the mid-twentieth century. Feldman’s memoir conveys the searing pain that has never left him, while demonstrating the triumphant humanity of a survivor.Feldman vividly describes the impact of the escalating anti-Semitic hatred and violence in Germany during the 1930s, the impact of the notorious Nuremberg Laws in 1935, and the terrifying Kristallnacht pogrom in 1938. By age sixteen, Feldman was living with his parents and three younger sisters in Antwerp, Belgium, during the 1939 German invasions of Poland, marking the start of World War II. In the face of increasing persecution, Feldman’s extended family scattered over the globe in a desperate attempt to remain one step ahead of their Nazi pursuers.Recalling his life on the run, Feldman describes what few survivors have chosen to write about: the Vichy raids of August 26, 1942; the French labor brigades; the Comité Dubouchage; and life in super-vised residence in France under the Italians. While in the south of France, Feldman endured food shortages and Nazi anti-Semitic measures, beginning with work camps and culminating in the deportation and ultimate death of his mother and sisters at Auschwitz.To evade the Germans, Feldman and his father fled into the Italian Alps in September of 1943, hiding between the Allies and the Germans. Aided by local villagers, the Feldmans survived precariously for over a year and a half, along with other Jewish refugees, until that region was liberated. Only then, and only gradually, did Feldman manage to piece together the fate of his surviving family and learn at last of the death of his mother and sisters.Now, as an adult, Alfred Feldman has retraced his escape and exile, taking his wife and children to his hometown in Germany, the mountains in Italy, and Montagnac, where a plaque commemorates his mother and sisters.

    It is not only the story of their friendship, it is also about how artists generate and share ideas and how they work.

    Featuring over 390 restaurants, all reviewed by an independent team of experienced inspectors, from neighborhood bistros and brasseries to starred restaurants, this guide truly reflects the choice and diversity available in Paris today. Also includes 60 specially selected hotels in all categories and price ranges.

    These eleven walks guide the stroller through the most interesting areas of Paris.

    Humor and hard won lessons in life and love infuse this luminous true story of a family cast off but determined to build a new life.

    Paying tribute to music's realization by musicians and singers, she argues that operatic works are indelibly bound to the contingency of live singing, playing, and staging. She seeks a middle ground between operas as abstractions and performance as the phenomenon that brings opera into being.Weaving between opera's facts of life and a series of works including The Magic Flute, Parsifal, and Pell�as, Abbate explores a spectrum of attitudes towards musical performance, which range from euphoric visions of singers as creators to uncanny images of musicians as lifeless objects that have been resuscitated by scripts. In doing so, she touches upon several critical issues: the Wagner problem; coloratura, virtuosity, and their critics; the implications of disembodied voice in opera and film; mechanical music; the mortality of musical sound; and opera's predilection for scenes positing mysterious unheard music. An intersection between transcendence and intense physical grounding, she asserts, is a quintessential element of the genre, one source of the rapture that operas and their singers can engender in listeners. In Search of Opera mediates between an experience of opera that can be passionate and intuitive, and an intellectual engagement with opera as a complicated aesthetic phenomenon. Marrying philosophical speculation to historical detail, Abbate contemplates a central dilemma: the ineffability of music and the diverse means by which a fugitive art is best expressed in words. All serious devotees of opera will want to read this imaginative book by s music-critical virtuoso.

    Tracing the intellectual history of one of the most violent and pivotal wars of European decolonization, James D. Le Sueur illustrates how key figures such as Albert Camus, Jean-Paul Sartre, Simone de Beauvoir, Germaine Tillion, Jacques Soustelle, Raymond Aron, Claude Lévi-Strauss, Albert Memmi, Frantz Fanon, Mouloud Feraoun, Jean Amrouche, and Pierre Bourdieu agonized over the “Algerian question.” As Le Sueur argues, these individuals and others forged new notions of the nation and nationalism, giving rise to a politics of identity that continues to influence debate around the world. This edition features an important new chapter on the intellectual responses to the recent torture debates in France, the civil war in Algeria, and terrorism since September 11.

    Early Carolingian Warfare is the first book-length study of how the Frankish dynasty, beginning with Pippin II, established its power and cultivated its military expertise in order to reestablish the regnum Francorum, a geographical area of the late Roman period that includes much of present-day France and western Germany. Bernard Bachrach has thoroughly examined contemporary sources, including court chronicles, military handbooks, and late Roman histories and manuals, to establish how the early Carolingians used their legacy of political and military techniques and strategies forged in imperial Rome to regain control in the West.Pippin II and his successors were not diverted by opportunities for financial enrichment in the short term through raids and campaigns outside of the regnum Francorum; they focused on conquest with sagacious sensibilities, preferring bloodless diplomatic solutions to unnecessarily destructive warfare, and disdained military glory for its own sake. But when they had to deploy their military forces, their operations were brutal and efficient. Their training was exceptionally well developed, and their techniques included hand-to-hand combat, regimented troop movements, fighting on horseback with specialized mounted soldiers, and the execution of lengthy sieges employing artillery. In order to sustain their long-term strategy, the early Carolingians relied on a late Roman model whereby soldiers were recruited from among the militarized population who were required by law to serve outside their immediate communities. The ability to mass and train large armies from among farmers and urban-dwellers gave the Carolingians the necessary power to lay siege to the old Roman fortress cities that dominated the military topography of the West.Bachrach includes fresh accounts of Charles Martel's defeat of the Muslims at Poitiers in 732, and Pippin's successful siege of Bourges in 762, demonstrating that in the matter of warfare there never was a western European Dark Age that ultimately was enlightened by some later Renaissance. The early Carolingians built upon surviving military institutions, adopted late antique technology, and effectively utilized their classical intellectual inheritance to prepare the way militarily for Charlemagne's empire.

    A highly visual book, with more than 200 striking, full-color photographs, French America contains a broad overview of the history and present state of French structures and sites still standing in the U.S. from the Canadian border to the Gulf of Mexico. The editor and photographer visited more than 150 French sites in 16 states to produce this elegant book which will be a delight for the mind and eye and will have a broad appeal to laymen, historians, architects and all lovers of French culture.

    Despite the fact that these depositions were spoken in the vernacular, but recorded in Latin in the third person and rewritten in the past tense, historians have often taken these accounts as verbatim transcriptions of personal testimony. This belief has prompted some historians, including E. Le Roy Ladurie, to go so far as to retranslate the testimonies into the first-person. These testimonies have been a long source of controversy for historians and scholars of the Middle Ages.Arnold enters current theoretical debates about subjectivity and the nature of power to develop reading strategies that will permit a more nuanced reinterpretation of these documents of interrogation. Rather than seeking to recover the true voice of the Cathars from behind the inquisitor's framework, this book shows how the historian is better served by analyzing texts as sites of competing discourses that construct and position a variety of subjectivities. In this critically informed history, Arnold suggests that what we do with the voices of history in fact has as much to do with ourselves as with those we seek to 'rescue' from the silences of past.

    . If you despair trying to make French sound hip to kids, here's the answer! Designed for children 8-14 and packed with zany illustrations, Way-Cool French Phrase Book provides useful expressions loaded with street-cred. Young students or travelers will enjoy learning how to gossip, order their favorite junk food, or compliment a friend on her choice of shoes--all in another language.. . . Every phase is accompanied by amusing two-color illustrations . Easy-to-read pronunciation for each phrase . Entertaining cultural notes help kids get with the in-crowd .

    After the girl he loved was killed by armed robbers in Belize, Ben Nimmo decided to walk from one of the greatest European medieval pilgrim sites to another - Canterbury to Santiago de Compostela in Spain - in her memory, taking with him his trombone and busking for charity.

    A few months later Bové built on his fame by smuggling huge chunks of Roquefort cheese into Seattle, where he was among the leaders of the antiglobalization protests against the World Trade Organization summit.Bové's crusade against globalization helped provoke a debate both within France and beyond about the pros and cons of a world in which financial, commercial, human, cultural, and technology flows move faster and more extensively than ever before. As the French struggle to preserve the country's identity, heritage, and distinctiveness, they are nonetheless adapting to a new economy and an interdependent world.This book deals with France's effort to adapt to globalization and its consequences for France's economy, cultural identity, domestic politics, and foreign relations. The authors begin by analyzing the structural transformation of the French economy, driven first by liberalization within the European Union and more recently by globalization. By examining a wide variety of possible measures of globalization and liberalization, the authors conclude that the French economy's adaptation has been far reaching and largely successful, even if French leaders prefer to downplay the extent of these changes in response to political pressures and public opinion. They call this adaptation "globalization by stealth."The authors also examine the relationship between trade, culture, and identity and explain why globalization has rendered the three inseparable. They show how globalization is contributing to the restructuring of the traditional French political spectrum and blurring the traditional differences between left and right. Finally, they explore France's effort to tame globalization—maîtriser la mondialisation—and the possible consequences and lessons of the French stance for the rest of the world.

    Throughout, conflict seldom abated, whether between the European powers on their own continent or between their colonial proxies around the world. Byron Farwell, an authoritative and engaging chronicler of military history, illuminates here all aspects of this colorful, horrifying, compelling century of war.Global in reach, the encyclopedia covers Latin American rebellions; African, Indian, and Southeast Asian conflicts; Chinese and Japanese actions; and the Indian wars of North America. It is comprehensive, with coverage of weapons development, battles and campaigns, military leaders, and more. Farwell's treatment of military medicine and wartime journalism is unmatched, and his interpretive essays relate events and people to one another and to the century's technological and scientific trends.Including nearly 1,000 illustrations reproduced from period sources, this groundbreaking encyclopedia is destined to become a much-used and desired reference.

    Each one describes and maps the best cycle tours, long and short, in a prime cycling destination. They answer the big questions: how to get rider and bike there in one piece, and keep both in good shape on the road.

    Translates thousands of French words and phrases found on menus in Paris and anywhere else in France, plus readers also get a restaurant guide, a pronunciation guide, English-to-French dining phrases, and three maps!

    In contrast with previous scholarship on women and gender in the early modern period, Clare Haru Crowston asserts that the rise of the absolute state, with its centralizing and unifying tendencies, could actually increase women’s economic, social, and legal opportunities and allow them to thrive in corporate organizations such as the guild. Yet Crowston also reveals paradoxical consequences of the guild’s success, such as how its growing membership and visibility ultimately fostered an essentialized femininity that was tied to fashion and appearances. Situating the seamstresses’ guild as both an economic and political institution, Crowston explores in particular its relationship with the all-male tailors’ guild, which had dominated the clothing fabrication trade in France until women challenged this monopoly during the seventeenth century. Combining archival evidence with visual images, technical literature, philosophical treatises, and fashion journals, she also investigates the techniques the seamstresses used to make and sell clothing, how the garments reflected and shaped modern conceptions of femininity, and guild officials’ interactions with royal and municipal authorities. Finally, by offering a revealing portrait of these women’s private lives—explaining, for instance, how many seamstresses went beyond traditional female boundaries by choosing to remain single and establish their own households—Crowston challenges existing ideas about women’s work and family in early modern Europe. Although clothing lay at the heart of French economic production, social distinction, and cultural identity, Fabricating Women is the first book to investigate this immense and archetypal female guild in depth. It will be welcomed by students and scholars of French and European history, women’s and labor history, fashion and technology, and early modern political economy.

    Although each is worthy of her own individual biography, their lives were so enmeshed by kinship, marriage and circumstances as to be well served by a book that mirrors the complex interweaving of their lives. Their story is rich enough in dramatic incident to provide a gripping narrative, but the book looks also at the wider issues: at the restrictions, particularly in the exercise of power, placed on the three women by society; at their success in ignoring or pushing back those barriers; at what they wanted or expected for their daughters; and at how they saw themselves in relation to men. The study draws largely on contemporary sources, both printed and manuscript, and presents material hitherto unknown or overlooked. It is the first study of the three women as a group, and indeed is one of the first modern, reliable studies in English or French of any one of them as an individual.

    Inside, they picked out traces of colour on the cave walls: pictures of a mammoth, a huge bear, rhinoceroses and lions.

    Yet this study challenges the traditional interpretations of the role of the army as an instrument of the emerging absolutist state, and shows how the expansion of the French war effort contributed to weakening Richelieu's hold on France and heightened levels of political and social tension. This is the first detailed account of the French army during this formative period of European history. It also contributes more generally to the "military revolution" debate among early modern historians.

    In this groundbreaking new study, Darrin McMahon demonstrates that, on the contrary, contemporary resistance to the Enlightenment was a major cultural force, shaping and defining the Enlightenment itself from the moment of inception, while giving rise to an entirely new ideological phenomenon-what we have come to think of as the Right. McMahon skillfully examines the Counter-Enlightenment, showing that it was an extensive, international, and thoroughly modern affair.

    Originally presented in French in 1952, the b&w photographs by Paul Strand and text by French Author Claude Roy (including selections of classic French poetry, traditional recipes, folksongs and other vernacular writings, and Roy's own poems and writings) give insight into what it means to be French

    Its authors challenge the usual assumption that organized financial markets—and hence the opportunity for economic growth—did not emerge outside of England and the Netherlands until the nineteenth century. Drawing on innovative research, the authors show that as early as the Old Regime, financial intermediaries in France were mobilizing a great tide of capital and arranging thousands of loans between borrowers and lenders.The implications for historians and economists are substantial. The role of notaries operating in Paris that Priceless Markets uncovers has never before been recognized. In the wake of this pathbreaking new study, historians will also have to rethink the origins of the French Revolution. As the authors show, the crisis of 1787-88 did not simply ignite revolt; it was intimately bound up in an economic struggle that reached far back into the eighteenth century, and continued well into the 1800s.

    Distinguishing the arts of the beautiful from the merely functional, Gilson proceeds to argue that the limits of art are imposed only by the materials which the artist uses to create.-- A world-renowned philosopher and historian, Etienne Gilson was a Professor of Medieval Philosophy at the Sorbonne and at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Painting and Reality, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons (1966).

    A fascinating, lavishly illustrated history of the art and architecture of Paris combines more than eight hundred illustrations with detailed descriptions to capture the diverse beauty of Notre Dame's Gothic splendor, the French Impressionist paintings housed at the Musee d'Orsay, the Louvre, palace

    For ages 5 +The most beautiful works of art from the Orsay Museum are presented with humour and tenderness, a short story accompanying each piece.

    With this friendly guide, you'll see the light. You'll take in the dazzling nightlights and vibrant nightlife... the historic sites and monuments and the tres chic boutiques...the treasured art masterpieces and tomorrow's fashion trends. Linger over a gourmet French meal, relax in a sidewalk cafe, or enjoy a picnic in the park. Stroll beautiful formal gardens or pick Monet's Water Lilies at the newly opened Musee de l'Orangerie. Take a boat tour of the Seine or a bike ride to Bois de Boulogne and the Bois de Vincennes. This friendly guide gets you in a fun, French fame of mind with info on: How to use the fantastic transportation system and make sense of the euro Must-see sites, including the Louvre, the Eiffel Tour, Musee d'Orsay, the Cathedral de Notre-Dame, the Arc de Triomphe, and more Incredible parks and gardens, including the Jardin des Tuileries, the Jardin du Luxembourg in the Latin quarter, Parc de la Villette with its theme gardens, and more Where to shop for over-the top luxury items, find discount or overstock stores, and buy kids' clothes Culture and entertainment options, ranging from theater, opera, symphony, and ballet to live comedy and inexpensive organ recitals in glorious churches Diverse clubs in different neighborhoods, including Barrio Latino, Batofar (an Irish light ship docked in the Seine), Red Light where the trendiest kids wear the latest fashions, Le Wax with its psychedelic decor, and more Like every For Dummies travel guide, Paris For Dummies, 4th Edition includes:Down-to-earth trip-planning advice What you shouldn't miss -- and what you can skip The best hotels and restaurants for every budget Handy Post-it Flags to mark your favorite pages Whether you would rather tour cathedrals with glorious stained glass, explore quaint neighborhoods, hit the happening scenes, or sip fine French wine overlooking the City of Lights, this guide will help you experience Paris with joie de vivre.

    This moving Holocaust rescue story is set against the backdrop of American isolationism and anti-Semitism. "The drama here is in the thrill of rescue, the realistic portrait of a complex leader, and the decidedly nonheroic truths about WWII at home." --American Library Association "One of the BEST BOOKS of 2001" --St. Louis Post-Dispatch

    (And, no, he didn't leave it all to Josephine. They divorced in 1809. Four months later, he married Archduchess Marie Louise. She didn't get anything either.) That aside, these four illustrated volumes include chronologies, text, letters, and many insights, both personal and professional, into the life and mind of a titan in world history.

    For the rest of his life Lartigue was a regular visitor to the Cote d'Azur, taking many of his finest pictures in Nice, Cannes, Cap d'Ail, Antibes, Menton, and Monaco. This splendid volume is the first book, to bring together a large selection of these photographs which are accompanied by a lively, informative text. Not only did Lartigue document the elegant resort life of the leisure class of which he was a member-in the villas, hotels, beach clubs, and casinos where they lived and played-but he also created an intimate chronicle of the life he shared on he Riviera with his beautiful first wife Bibi, during the 1920s, his companion Renee Perle, in 1930-31, and Florette whom he married in 1942. Apart from the stunning black-and-white images for which Lartigue is celebrated-including his ground-breaking panoramic photographs of the coastline-"Lartigue's Riviera "also reveals an important group of little-known and rarely published color photographs. The world ski-jumping championships in Juan-les-Pins, filming "Les Aventures du roi Pausole "in Cap d'Antibes, the Ziegfeld Follies girls in Monte Carlo, alternate here with the daily life of Latigue and his friends-stopping for lunch in St. Tropez, exercising on the beach in Cannes, drinking an aperitif at sunset at Cap d'Ail. Among the most beautiful-and often funny and poignant-photographs ever taken, Lartigue's pictures of the Riviera will come as a revelation to those who will bediscovering them for the first time, and as a welcome glimpse of the sunlight and glamour for which he is so admired by his devoted fans.

    She would spend the next fifteen years practicing medicine and living as a man.Drafted to serve as a surgeon in Napoleon's army, Faber endured the horrors of the 1812 retreat across Russia. She later embarked to the Caribbean and set up a medical practice in a remote Cuban village, where she married Juana de León, an impoverished local. Three years into their marriage, de León turned Faber in to the authorities, demanding that the marriage be annulled. A sensational legal trial ensued, and Faber was stripped of her medical license, forced to dress as a woman, sentenced to prison, and ultimately sent into exile. She was last seen on a boat headed to New Orleans in 1827.In this, his last published work, Antonio Benítez Rojo takes the outline provided by historical events and weaves a richly detailed backdrop for Faber, who becomes a vivid and complex figure grappling with the strictures of her time. Woman in Battle Dress is a sweeping, ambitious epic, in which Henriette Faber tells the story of her life, a compelling, entertaining, and ultimately triumphant tale.Praise for Woman in Battle Dress"Woman in Battle Dress by Antonio Benítez-Rojo, which has been beautifully translated from the Spanish by Jessica Ernst Powell, is the extraordinary account of an extraordinary person. Benítez-Rojo blows great gusts of fascinating fictional wind onto the all but forgotten embers of the actual Henriette Faber, and this blazing tale of her adventures as a military surgeon and a husband and about a hundred other fascinating things is both something we want and need to hear."––Laird Hunt, author of Neverhome"A fascinating novel, in a brilliant translation, about the unique fate of Henrietta Faber who played a gender-bending role in the history of Cuba."––Suzanne Jill Levine, noted translator and author of Manuel Puig and the Spider Woman: His Life and Fictions"A picaresque novel starring an adventurous heroine, who caroms from country to country around the expanding Napoleonic empire, hooking up with a dazzling array of men (and women) as she goes. A wild ride!"––Carmen Boullosa, author of Texas: The Great Theft"Very few novels dare to explore the historical representation of women to the extent that Woman in Battle Dress does, with impeccable veracity and bravado."––Julio Ortega, Professor at Brown University, author of Transatlantic TranslationsAntonio Benítez-Rojo (1931–2005) was a Cuban novelist, essayist and short-story writer. He was widely regarded as the most significant Cuban author of his generation. His work has been translated into nine languages and collected in more than 50 anthologies. One of his most influential publications, La Isla que se Repite, was published in 1989 by Ediciones del Norte, and published in English as The Repeating Island by Duke University Press in 1997.Jessica Powell has translated numerous Latin American authors, including works by César Vallejo, Jorge Luis Borges, Ernesto Cardenal, Maria Moreno, Ana Lidia Vega Serova and Edmundo Paz Soldán. Her translation (with Suzanne Jill Levine) of Adolfo Bioy Casares and Silvina Ocampo's novel Where There's Love, There's Hate, was published by Melville House in 2013. She is the recipient of a 2011 National Endowment for the Arts Translation Fellowship in support of her translation of Antonio Benítez Rojo's novel Woman in Battle Dress.

    The former train station on the left bank of the river Seine invites visitors to discover paintings by artists from Monet to Cézanne and sculptures by Rodin as well as an impressive variety of other 19th century art. This books offers consise information and thorough desriptions of the museum and its works. It includes: Detailed description of significant works; an illustration of each work of art discussed; numerous essays on relevant historical and cultural topics; ground plans; Illustrated timelines; Background information on the theory of color; glossary; artists' biographies and a detailed index.

    From his legendary plisse Delphos dresses to his tasseled arabesque lamps, Fortuny's work epitomized luxury at the turn of the 20th century and endures to this day. Modern replicas and adaptations of his designs appear in 2001 collections by Oscar de la Renta and Randolph Duke, in the New York Times Magazine, even on Friends.Also featuring his stage designs and paintings, Fortuny surveys the broad scope of the Spanish-Venetian artist's career. With over 300 luscious colorplates, this is a lavish treat for textile enthusiasts and fashionistas alike.

    Tamagne dissects the strands of euphoria, rebellion, exploration, nostalgia and yearning, and the bonds forged at school and on the battlefront, in a scholarly treatise charting the early days of the homosexual and lesbian scene. The period between the two world wars was crucial in the history of homosexuality in Europe. It was then that homosexuality first came out into the light of day. Berlin became the capital of the new culture, and the center of a political movement seeking rights and protections for what we now call gays and lesbians. In England, the confruntation was brisk to undermine the structures and strictures of Victorianism; whereas in France (which was more tolerant, over all), homosexuality remained more subtle and nonmilitant. Tamagne's 2-volume work outlines the long and arduous journey from the shadows toward acceptability as the homosexual and lesbian community sets out to find a new legitimacy at various levels of society. She weaves together cultural references from literature, songs and theater, news stories and private correspondence, police reports and government documents to give a rounded picture of the evolving scene.

    These new lower class and female readers frightened liberals, Catholics and republicans alike. Martyn Lyons focuses on workers, women, and peasants, and the ways in which their reading was constructed as a social and political problem, to analyze the fear of reading in 19th Century France. He presents case-studies of actual readers, to examine their choices and their practices, and to evaluate how far they responded to (or subverted) attempts at cultural domination.

    It is in Provence that he plays around with his ideas and his flavors, and it is Provence that provides him with a place where he can catch his breath. Ducasse highlights places off the beaten path: the best markets, wineries, villages and terraces to have your aperitif. In each chapter, Ducasse provides addresses and phone numbers for guidance. He even includes recipes to inspire you in the kitchen. Provence of Alain Ducasse explores a legendary region, a place full of charm where one can discover something new every day.

    A spirited biography of the military surgeon who can rightfully be said to have wakened the conscience of mankind to the inhumanity of war.

    It tells a dramatic story of near disastrous drops by the U.S 101st (The Screaming Eagles) and 82nd (The All American) Airborne Divisions and how they gallantly regrouped and gained their objectives at St Mere Eglise and Carentan. Meanwhile the 4th U.S Infantry Division were the first American seaborne troops to land (at Utah) followed closely by the 90th Infantry Division.This book graphically describes how these divisions eventually linkedup and succeeded in cutting off the vital port of Cherbourge.The book also describes the 'big picture' leading up to D-Day and is particularly interesting in its revelations about the notorious 'Operation Tiger' when over 700 American troops died during training.

    The Parisian National Workshops and the Parisian Mobile Guard-organizations newly created at the time of the February Revolution-provided the bulk of the June combatants associated with the insurrection and repression, respectively. According to Marx's simple and compelling hypothesis, a nascent French proletariat unsuccessfully attempted to assert its political and social rights against a coalition of the bourgeoisie and lumpenproletariat, represented by the Parisian Mobile Guard. Through a detailed study of archival sources, Mark Traugott challenges this interpretation of these events and proposes an organizational explanation.Research has consistently shown that skilled artisans and not unskilled proletarians stood at the forefront of the revolutionary struggles of the nineteenth century. Traugott compares the social identities of the main participants on opposite sides of the conflict and sorts out the reasons for the political alignments observed. Drawing on work by Charles Tilly and Lynn Lees, Traugott demonstrates that the insurgents were not highly proletarianized workers, but rather members of the highly skilled trades predominant in the Parisian economy. Meanwhile, those who spearheaded the repression were little different in occupational status, though they tended to be significantly younger. Traugott's organizational hypothesis makes sense of the observed configuration of forces. He accounts for the age differential as a by-product of the recruitment criteria that Mobile Guard volunteers were required to meet. Finally, he explains why class position creates no more than a diffuse political predisposition that remains subject to the influence of situation-specific factors such as organizational affiliations. Armies of the Poor helps clarify our understanding of the dynamic at work in the insurrectionary turmoil of 1848 in particular and in the great waves of early industrial revolutionism in general. It now is a standard interpretation for subsequent research on the French Revolution of 1848. Armies of the Poor will be of interest to historians seeking a re-interpretation of a major revolutionary episode and social scientists considering a re-examination of Marx and Engels' hypotheses of the roots of political mobilization and protest.

    With this study, military historian Dwight Messimer examines the weapons, tactics, and organization used by all the belligerents during the war and provides some surprising findings. Because he draws heavily from personal accounts as well as from official records, his book will appeal to both serious readers seeking hard facts and to general readers who like stories about war at sea.Messimer tells the story from both sides. German survivors who escaped from sunken U-boats explain what it was like to face the newly developed ASW weapons beneath the surface, and pilots tell what it was like from above. The author describes the German's well-organized and efficient ASW organization in the Baltic and the Helgoland Bight. He also discusses the weapons developed during the war that proved to be largely ineffective or outright failures. While his evaluations of the contributions made by aircraft and Q-ships put them in the category of only marginally effective, his analysis of the effectiveness of politics deems that ASW "weapon" the most effective of all. Solidly grounded in the best primary sources available in England, the United States, and Germany, this book is the first to address the ASW of all World War I belligerents.