But for the people of Laramie–both the friends of Matthew and those who hated him without knowing him–the tragedy was personal. In a chorus of voices that brings to mind Thornton Wilder’s Our Town, The Laramie Project allows those most deeply affected to speak, and the result is a brilliantly moving theatrical creation.

    Fee and his friends are forced to bear grief, shame, and pain that endure long after the director is imprisoned. Fee survives even as his friends do not, but a deep-seated horror and dread accompany him through his self-destructive college days and after, until the day he meets a beautiful young student named Warden and is forced to confront the demons of his brutal past.

    Shy, afflicted with a stutter, and struggling with his sexuality, Will Parker comes to New York to escape the provincial western towns where he grew up. In New York, he finds himself surrounded for the first time by people who understand and celebrate his quirks and flaws. He also begins an unforgettable love affair with a volatile, six-foot-five African-American drag queen and performance artist named Rose. But even as he is falling in love with Rose and growing into himself, Will must watch as AIDS escalates from a rumor into a devastating tragedy. When a vicious riot erupts in a local park, Will seizes the chance to repay the city for all it has taught him, in a climax that will leave readers shaken, fulfilled, and changed. "In the City of Shy Hunters is so finely crafted ... you'll think you've been reading a modernist classic." -- Peter Kurth, Salon.com "Spanbauer's genius resides even in the asides ... teas[ing] out the genuine complexity of human love." -- Thomas McGonigle, The Washington Post Book World "Ambitious and compelling ... a mixture of the ghastly, the hilarious, and the curiously touching." -- John Hartl, The Seattle Times "In the City of Shy Hunters has the earmarks of a literary landmark ... Its importance and originality are unmistakable." -- Laura Demanski, The Baltimore Sun

    Powerful and artful, and ten years in the writing, it is a masterwork from Jamie O’Neill.Jim Mack is a naïve young scholar and the son of a foolish, aspiring shopkeeper. Doyler Doyle is the rough-diamond son—revolutionary and blasphemous—of Mr. Mack’s old army pal. Out at the Forty Foot, that great jut of rock where gentlemen bathe in the nude, the two boys make a pact: Doyler will teach Jim to swim, and in a year, on Easter of 1916, they will swim to the distant beacon of Muglins Rock and claim that island for themselves. All the while Mr. Mack, who has grand plans for a corner shop empire, remains unaware of the depth of the boys’ burgeoning friendship and of the changing landscape of a nation.

    H. Auden, and James Merrill. Their poems of love are among the most perceptive, the most passionate, the wittiest, and the most moving we have. From Michelangelo’s “Love Misinterpreted” to Noël Coward’s “Mad About the Boy,” from May Swenson’s “Symmetrical Companion” to Muriel Rukeyser’s “Looking at Each Other,” these poems take on both desire and its higher power: love in all its tender or taunting variety.

    When she meets the rebellious Amina who confounds the Indian community by driving a taxi and setting up a cafe with a black man, her world is turned upside down.

    Francine and Katchoo are high-school best friends who are reunited when Francine comes back to town after years away from her hometown. David is their new friend entangled in their complicated lives. From creepy ex-boyfriends and insensitive bosses to the reality of AIDS and underworld prostitution, you never know what will come up next - but you can always count on laughing and crying at the same time. This foil-stamped casebound hardcover with color dust jacket includes a special color cover art section, sketches, and more.

    Functioning as an atelier, it forecasts the writing of a novel, which does not materialize as such; the journal itself -- a mausoleum of lovers -- comes to take its place. The sensual exigencies and untempered forms of address in this epistolary work, often compared to Barthes' A Lover's Discourse, use the letter and the photograph in a work that hovers between forms, in anticipation of its own disintegration.

    First Songs, poems inspired by the Andalusian countryside are comparable in style and theme to those in his masterpiece Poem of the Deep Song. This charming little book was given by Lorca to his friend Manuel Altolaguirre and his wife as a gift to their first child. Ode to Walt Whitman, a passionate meditation on homosexuality in a society that proscribes it, is perhaps the best-known book to have come out of the poet's New York Cycle of poems, a damning vision of urban life under capitalism. Perhaps Lorca's finest poem, A Flood of Tears for Ignacio Sanchez Mojis, is a moving elegy to his friend, a renowned bullfighter who was also a writer and a hero to a generation of poets. With Six Galician Poems, written in the Galician language, Lorca returns to themes of the simple life and folklore of the Spanish people. Published only a few months before the Spanish Civil War broke out, this book – a classic of Galician literature – never won the prominence it deserved."His real impact, however, surely comes from the stark vividness of his imagery, his ability to conjure up primal subjective realms of love and death: The guitar makes dreams weep. The sobbing of lost souls escapes through its round mouth. And like the tarantula it spins a large star to trap the sighs floating in its black, wooden water tank." —David H. Rosenthal". . . García Lorca's poem dedicated to the New York poet is nothing short of beautiful. The translation does not detract from the emotion and respect that García Lorca has for Walt Whitman." —A.J. Ortega, Front Porch JournalFederico García Lorca (1898-1936) was a poet, playwright, and theater director. He was well-known as a member of the Generation of '27 who introduced symbolism, futurism, and surrealism to Spanish literature. City Lights Publishers also published another book of poetry by Federico García Lorca titled Poem of the Deep Song.Carlos Bauer is the translator of García Lorca's Poem of the Deep Song (City Lights Books), Cries from a Wounded Madrid (Swallow Press), and The Public and Play without a Title: Posthumous Plays (New Directions). He has also translated the work of contemporary writers into Spanish.

    Not so with Daphne Gottlieb. In Why Things Burn, Gottlieb tackles sexuality, lesbian issues, rape, urban life, and a host of other topics with the same power of her live performances.

    As the daughter of a German-born photographer, Kahlo was used to posing, and from early youth she was adept at guiding the public perception of her person. In her often anguished self-portraits, she dissected her conflicts and her physical traumas, soon becoming an iconic figure and a symbol for Mexican culture. Yet ironically she transgressed many boundaries and shattered taboos in a way that was perhaps shocking to most Mexicans. In portraits by friends and photographers such as Tina Modotti and Edward Weston she wears traditional clothing and features many Mexican folk traditions, transforming her "Mexicanidad" into an indelible personal trademark. Through numerous paintings and photographs, and with articles by acclaimed theorists such as Griselda Pollock and Mieke Bal, this book traces the major events of this unique artist's life, while relating Kahlo's art to that of her contemporaries, such as Diego Rivera, Mar�a Izquierdo, David Alfaro Siquieros and Jos� Clemente Orozco.

    Originally published in The Advocate throughout the 1980s, Howard Cruse’s Wendel is widely considered the first gay comic strip to be featured in mainstream media. A topical and heartfelt chronicle of one gay man’s journey through the often-rocky Reagan-Bush years, the strip followed the adventures of Wendel Trupstock, his boyfriend Ollie, and an unforgettable cast of supporting characters. More realistic than most comics of the time, Wendel did not observe the traditional comic strip formula. Instead, it presented realistic depictions of relationships, politics, personal struggles, and public triumphs, all seen through a gay perspective that was just coming into relative widespread acceptance. Wendel became more than a comic strip as it, and Cruse, were propelled into the rarefied pop culture category reserved for art and artists that not only entertain, but also influence and are influenced by shifts in public consciousness. Its influence was such that Tony Kushner wrote, "Wendel unfolds with the narrative complexity, nuance, detail, and honesty of a great satirical novel." The Complete Wendel contains every episode of the series and includes a new foreword by Cruse, who contextualizes the story of the creation and publication of the strip within the often tumultuous political zeitgeist of the 1980s. It also features a new cover and a special "where are they now" section created for this book.

    Small, weedy, Jewish, painfully conscious of his unfulfilled homosexuality, Ant, as his mother called him, found refuge in art, later in theatre and escape to London. Initially turned down by RADA and Central, he went on to create a series of triumphant stage performances - including Richard III, Macbeth, Pam Gems' Stanley - and to become the first actor of his generation to be knighted. His novels have been acclaimed, as have his theatre-journals filled with his own illustrations. Creativity is Sher's rush, although there was a time when a cocaine habit threatened his survival. Whether describing the battle with this growing dependency, or the sinister paradise of white South Africa in the fifties, or his personal experiences of theatre figures as diverse as Olivier, Stoppard and Mike Leigh, he writes with remarkable candour, wit and great style. In this unique autobiography, Antony Sher takes us on a personal odyssey through the approvals and dismissals, awards and addictions, doubts and dreams which have characterised his first fifty years.

    A triangle with a twist, "Coming Home" is the story of a couple who find their relationship threatened when a young nurse arrives.

    The poignant images in more than 100 early photographs, drawn from public and private collections, suggest a surprisingly broad-minded attitude toward physical intimacy between men, challenging the conventional view of the Victorian era as more inhibited than our own. Deitcher's provocative text -- combining history, social observation, pictorial analysis, and personal reflection -- explores the nature of that same-sex affection and the meaning such pictures can hold for us today.

    It also dares to introduce an asthmatic middle-aged Proust into its masterfully manipulated plot and invents a series of deeply felt letters written by him to the novel's young protagonist, Vincent de l'Etoile. In the summer of 1916, the emotionally precocious Vincent, who is the same age as the century, awakens to the possibilities of both erotic and platonic love. In the course of one week-at literary salons, at the Ritz, in cork-lined rooms-Vincent launches an intense friendship with the celebrated Proust, while at his parents' house in Paris he embarks on a sensual journey with Arthur Vales, the soldier son of a family servant, on leave from the front. Unknowingly, Vincent is also beginning a passage into a manhood that will be haunted by the secret he uncovers behind the love he bears for a doomed French infantryman and a famous middle-aged Jewish writer.

    Much has been written about how gays have been portrayed in the movies but no book -- until now -- has looked at their influence behind the screen. Whether out of or in the closet, gays and lesbians have from the very beginning played a significant role in shaping Hollywood. Gay actors were among the earliest matinee idols and gay directors have long been among the most popular and commercially successful filmmakers. In fact, gay set and costume designers created the very look of Hollywood.With this landmark book, Mann fills a void in the Hollywood history archives. Written in the tradition of Neal Gabler's An Empire of Their Own: How the Jews Invented Hollywood and based on hundreds of hours of interviews with survivors of this golden age, Behind the Screen is destined to become a classic of film literature.

    Under the influence of a love potion, Draco learns that poison doesn't always bring death -- there are other ways to suffer and live. Chemical emotion runs feverish as Harry and Draco discover the intoxication of love.Words: 123,712 complete

    Using records and archives available to researchers only since the fall of Communism, Dan Healey revisits the rich homosexual subcultures of St. Petersburg and Moscow, illustrating the ambiguous attitude of the late Tsarist regime and revolutionary rulers toward gay men and lesbians. Homosexual Desire in Revolutionary Russia reveals a world of ordinary Russians who lived extraordinary lives and records the voices of a long-silenced minority.

    Using an ancient myth reset in the queer community in Buffalo, New York, it explores gender fluidity, sexual diversity, and the deeper questions of love and identity.

    

    Subsequently a member of the Black Liberation Army, he escaped prison twice prior to being arrested following a failed Brink's expropriation in 1981. He died in prison of AIDS-related pneumonia in 1986. Clocking in at 120 pages, this is the most extensive collection of his writings ever published. Includes essays by David Gilbert, Sundiata Acoli, Meg Starr and J Sakai.

    Jose, a feisty woman journalist, loves Serafita, a sheltered upper-class girl. They call themselves the "heretic quartet." In fascist Spain of the 1960's, these four lovers struggle to keep their secret amid brutal family clashes and terrifying religious repression.A searingly tender story of the past with lessons for toady

    "God has drawn us to this difficult place," they write, "in order to reveal God's grace to us and in us and through us." Basing their book on retreats they have presented to churches and seminaries, Countryman and Ritley explore what it means to affirm, not merely accept, being gay or lesbian, as well as Christian. Writing primarily for the lesbigay community, and for their families and communities, they explore the ways in which the gay and lesbian community can appropriate and re-tell the biblical story, and find confidence in their unique spiritual journey and gifts. This proactive and self-affirming book provides new hope for those who feel that it is impossible to be both gay or lesbian, as well as Christian.

    If she hadn't recognised me with the added weight, she must have known it was my shopping trolley." It's time for Joan to try her luck on the London comedy circuit. After all, everybody always said she was a funny woman."An easy feel good read, a joy to behold."-"What's On""An intrinsic truth that pulls you in before you know it."-"Time Out"VG Lee is the UK's answer to Fannie Flagg.

    Although their work conjures the texture of wind and the broad spaces of the sky, these poems are not serenely pastoral. Rather, Myles' sparse blank verse is concerned with the diaphanous qualities of perception, as if her momentary experiences were as slippery and translucent as clouds. A sometimes brutal loneliness and urgent but stoic sensuality results, finding its expression in simple colors: orange, grey, yellow, white, rose.

    Her language is at once insightful yet pointed, her voice clear and urgent. Gritty compassion and wry humor permeate these short short stories, and Hillman's insatiable lust for life is everywhere evident.

    In this exciting new title - the first ever to delve into the techniques employed by Meek - you'll learn practical tips and advice based on the information contained in interviews with people who worked extensively with Meek until his untimely death in 1967. Learn how he got, and how you can get, the best performances out of artists, plus his creative micing techniques, and use of effects processors and unusual "instruments" to get new sounds. A great guide to thinking outside the lines while recording Includes an exciting audio CD of Meek's legendary album I Hear a New World

    I felt very happy to meet them and very comfortable for the first time in my life. They were singing and dancing very well. After one week they invited me to stay in their house with them." "Myself Mona Ahmed" is the first book by New Delhi-based photographer Dayanita Singh. It is the story of eunuch Mona Ahmed whom Singh met and began photographing more than ten years ago. Mona Ahmed is a member of a secret community that normally does not permit access to outsiders. We follow the daily life and the rituals of the eunuchs, are invited to their parties and ceremonies, and learn about prejudice and the reality of a eunuch's life. We witness the story of Mona's castration and the loss of her adopted child. Mona is a member of the real third gender. She is a very sensitive person, as her moving e-mails to the publisher of Scalo show. To preserve Mona's own voice, and to give her the power of expressing herself, these emails are published in their original form, with as little editing as possible. 120 duotones. 7 x 8 in.

    "Praise the Lord" is her mantra. Macking women is her game. Destroying every life she touches, Gayle brings more misery than harmony. She has a lesson or two to learn after she uses her "relationship with God" to break up a seemingly happy home. Alternately set in Washington, D.C. and Memphis, Tennessee, Fire & Brimstone is an "in your face" tale that explores lesbianism and black motherhood as both separate and integrated issues impacting the main character's role as a single parent, while opening dialogue on same-sex domestic violence, religious beliefs, bisexuality, negligent fathers, economics, and intra-racial caste systems among African Americans. Depending on one's beliefs and opinions, Fire & Brimstone leaves no room for "in-between" emotions, leading the reader to ultimately draw his or her own conclusion as to what the ending actually means: Is homosexuality a sin, or does God love us as we are? The author reminds us that gay women are everywhere, even in the African American church—a place where no one expects to find them. Fire & Brimstone does an excellent job of testing the boundaries of 21st century morality.

    In ON MY WAY Myles continues to turn heads, concentrating her fierce, unembarrassed gaze on public and intimate transactions through long and short poems and an essay entitled "The End of New England," which takes up questions of contemporary poetry and Massachussetts working class speech.

    I can easily see it becoming a standard work on ancient female homoeroticism."--John S. Rundin, Assistant Professor of Classics, University of Texas at San AntonioWomen's and men's worlds were largely separate in ancient Mediterranean societies, and, in consequence, many women's deepest personal relationships were with other women. Yet relatively little scholarly or popular attention has focused on women's relationships in antiquity, in contrast to recent interest in the relationships between men in ancient Greece and Rome. The essays in this book seek to close this gap by exploring a wide variety of textual and archaeological evidence for women's homosocial and homoerotic relationships from prehistoric Greece to fifth-century CE Egypt.Drawing on developments in feminist theory, gay and lesbian studies, and queer theory, as well as traditional textual and art historical methods, the contributors to this volume examine representations of women's lives with other women, their friendships, and sexual subjectivity. They present new interpretations of the evidence offered by the literary works of Sappho, Ovid, and Lucian; Bronze Age frescoes and Greek vase painting, funerary reliefs, and other artistic representations; and Egyptian legal documents.

    The powerfully moving stories in this book not only reveal the experiences of those who cross the boundaries of sex and gender, but also illuminate what it means to do so in the unique cultural context of Hawai'i.

    Queer). They have provided us with rich resources for addressing racism and heterosexism; however, few have examined the unique experiences of students who are both queer and of color, and few have examined the heterosexist or white-centered nature of anti-racist or anti-heterosexist education (respectively). What of the students and educators who live and teach at the intersection of race and sexuality? By combining autobiographical accounts with qualitative and quantitative research on queer students of different racial backgrounds, these essays not only trouble the ways we think about the intersections of race and sexuality, they also offer theoretical insights and educational strategies to educators committed to bringing about change.

    It is a collection of some of her nonfiction, including collected essays from "Cemetery Dance" magazine. Three of these pieces were published for the first time here.

    He applies this method to the history of sexuality, with important consequences for our understanding of desire, abnormality, and sexuality itself.In Davidson's view, it was the emergence of a science of sexuality that made it possible, even inevitable, for us to become preoccupied with our true sexuality. Historical epistemology attempts to reveal how this new form of experience that we call sexuality is linked to the emergence of new structures of knowledge, and especially to a new style of reasoning and the concepts employed within it. Thus Davidson shows how, starting in the second half of the nineteenth century, a new psychiatric style of reasoning about diseases emerges that makes possible, among other things, statements about sexual perversion that quickly become commonplace in discussions of sexuality.Considering a wide range of examples, from Thomas Aquinas to Freud, Davidson develops the methodological lessons of Georges Canguilhem and Michel Foucault in order to analyze the history of our experience of normativity and its deviations.

    The book--which is suitable for courses on the history of American sexuality, gender studies, or gay and lesbian studies, presents a carefully selected group of readings organized to allow students to evaluate primary sources, test the interpretations of distinguished historians, and draw their own conclusions.

    It's about creating a family from a group of misfits. It tells what it was like to come of age in the era between gay liberation and the beginning of the AIDS crisis.

    The essays focus on pre-colonial, colonial, and post-colonial gay and lesbian life in India to provide a comprehensive look at a much neglected topic. The topics are wide-ranging, considering film, literature, popular culture, historical and religious texts, law and other aspects of life in India. Specifically, the essays cover such issues as Deepa Mehta's recent and controversial film, Fire, which focused on lesbian relationships in India; the Indian penal code which outlaws homosexual acts; a case of same-sex love and murder in colonial India; homophobic fiction and homoerotic advertising in current day India; and lesbian subtext in Hindu scripture. All of the essays are original to the collection. Queering India promises to change the way we understand India as well as gay and lesbian life and sexuality around the world.

    In Come Out Fighting, Chris Bull -- Washington correspondent for The Advocate magazine -- has assembled a collection of the most important and influential writing, taken from both the gay and straight press, which forms the basis of the political movement which has reached its zenith only recently. Come Out Fighting contains essential writing on gay, lesbian, bisexual and transgender issues from U.S. independent and alternative progressive journals. From Walt Whitman and Sigmund Freud, to Michael Foucault and Elizabeth Birch, this volume is a collection of the best and brightest authors on gay life, politics and culture, from the earliest days of the liberation movement. The essays provocatively illuminate the remaining obstacles to full gay and lesbian equality, and point the way toward a future where there will truly be liberty and justice for all, regardless of sexual orientation.

    Phelan argues that homosexuals are seen as strangers, ambiguous figures who trouble the border between us and them.

    Jens Rydström examines the history of homosexuality and bestiality in that country to consider why these sexual practices have been so closely linked in virtually all Western societies. He limns sharply the distinctive experience of rural life, showing that to regularly witness farm animals stirred passions and sparked ideas, especially among young farmhands.Based on medical journals, psychiatric reports, and court records from the period, as well as testimonies from men in diaries, letters, and interviews, Sinners and Citizens reveals that bestiality was once a dreaded crime in Sweden. But in time, mention of the practice disappeared completely from legal and medical debates. This, Rydström contends, is because models of penetrative sodomy shifted from bestiality to homosexuality as Sweden transformed from a rural society into a more urban one. As the nation's economy and culture became less identified with the countryside, so too did its idea of deviant sexual behavior.

    Although many Asian cultures borrow the language of the West when discussing queerness, the attitudes, relationships, and roles described are quite different. Gay and Lesbian Asia discusses cultural issues as well as the unique political position of gays in Asian societies. For example, the Thai concept of phet--eroticized gender--is quite different from the Western view that classifies people by the sex of the partners they desire, not by their level of masculine or feminine traits. Similarly, some gay and lesbian Chinese people "come home" rather than "come out." By bringing their partners into the extended family, they can maintain the filial relationships that define them while being able to love whom they choose. The essays in Gay and Lesbian Asia cover a broad range of approaches and subjects:globalization theory exploring the political and cultural ramifications of the Western gay identity movement Foucauldian discourse on sexuality and sharply distinct erotic cultures political and cultural analyses of gay and lesbian comradeship and filial relationships in Chinese societies research on the "T" and "po" lesbians (similar to butch and femme) in Malaysian bars the formation of gay cybercommunities in Asia the effects of class distinctions on Jakarta lesbians studies of local historical forms of homoeroticism and transgenderismGay and Lesbian Asia continues Haworth's landmark series of books on gay and lesbian issues in Asia and Australia. Along with Tongzhi: Politics of Same-Sex Eroticism in Chinese Societies; Queer Asian Cinema; Multicultural Queer: Australian Narratives; Gays and Lesbians in Asia and the Pacific; and Lady Boys, Tom Boys, Rent Boys: Male and Female Homosexualities in Contemporary Thailand, this book presents some of the most original, powerful current thought available on cultural, political, sexual, and gender issues for queer subcultures within Asian cultures.

    But it can also be a uniquely pleasurable experience, one that trades on the erotics of secrecy and revelation. It is precisely passing's radical playfulness, the way it asks us to reconsider our assumptions and forces our most cherished fantasies of identity to self-destruct, that is centrally addressed in Passing: Identity and Interpretation in Sexuality, Race, and Religion. Identity in Western culture is largely structured around visibility, whether in the service of science (Victorian physiognomy), psychoanalysis (Lacan's mirror stage), or philosophy (the Panopticon). As such, it is charged with anxieties regarding classification and social demarcation. Passing wreaks havoc with accepted systems of social recognition and cultural intelligibility, blurring the carefully-marked lines of race, gender, and class. Bringing together theories of passing across a host of disciplines--from critical race theory and lesbian and gay studies, to literary theory and religious studies--Passing complicates our current understanding of the visual and categories of identity. Contributors: Michael Bronski, Karen McCarthy Brown, Bradley Epps, Judith Halberstam, Peter Hitchcock, Daniel Itzkovitz, Patrick O'Malley, Miriam Peskowitz, Mar�a C. S�nchez Linda Schlossberg, and Sharon Ullman.

    An extended interview with the three political prisoners - a frank discussion of past political movements, victories and errors, and the current political climate for revolutionary struggle within the USA.