Islam confronts what is immutable in God with what is permanent in man." These are the opening words of what has become a classic work on Islam, perhaps the most misunderstood of the great Revelations. And yet the purpose of this book "is not so much to give a description of Islam as to explain . . . why Moslems believe in it." Both Westerners unfamiliar with Islam and Moslems seeking a deeper understanding of the basis of faith will be struck by Schuon's masterful elucidation of the spiritual world of Islam.Schuon's foundation is always the intrinsic nature of things rather than any confessional point of view. This perspective opens up new avenues of approach and surprising insights into the "five pillars" of faith, the Quran, the Sunna, the Prophet and the esoteric dimension which is the kernel of Moslem spirituality. A hallmark of the author's perspective is an intellectual universality, which in examining a given religious framework readily draws upon parallels and concepts from other traditions, especially that of the Vedanta. For "what is needed in our time, and indeed in every age remote from the origins of Revelation, is . . . to rediscover the truths written in an eternal script in the very substance of man's spirit."

    According to the Journal of Near Eastern Studies, it is 'one of the most thorough and intimately engaging books on Sufism to be produced by a Western scholar'. Certainly there is nothing second-hand about it. The author lets Sufis speak for themselves and, in a series of unusual and absorbing texts mainly translated from Arabic, he gives a vivid picture of life in a North African Sufi order. Against this background stands the unforgettable figure of the Algerian Shaikh who was head of the order from 1909 until his death in 1934. The last few chapters are mainly devoted to his writings, which include some penetrating aphorisms, and which end with a small anthology of his remarkable mystic poems.

    Chittick, the leading scholar in the field, offers a compelling insight into the origins, context, and key themes of this fascinating movement. He draws upon the words of some of the greatest Sufi writers to give a fresh and revealing perspective on the teachings and beliefs of Sufism and its proponents. This fresh and authoritative book will be appreciated by anyone interested in Sufism, from complete beginners to students, scholars, and experts alike.

    This volume successfully overturns that view. Emphasizing the living nature and rich diversity of the subject, it examines the main thinkers and schools of thought, discusses the key concepts of Islamic philosophy and covers a vast geographical area. This indispensable reference tool includes a comprehensive bibliography and an extensive index.

    Written by the famous nonobjective painter Wassily Kandinsky (1866–1944), it explains Kandinsky's own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period. Along with his own groundbreaking paintings, this book had a tremendous impact on the development of modern art.Kandinsky's ideas are presented in two parts. The first part, called "About General Aesthetic," issues a call for a spiritual revolution in painting that will let artists express their own inner lives in abstract, non-material terms. Just as musicians do not depend upon the material world for their music, so artists should not have to depend upon the material world for their art. In the second part, "About Painting," Kandinsky discusses the psychology of colors, the language of form and color, and the responsibilities of the artist. An Introduction by the translator, Michael T. H. Sadler, offers additional explanation of Kandinsky's art and theories, while a new Preface by Richard Stratton discusses Kandinsky's career as a whole and the impact of the book. Making the book even more valuable are nine woodcuts by Kandinsky himself that appear at the chapter headings.This English translation of Über das Geistige in der Kunst was a significant contribution to the understanding of nonobjectivism in art. It continues to be a stimulating and necessary reading experience for every artist, art student, and art patron concerned with the direction of 20th-century painting.

     It deals with the history and development of this important religion, giving an account of Shi’i doctrines and focusing in particular on those areas in which it differs from Sunni Islam.  “Momen’s book fills an important gap in the general literature in English on Twelver Shi’ism, and should be carefully studied by anyone who wants to know more about what is happening in the Middle East today….This is a fine work which deserves the widest possible readership.”—Malise Ruthven, The Middle East “An extremely useful reference source on the establishment and evolution of the Shi’ite branch of the Islamic religion.”—Cecil V. Crabb, Jr., Perspective “An unpretentious style, interpretive clarity and . . . sound judgment characterize Momen’s writings. The various aspects of Twelver Shi’ism are carefully distinguished to satisfy both the general reader and the aspiring student.”—Norman Calder, Times Literary Supplement “Specialist and nonspecialist alike will benefit from its lucid exposition of both elite and popular Shi’ism. Especially valuable is the way the work presents modern critical scholarship on Shi’i history alongside the orthodox history, which still has great influence on the religion’s self-understanding.”—Mel Piehl, Library Journal  Moojan Momen has written extensively on Iran and Middle East religion.

     John L. Esposito, Editor-in-Chief of the four-volume Oxford Encyclopedia of the Modern Islamic World, has gathered together sixteen leading scholars, both Muslim and non-Muslim, to examine the origins and historical development of Islam--its faith, community, institutions, sciences, and arts. Beginning in the pre-Islamic Arab world, the chapters range from the story of Muhammad and his Companions, to the development of Islamic religion and culture and the empires that grew from it, to the influence that Islam has on today's world. The book covers a wide array of subjects, casting light on topics such as the historical encounter of Islam and Christianity, the role of Islam in the Mughal and Ottoman empires, the growth of Islam in Southeast Asia, China, and Africa, the political, economic, and religious challenges of European imperialism in the nineteenth and twentieth centuries, and Islamic communities in the modern Western world. In addition, the book offers excellent articles on Islamic religion, art and architecture, and sciences as well as bibliographies. Events in the contemporary world have led to an explosion of interest and scholarly work on Islam. Written for the general reader but also appealing to specialists, The Oxford History of Islam offers the best of that recent scholarship, presented in a readable style and complemented by a rich variety of illustrations.

    In Heaven in Stone and Glass, Catholic priest and professor of theology at Mundelein Seminary in Chicago teaches us how to read these secrets, with beautiful reflections on aspects such as light and darkness, the labyrinth, the meaning of gargoyles and demons, and the imagery of vertical space. whether you are preparing for a pilgrimage to York Cathedral of Notre Dame in Paris, or looking ahead to inspirational bedside reading, this book is the perfect guide.

    Suhrawradi, Semnani, Najm alDin Kubra and other Sufis.

    A history of the evolution and ideals of Islam, with a life of the prophecy. Contents: Life and Ministry of the Prophet: Mohammed the prophet; Hegira; prophet at Medina; hostility of the Koreish and the Jews; invasion of Medina; prophets clemency; diffusion of the faith; year of deputations; fulfillment of the prophet's work; apostolical succession; Spirit of Islam: ideal of Islam; religious spirit of Islam; idea of future life in Islam; church militant of Islam; status of women in Islam; bondage in Islam; political spirit of Islam; political divisions and schisms of Islam; literary and scientific sprit of Islam; rationalistic and philosophical spirit of Islam; idealistic and mystical spirit in Islam.

    There is more historical data on his life than on that of the founder of any other major faith, and yet his story is little known. Karen Armstrong's immaculately researched new biography of Muhammad will enable readers to understand the true origins and spirituality of a faith that is all too often misrepresented as cruel, intolerant, and inherently violent. An acclaimed authority on religious and spiritual issues, Armstrong offers a balanced, in-depth portrait, revealing the man at the heart of Islam by dismantling centuries of misconceptions. Armstrong demonstrates that Muhammad's life--a pivot point in history--has genuine relevance to the global crises we face today.

    In this excellent reprint of a rare volume of essays, he reveals the essence of the Indian experience, rooted in "a constant intuition" of the unity and harmony of all life. Everything has its place, every being its function and all play a part in the divine concert led by Natarājā (Śiva), Lord of Dancers.In a series of 14 stimulating and provocative essays, Coomaraswamy unfolds the vast metaphysic of India: the magnificent revelation of its art; its conception of the universe; social organization; attitudes toward feminism; problems of family; romantic love, and marriage. His sweeping commentary considers the "intellectual fraternity" of mankind; the venerable past as it survives side by side with emerging modern India; and the individual, autonomy, and repudiation of "the will to govern."Enhancing the text are 27 black-and-white photographs — mostly of masterpieces of painting and sculpture from the second century B.C. to the eighteenth century, and including the glorious "Cosmic Dance of Nàtaraja." This handsome volume offers rich insight into the art, philosophy, and culture of a fascinating forty-centuries-old civilization.

    He demonstrates how this conflict, which marked the demise of the first four caliphs, resulted in the lasting schism between Sunnite and Shi'ite Islam. In contrast to recent scholarly trends, the author takes up the Shi'i cause, arguing in defense of the succession of 'Ali. This book will make a major scholarly contribution to the debate over succession.

    Now, in his first book written for a wide audience, he offers a marvelous biography of the Prophet Muhammad, one that highlights the spiritual and ethical teachings of one of the most influential figures in human history.In the Footsteps of the Prophet is a fresh and perceptive look at Muhammad, capturing a life that was often eventful, gripping, and highly charged. Ramadan provides both an intimate portrait of a man who was shy, kind, but determined, as well as a dramatic chronicle of a leader who launched a great religion and inspired a vast empire. More important, Ramadan presents the main events of the Prophet's life in a way that highlights his spiritual and ethical teachings. The book underscores the significance of the Prophet's example for some of today's most controversial issues, such as the treatment of the poor, the role of women, Islamic criminal punishments, war, racism, and relations with other religions. Selecting those facts and stories from which we can draw a profound and vivid spiritual picture, the author asks how can the Prophet's life remain -- or become again -- an example, a model, and an inspiration? And how can Muslims move from formalism -- a fixation on ritual -- toward a committed spiritual and social presence?In this thoughtful and engaging biography, Ramadan offers Muslims a new understanding of Muhammad's life and he introduces non-Muslims not just to the story of the Prophet, but to the spiritual and ethical riches of Islam.

    This unique selection of illustrations with commentaries and source texts guides us on a fascinating journey through the representations of the secret arts.