This volume presents the work of Edward Gorey, the American artist and writer perhaps best known for his witty opening credits for PBS's Myster! series and for such books as Amphigorey, The Doubtful Guest and The Unstrung Heart.

    This new, revised and extended edition of this seminal work will not only inspire architects and students to design more holistic architecture, but will enrich the general reader's perception of the world around them. The Eyes of the Skin has become a classic of architectural theory and consists of two extended essays. The first surveys the historical development of the ocular-centric paradigm in western culture since the Greeks, and its impact on the experience of the world and the nature of architecture. The second examines the role of the other senses in authentic architectural experiences, and points the way towards a multi-sensory architecture which facilitates a sense of belonging and integration.

    Through richly detailed full-color paintings and line drawings, magical kingdoms emerge from a sea of dreams. Cassandra Aisling, who is nine years and eleven months old, doesn't care “a jot” about what sensible people think. She likes strange, mysterious, and magical things. So when her world gets tumbled upside down, she boards the H.M.S. Basset, ready to explore the landscape of her imagination. Pledging allegiance to the Basset's motto, “Credendo do Vides...Believing is Seeing,” Cassandra, her skeptical older sister Miranda, and their father, Professor Algernon Aisling, set out in search of the ancient legends. From the flickering flight of fairies and the mermaids' siren songs to a labyrinth-bound Minotaur and a fire-breathing dragon, the Aisling family witnesses firsthand the wonder of mythological worlds. In this lavishly illustrated edition, Cassandra's adventures intertwine with her father's scientific scribblings to present both new tales and the essence of classical myths. From the two voices, readers learn the power of imagination, the importance of believing in oneself, the value of family, and the need for creative, cooperative problem-solving. The story of a magical journey and the exquisite fantasy artwork will appeal to young and old alike.

    The stunning art and evocative text of The Art of The Hunchback of Notre Dame take the reader on a fascinating journey through the making of the movie, the world of medieval France, the nineteenth-century Gothic literature that embraced that world, and the imaginations of the creative artists who have masterfully combined these challenging elements into a magnificent animated musical. The Art of The Hunchback of Notre Dame features the rarely seen spectrum of art created in the making of the film, as the story is imagined and re-imagined in a variety of media - from conceptual paintings, to story sketches and layout, drawings, through the many stages of animation and background painting, computer generated imagery, effects animation, and final art from the production. The range of artwork is both vital and luminous, capturing the beauty and splendor of this stunning realization of fifteenth-century Paris. The lively, informative text features background on the original Hugo novel, as well as the historical influences, inspirations, and ideas the creators of the film brought to the animation, story, and music.

    A visual representation of an extraordinary artistic career, that simultaenously brings to life the spirit of a whole era.The author: Daniel Wildenstein (1917-2001) was an art historian and member of the Académie des Beaux-Arts (Paris). From 1939 onwards, he was Director of the Wildenstein Galleries of New York, London, and Tokyo. He edited several international journals, e.g. the magazine Arts from 1956-1962 and the Gazette des Beaux-Arts after 1963. He co-founded the Fondation Wildenstein in 1970 (it was renamed the Wildenstein Institute in 1984), and was a prime mover in many exhibitions of international repute. Daniel Wildenstein also edited the catalogues raisonnés of various 18th, 19th, and 20th century artists. He was a world authority on Impressionism, and published catalogues of the works of Gauguin, Manet, and Monet.

    This unique selection of illustrations with commentaries and source texts guides us on a fascinating journey through the representations of the secret arts.

    This vision culminates in a triumphant series of works, reproduced in this book, made in all four seasons on, under, and around a magnificent oak tree near the artist's home in Scotland.

    But the Discworld people are real, and here they are, warts (except, of course, in the case of Granny Weatherwax) and all, from Rincewind the incompetent wizard to Greebo, the rather too human cat. *once there were five, but that's another story

    Take a peek behind the curtain to see the creative process of the most acclaimed anime director in the world today. This full-color, over-sized, hardcover book also includes Miyazaki's earliest sketches that eventually became the basis for some of the most beloved anime movies of the past 20 years.

    Trolls features new and classic work by both Brian and his wife, Wendy, woven together along with artifacts and symbols of the natural world to create a fascinating revelation about the world of trolls. The book explores trolls and troll culture, revealing their philosophies, their home life, and their world attitudes through their tales, mythology, and archaeology. Trolls affirms that trolls are real, that they have lived and are living now. The texture of the world and the deeply immersive, cinematic images will appeal to the legions of fantasy—and Froud—fans.

    One of the giants of the twentieth century, Marcel Duchamp changed the course of modern art. Visual arts, music, dance, performance--nothing was ever the same again because he had shifted art's focus from the retinal to the mental. Duchamp sidestepped the banal and sentimental to find the relationship between symbol and object and to unearth the concepts underlying art itself. The author's intimacy with the subject and glorious prose style, wit, and deep sense of irony--"the only antidote to despair"--make him the perfect writer to bring this stunning life story to intelligent readers everywhere.

    Illustrated in color throughout.

    In addition to a new introduction by Jack Flam, The Collected Writings includes previously unpublished essays by Smithson and gathers hard-to-find articles, interviews, and photographs. Together these provide a full picture of his wide-ranging views on art and culture.

    In Fairies he turns his considerable talent to capturing in breathtaking images characters from such beloved stories as Shakespeare's A Midsummer Night's Dream, the wizard Merlin and his muse the intoxicating Nimue, mermaids of the deep as well as his interpretation of fairies from Celtic and Japanese mythology.

    G. Jung's early work on active imagination. Joan Chodorow here offers a collection of Jung's writings on active imagination, gathered together for the first time. Jung developed this concept between the years 1913 and 1916, following his break with Freud. During this time, he was disoriented and experienced intense inner turmoil --he suffered from lethargy and fears, and his moods threatened to overwhelm him. Jung searched for a method to heal himself from within, and finally decided to engage with the impulses and images of his unconscious. It was through the rediscovery of the symbolic play of his childhood that Jung was able to reconnect with his creative spirit. In a 1925 seminar and again in his memoirs, he tells the remarkable story of his experiments during this time that led to his self-healing. Jung learned to develop an ongoing relationship with his lively creative spirit through the power of imagination and fantasies. He termed this therapeutic method "active imagination."This method is based on the natural healing function of the imagination, and its many expressions. Chodorow clearly presents the texts, and sets them in the proper context. She also interweaves her discussion of Jung's writings and ideas with contributions from Jungian authors and artists.

    Kept from his teens until his death from AIDS in 1990, these illuminating journals reveal Haring's conscious, committed drive to extend the boundaries of art. Photos & drawings throughout. Radio news feature.

    A book that keeps your attention the whole time, switching from sooth-saying stories like Trusting the Universe & Status to the breath-taking Almost Beyond.

    Greasebeam, B.Sc. (Serpentology), F.R.Aud., to serve up this compendium of dragon lore and sheer inventive nonsense. Expanding on a dozen illustrations from his calendar Dragons Draaks & Beasties, Base fabricates a trio of correspondents?a Viking, a Chinese silk trader and a Prussian explorer?whose letters chronicle their discoveries of dragons in various continents. The resulting web of yarns that Base spins is nothing short of hilarious ("Hope the looting and pillaging went well," writes Bjorn of Bromme in a letter to Olaf the Grim, for instance). Illustrations showcase the kind of intricate detail for which Base is so well known, and he bolsters his dragon art with a deadpan running commentary set in a border at the bottom of each page. "Dagbar defunctus est" notes one caption in a fit of understatement, as the accompanying cartoon depicts the demise of one of Bjorn's companions. There's much to enjoy here, and much to propel readers to seek out every last drop of humor. All ages. Copyright 1996 Reed Business Information, Inc.

    Thanks to Brian Froud's discovery of the notebooks of Dashe, a goblin portraitist, this rare breed is now an open book. This is a definitive, profusely illustrated field guide to the goblin world, annotated by Terry Jones, Monty Python professor emeritus of Obscure, Absurd and Truly Hilarious Arts. Full-color illustrations.

    It describes the genre's origins and development, showcasing the most important artists.

    People expected painting, sculpture, architecture, and other forms of visual art to have a meaningful effect on their lives, " write the authors of this important new look at Italian Renaissance art. A glance at the pages of Art in Renaissance Italy shows at once its freshness and breadth of approach, which includes thorough explanation into how and why works of art, buildings, prints, and other kinds of art came to be. This book discusses how men and women of the Renissance regarded art and artists as well as why works of Renaissance art look the way they do, and what this means to us. It covers not only Florence and Rome, but also Venice and the Veneto, Assisi, Siena, Milan, Pavia, Padua, Mantua, Verona, Ferrara, Urbino, and Naples -- each governed in a distinctly different manner, every one with its own political and social structures that inevitably affected artistic styles. Spanning more than three centuries, the narrative brings to life the rich tapestry of Italian Renaissance society and the art works that are its enduring legacy.

    And rightly so. The marriage of LaChapelle’s vivid, high-octane images with graphic artist, Tadanori Yokoo’s supersaturated designs make for an astonishing physical object. The reissue of this now classic, long out-of-print volume showcases all the lollipop giddiness of the original now lavishly reproduced in a larger format. “There’s a tradition of celebrity portraiture that attempts to uncover the ‘real person’ behind the trappings of their celebrity. I am more interested in those trappings,” says LaChapelle. Indeed, he exaggerates the artificiality of fame and Hollywood culture in a head on collision of color, plastic, and whimsy. His photographs confront our visual taste and challenge our ideas of celebrity, all the while taking us on a roller coaster ride through his hyper-sensationalized galaxy. Lil’ Kim becomes the ultimate status symbol, tattooed in the Louis Vuitton pattern. Madonna rises from pink waters as a mystical dragon princess. Pamela Anderson hatches out of an egg; and Alexander McQueen burns down the castle dressed as the Queen of Hearts. David LaChapelle’s uncompromising originality is legendary in the worlds of fashion, film, and advertising. His images, both bizarre and gorgeous, have appeared on and in between the covers of Vogue, Vanity Fair, Rolling Stone, Vibe and more. La Chapelle Land is fun park America gone surrealistically wrong — but in such an attractive way.

    A miniature pig splashing in a bowl of soup; a duck leading a wheelbarrow down a country lane; a woman gently stroking her daughter's face with a rabbit: take a trip into Sowa's brilliant and darkly comic imagination, where a menagerie of creatures adopt strange personae and pop up in the most unexpected places. In the same realm as Chris Van Allsburg and Maurice Sendak, Sowa's paintings take on the other-worldly look of a whacked-out fairy tale—each work full of irony, a wry Brothers Grimm for grown-ups. These witty and satirical images—a cross between Magritte and The Far Side—are sure to attract a well-deserved and passionate following in the States.

    As an artist, the scandalous Modigliani made his name chiefly with his celebrated pictures of women, with almond eyes and long necks and bodies. His style had ancient roots that lay deep in classical antiquity or Africa. But his portraits of intellectual giants of the age, friends such as Pablo Picasso, Jean Cocteau or Diego Rivera, were inimitable also. In Doris Krystof's study, the scene Modigliani was the hero of comes alive, and his sensitive paintings and sculptures speak in tongues.

    Written as short monologues, each of these powerful, early works of autobiographical fiction is spoken in the voice of a character he stumbles upon during travels throughout America.

    Bacon was also a legend in the London demimonde, a man who followed long nights of drinking, gambling, and sexual adventure with intense early morning encounters with the blank canvas.When Michael Peppiatt first met him in 1963, Bacon, then in his early fifties, was at the height of his powers. Over the next thirty years, Peppiatt became a close friend of Bacon's and one of his most perceptive critics, and he has produced a fascinating, disturbing portrait of this agonized modern artist.Bacon (1909–92) was raised in large country houses in rural Ireland by a family whose conventional expectations he rebelled against early on. As a young man he was introduced to the seamy side of life in London and Paris; but only after seeing a Picasso retrospective in 1928 did he become an artist. He sprang into prominence in 1944 with a triptych which shocked the art world with its sheer ferocity, and he soon emerged, with his friend Lucian Freud, as a leader of an informal “School of London,” which favored figurative painting in an age dominated by abstraction.As retrospectives of Bacon's work in Paris, London, and New York made his reputation soar, his nighttime exploits grew wilder and wilder; charming and confident, with a strong sadomasochistic streak, he was drawn to “rough trade” in London clubs and pushed all situations to the edge. At the same time, he was a deeply cultivated and thoughtful artist who was obsessively guarded about the sources of his inspiration.Peppiatt has unlocked many of the enigmas of Bacon's life and work. Bacon talked openly to Peppiatt about his early life, his sexuality, his fantasies, and his ambitions, aware that all was being recorded for publication. At the suggestion that some of his remarks would sound indiscreet, Bacon replied: “The more indiscreet, the more interesting it will be.” Together with many new facts, unpublished documents, and penetrating analyses of key paintings, these conversations have been integrated into what is the most complete and riveting account of one of the greatest artists of our time.

    Death Scenes is the noted forerunner of several copycat titles.

    The Imagineers are like Santa's elves: they are the nuts-and-bolts workers who allow Disney's magic to take flight. Walt Disney Imagineering explains in colorful detail the making of the magic of Walt Disney World, Disneyland, Disneyland Paris, and Tokyo Disneyland -- the world's most popular vacation "kingdoms" -- from the inside out. From Mickey's Toontown to Blizzard Beach, the wizardry of the Imagineers is brought to life in this book through drawings, models, artwork, and anecdotes; also featured are the now legendary conceptual sketches from Walt Disney's very own pencil. Walt Disney Imagineering is sure to inform and fascinate history buffs, art collectors, graphic designers, architects, engineers, and Disney fans alike.

    Tolkien is as beautiful and unique as its predecessor. This breathtaking four-color volume is designed in a deluxe, oversized format, and includes paintings from a diverse group of international artists. Each picture is accompanied by text from the relevant passage in Tolkien's fiction as well as a personal statement by the artist about the inspiration and influence J.R.R. Tolkien has had on their work. Includes works by an electric group of artists, both famous and up-and-coming: Alan Lee, renowned for his atmospheric interpretations of folklore and legend, as well as his stunning illustrations for "The Lord of the Rings" John Howe, creator of many Tolkien book covers and acclaimed for his powerful representations of the landscapes and peoples of Middle-earth Ted Nasmith, known for his classically accurate and dramatic pictures Inger Edelfeldt, illustrator of many beautiful and unusual Tolkien calendars, book covers and posters.

    Goldin turns her camera outward to record transvestites carousing in downtown clubs and the social impact of AIDS and drugs; and inward to look with unblinking intimacy at her friends, her lovers of both sexes, and herself. She records her boyfriend masturbating. She shows him on the toilet. She shows her own battered face in a mirror after he beats her up. She traces the decline and death of her friend Cookie Mueller. Goldin has created a stark record of her urban demi-monde.

    Each collection sparkles with pieces seen on book covers from around the world. Fantasy, science fiction, eroticism, etc... Royo has devised a special personal mix of media that makes his work so uncannily real, so beguilingly engaging as to make him a best-selling star.

    The Art of Magic Knight Rayearth comprises hardcover books which each contain over 75 fullcolor paintings most never before seen in America.

    A hefty compilation of essays (both pictorial and prose), notes, concept sketches and interviews by (and with) Hayao Miyazaki. Arguably the most respected animation director in the world, Miyazaki is the genius behind "Howl's Moving Castle," Princess Mononoke" and the Academy Award-winning film, "Spirited Away."

    Depicts drawings by an artist better known for her sculpture, and features interviews and comments by the artist.

    A founding member of Roxy Music, he went on to work as a solo artist and a producer/collaborator with U2, Talking Heads, David Bowie, Sting, Bono, and others. This diary covers four recording projects in the evolution.

    In addition to the human figure, it covers horses, dogs, cats, pigs, apes and more. Detailed, fully annotated illustrations of the skeletal, joint, and muscular systems clarify the proportions of each body type and lay the foundation for reproducing movements with true-to-life accuracy. With more than 1,500 illustrations, tips on drawing techniques, and informative explanations of the basics on human and animal anatomy, Cyclopedia Anatomicae provides the helpful guidance any artist can use.

    Wolf Kahn, one of the leaders of this group, directed this approach toward the painting of the landscape, which he has steadfastly developed over a period of forty years. Today Kahn's unique use of color has placed him at the forefront of American representational art, and has made him one of the most highly regarded colorists working in America today. Wolf Kahn presents an overview of the artist's life and prolific career. Starting with the young Kahn's early years as a drawing prodigy, the author, Justin Spring, continues with the artist's study with Hans Hofmann, his early success as a latter-day Expressionist, and his ten years as a painter of austere, tonalist canvases, finally leading to the brilliant, high-keyed landscapes that have established his reputation.

    At last she begins modelling for the artist Edgar Degas, well-known for his paintings of dancers and horses and for his fiery temper.When his sculpture of 'The Little Dancer' is finished, Marie's dream comes true.Complete with reproductions of Degas' work, this is another inspirational story from Laurence Anholt's best-selling series, celebrating some of the world's greatest artists and the real children who knew them.

    This book features the most extensive collection of Mary Engelbreit's work ever published, and it represents nearly 40 years of Mary's art. The new paperback version features a revised preface.

    A new and avidly awaited collection, The Secondary Colors is an exposition of marvels that follows his witty, encyclopedic, and endlessly fascinating book on the primary colors. In the perfection of its language, looping the factual to the fabulous, this dazzling work, at once a meditation and a mythic celebration, madly delights in the information on which it also depends, like a duck drinking the water on which it also floats. Theroux is scholar and showman both, uncannily able to teach and to please in a prose so striking and of such measureless intensity and wayward poetic enchantment that every page, transfigured with a singing grace, reflects the bounty of riches gathered from a thousand fronts to make each color live, in the very same way, according to the proverb born of an old belief: It takes an entire village to raise a child.

    Several of the 18 intricate designs include raised stitches, giving them an irresistibly touchable look. Step-by-step instructions and color photos are included.

    He paints the world of his childhood amongst the Gullah people of the South Carolina barrier islands. He reveals an awareness of the social and natural environments in which we live, elevating the everyday and celebrating the social.

    Illuminated Poems contains two never-before-published works, an introduction by Ginsberg and thirty-four poems from 1948 through the present day, including the poem "Howl" in its entirety. "Howl," perhaps the single poem that best captures the anguish and aspirations of the Beat Generation, was originally published forty years ago and is one of the most widely read poems of the century.

    Cologne's Museum Ludwig was the first museum of contemporary art to devote a substantial section to international photography. The L. Fritz Gruber collection, from which this book is drawn, is one of the most important in Germany and one of the most representative anywhere in the world, constituting the core of the museum's holdings. This book provides a fascinating insight into the collection's rich diversity; from conceptual art to abstraction to reportage, all of the major movements and genres are represented via a vast selection of the century's most remarkable photographs. From Ansel Adams to Piet Zwart, over 850 works are presented in alphabetical order by photographer, with descriptive texts and photographers' biographical details.

    Scott Fitzgerald's wife, Zelda (1900-1948), was the model for his heroines and a celebrity in her own right, but little is known about her creative accomplishments. This autobiography aims to reveal her true nature and many talents. It traces the ups and downs of her life, from her Alabama childhood to the glamorous years with Scott, whom she married when she was only 19, and to her death in a fire at a mental hospital.

    Thoughtful text introduces the world and work of the artist making the most of a child's natural curiosity

    Lady Cottington's previously unknown twin brother, Quentin, employs his "psychic image nebulizing generator" and "psychic odour nasalizing gasificator" to analyze the protoplasmic nature of the mysterious stains left by pressed fairies.

    Wissman offers astute and illuminating insights into the art, career, and family life of this great artist--whose beautiful paintings of a better, purer time an place continue to find favor with contemporary viewers. Over fifty full-color reproductions and several black-and-white illustrations exemplify Bouguereau's precision in creating timeless works of sensual, emotional, and intellectual appeal.

    Each lithograph is accompanied by a smaller colour photograph of the site or monument today, revealing how much or, as in some cases, how little Egypt has changed during the last 150 years. Concise discussions summarise Roberts' journey in the 1830s and the recent history of the monuments and are complemented by short extracts from Roberts' journal. The companion Volume, The Holy Land - Yesterday and Today, is also avaliable.

    In Prospect, Truitt looks at the far end of her life

    Working out of his modest studio, Disfarmer created portraits which are direct and unpretentious. Disfarmer's portraits of cotton farmers, tradesmen, soldiers home on leave, and the extended families that made up this rural community, reveal a common bond that is rapidly disappearing in the United States. They are bold portraits, and sometimes confrontational, yet they show his sitter's humble grace and small-town charm. Handed down through generations and found today in the family albums of this community, Disfarmer's portraits are emblematic of the post-Depression era. These photographs, many unpublished or rarely seen, underscore his uniquely American vision of place.

    Crumb's cartoons and films. Here the subject is Billingham's own dysfunctional family torn apart by the ravages of alcoholism and poverty. Billingham documents their squalid surroundings and violent interactions with shocking candor. He turns his camera lens on Raymond, his alcoholic father, stumbling through his life in a drunken stupor; Elizabeth, his mother, covered in tattoos who fills the emotional void in her life with her collection of pets; and Jason, his brother, an aimless young man who is drawn to drugs. This project blasts the lid off of one of our remaining taboos.

    Trungpa Rinpoche shows that dharma art provides a vehicle to appreciate the nature of things as they are and express it without any struggle or desire to achieve.

    In a word, the intention is to see Dior directly through his work. This publication offers a wholly new way of looking at and assessing The New Look and its succession in Dior's work.

    An eclectic stylist who crafts sentences like no one else, Davenport will fascinate "people who like to read, to look at pictures, and to know things".

    BOMC Div. Natural Science Main.

    An understanding of anatomy constitutes |the basis for the precise representation of human and animal forms whether at rest or in motion. With more than 1200 detailed illustrations by the Hungarian master artist András Szunyoghy, Anatomy Drawing School offers an in-depth view into the anatomy of human beings and selected mammals. For the student, the volume's remarkably precise depiction of the skeleton and muscles will open the door to the true-to-life reproduction of the various parts of the body and their movements — a critical step on the road to artistic mastery. Professor György Fehér provides clear and precise descriptions to accompany every illustration. Above and beyond these anatomical descriptions, his introductory texts offer a living image of the depicted life forms. This effective combination of artistic and scientific depictions makes Anatomy Drawing School into an essential reference work for painters, graphic artists and anyone interested in anatomy.

    “A treasure for broadening needlework skills and inspiring imagination in stitches.” —The Cloth Doll.

    Of course, Anton Corbijn's longtime bestseller is available again: his portrait gallery of the heroes and enfants terribles of film, literature, fashion, pop and rock.

    In thirty-two entrancing paintings, Susan Herbert opens up an unsuspected world of Shakespeare interpreted by cats with all their winning ways. Her many devoted admirers will find this collection full of the charm and humor of her earlier books; and newcomers to her art will be surprised and enchanted by the finesse she brings to this portrait gallery of cats in unusual guises. 32 color illustrations.

    Blizzard introduces boys and girls to 12 magnificent landscape paintings. Through these carefully selected works and a thought-provoking text, the author guides students toward an imaginative new way of looking at art.This book is suited both for family reading and for sharing with a small group. Each full-color reproduction is accompanied by a brief biological sketch of the artist and a series of open-ended questions designed to make the most of a child's natural curiosity.

    With the aid of extensive interviews with architects, designers and executives, this book sets out to show how a range of architects, from leading professionals to theme-part designers originally trained as animators, have integrated spectacular buildings into the far-flung Disney empire of theme parks, film studios and resorts.

    Direct from the legendary Playboy archives comes an incredible collection of the world's most popular men's magazine's main attraction--thousands of photos, many in color, of 512 gorgeous Playmates.

    Among the first to value and collect such works was the French artist Jean Dubuffet (1901-85), who coined the term Art Brut, or 'raw art'. He saw Art Brut as the purest form of creation because it was 'uncooked' by culture, touched by a raw nerve and deriving directly from the psyche. Some 50 years later, a wave of enthusiasm for contemporary folk art has gripped countries as far apart as India and the United States. John Maizels ties these disparate strands together, providing an extensive survey of the self-taught art of the twentieth century. Today a bewildering range of terminology has emerged, along with growing enthusiasm, for strains of creative expression outside the conventional art world. In Raw Creation, Maizels traces the history of the recognition and study of this art and examines different theories and definitions that have grown up around it. He provides detailed expositions of the work of individual artists ranging from such Art Brut masters as Adolf Wolfli and Aloise Corbaz, to such gifted American folk artists as Bill Traylor and Mose Tolliver. Devoting several chapters to large-scale visionary environments, Maizels takes a broad view, embracing Rodia towers in Watts, Los Angeles, the Palais Idéal in the South of France and Nek Chand's sculpture garden in north India. Raw Creation provides an indispensable guide to self-taught art and a fascinating account of human creativity.

    Divided into four chapters, from the 50s to the 90s, the book brings together the major photographs of a creator who left his imprint on a generation with prolific work in the fields of fashion, advertising, and portrait photography. Sieff’s art testifies to his tireless quest to capture the fleeting beauty of "temps perdu," or "time which cannot recur."

    Now, for the first time ever, noted animation historian John Canemaker chronicles the lives and work of these artists, from the 1930s to the present, situating them in the history of modern art and analyzing their influence on the form. 300 illustrations.

    91 color images; 32 line drawings.

    Burroughs has been practising a postmodern voodoo alchemy, via his cut-up and fold-in collage techniques, that accurately reflect our fragmented, postmodern society and experience. His novels, once banned and condemned, have over the years earned him membership in the American Academy and Institute for Arts and Letters and the title Commandeur de l'Ordre des Arts et des Lettres in France.

    His quest for the root of the matter led him beyond the bounds of the conventional in all his musical, written, and visual pieces. The resulting expansion of the definition of art -- with its concomitant emphasis on innovation and invention--earned him a reputation as one of America's most influential contemporary artists.Joan Retallack's conversations with Cage represent the first consideration of his artistic production in its entirety, across genres. Informed by the perspective of age, Cage's comments range freely from his theories of chance and indeterminate composition to his long-time collaboration with Merce Cunningham to the aesthetics of his multimedia works. A composer for whom the whole world -- with its brimming silences and anarchic harmonies -- was a source of music, Cage once claimed, "There is no noise, only sounds." As these interviews attest, that penchant for testing traditions reached far beyond his music. His lifelong project, Retallack writes in her comprehensive introduction, was "dislodging cultural authoritarianism and gridlock by inviting surprising conjunctions within carefully delimited frameworks and processes." Consummate performer to the end, Cage delivers here just such a conjunction -- a tour de force that provides new insights into the man and a clearer view of the status of art in the 20th century.

    His nature and landscape photography were influenced by Ansel Adams; however, Callahan was boldly innovative and experimental with the technical side of photography, using double exposures and extreme contrast, wide-angle lenses and colour to create lyrical, highly personal photographs. He was celebrated as a photographer of nature, the city and women, often with his wife as a model. This book first accompanied Callahan's National Gallery of Art exhibition and it traces the numerous experiments Callahan made throughout his career through 119 reproduced photographs.

    Photographed by a designer for designers, these pictures show specific materials and how they change with time, weather, wear, and different lighting. Each section offers general views of the material, a gallery of commonly used or manufactured samples, and hundreds of specimens showing types and finishes in architectural settings. Captions provide information about the physical properties, dimensions, construction techniques, specific varieties of the material, and types and styles of treatments. Interviews with eight design professionals provide practical advice on how they approach visual research, and a comprehensive glossary of visual and technical terms offers a vocabulary for professional communication. An index of subject matter and materials makes it easy to find just the image you need.

    Then he began painting them himself, inspired by John James Audubon's classic bird portraits. This is the dazzlingly beautiful result, with more than seventy original watercolors by a true prodigy--only twenty years old and already considered "a fair bid to become the Audubon of the fishing world" (The New York Times).     The trout of North America range from the Pacific to the Atlantic, and from the Arctic Circle to the Tropic of Cancer. No other book pictures all of the popular varieties, much less the rare, exotic, and in some cases extinct species, subspecies, and strains included in this comprehensive collection. Char; Apache, Gila, and Mexican trout; rainbow, redband, and golden trout; cutthroat trout; brown trout and Atlantic salmon--each of these, and many more, are captured in vivid watercolors, along with engaging, informative descriptions of their evolution and habitats.     With youthful passion and stunning accuracy, James Prosek celebrates as never before the indelicble beauty and variety of the trout, and makes an eloquent plea for its preservation. An unprecedented reference, Trout is essential for the serious angler--and a glorious introduction for anyone who loves fishing and the outdoors.

    Covering two decades of her life and art, from her time in Boston in the 1970s through her move to downtown New York City and her subsequent and stratospheric rise in the art world, Goldin's most memorable work is collected here. Amongst the many powerful images are photographs of friends and lovers sometimes in pain, sometimes in repose; self portraits taken during an abusive relationship, from The Ballad of Sexual Dependency; the transvestite and transgendered kings and queens of The Other Side; and the harrowing and moving documentation of the slow death from AIDS of close friend Cookie Mueller. Scalo Publishers is pleased to offer this seminal book at a new and more affordable price, making this classic title accessible to an even wider audience of Goldin's fans than ever before.

    

    Numerous black-and-white illustrations of paintings, drawings, watercolors, and sketchbook pages represent all aspects of his oeuvre. This volume's comprehensive review of the critical response evoked by Cézanne's work, both during his lifetime and afterward, is unprecedented in the literature on the artist. Also included are a fully documented, illustrated chronology and an annotated glossary of the collectors who acquired the work of the nineteenth-century master. Published to accompany the recent Cézanne retrospective organized by the Réunion des Musées Nationaux/Musée d'Orsay, Paris; the Tate Gallery, London; and the Philadelphia Museum of Art. Awarded the prize for Best Museum Catalogue published in 1995&endash;96 by the International Association of Art Critics. Index.

    This beautifully designed visual survey of the career of Dutch graphic designer Karel Martens is a tactile distillation of Martens's unique and personal approach to design. Projects—ranging from postage stamps to books to signs on buildings—are arranged in layouts that fully explore the print process. The first edition of printed matter rapidly sold out along with a second edition published in 2001. This third and final edition includes a new interview with Martens and brings the survey of his work to 2010, marking fifty years of practice.

    Inside, you will see more than 50 of Keith's classics, including work for Guardians and cover art for Terry Brooks, David Eddings and more, as well as sketches and techniques never before seen. This is your chance to witness fantastic worlds from a master of fantasy.

    His book should be appropriate for anyone interested in the practice or theory of graphic design.

    This work contains selected important works from every phase of Lange's career and reproduces famous photographs as well as less-familiar images.

    Surveying the depiction of the female form during Egypt's Amarna period (circa 1353-1336 BC), this is the catalogue of an October 1996 exhibition at the Metropolitan Museum of Art, New York.

    Their senses and instincts are beyond our imagination. We have witnessed their kindness and courage, their joy and their sorrow, their loyalty and love.Do their lives deserve to be honored among the stars? I believe they do...

    1947) compiled by the artist himself. It is nothing less than an ode to beauty. For more than 20 years, he has been taking photographs of girls growing up, both in his native California and at a nudist resort on the Atlantic coast of France. Nudity in Sturges' work has never been a cheap or tawdry gimmick, rather it is shown as human beings' natural state. His photographs are an expression of the trust he has established over the years with the girls and their families. Calmly and almost casually, Sturges observes the aging process of his models. His striking long-term studies chart barely perceptible changes in their appearance, the slow maturing of the female body. Sturges preserves transient states that will never return; graceful forms that time will eventually extinguish. A sweet melancholia pervades Sturges' images as he knows that beauty is not an everlasting state -- but a brief moment in time whose essence we should cherish.

    

    A generous selection of Kinkades finest images meticulously reproduced favourites as well as new work that has never been published in book form Masterworks of Light identifies Kinkade as a true master of landscape painting. Thomas Kinkade is an Alternate Selection of the Doubleday Book Club and The Literary Guild. There are more than 200 Thomas Kinkade galleries nationwide. The bestselling Lightposts for Living (Warner, 1999) has sold more than 150,000 copies.

    This text provides an analysis of the scroll dating from the late 15th or early 16th century, and aims to throw light on the conceptualization, recording, and transmission of architectural design in the Islamic world between the 10th and 16th centuries. It compares the Islamic understanding of geometry with that found in medieval Western art.

    Different and seemingly contradictory movements were evolving, and the dominant style that emerged during this period was Impressionism. Based in part on the broken brushwork and high-keyed palette of Claude Monet, it was a form especially suited to the dramatic landscape and shimmering light of California. American Impressionism grew in popularity as artists from across the nation migrated to the Golden State. There they created a remarkable style, often referred to as California plein-air painting, combining several aspects of American and European art and capturing the brilliant mix of color and light that defined California.This book celebrates forty Impressionist painters who worked in California from 1900 through the beginning of the Great Depression. A joint effort of The Irvine Museum and the Georgia Museum of Art, it includes widely recognized California artists such as Maurice Braun and Guy Rose, less well known artists such as Mary DeNeale Morgan and Donna Schuster, and eastern painters who worked briefly in the region, such as Childe Hassam and William Merritt Chase.The contributors' essays examine the socioeconomic forces that shaped this art movement, as well as the ways in which the art reflected California's self-cultivated image as a healthful, sun-splashed arcadia. Beautifully illustrated, with 72 full-color plates, California Impressionists recreates the vibrant splendor of a unique period in American art.

    But her father is worried. Selling his photographs provides only a meager income, and of what practical use are strange drawings, no matter how pretty? Danielle tries, but she just can’t help drawing the world her way. Finally, one fateful day, she manages to find the road to her future, a path full of her fanciful creatures.

    Degas played an integral role in reshaping the visual arts at the turn of the century, says Richard Kendall. The artist`s remarkable drawings, pastels, oil paintings, and sculptures involve startling explorations of color, unexpected combinations of technique and media, and a radical reexamination of the human physique.

    They feature the beauty, mystery and abuse of the American desert with images as diverse as secret nuclear test sites, space shuttle landings, arts happenings and natural disasters.

    Out of Order, Out of Sight is an artistic and intellectual autobiography and an (occasionally scathing) commentary on mainstream art, art criticism, and American culture of the last twenty-five years. Piper is an internationally recognized conceptual artist and the only African American in the early conceptual art movement of the 1960s. The writings in Out of Order, Out of Sight trace the development of her thinking about her artwork and the art world, and her evolving awareness of herself as a creative, racial, and gendered subject situated in an often limiting and always absurd cultural and social context.

    Photographing her own mother using 1950s-inspired props, Olausen presents tongue-in-cheek images of "Mother as Coffee Table, "Mother as Door Mat", and "Mother in Camouflage". 60 color photos.

    It explores the world of the rural Irish family at midcentury, rooted to the land and to each other by bonds of love and friendship that lent them strength despite their many hardships.Essays by Irish writer Gerry Mullins detail Lange's life and revisit some of the places and people she encountered in Ireland nearly 50 years ago. Rounding out the text is an eloquent reminiscence by Daniel Dixon, Lange's son, who accompanied her to Ireland and helped her to edit her work. "Throughout our assignment", writes Dixon, "we were chilled by the Irish temperatures but warmed by the Irish temperament".The Irish temperament warms the pages of Dorothea Lange's Ireland as well; anyone who loves Ireland and the Irish will treasure this book.

    Noting the similarity between prehistoric rock art and that created by some contemporary traditional societies, archaeologists Jean Clottes and David Lewis-Williams suggest that the ancient images were created by shamans, powerful individuals who were able to contact the spirit world through trance and ritual.

    Delgado, a noted marine archaeologist with the National Park Service, visited Bikini in the late 1980s to explore and document the condition of the sunken ships. His work is more than an archaeological study; it is the history of the nuclear age. This book chronicles the development of the bomb, its deployment in Japan, the preparations for the tests, the attempted clean-up afterward, and the beginning of the Cold War.

    Babies as beatific butterflies. Babies as tiny fairies dwelling in a magical garden. These are the inhabitants of Anne Geddes' gorgeous book Down in the Garden, an extraordinary ode to tiny babies and the enchantment they bring to life.In Geddes' Down in the Garden, the world-famous photographer has captured newborns in a variety of mythical poses: brightly colored flowers with babies peeking out from behind them, sleeping babies snuggled inside bright green peapods, sprightly gnomes with darling baby faces. All come together to make Geddes' Down in the Garden an artistic masterpiece unlike any other.This small hardcover edition of Down in the Garden features all the striking images from the internationally best-selling full-size volume in a more intimate, gift-size package. Complemented by gently humorous text, the images in Down in the Garden reflect Geddes' appreciation for the beauty and innocence of babies. Her unique imagery immediately communicates her deep and abiding love of children in a universal language understood by people everywhere.

    They offer a picture of America that we hold dear, representing a world of hope and humanity.Fred Bauer writes about Rockwell's message of optimism and the artist's faith in America and its people in a forthright and sympathetic text complemented by numerous Rockwell favorites in all their warmth and color. Bauer visits Stockbridge, Massachusetts, and Arlington, Vermont, talking to the people who lived with Rockwell and posed for his anecdotal pictures, the people about whom the artist said, "If you are interested in the characters you draw and understand them and love them, why, the people who see your pictures are bound to feel the same way." This lovely book enables us to partake once again of that unique love and understanding that Norman Rockwell still communicates to America.

    With paint and imagination, you can turn ordinary rocks into charming cottages, country churches, barns and farmhouses, Victorian mansions and more! Inside, 11 step-by-step projects make it fun and easy!

    Born in London of mixed Jewish and English parentage, and a restless and much photographed beauty, she moved in the pivotal circles of international modernism, where her friends and lovers included Gertrude Stein, Marinetti, Marcel Duchamp, Joseph Cornell, Djuna Barnes, the poet-boxer Arthur Cravan, and the Surrealists and Man Ray. Carolyn Burke's riveting, authoritative biography brings this highly original and representative figure wonderfully alive, in the process giving us a new picture of modernism—and one woman's important contribution to it.

    Although Duchamp's ready mades broke with all previously known styles, de Duve observes that he made the logic of modernist art practice the subject matter of his work, a shift in aesthetic judgment that replaced the classical this is beautiful with this is art. De Duve employs this shift (replacing the word beauty by the word art) in a rereading of Kant's Critique of Judgment that reveals the hidden links between the radical experiments of Duchamp and the Dadaists and mainstream pictorial modernism.

    From the history of the 19th century European municipal cemetery to the grave of an Italian couple whom "death shall not divide", Beautiful Death is a many-faceted tribute to an eternally fascinating subject. 130 color photos.