His reputation as a poet of formidable talent is growing, he enjoys his work as a college professor and, perhaps most importantly, he is deeply in love with his partner of many years, Wally Roberts. The harmonious existence these two men share is shattered, however, when they learn that Wally has tested positive for the HIV virus. From diagnosis to the initial signs of deterioration to the heartbreaking hour when Wally is released from his body's ruined vessel, Heaven's Coastis an intimate chronicle of love, its hardships, and its innumerable gifts. We witness Doty's passage through the deepest phase of grief -- letting his lover go while keeping him firmly alive in memory and heart -- and, eventually beyond, to the slow reawakening of the possibilities of pleasure. Part memoir, part journal, part elegy for a life of rare communication and beauty, Heaven's Coast evinces the same stunning honesty, resplendent descriptive power and rapt attention to the physical landscape that has won Doty's poetry such attention and acclaim.

    But one thing he never expected was his cellmate. Spy, rogue, thief, and noble, Seregil of Rhiminee is many things–none of them predictable. And when he offers to take on Alec as his apprentice, things may never be the same for either of them. Soon Alec is traveling roads he never knew existed, toward a war he never suspected was brewing. Before long he and Seregil are embroiled in a sinister plot that runs deeper than either can imagine, and that may cost them far more than their lives if they fail. But fortune is as unpredictable as Alec’s new mentor, and this time there just might be… Luck in the Shadows.

    Mueller captures the glamour and grittiness of Cookie Mueller?s life and times. Here are previously unpublished stories - wacky as they are enlightening - along with favorites from Walking Through Clear Water in a Pool Painted Black and other publications. Also the best of Cookie?s art columns from Details magazine, and the funniest of her advice columns from the East Village Eye, on everything from homeopathic medicine to how to cut your cocaine with a healthy substance. This collection is as much an autobiography as it is a map of downtown New York in the early ?80s - that moment before Bright Lights, Big City, before the art world exploded, before New York changed into a yuppie metropolis, while it still had a glimmer of bohemian life.

    Written as short monologues, each of these powerful, early works of autobiographical fiction is spoken in the voice of a character he stumbles upon during travels throughout America.

    With grace and affectionate humor, he follows their relationship from their first meeting through Larry's death. "I'm so lucky, " his lover told him repeatedly, even as he was confronting HIV. "Denial, pure and simple, " Johnson told himself, "until our third and final trip to Paris, where on our last night in the city we sat together in the courtyard of the Picasso Museum. There I turned to him and said 'I'm so lucky, ' and it was as if the time allotted to him to teach me this lesson, the time allotted to me to learn it had been consumed, and there was nothing left but the facts of things to play out."

    Transgender Warriors is an eye-opening jaunt through the history of gender expression and a powerful testament to the rebellious spirit.

    But none of this has prepared us for Loren Cameron's amazing portraits of transsexuals. Beautifully reproduced and complemented with notes and short essays, these portraits of women who are now men may startle, but they will also make you marvel at the genuine complexities of life, sex, and desire. Body Alchemy might have been a curiosity, like Diane Arbus's photographs of those outside the physical and cultural mainstream, but Cameron's art is so empathetic, so precise, that we are left in awe and with a new understanding of the realities of being human.

    Examining the elite's supposed hegemony over intellectual work, Thinking Class rejects the ideaa that working class people are not thinkers, and affirms the culture that springs up, beautiful and honest, from this society's true base.

    From art and cinema, through politics, bodybuilding, science fiction and the city, they both reflect and challenge these times of radical change and puzzlement. Matching guts to theory, anger with compassion, Acker offers original views on the likes of Peter Greenaway, Samuel Delaney, Burroughs, de Sade, and Cronenberg's Crash. Collectively, these essays offer the reader a journey into strangeness, provocation and delight.

    The graphic novel depicts Wojnarowicz’s childhood of prostitution and drugs on the streets of Manhattan, through his adulthood living with AIDS, and his anger at the indifference of government and health agencies. Originally published as a comic book in 1996 by DC’s Vertigo Comics, an imprint best-known for horror and fantasy material such as The Sandman, 7 Miles a Second was an instant critical success, but struggled to find an audience amongst the typical Vertigo readership. It has become a cult classic amongst fans of literary and art comics, just as Wojnarowicz’s influence and reputation have widened in the larger art world. Romberger and Van Cook’s visuals give stunning life to Wojnarowicz’s words, blending the gritty naturalism of Lower East Side street life with a hallucinatory, psychedelic imagination that takes perfect advantage of the comics medium. This new edition will finally present the artwork as it was intended: oversized, and with Van Cook’s elegant watercolors restored. It also includes several new pages created for this edition.

    For any lover, letter writing is an act of urgency: for the lesbian lover, it has often been an act of necessity. Collected here for the first time is a sampling of poignantly revealing and often breathlessly passionate love letters between women, written over the past 140 years, including intimate musings by such famous writers as Virginia Woolf, Emily Dickinson, and tatiana de la tierra. Illustrated with more than sixty full-color collages, Between Us is a landmark work, shedding light on lesbian love with candor, humor, and grace.

    The gaucheness, the rush of excitement, and the inarticulate tenderness of young love are beautifully captured in writing of great truth and delicacy. Only the most irrational of homophobes could fail to be moved by it."—Daily Telegraph"Deliciously upbeat ... seldom has there been a play which so exquisitely and joyously depicts what it's like to be sixteen, in the first flush of love and full of optimism. Truly a most unusual and beautiful thing."—Guardian"An unfakeably truthful portrait of adolescent self-discovery, showing sensitivity and fun pushing up like wild flowers through the concrete crevices of a Thamesmead estate. This is the most heartening working-class comedy since A Taste of Honey."—Independent on Sunday

    The first collection of the texts by one of the world's leading and most controversial performance artists

    The probing fierceness of Adrienne Rich's "Love Poem," the stirring sensual incantation of Ellen Bass's "Praise," the intensely felt tenderness of Dorothy Allison's "Reason Enough to Love You," are just a few examples of the rich talent displayed in this volume.These poets have written daring confessions of love, sorrow, anger, and joy. Each poem is an elaborate confirmation of the resilience of the human spirit, and the ability to transform experience--including the struggle against the societal taboo of same-sex love--into brilliant poetry.

    The bonds of love. Which is stronger? Gentle, sensual, passionate. Jenny-Wren and Annabel. Magic has woven their lives together. Destiny has bridged their worlds. Set on the breath-taking Chautauqua Lake, two young women grow and find each other unknowing at first of the bridge of time that they cross. Jenny-Wren is from the 1980s. Annabel from 1890s. But their path is a single one.

    Shortly after the filming began, Jarman also began work on this volume of his journals, which contains diary entries and interviews, notes on the script, stills from the filming, and photographs of Derek, his family and friends.

    At the heart of this bold and seductive novel is an alleged crime committed many years before the story opens. Mala is the reclusive old woman suspected of murder who is delivered to the Paradise Alms House after a judge finds her unfit to stand trial. When she arrives at her new home, frail and mute, she is placed in the tender care of Tyler, a vivacious male nurse, who becomes her unlikely confidante and the storyteller of Mala's extraordinary life.In luminous, sensual prose, internationally acclaimed writer Shani Mootoo combines diverse storytelling traditions to explore identity, gender, and violence in a celebration of our capacity to love.

    . . . Becker is acutely aware of, and devastated by, her many losses, but emerges defiant and admirably without regret or shame.”—Boston Review

    In the seventy years from 1432 to 1502, some 17,000 men--in a city of only 40,000--were investigated for sodomy; 3,000 were convicted and thousands more confessed to gain amnesty. Michael Rocke vividly depicts this vibrant sexual culture in a world where these same-sex acts were not the deviant transgressions of a small minority, but an integral part of a normal masculine identity.In 1432 The Office of the Night was created specifically to police sodomy in Florence. Seventy years of denunciations, interrogations, and sentencings left an extraordinarily detailed record, which Rocke uses to its fullest in this richly documented portrait. He describes a wide range of sexual experiences between males, ranging from boys such as fourteen-year-old Morello di Taddeo, who prostituted himself to fifty-seven men, to the notorious Jacopo di Andrea, a young bachelor implicated with forty adolescents over a seventeen-year period and convicted thirteen times; same-sex "marriages" like that of Michele di Bruno and Carlo di Berardo, who were involved for several years and swore a binding oath to each other over an altar; and Bernardo Lorini, a former Night Officer himself with a wife and seven children, accused of sodomy at the age of sixty-five. (Mortified, he sent his son Taddeo to confess for him and plead for a discreet resolution of his case.) Indeed, nearly all Florentine males probably had some kind of same-sex experience as a part of their "normal" sexual life.Rocke uncovers a culture in which sexual roles were strictly defined by age, with boys under eighteen the "passive" participants in sodomy, youths in their twenties and older men the "active" participants, and most men at the age of thirty marrying women, their days of sexual frivolity with boys largely over. Such same sex activities were a normal phase in the transition to adulthood, and only a few pursued them much further. Rather than precluding heterosexual experiences, they were considered an extension of youthful and masculine lust and desire. As Niccolo Machiavelli quipped about a handsome man, "When young he lured husbands away from their wives, and now he lures wives away from their husbands." Florentines generally accepted sodomy as a common misdemeanor, to be punished with a fine, rather than as a deadly sin and a transgression against nature. There was no word, in the otherwise rich Florentine sexual lexicon, for "homosexual," nor was there a distinctive and well-developed homosexual "subculture." Rather, sexual acts between men and boys were an integral feature of the dominant culture.Rocke roots this sexual activity in the broader context of Renaissance Florence, with its social networks of families, juvenile gangs, neighbors, patronage, workshops, and confraternities, and its busy political life from the early years of the Republic through the period of Lorenzo de' Medici, Savonarola, and the beginning of Medici princely rule. His richly detailed book paints a fascinating picture of a vibrant time and place and calls into question our modern conceptions of gender and sexual identity.

    . . a near perfect tale, and a compelling alternative to the spate of gay epics that have lately inundated readers" ("Kirkus Review").

    In the decade and a half since her death, a new generation of scholars has focused its attention on her elegant dissection of the representation of women in the mass media during the Weimar era. Here, in the first comprehensive survey of her work by an American museum, authors Peter Boswell, Maria Makela, and Carolyn Lanchner survey the full scope of Hoch's half-century of experimentation in photomontage - from her politically charged early works and intimate psychological portraits of the Weimar era to her later forays into surrealism and abstraction. This beautifully designed catalogue presents more than l00 color plates and offers new insights into the life and career of this extraordinary artist.

    It gets very, very hot in Seaton's kitchen and in her poems. As this inventive and imaginative poet states, "Furious Cooking is a stew of accidents and incidents roiling across universes." Seaton creates curious and energetic juxtapositions; she revisits violence and assesses its damages. The poet/woman in the thick of this caldron instigates polarities and assumes the roles of inquisitor and heretic, perpetrator and child, painter and artifact, scientist and specimen. She careens circularly through the hypocrisies and atrocities of church and partner, established sanctioned realities, the seeming senseless death of loved ones in this life and long ago.

    His methodical working process combines intense deliberation and experimentation, obsessive craft, cycles of revision and repetition, and decisive shifts of direction. Johns also frequently borrows images from other artists, which, ironically, only underscores the originality of his own vision. His work occupies a key position in the art of the second half of the twentieth century. Jasper Johns: A Retrospective is the most complete and authoritative resource on it available, containing 264 color plates illustrating his paintings, drawings, sculptures, and prints. Accompanying essays review his essential themes, analyze his references to other artists, and explore how his contemporaries have, in turn, seen and absorbed his own work. The plates are arranged to follow the stages of his career, allowing comparison of paintings, drawings, sculptures, and prints from each period, as his style developed and changed. That comprehensive selection of reproductions is interwoven with an illustrated chronology tracing Johns' life and work with unprecedented accuracy and thoroughness. With its scholarly essays and extensive bibliography, Jasper Johns: A Retrospective is the indispensable reference work on this crucial artist. This volume was originally published to accompany the major exhibition of Johns' work held at The Museum of Modern Art in 1996 and 1997, his first full retrospective in 20 years. It has been out of print since 2002.

    Three young men who know one another and have learnt to love. Howard Roffman photographed the story of this menage a trois with a loving eye over a long period. Fantasy and reality coalesce and a romantic collage full of sensually erotic pictures is the result.

    poetry, from hillbilly childhood to savage sissy

    

    Accompanied throughout by witty quotes -- "I decided that being a shoe salesman is a really sexy job", for example -- these forty drawings, watercolors, and prints demonstrate Warhol's special talent for transforming the ordinary into the extraordinary.Style, Style, Style offers a cavalcade of forty striking fashion images -- slinky dresses, whimsical period costumes, sprightly scarves, ultrachic bijoux, and more, all drawn from Warhol's archives. Sprinkled throughout with the artist's droll quips and playful epigrams, this stylish minibook conjures up all the decadent pleasures of a shopping spree -- at only a fraction of the cost.

    A gritty, enormously readable novel of contemporary lesbigay life which raises real questions about the meaning of family and community, and about the walls we construct. A celebration of the healing powers of love.

    God's Gym is about divinity, physical pain, and the visions of male perfectability. Weaving together his obsession with human anatomy and dissection, an interest in the technologies of torture, the cult of physical culture, and an expert knowledge of biblical criticism, Moore explains the male narcissism at the heart of the biblical God. God's Gym is an intensely personal book, brimming with our culture's phobias and fascinations about male perfectability.

    Presents evidence from other cultures, responds to objections expressed by both straight and gay opinion, and argues that forbidding marriage is a denial of civil rights.

    In Leaking From Every Orifice she was a lesbian, had a sexual relationship with a gay man and ended up pregnant…"She make you laugh as she kicks you in the teeth" (Guardian)

    Powerful and often stunning, the stories in Shade are so brilliant they will cast a long shadow for years to come.

    Instead, Probyn proposes a model of identity that takes into account the desires of individuals, and groups of individuals, to belong. The main ideas she considers--"the outside", "the surface", and "belonging"--allow her to articulate, in concrete terms, her precise concerns about sexuality and nationality.

    "This is no ordinary love story. Fries has recorded all the forward, backward and sideways movements we make as we struggle with despair and hope, denial and fear, the unanswerable questions of an epidemic. These poems become tools which can help us survive" -Ruth L. Schwartz, San Francisco Bay Times.

    Seven-year-old Lindsey learns to cope with her father living with HIV.

    A Quaker meeting struggles to decide whether to marry a lesbian couple. An entire congregation is thrown out of the Southern Baptist Convention for deciding that a gay divinity student had a sincere calling to the ministry, and an order of celibate monks comes out of the closet. An Episcopal priest blesses two same-sex relationships--then a closeted gay lawyer leads the charge to have him fired.Homosexuality is the most divisive issue facing churches today. Like the issue of slavery 150 years ago, it is a matter that ignites passionate convictions on both sides, a matter that threatens to turn members of the same faith against each other, to divide congregations, and possibly even to fragment several denominations. Like slavery, it is an issue that calls up basic questions about what it means to be a Christian. How does one know right from wrong? Is the Bible fallible? Do good Christians always follow their church's teachings, or are they allowed to think for themselves on moral issues? And to what source does one finally look to determine what God really wants?While many books have been written analyzing the scriptural and theological dimensions of the conflict, none has yet shown how it is being played out in the pews. Congregations in Conflict examines nine churches that were split by disagreements over gay and lesbian issues, and how the congregations resolved them.Hartman explores in very readable prose how different denominations have handled their conflicts and what it says about the nature of their faith. He shows some churches coming through their struggles stronger and more unified, while others irrevocably split. Most importantly, he illuminates how people with a passionate clash of beliefs can still function together as a community of faith.

    This comprehensive work explores a vast, eclectic tradition in its totality, analyzing the aesthetics of the visual imagery, its production, circulation, and consumption, and broad social and legal implications.

    Employing an unparalleled range of cultural sources, Brooten finds evidence of marriages between women and establishes that condemnations of female homoerotic practices were based on widespread awareness of love between women."An extraordinary accomplishment. . . . A definitive source for all future discussion of homoeroticism and the Bible."—Mary Rose D'Angelo, Harvard Gay & Lesbian Review"[Brooten's] convincing analysis . . . not only profoundly reshapes our understanding of the past, but it should also shape the way in which that past, particularly the early Christian texts with their immense normative weight, will be used for the future."—Anne L. Clark, Journal of Lesbian Studies"Love Between Women gives contemporary debates on sexuality a carefully delineated past. It boldly insists upon a different future, one informed by history but not tyrannized by it."—Susan Ackerman, Lambda Book Report"Fascinating, provocative and lucid. . . . Brooten has made a fundamental contribution to women's and gender studies, gay and lesbian studies, and classics."—Elizabeth A. Castelli, Women's Review of BooksWinner of the Lambda Literary Award for Best Lesbian Studies Book, 1997

    Exploring the themes begun in his first book, The Other Man Was Me, Campo extends the search for identity into new realms of fantasy and physicality. He travels inwardly to the most intimate spaces of the imagination where sexuality and gender collide and where life crosses into death. Whether facing a frenetic hospital emergency room to assess a patient critically ill with AIDS, or breathing in the quiet of his mother’s closet, Campo proposes with these poems an alternative means of healing and exposes the extent to which words themselves may be the most vital working parts of our bodies. The secret truths in What the Body Told, as the title implies, are already within each of us; in these vivid and provocative poems, Rafael Campo gives them a voice.Lost in the Hospital It’s not that I don’t like the hospital.Those small bouquets of flowers, pert and brave.The smell of antiseptic cleansers.The ill, so wistful in their rooms, so true.My friend, the one who’s dying, took me outTo where the patients go to smoke, IV’sAnd oxygen tanks attached to them—A tiny patio for skeletons. We sharedA cigaratte, which was delicious butToo brief. I held his hand; it feltLike someone’s keys. How beautiful it was,The sunlight pointing down at us, as ifWe were important, full of life, unbound.I wandered for a moment where his ribsHad made a space for me, and there, besideThe thundering waterfall of is heart,I rubbed my eyes and thought “I’m lost.”

    It includes stories such as "The Tale of Genmu" and "The Story of Kannon's Manifestation as a Youth"---how a Buddhist Bodhisattva gives his blessing to a gay relationship. The renowned 17th century writer Ihara Saikaku is well represented with his stories of samurai and actors and their boyloves. The amazing 17th century collection Wild Azaleas (the world's premier gay anthology of stories and poems) is presented here for the first time within the pages of a book. There is an indepth section of 20th century writers, including Mishima Yukio's story "Onnagata," and the erotic stories/poems of Takahashi Mutsuo. His massive poem of gay sex, "ODE," is consider by publisher Winston Leyland as "the single great gay poem of the 20th century." Masterfully rendered into English by twelve translators---all scholars of Japanese literature---this pioneering anthology deserves a wide readership.

    In the various roles of painter, stage designer, film-maker and gardener, his intensity forged a compelling view of the world in many different media. However, it was as a painter that he was trained, graduating from the Slade School of Art in the 1960s to almost immediate acclaim, and exhibiting widely both in London and abroad. His career as a film-maker never entirely exposed his importance as an artist.

    A fabulous queen, a fan of prurience and pornography, a great admirer of the male body, he was well known as such to the gay audiences who enjoyed his films, the police who censored them, the gallery owners who refused to show his male nudes, and the artists who shied from his swishiness, not to mention all the characters who populated the Factory. Yet even though Warhol became the star of postmodernism, avant-garde, and pop culture, this collection of essays is the first to explore, analyze, appreciate, and celebrate the role of Warhol’s queerness in the making and reception of his film and art. Ranging widely in approach and discipline, Pop Out demonstrates that to ignore Warhol’s queerness is to miss what is most valuable, interesting, sexy, and political about his life and work.Written from the perspectives of art history, critical race theory, psychoanalysis, feminist theory, cinema studies, and social and literary theory, these essays consider Warhol in various contexts and within the history of the communities in which he figured. The homoerotic subjects, gay audiences, and queer contexts that fuel a certain fascination with Warhol are discussed, as well as Batman, Basquiat, and Valerie Solanas. Taken together, the essays in this collection depict Warhol’s career as a practical social reflection on a wide range of institutions and discourses, including those, from the art world to mass culture, that have almost succeeded in sanitizing his work and his image. Contributors. Jennifer Doyle, Jonathan Flatley, Marcie Frank, David E. James, Mandy Merck, Michael Moon, José Esteban Muñoz, Eve Kosofsky Sedgwick, Brian Selsky, Sasha Torres, Simon Watney, Thomas Waugh

    "An Evening at the Garden of Allah" takes readers back in time with its vivid, exciting oral history of this shining moment in America's gay and lesbian past.

    

    Thirty-two stories examine African American lesbian and gay identity.

    Jean Cocteau, as camp a figure as Paris has ever produced, said in Vanity Fair in 1922, 'I am a lie that tells the truth.' This paradox is the basis of Philip Core's personal definitions of camp, seen from the inside. His savagely witty depicts of more than two centuries of camp find it embodied in personalities and places, objects and artefacts. He has written a Who's Who and a What's What of camp, a deceptively descriptive and factual lexicon, allowing the reader to build up a kaleidoscopic picture of camp through the ages. It is complemented with 150 rare and stunning photographs and a vivacious foreword by England's foremost authority on surrealism, eccentric behaviour and hats - jazz singer George Melly.

    The broadest, most erotic, most sophisticated collection of lesbian love poetry exploring all aspects of women loving women, this book includes contributors ranging from Sappho to Audre Lorde, Joy Harjo, June Jordan, and a new generation of Latina and Asian-American, African-American, and Native American poets.

    Beginning with the intellectual and institutional history, and the cultural politics, of American underground cinema, this work moves to the filmmakers' work - Anger's taste for ornamentation, stylistic excess, and hot-rod and motor-cycle subcultures; Smith's interest in 1920s and 40s movie glamour and decaying urban landscapes.

    It raises issues about civil rights and individual freedoms, and considers how these impact on current debates on gender studies, sexual/political and cultural studies.

    "Angelic and brazen."--Jewelle Gomez.

    Although prostate cancer is a disease that strikes nearly 200,000 men every year, it is a disease that has been shrouded in silence, in part because it strikes at the very core of masculine identity.  But in Man to Man, bestselling author Michael Korda breaks that silence, turning the story of his illness and recovery into a candid and instructive book that speaks not only to every man and woman whose life has been touched by prostate cancer but to everyone who lives in fear of it.With unsparing frankness, Korda describes how he survived the ordeal of prostate surgery and its painful and humiliating aftereffects.  He tells us how tumors are graded, evaluates different treatments, and makes sense of prostate cancer's mystifying "numbers."  Practical, immensely readable, filled with information, and, above all, hopeful, Man to Man is literally a life-saver.