The Rape of Nanking, or Nanking Massacre, in which at least 369,366 people were slaughtered and 80,000 women were raped by Japanese invasion troops, has become little more than a historical footnote in the West. The horror began on the morning of December 13, 1937, when the Japanese Imperial Army captured Nanking (Nanjing), which was then China's capital. Soldiers went through the streets indiscriminately killing Chinese men, women, and children without apparent provocation or excuse until in places the streets and alleys were littered with the bodies of their victims. Thousands of women were raped by Japanese soldiers; death was frequently the penalty for the slightest resistance by a victim or members of her family. Even large numbers of young girls and old women were raped throughout the city, and many cases of abnormal and sadistic behavior in connection with these rapes were reported. Many women were killed after the act and their bodies mutilated. For the next six weeks, while horrific rape continued, wholesale murder of male civilians was conducted with the apparent sanction of the Japanese high command. Hundreds of thousands of civilians and disarmed ex-soldiers were arrayed in formation, their hands bound behind their backs, and marched outside the city wall where, in groups, they were beheaded, or buried alive, or bayoneted, or raked with machine-gun fire, or doused with gasoline and burned. This book, using more than 400 historical photographs, many of which were taken by Japanese soldiers themselves, is published to commemorate the sixtieth anniversary of the Rape of Nanking, to remind the world of the forgotten holocaust of WWII, and to honor history and answer any attempt to deny or change it.

    But none of this has prepared us for Loren Cameron's amazing portraits of transsexuals. Beautifully reproduced and complemented with notes and short essays, these portraits of women who are now men may startle, but they will also make you marvel at the genuine complexities of life, sex, and desire. Body Alchemy might have been a curiosity, like Diane Arbus's photographs of those outside the physical and cultural mainstream, but Cameron's art is so empathetic, so precise, that we are left in awe and with a new understanding of the realities of being human.

    Transgender Warriors is an eye-opening jaunt through the history of gender expression and a powerful testament to the rebellious spirit.

    The Beats helped make literature a democracy. All one needed, they believed, was passion and a love of the written word. The names of Jack Kerouac, Allen Ginsberg, Neal Cassady, and William Burroughs and their friends are well known to the reading public at large, and on its face the beat movement appears to have been an exclusively male phenomenon. But the Beat movement's publicity did not necessarily reflect the reality of its literature and spirit. This singular book is devoted to contributions of women to the body and spirit of the Beat revolution.The women included in this anthology run the gamut from the famous---Carolyn Cassady and Jan Kerouac-to the relatively undiscovered-Mary Fabilli and Helen Adam. The art, prose, and poetry selected represent the full range and development of their work. The women whose work is featured in this anthology were talented rebels with enough courage and creative spirit to turn their backs on "the good life" that the fifties promised and forge their way to San Francisco and Greenwich Village. They dared to attempt to create lives of their own and make their own way. Today an unprecedented amount of brilliant, imaginative and highly experimental writing by women is being recognized and applauded. This anthology looks back to the antecedents for this greater liberty of expression. It is a testament to the lives of the women who helped shape the Beat era. Together, their voices form an energetic force field of consciousness that manifested at a rich and difficult time in cultural history.Women of the Beat Generation profiles 40 women --Precursors, MusesWriters, and Artists-including Elise Cowen, Diane di Prima, Hettie Jones, Joan Vollmer Burroughs, Jan Kerouac, Jane Bowles, Carolyn Cassady, Edie Parker KerouacEileen Kaufman, Joyce Johnson, Denise Levertov, Brenda Frazer, Anne Waldman, Jay DeFeo, Joan Brown, and many othersWomen of the Beat Generation highlights the lives and work of these female iconoclasts, and ensures the world will not forget their contributions to its transformation.

    She explores the pivotal and interconnected roles played by gender and race in North Carolina politics from the period immediately preceding the disfranchisement of black men in 1900 to the time black and white women gained the vote in 1920. Gender and Jim Crow argues that the ideology of white supremacy embodied in the Jim Crow laws of the turn of the century profoundly reordered society and that within this environment, black women crafted an enduring tradition of political activism. According to Gilmore, a generation of educated African American women emerged in the 1890s to become, in effect, diplomats to the white community after the disfranchisement of their husbands, brothers, and fathers. Using the lives of African American women to tell the larger story, Gilmore chronicles black women's political strategies, their feminism, and their efforts to forge political ties with white women. Her analysis highlights the active role played by women of both races in the political process and in the emergence of southern progressivism. In addition, Gilmore illuminates the manipulation of concepts of gender by white supremacists and shows how this rhetoric changed once women, black and white, gained the vote.

    Her story is followed by seven commentaries by experts in the field. They discuss the causes and process of spousal abuse, reasons why battered women stay, and the dynamic consequences of domestic violence.

    Indeed, in this pioneering exploration of the cinema of fear, Barry Keith Grant and twenty other film critics posit that horror is always rooted in gender, particularly in anxieties about sexual difference and gender politics.The book opens with the influential theoretical works of Linda Williams, Carol J. Clover, and Barbara Creed. Subsequent essays explore the history of the genre, from classic horror such as King Kong and Bride of Frankenstein to the more recent Fatal Attraction and Bram Stoker's Dracula. Other topics covered include the work of horror auteurs David Cronenberg, Dario Argento, and George Romero; the Aliens trilogy; and the importance of gender in relation to horror marketing and reception.Other contributors include Vera Dika, Thomas Doherty, Lucy Fischer, Christopher Sharrett, Vivian Sobchack, Tony Williams, and Robin Wood. Writing across a full range of critical methods from classic psychoanalysis to feminism and postmodernism, they balance theoretical generalizations with close readings of films and discussions of figures associated with the genre.The Dread of Difference demonstrates that horror is hardly a uniformly masculine discourse. As these essays persuasively show, not only are horror movies about patriarchy and its fear of the feminine, but they also offer feminist critique and pleasure.

    Among the topics it addresses are who should be identified as disabled; whether disability is biomedical, social or both; what causes disability and what could 'cure' it; and whether scientific efforts to eliminate disabling physical conditions are morally justified.Wendell provides a remarkable look at how cultural attitudes towards the body contribute to the stigma of disability and to widespread unwillingness to accept and provide for the body's inevitable weakness.

    It provides a comparative, relational, historically grounded conception of feminist praxis that differs markedly from the liberal pluralist, multicultural understanding that shapes some of the dominant version of Euro-American feminism. As a whole, the collection poses a unique challenge to the naturalization of gender based in the experiences, histories and practices of Euro-American women.

    . . . Becker is acutely aware of, and devastated by, her many losses, but emerges defiant and admirably without regret or shame.”—Boston Review

    In the seventy years from 1432 to 1502, some 17,000 men--in a city of only 40,000--were investigated for sodomy; 3,000 were convicted and thousands more confessed to gain amnesty. Michael Rocke vividly depicts this vibrant sexual culture in a world where these same-sex acts were not the deviant transgressions of a small minority, but an integral part of a normal masculine identity.In 1432 The Office of the Night was created specifically to police sodomy in Florence. Seventy years of denunciations, interrogations, and sentencings left an extraordinarily detailed record, which Rocke uses to its fullest in this richly documented portrait. He describes a wide range of sexual experiences between males, ranging from boys such as fourteen-year-old Morello di Taddeo, who prostituted himself to fifty-seven men, to the notorious Jacopo di Andrea, a young bachelor implicated with forty adolescents over a seventeen-year period and convicted thirteen times; same-sex "marriages" like that of Michele di Bruno and Carlo di Berardo, who were involved for several years and swore a binding oath to each other over an altar; and Bernardo Lorini, a former Night Officer himself with a wife and seven children, accused of sodomy at the age of sixty-five. (Mortified, he sent his son Taddeo to confess for him and plead for a discreet resolution of his case.) Indeed, nearly all Florentine males probably had some kind of same-sex experience as a part of their "normal" sexual life.Rocke uncovers a culture in which sexual roles were strictly defined by age, with boys under eighteen the "passive" participants in sodomy, youths in their twenties and older men the "active" participants, and most men at the age of thirty marrying women, their days of sexual frivolity with boys largely over. Such same sex activities were a normal phase in the transition to adulthood, and only a few pursued them much further. Rather than precluding heterosexual experiences, they were considered an extension of youthful and masculine lust and desire. As Niccolo Machiavelli quipped about a handsome man, "When young he lured husbands away from their wives, and now he lures wives away from their husbands." Florentines generally accepted sodomy as a common misdemeanor, to be punished with a fine, rather than as a deadly sin and a transgression against nature. There was no word, in the otherwise rich Florentine sexual lexicon, for "homosexual," nor was there a distinctive and well-developed homosexual "subculture." Rather, sexual acts between men and boys were an integral feature of the dominant culture.Rocke roots this sexual activity in the broader context of Renaissance Florence, with its social networks of families, juvenile gangs, neighbors, patronage, workshops, and confraternities, and its busy political life from the early years of the Republic through the period of Lorenzo de' Medici, Savonarola, and the beginning of Medici princely rule. His richly detailed book paints a fascinating picture of a vibrant time and place and calls into question our modern conceptions of gender and sexual identity.

    From Simon & Schuster, A Women of Her Own is Marlene Schiwy's treasure chest of inspiration for every woman seeking deeper self-awareness and new outlets for creativity.Voice of Her Own offers advice on keeping a journal, including choosing a blank book, keeping the journal private, and deciding when to reread old journals.

    Aída Hurtado advances the theory of relational privilege to explain those differing conceptions. Previous theories about feminism have predominantly emphasized the lives and experiences of middle-class white women. Aída Hurtado argues that the different responses to feminism by women of color are not so much the result of personality or cultural differences between white women and women of color, but of their differing relationship to white men. For Hurtado, subordination and privilege must be conceived as relational in nature, and gender subordination and political solidarity must be examined in the framework of culture and socioeconomic context. Hurtado's analysis of gender oppression is written from an interdisciplinary, multicultural standpoint and is enriched by selections from poems by Sandra Cisneros, Gloria Anzaldúa, Lorna Dee Cervantes, and Elba Sanchez, and from plays by El Teatro Campesino, the United Farm Workers theater group. A final chapter proposes that progressive scholarship, and especially feminist scholarship, must have at its core a reflexive theory of gender oppression that allows writers to simultaneously document oppression while taking into account the writer's own privilege, to analyze the observed as well as the observer. Aída Hurtado is Associate Professor of Psychology, University of California, Santa Cruz.

    Contributors include Judith Butler, bell hooks, Luce Irigaray, Catherine MacKinnon, Adrienne Rich, Gayle Rubin, Judith Walkowitz and Monique Wittig.

    She argues that despite the marginal role women played in monastic life, they occupied a very conspicuous place in Buddhist hagiographic literature. In narratives used for the edification of Buddhist monks, women's bodies in decay (diseased, dying, and after death) served as a central object for meditation, inspiring spiritual growth through sexual abstention and repulsion in the immediate world.Taking up a set of universal concerns connected with the representation of women, Wilson displays the pervasiveness of androcentrism in Buddhist literature and practice. She also makes persuasive use of recent historical work on the religious lives of women in medieval Christianity, finding common ground in the role of miraculous afflictions.This lively and readable study brings provocative new tools and insights to the study of women in religious life.

    Patriarchy—the social and cultural dominance of the male—has long been a fundamental feature of western civilization yet has only recently begun to be systematically investigated by historians. This book is the first attempt to provide a rounded portrait of its workings over a long stretch of the English past.Anthony Fletcher's account draws from a vast range of sources—literary, medical, religious, and historical—to investigate the mechanisms through which men and women interpreted and understood their social worlds. He explores the early modern view of the body, of sexual desire and appetites, and of gender difference. He looks at the nature of marital relationships and shows how subordination was implemented and consolidated through church, school, home, and community. And in a text that is poignant, humane, and beautifully written, he exposes patriarchy's tragic consequences: smothered opportunity, crushed sexuality, and a pall across many women's lives.Yet, over these three centuries, the conventional foundations of male superiority came under acute pressure. Fletcher reveals the depth of male anxiety in the face of women's volatility, verbal assertiveness, and alleged vibrant sexuality, and he shows how the gender system began to be transformed as men sought to detach it from its biblical foundations and inculcate gender identities on something like their modern ideological basis. This revolution in the entire premise upon which gender was grounded is fundamental to an understanding of the structure of English society today.

    

    These are the categories of opposites, of generation, of wisdom, and of virtue. Sister Prudence Allen traces several recurring strands of sexual and gender identity within this period. Ultimately, she shows the paradoxical influence of Aristotle on the question of woman and on a philosophical understanding of sexual coomplemenarity. Supplemented throughout with helpful charts, diagrams, and illustrations, this volume will be an important resource for scholars and students in the fields of women's studies, philosophy, history, theology, literary studies, and political science.

    In recording these stories, Michael Gorkin and Rafiqa Othman have preserved each woman's distinctive voice, capturing in vivid and moving detail a broad range of experience—everything from recollections of native villages to an account of incarceration as a political prisoner. Highly personal events such as courting, marriage, and childbirth are interwoven with memories of upheavals such as the wars of 1948 and 1967. The women speak with surprising candor about conflicts between mothers and daughters, husbands and wives, men and women, Arabs and Jews. These beautifully written narratives bear witness to the power of Palestinian culture in sustaining the often difficult lives of women. The book also provides brilliant testimony to the experience of living in the midst of the Arab-Israeli conflict.Michael Gorkin, a Jewish-American psychologist who lives in Israel, and Rafiqa Othman, a Palestinian special education teacher, have collected the narratives from different cultural and geographic locations within the boundaries of historical Palestine—including East Jerusalem, a refugee camp on the West Bank, and an Arab village within Israel. With surprising intimacy, the mothers and daughters discuss their views about sex, marriage, and child-rearing; ideas about themselves and their relationship to God, their families, and their homeland; and questions of shame, devotion, freedom, and honor.In the preface, introduction and epilogue, Gorkin and Othman frame the stories and describe the project. The linked stories of mothers and daughters attest to the profound changes that have occurred in the lives of Palestinian women during this century—in the areas of education, work, political involvement and personal freedom. In addition to delineating this astonishing historical and cultural transformation, the stories create lasting images of the people these women have loved and hated, the pleasures they have enjoyed, the dangers they have survived, and the hopes they continue to cherish.

    Limited in their public roles throughout much of history, women have been compelled to turn inward, developing rich interior lives in uniquely feminine ways. This anthology brings together women's writing from classic religious literature—Christian, Jewish, Buddhist, Muslim, and Hindu—as well as many passages of fiction and poetry that are truly undiscovered treasures of women's spirituality. With writers ranging from Helen Keller to Aung San Suu Kyi, from Agatha Christie and Ursula K. Le Guin to Rabi'a the Mystic and Hildegard of Bingen. Sarah Anderson's collection proves beyond a doubt that "the exploration of 'the hidden seas within' is a journey on which we can all embark."

    Divisive opinions abound. This informative, detailed text contains 39 writings on the history of reproduction in the U.S. The historical path of reproduction control is viewed in the contexts of politics, law, medicine, sexuality, business, and social change. Because birth control has been construed chiefly as a female responsibility, Controlling Reproduction stresses the centrality of gender in the history of reproduction and explores how and why reproduction-as a biological, social, and economic function-became a gender-assigned issue. Controlling Reproduction also includes some of the most significant debates currently guiding the study of reproduction. Students will find this work a powerful, enlightening source on women's issues and the history of birth control in the United States.

    The author of this challenging volume seeks to bridge this gap by incorporating feminist theory with counselling practice. Whalen argues that a counsellor working with an abused woman should not aim merely to empower the client to change a situation that is intolerable for that particular woman: the counsellor should also aim to change the social conditions that foster abuse. The author's model focuses on women collectively seizing power and ending violence against "all" women.

    Combining social history, literary theory, musicology, and feminist thought, Chopin at the Boundaries is the first book to situate Chopin's music within the construct of his somewhat marginal sexual identity and to explore how this should figure in our understanding of his compositional methods. Through this novel approach, Kallberg reveals a new Chopin, one situated precisely where questions of gender open up into the very important question of genre.

    Brings together the words of welfare mothers, activists and advocates, as well as scholars in a poignant and powerful challenge to the impoverishment of women.

    Will motherhood make this young woman poorer? Will it make the United States poorer as a nation? That's what the voices raised against babies having babies would have us think, and what many Americans seem inclined to believe. This powerful book takes us behind the stereotypes, the inflamed rhetoric, and the flip media sound bites to show us the complex reality and troubling truths of teenage mothers in America today.Would it surprise you to learn that Michelle is more likely to be white than African American? That she is most likely eighteen or nineteen--a legal adult? That teenage mothers are no more common today than in 1900? That two-thirds of them have been impregnated by men older than twenty? Kristin Luker, author of the acclaimed Abortion and the Politics of Motherhood, puts to rest once and for all some very popular misconceptions about unwed mothers from colonial times to the present. She traces the way popular attitudes came to demonize young mothers and examines the profound social and economic changes that have influenced debate on the issue, especially since the 1970s. In the early twentieth century, reformers focused people's attention on the social ills that led unmarried teenagers to become pregnant; today, society has come almost full circle, pinning social ills on sexually irresponsible teens.Dubious Conceptions introduces us to the young women who are the object of so much opprobrium. In these pages we hear teenage mothers from across the country talk about their lives, their trials, and their attempts to find meaning in motherhood. The book also gives a human face to those who criticize them, and shows us why public anger has settled on one of society's most vulnerable groups. Sensitive to the fears and confusion that fuel this anger, and to the troubled future that teenage mothers and their children face, Luker makes very clear what we as a nation risk by not recognizing teenage pregnancy for what it is: a symptom, not a cause, of poverty.

    As a study of Japanese literature, it aims to define the state of Japanese literary studies in the field of women's writing and to point to directions for future research and inquiry. As a study of women's writing, it presents cross-cultural interpretations of Japanese material of relevance to contemporary work in gender studies and comparative literature. The essays demonstrate various critical approaches to the tradition of Japanese women's writing--from a consideration of theoretical issues of gendered writing in classical and modern literature to a consideration of the themes and styles of a number of important contemporary writers.

    Her ground-breaking analysis has implications for feminist politics as well as for the study of international relations.

    This was expressed by a member of the Athenaeum in 1858, the distinction of man and woman, their separate as well as their joint rights, begins to occupy the attention of our whole community, and with no small effect.