Iggy Pop, Danny Fields, Dee Dee and Joey Ramone, Malcom McLaren, Jim Carroll, and scores of other famous and infamous punk figures lend their voices to this definitive account of that outrageous, explosive era. From its origins in the twilight years of Andy Warhol's New York reign to its last gasps as eighties corporate rock, the phenomenon known as punk is scrutinized, eulogized, and idealized by the people who were there and who made it happen.

    Before we can truly express our inner self, we must first learn to be at peace and overcome the distractions that can make performance difficult. Kenny's remarkable work deals directly with these hindrances, and presents ways to let our natural creative powers flow freely with minimal stress and effort. Includes inspiring recordings of meditations designed to initiate positive thought. This book has become a favorite of many musicians who credit it with changing their lives! Many are so impressed that they buy copies for their musician friends as gifts. Easy, effortless reading paperback.Effortless Mastery is a book that the world really needs. It was not written by a philosopher or an academic. Kenny Werner, is one of my favorite pianists I've ever had the pleasure of working with, and in my opinion one of the best pianists living on the planet. Kenny teaches that 'The joy of practicing is concentration. The joy of playing is liberation.' Effortless Mastery teaches the seeker how to achieve both at the highest levels. It also shows how to practice effectively, promoting real growth and how to play and perform free from fear and self-judgment. I highly recommend this book. ---Quincy Jones

    A "definitive" corrective (USA Today) to decades of patchwork scholarship and journalism about this giant of jazz, David Hajdu's Lush Life is a vibrant and absorbing account of the "lush life" that Strayhorn and other jazz musicians led in Harlem and Paris. While composing some of the most gorgeous American music of the twentieth century, Strayhorn labored under a complex agreement whereby Ellington took the bows for his work. Until his life was tragically cut short by cancer and alcohol abuse, the small, shy composer carried himself with singular style and grace as one of the few jazzmen to be openly homosexual. Lush Life has sparked an enthusiastic revival of interest in Strayhorn's work and is already acknowledged as a jazz classic.

    His beginnings were poor but he became Buddy Holly's protege before sinking into drug abuse and 3 failed marriages. His success came when he met his present wife, Jessi Colter.

    He radiated an absolute directness that makes his music totally accessible. The sheer emotional power of his music is readily understood. His revolutionary compositional ideas are easily appreciated. "And his nine symphonies are among the greatest achievements of the human spirit. "They were revolutionary on every level: harmonic, melodic, rhythmic, formal, dramatic, self-expressive, and emotional. Beethoven led the charge to a totally new era. He threw out the restraint of 18th-century classicism and ushered in romantic self-expression. His symphonic offspring were the first statesmen of this new, musical democracy." Beethoven's artistic progress is historically measured in three periods: The Viennese period, 1792-1802. Symphonies nos. 1 and 2 are composed in this decade. In them, Beethoven innovates within the Classical style. The Heroic period, 1803-1815. Symphonies nos. 3, 4, 5, 6, 7, and 8 are composed during this time. With these symphonies, Beethoven makes revolutionary breaks away from the Classical style. The Late period, 1820-1826. This period is dominated by the most revolutionary and influential composition of Beethoven's career: Symphony no. 9. Here Beethoven fuses all art forms into one monumental work and heralds a new era of unfettered musical expression. Over the course of these 32 lectures on the history and analysis of Beethoven's nine symphonies, we see how he revolutionized musical composition and created works of unique beauty, power, and depth.

    The Computer Music Tutorial is a comprehensive text and reference that covers all aspects of computer music, including digital audio, synthesis techniques, signal processing, musical input devices, performance software, editing systems, algorithmic composition, MIDI, synthesizer architecture, system interconnection, and psychoacoustics. A special effort has been made to impart an appreciation for the rich history behind current activities in the field. Profusely illustrated and exhaustively referenced and cross-referenced, The Computer Music Tutorial provides a step-by-step introduction to the entire field of computer music techniques. Written for nontechnical as well as technical readers, it uses hundreds of charts, diagrams, screen images, and photographs as well as clear explanations to present basic concepts and terms. Mathematical notation and program code examples are used only when absolutely necessary. Explanations are not tied to any specific software or hardware.The material in this book was compiled and refined over a period of several years of teaching in classes at Harvard University, Oberlin Conservatory, the University of Naples, IRCAM, Les Ateliers UPIC, and in seminars and workshops in North America, Europe, and Asia.

    A founding member of Roxy Music, he went on to work as a solo artist and a producer/collaborator with U2, Talking Heads, David Bowie, Sting, Bono, and others. This diary covers four recording projects in the evolution.

    Now, the bestselling author of the Beatles biography Shout! provides the definitive portrait of one of rock-and-roll's greatest and most enigmatic figures.

    Each chapter takes the title of a traditional tune, and as in a session played by brilliant improvising musicians, each tune leads into another, melodies and variations weaving in and out in a haze of talk and memory. Carson's inspired jumble of recording history, poetry, tall tales, and polemic captures the sound and vigor of a ruthlessly unsentimental music. A leading Irish poet who is also an accomplished flute player, he tells of his Belfast childhood, of learning to play music, of his travels in Ireland and America, of poteen, pub life, and the special pleasure taken in a well-made Fry "the morning after the night before." Loosely interpreted standards, as Carson points out, achieve a special kind of profundity and resonance - a tune can never be played the same way twice - so this is also a book about the poignancy of lost airs, about music as "a way of renegotiating lost time" and recognizing mortality.

    This truly delightful set—a Recording Industry Association of America Gold album with 647,000 copies in print—combines a big illustrated songbook and CD so children and grown-ups alike can read along, sing along, dance along, cluck along, and oink along to the fifteen original songs.There's "O, Lonely Peas," to appeal to every finicky young eater. The five-year-old's lament, "Bad Babies." A mouse's impassioned ballad to his beloved, "I Love You More Than Cheese." Plus the lead number, "Rhinoceros Tap," the ever-popular “Barnyard Dance,” and more. With lyrics and pictures by Boynton and music written with and played by the one and only Michael Ford, these songs have the style, swing, charm, and pizzazz that little listeners deserve. Ready? All together now.

    From his roots in an impoverished East Texas family to his years of womanizing, boozing, brawling, and singing with the voice that made him a star, his story is a nonstop rollercoaster ride of the price of fame. It is also the story of how the love of a good woman, his wife Nancy, helped him clean up his act.

    The Charles Ives that emerges from Swafford's story is a precocious, well-trained musician, a brilliant if mercurial thinker about art and life, and an experimenter in the spirit of Edison and the Wright brothers.

    The fabled blues guitarist chronicles his youth on a Mississippi cotton farm, years as a disc jockey, experiences with racism and the civil rights movement, romantic relationships, and forty-five years on the road.

    Packed from cover to cover with stunning color photographs.

    He first studied as an architect, but then turned to composition and put to musical use his knowledge of higher mathematics. In these conversations he talks about his life and music.

    His music had been a spark firing 60s political idealism. His death signaled the end of an era. There But for Fortune: The Life of Phil Ochs is both an in-depth biography & a significant musical history, focusing on the importance of Ochs' topical songs addressing the civil rights, anti-war & labor movements. With the full cooperation of his family, & with unprecedented access to his diaries & notebooks, biographer Michael Schumacher tells the story of this gifted artist--from his early years as a musical prodigy & aspiring journalist in Ohio, where he earned his 1st guitar after betting on a Presidential election, to his initial performances in Greenwich Village's cafes & folk clubs; from his headline-making appearances at Carnegie Hall to his ambitious consciousness-raising political rallies. Rich in anecdotal detail, this biography recounts his travels round the globe, including his involuntary prison tour of S. America, as well as his associations with some of the most notable figures of his generation, including Bob Dylan, Robert F. Kennedy, Eugene McCarthy, Joan Baez & John Lennon. The story of Phil Ochs is ultimately the chronicle not only of a man but of the singular times in which he lived.

    Students play in varied positions, reinforcing reading skills and recognizing intervals through the 5th. Musicianship is built with the introduction of legato and staccato touches. This level continues the interval orientation to reading across the full range of the Grand Staff. The 5-finger approach is presented here in a fresh, musically appealing way. Boy On A Bicycle C Chord March Classic Dance Dinosaur Stomp Firefly Ferris Wheel Forest Drums Girl On A Bicycle Grumpy Old Troll Half-Time Show Jazzy Joe Jumbo's Lullaby Kite In The Sky Lightly Row Legato Skips Legato Steps Li'l Liza Jane My Pony Magnetic March Merlin The Wizard Mexican Jumping Beans No Moon Tonight Paper Airplane Party Song Piano Adventures Lesson Book Level 1 Playful Porpoise Rain Forest Row, Row, Row Your Boat Runaway Rabbit Russian Sailor Dance Scarf Dance Sailing In The Sun Shepherd's Song (From The Sixth Symphony) Skipping In Space Sneaking Past The Sleeping Dog Soaring Eagle Song For A Scarecrow The Juggler Tap Dancing The Bubble The Haunted Mouse The Lonely Pine The Super Secret Agent The Talking Tuba Two-Note March When The Saints Go Marching In Warm-Up In G Young Hunter

    Vale, was a thorough anthropological survey of an emerging social-change movement: the San Francisco punk scene. The original periodical was a major catalyst in the explosion of clubs and bands that dominated the San Francisco underground, and documented every punk show, band, and ethic to spring out of the Bay Area.Now, the entire set of Search & Destroy tabloids is available in two volumes. These complete reprints (at 90% size), include all interviews, street reports, articles, ads, illustrations and photographs, capturing the rage, riots and revelations of an extraordinary period. Innovators such as Devo, Iggy Pop, Patti Smith and the Ramones are featured alongside writers and filmmakers such as William Burroughs, J.G. Ballard, John Waters, and David Lynch. This is the real thing, written when punk was first inventing itself. In 2 Volumes, both with complete indexes.

    The author/illustrator of the highly successful Getting to Know the World's Greatest Artists series lends his creative talents to another fun, informative series, this one featuring world-famous composers.

    It is a greatly expanded version of Alfred's Basic Adult Piano Course that will include lesson, theory, technic, and additional repertoire in a convenient, "all-in-one" format. This comprehensive course features written assignments that reinforce each lesson's concepts, a smooth, logical progression between each lesson, a thorough explanation of chord theory and playing styles, and outstanding extra songs, including folk, classical, and contemporary selections. At the completion of this course, the student will have learned to play some of the most popular music ever written and will have gained a good understanding of basic musical concepts and styles.

    

    . . .  Jazz aficionados . . . should be grateful to have so much good writing on the subject in one place."--The New York Times Book Review"Alluring. . . . Capture[s] much of the breadth of the music, as well as the passionate debates it has stirred, more vividly than any other jazz anthology to date."--Chicago TribuneNo musical idiom has inspired more fine writing than jazz, and nowhere has that writing been presented with greater comprehensiveness and taste than in this glorious collection. In Reading Jazz, editor Robert Gottlieb combs through eighty years of autobiography, reportage, and criticism by the music's greatest players, commentators, and fans to create what is at once a monumental tapestry of jazz history and testimony to the elegance, vigor, and variety of jazz writing.          Here are Jelly Roll Morton, recalling the whorehouse piano players of New Orleans in 1902; Whitney Balliett, profiling clarinetist Pee Wee Russell; poet Philip Larkin, with an eloquently dyspeptic jeremiad against bop. Here, too, are the voices of Billie Holiday and Charles Mingus, Albert Murray and Leonard Bernstein, Stanley Crouch and LeRoi Jones, reminiscing, analyzing, celebrating, and settling scores. For anyone who loves the music--or the music of great prose--Reading Jazz is indispensable.  "The ideal gift for jazzniks and boppers everywhere. . . . It gathers the best and most varied jazz writing of more than a century."--Sunday Times (London)

    Forty-seven songs including: The Fall of Troy from the Dead Man Walking soundtrack, Frank?s Wild Years, Good Old World, Jockey Full of Bourbon, A Little Rain, Shoreleave, Rain Dogs and many more.

    While not geared toward making conventional instruments, Musical Instrument Design provides all the information that anyone (amateur or professional) should ever need to construct an amazingly wide variety of percussion, string, and wind instruments. Includes many designs along with parts lists and detailed construction instructions.

    A study of three basic outlines used in jazz improv and composition, based on a study of hundreds of examples from great jazz artists.

    This professional reference tool contains thousands of diagrams, charts, illustrations, and fretboard patterns along with clear and concise theory and instruction. 5, 6, 7 and 8-tone scales and modes fingering patterns for every scale every scale diagramed in all 12 KEYS Quick Mode Generator Charts: easy conversion from relative scales to modes in-depth numerical analysis of modes each scale has chord compatibility charts easier than tabulature college level made easy 141 JAM-PACKED PAGES !!

    John Petrucci offers detailed lessons on speed and accuracy, chromatic exercises, playing with dynamics, connecting scale fragments to form long solo

    Equally significant are his teachings. During his career, thousands of students have passed through his studio.

    Bass MethodThe critically acclaimed Hal Leonard Electric Bass Method Second Edition in a handy composite edition Contains 3 books and 3 CDs for Levels 1, 2 and 3.

    Based on a lifetime of experience and teaching, the renowned Oren Brown's readable and enjoyable work covers improving and protecting the singing voice, as well as offering insights into the care and treatment of the speaking voice.

    Faber Piano Adventures Contents include: Stuffing the Stockings (interval review) * Angels We Have Heard on High * Deck the Halls * Jingle Bells * O Come, All Ye Faithful * O Come Little Children * Up on the Housestep * We Three Kings of Orient Are.

    This volume will delight the novice or advanced player alike with both fundamental instruction and a significant number of transcriptions from R. Carlos Nakai's various recordings. This unique book includes a fingering chart, information in performance technique, style, rhythm conventions, ornaments, and history - plus an analysis of Mr. Nakai's role in contemporary Native American culture. All exercises, solos, and duets (with Boehm flute and E flat alto sax) are written in standard notation. A comprehensive discography and probing essay on "The Question of Authenticity" close this outstanding book.

    His quest for the root of the matter led him beyond the bounds of the conventional in all his musical, written, and visual pieces. The resulting expansion of the definition of art -- with its concomitant emphasis on innovation and invention--earned him a reputation as one of America's most influential contemporary artists.Joan Retallack's conversations with Cage represent the first consideration of his artistic production in its entirety, across genres. Informed by the perspective of age, Cage's comments range freely from his theories of chance and indeterminate composition to his long-time collaboration with Merce Cunningham to the aesthetics of his multimedia works. A composer for whom the whole world -- with its brimming silences and anarchic harmonies -- was a source of music, Cage once claimed, "There is no noise, only sounds." As these interviews attest, that penchant for testing traditions reached far beyond his music. His lifelong project, Retallack writes in her comprehensive introduction, was "dislodging cultural authoritarianism and gridlock by inviting surprising conjunctions within carefully delimited frameworks and processes." Consummate performer to the end, Cage delivers here just such a conjunction -- a tour de force that provides new insights into the man and a clearer view of the status of art in the 20th century.

    Includes a bio, notation guide, alternate fingerings, and discography with historical notes on the recordings.

    Eighteen songs, including Beauty Queen, Horses, Bood Roses, Father Lucifer, Professional Widow, Marianne, Caught A Lite Sneeze, Hey Jupiter, Way Down, Little Amsterdam, Talula, Agent Orange, Doughnut Song, In The Springtime Of His Voodoo, Putting The Damage On, and Twinkle.

    Music notation is explored through stepwise directional reading, pattern recognition, and changing hand positions, all in the context of engaging songs, games and creative exploration at the piano. Maintaining the child-centered philosophy of the series, the "friends at the piano" from the A Books introduce students to the music of two new composer friends Wolfgang Amadeus Mozart and Ludwig van Beethoven. Classic themes share the stage with contemporary pop and jazz sounds for young ears to absorb and enjoy. The Book B CD presents a vibrant mix of sounds, from boogie to Beethoven. It serves as a listening CD which educates and as an accompaniment CD for play-along.

    In My Head, Home On The Range: Cherokee Edition, Honey, Humpty Dumpty, Ode To The Banana King (Part 1), Sister Janet, Song For Eric, Sugar, Sweet Dreams and Take To The Sky.

    • Includes practical exercises demonstrating how to use sound in healing and meditation, including "Vowels as Mantras" and "Overtoning". • Describes how harmonics can be used as "sonic yoga" for meditation and deep relaxation to enhance energy. • Author won 1999 Visionary Awards for Best Healing-Meditation Album. The Mystery Schools of Egypt, Greece, and Rome understood that vibration is the fundamental active force in the universe and developed specific chants and tones for healing the mind, body, and spirit and achieving altered states of consciousness. Overtone chanting--also called vocal harmonics--is the ability of the human voice to create two or more notes at the same time. Healing Sounds explains how to perform vocal harmonics and experience their transformative and curative powers. An internationally recognized master teacher, the author provides diverse examples of sound healing systems incorporating both mystical and medical traditions--from Tibetan monks' use of tantric harmonics to Dr. Alfred Tomatis' use of Gregorian chanting--and their capacity to affect us on all levels. With many easy-to-follow exercises, Healing Sounds is the first book to show from both the scientific and spiritual viewpoints how to use the transformative power of sound for healing on physical, emotional, mental, and spiritual levels.

    PVG Licensed Art & SoundtrackThis 12-page bonus sheet contains piano/vocal/guitar arrangements (including lyrics) of "The Dreame" and "Weep You No More" from this beloved movie.

    

    The 2nd Edition Primer Theory Book provides important reinforcement and creative application of basic theory concepts. Students will enjoy note-naming with StoryRhymes, exploring improvisation, and engage with eye-training and ear-training activities all within a fun-filled context tied thematically to the Primer Lesson Book pieces.

    A facsimile edition containing the original collection of 1,850 melodies consisting of airs, jigs, reels, hornpipes, marches, and more for fiddle.

    A huge comprehensive 1kg book (thick cover, quality stitch-bound paperback), with an awesome... 1177 entries (Krautrock bands, soloists, etc.), 2500 albums (including musician details), plus non-LP singles, compilation contributions, as well as two 16 page picture sections, including many rare photos, 150+ LP covers. Praised by the media & Krautrock musicians. Well-over 4,000 copies sold!

    Now, all the information since the earliest Billboard charts - compiled in 1942 - has been gathered into one essential reference: The Billboard Book of Top 40 Country Hits, newly updated and expanded to capture today's top recording artists and their biggest songs. Complete, authoritative chart information on the most popular songs and artists make this a great book for music fans, record collectors, industry professionals, and trivia lovers. Joel Whitburn is the leading authority on charted music and began collecting records in the 1950s, filing each one according to the position it reached on Billboard's charts. He went on to publish this information - and his business, Record Research, was born. Today, he leads a team of chart researchers from his home base in Menomonee Falls, Wisconsin.

    This book, which includes the first three volumes of the original six-volume series, is an ideal introduction to classical guitar playing as well as to LatinAmerican guitar music. Text written in English and Spanish with French and German translations in an appendix at the back of the book.

    The jest reveals both Ira's consummate professionalism and the self-effacing wit with which he ducked the spotlight whenever possible. Yet the ingeniously inventive melodies George Gershwin composed for such classic songs as Someone to Watch Over Me, Embraceable You, Fascinating Rhythm, It Ain't Necessarily So, and Love is Here to Stay live on in no small part because of the equally unforgettable lyrics of Ira Gershwin, lines crafted with a precision that earned him the sobriquet The Jeweller among his Broadway peers. In Ira Gershwin: The Art of the Lyricist, the older and less flamboyant of the Gershwin brothers at last steps out of the shadows to claim his due as one of American songwriting's most important and enduring innovators. Philip Furia traces the development of Ira Gershwin's lyrical art from his early love of light verse and Gilbert and Sullivan, through his apprentice work in Tin Pan Alley, to his emergence as a prominent writer for the Broadway musical theater in the 1920s. Furia illuminates his work in satirical operettas such as Of Thee I Sing and Strike Up the Band, the smart little revues of the 1930s, and his contributions to the opera Porgy and Bess. After describing the Gershwin brothers' brief but brilliant work in Hollywood before George's sudden death--work that produced such classics as They Can't Take That Away From Me and Let's Call the Whole Thing Off--Furia follows Ira's career through such triumphs as Lady in the Dark with Kurt Weill, Cover Girl with Jerome Kern, and A Star is Born, with Harold Arlen. Along the way, Furia provides much insight into the art of the lyricist and he captures the magic of a golden era when not only the Gershwins, but Irving Berlin, Cole Porter, Jerome Kern, Oscar Hammerstein II, Gertrude Lawrence, Fred Astaire, and other luminaries made the lights of Broadway and the Hollywood screen shine brighter than ever before. From his first major success, the now-classic The Man I Love (1924) to his last great hit, The Man That Got Away (1954), Ira Gershwin wrote the words to some of America's most loved standards. In Ira Gershwin: The Art of the Lyricist, Philip Furia illuminates the craft behind this remarkable achievement to reveal how Gershwin took the everyday speech of ordinary Americans and made it sing.

    Titles include: Putting It Together * Loveland * Make the Most of Your Music * Wait * Everybody Says Don't * Band! * Merrily We Roll Along * Honey * Goodbye for Now * Liaisons * Two Fairy Tales * The Hills of Tomorrow * Truly Content * Beautiful * Happily Ever After and others.

    Titles include: Send in the Clowns * Another Hundred People * Being Alive * You Must Meet My Wife * One More Kiss * Losing My Mind * Could I Leave You? * Pretty Lady * Anyone Can Whistle * The Ballad of Sweeney Todd * By the Sea * Comedy Tonight * I Remember and more.

    Written in a lively, non-technical style, On the Art of Singing is a comprehensive manual that deals with all aspects of singing, from the physiology and acoustics of the singing voice to career-building. Divided into four main sections -- vocal technique, style and interpretation, professional preparation, and vocal pedagogy - the book's structure is such that the reader may pick and choose as personal interests and needs dictate. Containing essential information for all singers, including original research on the mechanics of the voice, this book collects in one volume everything that renowned instructor and singer Richard Miller considers essential to the art of vocal performance. To anyone seeking that elusive state of vocal freedom, whether as a singer or instructor of singers, and to anyone else interested in voice, vocal technique or vocal performance, On the Art of Singing will prove an indispensible guide.

    One of the visionary pioneers who sought a new musical language — at least a full decade before the advances of Stravinsky and Schoenberg — Scriabin immersed himself in a search for a way to express, in sound, the mystical and theosophical ideals that obsessed him.This monumental biography probes the complexities of the composer's personal revolution as it chronicles the turbulent events of his upbringing, marital life, and career: his tours of Europe and America, abandonment of his wife, brushes with homosexuality and madness, and the flowering of an unrealized vision to synthesize all of art and life in an all-encompassing final work. Originally published in two volumes, the work is republished here in one volume unabridged, complete with a catalog of Scriabin's works and 49 rare photographs.

    He didn’t leave for two and a half months. Watt had developed a rare life-threatening disease that initially baffled doctors. By the time he was allowed home, his ravaged body was forty-six pounds lighter and he was missing most of his small intestine. Watt injects pathos and humor into his medical nightmare, writing about his childhood, reflecting on his family and on his shared life with band member and partner Tracey Thorn. The result is a provocative and affecting memoir about life, illness, and survival.

    Selena Quintanilla was a vibrant musical performer, wildly pouplar in the growing field of Tejano music. But her rising star suddenly fell when she was murdered at the age of 23.At the time of her death, Selena was poised to break into the mainstream music scene. But as she enjoyed professional success beyond her wildest dreams, her personal life had more than its share of troubles. There was family tension surrounding her marriage to guitarist Chris Perez, and mounting pressure between her and the manager of her fashion boutiques, Yolanda Saldivar.Bestselling author Jo Nick Patoski recounts both the ups and downs of Selena's life, as well as her stunning transformation into a sensual Latina superstar. Most of all, he pays tribute to the life of this one-of-a-kind talent and a young life cut short by murder, but one that will never be forgotten.

    Suess and PC for Dummies," Edly's Music Theory for Practical People is for anyone, teen to adult, who wants to enjoy learning what's going on inside music. This includes players and singers of any level desiring a deeper appreciation of music-- rock 'n' rollers wanting broader musical horizons, jazzers needing more knowledge of chords and scales, theory students needing supplementary help, or classically trained folks wanting to branch into popular styles or to read from fake books. The book begins simply - and at the beginning, reassuring and encouraging the reader through topics including modes, chord substitution, transposition, and much more. Each topic is accompanied by an explanation of what it is, how it's used, and why it is helpful. Berklee and Juilliard faculty endorsed.

    Meet Composer Igor Stravinsky!Getting to Know the World's Greatest Composers series combines a delightful mix of full-color historical reproductions, photos, and hilarious cartoon-style illustrations that bring to life the works of renowned composers, combining poignant anecdotes with important factual information for readers (Ages 8-9).

    Brooklyn Boy Books,1996

    This third edition features even more Disney favorites, including hits from their most recent movie and television releases. 240 songs in all, including: Almost There * Be Our Guest * Beyond My Wildest Dreams * Breaking Free * Circle of Life * The Climb * A Dream Is a Wish Your Heart Makes * Hoedown Throwdown * If I Didn't Have You * King of New York * Kiss the Girl * Rock Star * Some Day My Prince Will Come * A Spoonful of Sugar * That's How You Know * We're All in This Together * When You Wish Upon A Star * You Are the Music in Me * and more.

    Spanning seven albums, the collection also features four songs recorded by the artist for the very first time. Titles: Awesome God * Sometimes by Step * Screen Door * Verge of a Miracle * If I Stand * Alrightokuhuhamen * and more.

    The author makes the transition from mathematics

    In Rose Maddox, Whiteside has found an exceptional protagonist for his story: a fiery, strong-willed entertainer whose music has had an influence far beyond her handful of hits on the record charts and who in many ways, Whiteside convincingly argues, prefigured the coming of rock and roll. In the process, Whiteside introduces us to a host of memorable characters - stars like Hank Williams and Johnny Cash; behind-the-scenes movers and shakers like record men Cliffie Stone and Bill McCall; and, at the heart of the story, the irrepressible Maddox family themselves, whose freewheeling music so faithfully reflected the hurly-burly world of California's displaced migrant workers.

    This side of Stanley Mouse. Combining cultural icons from all horizons in LSD drenched graphics and visual illusion he has become over the year the premier Rock 'n' Roll artist. His posters are sought and collected by a new wave of fans with the fervor that was given to old Fillmore posters. Frank himself revendicates this connection to a lineage of Rock artists that created a new art form.

    

    Every detail of every year is included, making this a serious industry handbook, as well as a seriously fascinating browser's delight.

    Students learn by doing, since this book is in workbook form. This saves valuable lesson time, and immediately shows any mistakes in the beginner's thinking.

    A History of Keyboard Literature: Music for the Piano and Its Forerunners presents a comprehensive and easily accessible history of literature for all stringed keyboard instruments.

    Little Organ Book, consisting of hymn tunes and original compositions, has won special favor among teachers and students because of the clear presentation of elementary rules for organ playing.

    

    * Zero.

    Includes interviews, discographies, rare photos, transcriptions, and an accompanying CD with over 90 drum set rhythms. The drummers include Earl Palmer, John "Jabo" Starks, Clyde Stubblefield, Jimmy Madison, Roger Hawkins, James Gadson, Al Jackson, Jr., Bernard "Pretty" Purdie, Greg Errico, Andy Newmark, Maurice White, David Garibaldi, and Mike Clark.

    

    It features interviews (that read like thoughtful essays) with Joan Jett, Kathleen Hanna (Bikini Kill), Valerie Agnew (7 Year Bitch), Lois Maffeo, Naomi Yang (Galaxie 500), Kendra Smith, Phranc, Candice Pederson (K Records), Bettina Richards, Chrissie Hynde, and June Millington (Fanny, the "Godmothers of Womyn's Rock").

    Covering 7-inch records and related items of all types - 45s, extended play singles, jukebox records and picture sleeves - issued from 1949 to 2002, this completely updated edition remains the most complete listing of the little record with the big hole anywhere. Containing nearly 75,000 singles, this reference lists all of them individually by title with updated pricing in up to three grades of condition. Also includes an expanded 16-page colour section of interesting records, labels, and sleeves. Prices are given in US dollars.

    Steblin's important work on key characteristics, first published in 1983 by UMI Research Press and re-issued by the University of Rochester Press in 1996. The revision has been limited to a thorough correction and update of the material in the first edition, so as to not disrupt the content and organization, for which the book has been praised as a significant and noteworthy reference for both scholars and research students alike. The book discusses the extra-musical meanings associated with various musical keys by ancient Greek and medieval-renaissance theorists and in particular composers and writers on music in the Baroque, Classical, and early Romantic periods. Chapters focus on Mattheson's extensive key descriptions from 1713, the Rameau-Rousseau and Marpurg-Kirnberger controversies regarding unequal versus equal temperaments, and C.F.D. usseau and Marpurg-Kirnberger controversies regarding unequal versus equal temperaments, and C.F.D. Schubart's influential list based on the sharp-flat (bright-dark) principle of key-distinctions.BR

    Anywhere Is * Athair Ar Neamh * China Roses * From Where I Am * Hope Has a Place * La Sonadora * On My Way Home * Once You Had Gold * Pax Deorum * Teahouse Moon * The Memory of Trees.

    A comprehensive step-by-step course specifically designed to suit the needs of all children beginning the piano. Includes: characters and illustrations * writing exercises * sight reading drills * review work * accompaniments * and more. Our latest edition (2019) features artwork by Sergio Sandoval.

    

    Tracing a career that began in the 1930s and continued until just a few years before Tubb’s death in 1984, Pugh presents not only the long and legendary life of the Texas Troubadour but also an unparalleled view of the world of country music in which Ernest Tubb played an essential part.Tubb began his career as an imitator of Jimmie Rodgers, but stormed the country music scene in the 1940s with a new honky tonk sound and a string of hits that included “Walking the Floor Over You.” His innovations marked an important transition in country music to a style and lyric in tune with modern American working people, or at least that offered the real-life themes of hard drinking, divorce, tough times, and ruined lives—changes that helped define the music we recognize today as “country.” A member of the Grand Ole Opry until 1982, Tubb hosted a live radio broadcast from the Ernest Tubb Record Shop in Nashville for years and became one of the first country music stars to host his own television show in the mid-1960s. Always popular and on the road much of the time even after his prime hit-making years had ended, he was well-known for promoting the careers of many new performers on the rise.Delving into fan club journals, songbooks, newspaper broadcast logs, record company files, and hundreds of interviews, Ronnie Pugh draws a picture of Tubb—exploring both his personal and professional life—that is unprecedented in its intimacy, detail, and vitality. We get a close-up view of Tubb riding the crest of his popularity, setting the pace for Nashville, facing the onslaught of Elvis Presley and rock ’n roll, and surviving as a country music legend. Richly illustrated with almost a hundred photographs, many of which are rare unpublished shots from private collections, Ernest Tubb also contains a detailed and complete sessionography, a resource that will be of continuing importance for serious record collectors.A biography that has been long awaited from Ronnie Pugh, unquestionably the leading authority on Ernest Tubb, this book will delight readers from among the fans of country music, those interested in the history of country music or American popular music and culture generally, and, of course, Ernest Tubb fans.

    The new 5th edition delivers the same practical step by step solutions to repair problems, plus includes an identification section with pictures and descriptions of over 300 early machines, and an updated guide to current market values.

    The epitome of slacker culture and the grunge movement, the international phenomenon that was Nirvana ended with the untimely death of frontman Kurt Cobain; the band's music, however, has lived on. Features a chronology, discography, index, and many color photographs.

    Everything is the audiobook of Rollins' book Eye Scream which was written over a period of nine years from 1986 to 1995. Eye Scream covers a vast number of social issues over that time period including racism, homophobia, and police brutality. The album features Rollins' spoken word accompanied by jazz musicians Charles Gayle and Rashied Ali

    Her views on everything from pianos to magic carpets in this treasury of quotes, with a stunning array of color photos.

    Volume 1 of Peter Heyworth's biography follows the conductor's career from early days in Prague through the innovative period of the Weimar Republic and his appointment as director of the Kroll Opera in Berlin to his abrupt departure from Germany in 1933. This book has become established as a classic account of one of the crucial figures in the musical life of the early twentieth century. With the publication of the long-awaited sequel covering the subsequent years from 1933–1973, this widely acclaimed first volume is now made available in a newly designed format as a companion to volume 2.

    DVD contains discussion and demonstration of instrumental and choral conducting techniques by the author and Eugene Migliaro Corporon; in part, animation.

    His style focused on the youth of the church. This album covers his ministry years from 1980-1982. The collection matches the recording on Sparrow Records. Songs: Oh Lord,

    Each volume contains all of the established classics of its genre under a single cover, in authoritative neweditions and at a budget price. European Sacred Music is the second volume in the series and a fabulous value for money. From the Allegri Misereri to the Victora O vos omnes, John Rutter and co-editor Clifford Bartlett have researched the best available sources and provided excellent new Englishsinging translations and sensible, practical keyboard reductions.

    In the course of its transition from performance in temples and courts to the concert stage, the making of modern Bharata Natyam has passed from the purview of traditional/hereditary families, and dancers into the hands of the educated elite. What changes have been brought about in presentation and style as a result of this transition? How much of current practice is an invention of the past fifty years? These and other questions on the fascinating history of the creation of Bharata Natyam are dealt with by Anne-Marie Gaston who provides extensive oral testimony of current preceptions and directions of Bharata Natyam.

    As the song says... Never Forget."

    Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music.Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturity--"Petrushka, The Rite of Spring, " and "Les Noces." Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"--the professional appropriation of motifs and style characteristics from folk art--and how Stravinsky realized this ideal in his music.Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed.Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.

    

    John Suchet journeys through Beethoven's early years as child prodigy to his later life as a musical master, haunted by personal tragedies. Based firmly on fact, this novel is sure to capture an audience of classical music devotees as well as history buffs.

    As a musician he organized the International Festival of Baroque Opera and Theatre at Versailles in the early 1990s, and thus was instrumental in the rediscovery of much forgotten classical music. Yet in 1994 he abruptly renounced all musical activities. The Hatred of Music is Quignard’s masterful exploration of the power of music and what history reveals about the dangers it poses.   From prehistoric chants to challenging contemporary compositions, Quignard reflects on music of all kinds and eras. He draws on vast cultural knowledge—the Bible, Greek mythology, early modern history, modern philosophy, the Holocaust, and more—to develop ten accessible treatises on music. In each of these small masterpieces the author exposes music’s potential to manipulate, to mesmerize, to domesticate. Especially disturbing is his scrutiny of the role music played in the concentration camps of Nazi Germany. Quignard’s provocative book takes on particular relevance today, as we find ourselves surrounded by music as never before in history.

    Its dazzling virtuosity and spectacular live concerts made it hugely popular with fans during the 1970s, who saw bands such as King Crimson, Emerson, Lake and Palmer, Yes, Genesis, Pink Floyd, and Jethro Tull bring a new level of depth and sophistication to rock. On the other hand, critics branded the elaborate concerts of these bands as self- indulgent and materialistic. They viewed progressive rock's classical/rock fusion attempts as elitist, a betrayal of rock's populist origins. In Rocking the Classics, the first comprehensive study of progressive rock history, Edward Macan draws together cultural theory, musicology, and music criticism, illuminating how progressive rock served as a vital expression of the counterculture of the late 1960s and 1970s. Beginning with a description of the cultural conditions which gave birth to the progressive rock style, he examines how the hippies' fondness for hallucinogens, their contempt for Establishment-approved pop music, and their fascination with the music, art, and literature of high culture contributed to this exciting new genre. Covering a decade of music, Macan traces progressive rock's development from the mid- to late-sixties, when psychedelic bands such as the Moody Blues, Procol Harum, the Nice, and Pink Floyd laid the foundation of the progressive rock style, and proceeds to the emergence of the mature progressive rock style marked by the 1969 release of King Crimson's album In the Court of the Crimson King. This golden age reached its artistic and commercial zenith between 1970 and 1975 in the music of bands such as Jethro Tull, Yes, Genesis, ELP, Gentle Giant, Van der Graaf Generator, and Curved Air. In turn, Macan explores the conventions that govern progressive rock, including the visual dimensions of album cover art and concerts, lyrics and conceptual themes, and the importance of combining music, visual motif, and verbal expression to convey a coherent artistic vision. He examines the cultural history of progressive rock, considering its roots in a bohemian English subculture and its meteoric rise in popularity among a legion of fans in North America and continental Europe. Finally, he addresses issues of critical reception, arguing that the critics' largely negative reaction to progressive rock says far more about their own ambivalence to the legacy of the counterculture than it does about the music itself. An exciting tour through an era of extravagant, mind-bending, and culturally explosive music, Rocking the Classics sheds new light on the largely misunderstood genre of progressive rock.

    This new edition has been updated throughout to reflect current needs and practices- revised and placed in a modern context, providing a guide to the theory of sound and sampling in the context of software and hardware that enables sound making. For the revised edition emphasis is on expanding explanations of software and computers, new sections include techniques for making sound physically, sections within analog and digital electronics. Martin Russ is well known and the book praised for its highly readable and non-mathematical approach making the subject accessible to readers starting out on computer music courses or those working in a studio. * Explains the theory of sound and sampling to allow readers to really understand the different types of synthesis and sound making* Covers all the latest technology and techniques in music production and sound design enabling the reader to get to grips with the current shape of computer technology and music composition* Includes glossary and jargon buster for quick reference and grasp of vocabulary

    The Hal Leonard Bass Method is designed for anyone just learning to play electric bass. It is based on years of teaching bass students of all ages, and it also reflects some of the best bass teaching ideas from around the world! The second edition has been totally revised and features all new engravings and photos. The books have been updated to meet the needs of today's bass students by renowned bassist and author Ed Friedland. Book 1 teaches: tuning, playing position; musical symbols; notes within the first five frets; common bass lines, patterns and rhythms; rhythms through eighth notes; playing tips and techniques; more than 100 great songs, riffs and examples; and more!

    Music fans, trivia buffs and music industry employees will all find what they're looking for in this compendium, written by the man who has interviewed literally thousands of stars and industry gurus. 425 photos.

    With the help of over 300 music examples and diagrams, Evans demonstrates Britten's mastery of the art of composition. Since this book's first appearance in 1979, Britten's publishers have made available a considerable number of works withheld during the composer's lifetime; some are juvenilia, but others date from as late as the Peter Grimes period. In a postscript to this edition, Peter Evans assesses the creative stature of these works and their significance in Britten's development. The catalogue of works now includes these additional titles, and the selective bibliography has been revised.

    It emphasizes the motto "Clarity of intent, not just clarity of beat," in various contexts throughout the book--suggesting that a technical approach should be complimented with musical insight and an understanding of conducting as a gesture. This text details baton timing techniques; shows the relationship of time, speed, and motion; discusses subdivided beats, the expressive gestures, and the development of the left hand; looks at twentieth-century innovations, and much more. For individuals preparing for a career in conducting.

    All books have 8-page color photo sections and are shaped like a CD box, designed to fit alongside your CD collection.

    From then until Mahler's death in 1911—the year of the first performance of Der Rosenkavalier—they kept in touch. Mahler himself described their relationship as that of two miners tunneling from opposite directions with the hope of eventually meeting.This first publication of their correspondence, which includes twenty-five previously unknown Strauss letters, offers a portrait of two men who were as antithetical in their musical means and goals as in their temperaments and personalities, but who exercised a strong fascination for one another. These sixty-three letters show both composers advancing in their careers as they battled against adverse conditions in the musical world at the turn of the century. They present Mahler's energetic support of Strauss's Symphonia Domestica, which Mahler conducted in 1904 and, in turn, Strauss's championing of Mahler's music, especially the Second and Third Symphonies.The correspondence is fully annotated and is supplemented with a major essay by Herta Blaukopf."Unfailingly absorbing. . . . An indispensable addition to the literature on these composers."—Norman Del Mar, Times Literary Supplement

    The second volume of the Schumann correspondence contains letters written by Robert Schumann (1810-1856) and Clara Wieck Schumann (1819-1896) in 1839, documenting the major events of that year: Clara's concert tour and stay in Paris, Friedrich Wieck's continued vehement opposition to Robert's courtship of his daughter, Clara and Robert's legal action to obtain the court's consent for their marriage, Clara's reunion and stay with her mother in Berlin, and the death of Robert's brother Eduard.

    A classical music lover's dream, it is the only source containing all the essential information about classical compositions within the convenient covers of one volume. Designed for listeners, readers, collectors, and connoisseurs alike, this catalog will be as indispensable an investment as a philatelic catalog is to the postage stamp collector. This catalog will tell you at a glance: which works would complete your collection of Dvorák's string quartets; which Gershwin songs appeared in which of his shows; in which Mozart opera the aria "Il mio tesoro" appears; at what age Brahms composed his first symphony; whether Beethoven's Piano Sonata No.14 is the "Moonlight" or the "Waldstein"; and how many symphonies Borodin composed. The Da Capo Catalog of Classical Music Compositions relies on the most authoritative sources. Easy to use and difficult to put down, it will delight anyone frustrated by the inadequacy and inconsistency of existing reference works. The first book of its kind, it will undoubtedly become a well-appreciated companion on your journeys through musical history.