What happens when rising stars collide?In And This Too Shall Pass, Harris takes us into the locker rooms and newsrooms of Chicago, where four lives are about to intersect in romance and scandal. At the heart of the novel is the celibate Zurich, a rookie quarterback for the Chicago Cougars whose trajectory for superstardom is interrupted by a sexual assault charge by Mia, a sportscaster with her own sights on fame. With his career in jeopardy, Zurich hires Tamela, a high-powered attorney, to defend him, while Sean, a gay sportswriter, covers the story and uncovers his heart. All of these characters face the challenge of keeping the faith--in themselves and in God--while Harris's heartfelt storytelling reveals how the love of family can help one to face the terrible legacy of long-held secrets. Throughout these characters' search for self-knowledge, Harris weaves the stories of MamaCee, Zurich's grandmother, whose lessons of faith teach one and all that "this too shall pass." Breaking new ground in contemporary fiction, And This Too Shall Pass entertains and affirms with its stirring message about the healing power of family and faith.

    But these four humans do not realize that the forest is filled with fairies and hobgoblins who love making mischief. When Oberon, the Fairy King, and his loyal hobgoblin servant, Puck, intervene in human affairs, the fate of these young couples is magically and hilariously transformed. Like a classic fairy tale, this retelling of William Shakespeare's most beloved comedy is perfect for older readers who will find much to treasure and for younger readers who will love hearing the story read aloud.

    L. Rosenthal's classic selection of Yeats's poems and plays has attracted hundreds of thousands of readers. This newly revised edition includes 211 poems and 4 plays. It adds The Words Upon the Window-Pane, one of Yeats's most startling dramatic works in its realistic use of a seance as the setting for an eerily powerful reenactment of Jonathan Swift's rigorous idealism, baffling love relationships, and tragic madness. The collection profits from recent scholarship that has helped to establish Yeats's most reliable texts, in the order set by the poet himself. And his powerful lyrical sequences are amply represented, culminating in the selection from Last Poems and Two Plays, which reaches its climax in the brilliant poetic plays The Death of Cuchulain and Purgatory. Scholars, students, and all who delight in Yeats's varied music and sheer quality will rejoice in this expanded edition. As the introduction observes, "Early and late he has the simple, indispensable gift of enchanting the ear....He was also the poet who, while very much of his own day in Ireland, spoke best to the people of all countries. And though he plunged deep into arcane studies, his themes are most clearly the general ones of life and death, love and hate, man's condition, and history's meanings. He began as a sometimes effete post-Romantic, heir to the pre-Raphaelites, and then, quite naturally, became a leading British Symbolist; but he grew at last into the boldest, most vigorous voice of this century." Selected Poems and Four Plays represents the essential achievement of the greatest twentieth-century poet to write in English.

    Its central characters, Herbie and Noon, are a loving but unconventional couple whose marriage remains unconsummated for many years as Noon struggles to repossess her sexuality after a brutal attack in her past. While she seeks salvation in the church, Herbie gains sexual gratification in the arms of a bewitching jazz singer named Ethel, a woman who profoundly affects both Noon's and Herbie's lives when she leaves with them, first, a baby girl and then later, a five-year-old named Liz. When a road planned by the city council threatens to break up this South Philadelphia neighborhood, the community must band together. Unexpectedly, Noon rises up and takes the lead in the opposition, fighting for all she's worth to keep her family and community together. Tumbling is a beautifully rendered, poignant story about the ties that bind us and the secrets that keep us apart. With striking lyricism, Diane McKinney-Whetstone keenly guides us through the world of community, family, and the human heart.

    Fresh and in-your-face, this witty novel depicts a world where women sometimes have to alter their dreams, but never have to stop embracing the future.

    The players take turns being fielders and runners, ultimately trying to tag the rest of the players out. In The Hot Box, best friends Milena and Lydia are playing the game with Jacour, Yosef, Glenn, and Phil. The only problem: the men do not realize that they are playing. Milena lives a sheltered and dismal existence and has not allowed a man to touch her body in eight years . . . until now. Lydia dreams of getting away from small-town America but, until she can make that happen, she is prepared to do whatever it takes to continue to have her bills paid . . . on time. Good sex always does the trick. Two women. Four men. Two love triangles. Reading has never been this hot because, once again, Zane is taking you outside the box.

    Sweeping all major theater awards, including the 1996 Pulitzer Prize for drama, as well as four 1996 Tony Awards including Best Musical, Best Book, and Best Score for a Musical, Rent captures the heart and spirit of a generation, refleting it onstage through the emotion of its stirring words and music, and the energy of its young cast. Now, for the first time, Rent comes to life on the page -- through vivid color photographs, the full libretto, and an utterly compelling behind-the-scenes oral history of the show's creation. Here is the exclusive and absolutely complete companion to Rent, told in the voices of the extraordinary talent behind its success: the actors, the director, the producers, and the librettist and composer himself, Jonathan Larson, whose sudden death, on the eve of the first performance, has made Rent's life-affirming message all the more poignant.

    "Its a ghost story, a thriller, an action-packed murder mystery, and a great tragedy that is profoundly moving." With an outstanding cast of international actors--including Derek Jacobi as Claudius, Julie Christie as Gertrude, Kate Winslet as Ophelia, Charlton Heston as the Player King, Robin Williams as Osric, and Gerard Depardieu as Reynaldo--Branagh's version, in which he will play the title role as well as direct, is sure to go down in film history.This beautiful volume includes Branagh's introduction and screenplay adaptation of Shakespeare's text, color and black-and-white stills, and a production diary that takes us behind the scenes for a day-to-day look at the shooting of his film.

    But when she returns to the Hall for Christmas, at the invitation of her old friend David Marchmont, she has no recollection of her past association with it - the result of a tragic accident that has blanked out more than two decades of her life. Then, during a walk through the wintry landscape, she stumbles across a grave in the woods, and the weathered inscription on the headstone tells her that a little boy is buried here . . .The poignant discovery strikes a chord in Greta's mind and soon ignites a quest to rediscover her lost memories. With David's help, she begins to piece together the fragments of not only her own story, but that of her daughter, Cheska, who was the tragic victim of circumstances beyond her control. And, most definitely, not the angel she appeared to be . . .

    Assuming a new identity, she lived among the Nazis whilst carrying out highly dangerous acts of sabotage, risking her life and the lives of her loved ones.Despite the constant danger she faced, Anna found love – or love found Anna.But as the war drags her away from those she loves, can this passion outlast Germany’s occupation of Norway?Or will it be just one more casualty of the conflict?

    So when a strange woman turns up with promises of a new life in Liverpool, she is thrilled.Warm-hearted and kind, Phyl is everything she wants in a stepmother. But then Lizzie falls in love with the one man who should have been out of bounds. Should she follow her heart and risk losing it all? From the author of A Sister’s Duty and Lily’s War (Note: previously published as Going Home to Liverpool)

    Rei is the school delinquent. Kira is shy and studious. What they see in each other is a mystery to their friends. What they find in each other is a miracle to themselves. With a style that is artistic and chic, this tale of restless and confused high school love will appeal to young women everywhere.Kira and Rei might as well be from different planets. She's a shy art student, afraid of boys and hated by her classmates. He's a rebellious motorcycle racer with girls dropping left and right just to talk to him. Their lives become intertwined when Kira asks Rei to model for her and, to everyone's surprise, he agrees. As these two battle their personal demons and the pressures of their classmates, they learn not only to love each other, but themselves.

    Elsa's parents, who run the highly successful Mersey Antiques, take Lucy home, while Patsy has a more down-to-earth upbringing with her father and other grandmother above the Railway Hotel. When Patsy is invited to work at Mersey Antiques, she hopes it will bring her closer to Lucy, but it takes a series of dramatic events before they are drawn together.

    They fall deeply into a relationship astonishing in its intensity that transforms their lives. Then a foolish act from Eric's past rises to cast a devastating shadow over their idyllic relationship. But they will discover that within the very struggle to endure and to fight lie the seeds which can ensure love's survival.

       The Beauty Queen of Leenane was first presented as a Druid Theatre/Royal Court Theatre co-production in January 1996.

    Today he is recognized not only as the most successful American playwright of all time, but also as one of the greatest. More than the humor, however, it is the humanity of Neil Simon's vision that has made him America's most beloved playwright and earned him such enduring success. Now, in Rewrites, he has written a funny, deeply touching memoir, filled with details and anecdotes of the writing life and rich with the personal experiences that underlie his work.Since Come Blow Your Horn first opened on Broadway in 1960, few seasons have passed without the appearance of another of his laughter-filled plays, and indeed on numerous occasions two or more of his works have been running simultaneously. But his success was something Neil Simon never took for granted, nor was the talent to create laughter something that he ever treated carelessly: it took too long for him to achieve the kind of acceptance -- both popular and critical -- that he craved, and the path he followed frequently was pitted with hard decisions.All of Neil Simon's plays are to some extent a reflection of his life, sometimes autobiographical, other times based on the experiences of those close to him. What the reader of this warm, nostalgic memoir discovers, however, is that the plays, although grounded in Neil Simon's own experience, provide only a glimpse into the mind and soul of this very private man.In Rewrites, he tells of the painful discord he endured at home as a child, of his struggles to develop his talent as a writer, and of his insecurities when dealing with what proved to be his first great success -- falling in love. Supporting players in the anecdote-filled memoir include Sid Caesar, Jerry Lewis, Walter Matthau, Robert Redford, Gwen Verdon, Bob Fosse, Maureen Stapleton, George C. Scott, Peter Sellers, and Mike Nichols. But always at center stage is his first love, his wife Joan, whose death in the early seventies devastated him, and whose love and inspiration illuminate this remarkable and revealing self-portrait. Rewrites is rich in laughter and emotion, and filled with the memories of a sometimes sweet, sometimes bittersweet life.

    Now he was starting over-or trying to. Once he laid hungry eyes on his new employer, though, his resolve to lead a simple, solitary life deserted him, replaced by yearnings for fierce, forbidden passion. WHAT COULD HE GIVE HER BUT TROUBLEPreacher's daughter Rebecca Hill was raised to give folks the benefit of the doubt--though maybe this time she'd taken charity a bit too far. True, Jackson Rule had paid his debt to society, and was a hard, honest worker. What threatened to undo her was the sheer burning desire she felt in his presence, and the sinking feeling that her heart would be his captive forever.

    But because Mama couldn't find anyone who thought Avocet was a fine name for a child, she called me Bird. Which is okay by me. She named both her children after birds, her logic being that if we were named for something with wings then maybe we'd be able to fly above the shit in our lives. . . .                       So says Bird Jackson, the mesmerizing narrator of Connie May Fowler's vivid and brilliantly written, Before Women Had Wings.                       Starstruck by a dime-store picture of Jesus, Bird fancies herself "His girlfriend" and embarks upon a spiritual quest for salvation, even as the chaos of her home life plunges her into a stony silence. In stark and honest language, she tells the tragic life of her father, a sweet-talking wanna-be country music star, tracks her older sister's perilous journey into womanhood, and witnesses her mother make a courageous and ultimately devastating decision.                      Yet most profound is Bird's own story--her struggle to sift through the ashes of her parents' lives, her meeting with Miss Zora, a healer whose prayers over the bones of winged creatures are meant to guide their souls to heaven, and her will to make sense of a world where fear is more plentiful than hope, retribution more valued than love. . . .                     "A thing of heart-rending beauty, a moving exploration of love and loss, violence and grief, forgiveness and redemption."           --Chicago Tribune                      "There is no denying the depth of Connie May Fowler's talent and the breadth of her imagination."           --The New York Times Book Review                      "Brilliant."           --The Boston Sunday Globe

    RIVER OF THE SUN revealed the indomitable spirit of former slave girl Diamond. Now her intrepid son faces his own struggle for survival... As a boy, Ben Beckman is sheltered from the harsher aspects of life by his Aborigine mother Diamond, who is all too familiar with the prejudice rife within Brisbane society. He is unaware that his father is the ruthless Ben Buchanan, a prominent figure in the state political scene. Then one appalling night Diamond's life comes to an end. Crazed with grief, Ben vandalises his neighbour Dr Thurlwell's mansion - as the doctor refused to tend his mother. Ben's actions are to have tragic consequences... Over hard years, Ben's hatred for Dr Thurwell deepens. The girl next door is Phoebe Thurlwell, whom Ben has known all his life. When she offers the hand of friendship he is still motivated by a bitter feud with her parents. Phoebe is sent away to a friend's cattle station to remove her from Ben's influence, but he follows. There he comes face to face with his own father, a far more dangerous adversary than he ever thought possible...

    Fate brings Jazmine and X-Man together as promising young stars for the same record company. They thrive on the excitement of their new careers and passionate love, until a power-hungry executive pits them against each other, jeopardizing both their musical careers and romantic future. Follow Jazmine and X-man as they discover that with the right mix of love and determination, it doesn't matter where you're from, it's where you're at.

    Angie Picard, struggling to hold on to her faith, is tested when a young girl and her father come into Angie's life whose needs are greater than her own and she must see if her love and faith can help them triumph over sorrow and loneliness.

    The gaucheness, the rush of excitement, and the inarticulate tenderness of young love are beautifully captured in writing of great truth and delicacy. Only the most irrational of homophobes could fail to be moved by it."—Daily Telegraph"Deliciously upbeat ... seldom has there been a play which so exquisitely and joyously depicts what it's like to be sixteen, in the first flush of love and full of optimism. Truly a most unusual and beautiful thing."—Guardian"An unfakeably truthful portrait of adolescent self-discovery, showing sensitivity and fun pushing up like wild flowers through the concrete crevices of a Thamesmead estate. This is the most heartening working-class comedy since A Taste of Honey."—Independent on Sunday

    There he befriends a young boy and develops a close relationship with the boy and his widowed mother. These relationships evolve quickly and, ultimately, Karl's feelings for the mother and son lead him to a selfless act. Writer Billy Bob Thornton demonstrates a searing insight into the lives of ordinary people, portraying with equal skill both the good and bad who inhabit the small Arkansas town. Sling Blade is both the tale of one man's struggle to reconcile his life and of love's ultimate redemptive power.

    The critically acclaimed drama by one of England's most successful mid-century playwrights.

    The evening consisted of six Durang one act plays. It was directed by Walter Bobbie; set was by Derek McLane, costume by David C. Woolard, lighting by Brian Nason, sound design by Tony Meola; production stage manager was Perry Cline, stage manager was Greg Fletcher. Durang/Durang is an evening of six one acts. It is thus not a full length play, but it is a full evening.

    "One of the premier writers of contemporary fiction." -- "Romantic Times" Diane Chamberlain's background as a psychotherapist and clinical social worker is evident in her psychologically complex characters.Will appeal to fans of the novels of Anne Rivers Siddons, Barbara Delinsky, and Rosamunde Pilcher.

    On the surface it could be just one of hundreds in which some students will succeed and some will fall along the way. the hopes and dreams of so many people are tied up in the twice weekly lessons. they are ready to set off on the promised trip to Italy at the end of the year, everyone's destiny has changed utterly.

    I never want it to stop.' Sir Ian McKellen, one of the great Shakespeare actors, spent the glorious summer of 1995 fulfilling that wish. The result is a breathtaking piece of cinematography, starring Ian McKellen and written by him with Richard Loncraine, the director. In both his introduction to the screenplay and the extensive notes which run parallel to the text, Ian McKellen describes the genesis of the film, how the Royal National Theatre's highly praised stage production of Richard III was transformed into two hours of celluloid magic. He explains why this Richard III is set squarely in the 1930s and comments on the advantages as well as the pitfalls of trying to make Shakespeare more accessible to a general cinema audience. And finally he gives an insight into the way an actor prepares himself, both physically and mentally, to play one of Shakespeare's greatest villains. Illustrated with stunning black-and-white stills from the film, this book provides a fascinating and intensely personal view of the creation and filming of a masterpiece of modern cinema.

    During the past ten years Harold Pinter has written a new play, three film scripts, sheaves of poems, several sketches and created, with composer James Clarke, a pioneering work for radio, Voices. He has acted on stage, screen and radio, he has appeared on countless political platforms, and his work has been extensively celebrated in festivals at Dublin's Gate Theatre and New York's Lincoln Center. In 2005 he was awarded the Nobel Prize for Literature and in 2006, the European Theatre Prize. As if this were not enough, he has in the last five years twice come close to death. But he has faced hospitalisation with stoic resilience and his spirit remains as fiercely combative as ever. As he wrote in 2005 to Professor Avraham Oz, one of Israel's leading internal opponents of authoritarianism: "Let's keep fighting."

    Shortly after the filming began, Jarman also began work on this volume of his journals, which contains diary entries and interviews, notes on the script, stills from the filming, and photographs of Derek, his family and friends.

    This revised and expanded Black Theatre USA broadens its collection to fifty-one outstanding plays, enhancing its status as the most authoritative anthology of African American drama with twenty-two new selections.This collection features plays written between 1935 and 1996.

    A summarized version of At-Tabari, Al-Qurtubi and Ibn Kathir with comments from Sahih Al-Bukhari. This 1 volume summarized version offers brief commentary and Ahadith wherever necessary. This unique combination of commentary and relevant Ahadith makes this a very useful study reference tool.

    

    Titles include: Putting It Together * Loveland * Make the Most of Your Music * Wait * Everybody Says Don't * Band! * Merrily We Roll Along * Honey * Goodbye for Now * Liaisons * Two Fairy Tales * The Hills of Tomorrow * Truly Content * Beautiful * Happily Ever After and others.

    Selena Quintanilla was a vibrant musical performer, wildly pouplar in the growing field of Tejano music. But her rising star suddenly fell when she was murdered at the age of 23.At the time of her death, Selena was poised to break into the mainstream music scene. But as she enjoyed professional success beyond her wildest dreams, her personal life had more than its share of troubles. There was family tension surrounding her marriage to guitarist Chris Perez, and mounting pressure between her and the manager of her fashion boutiques, Yolanda Saldivar.Bestselling author Jo Nick Patoski recounts both the ups and downs of Selena's life, as well as her stunning transformation into a sensual Latina superstar. Most of all, he pays tribute to the life of this one-of-a-kind talent and a young life cut short by murder, but one that will never be forgotten.

    Titles include: Send in the Clowns * Another Hundred People * Being Alive * You Must Meet My Wife * One More Kiss * Losing My Mind * Could I Leave You? * Pretty Lady * Anyone Can Whistle * The Ballad of Sweeney Todd * By the Sea * Comedy Tonight * I Remember and more.

    Quills premiered at Washington, D.C.'s Woolly Mammoth Theatre Company in 1995 and subsequently had its debut Off-Broadway at New York Theatre Workshop. Quills garnered the 1995 Kesselring Prize for Best New American Play from the National Arts Club and, for Wright, a 1996 Village Voice Obie Award for Outstanding Achievement in Playwriting.

    It is hard to imagine a better tour guide than Fuchs for a trip through the last thirty years of, as she puts it, what we used to call the 'avant-garde.'" --Essays in Theatre..". an insightful set of theoretical 'takes' on how to think about theatre before and theatre after modernism." --Theatre Journal"In short, for those who never experienced a 'postmodern swoon, ' Elinor Fuchs is an excellent informant." --Performing Arts Journal..". a thoughtful, highly readable contribution to the evolving literature on theatre and postmodernism." --Modern Drama"A work of bold theoretical ambition and exceptional critical intelligence.... Fuchs combines mastery of contemporary cultural theory with a long and full participation in American theater culture: the result is a long-needed, long-awaited elaboration of a new theatrical paradigm." --Una Chaudhuri, New York University"What makes this book exceptional is Fuchs' acute rehearsal of the stranger unnerving events of the last generation that have--in the cross-reflections of theory--determined our thinking about theater. She seems to have seen and absorbed them all." --Herbert Blau, Center for Twentieth Century Studies, University of Wisconsin, Milwaukee"Surveying the extraordinary scene of the postmodern American theater, Fuchs boldly frames key issues of subjectivity and performance with the keenest of critical eyes for the compelling image and the telling gesture." --Joseph Roach, Tulane University..". Fuchs makes an exceptionally lucid and eloquent case for the value and contradictions in postmodern theater." --Alice Rayner, Stanford University"Arguably the most accessible yet learned road map to what remains for many impenetrable territory...an obligatory addition to all academic libraries serving upper-division undertgraduates and above." --Choice"A systematic, comprehensive and historically-minded assessment of what, precisely, 'post-modern theatre' is, anyway." --American TheatreIn this engrossing study, Elinor Fuchs explores the multiple worlds of theater after modernism. While The Death of Character engages contemporary cultural and aesthetic theory, Elinor Fuchs always speaks as an active theater critic. Nine of her Village Voice and American Theatre essays conclude the volume. They give an immediate, vivid account of contemporary theater and theatrical culture written from the front of rapid cultural change.

    Encompassing radio plays, and pieces for stage and screen, this volume explores familiar Carter preoccupations: myth and fairy tale; domestic murder and the violence underlying everyday life, and the rebellious victims of the repressive society.It includes the screenplays for "The Magic Toyshop" and "The Company of Wolves"; a draft for an opera of Virginia Woolf's "Orlando"; and reworkings for radio of "Puss in Boots" and "Dracula".

    As Elmore Leonard said of him, "Gifford cuts right through to the heart of what makes a good novel readable and entertaining . . . the way Barry Gifford does it, it's high art."

    He is the author of seven collections of stories and five novels. His first novel, The Wapshot Chronicle, won the 1958 National Book Award. In 1965 he received the Howells Medal for Fiction from the National Academy of Arts and Letters, and in 1978 The Stories of John Cheever won the National Book Critics Circle Award and the Pulitzer Prize. Shortly before his death, in 1982, he was awarded the National Medal for Literature from the Academy and Institute of Arts and Letters.Benjamin Cheever is the author of The Plagiarist, The Parisian and Famous after Death.The Enormous Radio read by Meryl StreepThe Five-Forty-Eight read by Edward HerrmannO City of Broken Dreams read by Blythe DannerChristmas is a Sad Season for the Poor read by George PlimptonThe Season of Divorce read by Edward HerrmannThe Brigadier and the Golf Widow read by Peter GallagherThe Sorrows of Gin read by Meryl StreepO Youth and Beauty! read by Peter GallagherThe Chaste Clarissa read by Blythe DannerThe Jewels of the Cabots read by George PlimptonThe Death of Justina read by John CheeverThe Swimmer read by John Cheever

    Ancient rivalries have ignited modern political ambitions and nothing is certain for those of the old Africa.But for Richard Dunn the stakes are even higher. Into his world comes the beautiful and compelling Steve Hayes, a woman struggling to guard her own dreadful secret. Richard has no choice: face the consequences of the past and fight for the future. To lose now is to lose everything.

    The authors of the essays on recent criticism and productions are Heather DuBrow, University of Wisconsin at Madison, and William Liston, Ball State University, respectively.

    "Pennington's great experience of the play...love for it...depth of knowledge...of many productions and interpretations culminate in a book of infinite value to any actor, director and above all to any passionate playgoer...written with passion, humor and rigor...an excellent read." -Ralph Fiennes

    Drawn once more into the sinister dealings of his former comrade The Fact, Flex encounters a mysterious rock star whose connection to the Hero of the Beach may hold the key to saving them both.

    A play of twisted circumstance, mistaken identity and surprising turns, it is deliciously absurd, incredibly funny and poignantly tender.

    The following year Getting Out was featured in the Burns Mantle Theatre Yearbook as one of the best plays of the New York season, published by Avon Books, and chosen as a Fireside Book Club Selection.

    While retaining the key elements of the first edition, including surveys of major figures such as Eugene O'Neill, Tennessee Williams, David Mamet, and Sam Shepard, Bigsby also explores recent works by established dramatists.

    Kenneth McCallister is a dole clerk who tolerates his marriage, his in-laws and Ulster until, on the fateful night in November in Belfast, as the Republic of Ireland qualifies against Northern Ireland for the World Cup, he finds himself watching the sectarian hatred of the crowd rather then the match.

    Plays are Balm in Gilead, Rimers of Eldritch, Gingham Dog, Lemon Sky, and The Sand Castle.

    "Trainspotting" is based on Irvine Welch's novel about heroin addicts and the underbelly of Edinburgh life. In "Shallow Grave" three young people discover a dead body and a suitcase full of money in their flat.

    The biotechnology company involved believes that it has come up with a treatment for malignant tumours, and the hospital administrators, reeling after a recent bout of bad publicity, see this as an opportunity to get some good press coverage for a change.But as the trials progress, the press - largely in the form of journalist, Eve Sayers - becomes more interested in the deaths of two young girls. Originally thought to have died from viral pneumonia, post-mortem examinations reveal the presence of an underlying cancer, so severe that only recent exposure to a powerful carcinogen can account for it.As more deaths follow and the city's Public Health Deapartment fails to trace the source of the carcinogen, all the signs point towards a horrifying scenario, though the powers-that-be refuse to take any of the evidence seriously. Alarm bells ringing, it is up to Neef, with the aid of Eve, to set about trying to find the cause of this deadly - and seemingly infectious - disease before any more fall victim to it. And it would appear that someone is determined he won't live to find out . . .Ken McClure is the internationally bestselling author of over twenty medical thrillers such as The Lazarus Strain, The Gulf Conspiracy, White Death and Dust to Dust. His books have been translated into twenty-three languages and he has earned a reputation for the accuracy of his predicitions. McClure's work is informed by his background as an award-winning research scientist with the UK's Medical Research Council.This book was first published by Simon & Schuster Ltd. (UK) in 1996.

    

    His chracters are the conflicts of the soul struggling for inner peace. At the center of his plays is loneliness, loss, grief, fear, courage and love: the existential state of our common humanity." - Robert Ellermann, from the Introduction

    This compelling collection includes works by award-winning and well-known playwrights such as Anna Deavere Smith, Cherrie Moraga, Pearl Cleage, Marga Gomez and Spiderwoman, as well as many exciting newcomers. Contemporary Plays by Women of Color is the first anthology to display such an abundance of talent from such a wide range of today's women playwrights. The plays tackle a variety of topics - from the playful to the painful - and represent numerous different approaches to playmaking. The volume also includes: * an invaluable appendix of published plays by women of color * biographical notes on each writer * the production history of each play Contemporary Plays by Women of Color is a unique resource for practitioners, students and lovers of theatre, and an inspiring addition to any bookshelf.

    "Angelic and brazen."--Jewelle Gomez.

    Performing Arts. RED DIAPER BABY includes three comic autobiographical monologues by performer Josh Kornbluth: The Mathematics of Change, Haiku Tunnel, and the title piece. Together, and with the author's introduction, the monologues compose a bildungsroman that is both comic and poignant. Kornbluth shows a deep affection for the wild, eccentric characters who people his universe. With a few deft strokes he paints unforgettable portraits, as true as they are funny. Together the monologues achieve real literary form and depth, as we witness a young man coming of age in a world that is anything but conventional. These monologues have a performer's personality even on the page. They read the way they play: with a delight in neurosis that turns it into intellectual slapstick--Pauline Kael.

    34 b/w photos.

    Attention should be given to the terms of copyright with specific attention to public performance. Throughout the book, you will encounter 'preceding' and 'intervening' speeches that are presented in a different type-face. These speeches are not to be read and are included in the interest of orientation, duration and consistency. The synopses of the plays cover major plot points and offer a general story outline. They will never, however, compensate for reading and studying the play scripts and viewing videos of the plays that have been brought to film.

    Petersburg until his emigration to Latvia and Lithuania in the early 1930s.Accompanying Chekhov's witty, penetrating, and immensely touching accounts are extensive and authoritative notes compiled by leading Russian Chekhov scholar, Andrei Kirillov. Anglo-Russian trained actor Bella Merlin provides a useful hands-on overview of how the contemporary practitioner might utilise and develop Chekhov's ideas.Chekhov was arguably one of the greatest actors of the twentieth century. His life made a huge impact on his profession, and his actor-training techniques inspired many a Hollywood legend - including such actors as Anthony Hopkins and Jack Nicholson -while his books outlining his teaching methods and philosophy of acting are still bestsellers todayThe Path of the Actor is an extraordinary document which allows us unprecedented access into the life, times, mind and soul of a truly extraordinary man.

    "As a study of agoraphobia, Bazaar and Rummage is written with great verve, style and wit." (Benedict Nightingale); Set in an adult literacy class where the student's fear of ignorance is as much of a handicap as their inability to read, Groping for Words is a "close up of the social scrap-heap, written in a fine vein of comic indignation and giving a voice to people whose lives are mainly spent in queues and waiting rooms." (Irving Wardle, The Times); Womberang shows free spirit Rita Onions bringing joy and anarchy to the grim waiting-room of a gynaecology clinic. "A daydream of mastered fear" (New Society)

    A fictional account of Spanish explorer Jan Ponce de Leo+a7n and his quest for the legendary Fountain of Youth follows the explorer from Puerto Rico to Florida, where he finds the mythic fountain but discovers that the gift of perpetual youth can become a nightmare.

    But there's only one force that can save the City of Angels now--Godzilla. From Beverly Hills to the Hollywood Hills, here's one monster showdown sure to make the earth quake!

    How can I leave you?" He laid his blackened hand against her cheek. "You know it's right to go, Aggie. The money will be a great help to Mum and Da. I'm past worrying about now." And Aggie relized that even though Dougie was with her he was dead. When young Aggie leaves Scotland in search of a better future, she must say goodbye to everything dear to her and face the unknown as bravely as she can. In Toronto, Aggie is employed as a servant, and over time she adapts to city life, new ways, and the possilibity of happiness she has never befroe dreamt of.

    At the same time, his strangely flamboyant personality, so teeming with eccentricities and contradictions, aroused unquenchable curiosity. Despite many investigations into Shaw's life and art, parts of him—parts crucial to understanding both man and artist—have remained veiled in secrecy. In this critical biography, Sally Peters explores Shaw's background and beliefs, interests and obsessions, relations with men and women, prose writings and dramatic art. In deciphering the enigma that was Shaw, she uncovers a convoluted and extravagant inner life studded with erotic secrets.Peters examines the passions of Shaw's life—everything from vegetarianism and boxing to socialism and feminism—and pieces them together in a new configuration, offering a fresh interpretation of his life and works. Striving unceasingly to ascend, possessed of monumental energy, Shaw was in many ways a dazzling example of his idealized superman. But, says Peters, this superman was also a man haunted by phantoms, a man of gender ambivalences and romantic yearnings, and a man who championed will even while believing that his erotic inclinations were the secret mark of the "born artist." Throughout, he was braced by a resilient comic vision as he transformed his life into enduring art.