Now, as Aurore faces her own mortality, she needs to reveal those secrets that have haunted her for so many years.Aurore seeks out Phillip Benedict and asks him to tell her story. He's intrigued, but wonders why the matriarch of a prominent white family would choose to confess her sins to an outspoken black journalist.Finally Phillip agrees, but though he thinks he's ready for anything she might say, the truth is that nothing can prepare him for the impact of Aurore's shocking revelations.

    After being released from prison, Glen Davis returns to his hometown only to commit double homicide within forty-eight hours of his return. Sheriff Bobby Blanchard, as upright as Glen is despicable, walks in the path of Glen’s destruction and tries to rebuild the fragile ties of the families and community they share. Dark secrets that have been simmering for two generations explode to the surface, allowing us a chilling glimpse at how evil can fester in a man’s heart and eat up his soul.“This is the novel that will live with you day and night.” — Kaye Gibbons“Cancel the competition for the suspense thriller of the year. Larry Brown has already won it with Father and Son.” —St. Louis Post-Dispatch“Larry Brown is one of the great unsung heroes of American fiction... His work is a reminder of a reason to read.” —San Jose Mercury News

    Mary Alice—“Sister”—is big, brassy, flamboyant, and bold. Together they have a knack for finding themselves in the center of some of Birmingham’s most unfortunate unpleasantness.Country Western is red hot these days, so overimpulsive Mary Alice thinks it makes perfect sense to buy the Skoot ‘n’ Boot bar—since that’s where the many-times-divorced “Sister” and her boyfriend du jour like to hang out anyway. Sensible retired schoolteacher Patricia Anne is inclined to disagree—especially when they find a strangled and stabbed dead body dangling in the pub’s wishing well. The sheriff has some questions for Mouse and her sister Sister, who were the last people, besides the murderer, of course, to see the ill-fated victim alive. And they had better come up with some answers soon—because a killer with unfinished business has begun sending them some mighty threatening messages…

    But because Mama couldn't find anyone who thought Avocet was a fine name for a child, she called me Bird. Which is okay by me. She named both her children after birds, her logic being that if we were named for something with wings then maybe we'd be able to fly above the shit in our lives. . . .                       So says Bird Jackson, the mesmerizing narrator of Connie May Fowler's vivid and brilliantly written, Before Women Had Wings.                       Starstruck by a dime-store picture of Jesus, Bird fancies herself "His girlfriend" and embarks upon a spiritual quest for salvation, even as the chaos of her home life plunges her into a stony silence. In stark and honest language, she tells the tragic life of her father, a sweet-talking wanna-be country music star, tracks her older sister's perilous journey into womanhood, and witnesses her mother make a courageous and ultimately devastating decision.                      Yet most profound is Bird's own story--her struggle to sift through the ashes of her parents' lives, her meeting with Miss Zora, a healer whose prayers over the bones of winged creatures are meant to guide their souls to heaven, and her will to make sense of a world where fear is more plentiful than hope, retribution more valued than love. . . .                     "A thing of heart-rending beauty, a moving exploration of love and loss, violence and grief, forgiveness and redemption."           --Chicago Tribune                      "There is no denying the depth of Connie May Fowler's talent and the breadth of her imagination."           --The New York Times Book Review                      "Brilliant."           --The Boston Sunday Globe

    Jess Kirkman's grandmother is dying, and Jess remembers the tales she and his mother have passed down to him--a chorus of women's voices that sing and share and celebrate the common song of life.

    In stories filled with heart and humor, event and consequence, the customs and culture of Louisiana come to life in the hands of a writer who blends rare talent with an even more unusual humanity.

    Walker Percy, the highly regarded author of The Moviegoer, wrote six novels, two volumes of philosophical writings, and numerous essays. Shelby Foote met with early success as a novelist, but his reputation today rests more upon his massive three-volume narrative history of the Civil War, and his role as commentator in Ken Burns's documentary The Civil War. The correspondence between Percy and Foote traces their lives from the beginning of their respective careers, when they were grappling fiercely and openly with their ambitions, artistic doubts, and personal problems. Although they discuss such serious matters as the death of Foote's mother and Percy's battle with cancer, their letters are full of sly humor and good-natured ribbing. Jay Tolson has selected, edited, and annotated the letters of these two remarkable writers to shed light on their relationship and their literary careers. Includes an eight-page insert with photographs of the writers chronicling their friendship.

    The incomparable Lewis Nordan's first two collections of short fiction--WELCOME TO THE ARROW-CATCHER FAIR and THE ALL-GIRL FOOTBALL TEAM--originally published in 1983 and 1986, have long been out of print in all editions. Collectors' items, these two books are now almost impossible for Nordan fans to find anywhere.To rectify that, Algonquin is delighted to announce a selection of fifteen of the best stories from the two books, newly arranged and introduced by fellow Mississippian, bookseller Richard Howorth, and with a foreword by the author. Critics have called Lewis Nordan's fiction "extraordinary" and "marvelous" and "stunning" and "scorching" and "story-telling genius." The selected stories show that genius in the making. "Characters that people the South hobble and dance across the pages of his short stories."--United Press International; "Delightfully eccentric situations and colorful language add up to a work that is even stronger than WOLF WHISTLE."--Library Journal.

    This collection by the author of Airships and Bats Out of Hell explores lost moments in time with intensity, emotion, and an eye to the past. In "Uncle High Lonesome," a young man recalls his Uncle Peter, whose even temper was marred only by his drinking binges, which would unleash moments of rage hinting at his much deeper distress. Fishing is transformed into a life-altering, almost mystical event in "A Creature in the Bay of St. Louis," when a huge fish caught on a line threatens to pull a young boy, and his entire world with him, underwater and out to sea. And in "Snerd and Niggero," a deep friendship between two men is inspired by the loss of a woman they both loved, a woman who was mistress to one and wife to the other. Viewed through memory and time's distance, Hannah's characters are brightly illuminated figures from a lost time, whose occassionally bleak lives are still uncommonly true.

    He paints the world of his childhood amongst the Gullah people of the South Carolina barrier islands. He reveals an awareness of the social and natural environments in which we live, elevating the everyday and celebrating the social.

    Now living happily in Berkeley, married and the mother of twins, Nora Jane is back in college, pregnant again, launching a new career, and facing circumstances that imperil her domestic bliss.The nine stories that follow explore the hazards of recapturing and reviving old affairs. Featuring both new and familiar Gilchrist characters, all of these stories shed brilliant new light on the oldest emotion.

    The devastation to the building was vast-but even greater were the changes those 50 sticks of dynamite made to Atlanta, the South, and ultimately, all of the United States (Detroit Free Press). Finalist for the National Book Award, The Temple Bombing is the brilliant and moving examination of one town that came together in the face of hatred, a book that rescues a slice of the civil rights era whose lessons still resonate nearly fifty years after that fateful fall day.

    They'd just finished their Pulitzer Prize-winning biography of Jackson Pollack, and were fed up with apartment life in New York City. What better means of escape could there be than the Xanadu-like pleasure palace built by robber baron William C. Whitney a century before? The asking price was a bit steep, of course, and the leaks, the falling plaster, the non-existent heating and air conditioning, and the nineteenth-century plumbing were a bit daunting. But Smith and Naifeh were hooked - and nothing would stop them.In writing of their three-year struggle to transform their "handyman special from hell" into a home while at the same time adjusting to the small-town rhythms of Aiken, South Carolina, they bring to life an unforgettable cast of characters - the neighbors, craftsmen, merchants, and friends who helped turn a town into a hometown. . . and a dream into a reality.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    In Rose Maddox, Whiteside has found an exceptional protagonist for his story: a fiery, strong-willed entertainer whose music has had an influence far beyond her handful of hits on the record charts and who in many ways, Whiteside convincingly argues, prefigured the coming of rock and roll. In the process, Whiteside introduces us to a host of memorable characters - stars like Hank Williams and Johnny Cash; behind-the-scenes movers and shakers like record men Cliffie Stone and Bill McCall; and, at the heart of the story, the irrepressible Maddox family themselves, whose freewheeling music so faithfully reflected the hurly-burly world of California's displaced migrant workers.

    Now, however, he is a staunch opponent of state-sanctioned murder. Cabana's voice rises with quiet authority above the confused babble that often passes for debate on the death penalty. Shot through with humanity, this book should be required reading for anyone remotely interested in the subject. Sr. Helen Prejean, Dead Man Walking Walking politicians have made speeches and passed laws to legalize state executions, they're nowhere around when the Don Cabanas got to work in the middle of the night to kill a man or woman. Breathe deep' Cabana advises an inmate about to be gassed so that he would die quickly. But after three executions Cabana couldn't do it anymore, and in these searing, soul-baring pages he tell us why.

    The Tuskegee Institute, founded by former slave Booker T. Washington in 1881, grew from a fledgling school to become a major center of American progress and education. This unique narrative cookbook traces the history and heritage of Tuskegee through reminiscences, vintage photographs, poetry, journal entries, and more than 200 recipes for delicious appetizers, entrées, side dishes, breads, beverages, and desserts that reflect the diverse and mouthwatering flavors of Southern African American cuisine.The African American Heritage Cookbook brings alive the pride and courage of the thousands of Tuskegee alumni, among them George Washington Carver and Rosa Parks, who have gone forth to change America and the world. Many Tuskegee graduates have contributed memories, vignettes, and classic Southern recipes—including Crab Bisque, Island Soup, Mom’s Devilish Catfish Stew, Smothered “Yard Bird,” Louisiana Gumbo, Creole Rice, Sweet Potato Casserole, Spoon Bread, Peach Pandowdy, and Dr. Carver’s Peanut Cake with Molasses.More than a collection of wonderful recipes, The African American Heritage Cookbook is a tribute to the abundantly rich history and civil rights legacy that have made the Tuskegee Institute a landmark and an inspiration.

    D. Dolan, Ellen Douglas, Kathy Flann, Tim Gautreaux, David Gilbert, Marica Guthridge, Jill McCorkle, Robert Morgan, Tom Paine, Susan Perabo, Annette Sanford, and Lee Smith.

    For a brief and cherished time there was a woman, and then a child, too, who had been a kind of salvation to him. Then they were gone, leaving Ellis to carry on with the burden of what he had done to them, of the ruin he brought down upon them all.In The Sweet Everlasting, Ellis is seventy-four. Moving back and forth over his life, he recalls his Depression-era boyhood, the black family who worked the neighboring farm, his time in prison, and the subsequent years adrift, working at jobs no one else would take and longing for another chance to rejoin what is left of his family. Ever in the background are the memories of his wife, Susan, and their boy, W.D.--how Ellis drew on her strength and his innocence to resist everything that threatened to harden him: the shame that others would have him feel, the poverty he had known, and the distorted honor and pride he had seen in others and that he knew was inside him, too.Like the hero of William Kennedy's masterpiece, Ironweed, Ellis Burt is a man of uncommon personal dignity and strength, always moving toward, but never expecting, redemption.

    Over 300 Mississippi cities, towns and communities are all integrated into this twisting, turning, enchanting yarn, vividly illustrated by the author.

    Each thrilling dramatization uses the techniques of old-time radio: authentic sound effects, dramatic music, and a full cast of professional actors to create a very special kind of entertainment. This collection includes: Get Out of Town Merrano of the Dry Country Down the Pogonip Trail

    Reproductions of Mose T's fanciful paintings, printed in full color on glossy paper, are accompanied by Ely's playful verse. Subjects include Porky Pine Turtle, the Geek Bird, Swayback Horse, and more. Recently reprinted.