Set in an addicts' halfway house and a tennis academy, and featuring the most endearingly screwed-up family to come along in recent fiction, Infinite Jest explores essential questions about what entertainment is and why it has come to so dominate our lives; about how our desire for entertainment affects our need to connect with other people; and about what the pleasures we choose say about who we are. Equal parts philosophical quest and screwball comedy, Infinite Jest bends every rule of fiction without sacrificing for a moment its own entertainment value. It is an exuberant, uniquely American exploration of the passions that make us human—and one of those rare books that renew the idea of what a novel can do.

    There, he begins to undergo a startling transformation from neighbourhood outcast to basketball superstar, and eventually to reluctant messiah of a ‘divided, downtrodden people’. A bombastic coming-of-age novel that has the uncanny ability to make readers want to laugh and cry at the same time,Beatty mingles horrific reality with wild fancy in this outlandish, laugh-out-loud funny and poignant vision of contemporary America.

    Some believe Grace is innocent; others think her evil or insane. Now serving a life sentence, Grace claims to have no memory of the murders.An up-and-coming expert in the burgeoning field of mental illness is engaged by a group of reformers and spiritualists who seek a pardon for Grace. He listens to her story while bringing her closer and closer to the day she cannot remember. What will he find in attempting to unlock her memories?Captivating and disturbing, Alias Grace showcases best-selling, Booker Prize-winning author Margaret Atwood at the peak of her powers.

    After being released from prison, Glen Davis returns to his hometown only to commit double homicide within forty-eight hours of his return. Sheriff Bobby Blanchard, as upright as Glen is despicable, walks in the path of Glen’s destruction and tries to rebuild the fragile ties of the families and community they share. Dark secrets that have been simmering for two generations explode to the surface, allowing us a chilling glimpse at how evil can fester in a man’s heart and eat up his soul.“This is the novel that will live with you day and night.” — Kaye Gibbons“Cancel the competition for the suspense thriller of the year. Larry Brown has already won it with Father and Son.” —St. Louis Post-Dispatch“Larry Brown is one of the great unsung heroes of American fiction... His work is a reminder of a reason to read.” —San Jose Mercury News

    Here we encounter a blind piano tuner whose wonderful memories of his first wife are cruelly distorted by his second; a woman in a difficult marriage who must choose between her indignant husband and her closest friend; two children, survivors of divorce, who mimic their parents' melodramas; and a heartbroken woman traveling alone in Italy who experiences an epiphany while studying a forgotten artist's Annunciation. Trevor is, in his own words, 'a storyteller. My fiction may, now and again, illuminate aspects of the human condition, but I do not consciously set out to do so.' Conscious or not, he touches us in ways that few writers even dare to try.

    Interweaving historical and fictional characters, they encompass both past and present as they negotiate the complex territory of ambition, failure, achievement, and shattered dreams. In "Ship Fever," the title novella, a young Canadian doctor finds himself at the center of one of history's most tragic epidemics. In "The English Pupil," Linnaeus, in old age, watches as the world he organized within his head slowly drifts beyond his reach. And in "The Littoral Zone," two marine biologists wonder whether their life-altering affair finally was worth it. In the tradition of Alice Munro and William Trevor, these exquisitely rendered fictions encompass whole lives in a brief space. As they move between interior and exterior journeys, "science is transformed from hard and known fact into malleable, strange and thrilling fictional material" (Boston Globe).

    In these fourteen stories, Dubus depicts ordinary men and women confronting injury and loneliness, the lack of love and the terror of actually having it. Out of his characters' struggles and small failures--and their unexpected moments of redemption--Dubus creates fiction that bears comparison to the short story's greatest creators--Chekhov, Raymond Carver, Flannery O'Connor. "A master of the short story...It's good to have Andre Dubus back. More than ever, he is an object of hope."--Philadelphia Inquirer"Dubus's detailed creation of three-dimensional characters is propelled by his ability to turn a quiet but perfect phrase...[This] kind of writing raises gooseflesh of admiration."--San Francisco Chronicle

    Childless Medea is the touchstone of a large family, which gathers each spring and summer at her home. There are her nieces (sexy Nike and shy Masha), her nephew Georgii (who shares Medea’s devotion to the Crimea), and their friends. In this single summer, the languor of love will permeate the Crimean air, hearts will be broken, and old memories will float to consciousness, allowing us to experience not only the shifting currents of erotic attraction and competition, but also the dramatic saga of this family amid the forces of dislocation, war, and upheaval of twentieth-century Russian life.

    Wendell Berry tackles the problem of truth and recollection as Andy Catlett gathers the details of this tragedy from the fragile memories of the townspeople. Tenderly, yet with directness, this short novel encompasses a changing way of life at the end of World War II.

    As he does, other matters insistently crowd his mind - literary and cultural anecdotes, endless quotations attributed and not, scholarly curiosities - the residue of a lifetime's reading which is apparently all he has to show for his decades on earth. Out of these unlikely yet incontestably fascinating materials - including innumerable details about the madness and calamity in many artists' and writers' lives, the eternal critical affronts, the startling bigotry, the countless suicides - David Markson has created a novel of extraordinary intellectual suggestiveness. But while shoring up Reader's ruins with such fragments, Markson has also managed to electrify his novel with an almost unbearable emotional impact. Where Reader ultimately leads us is shattering.

    At the heart of this bold and seductive novel is an alleged crime committed many years before the story opens. Mala is the reclusive old woman suspected of murder who is delivered to the Paradise Alms House after a judge finds her unfit to stand trial. When she arrives at her new home, frail and mute, she is placed in the tender care of Tyler, a vivacious male nurse, who becomes her unlikely confidante and the storyteller of Mala's extraordinary life.In luminous, sensual prose, internationally acclaimed writer Shani Mootoo combines diverse storytelling traditions to explore identity, gender, and violence in a celebration of our capacity to love.

    The narrator, an anonymous graduate student, sets off on the trail of a French novelist named Paul Michel, who is currently confined to an asylum. Engineering his hero's release, the narrator finds himself enmeshed in bizarre love triangle, of which the three vertices are himself, the novelist, and the late Michel Foucault. Sex, it seems, can be made safe, but the oddball intimacy of reading cannot.

    His name is Jakob Beer. He is only seven years old. And although by all rights he should have shared the fate of the other Jews in his village, he has not only survived but been rescued by a Greek geologist, who does not recognize the boy as human until he begins to cry. With this electrifying image, Anne Michaels ushers us into her rapturously acclaimed novel of loss, memory, history, and redemption.   As Michaels follows Jakob across two continents, she lets us witness his transformation from a half-wild casualty of the Holocaust to an artist who extracts meaning from its abyss. Filled with mysterious symmetries and rendered in heart-stopping prose, Fugitive Pieces is a triumphant work, a book that should not so much be read as it should be surrendered to.

    For almost seven years, Lispector showed Brazilian readers just how vast and passionate her interests were. This beautifully translated collection of selected columns, or crônicas, is just as immediately stimulating today and ably reinforces her reputation as one of Brazil's greatest writers. Indeed, these columns should establish her as being among the era's most brilliant essayists. She is masterful, even reminiscent of Montaigne, in her ability to spin the mundane events of life into moments of clarity that reveal greater truths."—Publishers Weekly

    In stories filled with heart and humor, event and consequence, the customs and culture of Louisiana come to life in the hands of a writer who blends rare talent with an even more unusual humanity.

    In crackling prose, she describes homes ruled by bullies, psychopaths, and delinquents; families whose conflict resolution techniques range from grand theft to homicide; kids who have nowhere to go and a lifetime to get there.

    And now Doyle Redmond, a thirty-five-year-old nowhere writer, has crossed the line between imagination and real, live trouble. On the lam is his soon-to-be-ex-wife's Volvo, he's running a family errand back in his boyhood home of West Table, Missouri -- the bloody heart of the red-dirt Ozarks. The law wants his big brother Smoke on a felony warrant, and Doyle's supposed to talk him into giving up. But Smoke is hunkered down in the hills with his partner, Big Annie, and hernineteen-year-old-daughter, Niagra, making other plans: they're about to harvest a profitable patch of homegrown marijuana.

    This collection by the author of Airships and Bats Out of Hell explores lost moments in time with intensity, emotion, and an eye to the past. In "Uncle High Lonesome," a young man recalls his Uncle Peter, whose even temper was marred only by his drinking binges, which would unleash moments of rage hinting at his much deeper distress. Fishing is transformed into a life-altering, almost mystical event in "A Creature in the Bay of St. Louis," when a huge fish caught on a line threatens to pull a young boy, and his entire world with him, underwater and out to sea. And in "Snerd and Niggero," a deep friendship between two men is inspired by the loss of a woman they both loved, a woman who was mistress to one and wife to the other. Viewed through memory and time's distance, Hannah's characters are brightly illuminated figures from a lost time, whose occassionally bleak lives are still uncommonly true.

    Highwire tension, complexly drawn characters, shocking climaxes--these are the trademarks of a Clark thriller: Here, for the first time ever in one volume, are three of Clark's most gripping page-turners. "Where are the Children?"Nancy Harmon has survived every woman's worst nightmare: an unspeakable marriage and the gruesome murder of her small children. She has struggled through despair to make a new life for herself, changing her identity, remarrying, and having two wonderful children. Life is just beginning to feel safe when horror reaches out to grab her once more

    Paula recalls her contented childhood, the audacity she learned as a teenager, the exhilaration of her romance with Charlo, and the marriage to him that left her feeling powerless. Capturing both her vulnerability and her strength, Roddy Doyle gives Paula a voice that is real and unforgettable.

    Richard Garay lives with his mother, hiding his sexuality from her and from society. Stifled by his job, Richard is willing to take chances, both sexually and professionally. But Argentina is changing, and as his country edges toward peace, Richard tentatively begins a love affair. The result is a powerful, brave, and poignant novel of sex, death, and the diffculties of connecting one's inner life with the outside world.

    Now living happily in Berkeley, married and the mother of twins, Nora Jane is back in college, pregnant again, launching a new career, and facing circumstances that imperil her domestic bliss.The nine stories that follow explore the hazards of recapturing and reviving old affairs. Featuring both new and familiar Gilchrist characters, all of these stories shed brilliant new light on the oldest emotion.

    As Elmore Leonard said of him, "Gifford cuts right through to the heart of what makes a good novel readable and entertaining . . . the way Barry Gifford does it, it's high art."

    A. riots of the 1990s.Straight's brilliant story of the effects of violence in America on three generations of a family is told through the lives of the Thompsons, a large clan who live in Treetown, above downtown Rio Seco, California, and operate a car towing and repair business. Patriarch Hosea is a proud man, and a hardened one, whose father was killed in the violence that erupted in Tulsa many years earlier. All Hosea's memories come flooding black with ferocious force when the bodies of two white women are found engulfed in flames in an abandoned car on his property. These are the first signs that someone wants Hosea off his land; it is up to his son Marcus, the only one of the six children of Hosea and his half-Mexican wife who can negotiate with the white world, to help the family hold on to their home and their livelihood.But it is only when Marcus' nephew Motrice-a young man infatuated with guns and the power that they bring- comes back to Rio Seco from gang-ridden Los Angeles that the real secrets of the bodies found on Thompson land are revealed, as Rio Seco erupts in the same wave of trashing and looting that has engulfed the nearby metropolis.The Gettin Place is a powerful portrait of a family struggling to defend its turf in a changing world, to hold on to the gettin place, the source from which they derive the tools for survival.

    This is a collection of three works by Shirley Jackson: the novels The Haunting of Hill House and We Have Always Lived in the Castle and the short story, "The Lottery".

    Filipina American debut author displays the contradictions of Asian American experience with irony & enthusiasm, anger & wit.

    Gillian is a loner, an eccentric poet in her thirties, who has a difficult relationship with her very different mother: a well-known and expert gardener. Into their strange and secluded world, described with beautifully observed detail, come strangers from London to disrupt life as Gillian knows it. But with the joy of the love that she is to discover, will also come the pain and suffering of experience and the stark realities of the adult world.

    A delightful fish story. Definitely a good read!

    Veteran journalist Pete Hamill never covered just politics. Or just sports. Or just the entertainment business, the mob, foreign affairs, social issues, the art world, or New York City. He has in fact written about all these subjects, and many more, in his years as a contributor to such national magazines as Esquire, Vanity Fair, and New York, and as a columnist at the New York Post, the New York Daily News, the Village Voice, and other newspapers. Seasoned by more than thirty years as a New York newspaperman, Hamill wrote on an extraordinarily wide variety of topics in powerful language that is personal, tough-minded, clearheaded, always provocative. Piecework is a rich and varied collection of Hamill's best writing, on such diverse subjects as what television and crack have in common, why winning isn't everything, stickball, Nicaragua, Donald Trump, why American immigration policy toward Mexico is all wrong, Brooklyn's Seventh Avenue, and Frank Sinatra, not to mention Octavio Paz, what it's like to realize you're middle-aged, Northern Ireland, New York City then and now, how Mike Tyson spent his time in prison, and much more. This collection proves him once again to be among the last of a dying breed: the old-school generalist, who writes about anything and everything, guided only by passionate and boundless curiosity. Piecework is Hamill at his very best.

    The rest is the madness of art.” These words, spoken by a dying novelist in “The Middle Years,” sum up Henry James’s credo as a writer. In more than one hundred stories, ranging from brief anecdotes to richly developed novellas, James displayed the unwavering intensity of his aesthetic vision—and he did so with an astonishing variety of invention. The Library of America makes this body of writing available in its entirety in a new, authoritative edition of James’s world-famous stories, complete in five volumes.The thirty-one stories presented here are the culmination of James’s glorious final period. Among them are the extraordinary fantasies “The Great Good Place” and “The Jolly Corner,” in which supernatural motifs are used hauntingly to express undercurrents of yearning and dislocation; “Julia Bride,” a character portrait akin to “Daisy Miller,” in which a young American woman experiences the social pleasures and vicissitudes of the marriage market; “Crapy Cornelia,” a story whose sense of the compelling power of nostalgic memory owes much to James’s 1904 return visit to New York City; “The Birthplace,” a comic tale about the commercialization of genius that has lost none of its satiric edge; “The Tree of Knowledge,” a sly dissection of the family life of a pampered sculptor; “The Beast in the Jungle,” one of James’s masterpieces, the harrowing account of a man’s confrontation with his own lost opportunities that has been seen as foreshadowing many of the dominant themes of 20th-century literature; and “A Round of Visits,” James’s last story, about the need to confide and the limits of sympathy.

    A man and a woman sit in a Parisian dive, caressing each other’s hands. Two lovers take late-night refuge in a beach cabana, their lovemaking lit by the lights of his automobile. These are glimpses of some of the haunting scenes and characters that people this sometimes wild, sometimes elusive exploration of desire’s magical and subversive qualities."The fragile space–in the place right before the heart breaks–this is the space Carole Maso explores brilliantly and sensuously in her astonishing new prose fiction. Whether she is writing about two women washing lentils or a man's desire for a woman's pair of ink-stained hands, Maso charges her very sentences with such sexual energy that form and content literally become one. Reading Aureole is pure pleasure." —Marjorie Perloff, Edge of Irony"Carole Maso is that rare creature—an original! Her voice and vision are like no one else’s." —Edmund White, A Boy's Own StoryCarole Maso is the author of Ghost Dance, The Art Lover, Defiance, and other novels. She has received many awards, most recently the Lannan Literary Fellowship for fiction.

    Unfolding through a series of letters written by an unnamed narrator, Last Words tells the story of a passionate relationship between two young women—their sexual awakening, their gradual breakup, and the devastating aftermath of their broken love. In a style that veers between extremes, from self-deprecation to pathos, compulsive repetition to rhapsodic musings, reticence to vulnerability, Qiu’s genre-bending novel is at once a psychological thriller, a sublime romance, and the author’s own suicide note.The letters (which, Qiu tells us, can be read in any order) leap between Paris, Taipei, and Tokyo. They display wrenching insights into what it means to live between cultures, languages, and genders—until the genderless character Zoë appears, and the narrator’s spiritual and physical identity is transformed. As powerfully raw and transcendent as Mishima’s Confessions of a Mask, Goethe’s The Sorrows of Young Werther, and Theresa Cha’s Dictée, to name but a few, Last Words from Montmartre proves Qiu Miaojin to be one of the finest experimentalists and modernist Chinese-language writers of our generation.

    It includes learning experiences that provide opportunities for group dynamics as well as activities to challenge students' abilities in critical and creative thinking. Includes: story summary, about the author, preparing to read, cooperative-learning activities, vocabulary skills, chapter-by-chapter critical thinking questions, spotlight literary skills, creative thinking activities, glossary of literary terms, and post-reading activities.

    . . I understood again how the prose of a true writer can bring us to a world beyond." The book spans almost thirty years in the life of a fictional "Paul Theroux," who moves through young bachelorhood in Africa, in and out of marriage, affairs, and employment, and between continents. It's a wry, worldly, erotic, and deeply moving account of one man's first half century - "among the strongest things Theroux has ever written" (New York Times Book Review).

    In her most accomplished and appealing novel since the Booker Prize-winning Moon Tiger, acclaimed author Penelope Lively tells an emotionally powerful, beautifully wrought story of love and marital infidelity through the eyes of a mother whose daughter's husband has strayed.

    In "The Oysters," Pat Boone "not the Pat Boone" laments his love for his newly married professor, while delivering oysters to be irradiated. The oysters themselves are having a hard time deciding whether irradiation is a gain or a loss. Wendy Brenner triumphs in capturing all the normal oddities of life; and in the magic of a few words a bizarre but accurate images he creates our lives and how we live and breathe.

    Written with clarity and compassion and an ability to see several sides of life simultaneously, Black Maps is a moving, impressive, deeply rewarding collection from a very talented writer". -- Loorie Moore

    To say that his new collection is a departure is an understatement: Butler has taken actual headlines from the more outrageous of the supermarket tabloids and fashioned short fiction around them. Headlines such as "Titanic Victim Speaks Through Waterbed," "Woman Loses Cookie Bake-Off, Sets Self on Fire," and "Every Man She Kisses Dies" are the starting points for this quirky volume from one of the most original American writers at work today.

    Through memory, the protagonist re-examines her unresolved obsessive love for a young woman, her best friend since childhood.

    When one of his successfully treated patients commits a vicious murder and then kills himself, a preeminent New York City psychotherapist embarks on a desperate personal mission to discover the root causes of the crime--a mission that will bring him face-to-face with the true nature of evil.

    She grows up in comfort and security in Scotland, the only child of doting parents. But there are, as she discovers, unanswered questions about her past. The two girls have only one thing in common: both were abandoned as babies by their mothers. Different times, different circumstances, but these two girls grow up sharing the same obsession. Each sets out to stalk and then haunt her natural mother. Both mothers dread disclosure; both daughters seek emotional compensation and, ultimately, revenge.

    Burdened by guilt and compelled by her morals, Anna confesses her betrayal, to mother, priest, friend, and husband, but cannot find absolution.

    The New York Times has called Diane Williams "a master spy, a double agent in the house of fiction." In this book she broadens the riotously disruptive program of her earlier collections. piecing together stories out of jagged shards of consciousness to give form to our most complicated longings.In the title novella, Williams offers her version of paradise: A woman runs off with a man on an enchanted journey across an enchanted landscape to an enchanted house, where their time is spent proving all the pleasures -- eating, drinking, bathing, slumbering, and coupling -- and where fantastic creatures, ravishing objects, and enthralling notions present themselves. But this sensual, blissful tale also becomes, in the female narrator's artful telling, a vehicle of discovery as she passes from state to state eluding our expectations of her.The novella, Williams's first longer work, is accompanied by forty-nine short pieces, all of them superbly wry and knowing instances of the "sudden fiction" for which she is renowned. The Stupefaction is a stunning illumination of the heart and mind from one of our most innovative and audacious writers.

    With school behind him and a summer job at a brick works, Tom had his whole life before him. Years later, alone in a rented flat in Edinburgh and lost in memories, Tom recalls the intellectual and sexual awakening of his youth. In looking back, Tom discovers that only by understanding where he comes from can he make sense of his life as it is now.

    His fiction is one of epiphany and celebration; it charts the personal discoveries, small and large, which shape the growth of character and the intimate relationships between people. It also explores how nature impinges on the human world. Indeed, in Norris' world objects are almost as important as people, they are richly described catalysts of human action and changed directions. Place and nature - hills, lakes, rivers, towns, animals - have the same weight as the characters who act out their lives against the background of a huge universe. These are stories set in a recognisable world which can slip into the visionary.

    In this collection of poems, Beown's prose moves from stark realism to the wavering surrealism of fairy tales or dreams as she tells of a woman who is transformed from being a creator of paintings to a creation of her paintings; the effect of a forgotten past on a pair of lovers; or the effort to repair the physical damage of a faded relationship.

    Chiaventone tells the dramatic story of the Battle of Little Bighorn in this historical fiction that gives a voice to the ordinary soldiers and warriors who put their life on the line in the middle of warfare when their cultures clash.In this historical novel based on the people and events that made up the culmination of George Armstrong Custer’s controversial career, Chiaventone tells the important and gripping story of the Battle of Little Bighorn. Sharing a perspective of the battle from the ordinary men and women drawn into circumstances beyond their control, The Road We Do Not Know shares the motivations that drew Native Americans into the frontier Army and led them to resist the pressures and advances of white civilization.

    The serial murderer has been dubbed “the Indian Killer” because he scalps his victims and adorns their bodies with owl feathers. As the city consumes itself in a nightmare frenzy of racial tension, a possible suspect emerges: John Smith. An Indian raised by whites, John is lost between cultures. He fights for a sense of belonging that may never be his—but has his alienation made him angry enough to kill? Alexie traces John Smith’s rage with scathing wit and masterly suspense.In the electrifying Indian Killer, a national bestseller and New York Times Notable Book, Sherman Alexie delivers both a scintillating thriller and a searing parable of race, identity, and violence.

    Many years later, a couple sailing around the world take refuge on an uncharted island. Although they believe the tiny atoll to be uninhabited, it is actually home to a mysterious woman who has been stranded there for more than forty years. As that woman ponders whether to stay hidden or step back into society, a tempestuous storm threatens to change the course of all their lives.

    At the Cafe, published in 1955, is mostly realistic in style and illustrates particularly well Dib's uncanny talent for storytelling. The Talisman, published eleven years later, reflects Dib's growing penchant for relating his perception of the magical or mystical qualities underlying everyday reality.When he wrote At the Cafe, Dib felt it was his duty to witness or testify on behalf of the downtrodden of Algeria under French colonial rule. Three stories in this collection--"Little Cousin," "A Fine Wedding," and "The Long Wait"--poignantly describe the rampant poverty, hunger, sickness, and despair that prevailed under French rule. In others, such as the titular story and "Forbidden Lands," Dib gives a voice to those who had been silenced but who were slowly learning to make themselves heard. On the eve of the war for independence, Dib felt obligated--as does the protagonist, Djeha, in "The Companion"--to take a stand on affirming one's role within the community and take action.In The Talisman, Dib no longer feels the need to testify. Although colonialism and the brutality of war are still central threads, his treatment of them in this collection is more scathingly critical. Dib's style also shifts from the naturalism dominant in his earlier writing, showing a marked interest in the fantastic or magical. The under-lying themes in this collection take up, among other things, an obsession with the experience of death, a fascination with madness, the decrypting of symbols, the quest for a primordial language, and the possibilities of spiritual transcendence.