Wade decision, most women determined to get abortions had to subject themselves to the power of illegal, unregulated abortionists...But a Chicago woman who happened to stumble across a secret organization code-named 'Jane' had an alternative. Laura Kaplan, who joined Jane in 1971, has pieced together the histories of the anonymous (here identified only by pseudonyms), average-sounding women who transformed themselves into outlaws."—Cleveland Plain Dealer"The Story of Jane is a piece of women's history in step with feminist theory demanding that women tell their own stories. It serves to remind people of an important and often overlooked moment in the women's rights movement."—Seattle Weekly"Laura Kaplan's The Story of Jane is the first book to chronicle this controversial sliver of history, and it is a fascinating, if partisan, close-up of the group."—Newsday"[Kaplan] draws on her personal recollections and interviews with Jane members and clients and the doctors who performed the abortions to provide a well-written, detailed history of this radical group."—Publisher's Weekly"Weaving together the voices and memories of her former co-workers, Kaplan recounts how the group initially focused on counseling women and helping them find reliable, reasonably priced doctors....Kaplan's account of this remarkable story recaptures the political idealism of the early '70s...23 years after Roe vs. Wade, the issues and memories raised by the books are close and all too relevant."—K Kaufmann, San Francisco Chronicle"Laura Kaplan's The Story of Jane is the first book to chronicle this controversial sliver of history, and it is a fascinating, if partisan, close-up of the group....The Story of Jane succeeds on the steam of Kaplan's gripping subject and her moving belief in the power of small-scale change."—Cynthia Leive, New York Newsday"During the four years before the Supreme Court's Roe v. Wade decision legalized abortion in 1973, the 100 members of Jane helped some 11,000 women end their pregnancies....There is more in this remarkable book that will further raise eyebrows....Kaplan's engrossing tales of the quiet courage of the women who risked their reputations and freedom to help others may remind many readers of other kinds of outlaws who have resisted tyranny throughout history."—Chicago Sun-Times

    The Rape of Nanking, or Nanking Massacre, in which at least 369,366 people were slaughtered and 80,000 women were raped by Japanese invasion troops, has become little more than a historical footnote in the West. The horror began on the morning of December 13, 1937, when the Japanese Imperial Army captured Nanking (Nanjing), which was then China's capital. Soldiers went through the streets indiscriminately killing Chinese men, women, and children without apparent provocation or excuse until in places the streets and alleys were littered with the bodies of their victims. Thousands of women were raped by Japanese soldiers; death was frequently the penalty for the slightest resistance by a victim or members of her family. Even large numbers of young girls and old women were raped throughout the city, and many cases of abnormal and sadistic behavior in connection with these rapes were reported. Many women were killed after the act and their bodies mutilated. For the next six weeks, while horrific rape continued, wholesale murder of male civilians was conducted with the apparent sanction of the Japanese high command. Hundreds of thousands of civilians and disarmed ex-soldiers were arrayed in formation, their hands bound behind their backs, and marched outside the city wall where, in groups, they were beheaded, or buried alive, or bayoneted, or raked with machine-gun fire, or doused with gasoline and burned. This book, using more than 400 historical photographs, many of which were taken by Japanese soldiers themselves, is published to commemorate the sixtieth anniversary of the Rape of Nanking, to remind the world of the forgotten holocaust of WWII, and to honor history and answer any attempt to deny or change it.

    But none of this has prepared us for Loren Cameron's amazing portraits of transsexuals. Beautifully reproduced and complemented with notes and short essays, these portraits of women who are now men may startle, but they will also make you marvel at the genuine complexities of life, sex, and desire. Body Alchemy might have been a curiosity, like Diane Arbus's photographs of those outside the physical and cultural mainstream, but Cameron's art is so empathetic, so precise, that we are left in awe and with a new understanding of the realities of being human.

    Transgender Warriors is an eye-opening jaunt through the history of gender expression and a powerful testament to the rebellious spirit.

    Teaching Black men to recognize and tap the energy of our own spirits, Vanzant uses a brilliant and transforming blend of ancient African spirituality, practical self-help advice, and contemporary faith to help Black men—and the women who love them—nurture the strength and power that are our birthright.

    She explores the pivotal and interconnected roles played by gender and race in North Carolina politics from the period immediately preceding the disfranchisement of black men in 1900 to the time black and white women gained the vote in 1920. Gender and Jim Crow argues that the ideology of white supremacy embodied in the Jim Crow laws of the turn of the century profoundly reordered society and that within this environment, black women crafted an enduring tradition of political activism. According to Gilmore, a generation of educated African American women emerged in the 1890s to become, in effect, diplomats to the white community after the disfranchisement of their husbands, brothers, and fathers. Using the lives of African American women to tell the larger story, Gilmore chronicles black women's political strategies, their feminism, and their efforts to forge political ties with white women. Her analysis highlights the active role played by women of both races in the political process and in the emergence of southern progressivism. In addition, Gilmore illuminates the manipulation of concepts of gender by white supremacists and shows how this rhetoric changed once women, black and white, gained the vote.

    Indeed, in this pioneering exploration of the cinema of fear, Barry Keith Grant and twenty other film critics posit that horror is always rooted in gender, particularly in anxieties about sexual difference and gender politics.The book opens with the influential theoretical works of Linda Williams, Carol J. Clover, and Barbara Creed. Subsequent essays explore the history of the genre, from classic horror such as King Kong and Bride of Frankenstein to the more recent Fatal Attraction and Bram Stoker's Dracula. Other topics covered include the work of horror auteurs David Cronenberg, Dario Argento, and George Romero; the Aliens trilogy; and the importance of gender in relation to horror marketing and reception.Other contributors include Vera Dika, Thomas Doherty, Lucy Fischer, Christopher Sharrett, Vivian Sobchack, Tony Williams, and Robin Wood. Writing across a full range of critical methods from classic psychoanalysis to feminism and postmodernism, they balance theoretical generalizations with close readings of films and discussions of figures associated with the genre.The Dread of Difference demonstrates that horror is hardly a uniformly masculine discourse. As these essays persuasively show, not only are horror movies about patriarchy and its fear of the feminine, but they also offer feminist critique and pleasure.

    Among the topics it addresses are who should be identified as disabled; whether disability is biomedical, social or both; what causes disability and what could 'cure' it; and whether scientific efforts to eliminate disabling physical conditions are morally justified.Wendell provides a remarkable look at how cultural attitudes towards the body contribute to the stigma of disability and to widespread unwillingness to accept and provide for the body's inevitable weakness.

    Reel To Real collects hooks' classic essays on films such as Paris Is Burning or the infamous "Whose Pussy Is It" essay about Spike Lee's She's Gotta Have It, as well as newer work on Pulp Fiction, Crooklyn and Waiting To Exhale. hooks also examines the world of independent cinema. Conversations with filmmakers Charles Burnett, Julie Dash, and Arthur Jaffa are linked with critical essays, including a piece on Larry Clark's Kids, to show that cinema can function subversively as well as maintain the status quo.

    It provides a comparative, relational, historically grounded conception of feminist praxis that differs markedly from the liberal pluralist, multicultural understanding that shapes some of the dominant version of Euro-American feminism. As a whole, the collection poses a unique challenge to the naturalization of gender based in the experiences, histories and practices of Euro-American women.

    Direct from the legendary Playboy archives comes an incredible collection of the world's most popular men's magazine's main attraction--thousands of photos, many in color, of 512 gorgeous Playmates.

    Midgets. Tribal non-Westerners. The very fat. The very thin. Hermaphrodites. Conjoined twins. The disabled. The very hirsute. In American history, all have shared the platform equally, as freaks, human oddities, their only commonality their assigned role of anomalous other to the gathered throngs. For the price of a ticket, freak shows offered spectators an icon of bodily otherness whose difference from them secured their own membership in a common American identity--by comparison ordinary, tractable, normal.Rosemarie Thomson's groundbreaking anthology probes America's disposition toward the visually different. The book's essays fall into four main categories: historical explorations of American freak shows in the era of P.T. Barnum; the articulation of the freak in literary and textual discourses; contemporary relocations of freak shows; and theoretical analyses of freak culture. Essays address such diverse topics as American colonialism and public presentations of natives; laughing gas demonstrations in the 1840's; Shirley Temple and Tom Thumb; Todd Browning's landmark movie Freaks; bodybuilders as postmodern freaks; freaks in Star Trek; Michael Jackson's identification with the Elephant Man; and the modern talk show as a reconfiguration of the freak show. In her introduction, Thomson traces the freak show from antiquity to the modern period and explores the constitutive, political, and textual properties of such exhibits.Freakery is a fresh, insightful exploration of a heretofore neglected aspect of American mass culture.

    

    Slave men's experiences differed from those of slave women, who were exploited in both reproductive and productive capacities. They did not figure prominently in revolts because they engaged in less confrontational methods of resistance, emphasizing creative struggle to survive dehumanization and abuse.

    Steeped in dialogue with rabbinic tradition, it is for those who seek a more contemporary, egalitarian approach to traditional liturgy. "[Falk] manages to create extraordinarily beautiful prayers--in Hebrew and English--that are both radically new and deeply resonant with Jewish tradition." --Judith Plaskow, The Women's Review of Books "Marcia Falk's work in Hebrew blessings is as beautiful as it is innovative; and it is innovative in the sweetest, most nourishing sense, sat urated in love for the language itself (its overtones and melodies as well as its deep structure), its history, its people. Even those who do not hear the traditional liturgies as exclusionary will respond to the meticulously flowering poet's passion of Marcia Falk's wholly original contribution."--Cynthia Ozick "A truly magisterial and exciting collection of brakhot . . . that invites us to re-encounter not only the blessing, but the Source of blessing. . . . Falk rekindles the flame of Jewish ardor and devotion."--Hadassah "[Falk's] prayers are re-creations of traditional prayers, her versions striking in the beauty and power of their language, in English and Hebrew: this is a poet's siddur, full of profound meaning."--Sandee Brawarsky, Jewish Week

    Her 1975 film Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles is widely regarded as the most important feminist film of that decade. In Nothing Happens, Ivone Margulies presents the first comprehensive study of this influential avant-garde Belgian filmmaker.Margulies grounds her critical analysis in detailed discussions of Akerman’s work—from Saute ma ville, a 13-minute black-and-white film made in 1968, through Jeanne Dielman and Je tu il elle to the present. Focusing on the real-time representation of a woman’s everyday experience in Jeanne Dielman, Margulies brings the history of social and progressive realism and the filmmaker’s work into perspective. Pursuing two different but related lines of inquiry, she investigates an interest in the everyday that stretches from postwar neorealist cinema to the feminist rewriting of women’s history in the seventies. She then shows how Akerman’s “corporeal cinema” is informed by both American experiments with performance and duration and the layerings present in works by European modernists Bresson, Rohmer, and Dreyer. This analysis revises the tired opposition between realism and modernism in the cinema, defines Akerman’s minimal-hyperrealist aesthetics in contrast to Godard’s anti-illusionism, and reveals the inadequacies of popular characterizations of Akerman’s films as either simply modernist or feminist. An essential book for students of Chantal Akerman’s work, Nothing Happens will also interest international film critics and scholars, filmmakers, art historians, and all readers concerned with feminist film theory.

    It features interviews (that read like thoughtful essays) with Joan Jett, Kathleen Hanna (Bikini Kill), Valerie Agnew (7 Year Bitch), Lois Maffeo, Naomi Yang (Galaxie 500), Kendra Smith, Phranc, Candice Pederson (K Records), Bettina Richards, Chrissie Hynde, and June Millington (Fanny, the "Godmothers of Womyn's Rock").

    Here, scholar-activist Joy James provides such a voice. Taking the convergence of race, gender, and class as fundamentals trajectories.

    Shaw takes us into the inner world of American black professional women during the Jim Crow era. This is a story of struggle and empowerment, of the strength of a group of women who worked against daunting odds to improve the world for themselves and their people. Shaw's remarkable research into the lives of social workers, librarians, nurses, and teachers from the 1870s through the 1950s allows us to hear these women's voices for the first time. The women tell us, in their own words, about their families, their values, their expectations. We learn of the forces and factors that made them exceptional, and of the choices and commitments that made them leaders in their communities.What a Woman Ought to Be and to Do brings to life a world in which African-American families, communities, and schools worked to encourage the self-confidence, individual initiative, and social responsibility of girls. Shaw shows us how, in a society that denied black women full professional status, these girls embraced and in turn defined an ideal of "socially responsible individualism" that balanced private and public sphere responsibilities. A collective portrait of character shaped in the toughest circumstances, this book is more than a study of the socialization of these women as children and the organization of their work as adults. It is also a study of leadership—of how African American communities gave their daughters the power to succeed in and change a hostile world.

    Aída Hurtado advances the theory of relational privilege to explain those differing conceptions. Previous theories about feminism have predominantly emphasized the lives and experiences of middle-class white women. Aída Hurtado argues that the different responses to feminism by women of color are not so much the result of personality or cultural differences between white women and women of color, but of their differing relationship to white men. For Hurtado, subordination and privilege must be conceived as relational in nature, and gender subordination and political solidarity must be examined in the framework of culture and socioeconomic context. Hurtado's analysis of gender oppression is written from an interdisciplinary, multicultural standpoint and is enriched by selections from poems by Sandra Cisneros, Gloria Anzaldúa, Lorna Dee Cervantes, and Elba Sanchez, and from plays by El Teatro Campesino, the United Farm Workers theater group. A final chapter proposes that progressive scholarship, and especially feminist scholarship, must have at its core a reflexive theory of gender oppression that allows writers to simultaneously document oppression while taking into account the writer's own privilege, to analyze the observed as well as the observer. Aída Hurtado is Associate Professor of Psychology, University of California, Santa Cruz.

    It examines these themes by exploring the intersections of `race', gender, class, sexuality, ethnicity, generation and nationalism in different discourses, practices and political contexts. The first three chapters map the emergence of `Asian' as a racialized category in post-war British popular and political discourse and state practices. It documents Asian cultural and political responses paying particular attention to the role of gender and generation. The remaining six chapters analyse the debate on `difference', `diversity' and `diaspora' across different sites, but mainly within feminism, anti-racism, and post-structuralism.

    God's Gym is about divinity, physical pain, and the visions of male perfectability. Weaving together his obsession with human anatomy and dissection, an interest in the technologies of torture, the cult of physical culture, and an expert knowledge of biblical criticism, Moore explains the male narcissism at the heart of the biblical God. God's Gym is an intensely personal book, brimming with our culture's phobias and fascinations about male perfectability.

    Since the word homosexual was coined in 1869, many scientists in a variety of fields have sought to understand same-sex intimacy. Drawing on recent insights in biology and genetics, psychiatrist Francis Mondimore set out to explore the complex landscape of sexual orientation.The result is A Natural History of Homosexuality, a generous work that synthesizes research in biology, history, psychology, and politics to explain how homosexuality has been understood and defined from ancient times until the present. Mondimore narrates tales of love and courage as well as discrimination and bigotry in settings as diverse as ancient Greece and Victorian England, early America and fin de siecle Vienna. He also tells fascinating stories about societies which accepted, incorporated, or institutionalized homosexuality into mainstream culture, stories illustrating that same-sex eroticism was often accepted as a normal aspect of human sexuality. In twentieth-century America, researchers first recognized that homosexuality might not be "pathological" when Alfred Kinsey and Evelyn Hooker conducted the first studies of sexuality not biased by preconceived notions of "normal" sexual behavior.After exploring sexual development in the human fetus, Mondimore reviews current biological research into the nature of sexual orientation and examines recent scientific findings on the role of heredity and hormones, as well as Simon LeVay's 1991 brain studies. He then turns to a very important focus: on people and their individual experiences. He explores "what happens between childhood and adulthood in an individual that makes him or her come to identify himself or herself as having a sexual orientation." He also explains our current understanding of bisexuality and the transgender phenomena of transsexualism and transvestism.Finally, Mondimore analyzes the circumstances of such prominent scandals as the anti-homosexual trials of Oscar Wilde and Philip von Eulenberg, and recounts the Nazi persecution of homosexuals during the Holocaust. This far-reaching discussion includes a description of the ex-gay ministries and reparative therapy as well as the Stonewall riots and AIDS, ending with the emergence of gay pride and community."The preponderance of the scientific evidence is converging on a view which homosexual people have had of themselves for as long as any had the courage to record it," writes Mondimore. "Homosexuality is a natural, abiding, normal sexuality for some people. It is not a disease state, not simply a behavior, and not subject to change.""Thoughtful and readable. Dr. Mondimore tells us an enormous amount about homosexuality in a lively manner. This book belongs on the bookshelf of anyone who wants to be informed about this important subject."—Richard A. Isay, M.D., clinical professor of psychiatry, Cornell University Medical College, and author of Becoming Gay: The Journey to Self-Acceptance

    Well-known author Andrew Harvey takes us through a fascinating tour of the feminine face of God in the traditions of Greece, Egypt, Sumeria, Judaism, Islam, Christianity, Taoism, Buddhism and Hinduism, among others.

    Dismissing essentialist accounts of a universal female identity, the contributors examine how ideas about sexual difference are shaped by specific socio-historical circumstances. How, for example, do issues such as race, class, gender, and sexuality impact on the experience of women? How are such categories defined in widely disparate cultures and time periods? Refreshingly open to non-western, as well as western, perspectives, Feminism and History addresses subjects from the experience of women in Colonial Asia to the ideology of sexual difference in Nazi Germany. Timely, provocative, and influential, these essays raise intriguing questions about the future direction of women's history.

    She argues that despite the marginal role women played in monastic life, they occupied a very conspicuous place in Buddhist hagiographic literature. In narratives used for the edification of Buddhist monks, women's bodies in decay (diseased, dying, and after death) served as a central object for meditation, inspiring spiritual growth through sexual abstention and repulsion in the immediate world.Taking up a set of universal concerns connected with the representation of women, Wilson displays the pervasiveness of androcentrism in Buddhist literature and practice. She also makes persuasive use of recent historical work on the religious lives of women in medieval Christianity, finding common ground in the role of miraculous afflictions.This lively and readable study brings provocative new tools and insights to the study of women in religious life.

    With Contesting Tears, Cavell demonstrates that a contrasting genre, which he calls "the melodrama of the unknown woman," shares a surprising number and weave of concerns with those comedies.Cavell provides close readings of four melodramas he finds definitive of the genre: Letter from an Unknown Woman, Gaslight, Now Voyager, and Stella Dallas. The women in these melodramas, like the women in the comedies, demand equality, shared education, and transfiguration, exemplifying for Cavell a moral perfectionism he identifies as Emersonian. But unlike the comedies, which portray a quest for a shared existence of expressiveness and joy, the melodramas trace instead the woman's recognition that in this quest she is isolated. Part of the melodrama concerns the various ways the men in the films (and the audiences of the films) interpret and desire to force the woman's consequent inaccessibility."Film is an interest of mine," Stanley Cavell has written, "or say a love, not separate from my interest in, or love of, philosophy." In Contesting Tears Cavell once again brilliantly unites his two loves, using detailed and perceptive musings on melodrama to reflect on philosophical problems of skepticism, psychoanalysis, and perfectionism. As he shows, the fascination and intelligence of such great stars as Ingrid Bergman, Bette Davis, and Barbara Stanwyck illuminate, as they are illuminated by, the topics and events of these beloved and enduring films.

    This compelling book, which has been thoroughly revised and updated, draws on candid interviews with over 400 women inmates and prison officials to shed a shocking light on our penal system as it affects women.

    These are the categories of opposites, of generation, of wisdom, and of virtue. Sister Prudence Allen traces several recurring strands of sexual and gender identity within this period. Ultimately, she shows the paradoxical influence of Aristotle on the question of woman and on a philosophical understanding of sexual coomplemenarity. Supplemented throughout with helpful charts, diagrams, and illustrations, this volume will be an important resource for scholars and students in the fields of women's studies, philosophy, history, theology, literary studies, and political science.

    In essence, this dynamic collection poses the ultimate question: Can we come to understand and respect diverse ways of knowing? Features: 15 essays, all written exclusively for this volume the essays are by the original authors of Women’s Ways of Knowing and prominent contributors, including Sandra Harding, Aida Hurtado, Sara Ruddick, Michael Mahoney, and Patricinio Schweickart in separate chapters, the authors explore how their thinking has developed and changed since Women’s Ways of Knowing argument is expanded beyond gender and knowledge to address the factors of color, class, and culture.

    This volume illustrates how women in Islamic societies have become more actively involved not only in learning their rights under the sharia (Islamic law) but in rereading this law to improve their status and gain increased equality and freedom. Surveying Iran, Saudi Arabia, Lebanon, Egypt and Arab societies in general, the essays in feminism and Islam focus on such subjects as crimes of honor and the construction of gender in Arab societies; law and the desire for social control; women ad entrepreneurship; family legislation; and the political strategies of feminists in the Islam world.

    However, most studies have focused on suburban youth, ignoring a large segment of the population, the urban adolescent.Urban Girls tries to reverse this trend. The researchers included in this ambitious project realize there is more to adolescence than the suburban experience. The city has unique effects on the people who live there, and they on it. Drawing on experts from across the country, Urban Girls investigates what it is like to be young in an American city. This book also explores the minority experience in America. It is wonderful to see studies of Black and Latina youth that do not automatically label them as future convicts, drug dealers, or with other negative stereotypes.-- The American Reporter Traditional psychology textbooks have ignored the normative development of urban girls and the unique situations they face on a daily basis. Lumped together with their suburban, mostly white and middle class counterparts, their voices are frequently subsumed within the larger study of adolescent development. Urban Girls is the first book to directly focus on the development of urban poor and working class adolescent girls.Including both quantitative and qualitative essays, and including contributions from psychologists, sociologists, and public health scholars, this volume explores the lives of a diverse group of girls from varying ethnic and class backgrounds. Topics covered include the identity development of Caribbean-American girls, the role of truth telling in the psychological development of African-American girls, relationships between mothers and daughters of different races and ethnicities, friendships, sexuality, health risks, career development, and other subjects of importance to human development. Filling a gap in the literature of human development, Urban Girls is sure to be of use to psychologists, sociologists, and social workers.

    Based on a three-year, seven-campus study, the volume takes up the ongoing national debate about the quality of undergraduate education in these fields, offering explanations for net losses of students to non-science majors. Data show that approximately 40 percent of undergraduate students leave engineering programs, 50 percent leave the physical and biological sciences, and 60 percent leave mathematics. Concern about this waste of talent is heightened because these losses occur among the most highly qualified college entrants and are disproportionately greater among women and students of color, despite a serious national effort to improve their recruitment and retention. The authors' findings, culled from over 600 hours of ethnographic interviews and focus group discussions with undergraduates, explain the intended and unintended consequences of some traditional teaching practices and attitudes. Talking about Leaving is richly illustrated with students' accounts of their own experiences in the sciences. This is a landmark study-an essential source book for all those concerned with changing the ways that we teach science, mathematics, and engineering education, and with opening these fields to a more diverse student body.

    Still less would they accept as equals those transgendered individuals who work the streets to provide themselves with drug money. This book seeks to change that perception.

    

    The party adopted an electoral strategy that included getting votes by playing on the fear and uncertainty engendered by the civil rights and women's political movements, and continued to use this strategy in the campaigns of 1984, 1988, and 1992. Under the Reagan and Bush administrations, this strategy became a crucial part of the party's governing policies. This book is not a political science treatise nor a description of political campaigns; it is a documented account of a grab for power that, as the years pass, continues to intensify antagonism between the sexes and to sow unnecessary division among the American people. As a longtime Republican activist and a delegate to the 1992 convention, Tanya Melich has observed these actions from within; and documents this takeover and the Party's ongoing practices (such as embracing the Christian right) in a devastating, factual, and often hair-raising report. A combination of history, exposÄ, reasoned polemic, and call to arms, this book has now been enriched by two completely new chapters that assesses the outcome of the 1996 election in terms of the book's thesis and realistically lays out the future: both in terms of what it will be if the right-wing elements of the Republican party continue to set the agenda, and how it can be changed if centrist women (and men) take charge of that agenda. The heart of such change lies with Independents, who now constitute a startling 39 percent of Americans (31 percent identify themselves as Democrats and 30 percent as Republicans). We are not a country of strong party loyalties, and the enormous growth of independents is the signal that change is not only possible but achievable. As a superb political pro, the author offers hardheaded strategies for such change.

    From Aunt Jemima Pancakes to ethnic Barbie dolls, corporate America peddles racial and gender stereotypes, packaging and selling them to us as breakfast food or toys for our kids.Moving from the realm of child's play through the academy and the justice system, Ann duCille draws on icons of popular culture to demonstrate that it isn't just race and gender that matter in America but race and gender as reducible to skin color, body structure, and other visible signs of difference. She reveals that Mattel, Inc., uses stereotypes of gender, race, and cultural difference to mark--and market--its Barbie dolls as female, white, black, Asian, and Hispanic. The popularity of these dolls suggests the degree to which we have internalized dominant definitions of self and other.In a similar move, Skin Trade interrogates the popular discourse surrounding the trial of O. J. Simpson, arguing that much of the mainstream coverage of the case was a racially coded message equally dependent on stereotypes. Focusing on Newsweek and Time in particular, duCille shows how the former All-American was depicted as un-American. She explores other collusions and collisions among race, gender, and capital as well. Especially concerned with superficial distinctions perpetuated within the academic community, the author argues that the academy indulges in its own skin trade in which both race and gender are hot properties.By turns biting, humorous, and hopeful, Skin Trade is always riveting, full of strange connections and unexpected insights.

    Susan Rako has brought her groundbreaking message about the miraculous benefits of testosterone--the female hormone--to women and physicians around the world via Oprah!, Dateline NBC, the New York Times, the Congress on Women's Health, and the Today show, among others.         Dr. Rako is at the forefront of the research into testosterone replacement therapy, educating women and their doctors about the essential role testosterone plays in a woman's sexual and physical well-being.         Millions of women experience a traumatic loss of sexual desire during menopause. Dr. Rako's breakthrough research has brought to light the fact that the female body produces significant amounts of testosterone that are crucial to the healthy functioning of every woman's libido--linking decreased testosterone levels at the onset of menopause to diminished sex drive--as well as to the health of her bones and heart.        In this revised and updated edition, Dr. Rako introduces crucial new information that points to the need for adequate levels of testosterone as a key factor in protecting women from heart attack and stroke. The Hormone of Desire has become the standard-bearer for a new age of women's health, giving women and their doctors the opportunity to make informed decisions.

    How the individual female plays out the stages of her life--from infancy, through the reproductive period, to old age--and how these stages have been formed by a long evolutionary process, is the theme of this collection. Written by leading scholars in fields ranging from evolutionary biology to cultural anthropology, these essays together examine what it means to be female, integrating the life histories of marine mammals, monkeys, apes, and humans. The result is a fascinating inquiry into the similarities among the ways females of different species balance the need for survival with their role in reproduction and mothering.The Evolving Female offers an outlook integrating life history with an intimate examination of female life paths. Behavior, anatomy and physiology, growth and development, cultural identity of women, the individual, and the society are among the topics investigated. In addition to the editors, the contributors are Linda Fedigan, Kathryn Ono, Joanne Reiter, Barbara Smuts, Mariko Hiraiwa-Hasegawa, Mary McDonald Pavelka, Caroline Pond, Robin McFarland, Silvana Borgognini Tarli and Elena Repetto, Gilda Morelli, Patricia Draper, Catherine Panter-Brick, Virginia J. Vitzthum, Alison Jolly, and Beverly McLeod.

    What effects, however, did they have on the status, role, and image of women in Russian culture? Examining the past turbulent decade of transition to "democracy" and a market economy, Dehexing Sex traces the ways in which Russia's concept of womanhood both changed and remained the same, taking into account dominant ideologies and social philosophies, sociopolitical organizations, women's writings, literary criticism, film, and popular cultural forms such as pornography.The lively, engaging chapters of this book examine texts by contemporary women writers in the context of the political, social, economic, biological, psychological, and aesthetic transformations that helped define them. Goscilo reveals that the Russian cultural revolution has reshaped the female image in varied and often contradictory ways. While increased interaction with the West fostered gender awareness, it also introduced imported Western sexist practices--especially the exploitation of female bodies--formerly proscribed by a puritanical censorship. Popular magazines, newspapers, and television propagated the image of woman as mother, ornament, and sexual object, even as women's fiction conceived of womanhood in complex psychological terms that undermined the gender stereotypes which had ruled Soviet thinking for more than 70 years.With the aid of feminist and cultural theory, Dehexing Sex investigates the overt and internalized misogyny that combined with the genuinely liberalizing forces unleashed by Gorbachev's policy of glasnost and perestroika. It exposes Russia's repressive romance with womanhood as a metaphor for nationhood and explores Russian women's ironic recasting of national mythologies."Impressive . . . an important contribution to Russian studies and to women's studies. The author is an outstanding scholar, an energetic and original thinker, and her writing sparkles with imagination and wit." --Stephanie Sandler, Amherst CollegeHelena Goscilo is Associate Professor and Chair of Slavic Languages and Literatures, University of Pittsburgh.

    (Also available as an Audio Book.) It contains Barry Long's essential tantric teaching on how to rediscover the true union of man and woman. Barry Long attacks male sexuality as a corruption of love on this planet and claims that most unhappiness arises because we have forgotten how to make love rightly. He restores the place of romance and gives couples very practical advice on how to change their sexual behaviours so that they can realign their love for each other with the love of God. Widely recognised as a ground-breaking work, the book is frequently quoted as a source of inspiration by other teachers and therapists in this field. It has been translated into nine languages and when well- placed in the bookstore becomes a best-seller - because the title says it all.