His reputation as a poet of formidable talent is growing, he enjoys his work as a college professor and, perhaps most importantly, he is deeply in love with his partner of many years, Wally Roberts. The harmonious existence these two men share is shattered, however, when they learn that Wally has tested positive for the HIV virus. From diagnosis to the initial signs of deterioration to the heartbreaking hour when Wally is released from his body's ruined vessel, Heaven's Coastis an intimate chronicle of love, its hardships, and its innumerable gifts. We witness Doty's passage through the deepest phase of grief -- letting his lover go while keeping him firmly alive in memory and heart -- and, eventually beyond, to the slow reawakening of the possibilities of pleasure. Part memoir, part journal, part elegy for a life of rare communication and beauty, Heaven's Coast evinces the same stunning honesty, resplendent descriptive power and rapt attention to the physical landscape that has won Doty's poetry such attention and acclaim.

    Even incest is now discussed freely in the popular media, but the suicide of a loved one is still an act most people are unable to talk about--or even admit to their closest family and friends. This is just one of the many painful and paralyzing truths author Carla Fine discovered when her husband, a successful young physician, took his own life in December 1989. And being unable to speak openly and honestly about the cause of her pain made it all the more difficult for her to survive. With No Time to Say Goodbye, she brings suicide survival from the darkness into the light, speaking frankly and with compassion about the overwhelming feelings of confusion, guilt, shame, anger and loneliness that are shared by all survivors. Drawing on her own experience and on conversations with many other survivors--as well as on the knowledge of counselors and mental health professionals--Carla Fine offers a strong helping hand and invaluable guidance to the thousands of husbands and wives, mothers and fathers, sisters and brothers, friends and lovers who are left behind each year, struggling to make sense of an act that seems to them senseless, and to pick up the pieces of their own shattered lives. And, perhaps most important, she allows them to see that they are not alone in their feelings of grief and despair.Her resource section, listing organizations and survivor groups throughout the United States and Canada, as well as her bibliography of further reading, will, in themselves, provide invaluable information and support.

    Death Scenes is the noted forerunner of several copycat titles.

    She tells her story of spiritual exhaustion, her journey alone into the wilderness for three days, and the renewal she was blessed to experience. Now with reflection guide for reading groups.

     Alice O'Connor's poor family lives in the heart of Liverpool's toughest slum. Her bullying father drinks away what little he earns, whilst Nelly, her careworn mother, works when she can and begs when she can't. Since she was five young Alice has also begged in the streets around the docks but she has managed to hold on to the hope of something better, a stubborn optimism that keeps her head held high even in her lowest moments. For Alice knows she has a gift that allows her to rise above the fate that made her life so bitterly hard. Alice O'Connor can sing like an angel... It's a gift that will take her far though it is to Liverpool she will always return. But is it enough to bring her the success she needs - and the love and happiness she so desperately craves?

    With grace and affectionate humor, he follows their relationship from their first meeting through Larry's death. "I'm so lucky, " his lover told him repeatedly, even as he was confronting HIV. "Denial, pure and simple, " Johnson told himself, "until our third and final trip to Paris, where on our last night in the city we sat together in the courtyard of the Picasso Museum. There I turned to him and said 'I'm so lucky, ' and it was as if the time allotted to him to teach me this lesson, the time allotted to me to learn it had been consumed, and there was nothing left but the facts of things to play out."

    Charles Spurgeon's classic writings tackle the fears and questions that arise as we learn to pray. His time-tested, hard-hitting teachings will clear the way for you to experience true faith and the power of answered prayer. Spurgeon discusses God's promise to hear our prayers, the humility of pleading prayer, and our position before God's throne of grace. Every believer can, and should, have a life marked by answered prayer. Charles Spurgeon will lead you to the place where life begins--a place of true communion with God.

    Including: Feature film, Mondo film, Death film, and a comprehensive filmography and index. Illustrated by rare and stunning photographs from cinema, documentary and real life, Killing for Culture is a necessary book which examines and questions the human obsession with images of violence, dismemberment and death, and the way our society is coping with an increased profusion of these disturbing yet compelling images from all quarters.

    No one can really understand death, but to children, the passing away of a loved one can be especially perplexing and troublesome. This is true whether the loss is a family member, friend, or pet. Here to offer advice and reassurance are the wise dinosaurs from the bestselling Dino Tale series. This succinct and thorough guide helps dispel the mystery and negative connotations associated with death, providing answers to kids' most-often asked questions.Topics covered include: What Does Alive Mean? * Why Does Someone Die? * What Does Dead Mean? * Feelings about Death? * Saying Goodbye * Keeping Customs * What Comes After Death? * Ways to Remember SomeoneDon't miss these other Dino Tales: Life Guides for Families:Democracy for Dinosaurs: A Guide for Young CitizensDinosaurs Divorce: A Guide for Changing Families

    Two years later, still heartbroken and utterly disillusioned, he took on the challenge of a lifetime. Setting out with only his motorbike for company, he began a daring and dangerous journey around the African continent in a desperate attempt to unearth some meaning in his life. Bittersweet, bold and beautifully told, Running with the Moon is a tale of true love and loss, of exploration, adventure and courage.

    The first collection of the texts by one of the world's leading and most controversial performance artists

    From the history of the 19th century European municipal cemetery to the grave of an Italian couple whom "death shall not divide", Beautiful Death is a many-faceted tribute to an eternally fascinating subject. 130 color photos.

    Protect a bacterium from predators, and provide it with adequate food and space to grow, and it would continue living--and reproducing asexually--forever. But a paramecium (a slightly more advanced single-cell organism), under the same ideal conditions, would stop dividing after about 200 generations--and die. Death, for paramecia and their offspring, is inevitable. Unless they have sex. If at any point during that 200 or so generations, two of the progeny of our paramecium have sex, their clock will be reset to zero. They and their progeny aregranted another 200 generations. Those who fail to have sex eventually die. Immortality for bacteria is automatic; for all other living beings--including humans--immortality depends on having sex. But why is this so? Why must death be inevitable? And what is the connection between death and sexualreproduction? In Sex and the Origins of Death, William R. Clark looks at life and death at the level of the cell, as he addresses such profound questions as why we age, why death exists, and why death and sex go hand in hand. Clark reveals that there are in fact two kinds of cell death--accidental death, caused by extreme cold or heat, starvation, or physical destruction, and programmed cell death, initiated by codes embedded in our DNA. (Bacteria have no such codes.) We learn that every cell in our body has a self-destruct program embedded into it and that cell suicide is in fact a fairlycommonplace event. We also discover that virtually every aspect of a cell's life is regulated by its DNA, including its own death, that the span of life is genetically determined (identical twins on average die 36 months apart, randomly selected siblings 106 months apart), that human tissue inculture will divide some 50 times and then die (an important exception being tumor cells, which divide indefinitely). But why do our cells have such programs? Why must we die? To shed light on this question, Clark reaches far back in evolutionary history, to the moment when inevitable death (deathfrom aging) first appeared. For cells during the first billion years, death, when it occurred, was accidental; there was nothing programmed into them that said they must die. But fierce competition gradually led to multicellular animals--size being an advantage against predators--and with thischange came cell specialization and, most important, germ cells in which reproductive DNA was segregated. When sexual reproduction evolved, it became the dominant form of reproduction on the planet, in part because mixing DNA from two individuals corrects errors that have crept into the code. Butthis improved DNA made DNA in the other (somatic) cells not only superfluous, but dangerous, because somatic DNA might harbor mutations. Nature's solution to this danger, Clark concludes, was programmed death--the somatic cells must die. Unfortunately, we are the somatic cells. Death is necessary toexploit to the fullest the advantages of sexual reproduction. In Sex and the Origins of Death, William Clark ranges far and wide over fascinating terrain. Whether describing a 62-year-old man having a major heart attack (and how his myocardial cells rupture and die), or discussing curious life-forms that defy any definition of life (including bacterialspores, which can regenerate after decades of inactivity, and viruses, which are nothing more than DNA or RNA wrapped in protein), this brilliant, profound volume illuminates the miraculous workings of life at its most elemental level and finds in these tiny spaces the answers to some of our largestquestion

    He sheds light on the perennial questions of time, desire, the nature of the mind, and the realization that the bidy is only the jacket of the soul, and that in death the body dies, but the person does not. The Undiscovered Country shows there is no real death, only passage.

    For days you feel so new and lost it's as if you've wandered into a foreign country where you can't speak the language." This haunting story about Rafaella, the new girl at school who finds making friends hard, is a stunning piece of writing. With her strange name and sticking out ears she's different from the rest. Lucy is the first to tease, the first to call her 'Earwig'. Until a secret friendship starts, full of warmth and mystery . . .

    Medieval Death is an absorbing study of the social, theological, and cultural issues involved in death and dying in Europe from the end of the Roman Empire to the early sixteenth century.

    In cases like Pompeii or that of the Iceman, bodies captured in the throes of death provide us with a snapshot, a freeze-frame of a moment in the distant past. Graves are a planned disposal of the dead that can conjure up the very world our ancestors inhabited, while the method of burial sheds light on belief and ritual. We can assess the wealth and status of the dead from the jewelry they are wearing, or the treasures buried with them, and we can guess at their lifestyle from the state of their teeth and bones. In exceptional circumstances, such as extremely dry, frozen or waterlogged conditions, the dead can remain virtually intact and provide a mine of information about their diet, health, genetic makeup and the cause of their death. These are not just kings and pharaohs, priests and princesses: archaeology has discovered the remains of ordinary victims of natural disaster and ritual sacrifice, of battles, storms and plagues.Continent by continent, we move from Lucy, the three-million-year-old australopithecine from Ethiopia, to Zhoukoudian and Java Man, just half her age. The Chinchorro mummies from northern Chile predate those of ancient Egypt by thousands of years, and embalming remained the fate of the chiefs of Fujiwara in Japan until the twelfth century AD. There are sites of royal sacrifice at the cemetery at Ur, and priestly sacrifice in the Aegean, while the bodies of children were among those found perfectly preserved in the mountain tops of the Andes, left out to propitiate the gods. There is evidence of Early Neolithic massacre at the mass grave of Talheim in Germany, and of violent deaths among the bog bodies of northern Europe. In this century, the skeletons found in the pit at Ekaterinburg attest to the tragic fate of the Romanovs at the hands of the Bolsheviks in 1918. Exploring fifty of the world's best documented sites of bodies and graves, we enter the past through fifty different doors, and find a mine of fascinating information.

    It is now the third leading cause of death for fifteen- to twenty-four-year-olds in the United States, raising alarms across the nation about the rising tide of hopelessness seen in our young people. It is a taboo subtext to our successes and our happiness, a dark issue that is often euphemized, avoided, and little understood. In our century, psychology and psychiatry alike have attempted to understand, prevent, and medicalize these phenomena. But they have failed, argues Dr. Edwin Shneidman, because they have lost sight of the plain language, the ordinary everyday words, the pain and frustrated psychological needs of the suicidal individual.In The Suicidal Mind, Dr. Shneidman has written a groundbreaking work for every person who has ever thought about suicide or knows anybody who has contemplated it. The book brims with insight into the suicidal impulse and with helpful suggestions on how to counteract it. Shneidman presents a bold and simple premise: the main cause of suicide is psychological pain or "psychache." Thus the key to preventing suicide is not so much the study of the structure of the brain, or the study of social statistics, or the study of mental diseases, as it is the direct study of human emotions. To treat a suicidal individual, we need to identify, address, and reduce the individual's psychache. Shneidman shares with the reader his knowledge, both as a clinician and researcher, of the psychological drama that plays itself out in the suicidal mind through the exploration of three moving case studies. We meet Ariel, who set herself on fire; Beatrice, who cut herself with the intent to die; and Castro, a young man who meant to shoot his brains out but survived, horribly disfigured. These cases are presented in the person's own words to reveal the details of the suicidal drama, to show that the purpose of suicide is to seek a solution, to illustrate the pain at the core of suicide, and to isolate the common stressor in suicide: frustrated psychological needs. Throughout, Shneidman offers practical, explicit maneuvers to assist in treating a suicidal individual—steps that can be taken by concerned friends or family and professionals alike.Suicide is an exclusively human response to extreme psychological pain, a lonely and desperate solution for the sufferer who can no longer see any alternatives. In this landmark and elegantly written book, Shneidman provides the language, not only for understanding the suicidal mind, but for understanding ourselves. Anyone who has ever considered suicide, or knows someone who has, will find here a wealth of insights to help understand and to prevent suicide.

    So many Victorian letters, diaries, and death memorials reveal a deep preoccupation with death which is both fascinating and enlightening. Pat Jalland has examined the correspondence, diaries, and death memorials of fifty-five families to show us deathbed scenes of the time, good and bad deaths, the roles of medicine and religion, children's deaths, funerals and cremations, widowhood, and mourning rituals.

    In his newest book, Coming Into Being: Artifacts and Texts in the Evolution of Consciousness, he takes the reader on a journey through the evolution of consciousness from the preverbal communications of early stone carvings, to the writings of Marcel Proust, around the monumental wrappings of Christo and up to the rebirth of interest in the Taoist philosophy of Lao Tzu. Owing as much to the rhythmic constructions of jazz as to established methods of scholarship, Thompson plays a riff on biology and culture seeing the birth of the mind in Proust's Madeleine, the displacement of humanity in Christo's wrapping of the Reichstag and, in Lao Tzu's Tao Te Ching, the path forward to a new planetary culture. In Coming Into Being, William Irwin Thompson presents a fascinating vision of our past, our present, and our future that no one will want to miss.

    In this title, Bruna's simple illustrations and ‘no frills' text combine to tackle the death of a loved one in a direct and uncomplicated manner. This title is about a very sad occasion, but not a scary occasion - it's a time for the family to come together."

    The children named him Leo the Magnificent, and Leo made the church his home. He joined in at choir practice, attended every covered-dish dinner (Leo loved to eat), and on Sundays, he took his favorite seat in the front row.

    He explains why death is so hidden from view in our society and opens up the subject to help us see through death to the truth of life. In the process our natural compassion is released. He explains what happens when we die, how to tell the children about it, how to cope with grief and in one section specifically speaks to the dying. This is an inspiring and supportive message to anyone aware of the approach of death. In the game of living, the rule is: Everyone dies. You win by finding death before it finds you. The prize is life.