King's best-known oration, "I Have a Dream, " his acceptance speech for the Nobel Peace Prize, and "Beyond Vietnam, " a compelling argument for ending the ongoing conflict. Each speech has an insightful introduction on the current relevance of Dr. King's words by such renowned defenders of civil rights as Rosa Parks, the Dalai Lama, and Ambassador Andrew Young, among others.

    . . Powers of Horror is an excellent introduction to an aspect of contemporary French literature which has been allowed to become somewhat neglected in the current emphasis on paraphilosophical modes of discourse. The sections on Céline, for example, are indispensable reading for those interested in this writer and place him within a context that is both illuminating and of general interest." -Paul de Man

    Like many of Lukacs's early essays, it is a radical critique of bourgeois culture and stems from a specific Central European philosophy of life and tradition of dialectical idealism whose originators include Kant, Hegel, Novalis, Marx, Kierkegaard, Simmel, Weber, and Husserl.The Theory of the Novel marks the transition of the Hungarian philosopher from Kant to Hegel and was Lukacs's last great work before he turned to Marxism-Leninism.

    In Derrida’s view, texts and contexts are woven with inconsistencies and blindspots, which provide us with a chance to think in new ways about, among other things, language, community, identity and forgiveness. Derrida’s suggestions for “how to read” lead to a new vision of ethics and a new concept of responsibility.Penelope Deutscher discusses extracts from the full range of Derrida’s work, including Of Grammatology, Dissemination, Limited Inc, The Other Heading: Reflections on Europe, Monolinguism of the Other, Given Time, and “Force of Law."

    The various sectors of our communities--businesses, schools, social service organizations, churches, government--do not work together. They exist in their own worlds. As do so many individual citizens, who long for connection but end up marginalized, their gifts overlooked, their potential contributions lost. This disconnection and detachment makes it hard if not impossible to envision a common future and work towards it together. We know what healthy communities look like--there are many success stories out there, and they've been described in detail. What Block provides in this inspiring new book is an exploration of the exact way community can emerge from fragmentation: How is community built? How does the transformation occur? What fundamental shifts are involved? He explores a way of thinking about our places that creates an opening for authentic communities to exist and details what each of us can do to make that happen.

    L. Mencken's book about the English language as spoken in the United States. Mencken was inspired by "the argot of the colored waiters" in Washington, as well as one of his favorite authors, Mark Twain, and his experiences on the streets of Baltimore. In 1902, Mencken remarked on the "queer words which go into the making of 'United States.'" The book was preceded by several columns in The Evening Sun. Mencken eventually asked "Why doesn't some painstaking pundit attempt a grammar of the American language... English, that is, as spoken by the great masses of the plain people of this fair land?" It would appear that he answered his own question. In the tradition of Noah Webster, who wrote the first American dictionary, Mencken wanted to defend "Americanisms" against a steady stream of English critics, who usually isolated Americanisms as borderline barbarous perversions of the mother tongue. Mencken assaulted the prescriptive grammar of these critics and American "schoolmarms", arguing, like Samuel Johnson in the preface to his dictionary, that language evolves independently of textbooks. The book discusses the beginnings of "American" variations from "English", the spread of these variations, American names and slang over the course of its 374 pages. According to Mencken, American English was more colorful, vivid, and creative than its British counterpart. The book sold exceptionally well by Mencken's standards-1400 copies in the first two months. Reviews of the book praised it lavishly, with the exception of one by Mencken's old nemesis, Stuart Sherman. source: Wikipedia

    Now updated to include the results of new research, together with significant contributions from the 1990s. Includes writings by critics, philosophers, politicians and literary figures. The editors provide contextual introductions to 340 texts. Complements Art in Theory, 1648–1815 and Art in Theory, 1815–1900 to create a complete survey of the theories underpinning the development of art in the modern period.

    A legendary essayist, political philosopher and member of the French resistance, her literary output belied her tragically short life. Most of her work was published posthumously, to widespread acclaim. Always concerned with the nature of individual freedom, Weil explores in Oppression and Liberty its political and social implications. Analysing the causes of oppression, its mechanisms and forms, she questions revolutionary responsesand presents a prophetic view of a way forward. If, as she noted elsewhere, 'the future is made of the same stuff as the present', then there will always be a need to continue to listen to Simone Weil.

    Dick is not only one of the “most valiant psychological explorers of the 20th century” (The New York Times) but a source of divine revelation. Dick, whose work inspired such films as Blade Runner, Total Recall, and Minority Report, dedicated his life to solving one ultimately unanswerable question: What is real?In the riveting style that won accolades for The Adversary, Emmanuel Carrère follows Dick’s strange odyssey from his traumatic beginnings in 1928, when his twin sister died in infancy, to his lonely end in 1982, beset by mystical visions of swirling pink lights, three-eyed invaders, and messages from the Roman Empire. Drawing on interviews as well as unpublished sources, Carrère traces Dick’s multiple marriages, paranoid fantasies, and vertiginous encounters with the drug culture of sixties California. He vividly conjures the spirit of this restless observer of American postwar malaise, whose more than fifty novels subverted the materials of science fiction—parallel universes, intricate time loops, collective delusions—to create classic works of contemporary anxiety.As disturbing and engrossing as a book by its subject, Carrère’s unconventional work interweaves life and art to reveal the maddening genius whose writing foresaw—from cloning to reality TV—a world that looks ever more like one of his inventions.

    This conception of the machine as an arrangement of technical, bodily, intellectual, and social components subverts the opposition between man and machine, organism and mechanism, individual and community.Drawing from an unusual range of films, literature, and performance—from the role of bicycles in Flann O'Brien's fiction to Vittorio de Sica's Neorealist film The Bicycle Thieves, and from Karl Marx's “Fragment on Machines” to the deus ex machina of Greek drama—Raunig arrives at an enhanced conception of the machine as a social movement, finding its most apt and concrete manifestation in the Euromayday movement, which since 2001 has become a transnational activist and discursive practice focused upon the precarious nature of labor and lives.

    In this widely acclaimed work, Benedict Anderson examines the creation and global spread of the 'imagined communities' of nationality.Anderson explores the processes that created these communities: the territorialization of religious faiths, the decline of antique kingship, the interaction between capitalism and print, the development of vernacular languages-of-state, and changing conceptions of time. He shows how an originary nationalism born in the Americas was modularly adopted by popular movements in Europe, by the imperialist powers, and by the anti-imperialist resistances in Asia and Africa.This revised edition includes two new chapters, one of which discusses the complex role of the colonialist state's mindset in the develpment of Third World nationalism, while the other analyses the processes by which, all over the world, nations came to imagine themselves as old.

    But if we were to let go of this fond conviction, Bruno Latour asks, what would the world look like? His book, an anthropology of science, shows us how much of modernity is actually a matter of faith.What does it mean to be modern? What difference does the scientific method make? The difference, Latour explains, is in our careful distinctions between nature and society, between human and thing, distinctions that our benighted ancestors, in their world of alchemy, astrology, and phrenology, never made. But alongside this purifying practice that defines modernity, there exists another seemingly contrary one: the construction of systems that mix politics, science, technology, and nature. The ozone debate is such a hybrid, in Latour’s analysis, as are global warming, deforestation, even the idea of black holes. As these hybrids proliferate, the prospect of keeping nature and culture in their separate mental chambers becomes overwhelming—and rather than try, Latour suggests, we should rethink our distinctions, rethink the definition and constitution of modernity itself. His book offers a new explanation of science that finally recognizes the connections between nature and culture—and so, between our culture and others, past and present.Nothing short of a reworking of our mental landscape, We Have Never Been Modern blurs the boundaries among science, the humanities, and the social sciences to enhance understanding on all sides. A summation of the work of one of the most influential and provocative interpreters of science, it aims at saving what is good and valuable in modernity and replacing the rest with a broader, fairer, and finer sense of possibility.

    What makes this work so important is that it returned the body to the forefront of philosophy for the first time since Plato.

    Human beings are made in the image of God, the ultimate source of creativity, yet many of us don't recognize the inherent creativity we have. I have written a book for creators called "The Crowd, the Critic, and the Muse" that addresses the soulishness of human creativity. It is a book that reminds us who we are, and aims to inspire us to be who we are made to be. The book was inspired by a conversation that started with a blog I wrote last year called "Zombies, Wine and Christian Music." I wrote that blog thinking very few people would pay any attention to it, but within a couple days of posting, it had nearly fifty-thousand hits! This surprised me, but it also showed this is a conversation people are wanting to have. A lot of the most popular creative expressions of our culture (religious or not) have become anemic and soulless. We live in a noisy, technologically-crazed, consumeristic, fame-worshiping culture that has provided a less-than-healthy ground in which to plant our creative endeavors. In the book I suggest we must address this problem by looking deeper than the art itself; into our cultural conditioning as well as our most basic beliefs, doubts, passions, instincts, and gears. Our creativity comes directly from our humanness, and if we want our creative work to be richer and more robust, we must not simply try harder; we must become different. This is a book for creators written from the perspective of an artist. Through story and reflection, I hope to inspire some fresh thought and awareness of the roots of our creative endeavors. How we order creation is directly entwined with what it means to be human. So what shall we make of the world?

    In this extended interview, Getlen spoke to Carlin about all the subjects above and more, finding the veteran comic, who changed the way comedians approach the art of stand-up comedy several times over the course of his remarkable fifty-year career, to be even more intelligent and contemplative than one might expect. Carlin never shied away from difficult subjects, answering every question as if he had been mulling over the topic at hand for years before reaching his well-stated conclusion. Conversations with Carlin highlights the comedian’s anti-authoritarian views - what he would refer to as his “outsidership” - on almost every page, and features his extensive thoughts on the topics most closely associated with him, comedy and words. But the book also presents sides of the man that his fans have rarely, if ever, seen before, as he discusses topics like the importance to him of romantic love - George was with the same woman for almost four decades, until her death in 1997 - and the conditions under which he would put his life on the line and go off to war. Conversations with Carlin will be a revelation for longtime fans, providing one of the most in-depth looks yet at this brilliant comedy icon, while also serving as the perfect introduction for those just now discovering George Carlin and his vast influence on the comedy world. ABOUT THE AUTHOR Larry Getlen is a veteran journalist who has written for TIME, Esquire, New York Magazine, Radar, and the New York Post. He’s also a comedy writer and former stand-up comedian who has appeared on “Chappelle’s Show,” and was once booed off-stage at the legendary Apollo Theater in Harlem. He lives in New York City. Follow him on Twitter @larrygetlen.