This official publication contains 500 exclusive images, from the earliest pencil sketches and conceptual drawings to magnificent full-color paintings that shaped the look of the film. All the principal locations, costumes, armor and creatures are covered in stunning detail, including concepts, storyboards and images that did not make it into the final film.As well as a wealth of sketches, paintings and digital images, The Art of The Fellowship of the Ring contains photographs showing how the creative process was realized and a number of stills from the film. Contributors include Alan Lee and John Howe, the two artists who inspired Peter Jackson's vision of Middle-earth and who worked with him to bring his trilogy to the big screen. They and a dozen other designers who created all of these diverse elements explain how they contributed to the development of the film, giving a fascinating insight into how Middle-earth was brought to life.With text compiled from exclusive interviews with director Peter Jackson, special effects supervisor Richard Taylor, designers Grant Major, Ngila Dickson, Paul Lasaine and others, this unique book celebrates the pivotal contribution made by a handful of people which help turn the first Lord of the Rings movie into an award-winning global success.

    Hailed by critics worldwide, part one of the movie trilogy was a box-office smash, one of the most successful films of the decade. Peter Jackson's "fierce, imaginative movie takes high-flying risks and inspires with its power and scale," wrote Newsweek. "In every way this is moviemaking on a grand scale," wrote the San Francisco Chronicle, while Time proclaimed the "grandeur, moral heft and emotional depth" of the film, which received thirteen Academy Award(R) nominations. Including more than 300 photographs from all three films, most unique to this book, and exclusive interviews with all the cast and crew, Brian Sibley's fascinating book takes every fan inside the process of adapting J.R.R. Tolkien's masterwork for the screen. For the first time in history, three major movies were made at the same time, a triumphant and monumental undertaking that took the world by storm. Here can be found details about the hundreds of dedicated artists, craftspeople and cast and crew members who labored for years -- adding authenticity at every stage -- to bring one of the greatest stories ever told to an eager film audience. Sibley takes us inside the process of filmmaking to show us how the magic is made -- from the director, writers and actors to wardrobe, makeup, miniatures, music and digital special effects, it's all here."It was tiring, physically and mentally, but never dull. Three movies, one big story, and so much variety: one day shooting scenes of intimate heart-wrenching drama, the next, vast battle scenes involving hundreds of extras. Every day brought an opportunity to create something new on this enormous canvas that is The Lord of the Rings." -- Peter Jackson

    A person's clothing, whether it's a sari, kimono, or business suit, is an essential key to his or her culture, class, personality, or even religion. The Kyoto Costume Institute recognizes the importance of understanding clothing sociologically, historically, and artistically. Founded in 1978, the KCI holds one of the world's most extensive clothing collections and has curated many exhibitions worldwide. With an emphasis on Western women's clothing, the KCI has amassed a wide range of historical garments, underwear, shoes, and fashion accessories dating from the 18th century to the present day. Showcasing a vast selection of skilled photographs from the Institute's archives, depicting the clothing expertly displayed and arranged on custom-made mannequins, Fashion is a fascinating excursion through the last three centuries of clothing trends.From a rare treasure such as a 17th century iron corset with embroidered bodice to modern-day outfits by such designers as Yves Saint Laurent and Calvin Klein, the collection provides an extensive overview of the evolution of women's fashion. The KCI believes that "clothing is an essential manifestation of our very being" and their passion and dedication positively radiate from every page of this book. It offers an opportunity to see how our ancestors dressed, to consider the amazing accomplishments of contemporary fashion, and to imagine how our descendants may dress in the distant future as clothing design continues on its tireless evolutionary path.

    . .Prepare to be enchanted! While humans go about their workaday lives, there is a secret world of well-dressed fairies flitting about in fragile fashions that would take your breath away - if only you could see them. Well, now you can. For the first time ever, elusive fairie couturier Ellwand allows mortals a peek at his ethereal designs in FAIRIE-ALITY, a catalogue so spectacularly crafted it befits a fairie queen herself. Showcased are nearly 150 creations - including dresses, jackets, trousers, shoes, hats, and delicate unmentionables - fashioned wholly from feathers, flower petals, shells, seeds, and other materials from nature. Consider these special features:Extraordinary production elements, including three specially selected paper stocks; metallic inks; fold-out booklets; vellum envelope with removable fashion card; and numerous half-, third-, and quarter-pages, notably to showcase garments for a playful mix & match, offering dozens of outfits to create.Drawings by celebrated fashion illustrator David Downton, capturing the graceful, but rarely glimpsed, fairie attired in Ellwand’s designs.Witty and delightfully romantic captions by Eugenie Bird. A breathless narrative by a young fairie guiding us from The Season’s start through May Day revelry and a Fairie Tale Wedding.Filled with authentic fairie lore that will lure fairie lovers by the legion, this superbly designed volume also offers many clever nods to human fashion history. Its fun, fanciful costume descriptions will amuse the fashion-savvy everywhere, while the stunning array of fashions themselves - a veritable dress-up dream - will leave readers of all ages spellbound.

    Beautifully illustrated with 110 color illustrations, The Quilts of Gee’s Bend includes a historical overview of the two hundred years of extraordinary quilt-making in this African-American community, its people, and their art-making tradition. This book is being·released in conjunction with a national exhibition tour including The Museum of Fine Art, Houston, and the Whitney Museum of American Art.

    A woman floats in her flooded living room, a cow appears to have fallen from the sky onto a front lawn, a gang of teenagers, seemingly hypnotized, pile up household objects for a bonfire. Created as elaborately staged tableaux, this series of images suggests the bizarre yet beautiful surrealities behind deceptively familiar suburban facades.Scheduled to accompany three simultaneous gallery exhibitions in Spring 2002 and a subsequent retrospective at Mass MoCA, this book chronicles the completion of the Twilight series, which Crewdson began in 1998. Including both production stills and the 40 finished images, all in full color, it also features an essay by Rick Moody, a novelist equally renowned for exposing the underbelly of small-town, middle-class America.

    I'm here to take care of it and to love it, for we are only temporary custodians of beauty."--Elizabeth TaylorShe has mesmerized movie audiences since her debut in National Velvet at the age of twelve, dazzled both men and women with her luminous beauty and iconic presence, displayed shrewd business acumen by creating a line of fragrances with unparalleled success, and her AIDS activism has been a call to arms for people around the world. She is Hollywood's greatest living star and a living legendElizabeth Taylor.One of her greatest passions is jewelry, and over the years she has amassed one of the world's foremost collections. By the time she was in her thirties, Elizabeth Taylor already owned an outstanding set of Burmese rubies and diamonds from Cartier, a fantastic emerald and diamond suite from Bulgari, and the 33.19-carat Krupp diamond, a gift from Richard Burton. That ring was later eclipsed by a subsequent gift from Burton, when he bought a staggering 69.42-carat pear-shaped diamond. Newly named the Taylor-Burton Diamond, it catapulted Elizabeth Taylor into that rarefied pantheon of great jewelry collectors.In this revealing book, Elizabeth Taylor offers a personal guided tour of her collection. She takes us into her confidence, sharing personal anecdotes, witty asides, and intimate reminiscences about her life, her loves, and her collection. Whether talking about the famous La Peregrina pearl, which was briefly abducted by a household pet, or chatting about a childhood gift to her mother, Elizabeth Taylor shows herself to be the most seductive of storytellers: direct, irreverent, and charming.Complementing the stories are 125 stunning new photographs of her most remarkable pieces, specially commissioned for this book, and more than 150 rarely seen images (many from Elizabeth Taylor's personal collection) of the star wearing her jewelry over the course of almost sixty years. We see her as a young ingenue of fifteen wearing what would be the first of many charm bracelets, and again, equally dazzling, as a mature woman, wearing the famous Duchess of Windsor diamond brooch, which she purchased to benefit AIDS research.Elizabeth Taylor: My Love Affair with Jewelry marks the first time this beautiful jewelry will be seen together as a collection. Lavishly produced and illustrated, the book has an introduction by the world-renowned authority on jewelry, François Curiel, of Christie's. It is for those who are enchanted by this most incandescent and enduring star, for those who cherish and dream of jewelry, and most importantly, for those who believe in the true meaning of love. This book is a fabulous display of unbelievable glamour, assembled over a lifetime, by one of the most extraordinary women in the world.

    With their compelling composition and glowing colour, these works are admired for their beauty and for their power to transport the viewer into a romantic world of myth and legend. At the same time, Waterhouse's wistful heroines also reflect the troubled attitudes of nineteenth-century male artists towards women.In this carefully researched new study, Peter Trippi presents a fresh and absorbing analysis of the artist's seductresses, martyrs and nymphs, and the cultural and historical circumstances in which they were produced. He also draws on new research to provide an accessible biography of the artist. Themes explored include Waterhouse's passion for Italy, literature and the classical world, the role of the Royal Academy in his life, his stylistic influences and studio practice, and his relations with collectors, dealers, critics and curators.Neglected throughout much of the twentieth century, Waterhouse has enjoyed a dramatic revival of fortune. Trippi's monograph provides a timely re-evaluation that combines a close reading of Waterhouse's imagery with a candid appraisal of the milieu in which he worked.

    Politics. Critical Theory. Art. In 1957 a few European avant-garde groups came together to form the Situationist International. Picking up where the dadaists and surrealists had left off, the situationists challenged people's passive conditioning with carefully calculated scandals and the playful tactic of detournement. Seeking a more extreme social revolution than was dreamed of by most leftists, they developed an incisive critique of the global spectacle-commodity system and of its "Communist" pseudo-opposition, and their new methods of agitation helped trigger the May 1968 revolt in France. Since then although the SI itself was dissolved in 1972 situationist theories and tactics have continued to inspire radical currents all over the world. The SITUATIONIST INTERNATIONAL ANTHOLOGY, generally recognized as the most comprehensive and accurately translated collection of situationist writings in English, presents a rich variety of articles, leaflets, graffiti and internal documents, ranging from early experiments in "psychogeography" to lucid analyses of the Watts riot, the Vietnam War, the Prague Spring, the Chinese Cultural Revolution and other crises and upheavals of the sixties. For this new edition the translations have all been fine-tuned and over 100 pages of new material have been added."

    Three essays by Barney experts articulate the series' diverse themes and explore the artist's innovative aesthetic vocabulary; interviews with key collaborators, a composer, costume designer, make-up artist, technicians and actors reveal his working process. A trailblazing essay by Curator of Contemporary Art Nancy Spector charts Barney's work from the 1990s to the present and provides critical insights into the aesthetic vocabulary of his five Cremaster films, while Neville Wakefield's "Cremaster Glossary" illuminates the films' most far-flung references with citations from sources as diverse as Freud's psychoanalytic studies, Mormon law and lore, and hardcore music fanzines. In addition to stills from the five films--including the final episode, Cremaster 3--the book features related sculptures, photographs, drawings and storyboards. For anyone intrigued by the Wagner of contemporary art, this is an atlas to his enticingly hypnotic worlds. Barney himself collaborated on all aspects of this extraordinary publication, including the selection of over 700 images, most of them never before published.

    Using just fingerprints and a few letters, Ed Emberley shows would-be artists how to create owls, pigs, fish, and basketball players! This colorful step-by-step book is easy and crafty, and provides hours of art-full fun.

    Based on several years' worth of exclusive interviews and unprecedented access to all three bands' personal archives, 'England's Hidden Reverse' is the first, definitive, biography of Nurse With Wound, Coil and Current 93.

    Betty Edwards. Now, in an essential companion to her bestselling classic, Edwards offers readers the key to mastering this art form: guided practice in their newfound creative abilities.Here are forty new exercises that cover each of the five basic skills of drawing. Each practice session includes a brief explanation and instructional drawings, suggestions for materials, sample drawings, and blank pages for the reader's own drawings. Also provided in this spiral-bound workbook is a pullout viewfinder, a crucial tool for effective practice. While The New Drawing on the Right Side of the Brain focused primarily on portrait drawing with pencil, this workbook gives readers experience in various subject matter-still life, landscape, imaginative drawing-using alternative mediums such as pen and ink, charcoal, and cont&eacute crayon. For all those who are taking a drawing class, who have already received instruction through a book or course, or who prefer to learn by doing, this volume of carefully structured "homework" offers the perfect opportunity to reinforce and improve their skills and expand their repertoire.

    An 18-volume hit manga series, Fushigi Yûgi combines elements of fantasy, science fiction, humor and romance. Watase is the popular artist and creator behind many best-selling manga series, such as Absolute Boyfriend, Imadoki!, Alice 19th, Ceres: Celestial Legend, and Fushigi Yûgi: Genbu Kaiden. Including over 100 pieces of art--with new drawings and paintings produced especially for this book. This new edition is formatted the same as the original Japanese book.

    Born in 1940 in Chur Switzerland, he studied architecture and industrial design at the School of Applied Arts in Zurich. By 1964 he was producing his first artworks, mostly ink drawings and oils, leading to his first solo exhibition in 1966, followed by the world-wide distribution of his first published posters in 1969. Shortly after, he discovered the airbrush and his own signature freehand style, and created his most well known works, the Biomechanical dreamscapes which formed the cornerstone of his fame. Giger's first book, Necronomicon, published in 1977, servers as the visual inspiration for director Ridley Scott's blockbuster movie Alien, Giger's first film assignment, earning him the 1980 Oscar for "Best Achievement in Visual Effects," for his designs of the film's title character and otherworldly environment. Giger's album covers for Debbie Harry and the band ELP were voted among the 100 best in music history in a survey of rock journalists. Throughout his career, Giger also worked in sculpture and, in 1992, created his first total environment, the Giger Bar in Chur. The Museum H.R. Giger in Chateau Saint-Germain was opened in Gruyeres in 1998. Today, Giger continues to live and work in Zurich with his companion in life Carmen, where his current projects include the realization of his museum bar in Gruyeres.

    From lush words to intricate landscapes, from lavish costumes to amazing creatures, the Star Wars design artists have pioneered the technological revolution, while never surrendering the dazzling sense of wonder. Filled with stunning examples of beautiful, never-before-seen movie artwork, The Art of Star Wars: Episode II Attack of the Clones takes us through an takes us through an incredible gallery of astonishing images. As an added bonus, this volume features the exclusive illustrated screenplay, as well as:• More than 500 extraordinary illustrations—including sketches, costume designs, set pieces, models, and brilliant full-color paintings• An in-depth look at the amazing new creatures introduced in Episode II• Fascinating behind-the-scenes accounts and anecdotes related by the artists themselves• Magnificent visuals of exotic new planets, exciting new spacecraft, and dramatic new characters such as Jango Fett, Count Dooku, and Jedi Luminara Unduli• Thrilling movie poster art art created especially for Star Wars: Episode II Attack of the ClonesExperience the Lucasfilm magic with visuals more striking than ever before, and become one of the first to witness the worlds and the wizardry of Star Wars: Episode II Attack of the Clones.From the Hardcover edition.

    This stunning picture book is the perfect gift for art enthusiasts of all ages.When her mother was worn out from caring for her five sisters, her father gave her lessons in brushwork and color. When polio kept her bedridden for nine months, drawing saved her from boredom. When a bus accident left her in unimaginable agony, her paintings expressed her pain and depression - and eventually, her joys and her loves. Over and over again, Frida Kahlo turned the challenges of her life into art. Now Jonah Winter and Ana Juan have drawn on both the art and the life to create a playful, insightful tribute to one of the twentieth century's most influential artists. Viva Frida!

    The program, which concentrated on the Los Angeles area and oversaw the design of 36 prototype homes, sought to make available plans for modern residences that could be easily and cheaply constructed during the postwar building boom. The program's chief motivating force was Arts Architecture editor John Entenza, a champion of modernism who had all the right connections to attract some of architecture's greatest talents, such as Richard Neutra, Charles and Ray Eames, and Eero Saarinen. Highly experimental, the program generated houses that were designed to re-define the modern home, and thus had a pronounced influence on architecture. With comprehensive documentation, brilliant photographs from the period and, for the houses still in existence, contemporary photos, floor plans and sketches.

    Unlike many of his peers, he has explored these issues through the medium of painting, challenging it to meet the demands posed by new forms of conceptual art. In every level of his varied output--from his austere photo-based realism of the early 60s, to his brightly colored gestural abstractions of the early 80s, to his notorious cycle of black-and-white paintings of the Baader-Meinhof group--Richter has assumed a critical distance from vanguardists and conservatives alike regarding what painting should be. The result has been one of the most convincing renewals of painting's vitality to be found in late twentieth- and early twenty-first-century art. With an extensive and insightful critical essay by curator Robert Storr, a recent interview with the artist, a chronology, an exhibition history and nearly 300 color and duotone reproductions, Gerhard Richter: Forty Years of Painting marks a significant contribution to the understanding of contemporary art in general, and Gerhard Richter in particular.

    This book features over 100 photographs by a select group of renowned photographers whose work appears in the award-winning Mutter Museum calendars. Highlights include a bust of an early-19th-century Parisian widow with a six-inch horn protruding from the forehead; the connected livers of Chang and Eng, the world-famous Siamese twins; the skeleton of a 7’6” giant from Kentucky; and a collection of 139 skulls showing anatomic variation among ethnic groups in central and eastern Europe. Historical photographs from the museum’s archives, brief background texts about the collection, stunning photographs by acclaimed photographers including William Wegman and Joel-Peter Witkinand, and an introductory essay on the museum are also included.

    Joyce Tenneson presents 80 portraits of women aged 65 to 100, who comment on their experiences of ageing.

    The poster art from the noir era has a bold look and an iconography all its own. During noir's golden age, studios commissioned these arresting illustrations for even the lowliest "B" thriller. The Art of Noir is the first book to present this striking artwork in a lavishly produced, large-format, full-color volume. The more than 300 dazzling posters and other promotional material range from the classics to rare archive films such as The Devil Thumbs a Ride and Blonde Kiss. With rare offerings from around the world and background information on the illustrators, The Art of Noir is the ultimate companion for movie buffs and collectors, as well as artists and designers.

    It features art from beloved series such as Clover, Magic Knight Rayearth, Legend of Chun Hyang, Clamp in Wonderland and many others. Also included: original Clamp artwork, the original comic Princess Mokona of the CLAMP Country (featuring the Clamp artists themselves), a CLAMP interview and a complete catalogue of all featured images with a description of each. The work here spans the period between 1989-2002.

    1922) has built up a reputation as one of the most distinctive contemporary figurative artists. Freud's startling and disconcerting portraits and nudes have a haunting quality that makes them impossible to forget. This stunning book -- which accompanies a major retrospective showing at Tate Britain in London, Fundacio"la Caixa" in Barcelona, and The Museum of Contemporary Art in Los Angeles -- brings together key works from Freud's entire career, including over 140 paintings, drawings, and etchings, some new, and many never before exhibited.Richly illustrated with many previously unpublished photographs from the artist's personal archives, this volume contains a detailed analysis of Freud's work by curator William Feaver along with a contribution from the artist's friend, painter Frank Auerbach. Unprecedented in scope and providing an exciting opportunity to view the exceptionally productive period of the last 20 years in the context of earlier decades, this book celebrates the lifetime achievements of a powerful artist, one of the greatest realist painters of our time.

    Consider this a superscript above all other entries.”—Booklist. “Encourages those who hesitate to start in on the pristine pages of a nicely bound blank book.... Lively and interesting illustrations make this a good selection for public library collections.”—Library Journal.

    A beadmaker's guide to detail and design. Covers beadmaking from beginning to end. For aspiring beginners, experienced lampworkers and lovers of glass art alike. Hundreds of colorful photos and detailed step-by-step instructions. 222 pages.

    A starling reassessment of Hitler's aims and motivations, Frederic Spotts' Hitler and the Power of Aesthetics is an adroitly argued and highly original work that provides a key to fuller understanding of the Third Reich. Spotts convincingly demonstrates that contrary to the traditional view that Hitler had no life outside of politics, Hitler's interest in the arts was as intense as his racism-and that he used the arts to disguise the heinous crimes that were the means to fulfilling his ends. Hitler's vision of the Aryan superstate was to be expressed as much in art as in politics: culture was not only the end to which power should aspire, but the means of achieving it. Filled with evocative photographs and reproductions from Hitler's 1925 sketchbook, "Spotts's study of the Fuhrer's fascination with architecture, painting, sculpture, and music is ...elegantly composed and richly documented" (The New Yorker).

    Combining the dramatic and meticulous work of printmaker Tom Killion -- accented by selected writings of John Muir -- and the journal writings of Pulitzer Prize-winning poet Gary Snyder, The High Sierra of California is a tribute to the bold, jagged peaks that have inspired generations of naturalists, artists, and writers.Originally printed in a limited, handmade, letterpress edition, The High Sierra of California is now available in an affordable, full-color trade edition.

    His name was Henry Darger. He had lived in this room for forty years. It was filthy, crammed with his possessions, mostly things found in the garbage. Henry never threw anything out. The room was filled, almost solid, with junk. He was now eighty years old and far too feeble to carry anything down the stairs. So he left everything behind. He had no need of his possessions. Anyway, he was going to an old folks home to die. When he left the room his life was over. His landlord asked him what he wanted done with his possessions. Henry is said to have replied, "You can have them, Mr. Leonard." At that moment the gift had no meaning. There was nothing in the room but garbage. Everything would have to be thrown out... When Darger's landlord, Nathan Lerner, assisted by a young student, David Berglund, began to clean out Henry's room they found some surprises: an eight volume autobiography, consisting of 5084 handwritten pages, entitled, The History of My Life which Henry had begun writing in 1963 after retiring. The short auto-biographical introduction to what is otherwise an enormous and utterly fantastic piece of imaginative fiction, provided some of the crucial pieces of evidence underlying the biographical reconstruction of Darger's life that form the first chapter of this book. Then, when the old trunks were opened, they made a far more spectacular discovery: a history of another world called, In The Realms of the Unreal in fifteen volumes, 15 145 type written pages, unquestionably the longest work of fiction ever written. In time the room also yielded the three huge bound volumes of illustrations for that work, several hundred pictures, many over twelve feet long and painted on both sides. By accident, the landlord had stumbled upon a concealed and secret life work, which no one had ever seen: Darger's alternate world.

    Providing parents and teachers with valuable tips for making any visit to a museum with children a success, this guide offers a great primer or refresher course on art history, allowing adults to confidently answer common questions, such as why some paintings are signed and others are not, some pictures are small and others are very large, and why the Dutch paint so much fruit. Questions and answers about 30 well-known paintings provide historical background, explain genres such as still life and portrait, and demystify religious and mythological themes. Color-coded tabs let adults flip to sections appropriate to the ages of their children (5–7 years, 8–10 years, 11–13+ years).

    Val Williams, distinguished writer and curator, considers Parr's later work - also his most famous - within the context of his full career. In so doing, she shows how Parr's subtle and striking photographs have highlighted political and social change over the last 30 years.Although Parr began his career in Britain, he now has a wide international following. This book offers the overview that many have eagerly anticipated. It features fascinating previously unpublished early work, his startling and original 1974 installation 'Home Sweet Home', early black-and-white photographs of the people and places of Hebden Bridge, Yorkshire where he lived and worked in the 1970s, photographs from Ireland and Salford, and of course a selection of the very best images from all his published books including The Last Resort, The Cost of Living, Signs of the Times and Think of England (published by Phaidon).With unlimited access to Parr's archives and drawing on extensive interviews, Val Williams charts Parr's life and career, revealing insights into his influences and attitudes and assessing his importance within the worlds of art and photography.

    Simple words matched with intriguing illustrations provide an opportunity for endless exploration. Children will be fascinated to discover that a boat, a rose, a tree, and even a window can be so different from one another -- and from the objects they see every day. Adults will love the visual and cultural richness of this alphabetical tour through the Metropolitan Museum's collection. An informative fact section at the end of the book provides more details about each piece of art and its creator, including art by luminaries such as Paul Cézanne, Marc Chagall, Edgar Degas, Utagawa Hiroshige, Roy Lichtenstein, Claude Monet, as well as historic pieces from Greece, Egypt, Italy, China, Japan, India, Iran, and more.

    You'll quickly begin to:- Master proportions and map facial features accurately - Study shapes within a composition and draw them realistically - Use value, light and shading to add life and depth to any portrait - Render tricky details, including eyes, noses, mouths and hairProven, hands-on exercises and before-and-after examples from Parks' students ensure instant success! It's all the guidance and inspiration you need to draw realistic faces with precision, confidence and style!

    This handy, pocket-sized volume includes 900 illustrations and takes the reader on a whirlwind tour of the most spectacular works of art around the world and throughout time.

    Friedman photos and a new C.R. Stecyk III postscript.In the early 1970s, the sport of skateboarding had so waned from its popularity in the 1960s that it was virtually nonexistent. In the DogTown area of west Los Angeles, a group of young surfers known as the Zephyr Team (Z-Boys) was experimenting with new and radical moves and styles in the water, which they translated to the street. When competition skateboarding returned in 1975, the Z-Boys turned the skating world on its head. DogTown: The Legend of the Z-Boys is a truly fascinating case study of how an underground sport ascended in the world. These are the stories and images of a time that not only inspired a generation but changed the face of the sport forever.This volume has been described as “the DogTown textbook” and an indispensable companion piece to the Sony Pictures Classics film Dogtown and Z-Boys. Now spanning 1975–1985 and beyond, the first section of the book includes the best of the DogTown articles written and photographed by C.R. Stecyk III as they originally appeared in SkateBoarder Magazine. The second half compiles hundreds of skate images from the archives of Glen E. Friedman—many of which appear in the movie. (Stecyk and Friedman acted as executive producers and advisors for the film.)The bigger, newly designed edition of the book includes many never-before-seen Friedman photos, along with a new postscript by Stecyk.

    She outpaced all but a handful of her male mentors and counterparts, while only Lee Krasner stands as a possible rival among her female counterparts. Although well regarded by critics, fellow artists, and the general public, Mitchell's achievement has never received full recognition; her work has not been shown in New York for more than twenty-five years. This exquisitely illustrated volume and the exhibition that it accompanies restore the artist to her rightful place in the history of American painting. Spanning Mitchell's entire career, from early works of 1951 until the year of her death, The Paintings of Joan Mitchell includes a wealth of breathtaking paintings, both intimate and grand in scale, that reveal Mitchell's fierce dedication to her art and reflect both the struggles and the artistic triumphs she achieved with her distinctive vision of Abstract Expressionism.Jane Livingston draws on the artist's personal papers, including her journals and extensive correspondence, to provide an illuminating interpretation of the artist and her work. Linda Nochlin, who was a friend of Mitchell, discusses the artist's experience working in a field dominated by men. A third text by Whitney Curator Yvette Lee explores a distinctive and little-known suite of paintings entitled La Grande Vallée, created in 1983-84. Mounted with the full cooperation of the estate of Joan Mitchell, the exhibition contains many paintings rarely seen before--and in some cases never publicly exhibited. This book includes an exhibition history; an extensive artist bibliography of related monographs, reviews, and filmed interviews; and color plates and listing of all the works appearing in the exhibition.

    David Lewis-Williams proposes that the explanation for this lies in the evolution of the human mind. Cro-Magnons, unlike the Neanderthals, possessed a more advanced neurological makeup that enabled them to experience shamanistic trances and vivid mental imagery. It became important for people to "fix," or paint, these images on cave walls, which they perceived as the membrane between their world and the spirit world from which the visions came. Over time, new social distinctions developed as individuals exploited their hallucinations for personal advancement, and the first truly modern society emerged.Illuminating glimpses into the ancient mind are skillfully interwoven here with the still-evolving story of modern-day cave discoveries and research. The Mind in the Cave is a superb piece of detective work, casting light on the darkest mysteries of our earliest ancestors while strengthening our wonder at their aesthetic achievements.

    Taking the sculptures out of the museum context (and thus off of their proverbial pedestals), this volume presents a completely new view which affords enlightening comparisons between eras and genres. This remarkable work is indispensable for artlovers of all tastes and disciplines.

    Her distinctive style is a unique combination of retro glamor, pin-up and high-art eroticism, and always perfect down to the smallest accessories. She only works with the best photographers - Baker, Czernich, James & James, Weathers - and, combined with her clear vision of how she wants to look, the result is always 100% stunning and 100% Dita. Dominant or submissive, damsel in distress or provocative French maid, this genuine fetishist has laced herself up and paraded around in the highest of high heels - a true fetish goddess.

    32 pages packed with ghouls and goblins that kids love and really want to draw. Easy and fun, the book provides hours of art-full fun.

    In Girl Culture, she combines a photojournalists sense of story with fine-art composition and color to create an astonishing and intelligent exploration of American girls. Her photographs provide a window into the secret worlds of girls social lives and private rituals, the dressing room and locker room, as well as the iconic subcultures of the popular clique: cheerleaders, showgirls, strippers, debutantes, actresses, and models. With 100 hypnotic photographs, 20 interviews with the subjects, and an introduction by foremost historian of American girlhood Joan Jacobs Brumberg, Greenfield reveals the exhibitionist nature of modern femininity and how far it has drifted from the feminine ideologies of the past.

    The watercolour clock is a simple, but ingenious teaching device Zbukvic created to show artists how to manipulate watercolor materials for dazzling, atmospheric effects. The clock accompanies every visual example in this book, helping artists anticipate how the condition of the paper (wet, dry, moderate, etc.) will react to various watercolor mixes. Based on this teaching principle, Zbukvic guides artists through step-by-step demonstrations that clearly illustrate how to: Identify a subject; Plan a painting; Control colour and value; Manipulate edges; Add the right finishing touches.: With this book, artists can achieve a greater level of mastery with watercolour and deeper, richer paintings.

    Paintings of Blue Dog in many different colors, including salmon, cherry, and moss green, explain why Blue Dog had to be blue.

    The thirty-two pages are packed with the trucks and trains that kids-and not a few adults- really want to draw. Easy and fun, the book provides hours of art-full fun.

    This book features artwork from "Dragonlance" novels, games, calendars, and other materials created over the past ten years. With pieces from artists such as Brom, Matt Stawicki, Mark Zug, Todd Lockwood, Larry Elmore, and more, this collection features some of the best fantasy art published over the last decade.

    

    She tells us how great painters fool the brain: why Mona Lisa's smile seems so mysterious, Monet's Poppy Field appears to sway in the breeze, Mondrian's Broadway Boogie Woogie blinks like the lights of Times Square, and Warhol's Electric Chair pulses with current.Drawing on history and her own cutting-edge discoveries, Livingstone offers intriguing insights, from explanations of common optical illusions to speculations on the correlation of learning disabilities with artistic skill. Her lucid, accessible theories are illustrated throughout with fine art and clear diagrams.In his foreword, Nobel Prize-winner Hubel posits that neurobiology will enhance the art of the future just as anatomy did in centuries past. That future begins with this fascinating book.

    Atoms, ice crystals, grains of pollen, snowflakes, butterfly wings, cloud formations, searing comets, and showers of stars are born, live and die. The unprecedented scope of Heaven & Earth offers an awe-inspiring voyage of discovery through this infinite world that is science - from the smallest particles on the earth's surface to tiny dots in galaxies that are billions of light years away.Revealing the extensive range of matter contained in the cosmos, this book navigates a fascinating trajectory through an unexplored world, to celebrate the immeasurable beauty and countless mysteries of planet earth and the universe. It charts - chapter by chapter - intricate landscapes of increasing scale and distance, captured by microscope, x-ray, satellite and telescope. Each magnificent photograph is accompanied by an extended caption that explains it in detail, offering a dose of scientific information that enables us to associate with it on a human scale.This volume presents a unique and richly illustrated insight into the momentous relation between aesthetics and nature, in the light of nature's magnitude and its complexity of life. The result is the ultimate fusion of art and science, through a sequence of images that are as subtle as they are stupendous.

    This is the story of two men who first become friends in 1970s New York, of the women in their lives, of their sons, born the same year, and of how relations between the two families become strained, first by tragedy, then by a monstrous duplicity which comes slowly and corrosively to the surface.

    Its 300-year history apparently came to an end with the eccentric collectors of the baroque age, when scientific thinking and rationalism took over. But in recent years the cabinet of curiosities has reappeared in exhibitions in Europe and America and in international colloquia on university campuses, while reemerging as a source of inspiration for interior decorators and contemporary artists.This spectacular and ingenious book traces the history of these "rooms of wonders, " from their first appearance in the inventories and engravings commissioned by Renaissance nobles such as the Medici and the Hapsburgs, via those of the Dane Ole Wurm and the Italian polymath Athanasius Kircher, to the cabinets of seventeenth- and eighteenth-century scientists Elias Ashmole and Levinas Vincent.Much was genuinely scientific: minerals, fossils, stuffed and preserved animals and plants. Some items were merely curious, or even grotesque -- freaks of nature, monstrous births, insects in amber. The artificial or man-made was equally prominent -- wax effigies, death masks, specimens of almost incredible ingenuity (such as carvings on cherry-stones), or mechanical automata that imitated living things. The fascination of curiosities lies in their combination: they represent a stage of human inquiry in which imagination had not been divorced from reason.Patrick Mauries reconstructs these rooms of wonders as they were in their heyday and illustrates many of the most exotic items they contained, as well as the fewcomplete interiors that survive. He begins with the totality of the collection, the "theater of the world, " the whole sum of human knowledge gathered together in one room. He then examines the cabinets that contained and categorized the objects. Next he opens them to reveal the extraordinary melange of curiosities, specimens, and works of art. He looks at the personalities of the collectors themselves, from great princes to humble scholars, and finally at the modern revival of the cabinet of curiosity.

    3-8228-1159-9$39.99 / Taschen America LLC

    This colourful, exciting book offers a rich source of stimulating and innovative ideas that will appeal to all abilities.

    Beginning in the 1960s, when his bold, bright paintings embodied the spirit of the times, up to the present day, his prolific output has inspired people in every corner of the world. Premier art institutions regularly exhibit solo shows of his work, and his trademark posters have achieved international popularity. From being named Official Artist of the Grammy Awards for five successive years to painting a Continental Airlines 777 plane, Max's projects always garner enormous media attention.In this comprehensive Max retrospective, 350 full-color images -- many never before published -- illustrate the artist's life and prolific career. Author Charles A. Riley II considers Max's uncanny ability to create fine art with tremendous popular appeal.

    Offering a rich array of examples, he describes different approaches to the teaching of the arts and shows how these refine forms of thinking that are valuable in dealing with our daily life“Not since John Dewey has an American author written about art, education, and the creation of mind with such power and sensitivity.”—Michael Day, International Journal of Arts Education“A primer for the future. . . . This book will serve as an inspiration for those needing the language to convince policy makers and curriculum developers of the value of the arts in education, while also serving as a vehicle for illustrating the educational aspirations the very best education can offer.”—Rita L. Irwin, Journal of Critical Inquiry Into Curriculum and Instruction“[Eisner] has composed a text that is as insightful and inspirational as the educational research he envisions.”—James G. Henderson, International Journal of Education & the Arts

    Walking In This World picks up where The Artist's Way left off to present readers with a second course--Part Two in an amazing journey toward discovering our human potential. Cameron shows readers how to inhabit this world with a sense of wonder, a childlike inquisitiveness that each of us was born with. Full of valuable new strategies and techniques for breaking difficult creative ground, this is the "intermediate level" of the Artist's Way program.

    It explores how issues of race, class, nationality and sexuality, enter into debates about feminism, and includes work by feminist critics, artists and activists. Articles are grouped into six thematic sections:* representation* difference* disciplines/strategies* mass culture/media interventions* the body* technology.A valuable reference for students of visual culture and gender studies, this is both a framework within which to understand the shifts in feminist thinking in visual studies and an overview of the most significant feminist theories in this area.

    The winner of countless awards and accolades, including a Medal for Distinguished Contribution to American Letters from the National Book Foundation, he has left a deeper, more enduring imprint on our times than most writers of his or any generation. The source of "The Martian Chronicles," father of "The Illustrated Man," and master brewer of "Dandelion Wine," Bradbury has penned stories, novels, stage plays, and screenplays that have long demonstrated the limitlessness of the human imagination and pure power of the word."Bradbury: An Illustrated Life" features magazine illustrations, movie stills and posters, comic book art, letters, scripts, book jackets, and paintings -- all expertly selected and insightfully explained -- that trace an incomparable artist's journey through the twentieth century and into the twenty-first. Here also are rare and illuminating gems from some of his renowned compatriots and collaborators, including excerpts from the journal of legendary director Fran ois Truffaut, written during the making of the motion picture version of Bradbury's classic "Fahrenheit 451."From his groundbreaking involvement with EC Comics -- which would ultimately inspire generations of comic book creators and graphic novel artists -- through his many decades of literary success,as well as his award-winning work in films, theater, and television, to the present day, the world of the incomparable Ray Bradbury comes vibrantly alive in words and pictures, in photo and ink, in conceptual art and bold living color. "Bradbury: An Illustrated Life" belongs in the collection of anyone who has ever been moved, astounded, elated, terrified, or inspired by the tales, ideas, dreams, and magnificent visions of America's preeminent storyteller.

    Those seminal books in feline aesthetics are now offered in new pocket-size editions filled with the best from each volume, making purrfect gifts for cat lovers and art lovers alike.Reviews"A collection of the world'¬?s most fabulously decorated felines."-National Examiner

    With Jesus as his model, he shows how understanding God's creative imagination leads to a lifestyle of humility.

    The body has always been both her subject and her medium, and she has withstood pain, exhaustion and danger in her ongoing quest for emotional and spiritual transformation. As a vital member of the generation of pioneering performance artists that includes Bruce Nauman, Vito Acconci, and Chris Burden, Abramovic created some of the most historic early performance pieces.  Of these artists, she is the only one still making important durational works.

    Some find inspiration in classic Asian designs. Others take a figurative approach. Still more look to the natural world. Browse through a variety of surface treatments, from intricate carved forms to narrative painted patterns.

    Nick.The timeless song of the The Twelve Days of Christmas showcases Sabuda's paper engineering in spreads of the partridge in the pear tree, four calling birds, and more.Sure to be classics, these two Christmas treasures are sure to be favorites for all children -- and all children at heart.

    Years later he met photographer Arne Svenson (author of the recent popular volume Chewed) who, intrigued by the obsessive nature and growing size of the collection, began with equal obsession to document individually its more than 1,800 examples. To convey the distinct personality imbued in each monkey by its maker, Svenson photographs them in the manner of classical black-and-white portraiture: flatteringly lit, cropped at the shoulders, eyes to the camera. The first 200 of these sock monkey portraits, reproduced larger than life as full-page duotones, are assembled in this book. Invited contributors, including novelists Jonathan Safran Foer, Neil Gaiman and Dale Peck; entertainers Penn & Teller; and fashion commentators Simon Doonan and Isaac Mizrahi, have interjected short stories inspired by the subject of their favorite sock monkey photograph. The result is an engaging, humorous and at times disturbing reanimation of creatures long relegated to the attic or the back of the closet.

    It developed concurrently everywhere, and every region had it's own identity. But it was in San Francisco and L.A. where the most radical behavior in stateside punk rock style and attitude was exhibited. It was anti-hippie, anti-disco, anti-parent and anti-"nice". And it was shockingly new. These photos are ground zero of punk rock style—delirious innovation and a snarling takeover of youth culture still resonating more than 20 years hence.

    Long known for her provocative work in the fashion world, here she is the director on the set, creating a sadomasochistic story, told solely in photographs, which delves into sexual obsession. Revenge begins with a trio of young women arriving at the Baroness's estate expecting a relaxing weekend. The Baroness, her chauffeur, and her stablehand soon have them involved in something quite different...

    Plisson's favourite themes are seascapes, regattas of legendary tall ships, distant reefs, lighthouses and long-distance voyages.

    Famous for his decadent photography, Newton shares his life and times in a tell-all that reveals as much about his narcissism as his artistry.

    A hilarious reconfiguration of important paintings, comedian Ursus Wehrli deconstructs the works of famous artists and reconstructs them to fit his more orderly view of the world.

    A futuristic twist on one of the greatest adventure stories ever told, Treasure Planet follows Jim Hawkins's fantastic journey across a parallel universe aboard a glittering space galleon. Bug great dangers lie ahead when Jim discovers that his trusted mentor, the cyborg cook John Silver, is actually a scheming pirate with mutiny on his mind. Legends of pirate treasure and pirate terror, the lore of literary pirates, and a look at the loot of a thousand worlds are all featured in this richly illustrated volume that will be treasured by buccaneers of all ages. Discover the film's evolution and the development of its characters, weaponry, and technology, as well as exploring the interesting histories of actual pirates who sailed the seven seas. Part techno-log, part field guide, this book is brimming with diagrams, gadgets, and gizmos, fun facts, and fascinating anecdotes.

    Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique, community-based art, and public art, its creators insisted on the inseparability of the work and its context. In recent years, however, the presumption of unrepeatability and immobility encapsulated in Richard Serra's famous dictum to remove the work is to destroy the work is being challenged by new models of site specificity and changes in institutional and market forces. One Place after Another offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renee Green, Suzanne Lacy, Inigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.

    In this beautifully illustrated book, the artist combines photographs, paintings, and poems that span his artistic output from 1978 to 2002.

    Art from every stage of game development will be included, from early concepts to finished pieces, along with behind-the-scenes commentary from the Blizzard development team. Enoromous coverage including " Warcraft III: Reign of Chaos, Warcraft II, and Warcraft, " plus an exclusive glimpse at the upcoming " World of Warcraft " game. Anecdotal captions relevant to the story and events of the " Warcraft " series are also included. This timeless reference piece will give countless hours of enjoyment to avid " Warcraft " gamers everywhere!

    In her choice of black cut-paper silhouettes, Walker takes a medium that was extremely fashionable in the late 18th and early 19th centuries as part of the neoclassical revival, when the silhouetted images on ancient Greek and Roman vases were emulated on such goods as Wedgwood ware. The silhouette was a parlor art practiced by genteel ladies and gentlemen, who created portraits, landscapes, and decorative motifs. There were also traveling silhouettists who took their craft around the country. The 18th- and 19th-century silhouette was also associated with the pseudo-science of physiognomy, which held that one could analyze psychological and racial types by studying profiles. Adopting the antiquated medium of the silhouette, Walker has turned it into a powerful force to evoke the complexities of the system of slavery, exploring themes of exploitation, accommodation, and complicity on the part of both the powerful and the oppressed. "Pictures From Another Time" is the first major publication on the work of this extraordinary artist. It includes nearly 70 examples of her work, including her silhouettes, prints, drawings, projected installations, and watercolors. Texts include an interview with the artist by curator Thelma Golden, Deputy Director of Programs at The Studio Museum in Harlem; and essays by literary critic Robert Reid-Pharr, Professor of English at the City University of New York and Annette Dixon, Curator of Western Art at the University of Michigan Museum of Art.

    From the modest beginnings to the merchandising, pop culture juggernaut, this collection of concept art, comics pages, and insider-behind-the-scenes notes-has been "sold out" and hard to find for years. But now it's back in print for a new generation of fans to enjoy.

    But he also just wishes he could take a little bit of home along with him-things like baseball games, and the special birthday cake Mama always makes. Will Uncle Romie, who's some kind of artist, know about things like that? Young readers will feel as if they're discovering the city's wonders, and making an unexpected friend, right along with James in this vibrant story, expressively illustrated by Coretta Scott King Award winner Jerome Lagarrigue. A how-to section on storytelling collages and a short biography of Romare Bearden are included.

    The man who turned his back on probable fame, fortune and the entire rock music scene over thirty years ago had become an involuntary legend. Was he a genius or just a madman? The definitive answer to this question will never be known. But Psychedelic Renegades goes a long way towards unraveling the enigma that was Syds personality. Mick Rocks extraordinary images and frank text expose a man with enormous natural charisma, whose moods could be dark and brooding as well as buoyant with madcap laughter. This superbly produced book covers the period 1969-71, and features the photo session in and around Syd's London flat that produced the cover for his first solo album, The Madcap Laughs; it also features images Mick shot for the now famous Rolling Stone interview in 1971, which became the last photos Syd ever posed for.

    Conflicts surrounding homosexuality and creative freedom have shaped the history of modern art in America. Outlaw Representation traces this history by showing how gay artists have both resisted and responded to the threat of censorship. It features nearly two hundred images, ranging from the work of Robert Mapplethorpe to gay liberation posters.

    But those images make up only a portion of this deluxe seven-volume set, which will stand as the definitive collection of Sander's considerable achievement.The books include some 150 never-before-seen images and essays by leading experts on the German photographer's work. Praising Sander's "vision...his knowledge, and his immense photographic talent, " the writer Alfred Doblin said: "Those who know how to look will learn from his clear and powerful photographs, and will discover more about themselves and more about others."

    The first section of the issue contained previously unpublished critical texts, and the second section contained translations of primary texts that had previously been unavailable in English. The emphasis was on the SI's profound engagement with the art and cultural politics of their time (1957-1972), with a strong argument for their primarily political and activist stance by two former members of the group, T. J. Clark and Donald Nicholson-Smith.Guy Debord and the Situationist International supplements both sections. It reprints important, hard to find essays by Giorgio Agamben, Libero Andreotti, Jonathan Crary, Thomas Y. Levin, Greil Marcus, and Tom McDonough and doubles the number of translations of primary texts, which now encompass a broader and more representative range of the SI's writings on culture and language. In a field still dominated by hagiography, the critical texts were selected for their willingness to confront critically the history and legacy of the SI. They examine the group within the broader framework of the historical and neo-avant-gardes and, beyond that, the postwar world in general. The translations trace the SI's reflections on the legacy of the avant-garde in art and architecture, particularly on the linguistic and spatial significance of montage aesthetics. Many of the translated works are by Guy Debord (1932-1994), the impresario of the SI, especially known for his book The Society of the Spectacle.

    Her latex and fiberglass sculptures in particular have a resonance that transcends the boundaries of minimalist art in which she had her roots. Hesse’s breakthrough solo exhibition—Chain Polymers at the Fischbach Gallery in New York in 1968—was a turning point in postwar American art.Eva Hesse: Sculpture focuses on the artist’s large-scale sculptures in latex and fiberglass and provides a rare opportunity to look at Hesse’s artistic achievement within the historical context of her life in never-before-seen family diaries and photographs. Essays consider Hesse’s art from a variety of angles: Elisabeth Sussman discusses the sculptures shown in the 1968 solo exhibition; Fred Wasserman delves into the Hesse family’s life in Nazi Germany and in the German Jewish community in New York in the 1940s; Yve-Alain Bois examines Hesse’s works within the context of the art and aesthetic theories of the 1960s; and Mark Godfrey analyzes the importance of Hesse’s celebrated hanging sculptures of 1969–70. In addition to color reproductions of the artist’s sculpture, the book features a copiously illustrated chronology of the artist’s life.

    It was a humdrum commission for the regular studio portraitist now credited with having virtually invented the photojournalistic motion picture still, but when he met the Belgian beauty, Willoughby was enraptured."She took my hand like... well, a princess, and dazzled me with that smile that God designed to melt mortal men's hearts, " he recalls. As Hepburn's career soared upwards following her US debut in Roman Holiday, Willoughby became a trusted friend, framing her working and home life. His historic, perfectionist, tender photographs seek out the many facets to Hepburn's beauty and elegance as she progresses from her debut to the career high of My Fair Lady in '63. Willoughby's studies, showing her on set, preparing for a scene, interacting with actors and directors and retreating into her private self, comprise one of photography's great platonic love affairs and an unrivalled record of one of last century's touchstone beauties.

    Each chapter covers techniques such as layering, blending and composition, all designed to achieve lifelike textures and a strong emotional appeal.

    After she crumbled under the combined weight of social reproof, deprivations, and art world prejudices, her family had her committed to an asylum, where she died 30 years later. Although Claudel's life has been romanticized in print and on film, a fully researched biography has never been written until this one. The book draws upon much unpublished material, including letters and photographs that confirm the brilliance of her sculpture, clarify her relationship with Rodin (who did not exploit her, but, in fact, supported her work throughout his life), and reveal the true story of her confinement in a mental institution. Claudel's fascinating life touches many aspects of women's issues: creativity, struggle for recognition, conflict with social values, and art world inequities. Illustrated with personal family photographs, this is an intimate and moving tribute to an artist whose life and work have, until now, been misinterpreted and undervalued.

    And a lifetime of observing an extraordinary range of species has given him a wealth of knowledge about bird habitats, behavior, and survival skills. Now, in this unique volume, Robert Bateman's newest paintings are combined with his insightful reflections on bird life in splendid pages that will delight nature and art lovers alike.This personal birding odyssey begins atBateman's easel on an island off Canada's Pacific coast, where herons, kingfishers, and bald eagles pass by his studio windows. From there it proceeds to a variety of North American destinations ranging from a seabird colony on Alaska's Pribil of Islands to the waterways of Florida's Everglades. Bateman has also explored many international wildlife sanctuaries and his unforgetttable experiences there are re-created in evocative color painting and vivid first-person recollections.Lavishly illustrated and informatively written, Birds is an intimate appreciation of some of the planet's most beautiful and fascinating creatures by an artist who has been capturing them on canvas for over forty years.

    It comprises over one-hundred and fifty formal portraits and portrait sketches in oil and watercolor that he painted between 1889 and 1900. The catalogued works have been grouped into chronological sections, each with its own introduction to set the particular group in context. In addition, an overall introduction places Sargent in the context of European portraiture of the past and of his own time. Each work is documented in depth: entries include traditional data about the painting or watercolor; details of the work’s provenance, exhibition history and bibliography; a short biography of the sitter; a discussion of the circumstances in which the work was created; and a critical discussion of its subject matter, style, and significance in Sargent’s career. With very few exceptions, all the works are reproduced in color. There is also an illustrated inventory of Sargent’s studio props and accessories and a cross-referenced checklist of the portraits in which they appear.

    From Chartres, whose stained-glass windows create patterns of light that seem truly mystical, to the Cathedral of Florence, whose soaring dome has been called "one of the engineering marvels of all time, " this glorious art book covers the major Romanesque and Gothic cathedrals in France, England, Germany, Italy, and Spain.A wealth of photographs showing the cathedrals inside and out, including close-up architectural and sculptural details, and an authoritative text by a respected architectural historian combine to produce an indispensable work for scholars, as well as a lovely gift for all those who adore these majestic buildings.

    1954) embraces performance, installation, drawing, painting, video, and sculpture. Drawing distinctively on high art and vernacular traditions, including historical research, popular culture, and psychology, Kelley came to prominence in the 1980s with a series of sculptures composed of craft materials. His recent work offers dialogues with architecture and with repressed memory syndrome, and a sustained inquiry into his own aesthetic and social history. The subjects on which Kelley has written are as varied as his artistic media. They include the work of fellow artists, sound, caricature, the uncanny, UFOlogy, and gender-bending.This book offers a diverse collection of Kelley's writings from the last twenty-five years. It contains major critical texts on art, film, and the wider culture, including his piece on the aesthetic he calls "urban Gothic." It also contains essays, mostly commissioned for exhibition catalogs and journals, on the artists and groups David Askevold, �yvind Fahlstr�m, Douglas Huebler, John Miller, Survival Research Laboratories, and Paul Thek, among others. Kelley's voices are passionate, analytic, and ironic, and his critical intelligence is leavened with touches of whimsy.

    The Jivamukti Yoga method is a style of yoga created by Sharon Gannon and David Life in 1984. It is a vigorously physical and intellectually stimulating practice leading to spiritual awareness. The name jivamukti means liberation while living. Jivamukti is one of the nine internationally recognized styles of Hatha Yoga. Gannon and Life have taught such high-profile celebrities as Sting, Madonna, and Christy Turlington, and literally thousands of students regularly attend classes at the Jivamukti Yoga Center in downtown Manhattan. The Art of Yoga represents the culmination of an almost ten-year collaboration by the authors with noted British-born photographer Martin Brading. As each of the magnificent black-and-white images captures the physical intricacy of the position, a brief accompanying text crystallizes its spiritual essence through texts from the Sanskrit.

    He was a notoriously private man, rarely granting interviews. For the first time, his life will be portrayed in over 200 images from film, photographs, and the words and full-color paintings of Christiane Kubrick, his wife for over 42 years.Never before seen photographs offer a unique perspective on a man, his times, and his films -- from his very first, Day of Flight (1950), through to his last and unrealized project, finished by Steven Spielberg, A.I. (2001)."Stanley Kubrick": A Life in Pictures explores the many and varied aspects of its subject -- the director, the producer, the photographer, the writer and, not least of all, the man himself.

    A BOOK OF BOOKS showcases Abelardo Morell's extraordinary photographs of unusual books, like an impossibly large dictionary, illustrated tomes whose characters appear to leap off the page, and water-damaged books that take on sculptural form. Bookish quotations by Hawthorne, Borges, Cocteau, and others accompany the photographs throughout.

    At one time, these two independently wealthy Jewish women from Baltimore received offers from virtually every prominent art museum in the world, all anxious to house their hitherto private assemblage of modern art. In 1949, they awarded all their holdings to the Baltimore Museum of Art. In 2002, that collection was valued at nearly $1 billion, making them two of the most philanthropic art collectors of our age.Yet, for complex reasons, the story of the Cone sisters has never been fully or accurately told. Gertrude Stein suggested in her writings that the mousy Etta and the regal Claribel had little artistic sense of their own, buying only what she and Leo Stein advised them to buy. For most of those 45 years, though, the savvy Cone sisters knew exactly what they were doing, and why. But they thought it undignified in life or death to call much attention to themselves, always emphasizing that the art, not its collecting, mattered most.Mary Gabriel, an art-minded journalist and women's historian, has, at long last, brought the little-known sisters to life, and shone the spotlight on their remarkable achievements. That these two upright, Victorian women led the way in purchasing the scandalous, erotic art of Matisse, Picasso, and others, is itself one of the most fascinating yet incongruous aspects of their story. Etta and Claribel Cone supported the 20th century's revolutionary artists from their impoverished beginnings--when Henri Matisse, for example, was reviled by critics as a "wild beast," and Pablo Picasso scratched out a living in a hovel. By contributing to the livelihood of avant-garde artists in whom they deeply believed, the sisters helped coax out, then preserved some of the greatest art of the modern era. Though it intimately portrays two powerful, influential, ahead-of-their-time women, The Art of Acquiring is more than a tale of two sisters, more than an important addition to art history, and more than a major contribution to the study of women's history. Because it reproduces some of the more famous and important art of Matisse, Picasso, Cézanne, Dégas, and others, The Art of Acquiring enables readers to practically step through the canvas and live in the shocking paintings these two unsung sisters purchased, then gave to the world-at-large. Finally, a lovely, absorbing biography of the neglected Cone sisters! About the Author: Mary Gabriel, currently based in London, works as a reporter and editor for the world desk of Reuters News Service. Previously, she was executive editor of Museum & Arts Washington magazine, which won a national MagazineWeek award for excellence in Art and Literature during her tenure. Prior to that, she served as editor and reporter for United Press International, and as a reporter for the Baltimore News American newspaper. Her first book, Notorious Victoria: The Life of Victoria Woodhull, Uncensored, was a New York Times "Notable Book" in 1998. She holds a Diplome from the University of Paris at the Sorbonne, a Bachelor's of Fine Arts from the Maryland Institute College of Art, and a Master's Degree in Journalism from American University.

    Beautifully illustrated with 350 color illustrations, 30 black-and-white illustrations, and charts, Gee’s Bend to Rehoboth is being·released in conjunction with a national exhibition tour including The Museum of Fine Art, Houston, and the Whitney Museum of American Art.

    It's as if John James Audubon had been visited by the spirit of Hieronymous Bosch is how one critic has described the unsettling impact of Ford's work, with their sometimes violent imagery and their trenchant political and social commentary on history, colonialism and the precarious relationship between man and animal.

    The sleepy trees, golden haystacks, and juicy fruits of In the Garden with Van Gogh will delight little ones. Playful rhyming texts accompany the artists timeless paintings in this little masterpiece.

    After having a vision of my wedding dress laid across Freud’s couch, I immediately accepted. I chose to display relics of my own life amongst the interior of Sigmund’s home.’—Sophie CalleA unique and beautifully produced assembly of Calle’s own texts and personal objects juxtaposed with objects from Sigmund Freud’s personal collection, still kept in his Hampstead house, Appointment features fragments from the artist’s own fascinating life story, characteristic texts that reveal intimate secrets and unravel some of Calle’s childhood memories as well as her adult relationships.Calle’s references to certain mementos and the emotionally charged events with which they are associated have many parallels to Freud’s own psychoanalytic theories and his passion for collecting.

    Between them they are the originators of many of the most significant innovations of 20th-century painting and sculpture, but their relationship has rarely been explored in all of its closeness and complexity. In spite of their initial rivalry, the two masters eventually acknowledged one another as equals, becoming, in their old age, increasingly important to one another both artistically and personally. From the time of their initial encounters in 1906 in Gertrude and Leo Stein's Paris studio until 1917, they individually produced some of the greatest art of the 20th century and maintained an openly competitive relationship brimming with intense innovation. This period saw them create such works as Picasso's majestic "Woman with a Fan" of 1908 and Matisse's great portrait of his wife of 1913. Matisse responds to Synthetic Cubism in his "Piano Lesson" of 1916 and Picasso comes back in turn with a new, more decorative Cubism in "Three Musicians" of 1921. The 20s saw them grow apart, as Matisse moved from Paris to Nice and Picasso became involved with the Surrealists, but the 30s brought them together again, through their sheer fame and devotion to reality-based art. Their story continues until Matisse's death in 1954, when Picasso paid his friend and colleague tribute in his series Women of Algiers, of which he said, "When Matisse died, he left his odalisques to me as a legacy." Matisse Picasso presents the artists' oeuvres in groupings that reveal the affinities but also the extreme contrasts of their artistic visions. Published to accompany the landmark exhibition, a joint effort of The Museum of Modern Art, New York; the Tate Modern, London; the Raunion des musaes nationaux/Musae Picasso and the Musae national d'art moderne/Centre Georges Pompidou, Paris; Matisse Picasso is the first major examination of the fascinating relationships between their art, their careers, and their lives. Thirty-four essays, each by a member of the exhibition's curatorial team, focus on a particular moment in the artists' evolving relationship. The authors present in-depth analyses of specific aspects of the unique artistic dialogue between Matisse and Picasso as reflected in selected juxtapositions of each artist's works. These texts are accompanied by an introductory history, commentary on the public perception of important artistic relationships, and an extensive chronology.

    Art of Imagination is a trilogy consisting of the award winning Illustrated History series: Science Fiction of the 20th Century (Year 2000 Hugo Award Winner), Horror of the 20th Century (Bram Stoker Award nominee), and Fantasy of the 20th Century creating the ultimate collection. It was in the twentieth century that book, magazine, and poster artists reached new pinnacles of creativity in depicting the unknown. This collection of works by artists and designers of movie posters, books, and magazines provides a hearty feast for the eyes of the enchanted reader. These artisans and their works are the subject of this new must-have book for not only collectors of memorabilia, but for every person who has longed to step into his or her imaginary world, be it one of fantasy, flight, or fear -- if only for a moment.

    Always imitated, never bettered, he's the lens-meister of the zeitgeist, the photo-journo who went artside, a man in constant demand, moving effortlessly from magazine to fashion shoot to gallery retrospective. He creates identities, he's the brand name of hip. From Ray Gun to i-D, his images feel iconic before they're out of the fluid. I'll be your mirror, he whispers, and the Gen X-kids find themselves reflected in his always open pictures. Make your own meaning, rave about them, the artifice, the stagings, it's so close to home and snapshot-casual you could do it yourself. But you couldn't. Framing is all. Every shot is classically composed, it's just the subjects that are so Now. From the portraits that made him famous, through the still lives and landscapes (undermining the genres with every shot), this book is high colour, dirty realist heaven. Finding the still point in the information overload, the sexuality in the machine, and the image in the image saturation, Tillmans gives us the brief epiphanies we might just remember as our own.

    Using a series of his awe-inspiring images, photographer and scientist John Day--who has a Ph.D. in cloud physics and is known round the world as "The Cloudman"--introduces us to earth's great skyscape. His spectacular portfolio of pictures captures a variety of cloud forms and shapes, ranging from cottony-soft cumulus clouds to frightening, whirling funnels, as well as a number of optical effects, such as coronas and halos, seen in the heavens above. A magnificent cloud chart; an explanation of clouds formation; hints on forecasting, observing, and photographing clouds; and his "Ten Reasons to Look Up" teach us to use our inner eye to really perceive those familiar fleeting forms.

    This text features the work of 26 Chicano artists and marks the transition of this unique and exciting movement into the critical fold of contemporary art.