These properties are seen over and over in nature and in the cities and streets of the past, but they have almost disappeared in the impersonal developments and buildings of the last hundred years.This book shows that living structures depend on features which make a close connection with the human self, and that only living structure has the capacity to support human well-being.

    The program, which concentrated on the Los Angeles area and oversaw the design of 36 prototype homes, sought to make available plans for modern residences that could be easily and cheaply constructed during the postwar building boom. The program's chief motivating force was Arts Architecture editor John Entenza, a champion of modernism who had all the right connections to attract some of architecture's greatest talents, such as Richard Neutra, Charles and Ray Eames, and Eero Saarinen. Highly experimental, the program generated houses that were designed to re-define the modern home, and thus had a pronounced influence on architecture. With comprehensive documentation, brilliant photographs from the period and, for the houses still in existence, contemporary photos, floor plans and sketches.

    Using salvaged lumber and bricks, discarded tires, hay and waste cardboard bales, concrete rubble, colored bottles, and old license plates, they create inexpensive buildings that bear the trademark of Mockbee's work, which he describes as "contemporary modernism grounded in Southern culture."In a time of unexampled prosperity, when architectural attention focuses on big, glossy urban projects, the Rural Studio provides an alternative of substance. In addition to being a social welfare venture, the Rural Studio--"Taliesin South" as Mockbee calls it--is also an educational experiment and a prod to the architectural profession to act on its best instincts. In giving students hands-on experience in designing and building something real, it extends their education beyond paper architecture. And in scavenging and reusing a variety of unusual materials, it is a model of sustainable architecture. The work of Rural Studio has struck such a chord-both architecturally and socially--that it has been featured on Oprah, Nightline, and CBS News, as well as in Time and People magazines.The Studio has completed more than a dozen projects, including the Bryant "Hay Bale" House, Harris "Butterfly" House, Yancey Chapel, Akron Chapel, Children's Center, H.E.R.O. Playground, Lewis House, Super Sheds and Pods, Spencer House addition, Farmer's Market, Mason's Bend Community Center, Goat House, and Shannon-Dutley House. These buildings, along with the incredible story of the Rural Studio, the people who live there, and Mockbee and his student architects, are detailed in this colorful book, the first on the subject."I tell my students, it's got to be warm, dry, and noble"--Samuel Mockbee

    This volume is a documentation and appreciation of the man and his work.

    His structural thinking differs from that of others in his field, in its completely innovative conception of the engineer's contribution to architecture. The plasticity of architectural plans is enhanced through a decisive promotion of their structural designs. The borderline between structure and architecture thus becomes increasingly blurred. This process is explained in detail in "Informal" by reference to eight seminal projects. Balmond elucidates the theoretical basis of his engineering and architectural solutions, and his sketches transcend purely technical illustration - they are key to his approach. "Informal" invites readers to rethink their understanding of the relationships between architecture, design and engineering.

    Most ofall, it is the extraordinary miniature size of these shacks, store rooms, sushi bars and bike shopswhich makes this project so fresh. Lovingly researched by a team of very young Japanesearchitects, each 'pet' includes a humorous description, full page photograph, a map and 3d sketch.

    Available for the first time, Sarah Susanka's best-selling books in one handsome slipcase set.-- Great gift package-- Offers all of Sarah Susanka's trendsetting architectural ideas in one set

    World-renowned for his revolutionary theories on the art of building, Alexander now caps his lifetime of profoundly original thinking about the meaning and purpose of architecture with this magnum opus, The Nature of Order. In these four books, Alexander constructs an entirely new cosmology, grounded in the latest scientific knowledge, and integrating the perennial wisdom of the centrality of human experience and values. In this way, Alexander reunifies for the field of architecture the 400-year old split of Body (structure) and Soul (feeling).Alexander explores the properties of life itself, highlighting a set of well-defined structures present in all order and in all life from micro-organisms and mountain ranges to good houses and vibrant communities.Taken as a whole, the four books create a sweeping new conception of the nature of things which is both objective and structural (hence part of science) and also personal (in that it shows how and why things have the power to touch the human heart). A step has been taken, through which these two domains the domain of geometrical structure and the feeling it creates kept separate during four centuries of scientific though from 1600 to 2000, have finally been united.The Nature of Order constitutes the backbone of Building Beauty: Ecologic Design Construction Process, an initiative aimed at radically reforming architecture education, with the emphasis of making as a way to access a transformative vision of the world. The 15 fundamental properties of life guide our work and have given us much more than a set of solutions. The Nature of Order has given us the framework in which we can search and build up our own solutions.In order to be authentically sustainable, buildings and places have to be cared for and loved over generations. Beautiful buildings and places are more likely to be loved, and they become more beautiful, and loved, through the attention given to them over time. Beauty is therefore, not a luxury, or an option, it includes and transcends technological innovation, and is a necessary requirement for a truly sustainable culture.

    Progressing from the basics into more sophisticated techniques, this guide offers clear instruction on graphic language and the design process, the basics of drafting, lettering, freehand drawing and conceptual diagramming, perspective drawing, section elevations, and more. It also features carefully sequenced exercises, a complete file of graphic symbols for sections and perspectives, and a handy appendix of conversions and equivalents.

    From Chartres, whose stained-glass windows create patterns of light that seem truly mystical, to the Cathedral of Florence, whose soaring dome has been called "one of the engineering marvels of all time, " this glorious art book covers the major Romanesque and Gothic cathedrals in France, England, Germany, Italy, and Spain.A wealth of photographs showing the cathedrals inside and out, including close-up architectural and sculptural details, and an authoritative text by a respected architectural historian combine to produce an indispensable work for scholars, as well as a lovely gift for all those who adore these majestic buildings.

    Completed in 1930, the 77-story Art Deco skyscraper--the tallest in the world at the time it was finished--quickly became the symbol of big city glamour, excitement, and style. Its cloud-piercing spire and gleaming, steel-clad ornament depicting gargoyles, hubcaps, and the winged helmets of Mercury came to represent the thrill of the Machine Age at its most exuberant. But, until now, this magnificent building has also been one of the least documented and studied, a simple result of the fact that there were no known archives relating to its design or construction. This material was lost in the decades following its completion, or so everyone believed, until author David Stravitz discovered a box of negatives on the floor of a defunct stock photo company, just days before they were to be shipped off for silver reclamation. The never-before-seen photographs, reproduced as sumptuous duotones in this oversize book, illustrate the day-by-day construction of this American icon.The photographs were taken by professional photo companies hired to document the construction of the building. In so doing, they also captured the day-to-day life taking place on the streets and in the environs of the Chrysler Building in exquisite detail.This book beautifully illustrates the history of one of the most important buildings in New York as it emerged from street level to spire.

    750 color illustrations.

    Includes the Robie House in Chicago, the Charles Ennis House, Fallingwater, the Johnson's Wax administrative building and research tower, the Annunciation Greek Orthodox Church, and the Solomon R. Guggenheim Museum of Art.

    So it will surprise many to learn that early in his career he developed a series of houses that represent the unrivaled possibilities of a modest American modernism. With their distinctive natural landscapes, local architectural precedents, and exploitation of innovative construction materials, the Florida houses, some eighty projects built between 1946 and 1961, brought modern architectural form into a gracious subtropical world of natural abundance. Like the locally inspired desert houses of another modern master, Albert Frey, Rudolph's Florida houses represent a distillation and reinterpretation of traditional architectural ideas developed to a high pitch of stylistic refinement. Paul Rudolph: The Florida Houses reveals all of Rudolph's early residential work. Along with Rudolph's personal essays and renderings, duotone photographs by Ezra Stoller and Joseph Molitor, and insightful text by Joseph King and Christopher Domin, this compelling new book conveys the lightness, timelessness, strength, materiality, and transcendency of Rudolph's work.

    In many cases, these pictures are also the only surviving records of important houses and interiors that were destroyed. For the first time, these images have been collected in one volume, providing a powerful impression of the richness and variety of the English country house and of the treasures that were lost through demolition or fire during the 20th century. The range of buildings is surprisingly wide—from the Rococo Nuthall Temple, Nottinghamshire, and the Classical serenity of Stoke Edith, Herefordshire to the richly furnished interiors of Highcliffe Castle, Hampshire, and one of the great masterpieces of 17th-century architecture: Coleshill, Berkshire. Giles Worsley’s illuminating text places the demolition of country houses in its historical context, revealing why so many were destroyed in the last century.

    Part of the highly successful "Then & Now" series, this book looks at the changes in this historic city.

    This beautiful gift book will transport you to the majestic lodges of our national parks to relive the glory of past vacations or plan adventures anew. This book and the PBS television series of the same title (to air in spring 2002) take armchair travelers into these architectural wonders and explore the surrounding natural beauty of our national parks. Lodges, wildlife, and stunning vistas are showcased in 175 full-color photographs, along with historical documents from the PBS series. In his introduction, Richard Moe, president of the National Trust for Historic Preservation, offers a call to preserve this national heritage, and a portion of the proceeds from the sale of this book go toward the rehabilitation of these magnificent buildings.

    Natural History explores that challenge, examining how the work of this formidable pair has drawn upon the art of both past and present, and brought architecture into dialogue with the art of our time. Echoing an encyclopedia, this publication reflects the natural history museum structure of the exhibition which it accompanies, organized by the Canadian Centre for Architecture. Models and projects by Herzog & de Meuron, as well as by other artists, are structured around six thematic portfolios that suggest an evolutionary history of the architects' work: Appropriation & Reconstruction, Transformation & Alienation, Stacking & Compression, Imprints & Moulds, Interlocking Spaces, and Beauty & Atmosphere. Each section is introduced with a statement from Herzog, and more than 20 artists, scholars, and architects have contributed essays, including Carrie Asman, Georges Didi-Huberman, Kurt W. Forster, Boris Groys, Ulrike Meyer Stump, Peggy Phelan, Thomas Ruff, Rebecca Schneider, Adolf Max Vogt, and Jeff Wall.

    Photographs, along with over 150 drawings from Sarah Susanka's own sketchbook, illustrate practical home design ideas for everyday living.Not So Big Solutions for Your Home is a compilation of over 30 columns written by Sarah Susanka for Fine Homebuilding magazine.-- Makes architecture and design accessible to people who are not trained in the field-- Provides a wide variety of practical, accessible, everyday solutions

    The allure of his architecture is often quietly and seductively hidden in the sensual qualities of one's experiences: the sounds, smells, tactile qualities, and moods of his work. Granite crunching underfoot, the gentle trickle of water, and the lacy shadow of a mesquite tree all stir the viewers' sensations. "The simplest things can evoke the deepest feelings," Joy says. "The silence in great music is often more profound than the sounds."The nine buildings shown in thins, the first monograph on Joy's work, express his interest in making places that are transcendent moments of space, light, and matter. In each of the projects the physical landscape, its specific environment, and its rich history are revealed and celebrated. While many of the projects here use sustainable materials like rammed earth, Joy's primary interest is in the quality of the spaces he makes. He shows us how efficient and environmentally sensitive architecture can emerge as a by-product from a quest for the timeless qualities that are always associated with great architecture.Presented in the form of lush photography, insightful narratives, and revealing descriptions of his highly collaborative process, this book will bring one to a closer understanding of one of the most interesting architects practicing today.

    Patterns of Home promises to become the "design bible" for homeowners and architects. The 10 patterns described in the book -- among them, "capturing light" and "the flow through rooms" -- are drawn from hundreds of principles and presented with clarity by the authors, renowned architects who have designed homes together for more than 30 years.Patterns of Home will jump-start the design process and make the difference between a home that satisfies material requirements -- and one that meets the personal needs of "home."-- Insightful tours of 33 homes that bring essential design concepts to life-- 300 photos and 50 illustrations illustrate the patterns

    The book is illustrated with period photographs and floor plans.

    Irwin-a member of California's "light and space" movement-was an unexpected choice for this major commission, and his work has aroused intense interest in the art world and among gardening enthusiasts and visitors to the Getty Center. In Robert Irwin Getty Garden, Lawrence Weschler offers a lively account of the creation of what Irwin has playfully termed "a sculpture in the form of a garden aspiring to be art." Weschler's narrative is followed by a transcript of conversations in which he and Irwin, in a series of walks through the garden, discuss in detail the decisions, both philosophical and practical, that shaped the making of this major art work in Southern California. The book contains more than one hundred color illustrations, many of them specially commissioned from photographer Becky Cohen. The photographs capture the stunning variety of colors and textures of the plant forms selected by Irwin. They also reveal the care and precision that went into the creation of each element of the garden environment, from the handrails and lighting fixtures to the huge azalea rings and waterfall that make a visit to the Getty Central Garden an unusually thought-provoking experience. Robert Irwin has exhibited widely in galleries and museums in North America and abroad.

    The works included here by the three 18th-century French architects Boull

    Ando also recognizes that the creation of such memories must involve the architect taking risks; in the case of Fort Worth, the building's double skin of concrete encased in a glass-skin box is entirely new.These concepts are discussed not only within the specific context of the Fort Worth building, but also within the context of Ando's wider underlying philosophy and beliefs.

    In our own day, Monticello has been added to the United Nation' list of World Heritage Sites that must be protected at all costs, designating the house and grounds as an international treasure.Thomas Jefferson's Monticello is a collection of essays and color photography showcasing this extraordinary American home. Featuring essays written by scholars at Monticello, chapters focus on all aspects of the house and plantation. Monticello, a model of elegance and symmetry, was designed by Jefferson himself, whose architectural prowess prompted a visitor in 1782 to note: "Mr. Jefferson is the first American who has consulted the Fine Arts to know how he should shelter himself from the weather." Inside, Jefferson assembled a world-class collection of objects and furnishings: art and porcelain from France, scientific instruments from England, the finest American furniture from Philadelphia and New York, natural artifacts brought back from the West, as well as furnishings made in Monticello's own joinery by enslaved craftsmen. Surrounding the house, Monticello's celebrated gardens and grounds form an experimental yet breathtakingly lovely landscape of flowers, fruits, and vegetables from the Old and New Worlds. A final chapter on the plantation and the enslaved community at Monticello provides a context in which to place and understand the house and its owner.With an introductory essay by Wendell Garrett, this compilation is a comprehensive, long-awaited study of Thomas Jefferson's "little mountain."

    These magnificent structures-known as stepwells or stepped ponds-are much more than utilitarian reservoirs. Their lattice-like walls, carved columns, decorated towers, and intricate sculpture make them exceptional architecture., while their very presence tells much about the region's ecology and history. For these past 500 years, stepwells have been an integral part of western Indian communities as sites for drinking, washing, and bathing, as well as for colorful festivals and sacred rituals. Steps to Water traces the fascinating history of stepwells, from their Hindu origins, to their zenith during Muslim rule, and eventual decline under British occupation. It also reflects on their current use, preservation, and place in Indian communities. In stunning color and quadtone photographs and drawings, Steps to Water reveals the depth of the stepwells' beauty and their intricate details, and serves as a lens on these fascinating cultural and architectural monuments.

    When, in 1933 Jews were no longer permitted to teach in German universities, he lost his job and looked for employment in England. Here, over a long and amazingly industrious career, he made himself an authority on the exploration and enjoyment of English art and architecture, so much so that his magisterial county-by-county series of 46 books on The Buildings of England is usually referred to simply as 'Pevsner'. As a critic, academic and champion of Modernism, Pevsner became a central figure in the architectural consensus that accompanied post-war reconstruction; as a 'general practitioner' of architectural history, he covered an astonishing range, from Gothic cathedrals and Georgian coffee houses to the Festival of Britain and Brutalist tower blocks.Susie Harries explores the truth about Nikolaus Pevsner's reported sympathies with elements of Nazi ideology, his internment in England as an enemy alien and his assimilation into his country of exile. His Heftchen - secret diaries he kept from the age of fourteen for another sixty years - reveal hidden aspirations and anxieties, as do his numerous letters (he wrote to his wife, Lola, every day that they were apart).Harries is the first biographer to have read Pevsner's private papers and, through them, to have seen into the workings of his mind. Her definitive biography is not only rich in context and far-ranging, but is also brought to life by quotations from Pevsner himself. His life - as an outsider yet an insider at the heart of English art history - illuminates both the predicament and the prowess of the continental émigrés who did so much to shape British culture after 1945.

    From this training emerged generations of architects imbued with the aesthetic ideals that would form the Neoclassical and Beaux-Arts building styles. In this magnificently printed volume are reproduced some of the most extraordinarily handsome drawings of the ruins of ancient Rome made by French "Prix de Rome" architects from 1775 through 1925. Accompanied by text that explains how the Prix de Rome was awarded and the significance of the prize in the history of architecture, as well as how the study of ancient models formed the basis for nineteenth- and early twentieth-century architectural styles, these drawings provide an invaluable understanding of how the modern imagination recorded and transformed ancient fragments into a modern architectural idiom.

    In the 1880s, however, profound socio-economic and technological changes in the United States contributed to the rejection of these traditions and the development of a radically new worship building, the auditorium church. When Church Became Theatre focuses on this radical shift in evangelical Protestant architecture and links it to changes in worship style and religious mission.The auditorium style, featuring a prominent stage from which rows of pews radiated up a sloping floor, was derived directly from the theatre, an unusual source for religious architecture but one with a similar goal-to gather large groups within range of a speaker's voice. Theatrical elements were prominent; many featured proscenium arches, marquee lighting, theatre seats, and even opera boxes.Examining these churches and the discussions surrounding their development, Jeanne Halgren Kilde focuses on how these buildings helped congregations negotiate supernatural, social, and personal power. These worship spaces underscored performative and entertainment aspects of the service and in so doing transformed relationships between clergy and audiences. In auditorium churches, the congregants' personal and social power derived as much from consumerism as from piety, and clerical power lay in dramatic expertise rather than connections to social institutions. By erecting these buildings, argues Kilde, middle class religious audiences demonstrated the move toward a consumer-oriented model of religious participation that gave them unprecedented influence over the worship experience and church mission.

    Henri Stierlin discusses Islamic architecture and architectural decoration from the frontiers of Iran to the heart of India and places it within the historical context. Lavish illustrations of Islam's monuments. ceramics. jewelry. miniatures. textiles. mosaics. enamels and ivories enable us to use art as a window into Islamic culture. The final section of the book presents in depth nine great masterpieces of Islamic architecture. including the Friday Mosque in Isfahan. the Registan in Samarkand. the abandoned city of Fatehpur Sikri and Agra's miraculous Taj Mahal. Contents: History and ArtThe Spread of the Persian Style from Isfahan to the Taj Mahalp. 8Mapp. 14The Rebirth of Iranp. 20Muslims in India and Mongols in Iranp . 40Samarqand and the Masterworks of the Timuridsp. 56The Evo...

    This sumptuous book offers a thorough study of an innovative and prolific master, whom Frank Lloyd Wright termed a genius. This fresh, penetrating examination of Aalto's work and influence includes essays by five notable critics and historians. Some 50 of Aalto's projects--houses, town halls, cultural institutions, factories, furniture and glass designs, and regional plans--from all periods of his extraordinarily productive career are illustrated and described, using much previously unpublished and newly photographic material. This book was published to accompany a 1998 retrospective exhibition at The Museum of Modern Art, New York.

    For over a century, the 125,000-pound converters and related equipment of the substations remained largely unchanged, but in 1999 the last manually operated substation was shut down and since then they have been systematically dismantled and sold as scrap.In 1997, author Christopher Payne was introduced to the substations by an official of the Metropolitan Transit Authority's Power Division. Since then, he has rushed to photograph, draw, and write the history of these amazing buildings and their machines before they are completely gone. With virtually unlimited access to the substations, he has developed an intimate bond with the buildings that most people know only in passing. His beautiful photographs and detailed drawings bring these lost treasures to life, while his illuminating text tells their fascinating story. Anyone interested in the art of industrial America or the New York subway will find this book a delight.

    I traveled throughout Indiana writing about people and situations I found interesting. On my long drives through the state, I'd pass old homes along country roads or around courthouse squares and wonder who lived in them, and why?Who hasn't wondered that?" --From the Preface by Bill ShawIndiana is blessed with a wealth of historic private homes. Ninety-nine of them are showcased in these pages, providing a rare opportunity for readers to enjoy a variety of house styles and types dating from the early 19th century through the late 1950s, and to see how they are preserved or restored, furnished, and lived in. Everyone who has lived in or admired an old home will find this book irresistible.Bill Shaw's essays help us get to know the owners, revealing how and why they came to choose these particular dwellings. Marsh Davis's photographs depict not the glossy, overdecorated interiors of upscale shelter magazines, but rather homes as they are actually lived in. No props were used, no furniture was rearranged. The book encompasses every geographic region of Indiana and many styles of architecture, from early Federal and Greek Revival to Queen Anne to Arts and Crafts to Prairie and International.As Historic Landmarks president Reid Williamson remarks in his foreword, "Home is the essence of this book. The people are of varied backgrounds and status in life and are from all geographic parts of the state, but they are bound by a common passion and dedication to their homes. They also share a profound respect and reverence for those who preceded them as occupants over the decades."

    Envisioning Architecture is the first in a series of three titles showcasing works from The Museum of Modern Art's architecture and design collection. It features a wide variety of drawings by great architects of the modern era, from early masters such as Frank Lloyd Wright, Le Corbusier and Ludwig Mies van der Rohe to contemporary practitioners including Frank Gehry, Zaha Hadid, Rem Koolhaas and others. Their drawings reveal the stupendous range of aesthetic approaches in architecture since the late nineteenth century and cumulatively trace the development of the field, affirming the fact that in this increasingly technological age, the age-old discipline of drawing remains vital and inventive. The book opens with an exploration of the relatively brief history of collecting architectural drawings, whose practice dates back little farther than the sixteenth century.

    This book examines the rise and fall of the picture house in Britain before the advent of the dreary and unadventurous multiplex.

    Together, they have created an experimental and widely admired body of work--museum installations, landscape and park commissions, home and office designs, avant-garde films, poetry collections--that challenges traditional notions about the built environment. This book promotes a deliberate use of architecture and design in dealing with the blight of the human condition; it recommends that people seek architectural and aesthetic solutions to the dilemma of mortality. In 1997 the Guggenheim Museum presented an Arakawa/Gins retrospective and published a comprehensive volume of their work titled Reversible Destiny: We Have Decided Not to Die. Architectural Body continues the philosophical definition of that project and demands a fundamental rethinking of the terms “human” and “being.” When organisms assume full responsibility for inventing themselves, where they live and how they live will merge. The artists believe that a thorough re-visioning of architecture will redefine life and its limitations and render death passe. The authors explain that “Another way to read reversible destiny . . . Is as an open challenge to our species to reinvent itself and to desist from foreclosing on any possibility.” Audacious and liberating, this volume will be of interest to students and scholars of 20th-century poetry, postmodern critical theory, conceptual art and architecture, contemporary avant-garde poetics, and to serious readers interested in architecture's influence on imaginative expression.

    This definitive monograph is the only comprehensive survey of his work, celebrating his sensitive and distinctive response to modernism in a detailed survey of both built and planned projects. These span his embrace and rejection of the classical language of architecture and his turn instead towards modernism and a more austere design vocabulary. The book includes his best-known chapels of St Knut and St Gertrud in the Malmo cemetry (begun in 1916), the conversion of the cathedral in Uppsala, on which he worked for nearly ten years (1947 - 55), and the church of St Peter at Klippan (1962 - 6). The first section of the volume includes essays on Lewerentz's work by the late Colin St John Wilson and the editors Nicola Flora, Paolo Giardiello and Gennaro Postiglione, plus a text on cemeteries by Lewerentz that is the only known piece of writing by the architect.

    Each volume contains a text by a respected author, a sequence of colour and black-and-white photographs and a set of technical drawings and working details.

    Gustav Stickley's own compilation of the best of his designs.

    Their unique genre, which falls somewhere between topological documentation and conceptual art, is in line with the aesthetics of such early-twentieth-century masters of German photography as Karl Blossfeldt, Germaine Krull, Albert Renger-Patzsch, and August Sander.Industrial Landscapes introduces a new aspect to the Bechers' photography, one that will surprise connoisseurs of their work. Whereas their previously published works concentrated on isolated industrial objects, they now show huge industrial sites amid their natural surroundings. They move away from the objective, severe image to present slightly more narrative, interpretive images of the industrial environment as a whole. Although the photographs in Industrial Landscapes were taken over the past forty years, they are published here for the first time. The industrial structures shown include a wide range of coal mines, iron ore mines, steel mills, power stations with cooling towers, lime kilns, grain elevators, and so on. They represent industrial regions in Belgium, France, Germany, Great Britain, the Netherlands, and the United States (Alabama, Michigan, Ohio, and Pennsylvania).

    240 color illustrations and high-quality photographs, along with background information, historical facts, and entertaining anecdotes, make this is an indispensable reference for lovers of architecture and history alike.

    The book is a testament to the buildings, architects, and artists Rowe most deeply appreciated. For the millions of travelers who flock to Italy to see the art and architecture of the 16th century-subjects that captured Rowe's heart and challenged his fertile mind-this book is at once a pleasurable read and the pinnacle in scholarship. It is written in Rowe's unmatched and engaging personal style, and it is beautifully illustrated throughout with photographs, drawings, and paintings of the art and architecture that make this period and this place so beloved. The book emphasizes the leading subjects of the 16th -century Reniassance: the architects (Bramante, Vignola), the patrons (Leo X, Cosimo I de Medici), the artists (Michelangelo), and the cities (Rome, Venice, Florence). As the finest critical scholarship on conquecento Italy and an accessible guide for the non-scholar, this book is destined to be regarded as one of Rowe's most important.

    Never before photographed, these rustic retreats aim for the perfect balance between luxurious American home and comfortable isolated getaway.

    It also documents every aspect of the project, from the first conceptual sketches to construction documents and news clippings.

    Yet signs are complex pieces of design, serving not only as physical markers but also as cultural, political, and economic ones. In American Signs, Lisa Mahar traces the evolution of motel signs on Route 66 in a distinctive visual approach that combines text, images, and graphics. American Signs reveals the rich vernacular traditions of motel sign-making in five eras, spanning from the late 1930s through the 1970s. The motel signs of the early 1940s, for instance, reflect vernacular traditions dating back at least a century, while examples from the later years of the decade reveal a culture newly obsessed with themes. America's fascination with newness and technological progress is manifested in 1950s motel signs. Finally, in the 1960s, a turn toward simplicity and the use of new, modular technologies allowed motel signs to address the needs of a mass society and the beginnings of a national, rather than regional, aesthetic for motel signs.

    Based in Berlin, the artist rebuilds in the gallery fragments of the environment: icebergs at the Musée d'Art Moderne de la Ville de Paris and windmills at the Louisiana Museum in Humlebaek, Denmark.For Eliasson, immaterial sensations such as temperature, smell, taste, air and magnetic waves become sculptural elements when presented in an artistic context. Nominated in 2002 for the prestigious Hugo Boss prize, Eliasson has become a favourite in the sphere of contemporary art in recent Biennales.In her Survey, curator Madeleine Grynsztejn examines the unique position of this new artist, overlapping technological and artistic innovation in the creation of his art. Curator and critic Daniel Birnbaum discusses with the artist the role of location and the immediate environment in both his gallery (indoor) and remote-site (outdoor) work. In his Focus, architectural theorist Michael Speaks looks at the work Green River (1998), particularly in relation to Antonioni's 1964 film, Red Desert. The artist has selected an extract from Henri Bergson's Creative Evolution (1907) dealing with our subjective, visual response to nature, a central theme in the artist's own work. Eliasson's writings include essays on that most banal of topics, the weather, and an open letter entitled 'Dear Everybody', addressed to viewers of his sensual, layered artworks.

    This incredible four-color book features his use of tradition, horizontal lines, natural elements, concrete, and three-dimensional space.

    Yet the increasing number of artificial light sources on earth are resulting in continuously decreasing zones of shadow and darkness. In architecture, the growing use of glass and other translucent layers questions the very significance of shadows. Do they protect against or cause a loss of brightness? Do we even need shadows today at all? The Secret of the Shadow explores these "holes in the light" through perceptual psychology, historical accounts of their use in architectural teaching, and an overview of their role in classical modern architecture. Additionally, 50 "shadow seekers" from around the world, including Pritzker Prize-winning architects Tadao Ando and Sverre Fehn, contributed a work of their own that reveals the importance of shadows in contemporary architectural concepts.

    The region was once home to Native American tribes including the Erie and Seneca, and stalwart pioneers established settlements in the area as early as the late eighteenth century. In the post-Civil War period, as Cleveland was becoming an industrial metropolis, affluent residents began moving to the newly developed "garden suburbs," anxious to live closer to nature and farther from the smoky city and its increasingly diverse population. Born of this same desire, Cleveland Heights was founded in 1901. Here, in this isolated countryside owned by substantial families like the Silsbys, Minors, Comptons, and Taylors, entrepreneurs and city officials envisioned a clean and comfortable suburb for Cleveland's elite. Officially designated a city in 1921, Cleveland Heights quickly became not the homogenized suburb envisioned by early developers, but a community of widely divergent neighborhoods and people. Newcomers belonged to varying class, religious, ethnic, and racial backgrounds. A century after its founding, Cleveland Heights has become an "inner-ring urban suburb," boasting gracious homes of architectural distinction and attractive parks, but also facing the modern challenges of a dwindling population and commercial districts in need of economic revitalization. This new volume illustrates, in both word and image, the evolving life of Cleveland Heights from its beginning as part of East Cleveland Township, one of the region's first suburbs, to the present day.

    It also offers a glimpse of the person behind the public image of wealthy heiress: an independent woman with an adventurous spirit, a deep interest in other cultures, and the imagination and discipline to envision and create Shangri La.

    Part of the highly successful "Then & Now" series, this book looks at the changes in this attractive city.

    Here is the first monograph dedicated to the work of this controversial architectural designer and artist. Filled with Kalkin’s drawings, as well as color photos, it presents more than 30 of his buildings, projects, and installations, including The Bunny Lane House. Includes Kalkin’s witty “100 Comments Regarding Architecture and Hygiene.”

    Carved by Gianlorenzo Bernini in 1636–37 for his own pleasure, the portrait of Costanza is one of his most captivating works, but until now little has been known about its subject.For centuries Costanza was identified only as Bernini's mistress, who later incited his rage by betraying him for his brother. Author Sarah McPhee corrects and expands this story in her remarkable biography of a sculpture and its subject. Bernini's Beloved sets the bust and Costanza's own life—her childhood and noble name, her marriage, affair, fall from grace, and recovery—against the backdrop of Baroque Rome. Beautifully illustrated and written, this fascinating story expands our understanding of the woman whose intelligence and passion served as inspiration for Bernini's celebrated sculpture, and who courageously forged a life for herself in the decades following its creation.

    But what of the grimy toilet in the communal apartment or the forlorn ruins left after the Second World War?This book explores the representation, meanings and uses of space in the socialist countries of Eastern Europe and the Soviet Union between 1947 and 1991. The essays ñ written from different disciplinary perspectives ñ investigate the extent to which actual spaces conformed to the dominant political order in the region. Should, for instance, the creation of private spaces, such as the Russian dacha and the Czech chata, be understood as acts of appropriation in which lives were fashioned against the collective or, alternatively, as 'gifts' given by the State in return for quiescence? Whilst monuments and public spaces were designed to relay official ideology, one of the most notable features of the events that marked the end of the Bloc was the way that they became sites of dissent. Examining the myriad ways in which space was used and conceived within socialist society, this book makes an essential contribution to Eastern European and Soviet Studies and provides significant new angles on the factors that underpinned socialism's eventual downfall.

    

    His Minimum Dwelling, originally published in Czech in 1932, and appearing now for the first time in English, is one of the landmark architectural books of the twentieth century. The Minimum Dwelling is not just a book on architecture, but also a blueprint for a new way of living. It calls for a radical rethinking of domestic space and of the role of modern architecture in the planning, design, and construction of new dwelling types for the proletariat. Teige shows how Gropius, Le Corbusier, Mies van der Rohe, and others designed little more than new versions of baroque palaces, mainly for the new financial aristocracy. Teige envisioned the minimum dwelling not as a reduced version of a bourgeois apartment or rural cottage, but as a wholly new dwelling type built on the cooperation of architects, sociologists, economists, health officials, physicians, social workers, politicians, and trade unionists. The book covers many subjects that are still of great relevance. Of particular interest are Teige's rejection of traditional notions of the kitchen as the core of family-centered plans and of marriage as the foundation of modern cohabitation. He describes alternative lifestyles and new ways of cohabitation of sexes, generations, and classes. The detailed programmatic chapters on collective housing remain far ahead of current thinking, and his comments on collective dwelling presage communal living experiments of the 1960s and 1970s, as well as the communal facilities in contemporary condominium buildings and retirement communities.

    This important book features 17 homes and one private club designed by Adler, all of which are beautifully reproduced in full-color with over 200 newly commissioned photos by the firm of Hedrich Blessing.

    The Venice Hospital is the uncontested epitome ofthe "mat," or carpet, building type-a low sprawling structure developed inthe late fifties and sixties that is making a strong comeback incontemporary architecture.Planned in 1965 for the arsenal area at the edge of the city, the hospitalwas designed to extend the city's roads and canal networks, whilesimultaneously turning in on itself to create flexible, quasi-urban interiorenvironments in the form of endlessly repeating courtyards. Upon LeCorbusier's death in 1965, Guillermo Jullian de la Fuente was commissionedto complete the building. However, due to changes in city government, theproject was eventually abandoned.This book reinvestigates this canonic example of Le Corbusier's late workand includes an account of de la Fuente's involvement in the project,previously unpublished drawings from his archive, and a reprint of AlisonSmithson's seminal essay on "mat" buildings.

    He is known for his provocative use of concrete and steel in innovative architectural designs that are both critically acclaimed and popular. Widely credited with revitalizing the city, Paulo Mendes da Rocha has contributed many notable cultural buildings to his native São Paulo. While perhaps best known for his Brazilian Sculpture Museum in São Paulo (1988), his other notable built projects include the Brazilian pavilion at Expo ‘79 (Osaka, 1969), Serra Dourada Stadium (Goiânia, 1973), Pinacoteca do Estado (São Paulo, 1993), and FIESP Cultural Center (São Paulo 1997). He has also designed furniture, such as the iconic Paulistano Armchair which was reissued in 2004 by French furniture and accessories retailer Objekto.

    

    It was the largest museum devoted to Asian art in the Western world, but its collection was housed in a wing of another museum where only a small fraction of the collection could be displayed. In 1997, it moved into a landmark 1916 building designed by George W. Kelham. The task of retaining the building's historic qualities while invigorating it with bold new elements was given to Milanese architect Gae Aulenti, who had previously transformed a beaux arts train station into the Muse, D'Orsay. The result is a blend of Beaux Arts traditionalism and sleek European modernism. This new addition to the Art Spaces series studies the history and design of one of America's most unique museums.

    In David Plowden's words, "there is no more overt, powerful, or rational expression of accomplishment—of man's ability to build." And Americans, in particular, have excelled in this structural art. This book explores in depth how, when, where, and by whom the most important North American bridges were built. Over 185 of Plowden's superb photographs allow us to dwell on the most important scientific and aesthetic qualities of each bridge. In addition, Plowden has included original designs and drawings of structures—some unbuilt, gone, or dramatically altered—illuminating less obvious aspects of these engineering marvels and introducing us to bridges we otherwise would never have seen. In his extensive text, Plowden vividly records the discoveries, misconceptions, struggles, failures, and triumphs of the men who dedicated their energies to bridge design and construction. In the more than twenty-five years since this classic book was first published, bridges have been lost, and others have been built; some of the best examples of new bridges are included in this new, revised edition. All the photographs have been reprinted to achieve the best duotone reproduction. With this new edition, Bridges is the most thorough and beautiful volume ever published on the subject—a passionate and powerful argument for our continued reverence of these wonderful structures.

    Essential information, history, and background stories about each one, along with neighborhood maps and useful sidebars, make this the last word on New York buildings large and small. Bill Harris is a veteran New York historian and writer who has also logged many miles as a tour guide. Jorg Brockmann is an accomplished photographer whose talent matches the scale of the project. Together, they have created a feast for lovers of architecture and of great photography, as well as devotees of New York City. Now in a well-priced and easy-to-carry paperback edition, One Thousand New York Buildings is the ultimate guide to the Great American City.

    Morphosis' unconventional geometries, beautifully executed, sculptural models and complex, computer-generated drawings stimulated a new era of architectural experimentation in the early 1980s.This book consists of bold, documentary-style colour photographs of 35 completed buildings presented in an almost cinematic layout, and publishes for the first time together all of Morphosis' completed work in its entirety: from the early residential and restaurant projects in Los Angeles to the most up-to-the-minute large-scale work beyond California and the United States in Canada, Taiwan, Korea, Japan and Austria.Mayne's oeuvre is characterized by intellectual rigour and artistic vigour, both of which this monograph captures with combined clarity and flair.

    This book not only details the history of each of these homes, but will suggest architectural and decorative ideas for home owners, as well.

    

    A well-established naturalist painter and an artist acknowledged worldwide during the latter half of the nineteenth century, Dagnan-Bouveret used contemporary themes and techniques to modernize the academic tradition in an attempt to meet the aesthetic changes initiated by the impressionists. Displaying real diversity, he created photographically accurate compositions inspired by daily life. His best-known pieces were mesmerizing mystical-religious compositions. Accolades at the1900 Paris Exposition Universelle and induction into the French Institute not only assured the status of his work, but also furthered his position as the upholder of the academic tradition at a time when it was coming under renewed attack by the modernists.The publication of this book coincides with an exhibition by the Dahesh Museum of Art in New York City of Dagnan-Bouveret's work—the first in a century. Against the Modern pays special attention to the evolution of this artist's work, and brings to the public gaze the real diversity, accessibility—and surprising modernity—that has made Dagnan-Bouveret's work of lasting value.

    The book is divided into chapters on designer and art hotels, business hotels, grand

    

    A monumental study of Islamic architecture through materials and the aesthetics of ornamentation, this book discusses the history of Islamic architecture, the materials and techniques employed, the ornamental designs as well as the aesthetics of ornamentation.It documents in brilliant color photographs the unparalleled heights of expression achieved throughout the Islamic world.

    Organic architecture offers a design approach arising from natural principles, bringing us back to local history, tradition, and cultural roots to give us built forms which are in harmony with nature. It also shows how architects can take advantage of the resources that contemporary technology has placed within our grasp.Bio-Architecture is a unique book that studies the natural principles of animal and human constructions from several different perspectives and looks at what gives origin and shape to built form. The text gives an informative, inspiring overview of the drive toward organically informed design both intrinsically and aesthetically using a wide variety of international examples.Javier Senosiain is an architect and an historian. He has pursued his interest in Organic Architecture across the globe drawing parallels between Buckminster Fuller's Geodesic dome and the spider's web; between Santiago Calatrava's Cathedral of St John in NY and the roots of a tree. Where nature has inspired form, Senosiain has made a career of analyzing and applying the principles he sees in some very creative writing and architecture.

    While European classicists have focused on the factual truth of the text itself, English-speaking architects and architectural theorists have viewed it as a timeless source of valuable metaphors. Departing from both perspectives, Indra Kagis McEwen examines the work's meaning and significance in its own time.Vitruvius dedicated De architectura to his patron Augustus Caesar, the first Roman emperor, whose rise to power inspired its composition near the end of the first century B.C. McEwen argues that the imperial project of world dominion shaped Vitruvius's purpose in writing what he calls the whole body of architecture. Specifically, Vitruvius's aim was to present his discipline as the means for making the emperor's body congruent with the imagined body of the world he would rule.Each of the book's four chapters treats a different Vitruvian body. Chapter 1, The Angelic Body, deals with the book as a book, in terms of contemporary events and thought, particularly Stoicism and Stoic theories of language. Chapter 2, The Herculean Body, addresses the book's and its author's relation to Augustus, whose double Vitruvius means the architect to be. Chapter 3, The Body Beautiful, discusses the relation of proportion and geometry to architectural beauty and the role of beauty in forging the new world order. Finally, Chapter 4, The Body of the King, explores the nature and unprecedented extent of Augustan building programs. Included is an examination of the famous statue of Augustus from Prima Porta, sculpted soon after the appearance of De architectura.

    He has also designed many residential projects in Switzerland. His unconventional approach, combined with his understanding of materials and color, make him a unique figure in contemporary European architecture."Approximations" focuses on Markli's work from 1982 to the present. It traces the professional and political impact on Markli's early work of Hans Josephson and the architect Rudolph Olgiati. It also shows how the elemental, almost "archaic" quality of Markli's work is influenced by a wide variety of sources, including Greek antiquity, the Renaissance, the simple farmhouses of the Po Valley, African and Mexican art, and Matisse's paintings. The book contains an essay by Mohsen Mostafavi and an extensive conversation between Markli and Marcel Meili.

    Then and Now features fascinating archival photographs contrasted with specially commissioned, full-color images of the same scene today. A visual lesson in the historic changes of our greatest urban landscapes.

    Includes many popular examples of Wright's most famous houses.

    Go island hopping with the Stoelties and discover the best of Greece's hidden treats, such as the hilltop summer house of Robert Browning, descendant of the English poet, in Hydra, or the romantic home of Onassis's ex-pilot basile Touloumtzoglou and his wife Tilly.

    By unusual choices of materials and the use of complex technology, facades have become increasingly significant in recent years. External surfaces are being perceived as an integral part of the building and are therefore being designed as such. This volume focuses on the wide-ranging aspects of facade design, from the selection and use of materials to the advanced technical possibilities now open to the architect. A wide array of carefully selected international examples show the theory in the practice. All plans, details, and large scale sections of the facades have been researched with the high degree of competence typical of the editorial staff from the review Detail. Expert authors provide the essential information needed to plan and design facades and elucidate on the latest developments in technology and materials.

    The addition of 64 pages of colour, tips and techniques for working with Photoshop, and expanded coverage of layout with how-to information for altering images provides the audience with up-to-date tools and techniques they need to produce realistic, effective renderings.

    Fourteen essays written by leading figures across a range of disciplines and from around the world-- including James Corner  Linda Pollak  Alan Berger  Pierre Bolanger  Julia Czerniak  and more--capture the origins  the contemporary milieu  and the aspirations of this relatively new field.-áThe Landscape Urbanism Reader-áis an inspiring signal to the future of city making as well as an indispensable reference for students  teachers  architects  and urban planners

    With origins going back to the seventh century, the Potala Palace is the most spectacular art and religious treasurehouse in all of Tibet. Featured are over 150 rare and extraordinary color photographs of murals, thang-ka paintings, stupa-tombs, Buddhist statues, and scriptures. Porcelain vessels, enamel work, jade ware, official Dalai Lamas' seals, and palace exteriors represent the awe-inspiring palace in all of its glory and show a broad spectrum of Buddhist life and the unique customs of Tibet.

    Its Puritan founders wanted to make it a religious utopia. Its Colonial leaders transformed its shallow harbor into a shipping port and worked to bring Yale to town. Nineteenth-century entrepreneurs won industrial fame for the city with the manufacturing of arms, hardware, and carriages. By 1900, New Haven was home to thousands of new immigrants seeking a better life. It is no surprise, then, that as the century proceeded, local leaders tried to create a "model city." This time, however, the tools of progress were the bulldozer, the wrecking ball, and millions of dollars from the U.S. government. It was called urban redevelopment. In never-before-published photographs from the archives of the New Haven Colony Historical Society, New Haven: Reshaping the City, 1900-1980 portrays the twentieth-century changes that altered the face of a major Connecticut port. The book spotlights the bustling shops of downtown, the crowded flea markets on Oak Street, and the other neighborhoods that lost and gained most during this period of swift and remarkable change: State Street, Church and Chapel Streets, Wooster Square, Long Wharf, Dixwell and Newhallville, Fair Haven, the Hill, and Dwight Street, among others.--back cover

    Almost all his surviving buildings have been landmarked, and his work and ideas continue to feature in architectural discourse and education. Lubetkin's designs are characterized by clear geometric figures, technical ingenuity, and a functional resolution that show modernism at its most poetic and powerful.Famous works such as the Penguin Pool at London Zoo, with its interlocking spiral ramps, and Highpoint One, an elegantly planned eight-story apartment block in north London, brought Lubetkin and his firm international recognition and praise from Le Corbusier.With text by architect, author, and Lubetkin expert John Allan, and stunning new photographs by Morley von Sternberg, this study provides a fresh account of this key twentieth-century architect, and has an immediacy and accessibility that reveals Lubetkin and his work to a new audience.

    The 1890s signaled the beginning of Toledo's greatest architectural era, with new-fangled skyscrapers being constructed up and down Madison Avenue (without any power tools), grand theaters, a new luxury hotel, and the most lavish mansions in the Old West End. New inventions gave Toledoans more time to visit Walbridge Park, shop at Tiedtke's, or attend a Mud Hen's game at Swayne Field. Toledo: A History in Architecture 1890-1914 looks at the cities most notable buildings and at the personalities and institutions of a long vanished era. Innovations like steel framed and reinforced concrete construction were revolutionizing architecture, and Toledo's architects were working overtime on what would be their most important commissions, including the Nasby Building, Valentine Theater, and Lucas County Courthouse. Elegant churches rose on Collingwood Avenue, and in 1912 the white marble Toledo Museum of Art, the city's glittering jewel, was built.

    At a time when "progress" meant tearing down the weathered houses, barns, churches, and stores built by the original settlers of Central Texas, this book taught people to see the beauty, simplicity, and order expressed in the unadorned geometric forms of early Texas buildings. It inspired the preservation and restoration of many of the remaining pioneer buildings, as well as the design of modern buildings that employ the same simple geometries. This revised edition of Pioneer Texas Buildings juxtaposes the historic structures with works by twenty contemporary architects who are inspired by the pioneer tradition to show how seamlessly the basic geometries translate from one era to another. As in the first edition, sketches and brief commentary by Clovis Heimsath explain how squares, triangles, and circles take shape in the cubic, triangular, and cylindrical forms that comprise houses and other buildings. Then black-and-white photographs, the heart of the book, illustrate these geometric forms in historic and modern buildings. The book also includes two essays in which Heimsath discusses the factors that led him and his wife Maryann to document early Texas buildings and the results in historic preservation and timeless architectural designs that have followed from their efforts.

    of Wisconsin-Stevens Point) discuss the history, design and development of interpretive visitor centers. With a focus on site-based situations where the physical setting or landscape is primary (as opposed to collection-based facilities), they discuss the centers as contemporary temples in sacred places, their place in a changing society, dimensions of design, planning a center, interpretive media and programs, and keeping up with change. Extensively illustrated with color and b&w photographs. Oversize: 11x11". Annotation c. Book News, Inc., Portland, OR

    They are also visionary spaces, places of great potential and potent activities, destinations of choice or accident where women have gone to change their lives. The voices of all women who have lived on womyn's land sing in the wind in the needles and leaves. Many hands have caressed their contours, crafted homes and gardens, planted trees, left their mark and been marked in turn ..." (Tee Corinne)An essay originally delivered as a slide lecture at the First Northwest Gay and Lesbian History conference (Tacoma, Washington, October 23-25, 1998), spiral-bound with around forty black-and-white, mostly full-page photos, three appendices (including brief essays by Tangren Alexander and Jean and Ruth Mountaingrove), a post-script, and a bibliography.

    Over 100 illustrations describe the building styles of each historical era and highlight some 60 buildings of particular importance.

    Landscape and architectural designer Made Wijaya draws on his photographic archives, compiled over the past thirty years, to present a visual study of Balinese architecture: its origins, elements, variations, and vagaries.The book opens with an overview of Balinese architecture and then looks at its basic elements--the walled courtyard and the pavilion. Further chapters examine building materials, ornamentation, and architectural hybrids resulting from other ethnic influences. Progressing through the book, Bali's intricate built landscape becomes legible and ever more surprising.With a sharp eye for trends, and passionate opinions about how Balinese design principles should be applied, Wijaya enhances his survey of traditional Balinese architecture with examples of its adaptation in modern private houses and boutique hotel architecture on Bali.In addition to Wijaya's own archive photographs, the book is illustrated with the work of internationally acclaimed artists; specialist photographers including Tim Street-Porter and Rio Helmi; as well as drawings by Chang Huai-Yan and Deni Chung.This remarkable book is for anyone interested in ethnic architecture. Designers will find it useful as a source book for materials, built form, and ornamentation and ideas about the use of space. Lovers of Bali will want this for its documentation of a rapidly changing world.

    This handsome volume features large-format, full-color photographs of farmhouses throughout the United States and Canada, accompanied by graceful text designed to educate readers about the history of farmhouses and the distinctions between regional architectural styles.

    Three brothers named Book dreamed that Washington Boulevard would become "the Fifth Avenue of the Midwest." It was through their efforts, as well as those of businessmen like E.M. Statler, that the dream became a reality. The two fundamental developments that anchored this dream were the massive Statler and Book-Cadillac Hotels.Between the 1920s and 1960s, Detroit's finest hotels fiercely competed with one another for the lion's share of tourist, convention, business, and dining traffic. This book serves as a comparative study of the Book-Cadillac and Statler Hotels of Detroit, and their impact on the development of Washington Boulevard. Here you will find the story of these two legendary institutions, illustrated with over 180 photographs from the Burton Historical Collection, Manning Brothers, the Walter Reuther Library, and private collections.

    Also includes plans for such interior features as built-in buffets and sideboards, kitchen cabinets, wardrobes, window seats, breakfast nooks, fireplaces, and more. 154 black-and-white illustrations.

    This book, first published 1980, is reprinted as a nostalgic homage to the city and a superb photographic documentation of New York's most famous assets by renowned photographer Reinhart Wolf (1930-1988). Essays in English.

    This is Not Architecture assembles architectural writers of different kinds - historians, theorists, journalists, computer game designers, technologists, film-makers and architects - to discuss the characteristics, cultures, limitations and bias of the different kinds of media, and to build up an argument as to how this complex culture of representations is constructed.

    Randell Makinson, the foremost authority on their works, has organized their projects into recognizable periods and styles, beginning in 1894 in Pasadena, rising to their masterworks created from 1907 to 1909, and culminating in their separate but cooperative careers in the teens. "It is the yin and yang that the brothers brought to each project which is cause for that undeniable spirit pervading each of their joint works," says Makinson. The Greene brothers' sensual blending of architecture, landscape, furnishings, and the decorative arts creates the hallmark of their Craftsman style. Color photography throughout the book highlights their furniture and lighting designs as well as their classic bungalow exteriors; also included are some important archival images and architectural plans.Randell L. Makinson, Hon. AIA, is the foremost authority on American architects Greene and Greene, having studied their works since 1954, and is director emeritus of the Gamble House. His books Greene and Greene: Architecture as a Fine Art and Greene and Greene: Furniture and Related Designs (both Gibbs Smith, Publisher) have been continuously in print for more than two decades. He lives in Pasadena.

    The latest developments are reviewed in essays and thematic chapters discuss such topics as lowenergy building, the use of prefabricated materials, or low-budget building. A range of international examples from architects such as Wiel Arets, Shigeru Ban, Ben van Berkel, Kees Christiaanse, Philippe Gazeau, Frank O. Gehry, Steven Holl, Hans Kollhoff, Morger & Degelo, MVRDV, Jean Nouvel, Kas Oosterhuis, illustrate the subjects discussed. "Housing" and "Single-Family Housing" were previously published separately, each proving hugely popular. Now both volumes have been incorporated into a single, lowpriced edition.

    WRIGHTSCAPES analyzes 85 of his works, and pays particular attention to site planning, landscape design, community scale, and regional planning.The authors include many original diagrams, rare archival material, and some 200 photographs, many never published before. WRIGHTSCAPES also chronicles how and way Wright's famous ecological sensabilities were established and how his design aspirations went far beyond accepted definitions of architecture.WRIGHTSCAPES is ideal for required or supplemental reading within many curriculums of architecture, landscape architecture, and city planning or urban design.

    Inspired by the architectural and urban criticism of such writers as Lewis Mumford, Jane Jacobs, and John Brinckerhoff Jackson, Kolson adopts a user's perspective on issues of urban design, an approach that highlights both the futility of social engineering and the resilience of the human spirit.

    The spread includes pops of both house and garden, and informative booklets about each estate's house, gardens, and history. Among the fabulous pop-ups are elaborate full-scale replicas of Biltmore and Monticello, as well as a moveable carousel showing each season in the famed Winterthur gardens. A concertina allows a see-through of the Governor's Palace at Colonial Williamsburg.

    Twenty-nine projects are included, fully illustrated with informative text, that will enable you to furnish your house with a host of exquisite timber pieces. Design and Construction explores issues of design to consider before taking on a project. Tools and Techniques shows the basic skills and techniques that are needed.