In this book, the author takes us into the heart of the conspiracy and the investigation that ensued. The book gives insights into the criminal mind as revealed in Zaidi's interviews with some of India's most notorious names like Dawood Ibrahim, and Tiger Memon among others.

    As the daughter of starving refugees fleeing violent persecution in Persia, her fateful birth in a roadside tent sparked a miraculous reversal of family fortune, culminating in her father's introduction to the court of Emperor Akbar. She is called Mehrunnisa, the Sun of Women. This is her story.Growing up on the fringes of Emperor Akbar's opulent palace grounds, Mehrunnisa blossoms into a sapphire-eyed child blessed with a precocious intelligence, luminous beauty, and a powerful ambition far surpassing the bounds of her family's station. Mehrunnisa first encounters young Prince Salim on his wedding day. In that instant, even as a royal gala swirls around her in celebration of the future emperor's first marriage, Mehrunnisa foresees the path of her own destiny. One day, she decides with uncompromising surety, she too will become Salim's wife. She is all of eight years old -- and wholly unaware of the great price she and her family will pay for this dream.Skillfully blending the textures of historical reality with the rich and sensuous imaginings of a timeless fairy tale, The Twentieth Wife sweeps readers up in the emotional pageant of Salim and Mehrunnisa's embattled love. First-time novelist Indu Sundaresan charts her heroine's enthralling journey across the years, from an ill-fated first marriage through motherhood and into a dangerous maze of power struggles and political machinations. Through it all, Mehrunnisa and Salim long with fiery intensity for the true, redemptive love they've never known -- and their mutual quest ultimately takes them, and the vast empire that hangs in the balance, to places they never dreamed possible.Shot through with wonder and suspense, The Twentieth Wife is at once a fascinating portrait of one woman's convention-defying life behind the veil and a transporting saga of the astonishing potency of love.

    At the age of seventy-nine, Nariman Vakeel, already suffering from Parkinson’s disease, breaks an ankle and finds himself wholly dependent on his family. His step-children, Coomy and Jal, have a spacious apartment (in the inaptly named Chateau Felicity), but are too squeamish and resentful to tend to his physical needs.Nariman must now turn to his younger daughter, Roxana, her husband, Yezad, and their two sons, who share a small, crowded home. Their decision will test not only their material resources but, in surprising ways, all their tolerance, compassion, integrity, and faith. Sweeping and intimate, tragic and mirthful, Family Matters is a work of enormous emotional power.

    What is it that we as a nation are missing? At the heart of the book is the belief that the people of a nation have the power, by dint od hard work, to realize their dream of a truly good life. Lalam takes up different issues and themes that struck him on his pilgrimage around the country as he met thousands of schoolchildren, teachers, scientists saints and seers in the course of two years. The result is a book that motivates usto get back on the winning track and unleash the energy within a nation that has not allowed itself full rein. Ignited minds will fire the minds of the young to whom it is promarly addressed Khuswant Singh in Outlook.

    Bond is an inveterate diarist, but over the years he finds that the nature of what he wants to record has changed, for 'In the autumn of my life, I grow reflective.' The events are small in themselves: the daily happenings in Landour, the birds and flowers that each season brings, and the eccentricities of friends and family. Landour itself is a magical world -- where every month has its own flower, every walker his own style, and the countryside is filled with a beauty all its own -- though uninvited guests will intrude and evenings at the Savoy Bar are not always as peaceful as they might be ... But in his mind Bond ranges further afield. He ponders on the experience of being a writer, on writers he has known and those he loves reading, and on critics, handwriting and typewriters. Filled with warmth and gentle humour, this book captures the timeless rhythm of life in the mountains, and the serene wisdom of one of India's best loved writers.

    DK's Eyewitness Travel Guides have increasingly become the most sought after guides by seasoned and novice travels alike. Featuring up-to-date information and spectacular 3-D aerial views -- all photographed in full-color -- each location is shown at its best. Recognized as the most unique and comprehensive travel guides on the market, Eyewitness Travel Guides create the new standard for travels. Every guide in the series is updated annually. 3-D aerial maps help you make the quickest journey from one place to the next. Red star sights help you get the most out of the shortest visit. Full-color photographs are taken specifically for each travel guide, and cut-away & floor plans present unique drawings of historic buildings and museums to show exactly where you are and what you see. All the sights in each area are described in depth with special keyed icons, and there's no need to buy an A-Z guide with our fully indexed street maps. Eat and shop with confidence with our reliable listings of hotels, restaurants, bars, and shops in all areas and at all prices. When it comes to entertainment, Eyewitness Travel Guides contains complete listings of theaters, music venues, cinemas, clubs, sports facilities, and activities for children. A special survival guide shows you how to use local currency, public transportation and telephones through pictures. Before your next trip, pick up one of our best-selling Eyewitness Travel Guides today!

    The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from ‘The Remains of the Day' to ‘White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.

    

    Less well-known is that India has its own brand of negationism. A section of the Indian intelligentsia is still trying to erase from the Hindus' memory the history of their persecution by the swordsmen of Islam. The number of victims of this persecution surpasses that of the Nazi crimes. The Islamic campaign to wipe out Paganism could not be equally thorough, but it has continued for centuries without any moral doubts arising in the minds of the persecutors and their chroniclers. The Islamic reports on the massacres of Hindus, destruction of Hindu temples, the abduction of Hindu women and forced conversions, invariably express great glee and pride. They leave no doubt that the destruction of Paganism by every means, was considered the God-ordained duty of the Moslem community. Yet, today many Indian historians, journalists and politicians, deny that there ever was a Hindu-Moslem conflict. They shamelessly rewrite history and conjure up centuries of Hindu-Moslem amity; now a growing section of the public in India and the West only knows their negationist version of history. It is not a pleasant task to rudely shake people out of their delusions, especially if these have been wilfully created; but this essay does just that.

    She is accompanied by Prakash, a boisterous twelve year old, and Sonu, her excitable younger brother. Together, they have many adventures-from helping old Mr Mani save his potatoes from porcupines to visiting the town of Tehri; and from escaping a landslide to encountering a leopard in the jungle.A touching and warm story by Ruskin Bond, this beautifully illustrated book showcases life in the hills and the wonders of friendship and bravery.

    Included in the book are not only the truths of Vedic India, but how they are again coming to be.

    Born in 1918 in Azamgarh, Uttar Pradesh, in a zamindar family, Azmi wrote his first poem at the age of eleven. He joined the Communist Party when he was nineteen, and wrote for the Party paper, Quami Jung. Subsequently, he moved to Bombay, and wrote his first lyric for the film Buzdil, directed by Shahid Latif, in 1948. A member of the Progressive Writersý movement, Azmi has been an active spokesperson for several workersý unions and works passionately to rectify social injustices even today. The richness of experience and maturity of perspective is captured in his poems, which reflect the many aspects of Azmiýman, lover, activist and poet. Some of his best verses are about the plight of the exploited, like the famous ýMakaaný which highlights a system where the poor, homeless footpath dwellers build palaces for the rich. At the other end of the spectrum are his love poems, including memorable lyrics for films that haunt the reader with their tenderness and contained passion. Azmiýs preoccupation with such disparate themes are indicative as much of his zest for life as his sincerity and honesty of experience. Brilliantly translated by Pavan K. Varma, this bilingual selection brings to a wider audience the wisdom and lyricism of Azmiýs poetry.

    Cartoons and jokes.

    Telugu, the language spoken in today's Andhra Pradesh region of southern India, has a classical literary tradition extending over a thousand years. Suranna's masterpiece comes from a period of intense creativity in Telugu, when great poets produced strikingly modern innovations. The novel explodes preconceived ideas about early South Indian literature: for example, that the characters lack interiority, that the language is formulaic, and that Telugu texts are mere translations of earlier Sanskrit works. Employing the poetic style known as campu, which mixes verse and prose, Pingali Suranna's work transcends our notions of traditional narrative. "I wanted to have the structure of a complex narrative no one had ever known," he said of his great novel, "with rich evocations of erotic love, and also descriptions of gods and temples that would be a joy to listen to."The Sound of the Kiss is both a gripping love story and a profound meditation on mind and language. Shulman and Rao include a thorough introduction that provides a broader understanding of, and appreciation for, the complexities and subtleties of this text.

    For the sheer brutality, persistence and widespread nature of the violence, especially against women and children, the complicity of the State, the ghettoization of communities, and the indifference of civil society, Gujarat has surpassed anything we have experienced in recent times. That this happened in one of India's most 'well off' and 'progressive' states, the home of the Mahatma, is all the more alarming. This book is intended to be a permanent public archive of the tragedy that is Gujarat. Drawing upon eyewitness reports from the English, Hindi and regional media, citizens' and official fact-finding commissions - and articles by leading public figures and intellectuals - it provides a chilling account of how and why the state was allowed to burn. With an overview by the editor, the reader covers the circumstances leading up to Godhra and the violence in Ahmedabad, Baroda and rural Gujarat. Separate sections deal with the role of the police, bureaucracy, Sangh Parivar, media and the tribals, the economic and international implications of the violence, the problems of relief and rehabilitation of the victims, and, above all, their quest for justice. The picture that emerges is deeply disturbing, for Gujarat has exposed the ease with which the rights of citizens, and especially minorities, can be violated with official sanction. The lessons of the violence ought to be heeded and acted upon by the public. For, in the absence of this, can another Gujarat be prevented from happening elsewhere?

    Manekshaw rose to become the 8th Chief of Army Staff of the Indian Army in 1969 and under his command, Indian forces conducted victorious campaigns against Pakistan in the Indo-Pakistani War of 1971 that led to the liberation of Bangladesh in December 1971.

    The selection of stories in the present volume are some of the finest examples of his story telling.

    James Achilles Kirkpatrick was the British Resident at the court of the Nizam of Hyderabad when in 1798 he glimpsed Kahir un-Nissa—'Most excellent among Women'—the great-niece of the Nizam's Prime Minister and a descendant of the Prophet. Kirkpatrick had gone out to India as an ambitious soldier in the army of the East India Company, eager to make his name in the conquest and subjection of the subcontinent. Instead, he fell in love with Khair and overcame many obstacles to marry her—not least of which was the fact that she was locked away in purdah and engaged to a local nobleman. Eventually, while remaining Resident, Kirkpatrick converted to Islam, and according to Indian sources even became a double-agent working for the Hyderabadis against the East India Company.It is a remarkable story, involving secret assignations, court intrigue, harem politics, religious and family disputes. But such things were not unknown; from the early sixteenth century, when the Inquisition banned the Portuguese in Goa from wearing the dhoti, to the eve of the Indian mutiny, the 'white Mughals' who wore local dress and adopted Indian ways were a source of embarrassments to successive colonial administrations. William Dalrymple unearths such colourful figures as 'Hindoo Stuart', who travelled with his own team of Brahmins to maintain his temple of idols, and who spent many years trying to persuade the memsahibs of Calcutta to adopt the sari; and Sir David Ochterlony, Kirkpatrick's counterpart in Delhi, who took all thirteen of his wives out for evening promenades, each on the back of their own elephant.In White Mughals, William Dalrymple discovers a world almost entirely unexplored by history, and places at its centre a compelling tale of love, seduction and betrayal. It possesses all the sweep and resonance of a great nineteenth-century novel, set against a background of shifting alliances and the manoeuvring of the great powers, the mercantile ambitions of the British and the imperial dreams of Napoleon. White Mughals, the product of five years' writing and research, triumphantly confirms Dalrymple's reputation as one of the finest writers at work today.

    It was created by the three Acarya in Nepal more than twelve-hundred years ago, during a concentrated religious retreat, and was transmitted to Yeshe Tsogyal. This remarkable encyclopaedic text marks the beginning of the tantric Buddhist practice of the wrathful deity Vajrakila. It is the most important commentary to the rites of Kila.Including in this publication are many wonderful treasures, texts from India as well as Tibet, starting with a number of citations from the Sanskrit origins, which give us an idea about the development of the Kila lore in the area south of the Himalayas. The book is dedicated to the preservation of Tibetan texts and it shows us how the transmission lineage of the "Northern" school was followed and maintained.The book consists of translations, with footnotes, of many original texts, including two short Vajrakila tantras; one of them represents Padmasambhava’s own practice. There is an introduction by the translator and a bibliography and index.We believe that this book will become not only a standard work on the subject of Vajrakila, but also a great inspiration for practitioners from other traditions.This English edition has 412 pages in 24 cm x 17 cm format, printed on durable, chlorine- and wood-free paper, with a sewn binding.

    Partha Chatterjee's retelling of the notoriously famous 'Bhawal Sannyasi Case' - one of India's best known and most historic legal battles - is narrative history of the finest kind. It is an epic story of war within a household which spills out into the social life of colonial Bengal; and beyond, into the administrative and legal fabric of India during the heyday of nationalism; and then beyond that again, into spirituality and philosophy, legend and folklore, theatre and cinema.

    The ensuing insurrection was to become the bloodiest in the history of the British Empire.Combining formidable storytelling with ground-breaking research, Saul David narrates a tale at once heart-rendingly tragic and extraordinarily compelling. David provides new and convincing evidence that the true causes of the mutiny were much more complex, and disturbing, than previously assumed.'A fine achievement by a huge new talent' William Dalrymple, Sunday TimesSaul David is Professor of War Studies at the University of Buckingham and the author of several critically acclaimed history books, including The Indian Mutiny: 1857 (shortlisted for the Westminster Medal for Military Literature), Zulu: The Heroism and Tragedy of the Zulu War of 1879 (a Waterstone's Military History Book of the Year) and, most recently, Victoria's Wars: The Rise of Empire.

    "One could not forget that wonderful pregnant smile of his, with it's hint of wisdom and peace won from suffering and experience. He was the most understanding man I have ever known: you could be sure always of some words from him that would smooth your way a little, and that word always verified what your deepest feeling told you already. The words of this sage still flame out in memory like beacon lights." I pluck golden fruit from rare meetings with wise men" wrote trans-Atlantic Emerson in his diary, and it is certain that I plucked whole basketfuls during my talks with this man. Our best philosophers of Europe could not hold a candle to him..."

    These magnificent structures-known as stepwells or stepped ponds-are much more than utilitarian reservoirs. Their lattice-like walls, carved columns, decorated towers, and intricate sculpture make them exceptional architecture., while their very presence tells much about the region's ecology and history. For these past 500 years, stepwells have been an integral part of western Indian communities as sites for drinking, washing, and bathing, as well as for colorful festivals and sacred rituals. Steps to Water traces the fascinating history of stepwells, from their Hindu origins, to their zenith during Muslim rule, and eventual decline under British occupation. It also reflects on their current use, preservation, and place in Indian communities. In stunning color and quadtone photographs and drawings, Steps to Water reveals the depth of the stepwells' beauty and their intricate details, and serves as a lens on these fascinating cultural and architectural monuments.

    A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question. The books in the series will all follow the same structure: a biography of the novelist, including other works, influences, and, in some cases, an interview; a full-length study of the novel, drawing out the most important themes and ideas; a summary of how the novel was received upon publication; a summary of how the novel has performed since publication, including film or TV adaptations, literary prizes, etc.; a wide range of suggestions for further reading, including websites and discussion forums; and a list of questions for reading groups to discuss.

    From Emperor Akbar to Rajiv Gandhi, many have tried to build bridges of friendship between the two communities but all of them, including Mahatma Gandhi, have failed. As the last five decades have proved, the partition of 1947 did not solve the problem.Is it to escape facing the truth about the past? Or is it to placate Muslim sentiments? Is it to avoid a controversy which might adversely affect one or more electoral verdicts? But how can all the political parties have a vested interest in the suppression of the same facts? Surely, if some party might lose out by the facts coming to light, another should gain as a result. Ruling parties at the centre as well as in the state change from time to time. Yet, no party has shown any real inclination in letting the people of India know facts of their collective past? Is the reason then, a countrywide fear of a community's wrath? If it be so, how can there be friendship between one community being the cause and the other the casualty of fear?Several scholars have, over the years, listed hundreds of temples and described their desecration but none before the author has drawn a clear distinction between a mandir converted into a masjid in contrast to a mosque built with the rubble of a demolished temple. Even Cunningham, who toured North India extensively in the course of 1838-1855 and published his surveys in 23 voluminous reports, did not make the distinction.Prafull Goradia has visited every masjid or dargah that has been discussed. Not alone, but accompanied by a research scholar as well as an excellent photographer. He now appeals to Muslims to abandon and not use these ill-gotten or looted edifices for praying to their one and only god, Allah.

    He made headlines worldwide as the extremist leader of the Provisional Government of Free India after its establishment by the Axis powers during World War II and was viewed as sort of an Asian Hitler or Quisling, but when the Allies crushed Bose's Indian National army, the world seemed quickly to forget him. This work is a biography of Bose, the self-proclaimed Netaji, or revered leader, who sought to bring down the British Raj by making alliances with Rome, Berlin, and Tokyo during World War II and by helping India thrive economically and politically as a free socialist nation. It details his political activities, including radio broadcasts in which he attempted to sway his countrymen with pro-Axis propaganda and predicted a bloody end to imperialism at the hands of Axis powers, and his commanding of two liberation armies, one under Nazi authority and the other under Tokyo's auspices, made up of rehabilitated and coerced prisoners of war. Bose is noted for having unified his country's multiethnic population and enlisting the support of Indians overseas, all the while incurring the wrath of the Allies, who crushed his armies and his hopes of transforming India into a socialist nation. A discussion of his mysterious death in a plane crash while en route to an unknown location in 1945 concludes the book.

    This groundbreaking work describes the genesis of the Tantric movement in early medieval India, where it developed as a response to, and in some ways an example of, the feudalization of Indian society. Drawing on primary documents -- many translated for the first time -- from Sanskrit, Prakrit, Tibetan, Bengali, and Chinese, Ronald Davidson shows how changes in medieval Indian society, including economic and patronage crises, a decline in women's participation, and the formation of large monastic orders, led to the rise of the esoteric tradition in India that became the model for Buddhist cultures in China, Tibet, and Japan.

    His writings and broadcasts of this period cover a broad range of topics, including: the nature and course of World War Two; the need to distinguish between India's internal and external policy in the context of the international war crisis; plans for a final armed assault against British rule in India; dismay at, and criticism of, Germany's invasion of the Soviet Union; the hypocrisy of Anglo-American notions of freedom and democracy; the role of Japan in East and South East Asia; the reasons for rejecting the Cripps offer of 1942; support for Mahatma Gandhi and the Quit India movement later that year and reflections on the future problems of reconstruction in free India.

    Hilarious and thought-provoking at the same time, this is a treasurehouse of humour from one of the most striking voices commenting on Indian socio-political life.

    Ashutosh Varshney examines three pairs of Indian cities—one city in each pair with a history of communal violence, the other with a history of relative communal harmony—to discern why violence between Hindus and Muslims occurs in some situations but not others. His findings will be of strong interest to scholars, politicians, and policymakers of South Asia, but the implications of his study have theoretical and practical relevance for a broad range of multiethnic societies in other areas of the world as well. The book focuses on the networks of civic engagement that bring Hindu and Muslim urban communities together. Strong associational forms of civic engagement, such as integrated business organizations, trade unions, political parties, and professional associations, are able to control outbreaks of ethnic violence, Varshney shows. Vigorous and communally integrated associational life can serve as an agent of peace by restraining those, including powerful politicians, who would polarize Hindus and Muslims along communal lines.

    Pre-eminent among the many vernacular retellings of the Ramayana is the twelfth-century Tamil version by Kamban. The son of a temple drummer, Kamban is reputed to have had an impressive mastery of Tamil and Sanskrit classics. Fascinated by the lore of Ramayana, he immersed himself totally in it. Translated into English by the late P.S. Sundaram, this edition has been abridged and edited by his long-time friend N.S. Jagannathan.

    Jos Gommans looks at warfare as an integrated aspect of pre-colonial Indian society.Based on a vast range of primary sources from Europe and India, this thorough study explores the wider geo-political, cultural and institutional context of the Mughal military. Gommans also details practical and technological aspects of combat, such as gunpowder technologies and the animals used in battle. His comparative analysis throws new light on much-contested theories of gunpowder empires and the spread of the military revolution.

    The book offers an exceptionally nuanced account of Hindu gender politics.

    As a novelist and icon, Rushdie has embraced both 'popular' and 'high' culture; reflecting this, the Guide brings together both academic criticism and journalism to investigate the passions and preoccupations of Rushdie's many critics, steering the reader through the inflamed debates and rhetoric surrounding this much admired but controversial author.

    Almost everything about it--its major characteristics, its sources, its relationships to other religions, even its practices--are debated among scholars. In addition, Tantrism is not confined to any particular religion, but is a set of beliefs and practices that appears in a variety of religions, including Hinduism and Buddhism. This book explores one of the most controversial aspects of Tantra, its sources or roots, specifically in regard to Hinduism. The essays focus on the history and development of Tantra, the art history and archaeology of Tantra, the Vedas and Tantra, and texts and Tantra. Using various disciplinary and methodological approaches, from history to art history and religious studies to textual studies, scholars provide both broad overviews of the beginnings of Tantra and detailed analyses of specific texts, authors, art works, and rituals.

    Considered the enfant terrible of Indian cinema when he broke on the scene in the 1960s and '70s, Sen today is known for his films that capture moments of truth in the ordinary lives of ordinary people. His masterfully subtle and nuanced portraits of urban class tension, leftist politics, and the city of Calcutta itself--which Sen has called his El Dorado--set his cinema apart from that of his contemporaries.Montage encapsulates half a century of filmmaking. A first-of-its-kind anthology, it includes original writings--memoirs, letters, musings on politics, literature, theater, and cinema; critiques of contemporaries such as Satyajit Ray and Ritwik Ghatak, as well as inspirations such as Charlie Chaplin and a host of international filmmakers, especially those from Latin America--and intensive interviews with scholars and critics. The result is a unique montage, revealing both the filmmaker and the man, mapping a unique creative landscape, and offering valuable insights into his acclaimed films.

     Written by one of India's foremost novelists, and translated by an eminent cultural and critical theorist. Ranges over decades in the life of Chotti - the central character - in which India moves from colonial rule to independence, and then to the unrest of the 1970s. Traces the changes, some forced, some welcome, in the daily lives of a marginalized rural community. Raises questions about the place of the tribal on the map of national identity, land rights and human rights, the 'museumization' of 'ethnic' cultures, and the justifications of violent resistance as the last resort of a desperate people. Represents enlightening reading for students and scholars of postcolonial literature and postcolonial studies.

    The Serpent Rising is her own story of the heaven and hell she experienced as she fell under the spell of self-appointed 'god-men'.

    The dean of North American Indus scholars, Gregory Possehl, attempts here to marshal the state of knowledge about this fascinating culture in a readable synthesis. He traces the rise and fall of this civilization, examines the economic, architectural, artistic, religious, and intellectual components of this culture, describes its most famous sites, and shows the relationships between the Indus Civilization and the other cultures of its time. As a sourcebook for scholars, a textbook for archaeology students, and an informative volume for the lay reader, The Indus Civilization will be an exciting and informative read.

    But when he's not making these lush, expensive costume dramas, he's making movies in his native India. In My Passage from India he takes us on a guided tour of how a middle-class Muslim named Noormohamed Abdul Rehman became an internationally acclaimed producer with a string of award-winning films to his credit. My Passage from India is a fascinating look at the Bombay film industry-called Bollywood-from the 1950s through today, and how Holly- and Bollywood have intersected through Merchant's film career. Merchant amusingly recounts how his passion for movies was born in the streets of Bombay. He details his precocious wanderings from London to New York, where he first encountered his lifetime collaborator, James Ivory, and raised money for his first short film, and ultimately to Hollywood. Merchant lovingly recalls the circumstances of the movies he's shot in India, the Western stars he cast-and entertained-from James Mason to Jeanne Moreau to Vivien Leigh to Greta Scacchi, and the vast obstacles that his home country often presented-along with the movie magic that was the frequent result of his efforts. With seventy-five photographs and a fabulous narrative, My Passage from India is a vivid memoir and colorful account of the lasting impact India has had on the thing Ismail Merchant does best: filmmaking.

    This omnibus edition brings together for the first time four classics dealing with the emotive issue of India's Partition the growth of the idea of Partition and its inevitability; the Partition and the subsequent upheaval; the creation of Pakistan; and the problems arising out of nationalismand decolonization.

    Autobiography of an army officer's wife in India.

    In this memoir, Shiv Kumar Sharma recalls his youth in Jammu and Kashmir, his lean years as an aspiring professional in Bombay, his work in the film industry, his most blissful moments onstage and his long struggle to establish the santoor as a classical Indian instrument in the face of sceptical critics.

    The study augments and extends the existing scholarship on a range of issues, including inter alia beliefs about spirit possession, sorcery, witchcraft and the evil eye. The themes of ritual practice, especially exorcism or healing ceremonies, Hindu priests and curers, popular Hinduism and pilgrimage are discussed, and the anthropology of South Asia is explored with an emphasis on medical anthropology and Indian ethnomedicine. At a theoretical level, the book sharply contrasts with much of the literature on spirit possession or on supernatural affliction and its treatment, as the author's phenomenological orientation involves movement away from psychological or psychiatric paradigms as well as from other forms of Western rationalism that have tended to dominate scholarly work. The book thus offers fresh insights, both in terms of understanding supernatural malaise and its treatment, and in terms of the application of the approach the author engages.

    It features a biography of the author (including an in-depth interview with Kureishi), a full-length analysis of the novel, and a great deal more. If you're studying this novel, reading it for your book club, or if you simply want to know more about it, you'll find this guide informative and helpful. This is part of a new series of guides to contemporary novels. The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from ‘The Remains of the Day' to ‘White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.

    This is the dance of history in our age: slow, slow, quick, quick, slow, back and forth and from side to side, we step across these fixed and shifting lines. —from Part IVWith astonishing range and depth, the essays, speeches, and opinion pieces assembled in this book chronicle a ten-year intellectual odyssey by one of the most important, creative, and respected minds of our time. Step Across This Line concentrates in one volume Salman Rushdie’s fierce intelligence, uncanny social commentary, and irrepressible wit—about soccer, The Wizard of Oz, and writing, about fighting the Iranian fatwa and turning with the millennium, and about September 11, 2001. Ending with the eponymous, never-before-published speeches, this collection is, in Rushdie’s words, a “wake-up call” about the way we live, and think, now.

    It draws on important questions such as: how has the conflict affected women and how have they learned to live with continuing violence? What strategies have they used to cope, to find a space, or to share or express what they are going through? The contributions in this book explore these issues through interviews with Kashmiri women, personal and reflective writings, and extracts from various reports and books. Together they draw attention to a vital aspect of the conflict that has been all but forgotten.

    In it he writes about the Jodhpur court, the Imperial Cadet Corps, and the British Expeditionary Force in China during the Boxer rebellion. A century before hybridity, he constructs a hybrid self, an Edwardian officer cum gentleman and a martial Rajput cum manor lord. With the diary acting as alter ego and best friend, Amar Singh resists becoming “a coolie for the raj” when he finds the British to be racist masters as well as friends. He writes and reads extensively “to keep himself amused,” he says, and to avoid the boredom of princedom and raj philistinism. Here the authors focus on the first eight years of Amar Singh’s diary (1898-1905), offering a rare and intimate glimpse into British colonialism from the point of view of a colonial subject. Illustrated with fifty photographs and facsimiles from Amar Singh’s readings.

    Nearly a thousand years ago, the great scholar Al-Biruni complained that, "unfortunately, the Hindus do not pay much attention to the historical order of things. They are very careless in relating the chronological succession of kings, and when pressed for information invariably take to tale-telling." Until now this has been the received wisdom of the West, repeated with little variation by post-colonial historians.Textures of Time sets out not merely to disprove that idea, but to demonstrate through a brilliant blend of storytelling and scholarship the complex forms of history that were produced in South India between the seventeenth and nineteenth centuries. Through a nuanced reading of the rich language of folk epic, courtly poetry, and prose narratives, the authors reveal the divide between fact and fiction in South Indian writings and make a clear case for the existence of historical narrative in pre-colonial India.Employing a careful reading of and extensive translations from the relevant texts, the book thus sets out to shake some of the deepest-rooted prejudices that exist in the received wisdom on late medieval and early modern India.

    However, many practitioners don't fully understand the philosophy behind yoga.In a book based on his popular Spiritual Teachings series, Mark Forstater, with yoga instructor Jo Manuel, illuminates the meaning of this Far Eastern practice and makes it comprehensible for modern followers. Combining the significance of the ancient texts with the knowledge and insights of today's practitioners, Yoga Masters distills the essence of yoga into a highly readable and readily applicable guide to its millennia-old theories and practices.Beginning with an introduction to the theory and the philosophy behind yoga, the book also contains new translations of the primary yoga scriptures. The yoga teachings of the Upanishads, the Bhagavad Gita, and the Yoga Sutras hold the keys to self-awareness and the all-important sense of who we are. It is through seeking and understanding this inner truth that we can develop confidence, strength, and tranquility, and realize our limitless potential for happiness and well-being.Whether the reader is a beginning or advanced student or an experienced practitioner, Yoga Masters will add new depth and meaning to anyone's current yoga practice.

    

    In this book, the author brings out some broad forms of development and conflict within the Mughal empire as well as with the Marathas.

    Madhaviah, an outdoorsman and a lamplight scholar-writer, was fired with ardour to remove the evils that beset his Iyer Brahmin sub-caste as well as the larger southern society - a concern reflected in his writings. This is the story about the maturing of a spirited girl born into the rigid confines of orthodox brahmin domesticity, "Padmavati", a hundred year old novel, sketches a true-to-life picture of Brahmin life in the rural south and student life in Madras. The novel captures glimpses of three strata - a rich landholder, a dependent widow and the indigent student.