It features a biography of the author (including an interview), a full-length analysis of the novel, and a great deal more. If you're studying this novel, reading it for your book club, or if you simply want to know more about it, you'll find this guide informative and helpful. This is part of a new series of guides to contemporary novels. The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from ‘The Remains of the Day' to ‘White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.

    Displayed panels look at such areas of Shakespeare's language as greetings, swear-words and terms of address. Plot summaries are included for all Shakespeare's plays and on the facing page is a unique diagramatic representation of the relationships within each play.

    R. R. Tolkien to a popular audience. There are, however, few full and accessible treatments of the religious vision permeating Tolkien�s influential works. Bradley Birzer has remedied that with his fresh study, J. R. R. Tolkien�s Sanctifying Myth: Understanding Middle-earth. In it, Birzer explicates the religious symbolism and significance of Tolkien�s Middle-earth stories. More broadly, Birzer situates Tolkien within the Christian humanist tradition represented by Thomas More and T. S. Eliot, Dante and C. S. Lewis. He argues that through the genre of myth Tolkien is able to provide a sophisticated�and appealing�social and ethical worldview.

    In Homeric Moments, she brilliantly conveys the unique delights of Homer's epics as she focuses on the crucial scenes, or moments, that mark the high points of the narratives: Penelope and Odysseus, faithful wife and returning husband, sit face to face at their own hearth for the first time in twenty years; young Telemachus, with his father Odysseus at his side, boldly confronts the angry suitors; Achilles gives way to boundless grief at the death of his friend Patroclus.Eva Brann demonstrates a way of reading Homer's poems that yields up their hidden treasures. With an alert eye for Homer's extraordinary visual effects and a keen ear for the musicality of his language, she helps the reader see the flickering campfires of the Greeks and hear the roar of the surf and the singing of nymphs. In Homeric Moments, Brann takes readers beneath the captivating surface of the poems to explore the inner connections and layers of meaning that have made the epics "the marvel of the ages.""Written with wit and clarity, this book will be of value to those reading the Odyssey and the Iliad for the first time and to those teaching it to beginners."—Library Journal"Homeric Moments is a feast for the mind and the imagination, laid out in clear and delicious prose. With Brann, old friends of Homer and new acquaintances alike will rejoice in the beauty, and above all the humanity, of the epics." —Jacob Howland, University of Tulsa, Author of The Paradox of Political Philosophy"In Homeric Moments, Eva Brann lovingly leads us, as she has surely led countless students, through the gallery of delights that is Homer's poetry. Brann's enthusiasm is as infectious as her deep familiarity with the works is illuminating."—Rachel Hadas"Brann invites us to enter a conversation [about Homer] in which information and formal arguments jostle with appreciations and frank conjectures and surmises to increase our pleasure and deepen the inward dimension of our humanity."—Richard Freis, Millsaps College"For anyone eager to experience the profundity and charm of Homer's great epic poems, Eva Brann's book will serve as a passionate and engaging guide. Brann displays a deep sensitivity to the cadence and flow of Homeric poetry, and the kind of knowing intimacy with its characters that comes from years of teaching and contemplation. Her relaxed but informative approach succeeds in conveying the grandeur of the great Homeric heroes, while making them continually resonate for our own lives. Brann helps us see that this poetry has an urgency for our own era as much as it did for a distant past."—Ralph M. Rosen, University of Pennsylvania, Author of Old Comedy and The Iambographic Tradition"The most enjoyable books about Homer are always written by those who have read and taught him the most. Eva Brann's collection of astute observations, unusual asides, and visual snapshots of the Iliad and the Odyssey reveals a lifelong friendship with the poet, and is as pleasurable as it is informative. Homeric Moments is rare erudition without pedantry, in a tone marked by good sense without levity."—Victor Davis Hanson, author of The Other Greeks and co-author of Who Killed Homer?Eva Brann is a member of the senior faculty at St. John's College in Annapolis, Maryland, where she has taught for fifty years. She is a recipient of the National Humanities Medal. Her other books include The Logos of Heraclitus, Feeling Our Feelings, Homage to Americans, Open Secrets / Inward Prospects, The Music of the Republic, Un-Willing, and Then and Now (all published by Paul Dry Books).

    The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from ‘The Remains of the Day' to ‘White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.

    Sections group tales together by theme or juxtapose variations of individual tales, inviting comparison and analysis across cultures and genres. An accessible section of critical selections provides a foundation for readers to analyze, debate, and interpret the tales for themselves. An expanded introduction by the editors looks at the history of folk and fairy tales and distinguishes between the genres, while revised introductions to individual sections provide more detailed history of particular tellers and tales, paying increased attention to the background and cultural origin of each tale. A selection of illustrations from editions of classic tales from the 19th to the 21st centuries is also included.

    In its soundings of a wide range of poets -- Irish and British, American and Eastern European, predecessors and contemporaries -- Finders Keepers is, as its title indicates, "an announcement of both excitement and possession."

    Widely regarded as the world's foremost authority on Schulz, Ficowski reconstructs the author's life story and evokes the fictional vision of his best-known works, The Street of Crocodiles and Sanatorium Under the Sign of the Hourglass. Including many of Schulz's paintings and letters as well as new information on the Mossad's removal of Schulz's murals from Poland in 2001, this book will stand for years to come as the definitive account of the author's tragic life. Developed for publication by The Jewish Heritage Project's International Initiative for Literature of the Holocaust.

    The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from ‘The Remains of the Day' to ‘White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.

    The Neutral preceded this work, containing Barthes's challenge to the classic oppositions of Western thought and his effort to establish new pathways of meaning. How to Live Together predates both of these achievements, a series of lectures exploring solitude and the degree of contact necessary for individuals to exist and create at their own pace. A distinct project that sets the tone for his subsequent lectures, How to Live Together is a key introduction to Barthes's pedagogical methods and critical worldview.In this work, Barthes focuses on the concept of "idiorrhythmy," a productive form of living together in which one recognizes and respects the individual rhythms of the other. He explores this phenomenon through five texts that represent different living spaces and their associated ways of life: �mile Zola's Pot-Bouille, set in a Parisian apartment building; Thomas Mann's The Magic Mountain, which takes place in a sanatorium; Andr� Gide's La S�questr�e de Poitiers, based on the true story of a woman confined to her bedroom; Daniel Defoe's Robinson Crusoe, about a castaway on a remote island; and Pallidius's Lausiac History, detailing the ascetic lives of the desert fathers.As with his previous lecture books, How to Live Together exemplifies Barthes's singular approach to teaching, in which he invites his audience to investigate with him--or for him--and wholly incorporates his listeners into his discoveries. Rich with playful observations and suggestive prose, How to Live Together orients English-speaking readers to the full power of Barthes's intellectual adventures.

    After her death from tuberculosis in France, Mansfield's private writings and letters were edited by her husband, John Middleton Murry, and published in four volumes between 1927 and 1954. Murry, however, took liberties in recasting his wife's journals and notes. He excluded most of the vast mass of material and revised much of what he included, resulting in a distorted image of Mansfield as a passive, ethereal spirit.More than four decades later, the real Mansfield finally emerges in The Katherine Mansfield Notebooks, the first unexpurgated edition of her private writings. Fully and accurately transcribed by editor Margaret Scott, these infrequent diary entries, drafts of letters, introspective notes jotted on scraps of paper, unfinished stories, half-plotted novels, poems, recipes, and shopping lists offer a complete and compelling portrait of a complex woman who was ambitious and at times ruthless, neurotic and sexually voracious, witty and acerbic, fascinated with the minutiae of daily life and obsessed with death.

    The original essays discuss thematic conventions and present detailed case studies of individual works. All address the pedagogical implications of work that challenges children to grapple with questions of perfect or wildly imperfect social organizations and their own autonomy. The book includes interviews with creative writers and the first bibliography of utopian fiction for children.

    Julia V. Douthwaite recounts reports of feral children such as the wild girl of Champagne (captured in 1731 and baptized as Marie-Angélique Leblanc), offering a fascinating glimpse into beliefs about the difference between man and beast and the means once used to civilize the uncivilized.A variety of educational experiments failed to tame these feral children by the standards of the day. After telling their stories, Douthwaite turns to literature that reflects on similar experiments to perfect human subjects. Her examples range from utopian schemes for progressive childrearing to philosophical tales of animated statues, from revolutionary theories of regenerated men to Gothic tales of scientists run amok. Encompassing thinkers such as Rousseau, Sade, Defoe, and Mary Shelley, Douthwaite shows how the Enlightenment conceived of mankind as an infinitely malleable entity, first with optimism, then with apprehension. Exposing the darker side of eighteenth-century thought, she demonstrates how advances in science gave rise to troubling ethical concerns, as parents, scientists, and politicians tried to perfect mankind with disastrous results.

    Accessible yet nuanced analysis of the plays explores how Shakespeare's ideas of race were shaped by beliefs about color, religion, nationality, class, money and gender.

    Her principal acquaintances were clergymen and their families, whose social, intellectual and religious attitudes she shared. Yet while clergymen feature in all her novels, often in major roles, there has been little recognition of their significance. To many readers their status and profession is a mystery, as they appear simply to be a sub-species of gentlemen and never seem to perform any duties. Mr Collins in Pride and prejudice is often regarded as little more than a figure of fun.Astonishingly, Jane Austen and the Clergy is the first book to demonstrate the importance of Jane Austen's clerical background and to explain the clergy in her novels, whether Mr Tilney in Northanger Abbey, Mr Elton in Emma, or a less prominent character such as Dr Grant in Mansfield Park. In this exceptionally well-written and enjoyable book, Irene Collins draws on a wide knowledge of the literature and history of the period to describe who the clergy were, both in the novels and in life: how they were educated and appointed the houses they lived in and the gardens they designed and cultivated; the women they married; their professional and social context; their income, their duties, their moral outlook and their beliefs. Jane Austen and the Clergy uses the facts of Jane Austen's life and the evidence contained in her letters and novels to give a vivid and convincing portrait of the contemporary clergy.

    Merwin traces the origins of the troubadours in 12th century Provance as he relates his own experience as a frequent visitor to southern France in this striking memoir, for the National Geographic Directories series. W.S.Mervin, one of the century's great American poets, turns his lyrical eye to the legacy of the Troubadours of southern France. Merwin expertly tells the story of these medieval poets, artists whose songs have survived for centuries and have outlived the culture and even the language in which they were written. For Merwin, it is very personal exploration, as he shares with the reader his love of the French countryside and of the old fermhouse that became his home for decades. The rural society he sees as direct progeny of the almost mythical Troubadour culture serves as the story's romantic background.

    His third collection of essays, several newly written for this book, is strongly focused on the theme of how writers--especially but not exclusively poets--make use of other writers' work: from the subtle courtesies of different kinds of allusion to the extreme discourtesy of plagiarism.

    G. Wodehouse-brings together the best of his much admired commentary on the great man's words to form the perfect companion to the nearly one hundred novels of "the most consistently funny writer the English language has yet produced" ("The Times"). "Plum Sauce" also contains snippets of Wodehouse's most outrageously hilarious prose, organized in categories from Animals ("Beach's bullfinch continued to chirp reflectively to itself, like a man trying to remember a tune in his bath") to menservants ("Jeeves lugged my purple socks out of the drawer as if he were a vegetarian fishing a caterpillar out of a salad"). Usborne introduces in depth all the beloved major characters-Jeeves and Wooster, Psmith, Ukridge, Uncle Fred, Lord Emsworth, and the Blandings circle-and sketches the rest of the Wodehouse cast-from Gussie Fink-Nottle to the chorus of Aunts and Drones. Lavishly illustrated with original dust jacket artwork and sketches from the "Strand Magazine, Plum Sauce" is the ultimate source for both aficionados and novices just beginning to "scratch the old lemon."

    Gass, "the finest prose stylist in America" (Steven Moore, Washington Post). Whether he's exploring the nature of narrative, the extent and cost of political influences on writers, or the relationships between the stories we tell and the moral judgments we make, Gass is always erudite, entertaining, and enlightening.

    The Companion is illustrated with photographs from the author’s private collection and full-color reproductions of Hugo Award–winning artist Bob Eggleton’s eye-catching cover art for Lumley’s works. Contributors to The Brian Lumley Companion include some of today’s most noted experts on horror fiction, including W. Paul Ganley, founder of Weirdbook Press and two-time winner of the World Fantasy Award; Stephen Jones, coeditor of Horror: 100 Best Books and winner of multiple World Fantasy, British Fantasy, and Bram Stoker Awards; Robert M. Price, author of H. P. Lovecraft and the Cthulhu Mythos and one of the most respected analysts of Lovecraftian fiction; Robert G. Weinberg, an acknowledged specialist in weird fiction, and Stanley Wiater, host of the TV series “Dark Dreamers.”In The Brian Lumley Companion, Lumley aficionados will find an overview of Lumley’s career, from his first short fiction up to the present day; essays comparing Lumley and H. P. Lovecraft, a lengthy interview with the author that delves into the heart of Lumley’s relationship with the writers and editors who inspired him and the fans who support him, and analyses of Lumley’s short fiction and novels. An interview with Bob Eggleton gives insight into the development of his striking covers for the Necroscope series and other Lumley works. This companion also includes complete listings of the first publications of each of Lumley’s novels, short fiction, and poetry. Major attractions are the detailed concordances that focus on individual novels and series, including the three Psychomech titles, the Dreamlands and Primal Lands series, and each volume in the Necroscope series.As a special treat, The Brian Lumley Companion includes three short short stories by Brian Lumley, works that have never before appeared in book form.

    Setting out on his own exploration, Roberto Calasso enters the flow, the tortuous movement, the physiology of Kafka’s work to discover why K. and Josef K.–the protagonists of The Castle and The Trial–are so radically different from any other character in the history of the novel, and to determine who, in the end, is K. The culmination of Calasso’s lifelong fascination with Kafka’s work, K. is also an unprecedented consideration of the mystery of Kafka himself.

    Dr. Martin's keen analysis, informed by a life's work as literary critic and theologian, reveals the central action of O'Connor's stunning fiction - the violent breaking-in of grace into lives barren of the awareness of God. He links this consistent theme of her work to the shape of her ownn faithful and cross-filled life. Usually seen as a preeminent Catholic fiction writer of the twentieth century, O'Connor's work has set the standard for how serious writers must address God's salvific actions while maintaining the highest standards for literature. A kind of faithful Catholic counterpoint to James Joyce, O'Connor's work is of enduring even classic value. Dr. Martin's larger argument points out that only fiction with a passionate religious vision has a chance of enduring, thus consigning, as Lionel Trilling once did, most liberal fiction to the remainders table.

    In this book, Rosenstock-Huessy uses this riddle as a starting point for an inquiry into the essential features of human speech that people in modern times have tended to disfavor or take for granted. Counter to the intuitions of modern personalism, Rosenstock-Huessy says that real speech, speech capable of transforming lives, must have been in its origin, and still today, formal speech whereby strangers can be assembled, oriented, and sent forth in trust to pool their energies to create durable order and remarkable change. Intimate chitchat and everyday common sense, argues Rosenstock-Huessy, can be nothing more than the residue left behind by formal speaking and the “uncommon sense” of political agreements and multi-generational social projects.The Origin of Speech declares that human beings require rituals and tangible signs that they live in an orderly universe over which they possess some control. In the process of exerting power through speech, people invariably create both the past and the future as the locations of society’s hopes and fears. Ominously, Rosenstock-Huessy points out that the modern mentality has consistently preferred the informal to the formal, the abstract to the ritualistic, and numerical impartiality to personal address, and hence has forfeited the sources of a “grammatically healthy” community.The Origin of Speech is Rosenstock-Huessy’s longest sustained essay currently available in English on the subject of speech. Communication scholars and linguists concur: no other writer has approached the problem of formality in language with the fresh insights to be found in The Origin of Speech.

    - Presents the most important 20th-century criticism on major works from "The Odyssey through modern literature- The critical essays reflect a variety of schools of criticism- Contains critical biographies, notes on the contributing critics, a chronology of the author's life, and an index- Introductory essay by Harold Bloom

      Each book will also include an A+ Essay; an actual literary essay written about the Spark-ed book, to show students how an essay should be written.

    It argues that such narratives are objects for historical analysis, due to their implication in specific ideologies, whilst also focusing on the recurrence over time of themes of physical and psychological disintegration, spectrality and monstrosity. Central to the book's argument is the proposition that fear is a ubiquitous phenomenon, capable of awakening consciousness even as it appears to paralyze it.

    In This Compost Rasula surveys both the convictions asserted by American poets and the poetics they develop in their craft, all with an eye toward an emerging ecological worldview.Rasula begins by examining poets associated with Black Mountain College in the 1950s--Charles Olson, Robert Creeley, and Robert Duncan--and their successors. But This Compost extends to include earlier poets like Robinson Jeffers, Ezra Pound, Louis Zukofsky, Kenneth Rexroth, and Muriel Rukeyser, as well as Clayton Eshleman, Gary Snyder, Michael McClure, and other contemporary poets. Walt Whitman and Emily Dickinson also make appearances. Rasula draws this diverse group of poets together, uncovering how the past is a "compost" fertilizing the present. He looks at the heritage of ancient lore and the legacy of modern history and colonial violence as factors contributing to ecological imperatives in modern poetry.This Compost restores the dialogue between poetic language and the geophysical, biological realm of nature that so much postmodern discourse has sought to silence. It is a fully developed, carefully argued book that deals with an underrepresented element in modern American culture, where the natural world and those who write about it have been greatly neglected in contemporary literary history and theory.

    Cheryl Alexander Malcolm acquaints the reader with Brookner's distinguished career (first as an eminent art critic and historian, then as a writer), critical acclaim and awards, London birth and lifelong residence, and Polish Jewish family background. She examines the limited range of literary forms with which Brookner contents herself, and illustrates Brookner's recurrent point of view, characterized by traditional British values - understatement, deference to authority, and acceptance of a class system.

    This book attempts to explain how and why Milton's Satan is so seductive. It reasserts the importance of Satan against those who would minimize the poem's sympathy for the devil and thereby make Milton orthodox.Neil Forsyth argues that William Blake got it right when he called Milton a true poet because he was of the Devils party even though he set out to justify the ways of God to men. In seeking to learn why Satan is so alluring, Forsyth ranges over diverse topics--from the origins of evil and the relevance of witchcraft to the status of the poetic narrator, the epic tradition, the nature of love between the sexes, and seventeenth-century astronomy. He considers each of these as Milton introduces them: as Satanic subjects.Satan emerges as the main challenge to Christian belief. It is Satan who questions and wonders and denounces. He is the great doubter who gives voice to many of the arguments that Christianity has provoked from within and without. And by rooting his Satanic reading of Paradise Lost in Biblical and other sources, Forsyth retrieves not only an attractive and heroic Satan but a Milton whose heretical energies are embodied in a Satanic character with a life of his own.

    This volume offers a survey of the scores of well-known and unsung heroes of popular literature. It seeks to cover the entire spectrum of pop literature's greatest entertainers and artists; the multimillion-copy bestsellers; and the inventors of the modern genres, such as the western, the hardboiled detective novel, the spy thriller, science fiction, horror, the legal thriller, crime fiction and the erotic/romance novel. The work also profiles colourful but lesser-known underground figures, as well as a wide variety of talented paperback authors who were never given their due. Each of the 200 entries includes a brief biography along with a list of the author's writing credits.

    But with this pioneering study, Saree Makdisi develops a reliable and comprehensive framework for understanding these peculiarities. According to Makdisi, Blake's poetry and drawings should compel us to reconsider the history of the 1790s. Tracing for the first time the many links among economics, politics, and religion in his work, Makdisi shows how Blake questioned and even subverted the commercial, consumerist, and political liberties that his contemporaries championed, all while developing his own radical aesthetic.

    He was also a lyric poet, comic novelist, translator, children's book author, and close friend of Elizabeth Bishop, Robert Lowell, Hannah Arendt, and many other important writers of his time. Jarrell won the 1960 National Book Award for poetry and served as poetry consultant to the Library of Congress. Amid the resurgence of interest in Randall Jarrell, Stephen Burt offers this brilliant analysis of the poet and essayist.Burt's book examines all of Jarrell's work, incorporating new research based on previously undiscovered essays and poems. Other books have examined Jarrell's poetry in biographical or formal terms, but none have considered both his aesthetic choices and their social contexts. Beginning with an overview of Jarrell's life and loves, Burt argues that Jarrell's poetry responded to the political questions of the 1930s, the anxieties and social constraints of wartime America, and the apparent prosperity, domestic ideals, and professional ideology that characterized the 1950s. Jarrell's work is peopled by helpless soldiers, anxious suburban children, trapped housewives, and lonely consumers. Randall Jarrell and His Age situates the poet-critic among his peers--including Bishop, Lowell, and Arendt--in literature and cultural criticism. Burt considers the ways in which Jarrell's efforts and achievements encompassed the concerns of his time, from teen culture to World War II to the Cuban Missile Crisis; the book asks, too, how those efforts might speak to us now.

    It addresses both British and international performance, from subjects such as British performing tradition, and Shakespearean developments to broader cultural concerns, tragic and comic acting, women performers of Shakespeare, and touring companies, among others.

    D. H. Lawrence is a comprehensive, user-friendly guide which:* offers basic information on Lawrence's, contexts and works* outlines the major critical issues surrounding his works, from the time they were written to the present* explain the full range of often very different critical views and interpretation* offer guides to further reading in each area discussed.This guidebook has a broad focus but one very clear aim: to equip you with all the knowledge you need to make your own new readings of the work of D. H. Lawrence.

    Written with clarity and verve, Baudelaire's World provides English-language readers with the biographical, historical, and cultural contexts that will lead to a fuller understanding and enjoyment of the great French poet's work.Rosemary Lloyd considers all of Baudelaire's writing, including his criticism, theory, and letters, as well as poetry. In doing so, she sets the poems themselves in a richer context, in a landscape of real places populated with actual people. She shows how Baudelaire's poetry was marked by the influence of the writers and artists who preceded him or were his contemporaries. Lloyd builds an image of Baudelaire's world around major themes of his writing--childhood, women, reading, the city, dreams, art, nature, death. Throughout, she finds that his words and themes echo the historical and physical realities of life in mid-nineteenth-century Paris. Lloyd also explores the possibilities and limitations of translation. As an integral part of her treatment of the life, poetry, and letters of her subject, she also reflects on published translations of Baudelaire's work and offers some of her own translations.

    He was our first true celebrity, one of the most photographed faces of the 19th and 20th centuries.This course explores Twain's dual identities as one of our classic authors and as an almost mythical presence in our nation's cultural life. It seeks to appreciate Twain's literary achievements and to understand his life by highlighting seven of his major works:Innocents AbroadRoughing ItOld Times on the MississippiThe Adventures of Tom SawyerAdventures of Huckleberry FinnA Connecticut Yankee in King Arthur's CourtThe Tragedy of Pudd'nhead WilsonProfessor Stephen Railton is extraordinarily qualified to bring to light the subtlest insights into Twain's texts. An expert on Twain, he has appeared on The Newshour with Jim Lehrer as a distinguished Twain scholar and is the creator of Mark Twain in His Times, an award-winning Internet archive about Twain's life and career. Professor Railton shows the issues that concerned Twain most throughout his lifetime and that appear repeatedly in the pages of his books.

    S. Lewis’s life and to his creative and critical works, but this is the first study to provide a thorough analysis of his theory of imagination, including the different ways he used the word and how those uses relate to each other. Peter Schakel begins by concentrating on the way reading or engaging with the other arts is an imaginative activity. He focuses on three books in which imagination is the central theme—Surprised by Joy, An Experiment in Criticism, and The Discarded Image—and shows the important role of imagination in Lewis’s theory of education.He then examines imagination and reading in Lewis’s fiction, concentrating specifically on the Chronicles of Narnia, the most imaginative of his works. He looks at how the imaginative experience of reading the Chronicles is affected by the physical texture of the books, the illustrations, revisions of the texts, the order in which the books are read, and their narrative “voice,” the “storyteller” who becomes almost a character in the stories.Imagination and the Arts in C. S. Lewis also explores Lewis’s ideas about imagination in the nonliterary arts. Although Lewis regarded engagement with the arts as essential to a well-rounded and satisfying life, critics of his work and even biographers have given little attention to this aspect of his life. Schakel reviews the place of music, dance, art, and architecture in Lewis’s life, the ways in which he uses them as content in his poems and stories, and how he develops some of the deepest, most significant themes of his stories through them.            Schakel concludes by analyzing the uses and abuses of imagination. He looks first at “moral imagination.” Although Lewis did not use this term, Schakel shows how Lewis developed the concept in That Hideous Strength and The Abolition of Man long before it became popularized in the 1980s and 1990s. While readers often concentrate on the Christian dimension of Lewis’s works, equally or more important to him was their moral dimension. Imagination and the Arts in C. S. Lewis will appeal to students and teachers of both children’s literature and twentieth-century British writers. It will also be of value to readers who wish to compare Lewis’s creations with more recent imaginative works such as the Harry Potter series.

    In "The Verbals", a long conversation mingling confession, memories and self-criticism, Sinclair lays bare the origins of these works, from the myths of Freemasonry surrounding his ancestry to his encounters with the likes of Allen Ginsberg, from his adventures in the film world to his bohemian life in Dublin, from casual labouring in the East End to esoteric studies of earth mysteries and psychogeography.

    She details its prod'n., dist'n., & cons'n. in Great Britain between Waterloo & WWI. Sigel examines how this medium changed over time to explore key questions: How did Brit. society define PN? Who had access to it? What did people make of its ideas? And how did these messages affect sexual & social dynamics? PN offered people a way to make sense of sexuality & its relationship to the world during the transition of Brit. society from an era of radical politics to one of consumer pleasures. Illustrated with literary & visual materials drawn from public & private collections.

    The virtue of Kirby Olson’s Gregory Corso: Doubting Thomist is that it is the first book to place all of Corso’s work in a philosophical perspective, concentrating on Corso as a poet torn between a static Catholic Thomist viewpoint and that of a progressive surrealist.While Corso is a subject of great controversy—his work often being seen as nihilistic and wildly comic—Olson argues that Corso’s poetry, in fact, maintains an insistent theme of doubt and faith with regard to his early Catholicism. Although many critics have attempted to read his poetry, and some have done so brilliantly, Olson—in his approach and focus—is the first to attempt to give a holistic understanding of the oeuvre as essentially one not of entertainment or hilarity but of a deep spiritual and philosophical quest by an important and profound mind.In nine chapters, Olson addresses Corso from a broad philosophical perspective and shows how Corso takes on particular philosophical issues and contributes to new understandings. Corso’s concerns, like his influence, extend beyond the Beat generation as he speaks about concerns that have troubled thinkers from the beginning of the Western tradition, and his answers offer provocative new openings for thought.Corso may very well be the most important Catholic poet in the American literary canon, a visionary like Burroughs and Ginsberg, whose work illuminated a generation. Written in a lively and engaging style, Gregory Corso: Doubting Thomist seeks to keep Corso’s memory alive and at last delve fully into Corso’s poetry.

    'The more books we read, the clearer it becomes that the true function of a writer is to produce a masterpiece and that no other task is of any consequence'

    The essays focus on texts available in English translation and explore with great theoretical sophistication the relationship of these authors' texts to contemporary phenomena of feminism, nationalism, postcolonialism, war, transnationalism, andsocietal change.

    This is the first anthology of Villa’s essays written from the 1920s to the 1950s, which created a canon of Philippine fiction and poetry—essays counting as among the most significant in Philippine literary criticism in English.

    This book is the first comprehensive, historical study of Joyce's great novel in the context of Anglo-Irish political and cultural relations in the period 1880-1920. The first forty years of Joyce's life also witnessed the emergence of whathistorians now call English cultural nationalism. This formation was perceptible in a wide range of different discourses. Ulysses engages with many of them. In doing so, it resists, transforms and works to transcend the effects of British rule in Ireland. The novel was written in the years leadingup to Irish independence. It is powered by both a will to freedom and a will to justice. But the two do not always coincide, and Joyce does not place his art in the service of any extant political cause. His struggle for independence has its own distinctive mode. The result is a unique work ofliberation--and revenge.This eminently learned but lucidly written book transforms our understanding of Joyce's Ulysses. It does so by placing the novel firmly in the historical context of Anglo-Irish political and cultural relations in the period 1880-1920. Gibson argues that Ulysses is a great work of liberation thatalso takes a complex form of revenge on the colonizer's culture.

     By examining Homers great epic poems, The Illiad and The Odysseythe Wests most comprehensive picture of the heroic age, which documents the fact that the Trojan War stalemate was resolved through strategic thinking (via Odysseuss invention of the wooden horse) rather than brute physical superiorityKeld Zeruneith explores this fundamental paradigm shift, which constituted nothing less than the liberation of the modern mind. With close analyses encompassing the poetry, drama, philosophy, and history of the ancient world, Keld Zeruneith casts a new light on our cultural ballast and provides startlingly original insight into the psychological forces behind the genesis of European culture.

    This elegant and evocative look at the move toward objectivity first pioneered by Descartes sheds new light on some old and still perplexing problems in modern science." Bernard Lightman, York University, CanadaIn Dying to Know, eminent critic George Levine makes a landmark contribution to the history and theory of scientific knowledge. This long-awaited book explores the paradoxes of our modern ideal of objectivity, in particular its emphasis on the impersonality and disinterestedness of truth. How, asks Levine, did this idea of selfless knowledge come to be established and moralized in the nineteenth century?Levine shows that for nineteenth-century scientists, novelists, poets, and philosophers, access to the truth depended on conditions of such profound self-abnegation that pursuit of it might be taken as tantamount to the pursuit of death. The Victorians, he argues, were dying to know in the sense that they could imagine achieving pure knowledge only in a condition where the body ceases to make its claims: to achieve enlightenment, virtue, and salvation, one must die.Dying to Know is ultimately a study of this moral ideal of epistemology. But it is also something much more: a spirited defense of the difficult pursuit of objectivity, the ethical significance of sacrifice, and the importance of finding a shareable form of knowledge.

    Coetzee's Foe and Peter Carey's Jack Maggs, which 'write back' to classic English texts, have attracted considerable attention as offering a paradigm for the relationship between post-colonial writing and the 'canon'. Thieme's study provides a broad overview of such writing, focusing both on responses to texts that have frequently been associated with the colonial project or the construction of 'race' (The Tempest, Robinson Crusoe, Heart of Darkness and Othello) and texts where the interaction between culture and imperialism is slightly less overt (Great Expectations, Jane Eyre and Wuthering Heights). The post-colonial con-texts examined are located within their particular social and cultural backgrounds with emphasis on the different forms their responses to their pre-texts take and the extent to which they create their own discursive space. Using Edward Said's models of filiative relationships and affiliative identifications, the book argues that 'writing back' is seldom adversarial, rather that it operates along a continuum between complicity and oppositionality that dismantles hierarchical positioning. It also suggests that post-colonial appropriations of canonical pre-texts frequently generate re-readings of their 'originals'. It concludes by considering the implications of this argument for discussions of identity politics and literary genealogies more generally. Authors examined include Chinua Achebe, Margaret Atwood, Kamau Brathwaite, Peter Carey, J.M. Coetzee, Robertson Davies, Wilson Harris, Elizabeth Jolley, Robert Kroetsch, George Lamming, Margaret Laurence, Pauline Melville, V.S. Naipaul, Caryl Phillips, Ngugi wa Thiong'o, Jean Rhys, Salman Rushdie, Djanet Sears, Sam Selvon, Olive Senior, Jane Urquhart and Derek Walcott.

    Highly regarded by a generation that followed her televised trip to America in the 1950s and by a later generation who watched the Oscar-winning 1985 film Out of Africa, Dinesen gained her initial literary success in the United States. In this guide Susan Brantly illumines the complexities that enrich not only Dinesen's fictional works but also the memoir she wrote of her time in Kenya.

    Based on extensive excavations of archives and texts, this challenging passage through twelve essays presents a history of the literature and examines its debt to, and synthesis with, oral cultures. George Elliott Clarke identifies African-Canadian literature's distinguishing characteristics, argues for its relevance to both African Diasporic Black and Canadian Studies, and critiques several of its key creators and texts.Scholarly and sophisticated, the survey cites and interprets the works of several major African-Canadian writers, including AndrE Alexis, Dionne Brand, Austin Clarke, Claire Harris, and M. Nourbese Philip. In so doing, Clarke demonstrates that African-Canadian writers and critics explore the tensions that exist between notions of universalism and black nationalism, liberalism and conservatism. These tensions are revealed in the literature in what Clarke argues to be - paradoxically - uniquely Canadian and proudly apart from a mainstream national identity.Clarke has unearthed vital but previously unconsidered authors, and charted the relationship between African-Canadian literature and that of Africa, African America, and the Caribbean. In addition to the essays, Clarke has assembled a seminal and expansive bibliography of texts - literature and criticism - from both English and French Canada. This important resource will inevitably challenge and change future academic consideration of African-Canadian literature and its place in the international literary map of the African Diaspora.

    Buber wrote numerous books during his lifetime (1878-1965) and is best known for I and Thou and Good and Evil. Buber has influenced important Protestant theologians like Karl Barth, Emil Brunner, Paul Tillich, and Reinhold Niebuhr. His appeal is vast--not only is he renowned for his translations of the Hebrew Bible but also for his interpretation of Hasidism, his role in Zionism, and his writings in psychotherapy and political philosophy.In addition to a general introduction, each chapter is individually introduced, illuminating the historical and philosophical context of the readings. Footnotes explain difficult concepts, providing the reader with necessary references, plus a selective bibliography and subject index.

    Writing in Code is the first book-length study of Potter's work, and it covers the entire oeuvre. Daphne Kutzer reveals the depth of the symbolism in the stories and relates this to the issues of the author's own development as an independent woman and writer. Perfectly weaving the subtle themes inscribed in Potter's own stories with the concerns and temperament of the author who wrote them, Daphne Kutzer exemplifies literary criticism as it can illuminate the breadth of allusion in children's literature.

    This work became an integral part of Korean literary tradition. Among the Flowering Reeds, which introduces this important poetic tradition to the English-speaking audience, includes 100 poems spanning more than 1,000 years. Lovers of Chinese and Japanese poetry will delight in these translations, which capture both the elegant simplicity and the emotional complexity of the originals.Kim Jong-gil is a Professor Emeritus of English at Korea University in Seoul and is a member of the Korean Academy of Arts. His works of translation include The Snow Falling on Chagall’s Village: Poems of Kim Ch’un-Su. He is presently completing an anthology of modern Korean poetry.

    With a detailed account of household practices, this study interprets plays on the London stage in reference to the first printed cookbooks in England. Working from original historical sources, Wall reveals that domesticity was represented as familiar as well as exotic. She analyzes a wide range of plays including some now little-known as well as key works of the early modern period.

    Yet the realities of Isabel’s life and works are obscured by the legacy of a persona carefully crafted by Isabel and a cadre of historians in her employ or that of her successors, who recognized the benefits of an image of benevolence and piety. This volume includes original essays that examine the world into which Isabel was born; the public and private facets of her marriage and reign; her intervention in the areas of religion, medicine, the arts, and the reform of political, social and economic institutions; and the construction of her image in literary and historical works from the fifteenth century onward.

    Current literary thinking says that writers with nationalist leanings wrote the most relevant fiction, poetry, and prose of the day. "Nationalism, Marxism, and African American Literature Between the Wars: A New Pandora's Box" challenges that notion. It boldly proposes that such writers as A. Philip Randolph, Langston Hughes, and Richard Wright, who often saw the world in terms of class struggle, did more to advance the anti-racist politics of African American letters than writers such as Countee Cullen, Jessie Redmon Fauset, Alain Locke, and Marcus Garvey, who remained enmeshed in nationalist and racialist discourse. Evaluating the great impact of Marxism and nationalism on black authors from the Harlem Renaissance and the Depression era, Anthony Dawahare argues that the spread of nationalist ideologies and movements between the world wars did guide legitimate political desires of black writers for a world without racism. But the nationalist channels of political and cultural resistance did not address the capitalist foundation of modern racial discrimination. During the period known as the "Red Decade" (1929-1941), black writers developed some of the sharpest critiques of the capitalist world and thus anticipated contemporary scholarship on the intellectual and political hazards of nationalism for the working class. As it examines the progression of the Great Depression, the book focuses on the shift of black writers to the Communist Left, including analyses of the Communists' position on the "Negro Question," the radical poetry of Langston Hughes, and the writings of Richard Wright. Anthony Dawahare is an associate professor of English at California State University, Northridge. He has been published in "African American Review," "MELUS," "Twentieth-Century Literature," and "Criticism: A Quarterly for Literature, and the Arts."

    She demonstartes the ways in which the story has been internationally appropriated in contemporary texts and chooses representative retold stories from different languages and genres to examine a particular mode of motif in retellings of this classic tale. Ending the book with an analysis of Red Riding Hood in poular culture, Beckett summarizes the last 300 years in fairytale intertextuality and makes predictions about the future of this classic tale in the context of new media.

    R. R. Tolkien's Medievalism. In fifteen essays, eminent scholars and new voices explore how Professor Tolkien responded to a modern age of crisis - historical, academic and personal - by adapting his scholarship on medieval literature to his own personal voice. The four sections reveal the author influenced by his profession, religious faith and important issues of the time; by his relationships with other medievalists; by the medieval sources that he read and taught, and by his own medieval mythologizing.

    The question of how the same patriarchal ideology structured representations of male bodies and behaviors was until very recently a marginal discussion. Now that masculinity has emerges as an overt theme in children's literature and film, critical consideration of the subject is timely, if not long overdueWays of Being Male addresses this new concern in an unprecedented collection of essays examining how contemporary debates about masculinity are reflected in fiction and film for young adults. An outstanding team of scholars elucidates the ways in which different versions of male identity are constructed and presented to young audiences. The contributors, drawn from a variety of academic disciplines, employ international discourses in literary criticism, feminism, social sciences, film theory, psychoanalytic criticism, and queer theory in their wide-ranging exploration of male representation. With its illuminating array of perspectives, this pioneering survey brings a long neglected subject into sharp focus.

    A new collection of essays on literature and sexuality by one of the wittiest and most iconoclastic critics writing today.

    Yet in the political ferment of 1930s Paris, Bataille and Weil were intellectual adversaries who exerted a powerful fascination on each other. Saints of the Impossible provides the first in-depth comparison of Bataille's and Weil's thought, showing how an exploration of their relationship reveals new facets of the achievements of two of the twentieth century's leading intellectual figures and raises far-reaching questions about literary practice, politics, and religion.

    cinema for more than a century. In this book, Charles Ramirez Berg develops an innovative theory of stereotyping that accounts for the persistence of such images in U.S. popular culture. He also explores how Latino actors and filmmakers have actively subverted and resisted such stereotyping.In the first part of the book, Berg sets forth his theory of stereotyping, defines the classic stereotypes, and investigates how actors such as Raul Julia, Rosie Perez, Jose Ferrer, Lupe Velez, and Gilbert Roland have subverted stereotypical roles. In the second part, he analyzes Hollywood's portrayal of Latinos in three genres: social problem films, John Ford westerns, and science fiction films. In the concluding section, Berg looks at Latino self-representation and anti-stereotyping in Mexican American border documentaries and in the feature films of Robert Rodriguez. He also presents an exclusive interview in which Rodriguez talks about his entire career, from Bedhead to Spy Kids, and comments on the role of a Latino filmmaker in Hollywood and how he tries to subvert the system.

    But some of the most exciting Hemingway scholarship of recent years has come from women scholars who challenge traditional views of Hemingway and women. The essays in this collection range from discussions of Hemingway’s famous heroines Brett Ashley and Catherine Barkley to examinations of the central role of gender in his short stories and in the novel The Garden of Eden. Other essays address the real women in Hemingway’s life—those who cared for him, competed with him, and, ultimately, helped to shape his art. While Hemingway was certainly influenced by traditional perceptions of women, these essays show that he was also aware of the struggle of the emerging new woman of his time. Making this gender struggle a primary concern of his fiction, these critics argue, Hemingway created women with strength, depth, and a complexity that readers are only beginning to appreciate.

    The Essential Arcellana, edited by New-York based writer and publisher Alberto Florentino, features the most representative works—essays, short stories, poems, and column pieces—of Francisco Arcellana, 1990 National Artist for Literature.

    As a man of faith in a secular world, Mariani brings to light issues surrounding spirituality and poetry through discussions of the Gnostics, Roman history, the Bible, John of the Cross, Rilke, Robert Pack, Galway Kinnell, Philip Levine, and the poets he most admires--Gerard Manley Hopkins, William Carlos Williams, Hart Crane, John Berryman, and Robert Lowell.Charged with spiritual and intellectual awe, Mariani fully engages with his subjects, from their lives to their works to their grand impact on Mariani's own life as a poet. His prose flows easily from anecdote to analysis, from Paterson, the setting of Williams's great tribute poem, to Manhattan, where Mariani haunts old neighborhoods and the Brooklyn Bridge, searching for traces of Hart Crane. By infusing scholarly criticism with a personal voice, Mariani allows us to see the relationship between poetry and a sublime presence in the universe.Serious reading for anyone interested in modern and contemporary poetry, God and the Imagination offers elegant and original insights into a wide variety of poetic concerns. But it is most extraordinary for its celebration of the lives of the poets, which allow us, in Mariani's words, "to recover what would otherwise be lost to time and silence."

    In this volume of criticism, one of Chekhov's Russian interpreters seeks to offer Western readers a clear and commanding appraisal of the master's work.

    She encountered many of the most famous figures in early twentieth-century literature, music, and art - among them T.S. Eliot, Virginia Woolf, James Joyce, and Gertrude Stein - and came to know some of them intimately. These luminaries figure prominently in journals in which Butts chronicled the development of her craft between 1916 and her untimely death in 1937. This volume is the first substantial edition of her journals. Introduced and annotated by Nathalie Blondel, the leading authority on Butts' life and works, the book reveals the workings of a complex and distinctive mind while offering vivid insights into her fascinating era.

    Tournaments, Maying, interludes, charivaris, and masking invited the English and French nobility to assert their identities in gesture and costume as well as in speech. These events presumed that performance makes a self, in contrast to the modern belief that identity precedes social performance and, indeed, that performance falsifies the true, inner self. Susan Crane resists the longstanding convictions that medieval rituals were trivial affairs, and that personal identity remained unarticulated until a later period.Focusing on England and France during the Hundred Years War, Crane draws on wardrobe accounts, manuscript illuminations, chronicles, archaeological evidence, and literature to recover the material as well as the verbal constructions of identity. She seeks intersections between theories of practice and performance that explain how appearances and language connect when courtiers dress as wild men to interrupt a wedding feast, when knights choose crests and badges to supplement their coats of arms, and when Joan of Arc cross-dresses for the court of inquisition after her capture.

    Geared to what today's students need to know, SparkNotes provides chapter-by-chapter analysis; explanations of key themes, motifs, and symbols; and a review quiz and essay topics. Lively and accessible, these guides are perfect for late-night studying and writing papers.

    Fritz Oehlschlaeger argues for the study of literature as a training ground for the kinds of thinking on which moral reasoning depends. He challenges methods of doing ethics that attempt to specify universally binding principles or rules and argues for the need to bring literature back into conversation with the most basic questions about how we should live. Love and Good Reasons combines postliberal narrative theology—especially Stanley Hauerwas’s Christian ethics and Alasdair MacIntyre’s idea of traditional inquiry—with recent scholarship in literature and ethics including the work of Martha Nussbaum, J. Hillis Miller, Wayne Booth, Jeffrey Stout, and Richard Rorty. Oehlschlaeger offers detailed readings of literature by five major authors—Herman Melville, Jane Austen, Anthony Trollope, Henry James, and Stephen Crane. He examines their works in light of biblical scripture and the grand narratives of Israel, Jesus, and the Church. Discussing the role of religion in contemporary higher education, Oehlschlaeger shares his own experiences of teaching literature from a religious perspective at a state university.

    In the meticulously researched Dante and the Orient, Schildgen argues that Dante's treatment of the East enabled him to use the rhetoric employed in crusade narratives and other travel literature to oppose the military and polemic goals of the Crusades and to plead for the reformation of both church and state. Schildgen asserts Dante's knowledge of the East by detailing his grasp of empirical geography and mapmaking, which were consistent with the current theories of the thirteenth and fourteenth centuries. But Dante thwarts cartographical traditions and the conventions of the crusade narrative by substituting a metaphorical journey for a literal pilgrimage, thereby shifting the emphasis away from the material sight of scriptural places used in other crusade and pilgrimage narratives. Blending sound historical research with innovative contemporary thought, Schildgen illustrates how Dante's unique adoption of crusade rhetoric grants him the role of prophet.  Mindful of the lands beyond European borders–-but without "orientalizing" or "exoticizing" them–-he questions the concept of salvation outside Christian lands and launches a fiery poetic missive at a crisis-ridden and decadent Latin world that does not live up to its proclaimed ideals. In Dante's keen regard for the East, its wonders become symbols for the grandeur of God and the beauty of the divine realm.

    For decades, scholars have looked at science fiction with disdain and have criticized it for being inferior to other types of literature. But despite the sentiments of these traditionalists, many works of science fiction engage recognized canonical texts, such as the Odyssey, and many traditionally canonical works contain elements of science fiction. More recently, the canon has been subject to revision, as scholars have deliberately sought to include works that reflect diversity and have participated in the serious study of popular culture. But these attempts to create a more inclusive canon have nonetheless continued to marginalize science fiction. This book examines the treatment of science fiction within the academy.The expert contributors to this volume explore a wide range of topics related to the place of science fiction in literary studies. These include academic attitudes toward science fiction, the role of journals and cultural gatekeepers in canon formation, and the marginalization of specific works and authors by literary critics. In addition, the volume gives special attention to multicultural and feminist concerns. In discussing these topics, the book sheds considerable light on much broader issues related to the politics of literary studies and academic inquiry.

    To the modern reader, these medieval texts seem like exercises in sadism, but they also provided Medieval women such as Hildegard of Bingen and Joan of Arc with role models who helped them to shape their own extraordinary destinies. This book explores the ability of the virgin body to generate contradictory meanings, both repressive and liberating, depending on who told the tale and how it was told.

     Covers political, social, cultural, economic and religious history. Written by an international team of experts. Examines Britain's position from the perspective of other European nations.

    Terry Eagleton's Tragedy provides a major critical and analytical account of the concept of 'tragedy' from its origins in the Ancient world right down to the twenty-first century.A major new intellectual endeavour from one of the world's finest, and most controversial, cultural theorists.Provides an analytical account of the concept of 'tragedy' from its origins in the ancient world to the present day.Explores the idea of the 'tragic' across all genres of writing, as well as in philosophy, politics, religion and psychology, and throughout western culture.Considers the psychological, religious and socio-political implications and consequences of our fascination with the tragic.

    P. Lovecraft was one of the most well-read authors of his time, and his personal library constitutes an intimate glimpse into his mind and imagination. This revised and enlarged edition provides comprehensive information on nearly 1000 books owned by Lovecraft. These books focus chiefly on four key areas that Lovecraft found particularly fascinating: ancient literature and history; the history and antiquities of New England; astronomy, chemistry, and other sciences; and, of course, the literature of weird fiction. S. T. Joshi has supplied full publication information, tables of contents for many titles, data on Lovecraft's discussions of the volumes in his stories, essays, poems, and letters, and a wealth of other information. To know Lovecraft's mind, one must first know his books.

    David Herman argues that narrative is simultaneously a cognitive style, a discourse genre, and a resource for writing. Because stories are strategies that help humans make sense of their world, narratives not only have a logic but also are a logic in their own right, providing an irreplaceable resource for structuring and comprehending experience. Story Logic brings together and pointedly examines key concepts of narrative in literary criticism, linguistics, and cognitive science, supplementing them with a battery of additional concepts that enable many different kinds of narratives to be analyzed and understood. By thoroughly tracing and synthesizing the development of different strands of narrative theory and provocatively critiquing what narratives are and how they work, Story Logic provides a powerful interpretive tool kit that broadens the applicability of narrative theory to more complex forms of stories, however and wherever they appear. Story Logic offers a fresh and incisive way to appreciate more fully the power and significance of narratives.

    Chapters by leading authorities discuss the backgrounds and contexts for Ovid, the individual works, and his influence on later literature and art. Coverage of essential information is combined with exciting new critical approaches.

    Routledge is an imprint of Taylor & Francis, an informa company.

    View 81618 more books by Cambridge University Press. The author of this book is W.J. Leatherbarrow. This is the Paperback version of the title "The Cambridge Companion to Dostoevskii " and have around pp. 260 pages.

    Scott Fitzgerald produced his third novel, a slim work for which he had high expectations. Despite such hopes, the novel received mixed reviews and lackluster sales. Over the decades, however, the reputation of The Great Gatsby has grown and millions of copies have been sold. One of the bestselling novels of all time, it is also considered one of the most significant achievements in twentieth-century fiction. But what makes Gatsby great? Why do we still care about this book more than eighty-five years after it was published? And how does Gatsby help us make sense of our own lives and times? In Gatsby: The Cultural History of the Great American Novel, Bob Batchelor explores the birth, life, and enduring influence of The Great Gatsby-from the book's publication in 1925 through today's headlines filled with celebrity intrigue, corporate greed, and a roller-coaster economy. A cultural historian, Batchelor explains why and how the novel has become part of the fiber of the American ethos and an important tool in helping readers to better comprehend their lives and the broader world around them. A "biography" of F. Scott Fitzgerald's masterpiece, this book examines The Great Gatsby's evolution from a nearly-forgotten 1920s time capsule to a revered cultural touchstone. Batchelor explores how this embodiment of the American Dream has become an iconic part of our national folklore, how the central themes and ideas emerging from the book-from the fulfillment of the American Dream to the role of wealth in society-resonate with contemporary readers who struggle with similar uncertainties today. By exploring the timeless elements of reinvention, romanticism, and relentless pursuit of the unattainable, Batchelor confirms the novel's status as "The Great American Novel" and, more importantly, explains to students, scholars, and fans alike what makes Gatsby so great.

    Contemporary film and television have shown how naturally dramatic her stories are. Penny Gay's book describes for the first time the rich theatrical context of Austen's writing, and the intersections between her novels and contemporary drama. Gay relates Austen's mature novels to the various genres of eighteenth-century drama--laughing comedy, sentimental comedy and tragedy, Gothic theatre, early melodrama. She demonstrates the complexity of Austen's analysis of the pervasive theatricality of her society.

    Radhakrishnan, Edward W. Said, and Thayer Scudder Travel, movement, mobility--these are some of the essential activities in human life. Whether we travel to foreign lands or just across the city, we all journey, and from our journeying we shape ourselves, our history, and the stories we tell. In essays written by some of the most respected contemporary scholars, this anthology brings together some of the best informed convictions about travel. Travel, so essential to human life, is a complex matter that encompasses a variety of travel experiences--family vacation, political exile, exploration of distant lands, immigration, mundane shopping trips. Likewise, as the essays in the collection demonstrate, discussion of travel crosses a range of personal and theoretical perspectives--from the postmodern sensibility of Jean Baudrillard to R. Radhakrishnan's explanation to his son of what it means for Indians to live in the United States. As the field of travel itself "travels" across academic and theoretical boundaries, it brings together sociology, anthropology, geography, history, psychology, and literary criticism. Recognizing that multidimensional quality of travel, this book gathers essays that represent various travel experiences and approaches to discussing them. Mapping out definitions of travel, the collection includes essays on tourism and travel writing, on modern globalization and the diaspora, on immigration, migration, and forced relocation. Defining Travel also highlights American experiences of mobility by including essays on Native Americans and early contact with the New World, as well as the massive migration of African Americans to northern cities.Running throughout the essays are sometimes conflicting discussions about what constitutes travel and the homesite, the role of travel, knowledge, and power, especially when travel is accompanied by imperialistic motives.Here readers truly will discover that the essence of human life is wayfaring.With essays by Gloria Anzald�a, Jean Baudrillard, William Bevis, Homi Bhabha, Michel Butor, H�l�ne Cixous, Erik Cohen, Michel de Certeau, Wayne Franklin, Paul Fussell, Farah Jasmine Griffin, Caren Kaplan, Eric Leed, Dean MacCannell, Doreen Massey, Carl Pedersen, Gustavo P�rez-Firmat, Mary Louise Pratt, R. Radhakrishnan, Edward W. Said, and Thayer Scudder Travel, movement, mobility--these are some of the essential activities in human life. Whether we travel to foreign lands or just across the city, we all journey, and from our journeying we shape ourselves, our history, and the stories we tell. In essays written by some of the most respected contemporary scholars, this anthology brings together some of the best informed convictions about travel. Travel, so essential to human life, is a complex matter that encompasses a variety of travel experiences--family vacation, political exile, exploration of distant lands, immigration, mundane shopping trips. Likewise, as the essays in the collection demonstrate, discussion of travel crosses a range of personal and theoretical perspectives--from the postmodern sensibility of Jean Baudrillard to R. Radhakrishnan's explanation to his son of what it means for Indians to live in the United States. As the field of travel itself "travels" across academic and theoretical boundaries, it brings together sociology, anthropology, geography, history, psychology, and literary criticism. Recognizing that multidimensional quality of travel, this book gathers essays that represent various travel experiences and approaches to discussing them. Mapping out definitions of travel, the collection includes essays on tourism and travel writing, on modern globalization and the diaspora, on immigration, migration, and forced relocation. Defining Travel also highlights American experiences of mobility by including essays on Native Americans and early contact with the New World, as well as the massive migration of African Americans to northern cities.Running throughout the essays are sometimes conflicting discussions about what constitutes travel and the homesite, the role of travel, knowledge, and power, especially when travel is accompanied by imperialistic motives.Here readers truly will discover that the essence of human life is wayfaring.

    Each of the authors explains in lucid terms the various contours of their discourses while bringing these into sharp relief for the student reader through readings of canonical novels, poems, plays, films and websites.The book is organised into five areas of critical concern - The Poetics and Politics of Identity; Critical Voices: Ethical Questions; Materialities, Immaterialities, (A)materialities, Realities; Space, Place & Memory. These orientations reflect the increasingly interdisciplinary nature of critical and cultural studies, as do the themes covered within the volume: Diaspora Criticism, Gender and Transgender Criticism, Women of Color and Feminist Criticism, Chaos Theory, Complexity Theory and Criticism, Ethical Criticism, Trauma and Testimonial Criticism, Ecocriticism, Spatial Criticism, Cybercriticism, Deleuzean Criticism, Levinas and Criticism, Spectral Criticism and (A)material Criticism.New for this edition: 6 new chapters addressing new approaches to criticism A revised introductionKey Features: Addresses the various 'states of criticism' at the beginning of the century Each chapter explores and explains aspects of the theory it addresses, provides a brief 3-4 page reading of a literary text, film text or website and concludes with questions for further consideration, an annotated bibliography and a supplementary bibliography The critical readings provide a teaching and study resource and demonstrate the scope of theoretical applications

    Tracing the ties that bound the world of humanistic learning in early modern Europe to other social and cultural spheres, Grafton defines the current state of the art of scholarship on early modern European cultural and intellectual history while simultaneously demonstrating how entertaining, enlightening, and relevant that history can be. Covering a dazzling variety of topics and authors as different as Alberti and Descartes, Grafton maps the grand and meticulous efforts of the past to connect the realm of nature with that of books, the realm of everyday experience with that of passionate reading in massive tomes, and the realm of codes of etiquette and institutions with that of extravagant and joyous erudition--efforts that this book itself brilliantly carries on.

    With the adoption of Christianity in the third and fourth centuries in cosmopolitan centers and in the fifth and sixth centuries in rural communities, clerics faced the challenge of guiding recent converts with little understanding of Christianity beyond the rudimentary catechism necessary for baptism. While priests condemned blatantly pagan celebrations, they could not eliminate the powerful networks sustained by food and drink rituals. Accommodation of existing rites did not, however, represent pagan survivals. Using contemporary saints' lives, canonical legislation, penitentials, theological tracts, monastic Rules and cemeterial remains, Bonnie Effros presents five essays addressing the ways in which clerical authors portrayed rites involving food and drink in their attempts to define membership in religious communities, strengthen their relationships with the laity, highlight gender differences, bring about the healing of the sick and maintain ties to deceased ancestors.

    Bernhard emerged in the 1960s as one of Austria's major writers, challenging the popularity of such established writers as Heinrich B�ll and G�nter Grass on the German literary scene. His idiosyncratic prose consists of a tragic-comic blend of themes such as suicide, madness, and isolation combined with highly satirical and histrionic invectives against culture, tradition, and society. As a skillful impresario of public scandals by means of verbal assaults upon Austrian elite culture, Bernhard also earned himself the epithet of �bertreibungsk�nstler (artist of exaggeration). In this art of cultural and political provocation Bernhard remains unmatched to the present day. This volume of essays provides contributions by well-known critics that examine the most salient aspects of Bernhard's work, offering insights into literary strategies and public themes that made Bernhard one of Europe's masters of modern prose and drama. Essays examine Bernhard's complex artistic sensibility, his impact on Austria's critical memory, his relation to the legacy of Austrian Jewish culture, his representative value as Austria's prime literary export, and his cosmopolitanism and its significance for the rapidly changing multicultural landscape of Europe. Matthias Konzett is Associate Professor of German at Yale University. He is the author of The Rhetoric of National Dissent in Thomas Bernhard, Peter Handke, and Elfriede Jelinek (Camden House, 2000).Click here to view the introduction (PDF file 97KB)

    Desperate Measures continues the critical fevers of Reputations of the Tongue (UPF, 1999), a finalist for the National Book Critics Circle award in criticism. Beginning with an exploration of some of Robert Frost's least-known poems, these essays consider Ezra Pound's letters, T. S. Eliot's metaphysical lectures, the lightness of Elizabeth Bishop, and the civil tongue of Richard Wilbur, finding in poetry a language that lasts beyond the petty conventions of the age.  Added to these thoughtful essays are provocative reviews of contemporary poetry, full of Logan's caustic wit and sharp-eyed scrutiny.  He praises the moral rigor of Anthony Hecht and Geoffrey Hill, the raucous antics of Paul Muldoon, the natural warmth of Seamus Heaney, the violence of Christopher Logue, the cheerful abandon of Amy Clampitt. Intolerant of mediocre verse, Logan ranges widely through the poetry of America, Britain, and Ireland, finding much to criticize, though some of his judgments are surprising and he is rarely predictable. Logan's own poetry has been called dazzling, original, brilliant, and difficult. Like the distinguished poet-critics of the past, his criticism is an extension of a personal wrestling with language.  While criticism of contemporary poetry is often pallid, diplomatic, and full of evasive judgments, Logan is willing to raise hackles, to be cheerfully controversial. The often eloquent criticism in Desperate Measures, which views poetry from one end of the last century to the other, is a passionate defense of poetry in an unpoetic time.William Logan is professor of English at the University of Florida.

    Included in this work are: discussions of Wilder's life; her writings and their influence on the interpretation of the American frontier, the feminine role in frontier life, Native American relations; and the use of the Little House as a teaching tool. Students of Western history, feminist scholars, home schoolteachers, and the Laura Ingalls Wilder following will find this an informative and enjoyable source.

    O'Connor argues that nihilism, especially as promoted by its most notorious proponent Friedrich Nietzsche, seduces modern men and women to take a dangerous odyssey beyond good and evil into an unknown land that falsely promises a brave new world of human progress and evolution.

    This is an invaluable reference work for anyone interested in the history and theory of visuality, and it is essential reading or scholars of art, science, or spirituality in the medieval period.