Zeena and Nikolas Schreck have collaborated on several musical, written, artistic and spiritual projects together, including the avantgarde musical group Radio Werewolf, Nikolas Schreck's documentary Charles Manson Superstar, and the Liberation in this Lifetime course. Nikolas is the author of The Satanic Screen, Flowers from Hell: A Satanic Reader, and The Manson File: Myth and Reality of an Oulaw Shaman, to which Zeena contributed her iconic art suite "God Bless Charles Manson" as cover art and chapter plates. Zeena is the leader of the Sethian Liberation Movement.

    This book attempts to explain how and why Milton's Satan is so seductive. It reasserts the importance of Satan against those who would minimize the poem's sympathy for the devil and thereby make Milton orthodox.Neil Forsyth argues that William Blake got it right when he called Milton a true poet because he was of the Devils party even though he set out to justify the ways of God to men. In seeking to learn why Satan is so alluring, Forsyth ranges over diverse topics--from the origins of evil and the relevance of witchcraft to the status of the poetic narrator, the epic tradition, the nature of love between the sexes, and seventeenth-century astronomy. He considers each of these as Milton introduces them: as Satanic subjects.Satan emerges as the main challenge to Christian belief. It is Satan who questions and wonders and denounces. He is the great doubter who gives voice to many of the arguments that Christianity has provoked from within and without. And by rooting his Satanic reading of Paradise Lost in Biblical and other sources, Forsyth retrieves not only an attractive and heroic Satan but a Milton whose heretical energies are embodied in a Satanic character with a life of his own.