Now, in his brilliant debut book, historian Jason Sokol explores the untold stories of ordinary people experiencing the tumultuous decades that forever altered the American landscape. So often historical accounts of the era have focused on the movement’s most dramatic moments and figures, and paid greatest attention to the brave steps taken by blacks to effect long-awaited change. In this riveting book, Sokol goes beyond the 1955 Montgomery bus boycott, the 1960 student sit-ins, and the soul-stirring speeches of Martin Luther King, Jr., and into the lives of middle- and working-class whites whose world was becoming unrecognizable to them. He takes us to New Orleans’s Ninth Ward, where, in 1960, a painful episode of school integration brought out the fiercest prejudices in some and made accidental radicals of others; to Ollie’s Barbecue in Birmingham and Pickrick Fried Chicken in Atlanta, and thousands of lunch counters in between, where “some white employees greeted black customers as though they had been patrons for years; others slammed doors in their faces; still more served them hesitantly and reluctantly.” There Goes My Everything traces the origins of the civil rights struggle from World War II, when some black and white American soldiers lived and fought side by side overseas (leading them to question Jim Crow at home), to the beginnings of change in the 1950s and the flared tensions of the 1960s, into the 1970s, when strongholds of white rule suddenly found themselves overtaken by rising black political power. Through it all, Sokol resists the easy categorization of whites caught in the torrent of change; rather, he gives us nuanced portraits of people resisting, embracing, and questioning the social revolution taking place around them. Drawing on recorded interviews, magazine bureau dispatches, and newspaper editorials, Sokol seamlessly weaves together historical analysis with firsthand accounts. Here are the stories of white southerners in their own words, presented without condescension or moral judgment. An unprecedented picture of one of the historic periods in twentieth-century America.

    Everywhere around him, adults were behaving badly. His parents’ relationship was in freefall so he tried not to spend too much time at home. But outside, there was industrial unrest, football violence, racism and police brutality. As for the music, it was all ‘Save All Your Grandma’s Kisses For My Love Sweet Jesus’. It made him feel physically sick. Then The Jam appeared.This is Ian’s story of that time. Of weekend jobs so that he could go to gigs. Of bunking into the Hammersmith Odeon and ending up on the roof. Of going to see The Jam in Paris and somehow finding himself being interviewed for Melody Maker. Of attempting to keep out of the way of skinheads and trying (and failing) to work out how to talk to girls. And of devastation when in 1982 Paul Weller announced that the band were splitting up. There will never be another band like The Jam. For those who went on that journey with them, the love ran deep. And still does. They helped Ian and thousands like him to grow up – to be someone.

    Bad is a hilarious look at how Americans can be persuaded that almost anything that's bad is good. With hints on how to recognize just what's BAD these days, Fussell provides an amusing and illuminating look at the current state of taste in America.

    Today it has blossomed into a fundamental precept of civic education, reflecting interracial distrust, personal and political alienation, and a profound suspicion of others. In this powerful and eloquent essay, Danielle Allen, a 2002 MacArthur Fellow, takes this maxim back to Little Rock, rooting out the seeds of distrust to replace them with "a citizenship of political friendship." Returning to the landmark Brown v. Board of Education decision of 1954 and to the famous photograph of Elizabeth Eckford, one of the Little Rock Nine, being cursed by fellow "citizen" Hazel Bryan, Allen argues that we have yet to complete the transition to political friendship that this moment offered. By combining brief readings of philosophers and political theorists with personal reflections on race politics in Chicago, Allen proposes strikingly practical techniques of citizenship. These tools of political friendship, Allen contends, can help us become more trustworthy to others and overcome the fossilized distrust among us. Sacrifice is the key concept that bridges citizenship and trust, according to Allen. She uncovers the ordinary, daily sacrifices citizens make to keep democracy working—and offers methods for recognizing and reciprocating those sacrifices. Trenchant, incisive, and ultimately hopeful, Talking to Strangers is nothing less than a manifesto for a revitalized democratic citizenry.

    * The authors provide a clear and comprehensive overview of this phenomenon. The book also includes important contributions by Henry Jenkins and John Hartley, both experts in this field. Full description

    The furrows of Robin Hardy ('The Wicker Man'), Piers Haggard ('Blood on Satan's Claw'), and Michael Reeves ('Witchfinder General') have arisen again, most notably in the films of Ben Wheatley ('Kill List'), as has the Spirit of Dark of Lonely Water, Juganets, cursed Saxon crowns, spaceships hidden under ancient barrows, owls and flowers, time-warping stone circles, wicker men, the goat of Mendes, and malicious stone tapes.Folk Horror: Hours Dreadful And Things Strange charts the summoning of these esoteric arts within the latter half of the twentieth century and beyond, using theories of psychogeography, hauntology, and topography to delve into the genre's output in film, television, and multimedia as its "sacred demon of ungovernableness" rises yet again in the twenty-first century.

    Substantially revised and expanded, the new edition has more tools to help white people understand and stand-up to racism.Uprooting Racism explores the manifestations of racism in politics, work, community, and family life. It moves beyond the definition and unlearning of racism to address the many areas of privilege for white people and suggests ways for individuals and groups to challenge the structures of racism. Uprooting Racism’s welcoming style helps readers look at how we learn racism, what effects it has on our lives, its costs and benefits to white people, and what we can do about it.In addition to updating existing chapters, the new edition of Uprooting Racism explores how entrenched racism has been revealed in the new economy, the 2000 electoral debacle, rising anti-Arab prejudice, and health care policy. Special features include exercises, questions, and suggestions to engage, challenge assumptions, and motivate the reader towards social action. The new edition includes an index and an updated bibliography.Marketing Plans: • Print review campaign to progressive and social action magazines • Web publicity campaign to progressive and activist sites • Course adoption campaign • Advertising in Education magazines • Promotional mailing to librariesPaul Kivel is the author of Boys Will Be Men (ISBN: 0-86571-395-2, New Society Publishers, 1999) and Men's Work (ISBN: 0-34537-939-X, Ballantine, 1998). He is the founder of the nationally recognized Oakland's Men's Project and has conducted hundreds of workshops on racism and anti-violence for teens and men all over the country. He lives in Oakland, California.Also Available by Paul KivelBoys Will Be Men: Raising Our Sons for Courage, Caring, and Community TP $16.95, 0-86571-395-2 • USA

    They explain, step-by-step, how to help children become successful risk-takers: ready to leap at lifes opportu... Full description

    Where have all the grownups gone? In answering that question with the same freewheeling erudition and intuitive brilliance that made Iron John a national bestseller, poet, storyteller and translator Robert Bly tells us that we live in a "sibling society, " in which adults have regressed into adolescence and adolescents refuse to grow up.

    It reflected two perspectives, the thoughts of the social historian, and the commentary of the political theorist and social activist among African-Americans in the post-1975 period. This book elaborates and expands these theories in light of the developments that have occurred in the 1980s.

    No matter what she does, Liana feels she never measures up.Bryan Langley, a talented musician, was close to signing a recording contract when a barn fire left part of his face severely burned. He survived, but his career did not.When Liana’s father hires Bryan as a caretaker on the family estate outside of Seattle, Liana’s and Bryan’s lives become entangled. He risks public humiliation for Liana’s success, and she encourages him to use his musical gifts, despite his reluctance. Thrown together, will they achieve their elusive dreams? And will the two find the love and acceptance they yearn for, or will their actions only drive each other away?

    These include the ways games can marry pleasure, learning and mastery through the sense of ownership, agency and control players enjoy when gaming, as well as controversial issues surrounding games. The book explores relationships between values, identity, content and learning, and focuses on how to understand and explain many young people's differential experiences of learning in gaming and schooling respectively.

    Its followers across the country transformed the national debate, galvanizing millions with its clarion call for economic justice: "We are the 99 percent." In Occupy Nation, bestselling social historian Todd Gitlin offers the first narrative survey of the movement—from its historic inspirations, to its inner tensions, to its prospects in the months and years to come. He offers a fascinating account of this remarkable phenomenon while casting an informed look at its continuing evolution—and how it needs to proceed to truly make an impact. Informed by Gitlin's own history in the 60s protest movement—but written with both eyes aimed at the future—Occupy Nation is the key book for anyone looking to understand the revolution playing out before our eyes.

    Capitol to aid President Donald Trump in combating a shadowy cabal of Satan-worshipping pedophiles. Two women were among those who died that day. They, like millions of Americans, believed that a mysterious insider known as "Q" is exposing a vast deep-state conspiracy. The QAnon conspiracy theory has ensnared many women, who identify as members of "pastel QAnon," answering the call to "save the children."With Pastels and Pedophiles, Mia Bloom and Sophia Moskalenko explain why the rise of QAnon should not surprise us: believers have been manipulated to follow the baseless conspiracy. The authors track QAnon's unexpected leap from the darkest corners of the Internet to the filtered glow of yogi-mama Instagram, a frenzy fed by the COVID-19 pandemic that supercharged conspiracy theories and spurred a fresh wave of Q-inspired violence.Pastels and Pedophiles connects the dots for readers, showing how a conspiracy theory with its roots in centuries-old anti-Semitic hate has adapted to encompass local grievances and has metastasized around the globe-appealing to a wide range of alienated people who feel that something is not quite right in the world around them. While QAnon claims to hate Hollywood, the book demonstrates how much of Q's mythology is ripped from movie and television plot lines.Finally, Pastels and Pedophiles lays out what can be done about QAnon's corrosive effect on society, to bring Q followers out of the rabbit hole and back into the light.

    In this innovative analysis, Ian Bogost examines the way videogames mount arguments and influence players. Drawing on the 2,500-year history of rhetoric, the study of persuasive expression, Bogost analyzes rhetoric's unique function in software in general and videogames in particular. The field of media studies already analyzes visual rhetoric, the art of using imagery and visual representation persuasively. Bogost argues that videogames, thanks to their basic representational mode of procedurality (rule-based representations and interactions), open a new domain for persuasion; they realize a new form of rhetoric. Bogost calls this new form "procedural rhetoric," a type of rhetoric tied to the core affordances of computers: running processes and executing rule-based symbolic manipulation. He argues further that videogames have a unique persuasive power that goes beyond other forms of computational persuasion. Not only can videogames support existing social and cultural positions, but they can also disrupt and change these positions themselves, leading to potentially significant long-term social change. Bogost looks at three areas in which videogame persuasion has already taken form and shows considerable potential: politics, advertising, and learning.