She is the darkest-skinned among them and therefore the ugliest in her mother, Rozelle's, estimation, but she's also the brightest. Rozelle--beautiful, charismatic, and light-skinned--exercises a violent hold over her children. Fearing abandonment, she pulls them from school at the age of twelve and sends them to earn their keep for the household, whether in domestic service, in the fields, or at "the farmhouse" on the edge of town, where Rozelle beds local men for money.But Tangy Mae has been selected to be part of the first integrated class at a nearby white high school. She has a chance to change her life, but can she break from Rozelle's grasp without ruinous--even fatal--consequences?

    I forget things too. It makes me sad. Or it makes me the saddest. The sadness is not really about George W. or our American optimism; the sadness lives in the recognition that a life cannot matter.The award-winning poet Claudia Rankine, well known for her experimental multigenre writing, fuses the lyric, the essay, and the visual in this politically and morally fierce examination of solitude in the rapacious and media-driven assault on selfhood that is contemporary America. With wit and intelligence, Rankine strives toward an unprecedented clarity-of thought, imagination, and sentence-making-while arguing that recognition of others is the only salvation for ourselves, our art, and our government.Don't Let Me Be Lonely is an important new confrontation with our culture, with a voice at its heart bewildered by its inadequacy in the face of race riots, terrorist attacks, medicated depression, and the antagonism of the television that won't leave us alone.

    In Black Sexual Politics, one of America's most influential writers on race and gender explores how images of Black sexuality have been used to maintain the color line and how they threaten to spread a new brand of racism around the world today.

    This anthology contains some of the African-American rights advocate's most noted writings and speeches, including "Declaration of the Rights of the Negro Peoples of the World" and "Africa for the Africans."Marcus Mosiah Garvey was a Jamaican political leader, publisher, journalist, entrepreneur, and orator who was a staunch proponent of the Black Nationalism and Pan-Africanism movements, to which end he founded the Universal Negro Improvement Association and African Communities League (UNIA-ACL). He also founded the Black Star Line, a shipping and passenger line which promoted the return of the African diaspora to their ancestral lands.

    In We Want Freedom, Mumia combines personal experience with extensive research to provide a compelling history of the Black Panther Party—what it was, where it came from, and what rose from its ashes. Mumia also pays special attention to the U.S. government’s disruption of the organization through COINTELPRO and similar operations.While Abu-Jamal is a prolific writer and probably the world’s most famous political prisoner, this book is unlike any of Mumia’s previous works. In We Want Freedom, Abu-Jamal applies his sharp critical faculties to an examination of one of the U.S.’s most revolutionary and most misrepresented groups. A subject previously explored by various historians and forever ripe for "insider" accounts, the Black Panther Party has not yet been addressed by a writer with the well-earned international acclaim of Abu-Jamal, nor with his unique combination of a powerful, even poetic, voice and an unsparing critical gaze. Abu-Jamal is able to make his own Black Panther Party days come alive as well as help situate the organization within its historical context, a context that included both great revolutionary fervor and hope, and great repression. In this era, when the US PATRIOT Act dismantles some of the same rights and freedoms violated by the FBI in their attack on the Black Panther Party, the story of how the Party grew and matured while combating such invasions is a welcome and essential lesson.

    But when her family moved to New York during the radical sixties, she became intoxicated by the promise of social change. By the time she turned twenty-one, Alice had a new name -- Afeni Shakur, derived from the Yoruba term for "lover of people" -- and a new vision for the future. The rest is history. In 1969, Afeni was arrested along with other members of the Black Panther party on 189 felony charges that included 30 counts of conspiracy. Though she was eventually acquitted of the charges, Afeni spent eleven months in jail before being released. Once on bail, she became pregnant with a son: Tupac Amaru Shakur, a rap megastar until his tragic death in 1996. In this searing work, renowned actress and Afeni's trusted friend Jasmine Guy reveals the evolution of a woman through a series of intimate conversations on themes such as love, death, race, drugs, politics, music, and of course her son. Filled with startling revelations and heartbreaking truths, Afeni's memoir is a powerful testament to the human spirit and the perseverance of the African American people.

    Teel and two of his sons chased and beat Marrow, then killed him in public as he pleaded for his life.Like many small Southern towns, Oxford had barely been touched by the civil rights movement. But in the wake of the killing, young African Americans took to the streets. While lawyers battled in the courthouse, the Klan raged in the shadows and black Vietnam veterans torched the town’s tobacco warehouses. Tyson’s father, the pastor of Oxford’s all-white Methodist church, urged the town to come to terms with its bloody racial history. In the end, however, the Tyson family was forced to move away.Tim Tyson’s riveting narrative of that fiery summer brings gritty blues truth, soaring gospel vision, and down-home humor to a shocking episode of our history. Like To Kill a Mockingbird, Blood Done Sign My Name is a classic portrait of an unforgettable time and place.

    Drawing from the private archives of the poet's estate and numerous interviews, Alexis De Veaux demystifies Lorde's iconic status, charting her conservative childhood in Harlem; her early marriage to a white, gay man with whom she had two children; her emergence as an outspoken black feminist lesbian; and her canonization as a seminal poet of American literature.

    Evaluating his empirical data, Thomas Sowell concludes that race preference programs worldwide have not met expectations and have often produced the opposite of what was originally intended.“A delight: terse, well-argued, and utterly convincing.”—Economist “Among contemporary economists and social theorists, one of the most prolific, intellectually independent, and iconoclastic is Thomas Sowell. . . . Enormously learned, wonderfully clear-headed, he sees reality as it is, and flinches at no truth. . . . Sowell’s presentation of the data is instructive and illuminating—and disturbing.”—Carl Cohen, Commentary“Another brilliant, bracing achievement by Thomas Sowell. With characteristic lucidity, erudition, and depth, Sowell examines the true effects of affirmative action around the globe. This book is compelling, important, mind-opening.”—Amy Chua, author of World on Fire: How Exporting Free Market Democracy Breeds Ethnic Hatred and Global Instability“A masterpiece that deserves to be one of the most influential books of our time. Any honest reader will be informed and enlightened.”—Donald Kagan, Yale University“A gem of a book. A brilliant and learned analysis of the negative effects of racially preferential policies both in the United States and in several other countries around the world.”—Stephan Thernstrom, Harvard University

    In Ojibwa Warrior, written with acclaimed writer and photographer Richard Erdoes, Banks tells his own story for the first time and also traces the rise of the American Indian Movement (AIM). The authors present an insider’s understanding of AIM protest events—the Trail of Broken Treaties march to Washington, D.C.; the resulting takeover of the BIA building; the riot at Custer, South Dakota; and the 1973 standoff at Wounded Knee. Enhancing the narrative are dramatic photographs, most taken by Richard Erdoes, depicting key people and events.

    His literary achievement is a lasting legacy about what it means to be American.Vintage Baldwin includes the short story “Sonny’s Blues”; the galvanizing civil rights examination “My Dungeon Shook: Letter to My Nephew on the One Hundredth Anniversary of the Emancipation”; the essays “Fifth Avenue, Uptown: A Letter from Harlem,” “The Discovery of What It Means to Be an American,” and “Nobody Knows My Name: A Letter from the South”; and excerpts from the novel Another Country and the play The Amen Corner.

    In "Unforgivable Blackness," the prizewinning biographer Geoffrey C. Ward brings to vivid life the real Jack Johnson, a figure far more complex and compelling than the newspaper headlines he inspired could ever convey. Johnson battled his way from obscurity to the top of the heavyweight ranks and in 1908 won the greatest prize in American sports-one that had always been the private preserve of white boxers. At a time when whites ran everything in America, he took orders from no one and resolved to live as if color did not exist. While most blacks struggled just to survive, he reveled in his riches and his fame. And at a time when the mere suspicion that a black man had flirted with a white woman could cost him his life, he insisted on sleeping with whomever he pleased, and married three. Because he did so the federal government set out to destroy him, and he was forced to endure a year of prison and seven years of exile. Ward points out that to most whites (and to some African Americans as well) he was seen as a perpetual threat-profligate, arrogant, amoral, a dark menace, and a danger to the natural order of things."Unforgivable Blackness" is the first full-scale biography of Johnson in more than twenty years. Accompanied by more than fifty photographs and drawing on a wealth of new material-including Johnson's never-before-published prison memoir-it restores Jack Johnson to his rightful place in the pantheon of American individualists.

    Coming together as one, 19 strong and successful women provide a rare glimpse into their lives with the hope that their voices will be heard and their message understood: bear witness to the unforgivable acts that their people have survived and take a step forward in mending old wrongs and forgiving past and present hurts. Brings to light the insight of women artists, lawyers, ranchers, doctors, and educators Discussions range from the land to government, love to family life. Conversational style of writing presents a genuine Native American perspective.

    But, if you have come because your liberation is bound up with mine, let us work together.”—Lila Watson, Aboriginal ActivistVibrant. Strong. Fierce. Undivided Rights captures the evolving and largely unknown activist history of women of color organizing for reproductive justice—on their own behalf.Undivided Rights presents a fresh and textured understanding of the reproductive rights movement by placing the experiences, priorities, and activism of women of color in the foreground. Using historical research, original organizational case studies, and personal interviews, the authors illuminate how women of color have led the fight to control their own bodies and reproductive destinies. Undivided Rights shows how women of color—-starting within their own Latina, African American, Native American, and Asian American communities—have resisted coercion of their reproductive abilities. Projected against the backdrop of the mainstream pro-choice movement and radical right agendas, these dynamic case studies feature the groundbreaking work being done by health and reproductive rights organizations led by women-of-color.The book details how and why these women have defined and implemented expansive reproductive health agendas that reject legalistic remedies and seek instead to address the wider needs of their communities. It stresses the urgency for innovative strategies that push beyond the traditional base and goals of the mainstream pro-choice movement—strategies that are broadly inclusive while being specific, strategies that speak to all women by speaking to each woman. While the authors raise tough questions about inclusion, identity politics, and the future of women’s organizing, they also offer a way out of the limiting focus on “choice.”Undivided Rights articulates a holistic vision for reproductive freedom. It refuses to allow our human rights to be divvied up and parceled out into isolated boxes that people are then forced to pick and choose among.

    The book shows the breadth and depth of the phenomenon within institutions such as education, employment, housing, criminal justice, and healthcare. By critically assessing the magnitude of racial privilege and its enormous costs, Wise provides a rich memoir that will inspire activists, educators, or anyone interested in understanding the way that race continues to shape the experiences of people in the U.S. Using stories instead of stale statistics, Wise weaves a narrative that is at once readable and scholarly, analytical and accessible.

    Within a few years, the slave insurgents forced the French administrators of the colony to emancipate them, a decision ratified by revolutionary Paris in 1794. This victory was a stunning challenge to the order of master/slave relations throughout the Americas, including the southern United States, reinforcing the most fervent hopes of slaves and the worst fears of masters.But, peace eluded Saint-Domingue as British and Spanish forces attacked the colony. A charismatic ex-slave named Toussaint Louverture came to France's aid, raising armies of others like himself and defeating the invaders. Ultimately Napoleon, fearing the enormous political power of Toussaint, sent a massive mission to crush him and subjugate the ex-slaves. After many battles, a decisive victory over the French secured the birth of Haiti and the permanent abolition of slavery from the land. The independence of Haiti reshaped the Atlantic world by leading to the French sale of Louisiana to the United States and the expansion of the Cuban sugar economy.Laurent Dubois weaves the stories of slaves, free people of African descent, wealthy whites, and French administrators into an unforgettable tale of insurrection, war, heroism, and victory. He establishes the Haitian Revolution as a foundational moment in the history of democracy and human rights.

    Building on this work and the study of space, social relations, gender, and power in the Old South, Stephanie Camp examines the everyday containment and movement of enslaved men and, especially, enslaved women. In her investigation of the movement of bodies, objects, and information, Camp extends our recognition of slave resistance into new arenas and reveals an important and hidden culture of opposition.Camp discusses the multiple dimensions to acts of resistance that might otherwise appear to be little more than fits of temper. She brings new depth to our understanding of the lives of enslaved women, whose bodies and homes were inevitably political arenas. Through Camp's insight, truancy becomes an act of pursuing personal privacy. Illegal parties (frolics) become an expression of bodily freedom. And bondwomen who acquired printed abolitionist materials and posted them on the walls of their slave cabins (even if they could not read them) become the subtle agitators who inspire more overt acts. The culture of opposition created by enslaved women's acts of everyday resistance helped foment and sustain the more visible resistance of men in their individual acts of running away and in the collective action of slave revolts. Ultimately, Camp argues, the Civil War years saw revolutionary change that had been in the making for decades.

    Includes: Go Tell It on The Mountain, The Next time by fire and If Beale Street Could Talk all in one volume

    Ever since the first Roman, Saxon, Jute and Dane leaped off a boat we have been a mongrel nation. Our roots are a tangled web. From Huguenot weavers fleeing French Catholic persecution in the 18th century to South African dentists to Indian shopkeepers; from Jews in York in the 12th century (who had to wear a yellow star to distinguish them and who were shamefully expelled by Edward I in 1272) to the Jamaican who came on board the Windrush in 1947. The first Indian MP was elected in 1892, Walter Tull, the first black football player played (for Spurs and Northampton) before WW1 (and died heroically fighting for the allies in the last months of the war); in 1768 there were 20,000 black people in London (out of a population of 600,000 - a similar percentage to today). The 19th century brought huge numbers of Italians, Irish, Jews (from Russia and Poland mainly), Germans and Poles. This book draws all their stories together in a compelling narrative.

    Traversing past and present, Belonging charts a cyclical journey in which hooks moves from place to place, from country to city and back again, only to end where she began--her old Kentucky home. hooks has written provocatively about race, gender, and class; and in this book she turns her attention to focus on issues of land and land ownership. Reflecting on the fact that 90% of all black people lived in the agrarian South before mass migration to northern cities in the early 1900s, she writes about black farmers, about black folks who have been committed both in the past and in the present to local food production, to being organic, and to finding solace in nature. Naturally, it would be impossible to contemplate these issues without thinking about the politics of race and class. Reflecting on the racism that continues to find expression in the world of real estate, she writes about segregation in housing and economic racialized zoning. In these critical essays, hooks finds surprising connections that link the environment and sustainability to the politics of race and class that reach far beyond Kentucky.With characteristic insight and honesty, Belonging offers a remarkable vision of a world where all people--wherever they may call home--can live fully and well, where everyone can belong.

    Board of Education was handed down in 1954, many civil rights advocates believed that the decision, which declared public school segregation unconstitutional, would become the Holy Grail of racial justice. Fifty years later, despite its legal irrelevance and the racially separate and educationally ineffective state of public schooling for most black children, Brown is still viewed by many as the perfect precedent. Here, Derrick Bell shatters the shining image of this celebrated ruling. He notes that, despite the onerous burdens of segregation, many black schools functioned well and racial bigotry had not rendered blacks a damaged race. He maintains that, given what we now know about the pervasive nature of racism, the Court should have determined instead to rigorously enforce the "equal" component of the "separate but equal" standard. Racial policy, Bell maintains, is made through silent covenants--unspoken convergences of interest and involuntary sacrifices of rights--that ensure that policies conform to priorities set by policy-makers. Blacks and whites are the fortuitous winners or losers in these unspoken agreements. The experience with Brown, Bell urges, should teach us that meaningful progress in the quest for racial justice requires more than the assertion of harms. Strategies must recognize and utilize the interest-convergence factors that strongly influence racial policy decisions. In Silent Covenants, Bell condenses more than four decades of thought and action into a powerful and eye-opening book.

    He finds that despite protests by whites that America is a democracy, in reality it is divided into those who enjoy the benefits of full citizenship and others who do not. Olson works through the historical and political background of

    Rather, “the end is reconciliation, the end is redemption, the end is the creation of the beloved community.” King’s words reflect the strong religious impetus behind the civil rights movement in the South in its early days. Consciously emphasizing the Judeo-Christian roots of their convictions, civil rights leaders at the time saw their ultimate purpose as building a “beloved community” on earth. In their quest for social justice, the radical idea of Christian love, specifically through the practice of nonviolence, would transform the social and political realities of twentieth-century America. By the end of the 1960s, that exuberant vision of the beloved community had come apart, lost to disillusionment and secular radicalism. But as noted theologian Charles Marsh shows, the same spiritual vision that animated the civil rights movement remains a vital-and growing-source of moral energy today. In moving prose, Marsh traces the history of this vision over the past four decades, from the racial reconciliation movement in American cities to the intentional communities that church groups have founded. His portraits of faith-based social justice initiatives-including Eugene Rivers’ Azusa Christian Community in Boston and Koinonia Farm in Georgia-offer a stark contrast to the usual media portrayal of Christian activism. Despite the odds against it, the pursuit of the beloved community continues to foster racial unity and civic responsibility in a divided American culture. With The Beloved Community, Marsh lays out a exuberant new vision for Christian progressivism, and simultaneously reclaims the centrality of faith in the quest for social justice.

    As Black and African Studies programs emerged in the early 1970's, the question of who has the right and responsibility to determine course and curriculum also emerged.

    Alice Walker, Maxine Hong Kingston, Charles Johnson, Thich Nhat Hanh, and twenty-five other contributors share their unique perspectives on the fundamental Buddhist concepts of suffering and the path to the cessation of suffering. Together they represent the entire spectrum of Buddhist tradition.Thought-provoking and passionate, Dharma, Color, and Culture forges a new path in our understanding of the simple truths of Buddhism and their relevance for all of us. Essays by Latino, Asian, African-American, and Native American Buddhist practitioners, lay people, and Dharma teachers address the connection between diversity, racism, and Buddhism at four levels: the personal, the interpersonal, the institutional, and the cultural. Recognizing that attention to the pain of racism is essential, the overarching theme of this work is how the Dharma becomes an effective antidote to the suffering and a vehicle for healing and liberation.

    The distinguished contributors to this collection offer a variety of perspectives, from former prisoners to advocates to scholars from around the world. The book is a must-read for anyone concerned by mass incarceration and the growth of the prison-industrial complex within and beyond U.S. borders, as well as those interested in globalization and resistance.

    With their largest and most famous chapter at the center of a bloody campaign in the Ku Klux Klan stronghold of Bogalusa, Louisiana, the Deacons became a popular symbol of the growing frustration with Martin Luther King Jr.'s nonviolent strategy and a rallying point for a militant working-class movement in the South.Lance Hill offers the first detailed history of the Deacons for Defense and Justice, who grew to several hundred members and twenty-one chapters in the Deep South and led some of the most successful local campaigns in the civil rights movement. In his analysis of this important yet long-overlooked organization, Hill challenges what he calls "the myth of nonviolence"--the idea that a united civil rights movement achieved its goals through nonviolent direct action led by middle-class and religious leaders. In contrast, Hill constructs a compelling historical narrative of a working-class armed self-defense movement that defied the entrenched nonviolent leadership and played a crucial role in compelling the federal government to neutralize the Klan and uphold civil rights and liberties.

    

    Highly respected English folk singer Shirley Collins describes her year long stint as Lomax's assistant and their diligent work uncovering the traditional music of America's heartland.

    Intertwining contemporary renditions of traditional Japanese myths and fairy tales with poems that explore the landscape of childhood and early adolescence, she blurs the boundaries between myth and memory, between real and imagined selves. This collection explores cultural, psychological, and physical liminalities and exposes the diasporic arc cast by first-generation Asian American mothers and their second-generation daughters, revealing a desire for metamorphosis of self through time, geography, culture, and myth.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    "More dangerous than a thousand rioters!" That's what the Chicago police called Lucy Parsons--America's most defiant and persistent anarchist agitator, whose cross-country speaking tours inspired hundreds of thousands of working people. Her friends and admirers included William Morris, Peter Kropotkin, "Big Bill" Haywood, Ben Reitman, and Sam Dolgoff. And the groups in which she was active were just as varied: the Knights of Labor, IWW, Dil Pickle Club, International Labor Defense, and others. Here for the first time is a hefty selection of her powerful writings and speeches: on anarchism, women, race matters, class war, the IWW, and the U.S. injustice system. "Lucy Parsons's writings are among the best and strongest in the history of U.S. anarchism"--Gale Ahrens.

    Ossian Sweet moved his family to an all-white Detroit neighborhood in 1925. When his neighbors attempted to drive him out, Sweet defended himself--resulting in the death of a white man and a murder trial for Sweet. There followed one of the most important (and shockingly unknown) cases in Civil Rights history. Also caught up in the intense courtroom drama were legal giant Clarence Darrow and the newly formed National Association for the Advancement of Colored People (NAACP).

    Whether writing on religion or sexuality or notions of whiteness, on Martin Luther King, Jr. or Tupac Shakur, Dyson's keen insight and rhetorical flair continue to surprise and challenge. This collection gathers the best of Dyson's growing body of work: his most incisive commentary, his most stirring passages, and his sharpest, most probing and broadminded critical analyses. From Michael Jordan to Derrida, Ralph Ellison to the diplomacy of Colin Powell, the mastery and ease with which Dyson tackles just about any subject is without parallel.

    It partakes of a broader reconstruction of the state wedding restrictive “workfare” and expansive “prisonfare” under a philosophy of moral behaviorism. This paternalist program of penalization of poverty aims to curb the urban disorders wrought by economic deregulation and to impose precarious employment on the postindustrial proletariat. It also erects a garish theater of civic morality on whose stage political elites can orchestrate the public vituperation of deviant figures—the teenage “welfare mother,” the ghetto “street thug,” and the roaming “sex predator”—and close the legitimacy deficit they suffer when they discard the established government mission of social and economic protection. By bringing developments in welfare and criminal justice into a single analytic framework attentive to both the instrumental and communicative moments of public policy, Punishing the Poor shows that the prison is not a mere technical implement for law enforcement but a core political institution. And it reveals that the capitalist revolution from above called neoliberalism entails not the advent of “small government” but the building of an overgrown and intrusive penal state deeply injurious to the ideals of democratic citizenship.Visit the author’s website.

    You’re going to have to get a light-skinned husband for the sake of your children as it is.”In these words from her mother, novelist and memoirist Marita Golden learned as a girl that she was the wrong color. Her mother had absorbed “colorism” without thinking about it. But, as Golden shows in this provocative book, biases based on skin color persist–and so do their long-lasting repercussions. Golden recalls deciding against a distinguished black university because she didn’t want to worry about whether she was light enough to be homecoming queen. A male friend bitterly remembers that he was teased about his girlfriend because she was too dark for him. Even now, when she attends a party full of accomplished black men and their wives, Golden wonders why those wives are all nearly white. From Halle Berry to Michael Jackson, from Nigeria to Cuba, from what she sees in the mirror to what she notices about the Grammys, Golden exposes the many facets of "colorism" and their effect on American culture. Part memoir, part cultural history, and part analysis, Don't Play in the Sun also dramatizes one accomplished black woman's inner journey from self-loathing to self-acceptance and pride.

    Dynamic, timely, crucial, and eloquent words from more than 30 important African-American personalities are represented here.This is a moving collection of excerpted writings (letters, speeches, poetry, novels, songs, and more) by famous African-Americans with thoughtful commentary on the authors, as well as the impact the writings have had on society.Benjamin Banneker. Dred Scott. Ida B. Wells Barnett. Marcus Garvey. Langston Hughes. Rosa Parks. Malcolm X. Toni Morrison. Lauryn Hill. These and many more are the people who have helped shape African-American culture throughout history.

    Immigration and Naturalization Service has existed in this country for more than two decades. In American Gulag, prisoners, jailers, and whistle-blowing federal officials come forward to describe the frightening reality inside these INS facilities. Journalist Mark Dow's on-the-ground reporting brings to light documented cases of illegal beatings and psychological torment, prolonged detention, racism, and inhumane conditions. Intelligent, impassioned, and unlike anything that has been written on the topic, this gripping work of investigative journalism should be read by all Americans. It is a book that will change the way we see our country. American Gulag takes us inside prisons such as the Krome North Service Processing Center in Miami, the Corrections Corporation of America's Houston Processing Center, and county jails around the country that profit from contracts to hold INS prisoners. It contains disturbing in-depth profiles of detainees, including Emmy Kutesa, a defector from the Ugandan army who was tortured and then escaped to the United States, where he was imprisoned in Queens, and then undertook a hunger strike in protest. To provide a framework for understanding stories like these, Dow gives a brief history of immigration laws and practices in the United States—including the repercussions of September 11 and present-day policies. His book reveals that current immigration detentions are best understood not as a well-intentioned response to terrorism but rather as part of the larger context of INS secrecy and excessive authority. American Gulag exposes the full story of a cruel prison system that is operating today with an astonishing lack of accountability.

    Frederick Douglass's Narrative, first published in 1845, is an enlightening and incendiary text. Born into slavery, Douglass became the preeminent spokesman for his people during his life; his narrative is an unparalleled account of the dehumanizing effects of slavery and Douglass's own triumph over it. Like Douglass, Harriet Jacobs was born into slavery, and in 1861 she published Incidents in the Life of a Slave Girl, now recognized as the most comprehensive antebellum slave narrative written by a woman. Jacobs's account broke the silence on the exploitation of African American female slaves, and it remains crucial reading. These narratives illuminate and inform each other. This edition includes an incisive Introduction by Kwame Anthony Appiah and extensive annotations.

    Most central Texans of the time failed to call for the punishment of the mob's leaders. In The Making of a Lynching Culture, William D. Carrigan seeks to explain not how a fiendish mob could lynch one man but how a culture of violence that nourished this practice could form and endure for so long among ordinary people. Beginning as far back as the 1836 independence of Texas, The Making of a Lynching Culture re-examines traditional explanations of lynching, including the role of the frontier, economic tensions, and political conflicts. It also addresses acts of violence ignored or marginalized in many studies of lynching, notably citizen violence against Native Americans and vigilante executions of Anglo Americans. Using a voluminous body of court records, newspaper accounts, oral histories, and other sources, Carrigan shows how conventional notions of justice and historical memory were reshaped to glorify violence and foster a culture that legitimized lynching.

    The spaces they come to occupy are not empty or neutral, but are imbued with history and meaning. This groundbreaking book interrogates the pernicious, subtle but nonetheless widely held view that certain bodies are naturally entitled to certain spaces, while others are not. How are positions of authority racialized and gendered? How do people manage their femininity and/or blackness while in a predominantly white male context? How do spaces become naturalized or normalized, and what does it mean when they are disrupted? Engaging with a range of material from a variety of institutions, Space Invaders is a timely contribution to wide-reaching debates on race, gender and space. It is the first book to articulate the full complexity of diversity in organizations.

    brother, Kelly, whom he cannot seem to love, and with his best friend, Matthew, whom he loves like a true brother. Together, George and Matthew confront shame and ignorance with indomitable spirit and dignity. love story. Delivered with brutal elegance, Paul Golding's narrative is more than a shoring up against loss. It is a search for sense itself.

    In a highlyprovocative interpretation of the decision's connection to the civil rights movement, Klarman argues that Brown was more important for mobilizing southern white opposition to racial change than for encouraging direct-action protest. Brown unquestioningly had a significant impact--it brought raceissues to public attention and it mobilized supporters of the ruling. It also, however, energized the opposition. In this authoritative account of constitutional law concerning race, Michael Klarman details, in the richest and most thorough discussion to date, how and whether Supreme Court decisionsdo, in fact, matter.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Journalists, policymakers, and researchers routinely frame accounts of ethnic, racial, and national conflict as the struggles of internally homogeneous, externally bounded ethnic groups, races, and nations. In doing so, they unwittingly adopt the language of participants in such struggles, and contribute to the reification of ethnic groups.In this timely and provocative volume, Rogers Brubaker--well known for his work on immigration, citizenship, and nationalism--challenges this pervasive and commonsense "groupism." But he does not simply revert to standard constructivist tropes about the fluidity and multiplicity of identity. Once a bracing challenge to conventional wisdom, constructivism has grown complacent, even cliched. That ethnicity is constructed is commonplace; this volume provides new insights into how it is constructed. By shifting the analytical focus from identity to identifications, from groups as entities to group-making projects, from shared culture to categorization, from substance to process, Brubaker shows that ethnicity, race, and nation are not things in the world but perspectives on the world: ways of seeing, interpreting, and representing the social world.

    Its clear and accessible entries cover a comprehensive range of terms including:- aesthetics- canon- culture- deconstruction- ethnicity- identity- subjectivity- value- workFully cross-referenced and with suggestions for further reading, this is an essential resource for all students of music.

    In The Black Interior, she examines the vital roles of such heavyweight literary figures as Gwendolyn Brooks, Langston Hughes, and Rita Dove, as well as lesser known, yet vibrant, new creative voices. She offers a reconsideration of "afro-outré" painter Jean-Michel Basquiat, the concept of "race-pride" in Jet magazine, and her take on Denzel Washington's career as a complex black male icon in a post-affirmative action era. Also available is Alexander's much heralded essay on Rodney King, Emmett Till, and the collective memory of racial violence.Alexander, who has been a professor at the University of Chicago and Smith College, and recently at Yale University, has taught and lectured on African American art and culture across the country and abroad for nearly two decades. In The Black Interior, she directs her scrupulous poet's eye to the urgent cultural issues of the day. This lively collection is a crucial volume for understanding current thinking on race, art, and culture in America.

    David Greenstone Book Award from the Politics and History section of the American Political Science Association.  Winner of the 2005 Ralph J. Bunche Award of the American Political Science AssociationWinner of the 2005 V.O. Key, Jr. Award of the Southern Political Science AssociationThe Reconstruction era marked a huge political leap for African Americans, who rapidly went from the status of slaves to voters and officeholders. Yet this hard-won progress lasted only a few decades. Ultimately a "second reconstruction"—associated with the civil rights movement and the Voting Rights Act—became necessary. How did the first reconstruction fail so utterly, setting the stage for the complete disenfranchisement of Southern black voters, and why did the second succeed? These are among the questions Richard M. Valelly answers in this fascinating history. The fate of black enfranchisement, he argues, has been closely intertwined with the strengths and constraints of our political institutions. Valelly shows how effective biracial coalitions have been the key to success and incisively traces how and why political parties and the national courts either rewarded or discouraged the formation of coalitions. Revamping our understanding of American race relations, The Two Reconstructions brilliantly explains a puzzle that lies at the heart of America’s development as a political democracy.

    Text, photos, and live audio capture the monumental stories of the American Civil Rights struggle, including: The murder of Emmett Till; Marches on Washington; Rosa Parks; Turmoil in Birmingham; Martin Luther King, Jr.; Stokely Carmichael; Selma, Alabama; The Black Panther Party; The stirring speeches from inspiring leaders of the movement; The angry rants of the segregationists and KKK; Broadcasts of major events; Voices of America's slaves

    DeVol, is a set of two workbooks for people in poverty that shows how to use the hidden rules of class to build up financial, emotional, social, and other resources. Understanding the hidden rules of the middle class and wealth, and choosing to use them, can open doors to new relationships, new jobs, and higher resources. The workbook is designed to be used as an investigation tool by people working in groups with a trained facilitator. The participants explore the impact that poverty has had on them, investigate economic realities, complete a self-assessment of their own resources, make plans to build their own resources, and develop a mental model of community prosperity.

    But there's trouble brewing among the local migrant workers. Suddenly, black and white become a muddy shade of gray, and whispers of the KKK drift through the Southern air.

    In sharing her personal story of "coming home" to reclaim her identity within that culture, Betty Bastien offers us a gateway into traditional Blackfoot ways of understanding and experiencing the world. As a scholar and researcher, Bastien is also able to place Blackfoot tradition within the context of knowledge building among indigenous peoples generally, and within a historical context of precarious survival amid colonial displacement and cultural genocide. In mapping her own process of coming to know, Bastien stresses the recovery of the Blackfoot language and of the Blackfoot notions of reciprocal responsibilities and interdependence. For the Siksikaitsitapi, knowledge is experiential, participatory, and ultimately sacred, rather than objective and inert. Rekindling traditional ways of knowing is essential if First Nations people in Canada are to heal and rebuild their communities and cultures. By sharing what she has learned, Betty Bastien hopes to ensure that the next generation of First Nations people will enjoy a future of hope and peace

    Protagonist Buggy Martin tells the first-person story of moving with his wife, Helen, and two children from a rotting tenement on the South Side to the new development, where the family is besieged by angry whites.With honesty and humor, the richly textured narrative chronicles how the small group of black tenants at Trumbull Park endure the strain of living with racial violence: the endless danger of bombings and shattered windows, filthy insults, callous attention from police, and forced rides in armed convoys to and from work and the market. Until, that is, the day Buggy and a friend refuse police protection and walk home together through the white mob.

    As image-makers, the Kamoinge members have sought to shed positive light on their subjects, and to demystify Black life in America. With images from such acclaimed photographers as Anthony Barboza, Adger W. Cowans, Ming Smith Murray, and poems by Ntozake Shange, The Sweet Breath of Life is a book destined to become a classic work of American photography and literature.

    In this masterful work, New York Times reporter and two-time Pulitzer Prize finalist Jason DeParle cuts between the mean streets of Milwaukee and the corridors of Washington to produce the definitive account. As improbable as fiction, and equally fast-paced, this classic of literary journalism has captured the acclaim of the Left and Right. At the heart of the story are three cousins, inseparable at the start but launched on differing arcs. Leaving welfare, Angie puts her heart in her work. Jewell bets on an imprisoned man. Opal guards a tragic secret that threatens her kids and her life. DeParle traces back their family history six generations to slavery, and weaves poor people, politicians, reformers, and rogues into a spellbinding epic. At times, the very idea of America seemed on trial: we live in a country where anyone can make it, yet generation after generation some families don't. Washington Post: "Riveting... like a searing novel of urban realism - Theodore Dreiser comes to Milwaukee." Chicago Tribune: "Sweeping scope and dramatic detail worthy of Charles Dickens."

    and internationally for over half a century. A prolific writer and speaker on human rights, Kochiyama has spoken at over 100 colleges and universities and high schools in the U.S. and Canada.

    Who is this enigmatic man?And what does he believe in?Judging Thomas tells the remarkable story of Clarence Thomas's improbable journey from hardscrabble beginnings in the segregated South to the loftiest court in the land. Driven by his grandfather's relentless demand that he counter racial injustice with hard work and accomplishment, Thomas has waged an often lonely fifty-year campaign to forge his own American identity against others' expectations of who he should be.With objectivity and balance, author Ken Foskett chronicles Thomas's contempt for upper-crust blacks who snubbed his uneducated, working-class roots; his flirtation with the priesthood and later Black Power; the resentment that fueled his opposition to affirmative action; the conservative beliefs that ultimately led him to the Supreme Court steps; and the inner resilience that propelled him through the doors.Based on interviews with Thomas himself, fellow justices, family members, and hundreds of friends and associates, Judging Thomas skillfully unravels perhaps the most complex, controversial,and powerful public figure in America today. Foskett reveals that beneath the silent, often brooding exterior is a man of depth, empathy, and wit, but one still deeply scarred by his humiliating Supreme Court confirmation.Judging Thomas is a seminal biography of the youngest and most recognizable justice, and the man who may succeed William H. Rehnquist to become the nation's first black chief justice.

    Bringing together pioneering and controversial scholarship from both the social and the biological sciences, as well as the humanities, this reader charts the evolution of debates on 'race' and 'mixed race' from the nineteenth to the twenty-first century. The book is divided into three main sections:*tracing the origins: miscegenation, moral degeneracy and genetics*mapping contemporary and foundational discourses: 'mixed race', identities politics, and celebration*debating definitions: multiraciality, census categories and critiques.This collection adds a new dimension to the growing body of literature on the topic and provides a comprehensive history of the origins and directions of 'mixed race' research as an intellectual movement. For students of anthropology, race and ethnicity, it is an invaluable resource for examining the complexities and paradoxes of 'racial' thinking across space, time and disciplines.

    McKay's first poems were composed in rural Jamaican creole and launched his lifelong commitment to representing everyday black culture from the bottom up. Migrating to New York, he reinvigorated the English sonnet and helped spark the Harlem Renaissance with poems such as "If We Must Die." After coming under scrutiny for his communism, he traveled throughout Europe and North Africa for twelve years and returned to Harlem in 1934, having denounced Stalin's Soviet Union. By then, McKay's pristine "violent sonnets" were giving way to confessional lyrics informed by his newfound Catholicism.McKay's verse eludes easy definition, yet this complete anthology, vividly introduced and carefully annotated by William J. Maxwell, acquaints readers with the full transnational evolution of a major voice in twentieth-century poetry.

    The photographs in this book have appeared everywhere from Calcutta to New York, from fetish parties to the pristine whitewashed Photographer's Gallery, printed on posters promoting safe sex and projected onto walls. In full colour throughout, they show people who don't fit into any traditional social boxes: queer Asian Brits, queens in Bollywood drag, women in men's suits or naked on the streets of Britain.

    J. Todd Moye examines the social histories of civil rights and white resistance movements in Sunflower, tracing the development of organizing strategies in separate racial communities over four decades. Sunflower County was home to both James Eastland, one of the most powerful reactionaries in the U.S. Senate in the twentieth century, and Fannie Lou Hamer, the freedom-fighting sharecropper who rose to national prominence as head of the Mississippi Freedom Democratic Party. Sunflower was the birthplace of the Citizens' Council, the white South's pre-eminent anti-civil rights organization, but it was also a hotbed of SNCC (Student Nonviolent Coordinating Committee) organizing and a fountainhead of freedom culture.Using extensive oral history interviews and archival research, Moye situates the struggle for democracy in Sunflower County within the context of national developments in the civil rights movement. Arguing that the civil rights movement cannot be understood as a national monolith, Moye reframes it as the accumulation of thousands of local movements, each with specific goals and strategies. By continuing the analysis into the 1980s, Let the People Decide pushes the boundaries of conventional periodization, recognizing the full extent of the civil rights movement.

    Madhubuti includes poignant moving tributes to Jacob Carruthers, Gwendolyn Brooks, and Amiri Baraka, as well as heartfelt words that provide comfort and guidance to the families of the 21 people who lost their lives in Chicago's E-2 nightclub tragedy. The final section of the book, "A Poet's Handbook," provides personal and sometimes anecdotal insights on the craft of writing poetry.

    Starting in 1979 with the publication of James Baldwin's final novel, Just Above My Head, then on to the radical writings of the 1980s, the breakthrough successes of the 1990s, and up to today's new works, editor E. Lynn Harris collects 47 sensational stories, poems, novel excerpts, and essays. Authors featured include Samuel R. Delany, Essex Hemphill, Melvin Dixon, Marlon Riggs, Assotto Saint, Larry Duplechan, Reginald Shepherd, Carl Phillips, Keith Boykin, Randall Kenan, Thomas Glave, James Earl Hardy, Darieck Scott, Gary Fisher, Bruce Morrow, John Keene, G. Winston James, Bil Wright, Robert Reid Pharr, Brian Keith Jackson, as well as an array of exciting new and established writers.

    A popular education resource of exercise and tools for immigrant and refugee community organizations and other allies of immigrants and refugees. It features 8 workshop modules that include activities, discussion questions, fact sheets, and other resources to help build dialogue, engagement, and shared action within and between communities. Topics covered in BRIDGE include discussions of the history of immigration, human rights, globalization and workers' rights, immigrant women's leadership, LGBT rights, and building common ground between communities. Truly wonderful. "In all of my years since the 1960s as an activist for peace and justice, I have never come across such an important and exciting book that offers us the tools essential for effective organizing on the issues of immigrant rights and building visible social movement coalitions. It is written in language that activists on campus, in the grassroots community, in the church, and in the union hall can all understand." [Carlos Munoz, Jr] "The entire BRIDGE project and this workbook in particular are rooted in creativity and dedication of people with long experience in different immigrant communities and building understanding between them. The workbooks modules are realistic, imaginative, and even fun to utilize." [Elizabeth 'Betita' Martinez]

    Two dozen homes line the street; behind them wooden decks and living-room windows open onto vast woodland properties. Residents returning from their jobs steer SUVs into long driveways and emerge from their automobiles. They walk to the front doors of their houses past sculptured bushes and flowers in bloom.For most people, this cozy image of suburbia does not immediately evoke images of African Americans. But as this pioneering work demonstrates, the suburbs have provided a home to black residents in increasing numbers for the past hundred years—in the last two decades alone, the numbers have nearly doubled to just under twelve million. Places of Their Own begins a hundred years ago, painting an austere portrait of the conditions that early black residents found in isolated, poor suburbs. Andrew Wiese insists, however, that they moved there by choice, withstanding racism and poverty through efforts to shape the landscape to their own needs. Turning then to the 1950s, Wiese illuminates key differences between black suburbanization in the North and South. He considers how African Americans in the South bargained for separate areas where they could develop their own neighborhoods, while many of their northern counterparts transgressed racial boundaries, settling in historically white communities. Ultimately, Wiese explores how the civil rights movement emboldened black families to purchase homes in the suburbs with increased vigor, and how the passage of civil rights legislation helped pave the way for today's black middle class.Tracing the precise contours of black migration to the suburbs over the course of the whole last century and across the entire United States, Places of Their Own will be a foundational book for anyone interested in the African American experience or the role of race and class in the making of America's suburbs. Winner of the 2005 John G. Cawelti Book Award from the American Culture  Association. Winner of the 2005 Award for Best Book in North American Urban  History from the Urban History Association.

    Arguing that African-Americans are disproportionately involved in every form of crime (including serial killing, white-collar crime, and organized crime, thereby contradicting widely accepted statistics), he first looks at the role of racism in having "bred a violent culture in the African American community" and then puts forward the argument that crime is the cause of poverty, rather than the other way around. He then presents "an ecology of the inner city" and describes the "evolutionary origins of behavioral differences among races." Annotation ©2004 Book News, Inc., Portland, OR