Each poem is imbued with the extraordinary perceptions of a poet who considers the everyday in our lives and the natural world around us and finds a multitude of reasons to wake early.

    I forget things too. It makes me sad. Or it makes me the saddest. The sadness is not really about George W. or our American optimism; the sadness lives in the recognition that a life cannot matter.The award-winning poet Claudia Rankine, well known for her experimental multigenre writing, fuses the lyric, the essay, and the visual in this politically and morally fierce examination of solitude in the rapacious and media-driven assault on selfhood that is contemporary America. With wit and intelligence, Rankine strives toward an unprecedented clarity-of thought, imagination, and sentence-making-while arguing that recognition of others is the only salvation for ourselves, our art, and our government.Don't Let Me Be Lonely is an important new confrontation with our culture, with a voice at its heart bewildered by its inadequacy in the face of race riots, terrorist attacks, medicated depression, and the antagonism of the television that won't leave us alone.

    In this beautiful printing of Poirot’s classic work—featuring new scans from newly made prints—we come to know the poet’s magical world through his poems, his houses, the wonderful things he collected, and his friends.

    A rich collection of ten poems, two essays, and two dozen of Mary Oliver's classic works on flowers, trees, and plants of all sorts, elegantly illustrated, Blue Iris is the essential companion to Owls and Other Fantasies, one of the best-selling volumes of poetry of 2003 and a Book Sense 76 selection.

    Critics call him a "haiku-like imagist" and his poems have been compared to Chekov's short stories. In Delights and Shadows, Kooser draws inspiration from the overlooked details of daily life. Quotidian objects like a pegboard, creamed corn and a forgotten salesman's trophy help reveal the remarkable in what before was a merely ordinary world."Kooser documents the dignities, habits and small griefs of daily life, our hunger for connection, our struggle to find balance."-PoetryTed Kooser is the author of eight collections of poems and a prose memoir. He lives on a small farm in rural Nebraska.

    Despite the fact that he is a non-native writer, Kaminksy's sense of rhythm and lyric surpasses that of most contemporary poets in the English language. This magical, musical book of poems draws readers into its unforgettable heart, and Carolyn Forche writes simply "I am in awe of his gifts."

    Whether describing a goosefish stranded at low tide, the feeling of being baptized by the mist from a whale's blowhole, or the ‘connection between soul and landscape’, Oliver invites readers to find themselves and their experiences at the center of her world. In Long Life she also speaks of poets and writers: Wordsworth's ‘whirlwind’ of ‘beauty and strangeness’; Hawthorne's ‘sweet-tempered’ side; and Emerson's belief that ‘a man's inclination, once awakened to it, would be to turn all the heavy sails of his life to a moral purpose’. With consummate craftsmanship, Mary Oliver has created a breathtaking volume sure to add to her reputation as ‘one of our very best poets’ (New York Times Book Review).

    . . a powerful interpreter of the American experience.” —The Philadelphia InquirerArguably the most important writer to emerge from the Harlem Renaissance of the 1920s and ‘30s, Langston Hughes was a great poet and a shrewd and lively storyteller. His work blends elements of blues and jazz, speech and song, into a triumphant and wholly original idiom.Vintage Hughes includes the poems “The Negro Speaks of Rivers,” “I, Too,” “The Weary Blues,” “America,” “Let America Be America Again,” “Dream Variations,” “Young Sailor,” “Afro-American Fragment,” “Scottsboro,” “The Negro Mother,” “Good Morning Revolution,” “I Dream a World,” “The Heart of Harlem,” “Freedom Train,” “Song for Billie Holliday,” “Nightmare Boogie,” “Africa,” “Black Panther,” “Birmingham Sunday,” and “UnAmerican Investigators”; and three stories from the collection The Ways of White Folks: “Cora Unashamed,” “Home,” and “The Blues I’m Playing.”

    Subjects are revisited–the pain of childhood, adolescent sexual stirrings, the fulfillment of marriage, the wonder of children–but each recasting penetrates ever more deeply, enriched by new perceptions and conceits.Strike Sparks is a testament to this remarkable poet’s continuing and amazing growth.From the Hardcover edition.

    Now he has assembled this equally lively companion anthology for all those readers who've wanted more poems that touch the heart, stir the mind and fire the spirit. Being Alive is about being human: about love and loss, fear and longing, hurt and wonder. Staying Alive didn't just reach a broader readership, it introduced thousands of new readers to contemporary poetry, giving them an international gathering of poems of great personal force, poems with emotional power, intellectual edge and playful wit. It also brought many readers back to poetry, people who hadn't read poetry for years because it hadn't held their interest. Being Alive gives readers an even wider selection of vivid, brilliantly diverse contemporary poetry from around the world. A third companion anthology, Being Human (2011), completed this modern poetry trilogy. Essential Poems from the Staying Alive Trilogy (2012) selects 100 poems from all three anthologies, a third from each. These anthologies have been welcomed not only by poets but by a wide range of well-known people respected for their work in fields other than poetry - all avid readers of poetry. They want to recommend these books above all other anthologies of contemporary poetry.

    These people organized for safe working conditions in opposition to the mine company owners and their agents. Fisher listened closely and the result is a book of vivid, rhythmic, heartfelt poems that address a violent time with honesty, levity, and compassion. Kettle Bottom is about how a community lived in the presence of constant danger and the choices the residents made. These are people to look to today.

    Mr. Brown has performed works from herein on The Tonight Show with Jay Leno and as the opening act for rock bands such as Cold War Kids and The White Stripes. It contains 204 pages of work spanning 1994-2004. Derrick Brown's large cult following has sent him on tours through twelve countries. He continues to tour to this day. Paperback. www.brownpoetry.com

    The revised Selected Verse, which incorporates changes made to García Lorca's Collected Poems, is an essential addition to any poetry lover's bookshelf. In this bilingual edition, García Lorca's poetic range comes clearly into view, from the playful Suites and stylized evocations of Andalusia to the utter gravity and mystery of the final elegies, confirming his stature as one of the twentieth century's finest poets.

    For the first time Bloom gives his readers an elegant guide to reading poetry--a master critic’s distillation of a lifetime of teaching and criticism. He tackles such subjects as poetic voice, the nature of metaphor and allusion, and the nature of poetic value itself. Blooms writes “the work of great poetry is to aid us to become free artists of ourselves.” This essay is an invaluable guide to poetry.This edition will also include a recommended reading list of poems.

    Tate's signature style draws on a marvelous variety of voices and characters, all of which sound vaguely familiar, but are each fantastically unique, brilliant, and eccentric.Yet, as Charles Simic observed in the New York Review of Books, "With all his reliance on chance, Tate has a serious purpose. He's searching for a new way to write a lyric poem." He continues, "To write a poem out of nothing at all is Tate's genius. For him, the poem is something one did not know was there until it was written down. . . . Just about anything can happen next in this kind of poetry and that is its attraction. . . . Tate is not worried about leaving us a little dazed. . . . He succeeds in ways for which there are a few precedents. He makes me think that anti-poetry is the best friend poetry ever had."

    From lines about a love that dizzies up the brain's back room to haunting fragments beckoning death and decline in a suffering world, Kim Addonizio articulates the way that our connections - to the world, to self, and to others - endure and help make us whole.

    You can download it directly from goodreads

    Collected Poems 1943-2004 is the comprehensive collection of Wilbur's astonishing, timeless work. It will serve as the most referenced trove of this beloved poet's best verses for many years to come.In Trackless WoodsIn trackless woods, it puzzled me to findFour great rock maples seemingly aligned,As if they had been set out in a rowBefore some house a century ago,To edge the property and lend some shade.I looked to see if ancient wheels had madeOld ruts to which the trees ran parallel,But there were none, so far as I could tell-There'd been no roadway. Nor could I find the squareDepression of a cellar anywhere,And so I tramped on further, to surveyAmazing patterns in a hornbeam sprayOr spirals in a pine cone, under treesNot subject to our stiff geometries.

    During his brief 5-year reign as the enfant terrible of French literature he produced an extraordinary body of poems that range from the exquisite to the obsene, while simultaneously living a life of dissolute excess with his lover and fellow poet, Verlaine. At the age of 21, he abandonned poetry and travelled across Europe before settling in Africa as an arms trader. This edition sets the two sides of Rimbaud side by side with a sparkling translation of his most exhilarating poetry and a generous selection of the letters from the harsh and colourful period of his life as a colonial trader.

    Rexroth’s poems of nature and protest are remarkable for their erudition and biting social and political commentary; his love poems justly celebrated for their eroticism and depth of feeling.The cloth edition was one of the most widely reviewed poetry titles in 2003:“Scholars and critics who endeavor to discuss mid-20th century American poetry responsibly ignore Rexroth at their peril.”—Los Angeles Times Book Review, cover feature and selected as a Book of the Year“Rexroth is probably best known as the ‘Father of the Beat Generation.’ These poems reveal that great beauty lies beyond that cliché.”—NPR’s All Things Considered“Rexroth’s prodigious breadth of learning, his hungry attention to the natural world, his contempt for warmongering and his profound, occasionally overlapping love of women are all on flourishing display.”—The San Francisco Chronicle“Rexroth never mistook his poetry for a product, and he could present ideas and images in an urgent, memorable and eloquent way.”—The Nation“Rexroth is one of the most readable and rewarding 20th-century American poets.”—BooklistKenneth Rexroth (1905–1982) was one of the world’s great literary minds. In addition to being a poet, translator, essayist and teacher, he helped found the San Francisco Poetry Center and influenced generations of readers with his Classics Revisited series.

    Her poetic strength lies in her ability to cast poems as modern myths and allegories. Propelled by patterned repetitions and lush cadences, the poems move the reader through a landscape where waking and dream consciousness fuse.Brigit Pegeen Kelly teaches creative writing at the University of Illinois at Urbana-Champaign. Her poetry collections are Song (BOA Editions), the 1994 Lamont Poetry Selection of The Academy of American Poets and a finalist for the 1995 Los Angeles Times Book Award, and To the Place of Trumpets, selected by James Merrill for the 1987 Yale Series of Younger Poets Prize.

    Spare and intensely-felt, Valentine's poems present experience as only imperfectly graspable. This volume gathers together all of Valentine's published poems and includes a new collection, Door in the Mountain.Valentine's poetry is as recognizable as the slant truth of a dream. She is a brave, unshirking poet who speaks with fire on the great subjects—love, and death, and the soul. Her images—strange, canny visions of the unknown self—clang with the authenticity of real experience. This is an urgent art that wants to heal what it touches, a poetry that wants to tell, intimately, the whole life.

    Supposedly prevented from winning, the precocious child who dreamed of becoming a doctor was changed irrevocably. Her story, told in a poignant nonlinear narrative, illustrates the power of a pivotal moment in a life.

    There is a new clarity to her work, a disquieting transparency, even in the midst of the wild thickets of language for which she is known. A poet “at the border of her own allegory,” Brock-Broido searches for a lexicon adequate to the extremities of experience–a quest that is as capricious as it is uncompromising. In the process, she reveals, unsparingly, things as they are. In “Pamphlet on Ravening” she recalls, “I was a hunger artist once, as well. / My bones had shone. / I had had rapture on my side.” The book is laced with sequences: haunted, odd self-portraits; a succession of poems provoked by discarded titles by Wallace Stevens; an intermittent series of fractured and beguiling lyrics that she variously refers to as fragments, leaflets, and apologues.Trouble in Mind is a book that astonishes us afresh at the agility and the uncanny will of language, which Brock-Broido is not afraid to follow where it may lead her: “That the name of bliss is only in the diminishing / (As far as possible) of pain. That I had quit / The quiet velvet cult of it, / Yet trouble came.” Even trouble, in Brock-Broido’s idiom, becomes something resplendent.From the Hardcover edition.

    Of The Babies, poet Claudia Rankine writes, “Rarely do we encounter poems that are so precisely framed, though on their surface seemingly whimsical and erratic. These poems are gorgeous, intelligent, and disturbing.”

    Having studied motherhood "as if for an exam," reality proved "wilder and deeper and funnier" than anything she'd anticipated.Tender Hooks is Fennelly's spirited exploration of parenting, with all its contradictions and complexities.

    Cassiopeia. A sister. A Marco Polo. A somnambulist. A documentary on the voyages of Columbus. A cartographer. Star charts. Young intellectuals in black robes. Jean-Michel Basquiat. More birds and still more birds. A mathematician. All these things appear in The To Sound’s beautifully warped cosmology. This is a stunning book that builds its own world, a world of ambiguous relations and loaded words; a lyrical world that explores the unstated connections between things. . . ."

    Like a literal road atlas, the poems carry lines and themes from one to the next. Like Atlas holding up the world, they hold patterns of all kinds aloft with an attention that transforms. The poems also are an atlas of the known world, capturing the way events repeat across time and place, as in one poem that links the image of her sister, pausing in her work as housekeeper, with the contours of a maid in a Vermeer painting and a woman just "made over" on that day's episode of Oprah. Vandenberg's poems use family artifacts, memory, and imagination to plot the intersections of love, death, history, art, and desire. In the first section, "Trade Routes," about connections, each poem moves back one generation to investigate the ways events reverberate across time. The second section, "The Red Fields of Lisse (A Love Story)," focuses on a former partner, a hemophiliac with AIDS, and tulips. The third section, "Catalog of Want," contains poems about desire in various guises. The last section, "A Place Ten Years Away," reexamines the themes of the first three sections.

    Subversive in their treatment of the contemporary voice, broad in their subject matter, and often delightfully funny, the poems in this collection have a brilliant ear language.

    This collection of persona poems tells the story of the infamous Lewis & Clark expedition from the point of view of Clark's personal slave, York. The poems form a narrative of York's inner and outer journey, before, during and after the expedition--a journey from slavery

    Toured with Ani Difranco, seen on HBO, International poetry slam champion.

    Apollinaire—Roman by birth, Polish by name (Wilhelm-Apollinaris de Kostrowitski), Parisian by choice—died at thirty-eight in 1918. Nevertheless, he became one of the leading figures in twentieth-century poetry, a transitional figure whose work at once echoes the Symbolists and anticipates the work of the Surrealists.

    One of the most individual voices of his generation, Armitage revitalizes our sense of the Odyssey as oral poetry, as indeed one of the greatest of tall tales.

    That was the essence of the life an poetry of Langston Hughes.”—Senator John Kerry, from the PrefaceA beautifully designed collection of some of the greatest poems by a quintessentially American poet, whose theme of the promise of American inclusiveness continues to ring true.Langston Hughes was uncommonly attuned to the ideals of freedom and democracy and the sometimes elusive American dream. The poems collected here offer a hopeful, truly democratic vision for America. Incantatory and stirring, passionate and provocative, they are as resonant for our times as they were over half a century ago.Contents:“Let America Be America Again,” “Dream of Freedom,” “America,” “Search,” “Some Day,” “In Time of Silver Rain,” “Dare,” “Give Us Our Peace,” “I Dream a World.”

    “Lichtenberg figures” are fern-like electrical patterns that can appear on (and quickly fade from) the bodies of people struck by lightning. Throughout this playful and elegiac debut—with its flashes of autobiography, intellection, comedy, and critique—the vocabulary of academic theory collides with American slang and the idiom of the Old Testament meets the jargon of the Internet to display an eclectic sensibility. Ben Lerner, the youngest poet ever published by Copper Canyon Press, is co-founder of No: a journal of the arts. He earned an MFA from Brown University and is currently a Fulbright scholar in Spain.

    This series of elegies records the transit of grief, observing with an unflinching eye how a singular traumatic event can permanently alter our understanding of time, danger, the material world and family. Marked by clarity and restraint, these lyric poems narrate a suspenseful, wrenching story that explores the depths and limits of empathy.“Living Room Altar”Except for the shirt pulled from the ocean,except for her hands, which keep folding the shirt,except for her body, which once held their bodies,my sister wants everything back now—If there were a god who could out of empty shellscarried by waves to shoremake amends—If the ocean saved in a jarcould keep from turning to salt—She’s hearing things:bird calling to bird,cat outside the door,thorn of the blackberry against the trellis."These heart-breaking poems of an all-too-human life stay as absolute as the determined craft which made them. There is finally neither irony nor simple despair in what they record. Rather, it is the far deeper response of witness, of recognizing what must be acknowledged and of having the courage and the care to say so." —Robert Creeley

    Winner of the Pulitzer Prize, Justice has been hailed by his contemporary Anthony Hecht as “the supreme heir of Wallace Stevens.” In poems that embrace the past, its terrors and reconciliations, Justice has become our poet of living memory. The classic American melancholy in his titles calls forth the tenor of our collective passages: “Bus Stop,” “Men at Forty,” “Dance Lessons of the Thirties,” “The Small White Churches of the Small White Towns.” This master of classical form has found in the American scene, and in the American tongue, all those virtues of our literature and landscape sought by Emerson and Henry James. For half a century he has endeavored, with painterly vividness and plainspoken elegance, to make those local views part of the literary heritage from which he has so often taken solace, and inspiration.School Letting Out(Fourth or Fifth Grade)The afternoons of going home from schoolPast the young fruit trees and the winter flowers.The schoolyard cries fading behind you then,And small boys running to catch up, as thoughIt were an honor somehow to be near—All is forgiven now, even the dogs,Who, straining at their tethers, used to bark,Not from anger but some secret joy.From the Hardcover edition.

    The prose poem The Invitation was originally passed from reader to reader over the internet and hand–to–hand; it was these readers who helped make the book a best–seller.This small, beautifully presented book, incorporating the poem and two short additional new chapters by Oriah, gives old and new readers the beloved poem in a fresh way, as a gift for others or oneself. The often moving and sometimes funny chapters give a fresh, full account of how the poem came to be, and then discuss the life of the poem after it was written and circulated to so many readers, via the internet, photocopies, and eventually the full book The Invitation. Artwork will accompany each paragraph of the poem.

    Dan Beachy-Quick confirms the promise of his first book and greatly extends the range and scope of his writing with this brilliant fantasia on a theme by Herman Melville. This multi-layered poetic work engages with Melville's text as well as with myth and with the ideas of spiritual quest, the role of the writer, and the nature of language. Rewarding multiple readings and affording continual discoveries, SPELL is a major work for the new century by an assured and gifted poet. "Intelligent, compassionate, exquisite, Beachy-Quick's is a unique voice in contemporary poetry"--Cole Swensen.

    From the quintessential 1960s poems ‘Let Me Die a Youngman’s Death’ and ‘Summer with Monika’ to the recent tender poems of fatherhood, this collection shows exactly why Roger McGough is one of our most celebrated poets.”

    In fact, Dylan Thomas was the first to record for this new label, started by two 22–year–old women, Marianne Roney and Barbara Cohen. Little did they know that in addition to capturing a part of history they also launched an industry of spoken–word recording.This collection not only contains the incredible Caedmon recording sessions, but also recordings from the BBC, CBC, and other archival material Caedmon originally published in the 1950s and 1960s.Highlights include: "A Child's Christmas in Wales" and "Five Poems"; "Do Not Go Gentle Into that Good Night", his prose: Adventures in the Skin Trade and Quite Early One Morning, and his final work – Under Milk Wood, a play.With stunning original album cover art, and an introduction read by former poet laureate Billy Collins, this unique collection includes not only Dylan Thomas reading his finest works, but also rare recordings of Thomas reading his favorite writers, including W.H. Auden and William Shakespeare.

    The book concludes with a portrait of Wiman’s diagnosis of a rare form of incurable and lethal cancer, and how mortality reignited his religious passions.When I was twenty years old I set out to be a poet. That sounds like I was a sort of frigate raising anchor, and in a way I guess I was, though susceptible to the lightest of winds. . . . When I read Samuel Johnson’s comment that any young man could compensate for his poor education by reading five hours a day for five years, that’s exactly what I tried to do, practically setting a timer every afternoon to let me know when the little egg of my brain was boiled. It’s a small miracle that I didn’t take to wearing a cape.Praise for Ambition and Survival"That calling, at once religious, ethical, and aesthetic, is one that only a genuine poet can hear—and very few poets can explain it as compellingly as Mr. Wiman does. That gift is what makes Ambition and Survival, not just one of the best books of poetry criticism in a generation, but a spiritual memoir of the first order."—New York Sun"This weighty first prose collection should inspire wide attention, partly because of Wiman's current job, partly because of his astute insights and partly because he mixes poetry criticism with sometimes shocking memoir...The collection's greatest strength comes in general ruminations on the writing, reading and judging poetry." —Publishers Weekly"[Wiman is] a terrific personal essayist, as this new collection illustrates, with the command and instincts of the popular memoirist ... This is a brave and bracing book." —Booklist"Christian Wiman's poems often spoke of a void, and then they stopped. In Ambition and Survival, Poetry magazine's editor rediscovers his spirituality and his voice."—Chicago Sun-TimesChristian Wiman is the editor of Poetry magazine. His poems and essays appear regularly in The New Yorker, The Atlantic Monthly, Harper’s, and The New York Times Book Review. He is the author of several books of poetry, including The Long Home (isbn 9781556592690) and Hard Night (isbn 9781556592201).

    A wonderful introduction to world literature, this finely crafted and affordable series offers the works of these world-renowned authors to a wider audience.Includes "Broken Wings", "The Madman", "The Prophet", "Tears and a Smile", and others.

    The fourth collection of poetry from this former automotive die designer delivers more of the cunning brilliance that has become Hicok's hallmark.

    It's an exercise in courage about reaching a point where passion is all that is left.

    Born a princess in the region of Rajasthan in 1498, Mira (as she is more commonly known) fought tradition and celebrated a woman's right to an independent life in her ecstatic poems. Her royal family arranged an early marriage for her, but she felt a marriage to Krishna was more important. As a result, her life became a model of social defiance and spiritual integrity. During her lifetime, Mira's reputation spread across her country. She was known as a woman of immense talent and devotion. By the time she died in 1550, she was considered a saint. People across India recited and danced to her poems, and they still do today. In this collection, Robert Bly and Jane Hirshfield, two of America's best poets, have created lively English versions of Mirabai's poems, using fresh images and energetic rhythms to make them accessible to modern readers. Their work makes clear that Mirabai's poetry transcends her time and culture.Columbia University professor of religion John Stratton Hawley provides an afterword to the volume that discusses what is known of Mirabai's life and reputation. With a historian's precision, he shows how Bly and Hirshfield's versions belong to a tradition of reinterpretation and rephrasing that is already centuries old.Mirabai comes to life through the impressive interpreting of her poems by Bly and Hirshfield. The poems feel as fresh today as they must have felt when this amazing woman sung them herself five centuries ago.

    Though deeply rooted in the West Norwegian landscape which he evokes so memorably, Hauge's poetry has a kinship in background and temperament with that of Robert Frost, while also sharing the wry humour and cool economy of William Carlos Williams and Brecht, whom he translated. Often epigrammatic, yet lyrical in impulse, his poems have a serenity which makes them unusually rewarding. Olav H. Hauge (1908-1994) lived nearly all of his life in his native Ulvik in Western Norway, where he worked as a gardener. His poetry is now seen as one of the main achievements of twentieth-century Norwegian literature. Robin Fulton, Scottish poet, editor and translator, has lived in Norway since 1973. He is a notable translator of Scandinavian poetry whose versions of Swedish poets received the Artur Lundkvist Award in 1977 and Swedish Academy Awards in 1978 and 1998. His collections of poetry include Selected Poems (1980) and several further volumes.

    In art, as in life, the poet Carl Phillips argues, that currency includes beauty, risk, and authority-values of meaning and complexity that all too often go disregarded. Together, these essays become an invaluable statement for the necessary-and necessarily difficult-work of the imagination and the will, even when, as Phillips states in his title essay, "the last thing that most human beings seem capable of trusting naturally-instinctively-is themselves, their own judgment."

    Encompassing the spiritual, philosophical, political, mystical, and erotic strains that have emerged over millennia, this broadly representative selection also includes a preface on the art of translation, a general introduction to Chinese poetic form, biographical headnotes for each of the poets, and concise essays on the dynasties that structure the book. A landmark anthology, The Anchor Book of Chinese Poetry captures with impressive range and depth the essence of China’s illustrious poetic tradition.

    The extraordinary success of Daisy Goodwin's best-selling poetry collections has brought tens of thousands of new readers to the classics and to the work of many relatively unknown contemporary poets. Her instinctive sense of the way in which poetry in all its myriad forms can play a part in our daily lives, and her distinctive commentary on how it can do so, together with her acclaimed television series for BBC2, has made poetry, always close to the British heart, more popular than it has been for years. Now, in a book inspired by Palgrave's Golden Treasury, she chooses a much more ambitious selection. From Lord Byron's Childe Harold's Pilgrimage and C. P. Cavafy's Ithaka to Wendy Cope and Vicki Feaver, this sumptuously produced, beautifully designed compendium of poems appropriate to every stage of our lives, from the moment we enter trailing clouds of glory to the time we first set foot upon the primrose path, will be a source of entertainment, consolation, insight, amusement, solace and ruminative satisfaction to people of all ages at all times of the year.

    Small Knots is a tender and terrifying collection of poems that maps the development of breast cancer, celebrates the family and life's daily small joys, and meditates on what connects us to the world.

    Published to commemorate the centenary of 1914, this stunning set of books, with specially commissioned covers by leading print makers, is an essential gathering of our most beloved war poets introduced by leading poets and biographers of our present day.Dying at twenty-five, a week before the end of the First World War, Wilfred Owen (1893-1918) has come to represent a generation of young men sacrificed - as it seems to the next generation, one in unprecedented rebellion against its fathers - by guilty old men: generals, politicians, profiteers. Owen has now taken his place in literary history as perhaps the first, certainly the quintessential, war poet.

    G. Sebald, and Joseph Conrad. The prefatory lyric, "Burial Practice," imagines the posthumous narrative of "then’s" that follows an individual's extinction; in the poem "Aria," a stagehand steps onto the floorboards to wax poetic after the curtain has dropped on an opera; and the extended sequence of "Circle" poems obliquely revisits Dante's ethical landscape of the afterlife.Many of these poems were written while Srikanth Reddy worked for a rural literacy program in the south of India, a fact reflected in the imagined postcolonial world of lyrics such as "Monsoon Eclogue" and "Thieves’ Market." Yet the collection moves beyond the identity politics and ressentiment of postcolonial and Asian-American writings by addressing the fugitive dreams of shared experience in poems such as "Fundamentals of Esperanto." Mobilizing traditional literary forms such as terza rima and the villanelle while simultaneously exploring the poetics of prose and other "formless" modes, Facts for Visitors re-negotiates the impasse between traditional and experimental approaches to writing in contemporary American poetry.

    "Reading Tim Seibles reminds me of the Buddhist parable of the burning house: everyone ignores the flames, pretends there is no smoke, no pain, no prospect of death. Or, if there is, it will only happen to someone else, someone in another world. According to these teachings, aversion and attachment are not the greatest barriers to fulfillment; it is indifference that endangers a soul. Not to embrace or confront what is undeniably there but to detach ourselves and retreat. It is precisely this indifference that these poems challenge with lyric insistence - begging, assailing, teasing, affirming. In this mystical, romantic and political collection, Seibles is willing to take a chance, any chance to engage the general malaise of our times. He is a musician of the spirit and of the body, and it is that quality which carries us forward breath by breath, line by line. The journey is oddly enchanting, even transformative"--Nin Andrews.

    In turns sad, troubled and angry, her voice has always been one of great empathy, knowing, as she says, “the only mercy is memory.” In this, her 12th book of poetry, the National Book Award-winner speaks to the tenuous relationship between mothers and daughters, the debilitating power of cancer, the open wound of racial prejudice, the redemptive gift of story-telling. “September Song,” a sequence of seven poems, featured on National Public Radio, presents a modern-day Orpheus who, through her grief, attempts to heart-intelligently respond to the events of September 11th. The last sequence of poems—a tightly-woven fabric of caveats and prayers—was initially written in the 1970s, then revised and reshaped in the last few years.Lucille Clifton is an award-winning poet, fiction writer and author of children’s books. Her most recent poetry book, Blessing the Boats: New and Selected Poems 1969–1999 (BOA), won the 2000 National Book Award for Poetry. Two of Clifton’s BOA poetry collections, Good Woman: Poems and a Memoir 1969–1980 and Next: New Poems, were chosen as finalists for the Pulitzer Prize in 1988, while Clifton’s The Terrible Stories (BOA) was a finalist for the 1996 National Book Award. Clifton has received fellowships from the NEA, an Emmy Award from the American Academy of Television Arts and Sciences, the Shelley Memorial Prize and the Charity Randall Citation. She is a Distinguished Professor of Humanities as St. Mary’s College in Maryland. She was appointed a Fellow of The American Academy of Arts and Sciences, and elected as Chancellor of The Academy of American Poets in 1999. She lives in Columbia, MD.

    She was born Sarah Trevor Teasdale in St. Louis, Missouri.

    Hesperides Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

    From her remarkable body of work, this volume includes nearly four hundred original poems--sixteen of them rare and previously uncollected--and one never-before-published prayer discovered in the Helen Steiner Rice Foundation archives. Included are favorites like "The Praying Hands," "Heart Gifts," and "Tribute to John F. Kennedy." Organized topically into sixteen parts, this collection features the subjects Helen returned to again and again in her life--from musings on heaven and the beauty in nature to odes of love for friends and family. It's a definitive volume packed with heart and hope for generations to come.

    Beautiful Trouble explores the subtleties of landscape, place, families, girlhood, womanhood, and everyday existence on the prairie. Fleury writes of the Midwest with authenticity, speaks of romance with delicate allure, and recalls the heartbreak of childhood without self-pity. In meditations on resilience and life’s contradictions, Fleury engages her characters fully and paints their souls and sensations evenly in language both rare and beautiful. She is a poet in love with sound and its power to summon majesty from quotidian scenes. Her poems are brief and striking, depending on exquisite word choice and balance to achieve a simple order on the page.

    But this is no simple reportage. With candor, humor, and compassion, Zucker discovers a new poetic territory: a landscape between story and fragment, a way of telling that is neither confessional nor intellectually detached. At the cliff-edge of narrative, a high place where language is the rope and falling the perception, Zucker's poems are unsentimental, true to the disjunctive experiences of loving, giving birth, raising a child, being lonely, being alive. A poetry of the body, of desire, about human frailty and strength, The Last Clear Narrative fills a void in the history of women writing about everyday experience and speaks to the nature of narrative itself.

    Mr. Sund's few published volumes of poetry and frequent public readings established his reputation as one of the most distinctive poetic voices of the Pacific Northwest, where he enjoyed a tremendous popularity before his death in 2001. His short, imagistic poems, in the tradition of William Carlos Williams and Kenneth Rexroth, distill the essence of the Northwest landscape and in plain speech celebrate themes of family, friendship, work and quiet contemplation. Included here are the poet's award-winning collections, Bunch Grass, which gave literary voice to the rolling wheat country east of the Cascade Mountains in his native Washington State, and Ish River, which celebrated the misty, riverine landscape of the Puget Sound country, a place, in the poet's words, "between two mountain ranges where / many rivers / run down to an inland sea". But the great bulk of this collection contains poems unpublished during the poet’s lifetime or published only in very limited editions. There is also a generous selection of his translations, from Issa, Buson, Basho, and most especially from the Swedish poet Rabbe Enckell, with whom Mr. Sund felt a close affinity.

    This devilishly witty book has a twist: Each writer's name is rearranged as a title, creating the subject for a parody rendered in the author's style.

    What emerges is a portrait of a medium like the one we live in, with all its unexpectedness. The Book of Funnels is one of the strangest and most beautiful first books of poetry I have read in a long time.”Christian Hawkey was raised on Pine Island, Florida. He is an assistant professor of English and creative writing at the Pratt Institute in New York City. In 2000, he co-founded the poetry journal, jubilat. He lives in Ft. Greene, Brooklyn.

    Though he is a profoundly religious poet, even secular readers respond to his quiet intensity and exuberant inventiveness, which are amply showcased in this selection.Herbert experimented brilliantly with a remarkable variety of forms, from hymns and sonnets to pattern poems, the shapes of which reveal their subjects. Such technical agility never seems ostentatious, however, for precision of language and expression of genuine feeling were the primary concerns of this poet, who admonished his readers to “dare to be true.” An Anglican priest who took his calling with deep seriousness, he brought to his work a religious reverence richly allied with a playful wit and with literary and musical gifts of the highest order. His best-loved poems, from “The Collar” and “Jordan” to “The Altar” and “Easter Wings,” achieve a perfection of form and feeling, a rare luminosity, and a timeless metaphysical grandeur.

    Lyrical language and personal, engaging voices take the reader on a dizzying and affecting journey through a "geography of risk." This wholly original work brings poetry into regions hitherto explored only by the most experimental forms of music and plastic arts.Sawako Nakayasu was born in Yokohama, Japan, and has lived in the US since the age of six. Her previous pubications include Clutch (Tinfish, 2002), Balconic (Duration, 2003), and Nothing fictional but accuracy or arrangement (she (Faux, 2003), and she edits the press Factorial. In 2003 she received the US-Japan Creative Artists’ Program Fellowship from the NEA.

    In the tradition of the essay as complex humanist exploration, she engages ideas from across history: Aristotle's definition of happiness, Epicurus's swerve into unpredictable possibility, Montaigne's essays as an instrument of self-invention, John Cage's redefinition of Silence. Within her unifying rubric of poethics, Retallack gives the reader plenty of surprises with a wonderful range of examples, situations, and texts through which she conducts her exploration. A computer glitch, a passage from Gertrude Stein's favorite detective novelist, the idea of the experimental feminine, a John Cage performance—all serve as occasions for inquiry and speculation on the way to her poethics of a "complex realism."

    S. Graham poem in 1949. It sent a shiver down my spine. Forty-five years later nothing has changed. His song is unique and his work an inspiration.' Harold Pinter. From his first publications in the early 1940s, to his final works of the late 1970s, W. S. Graham has given us a poetry of intense power and inquisitive vision - a body of work regarded by many as among the best Romantic poetry of the twentieth century. This New Collected Poems, edited by poet and Graham-scholar Matthew Francis and with a foreword by Douglas Dunn, offers the broadest picture yet of Graham's work.

    These are the engines, like poetry, that propel both our comprehension and misunderstanding. "If you're lucky," Harvey writes, "after a number of / revolutions, you'll / feel something catch."

    Poetry has been an essential aid to Zen Buddhist practice from the dawn of Zen—and Zen has also had a profound influence on the secular poetry of the countries in which it has flourished. Here, two of America’s most renowned poets and translators provide an overview of Zen poetry from China and Japan in all its rich variety, from the earliest days to the twentieth century. Included are works by Lao Tzu, Han Shan, Li Po, Dogen Kigen, Saigyo, Basho, Chiao Jan, Yuan Mei, Ryokan, and many others. Hamill and Seaton provide illuminating introductions to the Chinese and Japanese sections that set the poets and their work in historical and philosophical context. Short biographies of the poets are also included.

    Intertwining contemporary renditions of traditional Japanese myths and fairy tales with poems that explore the landscape of childhood and early adolescence, she blurs the boundaries between myth and memory, between real and imagined selves. This collection explores cultural, psychological, and physical liminalities and exposes the diasporic arc cast by first-generation Asian American mothers and their second-generation daughters, revealing a desire for metamorphosis of self through time, geography, culture, and myth.

    A Brenda Hillman Selection. "Here, the sum of the parts generates'such a brutal equation' that there is little difference between 'the longerlife' and 'the lush line.' Mathias recognizes the 'lush line' was everimplemented not for the sake of beauty, but to counter the fact that mortalinquiry is always fraught with the danger of temporal collapse"--Richard Greenfield.

    Teasdale's work has always been characterized by its simplicity and clarity, her use of classical forms, and her passionate and romantic subject matter. In 1918, she won the Columbia University Poetry Society Prize (which became the Pulitzer Prize for Poetry) and the Poetry Society of America Prize for Love Songs. She later committed suicide. Her collection of poems, Dark of the Moon, is considered one of her major works. See other titles by this author available from Kessinger Publishing.

    Yet Ronk's diction remains as direct and urbane as it is mulitvalenced in its range from serious to wry to confidential to questioning. In these poems, we find Ronk's most stealthy syntactic turns, returns, and juxtapositions, which expose to us the rhetorics we unconsciously use to frame our perceptions of the daily. In a landscape of having to repeat, Ronk offers a language of attention that is composite, disruptive, and vibrantly immediate.

    Composed of three sequences introduced by a "Credo" that professes, "I believe / in the violence of not knowing," this volume of poems explores alienation, disruption, and disjunction at the levels of language, perception, feeling, and the self. In a broken landscape defined by negation and an asymptotic relation to a divinity that might not exist, Zawacki pursues a poetics of intimacy, impelled by what the heart decides, and offers a visionary new way for being in the world. Poems in Anabranch have been awarded both the 2002 Alice Fay Di Castagnola Award and the 2002 Cecil Hemley Memorial Award by the Poetry Society of America.

    Hitherto uncollected and all in English, the work in this anthology follows the changing notions of what a poem is, what a poet is, and why we read a poem, tracing the development of stylistic and ideological strategies that have spawned our current, conflicting understandings of verse.The book begins with Wordsworth's 1802 "Preface" to the Lyrical Ballads and proceeds through 150 years of English language tradition, including the European poetries which greatly influenced it. These prose works allow the reader to share one of the great extended conversations by poets about poetry during a dynamic period of literary experimentation.Includes work by Charles Baudelaire, Andr� Breton, Aim� C�saire, Samuel Taylor Coleridge, Emily Dickinson, T.S. Eliot, Ralph Waldo Emerson, Gerard Manley Hopkins, Langston Hughes, John Keats, Federico Garcia Lorca, Mina Loy, St�phane Mallarm�, Marianne Moore, Charles Olson, Ezra Pound, Arthur Rimbaud, Percy Bysshe Shelley, Gertrude Stein, Wallace Stevens, Paul Val�ry, Walt Whitman, William Carlos Williams, William Wordsworth and Louis Zukofsky.

    The poems focus on the triangular island opposite Wayside Inn. Arun would sit for hours at a window table, gazing out at this stony stage. Anyone familiar with this part of Bombay will recognize the island, the pi-dogs, Jehangir Art Gallery’s pipe-smoking lavatory lady, the ubiquitous crow, the street-cleaners, and all the other open-air residents of Kala Ghoda. They are so familiar that they have become invisible. Who notices the tiny boy-child being bathed on the roadside? The little girl with the silver fig-leaf hiding her crotch? The acid-burned woman with the hideous face? When they crowd round a particularly rich-looking car at the traffic-lights the passengers ignore them, will them into invisibility again. But Arun had been watching them for a long time, and celebrated their lives from dawn to dusk and right round the year.

    Baczynski died in 1944, involved with the Warsaw Uprising against Nazi control.

    Many of these pieces begin with the ordinary, but a subtle pivot in language propels the reader into an unexpected and oftentimes humorous perspective from which to view the world anew. Herein the blue moon is unhappy as it gazes into car windows, clouds sweep across the horizon as if serving Genghis Khan, and the poet considers the benefits of retirement:RetirementI’ve been thinking of retiring, of selling the poetry business and enjoying my twilight years. It’s a prose poem business, so it’s a niche market. Still, after thirty some years, I must have assets worth well in excess of $300. Perhaps the new owner of the business will want to diversify, go into novels or plays, or perhaps merge into a school or movement. It won’t matter to me once I’ve retired. Maybe I’ll do a little traveling, winter in the Southwest. Take up golf. Spend more time with the family. Maybe I’ll just walk around and look at things with absolutely no compulsion to say anything at all about them.Louis Jenkins lives in Duluth, Minnesota. His poems have been published in a number of literary magazines and anthologies. His books of poetry include An Almost Human Gesture (Eighties Press and Ally Press, 1987), All Tangled Up With the Living (Nineties Press, 1991), Nice Fish: New & Selected Prose Poems (Holy Cow! Press, 1995), Just Above Water (Holy Cow! Press, 1997), and The Winter Road (Holy Cow! Press, 2000). Some of his prose poems were published in The Best American Poetry 1999 (Scribner) and in Great American Prose Poems (Scribner, 2003).

    October is a masterpiece."—Mark StrandLouise Glück is the author of nine books of poetry. Her many honors include a National Book Critics Circle Award, a Bobbitt National Poetry Prize, a Pulitzer Prize, the first annual New Yorker Magazine’s Readers Award, an Ambassador’s Award, a William Carlos Williams Award, a Lannan Literary Award, a PEN/Martha Albrand Award for Nonfiction and a Bollingen Prize for Poetry.

    Here for the first time is a comprehensive bilingual representation of French poetic achievement in the twentieth century, from the turn-of-the-century poetry of Guillaume Apollinaire to the high modernist art of Samuel Beckett to the contemporary verse of scourge Michel Houellebecq. Many of the English translations (on facing pages) are justly celebrated, composed by eminent figures such as T.S. Eliot, Wallace Stevens, and John Ashbery; many others are new and have been commissioned for this book. Distinguished scholar and editor Mary Ann Caws has chosen work by more than 100 poets. Her deliberately extensive, international selection includes work by Francophone poets, by writers better known for accomplishments in other genres (novelists, songwriters, performance artists), and by many more female poets than have typically been represented in past anthologies of modern French poetry. The editor has opted for a chronological organisation that highlights six crucial pressur

    

    RUMORED PLACE, Rob Halpern's first book, combines a near confessional narrative of physical passion with the documentation of "social fact." "The book," he states, "is situated between subjective desire and objective need." Any reader making way through RUMORED PLACE will feel intimations of transformation creeping all around the dark horizon. Here history is both fantasy and nightmare and this examination of it "a bad conscience that needs to become critique." "With an extraordinary soulful ferocity, Rob Halpern's new work commits itself to a lyric interrogation of power"--Camille Roy.

    Like a modern-day Walt Whitman bestriding America and the world, Holm comments on the waywardness and promise of the human species. Playing the Black Piano reflects Holm's time in Iceland (his ancestral home), his ongoing love affair with music, a friend's death from AIDS, and his bold reactions to the world around him. Moving from Oregon forests to the deserts around Tucson, from the endless marketing of long-distance telephone service to the experience of undergoing an MRI, the poems speak of this man's full embrace of the world and his passion for living well.

    Like a fantastic film, a feverish delirium, or a dream state, these prose poems use an experimental lexicon of imagery that goes beyond anything typically poetic. Tost's point of departure is the loss of the Other that makes the I: Agnes, And in a sort of coming-of-age soliloquy song, he meditates on a range of topics: fatherhood, childhood, identity, poetry. Together his poems express the unburdening of consciousness, a consciousness that contains the likes of Blake, Italo Calvino, Allen Grossman, and Frank Stanford, among others (including Tost himself), Surreal and surprising, Invisible Bride showcases the prose artistry of a new American talent.

    The poems in this book arise from Robinson's Crossing--the place where the railway ends and European settlers arriving in northern Alberta had to cross the Pembina River and advance by wagon or on foot. How have we crossed into this country, with what violence and what blind love? ROBINSON'S CROSSING enacts the pause at the frontier, where we reflect on the realities of colonial experience, but also on the nature of living here--on historical dwelling itself. In long meditative narratives and shorter probing lyrics, Jan Zwicky shows us--as she has in her celebrated Lyric Philosophy and the Governor General's award-winning SONGS FOR RELINQUISHING THE EARTH--how music means and meaning is musical.

    "Douglas Goetsch is, without a doubt, an unbridled creative talent. His pinpoint lyricism and apparent reverence for craft stamp his work with a gorgeous signature, and he just gets better with every outing. These are poems of desire and disappointment, the magnificent and the mundane and in Goetsch's capable clutches, each one leaves an electric charge in the air. This is no misty-eyed look at where poetry has been or where it's going. THE JOB OF BEING EVERYBODY is where poetry should be, where it should have been all along." Patricia Smith"The gritty naturalism of these poems would qualify them as 'anti-lyrical' were it not for the mix of sweet nostalgia and bitter truth that gives them their pungent, winning flavor. It's hard to imagine a reader who could resist Goetsch's seductive opening lines." Billy Collins"Douglas Goetsch's autobiographical poetry is so consistently bleak, I'm not quite sure why I so often find it moving. I guess partly because the poetry seems so free from baloney, and because there is a sweetness down inside Goetsch's insistence on the factual." Mark Halliday"

    The Area of Sound Called the Subtone, Gordon's second full-length book, won the 2004 Sawtooth Poetry Prize, judged by Claudia Rankine. Rankine writes, Noah Eli Gordon is a master of the shift between an epigrammatic and aphoristic line. Each utterance is a glance that implodes rhetorical strategies so spectacularly that the spray of intelligence that lingers in this reader's mind is not much different from a cooling shower from an illegally opened fire hydrant. Witty, vivid, and very, very vital, Gordon has entered a higher frequency-Claudia Rakine.

    From haunting poems that give voice to losses and seek redemption in wilderness, to those that celebrate ecstatic moments of mystical vision, the book's trajectory moves ever toward Taoist landscapes of thought. The book concludes with the return of love and re-imaginings of the relationship between presence and emptiness in our lives.

    . . . Berryman becomes Everyman attempting, falling shortof, and often achieving greatness." Young's selection, the first newselection of Berryman's poems in over 30 years, encompasses the formalaccomplishments of his early work, epitomized in the masterful Homage toMistress Bradstreet, the explosive and mesmerizing diction of Dream Songs,and his wrenching religious poems. Kevin Young's poetry and essays haveappeared in The New Yorker, The New York Times Book Review, Paris Review,and elsewhere, and have been featured on NPR's "All Things Considered."

    The book contains poems by Jack Prelutsky, Bruce Lansky, Kenn Nesbitt, Brod Baggert, Linda Knaus, Ted Sheu and Dave Crawley. The poems have been tested (and enjoyed) by a panel of more than 1,000 elementary school children. iParenting Media Awards Back to School 2004 Winner: Poetry If you've ever tried to convince Mom and Dad that the F on your report card stands for "fabulous," this hilarious collection of school poems is for you! In the tradition of the popular anthology No More Homework! No More Tests!, this book covers wild and wacky school topics, like bringing skunks to show-and-tell, falling asleep at your desk, and ripping your pants on the playground. The big-timers of children's poetry have converged on the pages of this book to deliver the very best in school poetry. Just ask the hundreds of elementary-school students who helped Bruce Lansky handpick these poems: Each poem is guaranteed to make you giggle, grin, and/or guffaw!

    Race and cultural identity is a primary theme and shapes the book. There are poems about violence, the environment, relationships, politics, and grief, alongside poems full of fun, looking at everyday events from quirky, unexpected points of view. It's an accessible and inspiring book by a poet who knows and respects his audience.

    Clare was an impoverished agricultural laborer, whose genius was generally not appreciated by his contemporaries, and his later mental instability further contributed to his loss of critical esteem. But the extraordinary range of his poetical gifts has restored him to the company of contemporaries like Lord Byron, John Keats, and Percy Bysshe Shelley.This authoritative edition brings together a generous selection of Clare's poetry and prose, including autobiographical writings and letters and illustrates all aspects of his talent. It contains poems from all stages of his career, including love poetry and bird and nature poems. Written in his native Northamptonshire, Clare's work provides a fascinating reflection of rural society, often underscored by his own sense of isolation and despair. Clare's writings are presented with the minimum of editorial interference, and with a new introduction by the poet and scholar Tom Paulin.

    "David Dodd Lee's Abrupt Rural is as exquisite as it is excruciating, though in a matter-of-fact, even understated way; it surprised me with its afterburn, and left me disoriented and oddly happy"--Claire Bateman.

    Kaia Sand teaches at Saint Mary's College of Maryland and co-curates the In Your Ear poetry series at the District of Columbia Arts Center. "So shaken to alertness you will be by this collected splendor you will tread more mindfully across the florid calm' and themepark america' and learn to heed the wages of inertia. You will lose sleep, for everything full of love makes attentiveness all the more dear. Read this book for its evocation of the sublime in the face of the populace's raw complacency telescoped and interpreted, and do follow the ample instructions: holler away our do-not-disturb quietude'"--Heather Fuller.

    Yet, in this deeply moving collection, each provides a singularly personal glimpse into the effects of war on language, place, poetry, and womanhood.After Every War is a book of translations of women poets living in Europe in the decades before and after World War II: Rose Ausl�nder, Elisabeth Langg�sser, Nelly Sachs, Gertrud Kolmar, Else Lasker-Sch�ler, Ingeborg Bachmann, Marie Luise Kaschnitz, Dagmar Nick, and Hilde Domin. Several of the writers are Jewish and, therefore, also witnesses and participants in one of the darkest occasions of human cruelty, the Holocaust. Their poems, as well as those of the other writers, provide a unique biography of the time--but with a difference. These poets see public events through the lens of deep private losses. They chart the small occasions, the bittersweet family ties, the fruit dish on a table, the lost soul arriving at a railway station; in other words, the sheer ordinariness through which cataclysm is experienced, and by which life is cruelly shattered. They reclaim these moments and draw the reader into them.The poems are translated and introduced, with biographical notes on the authors, by renowned Irish poet Eavan Boland. Her interest in the topic is not abstract. As an Irish woman, she has observed the heartbreaking effects of violence on her own country. Her experience has drawn her closer to these nine poets, enabling her to render into English the beautiful, ruminative quality of their work and to present their poems for what they are: documentaries of resilience--of language, of music, and of the human spirit--in the hardest of times.

    This edition includes two poems not in the original, Moss on Plum Branches and A Pair of Sandals, both written in the week of the poet's death.

    An abandoned one-room schoolhouse, a page from an accounting ledger, a covered bridge still in use: each offers a "glance perhaps all that was ever possible" into what persists. With wry humor, these poems attend to the ecology of language in a season of drought.

    Through the unique symptoms of the stutter (Scott, like fifty million others, has always stuttered), language becomes a rolling gait of words hidden within words, leading to different rhythms and textures, all addressed by the mouth’s slight erosions. In Scott’s lexicon, to blert is to stutter, to disturb the breath of speaking. The stutter quivers in all that we do, from a skip on a CD to a slip of the tongue. These experiences are often dismissed as aberrant, but in Blert, such fragmented milliseconds are embraced and mined as language. Often aimed full-bore at words that are especially difficult for the stutterer, Scott’s poems don’t just discuss, they replicate the act of stuttering, the 'blort, jam, and rejoice' involved in grappling with the granular texture of words.

     In this noted anthology, the poet Adonis evokes the wisdom of Whitman's Leaves of Grass (which he liberally excerpts and remolds), the modernism of William Carlos Williams, and the haunting urban imagery of Baudelaire, Cavafy, and Lorca. Three long poems allow him to explore profoundly the human condition, by examining language and love, race and favor, faith and dogma, war and ruin. In the lyrical "This Is My Name " and "Introduction to the History of the Petty Kings, " Adonis ponders Arab defeat and defeatism. In "A Grave for New York, " he focuses on Vietnam-era America. Originally published in 1970 to widespread acclaim, the collection has been reprinted often but has never before appeared in English. Enhanced by Shawkat M. Toorawa's bilingual edition of the Arabic and English on facing pages, an afterword, and assisted by a critical bibliography of Adonis's works, this book is a crucial reference for all students and scholars of modern and Middle Eastern poetry and culture. Noted Syrian intellectual Nasser Rabbat offers a compelling foreword.

    She is also among the most thrillingly inventive, compassionate, and necessary. Cascade Experiment charts the evolution of a poetics that revises the limits of language, emotion, and thought.