Dick's tales of twisted perceptions and false realities have shaped modern SF and provided the inspiration for numerous blockbuster movies.'For everyone lost in the endlessly multiplicating realities of the modern world, remember: Philip K. Dick got there first' TERRY GILLIAMIn The Three Stigmata of Palmer Eldritch mankind is offered a permanent shared illusory world when industrialist Eldritch introduces the alien drug Chew-Z.In Martian time-Slip Arnie Kott and his plumbing union control the entire water supply on Mars. But Arnie is poisoning the lives of everyone around him.Do Androids Dream of Electric Sheep?, Dick's grim vision of a bounty hunter stalking renegade replicants through a devastated future was made into the film Blade Runner.Ubik crosses the boundaries of life, death and reality with the story of Glen Runciter. He is dead. Or is he? As reality warps for those he left behind nothing is certain anymore.A Scanner Darkly is, perhaps uncharacteristically for Dick, about the dangers of drug use, drawing a future plagued by an almost hallucinatory level of drug-induced violence.Philip K. Dick (1928-82), was born one of twins; his sister died in infancy. He lived most of his life in California and wrote more than fifty books in a career of prodigious productivity and achievement. The films Blade Runner, Total Recall, Minority Report and Paycheck are all based on his stories.

    For Voices, Zinn and Arnove have selected testimonies to living history—speeches, letters, poems, songs—left by the people who make history happen but who usually are left out of history books—women, workers, nonwhites. Zinn has written short introductions to the texts, which range in length from letters or poems of less than a page to entire speeches and essays that run several pages. Voices of a People’s History is a symphony of our nation’s original voices, rich in ideas and actions, the embodiment of the power of civil disobedience and dissent wherein lies our nation’s true spirit of defiance and resilience.

    Organized by decade, with commentary by some of the magazine's finest writers, this landmark collection showcases the work of the hundreds of talented artists who have contributed cartoons over the course ofThe New Yorker's eight-two-year history. From the early cartoons of Peter Arno, George Price and Charles Addams to the cutting-edge work of Alex Gregory, Matthew Diffee and Bruce Eric Kaplan (with stops along the way for the genius of Charles Barsotti, Roz Chast, Jack Ziegler, George Booth, and many others), the art collected here forms, as David Remnick puts it in his Foreword, "the longest-running popular comic genre in American life." Throughout the book, brief overviews of each era's predominant themes—from the Depression and nudity to technology and the Internet, highlight various genres of cartoons and shed light on our pastimes and preoccupations. Brief profiles and mini-portfolios spotlight the work of key cartoonists, including Arno, Chast, Ziegler, and others. The DVD-ROM included with the book is what really makes the "Complete Cartoons" complete. Compatible with most home computers and easily browsable, the disk contains a mind-boggling 70,363 cartoons, indexed in a variety of ways. Perhaps you'd like to find all the cartoons by your favorite artist. Or maybe you'd like to look up the cartoons that ran the week you were born, or all of the cartoons on a particular subject. Of course, you can always begin at the beginning, February 21, 1925, and experience the unprecedented pleasure of reading through every single cartoon ever published in The New Yorker. Enjoy this one-of-a-kind protrait of American life over the past eight decades, as captured by the talented pens and singular outlooks of the masters of the cartoonist's art.

    He is painfully unaware that these torments are due to the secret manipulations of New Renaissance, an experimental organization that is testing the age-old idea that art results from suffering. Since culture is so significantly influenced by music, movies, and television, New Renaissance hopes to improve the mindless mainstream by raising writers who emphasize artistic quality over commerce. As part of its top-secret sub-project, New Renaissance hires reluctant ex-musician Harlan Eiffler to manipulate its most promising prodigy, Vincent. Wickedly antisocial and deeply disgusted by what passes for entertainment in the twenty-first century, Harlan clandestinely pulls the strings so that Vincent remains a true artist. All the while, he poses as Vincent's manager, simultaneously nurturing his prolific career and torturing his soul.

    Easy to navigate and easy to use, the Prescriber's Guide combines evidence-based information with clinically informed guidance to support clinicians in making the most effective prescribing decisions for the good of their patients. With coverage of twelve brand-new drugs including antidepressants, antipsychotics, hypnotics, nonstimulants for ADHD, and medical foods and incorporating information on the newest indications, new formulations, new recommendations, and new safety data, this edition continues to provide the essential practical support required by anyone prescribing in the field of mental health."

    In "The Inner Voice," this great singer shares what she has learned from her experience as an inspiration for those contemplating a career in the arts. From struggling to get a career under way to dealing with her own personal doubts, Fleming is wonderfully candid and articulate about her art - especially the little discussed heart-throat-mind connection -and childhood influences, formal education, mentors, preparation, and mental and physical discipline. Here is a look at the real life of an artist today, a life confronted by the loneliness of touring, the need for resilience, the desire for creativity in the face of overwhelming commercial pressures, coping with business issues, and, most important, balancing personal and professional fulfillment. "The Inner Voice" adds its distinctive voice to works such as Eudora Welty's One Writer's Beginnings and Uta Hagen's Respect for Acting, teaching by example and the hard-won human lessons all artists must learn. It will be eagerly awaited not only by her legion of fans, but will also be required reading for anyone contemplating a career in the arts.

    If anyone was to survive, somehow he must transform his wargaming hobby into the real thing and become The City Who Fought. The Ship Avenged: Ten years later, Joat, the eleven year old techno-demon heroine of the first novel is now an adult herself. She and her ship are on the trail of the Kolnari space raiders, trying to stop them before they can spread an infectious, mind-destroying disease among the inhabited stars and destroy civilization throughout the galaxy.

    These are worlds undreamt-of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown ("The Soul Is Not a Smithy"). Or could explore the deepest and most hilarious aspects of creativity by delineating the office politics surrounding a magazine profile of an artist who produces miniature sculptures in an anatomically inconceivable way ("The Suffering Channel"). Or capture the ache of love's breakdown in the painfully polite apologies of a man who believes his wife is hallucinating the sound of his snoring ("Oblivion"). Each of these stories is a complete world, as fully imagined as most entire novels, at once preposterously surreal and painfully immediate. Oblivion is an arresting and hilarious creation from a writer "whose best work challenges and reinvents the art of fiction" (Atlanta Journal-Constitution).Mister squishy --The soul is not a smithy --Incarnations of burned children --Another pioneer --Good old neon --Philosophy and the mirror of nature --Oblivion --The suffering channel

    Tate's signature style draws on a marvelous variety of voices and characters, all of which sound vaguely familiar, but are each fantastically unique, brilliant, and eccentric.Yet, as Charles Simic observed in the New York Review of Books, "With all his reliance on chance, Tate has a serious purpose. He's searching for a new way to write a lyric poem." He continues, "To write a poem out of nothing at all is Tate's genius. For him, the poem is something one did not know was there until it was written down. . . . Just about anything can happen next in this kind of poetry and that is its attraction. . . . Tate is not worried about leaving us a little dazed. . . . He succeeds in ways for which there are a few precedents. He makes me think that anti-poetry is the best friend poetry ever had."

    Through their own accounts of help and healing and through Brannaman's own introductions, the reader is inspired by the hope and confidence that he instilled in these individuals.

    Hicks's summation of life gains greater spirituality as he goes on.' Scarlett Thomas, Independent on Sunday

    In the belief that Steinbeck already adequately explored the subject matter, Babb's lyrical novel about a farm family's relentless struggle to survive in both Depression-era Oklahoma and in the California migrant labor camps gathered dust for decades. Rescued from obscurity by the University of Oklahoma Press, the members of the poor but proud Dunne family and their circle of equally determined friends provide another legitimate glimpse into life on the dust-plagued prairies of the Southwest and in the fertile, but bitterly disappointing, orchards and vineyards of the so-called promised land. Babb, a native of Oklahoma's arid panhandle and a volunteer with the Farm Security Administration in Depression-era California, brings an insider's knowledge and immediacy to this authentically compelling narrative. A slightly less political, more female-oriented, companion piece to The Grapes of Wrath.

    From a speakeasy whorehouse in the bottoms of Alabama to a luxurious high-rise apartment in Kenya, acclaimed author Tracy Price-Thompson crosses boundaries of sexuality, gender, and culture to accentuate the core of black identity: the enormous strength of family.“Ain’t nothing like a Black man. No other man on the face of the earth can hold a light up to him, coming or going. Why do you think women are all the time chasing behind them? Smooth game and all, when a brotha loves you, he loves you right.”—from A Woman’s WorthAbeni Omorru is a stunning Kenyan woman who is haunted by piercing memories. Although her father’s wealth ensures her a life of prestige, childhood trauma has left her emotionally damaged and sexually promiscuous. While Abeni takes on many lovers, none come close to healing the wounds of her heart—and only a man who understands her worth can truly claim her soul. Bishop Johnson is also haunted by his past. Raised by prostitutes in a rural Alabama town, he is a promising teenage boxer—until his dreams are shattered when his parents are murdered during a violent robbery and he takes revenge on the perpetrators. Bishop goes to jail, and when he is released he has a volatile temper and a mean left hook to back it up. Trouble continues to find Bishop, and he is forced to leave Alabama and travel to Kenya with the Peace Corps. There he falls in love with Abeni, and they marry. When Bishop learns the secret of Abeni’s past, he is force to make a decision that may cost him more than one man should ever have to sacrifice.From the Hardcover edition.

    Collected Poems 1943-2004 is the comprehensive collection of Wilbur's astonishing, timeless work. It will serve as the most referenced trove of this beloved poet's best verses for many years to come.In Trackless WoodsIn trackless woods, it puzzled me to findFour great rock maples seemingly aligned,As if they had been set out in a rowBefore some house a century ago,To edge the property and lend some shade.I looked to see if ancient wheels had madeOld ruts to which the trees ran parallel,But there were none, so far as I could tell-There'd been no roadway. Nor could I find the squareDepression of a cellar anywhere,And so I tramped on further, to surveyAmazing patterns in a hornbeam sprayOr spirals in a pine cone, under treesNot subject to our stiff geometries.

    With Coach Carter at the helm, the Oilers' record soon stands at 12 and 0. But when the coach learns that some members of his team are cutting class and failing academically, he locks them out of the gym, incurring the wrath of the players, the school, and the community. Coach Carter's determination to adhere to his convictions puts his philosophy and his players' trust to the ultimate test.

    Seeing compassion in this way, we lose out on experiencing the transformative potential of one of our most neglected inner resources.Dr Lorne Ladner rescues compassion from this marginalised view, showing how its practical application in our life can be a powerful force in achieving happiness. Combining the wisdom of Tibetan Buddhism and Western psychology, Ladner presents clear, effective practices for cultivating compassion in daily living.

    Frederick Douglass's Narrative, first published in 1845, is an enlightening and incendiary text. Born into slavery, Douglass became the preeminent spokesman for his people during his life; his narrative is an unparalleled account of the dehumanizing effects of slavery and Douglass's own triumph over it. Like Douglass, Harriet Jacobs was born into slavery, and in 1861 she published Incidents in the Life of a Slave Girl, now recognized as the most comprehensive antebellum slave narrative written by a woman. Jacobs's account broke the silence on the exploitation of African American female slaves, and it remains crucial reading. These narratives illuminate and inform each other. This edition includes an incisive Introduction by Kwame Anthony Appiah and extensive annotations.

    Yet until now little attention has been paid to the role Reagan's personal spirituality played in his political career, shaping his ideas, bolstering his resolve, and ultimately compelling him to confront the brutal -- and, not coincidentally, atheistic -- Soviet empire.In this groundbreaking book, political historian Paul Kengor draws upon Reagan's legacy of speeches and correspondence, and the memories of those who knew him well, to reveal a man whose Christian faith remained deep and consistent throughout his more than six decades in public life. Raised in the Disciples of Christ Church by a devout mother with a passionate missionary streak, Reagan embraced the church after reading a Christian novel at the age of eleven. A devoted Sunday-school teacher, he absorbed the church's model of "practical Christianity" and strived to achieve it in every stage of his life.But it was in his lifelong battle against communism -- first in Hollywood, then on the political stage -- that Reagan's Christian beliefs had their most profound effect. Appalled by the religious repression and state-mandated atheism of Bolshevik Marxism, Reagan felt called by a sense of personal mission to confront the USSR. Inspired by influences as diverse as C.S. Lewis, Whittaker Chambers, and Aleksandr Solzhenitsyn, he waged an openly spiritual campaign against communism, insisting that religious freedom was the bedrock of personal liberty. "The source of our strength in the quest for human freedom is not material, but spiritual," he said in his Evil Empire address. "And because it knows no limitation, it must terrify and ultimately triumph over those who would enslave their fellow man."From a church classroom in 1920s Dixon, Illinois, to his triumphant mission to Moscow in 1988, Ronald Reagan was both political leader and spiritual crusader. God and Ronald Reagan deepens immeasurably our understanding of how these twin missions shaped his presidency -- and changed the world.

    Traded to Comaches, he thrived in the rough, nomadic existence, quickly becoming one of the tribe's fiercest warriors. Forcibly returned to his parents after three years, Korn never adjusted to life in white society. He spent his last years in a cave, all but forgotten by his family.That is, until Scott Zesch stumbled over his own great-great-great uncle's grave. Determined to understand how such a "good boy" could have become "Indianized" so completely, Zesch travels across the west, digging through archives, speaking with Comanche elders, and tracking eight other child captives from the region with hauntingly similar experiences. With a historian's rigor and a novelist's eye, Zesch paints a vivid portrait of life on the Texas frontier, offering a rare account of captivity.

    Here’s a chance to go right to the source. . . . These men were there.”–MARK BOWDEN (from the Foreword) It started as a mission to capture a Somali warlord. It turned into a disastrous urban firefight and death-defying rescue operation that shocked the world and rattled a great nation. Now the 1993 battle for Mogadishu, Somalia–the incident that was the basis of the book and film Black Hawk Down–is remembered by the men who fought and survived it. Six of the best in our military recall their brutal experiences and brave contributions in these never-before-published, firstperson accounts.“Operation Gothic Serpent,” by Matt Eversmann: As a “chalk” leader, Eversmann was part of the first group of Rangers to “fast rope” from the Black Hawk helicopters. It was his chalk that suffered the first casualty of the battle.“Sua Sponte: Of Their Own Accord,” by Raleigh Cash: Responsible for controlling and directing fire support for the platoon, Cash entered the raging battle in the ground convoy sent to rescue his besieged brothers in arms.“Through My Eyes,” by Mike Kurth: One of only two African Americans in the battle, Kurth confronted his buddies’ deaths, realizing that “the only people whom I had let get anywhere near me since I was a child were gone.”“What Was Left Behind,” by John Belman: He roped into the biggest firefight of the battle and considers some of the mistakes that were made, such as using Black Hawk helicopters to provide sniper cover.“Be Careful What You Wish For,” by Tim Wilkinson: He was one of the Air Force pararescuemen or PJs–the highly trained specialists for whom “That Others May Live” is no catchphrase but a credo–and sums up his incomprehensible courage as “just holding up my end of the deal on a bad day.”“On Friendship and Firefights,” by Dan Schilling: As a combat controller, he was one of the original planners for the deployment of SOF forces to Mogadishu in the spring of 1993. During the battle, he survived the initial assault and carnage of the vehicle convoys only to return to the city to rescue his two closest friends, becoming, literally, “Last Out.”With America’s withdrawal from Somalia an oft-cited incitement to Osama bin Laden, it is imperative to revisit this seminal military mission and learn its lessons from the men who were there and, amazingly, are still here.From the Hardcover edition.

    In this masterful work, New York Times reporter and two-time Pulitzer Prize finalist Jason DeParle cuts between the mean streets of Milwaukee and the corridors of Washington to produce the definitive account. As improbable as fiction, and equally fast-paced, this classic of literary journalism has captured the acclaim of the Left and Right. At the heart of the story are three cousins, inseparable at the start but launched on differing arcs. Leaving welfare, Angie puts her heart in her work. Jewell bets on an imprisoned man. Opal guards a tragic secret that threatens her kids and her life. DeParle traces back their family history six generations to slavery, and weaves poor people, politicians, reformers, and rogues into a spellbinding epic. At times, the very idea of America seemed on trial: we live in a country where anyone can make it, yet generation after generation some families don't. Washington Post: "Riveting... like a searing novel of urban realism - Theodore Dreiser comes to Milwaukee." Chicago Tribune: "Sweeping scope and dramatic detail worthy of Charles Dickens."

    There is a new clarity to her work, a disquieting transparency, even in the midst of the wild thickets of language for which she is known. A poet “at the border of her own allegory,” Brock-Broido searches for a lexicon adequate to the extremities of experience–a quest that is as capricious as it is uncompromising. In the process, she reveals, unsparingly, things as they are. In “Pamphlet on Ravening” she recalls, “I was a hunger artist once, as well. / My bones had shone. / I had had rapture on my side.” The book is laced with sequences: haunted, odd self-portraits; a succession of poems provoked by discarded titles by Wallace Stevens; an intermittent series of fractured and beguiling lyrics that she variously refers to as fragments, leaflets, and apologues.Trouble in Mind is a book that astonishes us afresh at the agility and the uncanny will of language, which Brock-Broido is not afraid to follow where it may lead her: “That the name of bliss is only in the diminishing / (As far as possible) of pain. That I had quit / The quiet velvet cult of it, / Yet trouble came.” Even trouble, in Brock-Broido’s idiom, becomes something resplendent.From the Hardcover edition.

    Stone delineates the consistent suppression of free speech in six historical periods from the Sedition Act of 1798 to the Vietnam War, and ends with a coda that examines the state of civil liberties in the Bush era. Full of fresh legal and historical insight, Perilous Times magisterially presents a dramatic cast of characters who influenced the course of history over a two-hundred-year period: from the presidents—Adams, Lincoln, Wilson, Roosevelt, and Nixon—to the Supreme Court justices—Taney, Holmes, Brandeis, Black, and Warren—to the resisters—Clement Vallandingham, Emma Goldman, Fred Korematsu, and David Dellinger. Filled with dozens of rare photographs, posters, and historical illustrations, Perilous Times is resonant in its call for a new approach in our response to grave crises.

    These words were read by a remarkable cast at an event held at the 92nd Street YMHA in New York City that included James Earl Jones, Alice Walker, Jeff Zinn, Kurt Vonnegut, Alfre Woodard, Marisa Tomei, Danny Glover, Myla Pitt, Harris Yulin, and Andre Gregory.From that celebration, this book was born. Collected here under one cover is a brief history of America told through dramatic readings applauding the enduring spirit of dissent.Here in their own words, and interwoven with commentary by Zinn, are Columbus on the Arawaks; Plough Jogger, a farmer and participant in Shays' Rebellion; Harriet Hanson, a Lowell mill worker; Frederick Douglass; Mark Twain; Mother Jones; Emma Goldman; Helen Keller; Eugene V. Debs; Langston Hughes; Genova Johnson Dollinger on a sit-down strike at General Motors in Flint, Michigan; an interrogation from a 1953 HUAC hearing; Fannie Lou Hamer, a sharecropper and member of the Freedom Democratic Party; Malcolm X; and James Lawrence Harrington, a Gulf War resister, among others.

    Longtime skateboard artist Sean Cliver put together this staggering survey of over 1,000 skateboard graphics from the last 30 years, creating an indispensable insiders' history as he did so.Alongside his own history, Sean has assembled a wealth of recollections and stories from prominent artists and skateboarders such as: Andy Howell, Barry McGee, Ed Templeton, Steve Caballero, and Tony Hawk.The end result is a fascinating historical account of art in the skateboard subculture, as told by those directly involved with shaping its legendary creative face.

    Winner of the Pulitzer Prize, Justice has been hailed by his contemporary Anthony Hecht as “the supreme heir of Wallace Stevens.” In poems that embrace the past, its terrors and reconciliations, Justice has become our poet of living memory. The classic American melancholy in his titles calls forth the tenor of our collective passages: “Bus Stop,” “Men at Forty,” “Dance Lessons of the Thirties,” “The Small White Churches of the Small White Towns.” This master of classical form has found in the American scene, and in the American tongue, all those virtues of our literature and landscape sought by Emerson and Henry James. For half a century he has endeavored, with painterly vividness and plainspoken elegance, to make those local views part of the literary heritage from which he has so often taken solace, and inspiration.School Letting Out(Fourth or Fifth Grade)The afternoons of going home from schoolPast the young fruit trees and the winter flowers.The schoolyard cries fading behind you then,And small boys running to catch up, as thoughIt were an honor somehow to be near—All is forgiven now, even the dogs,Who, straining at their tethers, used to bark,Not from anger but some secret joy.From the Hardcover edition.

    Like a literal road atlas, the poems carry lines and themes from one to the next. Like Atlas holding up the world, they hold patterns of all kinds aloft with an attention that transforms. The poems also are an atlas of the known world, capturing the way events repeat across time and place, as in one poem that links the image of her sister, pausing in her work as housekeeper, with the contours of a maid in a Vermeer painting and a woman just "made over" on that day's episode of Oprah. Vandenberg's poems use family artifacts, memory, and imagination to plot the intersections of love, death, history, art, and desire. In the first section, "Trade Routes," about connections, each poem moves back one generation to investigate the ways events reverberate across time. The second section, "The Red Fields of Lisse (A Love Story)," focuses on a former partner, a hemophiliac with AIDS, and tulips. The third section, "Catalog of Want," contains poems about desire in various guises. The last section, "A Place Ten Years Away," reexamines the themes of the first three sections.

    1944 - Barnard, Texas. At the height of World War II, a killer preys on the young men of a quiet Texas town. The murders are calculated, vicious, and they are just beginning. Sheriff Tom Rabbit and his men are baffled and the community he serves is terrified of the monster lurking their streets. The only clues the killer leaves behind are painted snuffboxes containing notes written in German. As the panic builds all eyes turn toward a quiet man with secrets of his own. Ernst Lang fled Germany in 1934. Once a brute, a soldier, a leader of the Nazi party, he has renounced aggression and embraces a peaceful obscurity. But Lang is haunted by an impossible past. He remembers his own execution and the extremes of sex and violence that led to it. He remembers the men he led into battle, the men he seduced, and the men who betrayed him. But are these the memories of a man given a second life, or the delusions of a lunatic?

    But in this jewel of a book, Hal Urban -- parent, award-winning teacher, and author of the classic Life's Greatest Lessons -- shows us simple and immediate ways that we can use language to change lives -- both our own and those around us.

    Building on this work and the study of space, social relations, gender, and power in the Old South, Stephanie Camp examines the everyday containment and movement of enslaved men and, especially, enslaved women. In her investigation of the movement of bodies, objects, and information, Camp extends our recognition of slave resistance into new arenas and reveals an important and hidden culture of opposition.Camp discusses the multiple dimensions to acts of resistance that might otherwise appear to be little more than fits of temper. She brings new depth to our understanding of the lives of enslaved women, whose bodies and homes were inevitably political arenas. Through Camp's insight, truancy becomes an act of pursuing personal privacy. Illegal parties (frolics) become an expression of bodily freedom. And bondwomen who acquired printed abolitionist materials and posted them on the walls of their slave cabins (even if they could not read them) become the subtle agitators who inspire more overt acts. The culture of opposition created by enslaved women's acts of everyday resistance helped foment and sustain the more visible resistance of men in their individual acts of running away and in the collective action of slave revolts. Ultimately, Camp argues, the Civil War years saw revolutionary change that had been in the making for decades.

    Haring's original and instantly recognizable style, full of thick black lines, bold colors, and graffiti-inspired cartoon-like figures, won him the appreciation of both the art world and the general public; his work appeared simultaneously on T-shirts, gallery walls, and public murals. In 1986, Haring founded Pop Shop, a boutique in New York's SoHo selling Haring-designed memorabilia, to benefit charities and help bring his work closer to the public and especially street kids, with whom he never lost contact.

    Among the things I do pretty well at this point I’d have to list darts, re-closing Stay-Fresh boxes, and staying out of the way. This is the self-eulogy offered early on by the unwilling hero of the opening story in this collection, a dazzling array of work in short fiction from a master of the form. The stories in Love and Hydrogen—familiar to readers from publications ranging from McSweeney’s to The New Yorker to Harper’s to Tin House—encompass in theme and compassion what an ordinary writer would seem to need several lifetimes to imagine.A frustrated wife makes use of an enterprising illegal-gun salesman to hold her husband hostage; two hapless adult-education students botch their attempts at rudimentary piano but succeed in a halting, awkward romance; a fascinated and murderous Creature welcomes the first human visitors to his Black Lagoon; and in the title story, the stupefyingly huge airship Hindenburg flies to its doom, representing in 1937 mankind's greatest yearning as well as its titanic failure. Generous in scope and astonishing in ambition, Shepard’s voice never falters; the virtuosity of Love and Hydrogen cements his reputation as, in the words of Rick Bass, “a passionate writer with a razor-sharp wit and an elephantine heart”—in short, one of the most powerful talents at work today.

    Course Lecture TitlesLet's Take It From the Top!The Concerto and the OrchestraThe Pre-Classical SymphonyMannheimClassical MastersFranz Joseph Haydn, Part 1Franz Joseph Haydn, Part 2MozartBeethovenSchubertBerlioz and the Symphonie fantastiqueMendelssohn and SchumannFranck, Saint-Saens, and the Symphony in FranceNationalism and the SymphonyBrahms, Bruckner, and the Viennese SymphonyGustav MahlerNielsen and SibeliusThe Symphony in RussiaCharles IvesAaron Copland and Samuel BarberRoy Harris and William SchumanThe Twentieth-Century British SymphonyOlivier Messiaen and Turangalila!Dmitri Shostakovich and His Tenth Symphony

    Toured with Ani Difranco, seen on HBO, International poetry slam champion.

    It's a new beginning as four time Eisner-nominated Best Writer Ed Brubaker makes his Marvel debut, joined by white-hot artist Steve Epting! As the new regular creative team, they will take Cap's life in directions fans will never see coming! In just this first issue, the Red Skull lays the groundwork for his most devastating attack ever on Captain America and the land he holds dear...and with the Cosmic Cube in his possession, how can Cap hope to stop him? Find out in the shocking twist-ending that will have everybody in the industry talking!

    This volume collects four complete stories from this groundbreaking series: A notebook, full of despair, plunges a detective into a bizarre kidnapping where the victim is just a lost and forgotten pawn in a story of blackmail and love. A stolen gun gives a best friend a chance to shine, and proves that a happy ending is only determined by where the story ends. A joyous reunion, full of balloons and cake, will signal the end of the salad days for a wealthy socialite unless swift and inhuman action is taken. They say you can't go home again, but the law says differently, and a young girl running from a 12-foot-tall, 800-pound Bazzloomis will be forced back into its salivating maw and be swallowed whole...

    You’re going to have to get a light-skinned husband for the sake of your children as it is.”In these words from her mother, novelist and memoirist Marita Golden learned as a girl that she was the wrong color. Her mother had absorbed “colorism” without thinking about it. But, as Golden shows in this provocative book, biases based on skin color persist–and so do their long-lasting repercussions. Golden recalls deciding against a distinguished black university because she didn’t want to worry about whether she was light enough to be homecoming queen. A male friend bitterly remembers that he was teased about his girlfriend because she was too dark for him. Even now, when she attends a party full of accomplished black men and their wives, Golden wonders why those wives are all nearly white. From Halle Berry to Michael Jackson, from Nigeria to Cuba, from what she sees in the mirror to what she notices about the Grammys, Golden exposes the many facets of "colorism" and their effect on American culture. Part memoir, part cultural history, and part analysis, Don't Play in the Sun also dramatizes one accomplished black woman's inner journey from self-loathing to self-acceptance and pride.

    Chicago is a city of size and mass, the cradle of modern architecture, the freight hub of the nation, a city built on slaughterhouses and cacophonous financial trading tempered by some of the finest cultural institutions in the world. While many histories have been written of the city, none can claim the scope and breadth of the long-awaited Encyclopedia of Chicago.Developed by the Newberry Library with the cooperation of the Chicago Historical Society, The Encyclopedia of Chicago is the definitive historical reference on metropolitan Chicago. More than a decade in the making, the Encyclopedia brings together hundreds of historians, journalists, and experts on everything from airlines to Zoroastrians to explore all aspects of the rich world of Chicagoland, from its geological prehistory to the present.The main alphabetical section of the Encyclopedia, comprising more than 1,400 entries, covers the full range of Chicago's neighborhoods, suburbs, and ethnic groups, as well as the city's cultural institutions, technology and science, architecture, religions, immigration, transportation, business history, labor, music, health and medicine, and hundreds of other topics. The Encyclopedia has the widest geographical reach of any city encyclopedia of its kind, encompassing eight of the region's counties, including suburbs. Nearly 400 thumbnail maps pinpoint Chicago neighborhoods and suburban municipalities; these maps are complemented by hundreds of black-and-white and color photographs and thematic maps that bring the history of metropolitan Chicago to life. Additionally, contributors have provided lengthy interpretive essays—woven into the alphabetical section but set off graphically—that take a long view of such topics as the built environment, literary images of Chicago, and the city's often legendary and passionate sports culture.The Encyclopedia also offers a comprehensive biographical dictionary of more than 2,000 individuals important to Chicago history and a detailed listing of approximately 250 of the city's historically significant business enterprises. A color insert features a timeline of Chicago history and photo essays exploring nine pivotal years in this history.The Encyclopedia of Chicago is one of the most significant historical projects undertaken in the last twenty years, and it has everything in it to engage the most curious historian as well as settle the most boisterous barroom dispute. If you think you know how Chicago got its name, if you have always wondered how the Chicago Fire actually started and how it spread, if you have ever marveled at the Sears Tower or the reversal of the Chicago River—if you have affection, admiration, and appreciation for this City of the Big Shoulders, this Wild Onion, this Urbs in Horto, then The Encyclopedia of Chicago is for you.

    Expert in a very narrow area—the geological history of a cave forty-four meters above the Colorado River in the Grand Canyon—he is a laconic man who plays chess with his daughter, trades puns with his wife while she does yoga, and dodges committee work at the college where he teaches.After a field trip to the desert yields nothing more than a colleague with a tenure problem and a student with an unwelcome crush on him, Wells returns home to find his world crumbling. His daughter has lost her edge at chess, she has developed mysterious eye problems, and her memory has lost its grasp. Powerless in the face of his daughter’s slow deterioration, he finds a mysterious note asking for help tucked into the pocket of a jacket he’s ordered off eBay. Desperate for someone to save, he sets off to New Mexico in secret on a quixotic rescue mission.A deeply affecting story about the lengths to which loss and grief will drive us, Telephone is a Percival Everett novel we should have seen coming all along, one that will shake you to the core as it asks questions about the power of narrative to save.

    including Katchoo. Will this be the end of a great friendship and a new life for Francine? Will David be there to pick up the pieces for Katchoo? Or will this be a whole new beginning for the SiP gang? This premium hardcover edition also includes the story of David Qin's astonishing past life and how he came to know our girls as well as Freddie's close encounter of the disastrous kind with Katchoo. Strangers in Paradise is the entertaining and poignant look at the relationship of two young women and the twists and turns that life throws at them. Francine and Katchoo are high-school best friends who are reunited when Francine comes back to town after years away from her hometown. David is their new friend entangled in their complicated lives. From creepy ex-boyfriends and insensitive bosses to the reality of AIDS and underworld prostitution, you never know what will come up next - but you can always count on laughing and crying at the same time.

    They have become renowned for their visual excellence, which includes unparalleled photography, 3-D mapping, and specially commissioned cutaway illustrations. DK Eyewitness Travel Guides are the only guides that work equally well for inspiration, as a planning tool, a practical resource while traveling, and a keepsake following any trip. Each guide is packed with the up-to-date, reliable destination information every traveler needs, including extensive hotel and restaurant listings, themed itineraries, lush photography, and numerous maps.

    Eerie magazine, like its killer kin Creepy, features work from many of the masters of comics storytelling. For fans of spectacular spookiness, mind-bending sci-fi, and astonishing artwork, the Eerie Archives library is a must have!

    From Sarah Orne Jewett's portraits of rural Maine to F. Scott Fitzgerald's brilliant tales from the Jazz Age, these stories span the breadth of the American experience. In addition to acknowledged masters of the short story form, such as O. Henry, Jack London, and Ernest Hemingway, this volume features stories by Charles W. Chesnutt, the first important African-American novelist, and Charlotte Perkins Gilman, a leading theorist of the early women's movement.

    At once riveting and poignant, The Sinking of the Eastland brings to life a bygone era that yielded one of the most significant American disasters of the last century.

    Drawing on extensive interviews and exhaustive research, Evelyn C. White brings this life to light.

    Eventually fan demand (an online petition of over 35,000 names) convinced the studio to release the series on DVD. Created by Paul Feig and executive produced by Judd Apatow (The Larry Sanders Show), Freaks and Geeks followed the Weir siblings--former math whiz Lindsay (Linda Cardellini of the Scooby-Doo feature films and ER) and her younger brother Sam (John Francis Daley)--as they navigated the perils and pleasures of a Michigan high school circa 1980. Lauded for its brutal honesty and very human characters, Freaks and Geeks combined smart dialogue and winning performances, and its plotlines rarely offered pat solutions to the characters' conflicts. These unique script books allow longtime fans and first-timers alike to enjoy the writing behind one of television's most poignant and funny programs about high school, with introductions and additional material by the series' creators.

    Just Enough Liebling gathers in one volume the vividest and most enjoyable of his pieces. Charles McGrath (in The New York Times Book Review) praised it as a judicious sampling-a useful window on Liebling's vast body of writing and a reminder, to those lucky enough to have read him the first time around, of why he was so beloved. Today Liebling is best known as a celebrant of the sweet science of boxing, and as a feeder who ravishes the reader with his descriptions of food and wine. But as David Remnick observes in his fond and insightful introduction, Liebling is boundlessly curious, a listener, a boulevardier, a man of appetites and sympathy-and a writer who, with his great friend and colleague Joseph Mitchell, deftly traversed the boundaries between reporting and storytelling, between news and art.

    Together, the cookbooks contain over 550 of Paula’s classic, down home, Southern recipes and this boxed set makes a tempting addition to any cookbook collection, and a great gift for friends!

    Includes: Go Tell It on The Mountain, The Next time by fire and If Beale Street Could Talk all in one volume

    The newest screenplay from the Oscar®-nominated writers of Election and About Schmidt, Sideways is the tale of two men's adventure in California wine country.Based on Rex Pickett's acclaimed first novel, Sideways tells the story of Miles (Paul Giamatti), a failed novelist, and his soon-to-be-married friend Jack (Thomas Haden Church), a washed-up actor.To salute the remains of their youth, the two men take one last road trip in the week before Jack's wedding.A serious wine enthusiast, Miles is determined to educate his friend on the region's beloved Pinot Noir wines before the week is out.Jack indulges his best friend's passion for the grape but is mainly interested in living his last week of bachelorhood to the hilt.Trouble ensues with wine and women (Virginia Madsen and Sandra Oh), and the duo comes to some profound realizations as they come to terms with maturity.

    Kennedy Jr.'s closest confidant. Now, in a beautiful and moving memoir, Littell introduces us to the private John. A story of laughter and sorrow, joy and heartbreak, The Men We Became is an unforgettable memoir.Rob Littell was a freshman at Brown when he met the young JFK, Jr. during orientation week. Although Littell came from a privileged background, it was worlds apart from the glamorous life of the son of the late President and Jacqueline Kennedy Onassis. Eager to be accepted on his own terms, Kennedy admired Littell's irreverence toward his celebrity and they became close friends.John opened up to Littell on a very personal level, revealing the complex and sometimes tense nature of his relationships with his sister and cousins, as well as his mother's extraordinary influence on John-and how they both worked to keep it from being overbearing. John's marriage had its ups and downs and Carolyn had made enemies of some of his friends, but she was in great shape mentally and physically and they were planning to have children. Littell recounts wonderful dinners at Jacqueline Onassis's apartment where she surprised him with his favorite dinner of specially burned hamburgers and weekends at her retreat in Martha's Vineyard where she critiqued their touch football while lying on a chaise lounge, her face covered in cold cream and cucumber slices. As students, Littell and Kennedy bummed around Europe. They slept in Hyde Park, sampled the pleasures of Amsterdam, ran afoul of customs officers and almost got busted at the Ritz Hotel for smoking pot. They even shared apartments in New York City until Jackie summoned them to dinner one day and gently suggested it was time to grow up. The two went on to pursue their professional lives. John trained as a lawyer - and Littell speaks of his friend's anguish at repeatedly failing the bar - and then he founded his own political magazine, which seemed only fitting because Kennedy yearned to live up to the family name and accepted that politics would be his destiny. Later on, Littell was a part of JFK, Jr.'s secret wedding to Carolyn Bessette on Cumberland Island, Georgia, and three years later a pallbearer at his funeral.From shared adventures, private moments and lasting memories, Robert Littell offers a unique look at John F. Kennedy Jr.'s life - one that has never been seen before.

    Government. Can a lone, courageous state successfully resist federal tyranny, or has the Bill of Rights been reduced to a myth? Can an allegedly free people act free, or is our liberty just a 4th of July farce? These issues weigh heavily on the shoulders of Governor James Wayne Preston, a decorated Desert Storm Marine helo pilot. Elected in 2014 on the Laissez-Faire Party ticket, he enjoys nearly full support of the legislature to return Wyoming to a long-lost era of liberty. But how far can he and the people of his state go before Washington, D.C. feels compelled to act? Will Wyoming's free and independent course reach actual secession? Will President Melvin Connor suppress the maverick Western state with federal troops? Will anybody come to Wyoming's aid? Molon Labe! is a fictional account of a real-world blueprint for a free state initiative focused on Wyoming. If enough freedom-loving individuals will relocate there under a useful pattern, they can "liberate" the Cowboy State on many levels. In Wyoming we could truly enjoy our rights of gun ownership, privacy, schooling, health and diet, unrestricted travel, and property. Boston shows us how it actually can be done!

    October is a masterpiece."—Mark StrandLouise Glück is the author of nine books of poetry. Her many honors include a National Book Critics Circle Award, a Bobbitt National Poetry Prize, a Pulitzer Prize, the first annual New Yorker Magazine’s Readers Award, an Ambassador’s Award, a William Carlos Williams Award, a Lannan Literary Award, a PEN/Martha Albrand Award for Nonfiction and a Bollingen Prize for Poetry.

    A masseuse breaks her rich client's wrist bone, a friend visits at the hospital long after she is welcome, and a woman surrenders her husband to a creepily adoring student. From one of our most acclaimed writers, Honored Guest is a rich examination of our capacity for transformation and salvation.

    And taking their daughter with her.The other man is a famous film director with unlimited funds and the keys to stardom and wealth for Paula. How can Mark begin to compete? But the most bitter blow comes when he is kept from seeing his daughter because of false charges . . . and a legal system ill-suited for finding the truth.Forged in the darkest valley Mark has ever walked through, his faith in God may ultimately cost him everything in the eyes of the family law system. But it is the one thing that can keep him sane—and give him the strength to fight against all odds for what matters most.

    Like a fantastic film, a feverish delirium, or a dream state, these prose poems use an experimental lexicon of imagery that goes beyond anything typically poetic. Tost's point of departure is the loss of the Other that makes the I: Agnes, And in a sort of coming-of-age soliloquy song, he meditates on a range of topics: fatherhood, childhood, identity, poetry. Together his poems express the unburdening of consciousness, a consciousness that contains the likes of Blake, Italo Calvino, Allen Grossman, and Frank Stanford, among others (including Tost himself), Surreal and surprising, Invisible Bride showcases the prose artistry of a new American talent.

    The poet who drew such unusual attention has a surprising background: for many years he has worked for Brooks Brothers, a fact that lends particular nuance to the title of his collection. The Clerk's Tale pays homage not only to Chaucer but to the clerks' brotherhood of service in the mall, where "the light is bright and artificial, / yet not dissimilar to that found in a Gothic cathedral." The fifty poems in The Clerk's Tale are exquisitely restrained, shot through with a longing for permanence, from the quasi-monastic life of two salesmen at Brooks Brothers to the poignant lingering light of a Miami dusk to the weight of geography on an empty Minnesota farm. Gluck describes them as having "an effect I have never quite seen before, half cocktail party, half passion play . . . We do not expect virtuosity as the outward form of soul-making, nor do we associate generosity and humanity with such sophistication of means, such polished intelligence . . . Much life has gone into the making of this art, much patient craft."

    Also included are four speeches, best known by the phrases they introduced into the language: "The Strenuous Life" (1899); "The Big Stick" (1901); "The Man in the Arena" (1910); and "The New Nationalism" (1910).

    Tagging along with a team of contrary, often childish scientists, he is the sole member of the expedition to keep his head as the days stretch and the nights become non-existent. While wandering the tundra Iple finds the frozen body of a runaway scientist whose ghost asks him to detour towards an enormous sheet of translucent ice. Below the sheet, with her four legs in the air, is Isabella, a dinosaur and the last DNA repository of a wealth of human and pre-human knowledge. What follows is a mesmerizing detour into our species’ fear and wonder at the nature of prediction. Paul Fattaruso’s vision is a statisticians wet dream and a mystics worst nightmare…or is it the other way around? Fattaruso, trained as a poet, spins a lyrical and highly visual modern day fable, a creation myth for the generation whose gods look more like dinosaurs than any monster before or since.

    Yet under the magnifying glass of David Ray Griffin, eminent theologian & author of The New Pearl Harbor, the report appears much shabbier. In fact, there are holes in the places where detail ought to be thickest: Is it possible that Secretary of Defense Rumsfeld has given three different stories of what he was doing the morning of 9/11, & that the Commission combines two of them & ignores eyewitness reports to the contrary? That the Commission fails even to mention Coleen Rowley, FBI whistleblower & Time person of the year? Griffin's critique of the Kean-Zelikow report makes clear that that the Commission charged with investigating all of the facts surrounding 9/11 has succeeded in obscuring, rather than unearthing, the truth.

    More literal, more in-your-face, 70s ads sought to capture the attention of a public accustomed to blaring, to-the-point TV commercials (even VW ads, known for their witty, ironic statements and minimalist designs, lost some of their punch in the 1970s). All was not lost, though; as ads are a sign of the times, racial and ecological awareness crept into everything from cigarette to car advertisements, reminding Americans that everyday products were hip to the modern age. A fascinating study of mass culture dissemination in a post-hippie, television-obsessed nation, this weighty volume delivers an exhaustive and nostalgic overview of 70s advertising.

    Alternating between grand, Whitmanic tone and scope, Dickinsonian minute detail, Beat rhythms, New York School wit and Objectivist sensibility, this epic poem engages traditional lyricism with a breathtaking contemporary style and graceful urgency.A native of California, Eleni Sikelianos has lived in New York City, Paris and Athens. She is the author of the poetry collection, Earliest Worlds, the memoir, Book of Jon (forthcoming from City Lights), and the National Poetry Series award-winning collection The Monster Lives of Boys and Girls.

    is a city of secrets. There are secrets in the White House, the Capitol, and the Supreme Court. There are secret files in the Pentagon, the FBI, CIA, NSA, and a veritable alphabet soup of federal agencies. Yet the greatest secrets in the nation's capital are not locked in a vault or under 24-hour guard. Washington's greatest secrets are hidden in plain sight. They are the secrets of Ancient Egypt and of its influence on the development of the United States and its capital city. America's founding fathers were profoundly influenced by the ancient Egyptians. Egypt is on the Potomac, but you will never know it it you do not know what to look for. The hidden history of Washingtonc D.C. and its relationship to ancient Egypt are revealed in the pages of this book.

    This is because, as Brown explains, no one has ever focused on this great man's faith. This book explores the life and personality of Ronald Reagan by focusing on his deep-felt Christian beliefs and showing how faith guided him along his distinguished career and led him to his unprecedented success. With the support of Ronald Reagan's own words and writings and first-hand interviews of Ronald Reagan's family, friends, and co-workers, Brown weaves a magnificent story of Reagan's strong devotion to God that will not only inspire Christians to enter public service and allow their faith to motivate all their actions but also help point others to the Cross of Jesus Christ-a cause that was near and dear to President Reagan's heart."

    . . . Berryman becomes Everyman attempting, falling shortof, and often achieving greatness." Young's selection, the first newselection of Berryman's poems in over 30 years, encompasses the formalaccomplishments of his early work, epitomized in the masterful Homage toMistress Bradstreet, the explosive and mesmerizing diction of Dream Songs,and his wrenching religious poems. Kevin Young's poetry and essays haveappeared in The New Yorker, The New York Times Book Review, Paris Review,and elsewhere, and have been featured on NPR's "All Things Considered."

    He has created new genres and techniques in filmmaking: improvisation, pastiche, and through default of lack of funding, the music clip, in films such as Scorpio Rising, 1963, Kustom Kar Kommandos, 1965, and Puce Moment, 1949/70, pioneering the most fertile experimental collaborations with contemporary musicians. Those musicians include Mick Jagger (who created the soundtrack for Invocation of My Demon Brother, 1969; Jimmy Page of Led Zeppelin, and the infamous Bobby Beausoleil who contributed to Lucifer Rising, 1970-80, which also featured Marianne Faithfull. Anger has provided an elegantly subversive alternative to mass cultural representation, and his extraordinary images also serve to some degree as social documentary of the era.

    Dinh's gift is for constructing, in the manner of Italo Calvino, simple narratives that quickly frame larger questions; with a poet's timing, the author builds his stories to the one or few climactic sentences that brand them with unforgettable meaning. In one tale, a Vietnamese boy's self-guided, haphazard study of English gives way to a meditation on the universality of language: Everything seems chaotic at first, but nothing is chaotic. One can read anything: ants crawling on the ground; pimples on a face; trees in a forest. In another story, a man opens a newspaper and sees the photograph of a man he may have murdered, which he impulsively clips, only to feel that in doing so he unwittingly has sealed his crime: As soon as I finished, I realized what I had done: by cutting my father's likeness out of the newspaper, I had removed him from the world. The collection crescendoes in displays of raw creative power, as in Eight Plots, a rapid-fire of three- and four-sentence summaries, and the brilliant, impressionistic !Blood and Soap is an arresting collection from one of a small number of writers on the vanguard of American fiction.

    How? By giving you a personal coach who has worked with some of the most famous and successful athletes in the world today.The intense focus on the muscles of your core--abs, lower back, hips, and thighs--will help you stand taller and prevent the back pain from which most people eventually suffer. The detailed nutrition section guarantees that you'll feed your muscles, starve your fat, and get boundless energy when you need it most. This program is like nothing you've ever seen before--it enables you to totally transform your body in just 12 weeks. The potential is within you, and the power to unleash that potential is within Core Performance.

    Wes Anderson has assembled a top-notch cast for his new movie, which stars Bill Murray, Owen Wilson, Cate Blanchett, Anjelica Huston, Willem Dafoe, and Jeff Goldblum. The official tie-in book to The Life Aquatic with Steve Zissou, packed with 190 color images, also includes the complete screenplay, a Q&A with Anderson, stills, drawings and storyboards by Anderson, and cast and crew credits.

    The so-called Palatine migration of 1709 began in the western part of the Holy Roman Empire, where perhaps as many as thirty thousand people left their homes, lured by rumors that Britain's Queen Anne would give them free passage overseas and land in America. They journeyed down the Rhine and eventually made their way to London, where they settled in refugee camps. The rumors of free passage and land proved false, but, in an attempt to clear the camps, the British government finally agreed to send about three thousand of the immigrants to New York in exchange for several years of labor. After their arrival, the Palatines refused to work as indentured servants and eventually settled in autonomous German communities near the Iroquois of central New York.Becoming German tracks the Palatines' travels from Germany to London to New York City and into the frontier areas of New York. Philip Otterness demonstrates that the Palatines cannot be viewed as a cohesive German group until after their arrival in America; indeed, they came from dozens of distinct principalities in the Holy Roman Empire. It was only in refusing to assimilate to British colonial culture--instead maintaining separate German-speaking communities and mixing on friendly terms with Native American neighbors--that the Palatines became German in America.

    Two young mothers have each lost a child, but they overcome their racial differences to bring about justice in a pre-Civil Rights Mississippi town.

    Beginning with Gimpel the Fool, whose title story brought Singer to sudden prominence in America when translated by Saul Bellow in 1953, and concluding with The Death of Methuselah, the collection published three years before his death in 1991, this three-volume edition brings together for the first time all the story collections Singer published in English in the versions he called his "second originals"--translations he supervised and collaborated on, revising as he worked. In addition, Collected Stories includes previously uncollected or unpublished stories from his manuscripts in the Ransom Center collections, providing a rare glimpse into the workshop of a literary genius. Here are nearly 200 stories--the full range of Singer's vision--encompassing Old World shtetl and New World exile. Born in Poland in 1904 into a family of rabbis, Singer was raised in a traditional culture that perished at the hands of the Nazis during the Second World War, and his haunting stories testify to the richness of that vanished world. Singer's Old World tales reveal a wild, mischievous, often disturbing supernaturalism evocative of local storytelling traditions. After his immigration to America, Singer's stories increasingly explore the daily lived reality and imaginative boundaries of Jewish culture as it was transplanted to the United States, revealing him to be the emblematic immigrant American writer, a writer whose vision and insights enlarged our idea of what it is to be an American.

    To counter this problem, Thomas J. Cutler has compiled a history of our naval heritage in the form of A Sailor's History of the U.S. Navy. The work is unique in two important ways. First, it is written thematically rather than chronologically. This allows recent history to be blended with more distant (but important) events in ways that will reinforce the timelessness as well as the timeliness of the U.S. Navy, thereby having a greater appeal to today's sailor. There are a number of themes being used--the most obvious are manifested in chapters with the themes of honor, courage, and commitment, but others serve as useful vehicles as well; for example, there is a chapter called What's in a Name? that briefly discusses how ships have been/are named and then uses the many ships that have carried the name Enterprise as the theme for presenting significant portions of the Navy's history.The other unique characteristic of this history is that it focuses wherever possible on the roles of ALL sailors rather than just the officers. That is not to say that Jones and Decatur are not there, but that the emphasis is along the lines of the crew of the Bon Homme Richard fought on into the night... rather than Jones fought... Also, there are plenty of individual sailor heroes who can stand alongside the Perrys and the Farraguts (Boatswain's Mate First Class Williams who won the Medal of Honor in Vietnam, Dorie Miller of Pearl Harbor fame, Gunner's Mate Third Class Paul Henry Carr at the battle off Samar, etc.). Some emphasis upon what it was like to be a sailor (working and living conditions) at different times is included as well.

    An indispensable resource for every home, office, dorm room, and library, The New York Times Guide to Essential Knowledge includes insightful sidebars by Times writers, and covers major categories including art, astronomy, business, sports, history, medicine, philosophy, photography, biology, film, and much more!Years in the making, this one volume is designed to offer more information than any other book on the most popular subjects as well as providing easy-to-access data vital for everyday living. It is the only comprehensive reference book to include authoritative, engaging in-depth essays from experts in almost every field of endeavor, with innovative cross-referencing to allow for to even greater understanding.Featuring:- Biographical dictionary of nearly one thousand of the most important people of every field- Writers Guide to grammar, usage and style- The United States Constitution- The most complete sports section of any one-volume reference book- A thirty-thousand-word history of the world - Crossword dictionaryContributors include:- Jane Brody on health matters- Dennis Overbye on the Big Bang - Linda Greenhouse on the Supreme Court today - Andrew Revkin on the state of the world's environment- John Noble Wilford on the oldest human fossil - Michael Kimmelman on the origins of photography- Will Shortz on crosswords- Natalie Angier on war- Nicholas Wade on how life began

    Beginning with Gimpel the Fool, whose title story brought Singer to sudden prominence in America when translated by Saul Bellow in 1953, and concluding with The Death of Methuselah, the collection published three years before his death in 1991, this three-volume edition brings together for the first time all the story collections Singer published in English in the versions he called his "second originals"--translations he supervised and collaborated on, revising as he worked. In addition, Collected Stories includes previously uncollected or unpublished stories from his manuscripts in the Ransom Center collections, providing a rare glimpse into the workshop of a literary genius. Here are nearly 200 stories--the full range of Singer's vision--encompassing Old World shtetl and New World exile. Born in Poland in 1904 into a family of rabbis, Singer was raised in a traditional culture that perished at the hands of the Nazis during the Second World War, and his haunting stories testify to the richness of that vanished world. Singer's Old World tales reveal a wild, mischievous, often disturbing supernaturalism evocative of local storytelling traditions. After his immigration to America, Singer's stories increasingly explore the daily lived reality and imaginative boundaries of Jewish culture as it was transplanted to the United States, revealing him to be the emblematic immigrant American writer, a writer whose vision and insights enlarged our idea of what it is to be an American.

    And this is precisely what Bruce Fink does in this ambitious book, a fine analysis of Lacan's work on language and psychoanalytic treatment conducted on the basis of a very close reading of texts in his Icrits: A Selection.As a translator and renowned proponent of Lacan's works, Fink is an especially adept and congenial guide through the complexities of Lacanian literature and concepts. He devotes considerable space to notions that have been particularly prone to misunderstanding, notions such as "the sliding of the signified under the signifier,"or that have gone seemingly unnoticed, such as "the ego is the metonymy of desire." Fink also pays special attention to psychoanalytic concepts, like affect, that Lacan is sometimes thought to neglect, and to controversial concepts, like the phallus.From a parsing of Lacan's claim that "commenting on a text is like doing an analysis," to sustained readings of "The Instance of the Letter in the Unconscious," "The Direction of the Treatment," and "Subversion of the Subject" (with particular attention given to the workings of the Graph of Desire), Fink's book is a work of unmatched subtlety, depth, and detail, providing a valuable new perspective on one of the twentieth century's most important thinkers.Bruce Fink is a practicing Lacanian psychoanalyst, analytic supervisor, and professor of psychology at Duquesne University in Pittsburgh. He is the author of A Clinical Introduction to LacanianPsychoanalysis (1997) and The Lacanian Subject (1995). He has coedited three volumes on Lacan's seminars and is the translator of Lacan's Seminar XX, On Feminine Sexuality, the Limits of Love and Knowledge (1998), Icrits: A Selection (2002), and Icrits: The Complete Text (forthcoming).

    Overflowing with a zany and spirited cast of characters, it revels in the miracle of second chances as an extended family searches for true contentment.

    Historically accurate and genealogically significant, this first novel by eminent genealogist Elizabeth Shown Mills is a gripping tale of racial bias, human conflict, and economic ruin told against the backdrop of colonial Louisiana. This novel is the result of more than thirty years of research. To fuel the story, as well as to maintain historical accuracy, the author found and referenced actual family history documents such as baptism records, manumission papers, probate records, land records, book extracts, and more to reconstruct the lives and times of Francois, Fanny, Coincoin, Augustin, and countless other unforgettable characters. But it takes more than documents on paper and microfilm to bring such an epic story to life. Mills' engaging prose puts flesh on the bones and pulls you into the lives and lifestyle of long-ago Louisiana.""

    Straddling the movements of minimalism and land art, Smithson, who died in a plane crash at the age of 35, had a profound impact on the cultural landscape that resonates to this day. Robert Smithson presents essays by top Smithson scholars alongside both archival imagery and specially commissioned photography of the artist's works; it considers the interrelationship of Smithson's complete artistic output, from the earliest figurative work up to his famed earthworks. Smithson's revolutionary ideas positioned art as existing beyond the walls of the museum in media such as writing and film, and even in the landscape itself. This volume and the exhibition it accompanies explore Smithson's work within the context of the artistic climate of the late 1960s as well as ensuing decades.Perhaps most renowned as the creator of Spiral Jetty (1970), a fifteen-hundred-foot rock coil dramatically situated in the Great Salt Lake, Smithson also broke new ground with his films, photographs, writing, drawings, and collages. Eugenie Tsai provides a curatorial overview of the exhibition, which includes early writings, drawings, and other work with religious, erotic, and pop culture motifs that deepen our understanding of Smithson's diverse practice. Other contributions to the volume are a previously unpublished interview with Smithson by Moira Roth; a substantive historical and critical essay by Thomas Crow; an essay by MOCA curator Cornelia Butler discussing Smithson's lineage and his influence on contemporary artists; and a series of texts focusing on key works from Smithson's oeuvre, including Incidents of Mirror Travel in the Yucatan by Suzaan Boettger, Enantiomorphic Chambers by Ann Reynolds, Airport Terminal Project by Mark Linder, Spiral Jetty by Jennifer Roberts, Heap of Language by Richard Sieburth, Proposal for Monument at Antartica [sic] by Robert Sobieszek. The book also features the complete Library List—a posthumously compiled list of publications in Smithson's personal library—with an introduction by Alexander Alberro, as well as an exhibition checklist and annotated exhibition chronology.With contributions by Alexander Alberro, Suzaan Boettger, Cornelia Butler, Thomas Crow, Mark Linder, Ann Reynolds, Jennifer L. Roberts, Moira Roth, Richard Sieburth, Robert A. Sobieszek, and Eugenie Tsai

    But in the words of editor Honor Moore, what strikes the contemporary reader is not the sophistication of Lowell's feminist or antiwar stances, but the bald audacity of her eroticism. Her search for an imagist poetry that is hard and clear, never blurred nor indefinite, found its purest expression in sensual love poems that bristle with lyric intensity. This new selection explores Lowell's full formal range, including cadenced verse, polyphonic prose, narrative poetry, and adaptations from the Chinese, and gives a fresh sense of the passion and energy of her work.

    Vollmann is one of our greatest living writers. Masterworks such as You Bright and Risen Angels, The Royal Family, and Rising Up and Rising Down—his latest work, a stunning 3,300-page tour-de-force—have launched him into the literary stratosphere. He stands today as one of America's leading contenders for a future Nobel Prize in literature. Here is his long-awaited "best-of" collection, intended both as an introduction for the curious reader, and as a necessary addition to the existing fan's collection. With excerpts from all of Vollmann's novels (including several not yet published), journalistic pieces, essays, correspondence, and poetry, Expelled from Eden creates a unique, kaleidoscopic portrait of one of America's most notorious, protean, devastating, and necessary writers.

    Reprint. 25,000 first printing.

    They must do their duty for the Federation and Starfleet, and they must strive to honor their oath as Starfleet officers. Among those who have best embodied these guiding principles and who have strived to live up to the coda "to boldly go ™" are those who once served aboard the Starship Enterprise under the command of Captain James T. Kirk. Who then, was better to guide the next generation of officers? After Kirk became an admiral, the officers of the Enterprise were promoted, and several became Academy instructors. Transformed from a ship of the line to a training vessel the Enterprise's days of active duty are behind her -- until a frantic message from a distant outpost interrupts a training exercise and pulls the ship back into action. Admiral Kirk is forced to take command of the Enterprise in order to stop an old nemesis from commandeering what could be the most deadly weapon ever devised. In the course of his actions, the crew will find itself facing death...and life -- as they deliberately violate their Starfleet oaths, travel through time to save Earth, and ultimately earn redemption in the eyes of the Federation. Now, for the first time ever in one volume here are the novelizations of three Star Trek® films: Star Trek II: The Wrath of Khan,® Star Trek III: The Search for Spock,® and Star Trek IV: The Voyage Home,® all by award-winning author Vonda McIntyre.

    Bloom’s mythic exploits dart from the delightful to the delirious as he weaves epic tales about giants, blizzards, a witch, and conjoined-twin lounge singers.Bloom charms everyone he encounters except for his estranged son Will (Billy Crudup). When his mother Sandra (Jessica Lange) tries to reunite them, Will must learn how to separate fact from fiction as he comes to terms with his father’s great feats and great failings.In addition to the complete screenplay, this Newmarket Shooting Script book includes a foreword by Daniel Wallace, an introduction by John August, a special color photo insert capturing the film’s vivid visuals, production notes, and complete cast and crew credits.

    Racing in the Street is the first comprehensive collection of writings about Springsteen, featuring the most insightful, revealing, famous, and infamous articles, interviews, reviews, and other writings. This nostalgic journey through the career of a rock-’n’-roll legend chronicles every album and each stage of Springsteen’s career. It’s all here—Dave Marsh’s Rolling Stone review of Springsteen’s ten sold-out Bottom Line shows in 1975 in New York City, Jay Cocks’s and Maureen Orth’s dueling Time and Newsweek cover stories, George Will’s gross misinterpretation of Springsteen’s message on his Born in the USA tour, and Will Percy’s 1999 interview for Double Take, plus much, much more.

    SILENT AMERICA: ESSAYS FROM A DEMOCRACY AT WAR has been read by hundreds of thousands of people online. Now you can own the collection that has been called "required reading for every high school and college in America." HONOR. EMPIRE. STRENGTH. MAGIC. HISTORY. FREEDOM... fourteen powerful essays on the American spirit. Join the thousands who have laughed, and cried, and who have found in SILENT AMERICA the words they have been searching for to describe the wonder and pride they feel for America.

    Speakeasies, luxury cars, women's liberation, bathtub gin and a booming economy kept the country's mood on the up-and-up. Women sheared off their locks and taped their chests, donning flapper dresses and dancing the Charleston until their legs gave out. Gangsters flourished in big cities and gangster movies flourished in Hollywood. It was the roaring twenties in America: a singular time in history, a lull between two world wars and the last gas before the nation's descent into the Great Depression. Forging the way into the future like a modern streamliner in a sea of antiquity, advertising in the 20s sought to bring avant-garde into the mainstream -- which it did with great success.

    Ira does the sound. Chris does hundreds of drawings. The result is a 22-minute story, with sound and images, now on DVD for the first time. The story's about a little boy who's obsessed with old buildings that are being demolished. It's packaged as this gorgeous little book, with 96 pages of never-before-published photographs of Louis Sullivan buildings, with the DVD tucked inside. Also, there are DVD Extras: audio outtakes, a look at Chris's pencil sketches, a high-resolution version of the movie that'll play on home computers.

    Cuban cooking combines the tastes of Spain with the tropical flavors of the Caribbean. Throw in some New World spices and ingredients and a strong African influence and you have the essence of Cuban cookery.These recipes also reflect ingredients and methods that were refined by Cuban exiles after they came to the United States. Here they found an abundance of foods that were either very scarce or completely unavailable in Castro's Cuba. Fish and seafood are two examples of foods that were only rarely enjoyed in Cuba after 1959. It was also impossible to get real olive oil-an ingredient that gives so many Cuban dishes a distinctive Latin flavor. Exile in the U.S. also exposed Cubans to ingredients they never saw in Havana. Salmon is very popular with Miami Cubans, for example, but unheard of in Cuba.

    

    A collection of photographic and literary portraits of the homes of some of America's top writers includes coverage of such figures as Ernest Hemingway, Frederick Douglass, Louisa May Alcott, Mark Twain, and Robert Frost; in a volume complemented by discussions of how their living environments reflected their creative processes and inner lives.

    Now the remaining wish must be used wisely and well--with the help of co-conspirators. The main thread of Third Wish--like Ariadne’s string guiding Theseus into the labyrinth with the Minotaur--begins at a table on a terrace on the Greek Island of Crete, winds its way into the center and back out to the same table, passing through Greece, Japan, France, England, and Seattle. Its main characters are Alice, Max-Pol, Aleko, Wonko, Zenkichi, Polydora, Alice-Alice, and Dog. Woven into the fabric of the novel are cultural history, art, philosophy, archeology, poetry, theater and music. The mode of the novel is contained in the words Slowly, Surprise, and Witness. More than anything else, Third Wish is a long love story--not in the usual sense--but the story of people who love life and will go to great lengths to find a flourishing Way onward.

    This anthology provides introductions to the poets' work, and charts an exchange between experiment and the emergence of language poetry.

    Indeed, every word in the book is his. In an astonishing feat of editing, Eric S. Petersen has culled the entirety of Thomas Jefferson’s published works to fashion thirty-four original essays on themes ranging from patriotism and liberty to hope, humility, and gratitude. The result is a lucid, inspiring distillation of the wisdom of one of America’s greatest political thinkers.From his personal motto—“Rebellion to tyrants is obedience to God”—to his resounding discourse on “life, liberty and the pursuit of happiness” in the Declaration of Independence, Jefferson defined the essential truth of the American spirit. In the essays that Petersen has crafted from letters, speeches, and public documents, Jefferson’s unique moral philosophy and vision shine through. Among the hundreds of magnificent sentences gathered in this volume, here are Jefferson’s pronouncements onGratitude: “I have but one system of ethics for men and for nations—to be grateful, to be faithful to all engagements and under all circumstances, to be open and generous.”Religion: “A concern purely between our God and our consciences.”America’s national character: “It is part of the American character to consider nothing as desperate; to surmount every difficulty with resolution and contrivance.”Public debt: “We shall all consider ourselves unauthorized to saddle posterity with our debts, and morally bound to pay them ourselves.”War: “I abhor war and view it as the greatest scourge of mankind.”In stately measured cadences, these thirty-four essays provide timeless guidance on leading a spiritually fulfilling life. Light and Liberty is a triumphant work of supreme eloquence, as uplifting today as when Jefferson first set these immortal sentences on paper.From the Hardcover edition.

    Wars in this story are understood both as necessary to defend those values and as exceptions to the rule of peaceful progress. In The Dominion of War, historians Fred Anderson and Andrew Cayton boldly reinterpret the development of the United States, arguing instead that war has played a leading role in shaping North America from the sixteenth century to the present.Anderson and Cayton bring their sweeping narrative to life by structuring it around the lives of eight men--Samuel de Champlain, William Penn, George Washington, Andrew Jackson, Antonio Lopez de Santa Anna, Ulysses S. Grant, Douglas MacArthur, and Colin Powell. This approach enables them to describe great events in concrete terms and to illuminate critical connections between often-forgotten imperial conflicts, such as the Seven Years' War and the Mexican-American War, and better-known events such as the War of Independence and the Civil War. The result is a provocative, highly readable account of the ways in which republic and empire have coexisted in American history as two faces of the same coin. The Dominion of War recasts familiar triumphs as tragedies, proposes an unconventional set of turning points, and depicts imperialism and republicanism as inseparable influences in a pattern of development in which war and freedom have long been intertwined. It offers a new perspective on America's attempts to define its role in the world at the dawn of the twenty-first century.

    Immigration and Naturalization Service has existed in this country for more than two decades. In American Gulag, prisoners, jailers, and whistle-blowing federal officials come forward to describe the frightening reality inside these INS facilities. Journalist Mark Dow's on-the-ground reporting brings to light documented cases of illegal beatings and psychological torment, prolonged detention, racism, and inhumane conditions. Intelligent, impassioned, and unlike anything that has been written on the topic, this gripping work of investigative journalism should be read by all Americans. It is a book that will change the way we see our country. American Gulag takes us inside prisons such as the Krome North Service Processing Center in Miami, the Corrections Corporation of America's Houston Processing Center, and county jails around the country that profit from contracts to hold INS prisoners. It contains disturbing in-depth profiles of detainees, including Emmy Kutesa, a defector from the Ugandan army who was tortured and then escaped to the United States, where he was imprisoned in Queens, and then undertook a hunger strike in protest. To provide a framework for understanding stories like these, Dow gives a brief history of immigration laws and practices in the United States—including the repercussions of September 11 and present-day policies. His book reveals that current immigration detentions are best understood not as a well-intentioned response to terrorism but rather as part of the larger context of INS secrecy and excessive authority. American Gulag exposes the full story of a cruel prison system that is operating today with an astonishing lack of accountability.

    These "cowboys of the skies," as one journalist called them, were the structural ironworkers who walked steel beams -- no wider, often, than the face of a hardcover book -- hundreds of feet above ground, to raise the soaring towers and vaulting bridges that so abruptly transformed America in the twentieth century.Many early ironworkers were former sailors, new Americans of Irish and Scandinavian descent accustomed to climbing tall ships' masts and schooled in the arts of rigging. Others came from a small Mohawk Indian reservation on the banks of the St. Lawrence River or from a constellation of seaside towns in Newfoundland. What all had in common were fortitude, courage, and a short life expectancy. "We do not die," went an early ironworkers' motto. "We are killed."High Steel is the stirring epic of these men and of the icons they built -- and are building still. Shifting between past and present, Jim Rasenberger travels back to the earliest iron bridges and buildings of the nineteenth century; to the triumph of the Brooklyn Bridge and the 1907 tragedy of the Quebec Bridge, where seventy-five ironworkers, including thirty-three Mohawks, lost their lives in an instant; through New York's skyscraper boom of the late 1920s, when ironworkers were hailed as "industrial age heroes." All the while, Rasenberger documents the lives of several contempor-ary ironworkers raising steel on a twenty-first-century skyscraper, the Time Warner building in New York City.This is a fast-paced, bare-knuckled portrait of vivid personalities, containing episodes of startling violence (as when ironworkers dynamited the Los Angeles Times building in 1910) and exhilarating adventure. In the end, High Steel is also a moving account of brotherhood and family. Many of those working in the trade today descend from multigenerational dynasties of ironworkers. As they walk steel, they follow in the footsteps of their fathers, grandfathers, and great-grandfathers.We've all had the experience of looking at a par-ticularly awe-inspiring bridge or building and wondering, How did they do that? Jim Rasenberger asks -- and answers -- the question behind the question: What sort of person would willingly scale such heights, take such chances, face such danger? The result is a depiction of the American working class as it has seldom appeared in literature: strong, proud, autonomous, enduring, and utterly compelling.

    We follow the progression of Daniel Boone's life, a life led in war and in the wilderness, and see the birth of a new nation. We track the bountiful animals and the great, undisturbed rivers. We stand beside Boone as he buries his brother, then his wife, and finds comfort in his friendship with a slave named Derry. Praised for his originality, Maurice Manning is an exciting new voice in American poetry. The darkest place I've ever beendid not require a name. It seemedto be a gathering place for the lintof the world. The bottom of a hollowbeneath two ridges, sunk like a stone.The water was surely old, the dregsof some ancient sea, but purifiedby time, like a man made better by his years, his old hurts absorbed intohis soul, his losses like a springin his breast. -from "Born Again"

    From haunting poems that give voice to losses and seek redemption in wilderness, to those that celebrate ecstatic moments of mystical vision, the book's trajectory moves ever toward Taoist landscapes of thought. The book concludes with the return of love and re-imaginings of the relationship between presence and emptiness in our lives.

    The journey across the river was dangerous, especially in winter and especially for a 12-year-old boy. When Louis's father left him in charge of the farm he offered his son this advice, "If you don't know what to do, just do what you think I would have done." Louis relies upon his father's words of wisdom when a runaway slave and her two children come looking for safe passage. In the second title in our Tales of Young Americans series Gloria Whelan -- author of National Book Award winning Homeless Bird -- beautifully creates a suspenseful coming-of-age story while illuminating a difficult time in America's past. Ms. Whelan's narrative again shows the human spirit will forever shine brightly in dark times. Freedom River - part of our Young Americans series - will quickly become a favorite for its important message and look at history from a youngster's eye. Artist Gijsbert van Frankenhuyzen - a Sleeping Bear Press favorite - treats the material as only he can. Each illustrated page demonstrates the same mastery and devotion to his craft as the young heroes he brings to life.