I forget things too. It makes me sad. Or it makes me the saddest. The sadness is not really about George W. or our American optimism; the sadness lives in the recognition that a life cannot matter.The award-winning poet Claudia Rankine, well known for her experimental multigenre writing, fuses the lyric, the essay, and the visual in this politically and morally fierce examination of solitude in the rapacious and media-driven assault on selfhood that is contemporary America. With wit and intelligence, Rankine strives toward an unprecedented clarity-of thought, imagination, and sentence-making-while arguing that recognition of others is the only salvation for ourselves, our art, and our government.Don't Let Me Be Lonely is an important new confrontation with our culture, with a voice at its heart bewildered by its inadequacy in the face of race riots, terrorist attacks, medicated depression, and the antagonism of the television that won't leave us alone.

    Epic in scope, brilliant in imaginative vision, the three unforgettable books that constitute the Tales of the Otori are available in one beautifully designed boxed set.

    His aim in Wizard of the Crow is, in his own words,nothing less than “to sum up Africa of the twentieth century in the context of two thousand years of world history.”Commencing in “our times” and set in the “Free Republic of Aburĩria,” the novel dramatizes with corrosive humor and keenness of observation a battle for control of the souls of the Aburĩrian people. Among the contenders: His High Mighty Excellency; the eponymous Wizard, an avatar of folklore and wisdom; the corrupt Christian Ministry; and the nefarious Global Bank. Fashioning the stories of the powerful and the ordinary into a dazzling mosaic, Wizard of the Crow reveals humanity in all its endlessly surprising complexity.Informed by richly enigmatic traditional African storytelling, Wizard of the Crow is a masterpiece, the crowning achievement in Ngugl wa Thiong’o’s career thus far.

    He is painfully unaware that these torments are due to the secret manipulations of New Renaissance, an experimental organization that is testing the age-old idea that art results from suffering. Since culture is so significantly influenced by music, movies, and television, New Renaissance hopes to improve the mindless mainstream by raising writers who emphasize artistic quality over commerce. As part of its top-secret sub-project, New Renaissance hires reluctant ex-musician Harlan Eiffler to manipulate its most promising prodigy, Vincent. Wickedly antisocial and deeply disgusted by what passes for entertainment in the twenty-first century, Harlan clandestinely pulls the strings so that Vincent remains a true artist. All the while, he poses as Vincent's manager, simultaneously nurturing his prolific career and torturing his soul.

    These are worlds undreamt-of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown ("The Soul Is Not a Smithy"). Or could explore the deepest and most hilarious aspects of creativity by delineating the office politics surrounding a magazine profile of an artist who produces miniature sculptures in an anatomically inconceivable way ("The Suffering Channel"). Or capture the ache of love's breakdown in the painfully polite apologies of a man who believes his wife is hallucinating the sound of his snoring ("Oblivion"). Each of these stories is a complete world, as fully imagined as most entire novels, at once preposterously surreal and painfully immediate. Oblivion is an arresting and hilarious creation from a writer "whose best work challenges and reinvents the art of fiction" (Atlanta Journal-Constitution).Mister squishy --The soul is not a smithy --Incarnations of burned children --Another pioneer --Good old neon --Philosophy and the mirror of nature --Oblivion --The suffering channel

    “Taken together,” as the editor Ignacio Echevarría remarks in his introduction, they provide “a personal cartography of the writer: the closest thing, among all his writings, to a kind of fragmented ‘autobiography.’” Bolaño’s career as a nonfiction writer began in 1998, the year he became famous overnight for The Savage Detectives; he was suddenly in demand for articles and speeches, and he took to this new vocation like a duck to water. Cantankerous, irreverent, and insufferably opinionated, Bolaño also could be tender (about his family and favorite places) as well as a fierce advocate for his heroes (Borges, Cortázar, Parra) and his favorite contemporaries, whose books he read assiduously and promoted generously. A demanding critic, he declares that in his “ideal literary kitchen there lives a warrior”: he argues for courage, and especially for bravery in the face of failure. Between Parentheses fully lives up to his own demands: “I ask for creativity from literary criticism, creativity at all levels.”

    Filled with Quentin Blake's illustrations plus black and white photos, each spread is exploding with information about the creator of Willie Wonka, James, and Matilda; from his family tree to the exact type of pencil he used to write his stories. Perfect for devoted fans and Dahl newcomers alike, this is a glorimptious guide to the world of Roald Dahl. Roald Dahl (1916-1990) wrote many beloved and award-winning books for children, including Charlie and the Chocolate Factory, James and the Giant Peach, and The Witches.

    Mr. Brown has performed works from herein on The Tonight Show with Jay Leno and as the opening act for rock bands such as Cold War Kids and The White Stripes. It contains 204 pages of work spanning 1994-2004. Derrick Brown's large cult following has sent him on tours through twelve countries. He continues to tour to this day. Paperback. www.brownpoetry.com

     Brothers cease speaking to each other, husbands abandon wives and children, grown men are haunted by childhood fears. People struggle against the weight of their own history and try to reconcile themselves to their place in the world. With extraordinary insight and tenderness, Winton explores the demons and frailties of ordinary people whose lives are not what they had hoped.

    Almost immediately, Hanna betrays her own professional reservations and finds herself enamored by the mystery of Micah's carefully guarded past. When the two unexpectedly fall in love, Micah is forced to face the hidden places that haunt him, and Hanna must address her fears and determine if forgiveness can make way for love. Teeming with suspicion and intrigue, this Grand Teton adventure leaves the reader struggling with the Christian response of forgiveness in the midst of emotional entanglements, fears of the heart, and the inevitable agony of love. Has fate brought the two together, or will circumstances tear them apart? What are the secrets that Micah guards so closely? Will love and forgiveness conquer the entanglements of their past and make way for a future together?

    What does great writing instruction look like and sound like How do successful teachers of writing get great writers who enjoy writing Where do they find the time for instruction assessment and test prep In Writing Essentials Regie Routman demystifies the process of teaching writing well and gives you the knowledge research precise instructional language and confidence you need to succeed With Regie s help you ll transform your classroom into an organized joyful writing environment where students connect reading with writing every day across the curriculum learn essential skills like grammar and spelling and achieve higher scores on high stakes tests through sensible writing based test preparation and daily classroom based assessment Writing Essentials specifically and explicitly demonstrates practical easy to do strategies that turn your writing instruction practices into best practices Follow Routman s path for successfully leading all students including English language learners writers who struggle and students coping with learning disabilities from first draft to publication You ll find expert advice and specific demonstrations on a wide variety of techniques including demonstrating your own writing process for students organizing and managing the writing classroom conducting effective efficient writing conferences creating meaningful rubrics for better assessment teaching various forms of narrative and informational writing and poetry applying shared writing across the grades and across the curriculum teaching editing and revision mapping out your writing instruction with Regie s own flexible five day lesson planning model In addition Writing Essentials includes a DVD with eight three to four minute video clips from primary and intermediate classrooms that show Regie conferring with writers and celebrating their work as she teaches and assesses These invaluable clips and the detailed notes that accompany them take you insi

    sank in such appalling violence." --Radio France InternationalIn April of 1994, nearly a million Rwandans were killed in what would prove to be one of the swiftest, most terrifying killing sprees of the 20th century. In Murambi, The Book of Bones, Boubacar Boris Diop comes face to face with the chilling horror and overwhelming sadness of the tragedy. Now, the power of Diop's acclaimed novel is available to English-speaking readers through Fiona Mc Laughlin's crisp translation. The novel recounts the story of a Rwandan history teacher, Cornelius Uvimana, who was living and working in Djibouti at the time of the massacre. He returns to Rwanda to try to comprehend the death of his family and to write a play about the events that took place there. As the novel unfolds, Cornelius begins to understand that it is only our humanity that will save us, and that as a writer, he must bear witness to the atrocities of the genocide.From the novel:"If only by the way people are walking, you can see that tension is mounting by the minute. I can feel it almost physically. Everyone is running or at least hurrying about. I meet more and more passersby who seem to be walking around in circles. There seems to be another light in their eyes. I think of the fathers who have to face the anguished eyes of their children and who can't tell them anything. For them, the country has become an immense trap in the space of just a few hours. Death is on the prowl. They can't even dream of defending themselves. Everything has been meticulously prepared for a long time: the administration, the army, and the [militia] are going to combine forces to kill, if possible, every last one of them."

    But they did. Now while everyone else moves forward, my entire life is on hold! Even worse, the magical gift that holds the key to my future is in jeopardy. I want to make everything right. But what if I can’t? So begins the adventure of twelve-year-old Zenda from Azureblue, a magical green planet where the quest for spiritual enlightenment is as natural to living as breathing. Smart, gifted, and headstrong, yet also a sensitive dreamer, Zenda is the quintessential girl on the verge of adolescence: always changing, always questioning, and constantly seeking to make sense of her world and her place in it. Featuring a thoroughly modern yet timeless character, Zenda is the ultimate series for today’s sophisticated ’tween girl. The biggest day of Zenda’s life is finally here: In a few short hours she will be presented with her very own gazing ball. It is the gazing ball that will reveal her thirteen special “musings,” the lessons unique to Zenda that will guide her on her journey through life. Then, Zenda breaks her gazing ball and her thirteen musings vanish and scatter out into the atmosphere. It’s up to Zenda to find them; if not, she risks never fulfilling her potential—or her secret dreams.

    Opening with an impassioned critique of modern reading habits, he then presents many of the great, and idiosyncratic, writers he loves most. In this showcase of one hundred of the world's most astonishing books, Dirda covers a remarkable range of literature, including popular genres such as the detective novel and ghost story, while never neglecting the deeper satisfactions of sometimes overlooked classics. Short-listed for the Los Angeles Times Book Award for criticism, Bound to Please is a glorious celebration of just how much fun reading can be.

    There is a new clarity to her work, a disquieting transparency, even in the midst of the wild thickets of language for which she is known. A poet “at the border of her own allegory,” Brock-Broido searches for a lexicon adequate to the extremities of experience–a quest that is as capricious as it is uncompromising. In the process, she reveals, unsparingly, things as they are. In “Pamphlet on Ravening” she recalls, “I was a hunger artist once, as well. / My bones had shone. / I had had rapture on my side.” The book is laced with sequences: haunted, odd self-portraits; a succession of poems provoked by discarded titles by Wallace Stevens; an intermittent series of fractured and beguiling lyrics that she variously refers to as fragments, leaflets, and apologues.Trouble in Mind is a book that astonishes us afresh at the agility and the uncanny will of language, which Brock-Broido is not afraid to follow where it may lead her: “That the name of bliss is only in the diminishing / (As far as possible) of pain. That I had quit / The quiet velvet cult of it, / Yet trouble came.” Even trouble, in Brock-Broido’s idiom, becomes something resplendent.From the Hardcover edition.

    A maverick English teacher at odds with the young and shrewd supply teacher. A headmaster obsessed with results; a history teacher who thinks he's a fool.In Alan Bennett's classic play, staff room rivalry and the anarchy of adolescence provoke insistent questions about history and how you teach it; about education and its purpose.The History Boys premiered at the National in May 2004.

    This gloriously illustrated volume provides comprehensive college-level information about birds and their environments in a style accessible to nonscientists and teachers the world over.The "Handbook of Bird Biology" covers all major topics, from anatomy and physiology to ecology, behavior, and conservation biology. One full chapter addresses vocal communication and is accompanied by a CD of bird vocalizations. Produced by the Cornell Laboratory of Ornithology's world-renowned Macaulay Library of Natural Sounds, the CD illustrates key elements of bioacoustics.The book's text was written by 12 leading ornithologists and illustrated by respected photographers and acclaimed artist John Schmitt. It includes an extensive glossary and index, a list of the common and scientific names of all birds mentioned in the text, author profiles, suggested readings following each chapter, and a complete reference section.The "Handbook" serves as the backbone of the Lab's popular Home Study Course in Bird Biology, a self-paced course that can be taken from anywhere in the world, by anyone with a serious interest in birds who would like guidance from professional ornithologists. Comprehensive and readable guide covering all major topicsFree CD of bird vocalizations enclosedExtensive glossary and indexList of all common and scientific namesSuggested readingsComplete reference sectionCompanion to the Cornell Laboratory of Ornithology's popular Home Study Course in Bird Biology

    But her well-ordered world is turned upside down when her only sister is killed in a car crash. Harriet has never been the maternal type, but with an orphaned nephew and niece to look after, she has no choice but to leave her old life behind. Divorced Will Hart also thinks he has the perfect life. A firm believer in living for the moment, Will has a terrific relationship with his teenage daughters and has happily swapped a career as a lawyer for that of an antiques dealer. Then a startling revelation causes his life to unravel. Both Harriet and Will have no choice but to piece together a new future for themselves.

    In this groundbreaking new series, DK brings together fresh voices and DK design values to give readers the most information-packed, visually exciting biographies on the market today. Full-color photographs of people, places, and artifacts, definitions of key words, and sidebars on related subjects add dimension and relevance to stories of famous lives that students will love to read.Supports the Common Core State Standards.

    Ever since the first Roman, Saxon, Jute and Dane leaped off a boat we have been a mongrel nation. Our roots are a tangled web. From Huguenot weavers fleeing French Catholic persecution in the 18th century to South African dentists to Indian shopkeepers; from Jews in York in the 12th century (who had to wear a yellow star to distinguish them and who were shamefully expelled by Edward I in 1272) to the Jamaican who came on board the Windrush in 1947. The first Indian MP was elected in 1892, Walter Tull, the first black football player played (for Spurs and Northampton) before WW1 (and died heroically fighting for the allies in the last months of the war); in 1768 there were 20,000 black people in London (out of a population of 600,000 - a similar percentage to today). The 19th century brought huge numbers of Italians, Irish, Jews (from Russia and Poland mainly), Germans and Poles. This book draws all their stories together in a compelling narrative.

    

    At Keystone Stables, a special-needs dude ranch in central Pennsylvania, Skye meets Champ, a champion sorrel quarter horse who helps her accept God's unconditional forgiveness and love.

    Damon DiMarco's Tower Stories: An Oral History of 9/11 eternally preserves a monumental tragedy in American history through the voices of the people who were in Lower Manhattan and elsewhere in New York City on that fateful day.The stories DiMarco has collected come from a diverse group of human beings: individuals who managed to escape from the Towers; the bereaved of 9/11; the policemen, firemen, paramedics, reporters, and volunteers who risked their lives to help others; eyewitnesses who stood in shock on the streets below the Towers; WTC structural engineers, political experts, political dissidents, small business owners, and, of course, children whose lives will be forever impacted by the horror and chaos they witnessed.In the tradition of Studs Terkel, DiMarco's moving oral history chronicles the stories of everyone from the small group of people who miraculously made it safely down from the 89th floor of Tower 1 to the New York Times reporter trying desperately to fight her way through the fleeing crowds into Lower Manhattan, to the paramedic who set up a triage area 200 yards from the base of the Towers before they collapsed to the ordinary citizens of New York City who tried to get on with their lives in the days following the tragic event.This expanded second edition of DiMarco's literary time capsule includes follow-up interviews that track contributors' lives in the years since 9/11, as well as dozens of never-before-published photographs.

    You won't read about it in any of the history books, because there's nothing - save for the circumstantial evidence in Central Park - to prove that it was there at all. Which makes its existence very easy to dismiss. Especially in a time like this one, when the world is so unpredictable, and it takes all of one's resources just to get by in the present tense. But even though most people will say they have no time or reason to believe in the Sixth Borough, and don't believe in the Sixth Borough, they will still use the word "believe.''

    Haring's original and instantly recognizable style, full of thick black lines, bold colors, and graffiti-inspired cartoon-like figures, won him the appreciation of both the art world and the general public; his work appeared simultaneously on T-shirts, gallery walls, and public murals. In 1986, Haring founded Pop Shop, a boutique in New York's SoHo selling Haring-designed memorabilia, to benefit charities and help bring his work closer to the public and especially street kids, with whom he never lost contact.

    J. Simpson case, popular interest in forensic science has exploded: CBS's CSI has 16 to 26 million viewers every week, and Patricia Cornwell's novels featuring a medical examiner sleuth routinely top bestseller lists, to cite just a few examples. Now, everyone can get the lowdown on the science behind crime scene investigations. Using lots of fascinating case studies, forensics expert Dr. D. P. Lyle clues people in on everything from determining cause and time of death to fingerprints, fibers, blood, ballistics, forensic computing, and forensic psychology. With its clear, entertaining explanations of forensic procedures and techniques, this book will be an indispensable reference for mystery fans and true crime aficionados everywhere-and even includes advice for people interested in forensic science careers. D. P. Lyle, MD (Laguna Hills, CA), is a practicing cardiologist who is also a forensics expert and mystery writer. He runs a Web site that answers writers' questions about forensics, dplylemd.com, and is the author of Murder and Mayhem: A Doctor Answers Medical and Forensic Questions for Writers, as well as several mystery novels. John Pless, MD, is Professor Emeritus of Pathology at Indiana University School of Medicine and former President of the National Association of Medical Examiners.

    Let's say he's somewhere between nine and thirteen years old or so. You'd like to see this kid get creative. You'd like to see him get some exercise. You'd like to see him get out from in front of the television. And you'd love for him to be motivated enough to find some stuff to do on his own.This boy NEEDS The Big Book of Boy Stuff!This thick, durable book includes fascinating chapters on gross stuff, magic, emergencies, fireworks, games, experiments, jokes, activities, insults, pets, flying things, and, of course, duct tape.Boys can learn fun experiments such as how to create a "Monster in a Box" using a shoebox, a flowerpot, and a potato. Next, they can work on building a pneumatic rocket made out of a lip balm tube and air. The sky is truly the limit when it comes to these fun and entertaining projects. No boyhood is complete without a copy!The Big Book of Boy Stuff has all the important information that boys just have to know: How can I make a rocket? What do I do if I get a bean stuck up my nose? How can I make lightning without killing myself? Where can I find new practical jokes? What is the best way to poop outside? How do I tell a girl I like her? Why would I tell a girl I like her? How many mosquitoes does it take to suck all the blood out of a person? What's that smell? . . . and many, many more!The veteran of many water-balloon wars, Bart King has twice won the prized "Arrested Development" award from the New York Society of Amateur Psychologists. He has been a middle-school teacher for the past fifteen years. This is his first book, unless you count that other one he wrote. Bart has interviewed hundreds of the country's wisest guys and smartest alecks for the incredible material in The Big Book of Boy Stuff.Bart invites you to visit this book's website at: www.bartking.net

    Thomas went to Vietnam at the age of eighteen, where he served as a crew chief on assault helicopters. By the end of his tour, he had been awarded numerous medals, including the Purple Heart. He had also killed many people, witnessed horrifying cruelty, and narrowly escaped death on a number of occasions. When Thomas returned home he found that he continued to live in a state of war. He was overwhelmed by feelings of guilt, fear, anger, and despair, all of which were intensified by the rejection he experienced as a Vietnam veteran. For years, Thomas struggled with post-traumatic stress, drug and alcohol addiction, isolation, and even homelessness. A turning point came when he attended a meditation retreat for Vietnam veterans led by the renowned Zen monk Thich Nhat Hanh. Here he encountered the Buddhist teachings on meditation and mindfulness, which helped him to stop running from his past and instead confront the pain of his war experiences directly and compassionately. Thomas was eventually ordained as a Zen monk and teacher, and he began making pilgrimages to promote peace and nonviolence in war-scarred places around the world including Bosnia, Auschwitz, Afghanistan, Vietnam, and the Middle East. At Hell's Gate is Thomas's dramatic coming-of-age story and a spiritual travelogue from the horrors of combat to discovering a spiritual approach to healing violence and ending war from the inside out. In simple and direct language, Thomas shares timeless teachings on healing emotional suffering and offers us practical guidance in using mindfulness and compassion to transform our lives.

    The book is a part of a broader research project by Bruce Mau Design intended to provoke debate and discussion about the future of design culture, broadly defined as the "familiar objects and techniques that are transforming our lives." In essays, interviews, and provocative imagery aimed at a broad audience, Massive Change explores the changing force of design in the contemporary world, and in doing so expands the definition of design to include the built environment, transportation technologies, revolutionary materials, energy and information systems, and living organisms. The book is divided into 11 heavily illustrated sections covering major areas of change in contemporary society — such as urbanism and architecture, the military, health and living, and wealth and politics. Each section intersperses intriguing documentary images with a general introductory essay, extended captions, and interviews with leading thinkers, including engineers, designers, philosophers, scientists, architects, artists, and writers. Concluding the book is a graphic timeline of significant inventions and world events from 10,000 B.C. to the present.

    While explaining key design decisions, it details the concepts, data structures, and algorithms used in implementing the systems facilities. It is both a practical reference and an in-depth study of a contemporary, portable, open source operating system.

    The book concludes with a portrait of Wiman’s diagnosis of a rare form of incurable and lethal cancer, and how mortality reignited his religious passions.When I was twenty years old I set out to be a poet. That sounds like I was a sort of frigate raising anchor, and in a way I guess I was, though susceptible to the lightest of winds. . . . When I read Samuel Johnson’s comment that any young man could compensate for his poor education by reading five hours a day for five years, that’s exactly what I tried to do, practically setting a timer every afternoon to let me know when the little egg of my brain was boiled. It’s a small miracle that I didn’t take to wearing a cape.Praise for Ambition and Survival"That calling, at once religious, ethical, and aesthetic, is one that only a genuine poet can hear—and very few poets can explain it as compellingly as Mr. Wiman does. That gift is what makes Ambition and Survival, not just one of the best books of poetry criticism in a generation, but a spiritual memoir of the first order."—New York Sun"This weighty first prose collection should inspire wide attention, partly because of Wiman's current job, partly because of his astute insights and partly because he mixes poetry criticism with sometimes shocking memoir...The collection's greatest strength comes in general ruminations on the writing, reading and judging poetry." —Publishers Weekly"[Wiman is] a terrific personal essayist, as this new collection illustrates, with the command and instincts of the popular memoirist ... This is a brave and bracing book." —Booklist"Christian Wiman's poems often spoke of a void, and then they stopped. In Ambition and Survival, Poetry magazine's editor rediscovers his spirituality and his voice."—Chicago Sun-TimesChristian Wiman is the editor of Poetry magazine. His poems and essays appear regularly in The New Yorker, The Atlantic Monthly, Harper’s, and The New York Times Book Review. He is the author of several books of poetry, including The Long Home (isbn 9781556592690) and Hard Night (isbn 9781556592201).

    Toured with Ani Difranco, seen on HBO, International poetry slam champion.

    Whether writing on religion or sexuality or notions of whiteness, on Martin Luther King, Jr. or Tupac Shakur, Dyson's keen insight and rhetorical flair continue to surprise and challenge. This collection gathers the best of Dyson's growing body of work: his most incisive commentary, his most stirring passages, and his sharpest, most probing and broadminded critical analyses. From Michael Jordan to Derrida, Ralph Ellison to the diplomacy of Colin Powell, the mastery and ease with which Dyson tackles just about any subject is without parallel.

    But nothing is certain, except that as we grow, each one of us will pose the question differently and be privy to different answers. Wolf Erlbruch is considered one of Europe's most important illustrators. He has written and illustrated countless books for children and in 2002 was the winner of a special career award from the German Children's Literature Circle.

    A masseuse breaks her rich client's wrist bone, a friend visits at the hospital long after she is welcome, and a woman surrenders her husband to a creepily adoring student. From one of our most acclaimed writers, Honored Guest is a rich examination of our capacity for transformation and salvation.

    

    In The Undressed Art, writer-naturalist Peter Steinhart investigates the rituals, struggles, and joys of drawing. Reflecting on what is known about the brain’s role in the drawing process, Steinhart explores the visual learning curve: how children begin to draw, how most of them stop, and what brings adults back to this deeply human art form later in life.  He considers why the face and figure are such commanding subjects and describes the delicate collaboration of the artist and model. Here is a powerful reminder that no revolution in art or technology can undermine our vital need to draw.

    Detailing his life, his lovers, and his ideas on matters high and low, The Japan Journals is a record of both a nation and an evolving expatriate sensibility. As Japan modernizes and as the author ages, the tone grows elegiac, and The Japan Journals—now in paperback after the critically acclaimed hardcover edition—becomes a bittersweet chronicle of a complicated life well lived and captivatingly told.Donald Richie, the eminent film historian, novelist, and essayist, still lives in Tokyo.

    Since the first edition was published in 2005, it has been adopted as a textbook at many universities. Organized into chapters on "Raw Materials/Building Materials (Modules)," "Building Components (Elements)," "Building Methods (Structures)," and "Buildings (Examples)," the book now includes a new section on translucent materials and an article on the use of glass. The chapter on "Building Elements" now includes a discussion of facades, and the chapter on "Structures" has been expanded to cover "Principles of Space Creation." The examples section now includes extensive documentation of current projects whose systematic character is oriented around the production process.Experience with the preceding edition has shown that the book has become an indispensable handbook for reference and reading not only for students and teachers but also for architects.

    Title: The Noisy Book <>Binding: Board Books <>Author: Soledad <>Publisher: GeckoPress

    Desperate for human connection, they listen through walls and engage in such obsessions as collecting hairs left behind by lovers. These 24 passionately and intricately rendered stories secure Lutz's place at the forefront of the contemporary fiction of disaffection.

    The schools Littky has created and led over the past 35 years are models for reformers everywhere: small, public schools where the curriculum is rich and meaningful, expectations are high, student progress is measured against real-world standards, and families and communities are actively engaged in the educational process.This book is for both big E and small e educators:* For principals and district administrators who want to change the way schools are run.* For teachers who want students to learn passionately.* For college admissions officers who want diverse applicants with real-world learning experiences.* For business leaders who want a motivated and talented workforce.* For parents who want their children to be prepared for college and for life.* For students who want to take control over their learning . . . and want a school that is interesting, safe, respectful, and fun.* For anyone who cares about kids.Here, you'll find a moving account of just what is possible in education, with many of the examples drawn from the Metropolitan Regional Career and Technical Center (The Met) in Providence, Rhode Island--a diverse public high school with the highest rates of attendance and college acceptance in the state. The Met exemplifies personalized learning, one student at a time.The Big Picture is a book to reenergize educators, inspire teachers in training, and start a new conversation about kids and schools, what we want for both, and how to make it happen.

    This book will change your life.When Richard Paul Evans was twelve, his father, a building contractor, shattered both his legs. With no insurance, no income, and eight children, the family was destitute. At that difficult time young Evans was introduced to a kind multimillionaire who taught him the five secrets of wealth. Today, Evans credits those lessons not just with bringing him wealth and success but with bringing him freedom and opportunity in a world where financial slavery is ubiquitous. In his signature motivational voice, Evans interweaves those influential lessons with personal stories from everyday people. He explains that money should not be the preoccupation of our lives. Rather, if we follow the five principles, we will be free to focus on God, family, and relationships -- the true nourishments of life. Wise and compelling, The Five Lessons a Millionaire Taught Me About Life and Wealth can be read in a single sitting and will leave you with a new view of what it means to be rich -- and convinced that you, too, can build wealth. The Five Lessons a Millionaire Taught Me About Life and Wealth is endorsed by financial consultants, churches, schools, and marriage counselors. You cannot afford to be without this book.

    While the demand for inspirational books is ever expanding, this book takes a refreshing and creative approach that's unlike any other.More about When I Talk to YouWhen asked to pen a weekly cartoon for Melbourne's Sunday Age newspaper more than 15 years ago, Michael Leunig struggled with the idea of creating just another humor strip. He recognized the need to offset the anxiety and distress found in the news but was determined to take a decidedly different approach from his cartooning peers.The result was a cartoon that delivered a spiritual message with its inspirational words and straightforward, poignant drawings. Before long, it developed a huge, faithful following and turned Leunig into an Australian national treasure.Now, he is sharing his illuminating prayers and drawings worldwide in When I Talk to You, a collection of more than 80 of his poignant prayers and delightful drawings. The book looks at life in all its sadness, joy, and-at times-seeming absurdity, and offers people hope through the power of prayer.Leunig's encouraging words are part inspiration, part desperation-capturing one man's quest for love, the spirit, and a better world. It's a search that resonates with anyone who has ever grappled with life and its unpredictable ways.

    Told through the stories of Mexicans who helped make the transformation, the book gives new and gripping behind-the-scenes accounts of major episodes in Mexico's recent politics.Mexico's Institutional Revolutionary Party, led by presidents who ruled like Mesoamerican monarchs, came to be called "the perfect dictatorship." But a 1968 massacre of student protesters by government snipers ignited the desire for democratic change in a generation of Mexicans. Opening Mexico recounts the democratic revolution that unfolded over the following three decades. It portrays clean-vote crusaders, labor organizers, human rights monitors, investigative journalists, Indian guerrillas, and dissident political leaders, such as President Ernesto Zedillo-Mexico's Gorbachev. It traces the rise of Vicente Fox, who toppled the authoritarian system in a peaceful election in July 2000.Opening Mexcio dramatizes how Mexican politics works in smoke-filled rooms, and profiles many leaders of the country's elite. It is the best book to date about the modern history of the United States' southern neighbor-and is a tale rich in implications for the spread of democracy worldwide.

    These crippling fears are laid to rest through insightful discussions of personal experiences, the struggles of famous artists, and the rewards of producing art that comes from an authentic creative core. Providing sensitive reassurances that these struggles are normal, these essays encourage artists to focus on the development of their crafts and find inspiration to work through self-doubt.

    Relating Neruda's remarkable life story and delving into the literary legacy of the man Gabriel Garcia Marquez called "the greatest poet of the twentiehth-century-in any language," Feinstein uncovers the details of this icon's artistic output, political engagement, friendships with a pantheon of important 20th-century artistic and political figures, and many loves.

    But her romantic dreams were shattered when she was forced by her father to marry a man she'd never met, fifteen years older than her, and whose language she couldn't understand. The husband she didn't love beat her regularly in an attempt to force her into submission. With extraordinary courage, Leila fought back against the weight of family tradition to regain her liberty and dignity. And despite the very real risks, she has left her husband and speaks out openly against the evils of forced marriage.

    Jon, a multitalented, eccentric visionary, emerges as a brilliant, charming, irresponsible, frustrating, and ultimately tragic hero.This is a saga of the rise and fall of family lines—a tale marked by bohemia, Greek poets, intellectuals, drugs and homelessness. It is the story of eccentrics and survivors, the strength of personal vision and the nature of addiction, and what it does to families. An exquisitely rendered exploration of the harrowing and motivating forces of family, history, and individual choices.Eleni Sikelianos’ previous books include Earliest Worlds and the National Poetry Series winner The Monster Lives of Boys & Girls. She lives in Boulder, CO.

    This sumptuous tribute to the earth's most beautiful animal has been redesigned in a new mini format that is 100 pages longer than the original. Renowned photographer Yann Arthus-Bertrand—master of light and shadow, angle and exposure—etches these magnificent creatures and their human partners in photographs shot on location and around the globe, from Montana to Russia, central Asia to Argentina, Mongolia and Cameroon, and points in between. Each moment captured offers a glimpse of the breath of humanity, and man's powerful and moving relationship with the horse. Full of tribal costume, local color, and panoramic scenery—accompanied by the text of equine expert Jean-Louis Gouraud—Horses is a project of unparalleled ambition and scope.

    Written by one of the world's foremost paleontologists, Prehistoric Mammals gives children a rare glimpse at a world gone by in a stunningly illustrated, incredibly comprehensive reference book.

    Rosalie dreams of love, and Truffle of luck. One fateful day, they find each other under the blooming apple tree. This is a tale of love, shown from both sides. Rosalie's story begins at the front of the book, Truffle's at the back, and both versions meet in the middle.

    But few who use this simple, familiar gesture know its impact as a powerful prayer.  Author Bert Ghezzi shows how this potent prayer engages the Holy Spirit and affirms Christian identity.  With insights derived from Scripture, church teachings, and personal experience, Ghezzi encourages people to utilize this powerful sign in their daily life.Drawing on the fascinating history of the sign of the cross, Ghezzi reveals six dynamic truths of the spiritual life that God gives.  The Sign of the Cross brings forth an opening to God, renewal of baptism, mark of discipleship, acceptance of suffering, defense agains the devil, and victory over self-indulgence.  This inspirational book brings to life the blessings of this ancient prayer and guides Christians to a renewed experience of God.

    It is a very, very, very, very, very, very, very, very, very bad book.BAD JACK HORNERBad Jack HornerSat in a cornerPulling the wings off a fly.He swore at his mumKicked his dad in the bum,And said 'Oh, what a bad boy am I'.

    Refreshed, renewed, reloaded! Readers can discover all the foul facts about the VILLAINOUS VICTORIANS , including:Why burglars were scared of bogies,which poet said he ate an apeand how a snick fadger might kiddy-nap your spangle.

    Quotations are ordered not by A-Z, but by thematic categories: love; business; religion; celebrity, you name it, every category is covered. The collection includes all the classics from Oscar Wilde to Winston Churchill, Dorothy Parker to Groucho Marx but also mines many new hidden gems from lesser lights and includes many contemporary quotes by everyone from Jilly Cooper to Jonathan Ross. A standard companion for new collectors, and a fresh perspective for serious quotation addicts.

    The perfect introduction to the incredible world of Zoran Zivković.Impossible Stories might be approached as if one were inspecting a handsome piece of furniture, a cabinet in which each of any number of regularly sized and shaped drawers is built precisely to contain and to somehow exemplify its own metaphysical freight or uncanny puzzle, and it is in the rhythm and variety of the whole, too, that the nature of Zivković's craft can be apprehended and enjoyed. --Tony White, Wasafiri ...even though they own and use computers, Zivković's characters seem decidedly nineteenth century. They are as intelligent and as neurotic as Poe's personae, and admirers of that master of the outre-or of Borges, Gogol, Capek, and Lem-will be enthralled by them. --Ray Olson, Booklist ...well worth reading for the ingenuity of Zivković's stories. He is extraordinarily clever and has a particular talent for devising awkward moral dilemmas for his characters. His writing is also ... quite unlike that of anyone else. --Cheryl Morgan, Emerald City

    In a highlyprovocative interpretation of the decision's connection to the civil rights movement, Klarman argues that Brown was more important for mobilizing southern white opposition to racial change than for encouraging direct-action protest. Brown unquestioningly had a significant impact--it brought raceissues to public attention and it mobilized supporters of the ruling. It also, however, energized the opposition. In this authoritative account of constitutional law concerning race, Michael Klarman details, in the richest and most thorough discussion to date, how and whether Supreme Court decisionsdo, in fact, matter.

     In this groundbreaking new series, DK brings together fresh voices and DK design values to give readers the most information-packed, visually exciting biographies on the market today. Full-color photographs of people, places, and artifacts, definitions of key words, and sidebars on related subjects add dimension and relevance to stories of famous lives that students will love to read.

    Over and over these poems leave us convinced that we’ve learned something very important and mysterious, yet we can’t say exactly what.

    Missing from the roster of invitees is Christian's twin sister, Linda, who recently committed suicide. The reason for her action and the repercussions from it, form the basis of the shocking and painful events that transpire during a twenty-four hour period. In the midst of dinner, Christian makes a startling accusation and, even as the disbelieving guests are choosing sides, the play slowly unwraps the truth.David Eldridge powerful new play is adapted from Thomas Vinterborg's screenplay of the very successful film, Dogme.Published to tie in with Almeida Theatre production in March 2004 directed by Rufus Norris

    The fully updated guide includes unique cutaways, floor plans, and reconstructions of the must-see sights, plus street-by-street maps of cities and towns. DK's insider travel tips and essential local information will help you discover the best of this country, from local festivals and markets to day trips around the countryside. Detailed listings will guide you to hotels, restaurants, bars and shops for all budgets, while practical information will help you to get around by train, bus, or car.With hundreds of full-color photographs, hand-drawn illustrations, and custom maps that brighten up every page, "DK Eyewitness Travel Guide: Switzerland" truly shows you around this destination as no one else can.

    Consider the following:Although Judaism is defined by its worship of one God, it was not always a pure monotheism. In I Kings 8, King Solomon addresses the Lord by saying, "There is no God like You," suggesting that the Israelites recognized the existence of other gods.The practice of Judaism was focused on animal sacrifice until the destruction of the Second Temple by the Romans in the 1st century, which forced a radically new approach to worship.The political emancipation of the Jews in 18th-century Europe transformed a 1,000-year-old style of Jewish life. "You can’t find an expression of Judaism today that is just like [the way] Jews lived 300 years ago," says Professor Shai Cherry.Yet for all it has changed, Judaism has maintained unbroken ties to a foundation text, an ethnicity, a set of rituals and holidays, and a land.A Journey of Religious DiscoveryIn these 24 lectures, Professor Cherry explores the rich religious heritage of Judaism from biblical times to today.He introduces you to the written Torah, and you learn about the oral Torah, called the Mishnah (which was also later written down), and its commentary, the Gemara. And you discover how the Mishnah and Gemara comprise the Talmud, and how they differ from another form of commentary called Midrash.He teaches you about the three pillars of the world defined more than 2,000 years ago by Shimon the Righteous: Torah, worship, and deeds of loving kindness.He takes you through the calendar of Jewish holidays, from the most important, the Sabbath, to the key holidays of Rosh Hashanah, Yom Kippur, Passover, and Pentecost (Shavuot); and to historically minor celebrations such as Channukah, which is now a more visible holiday.You also learn about the origins and attributes of the different Jewish movements that formed in the wake of Emancipation in the late 1700s and the resulting full emergence of Judaism into Western society. These include the Reform, Conservative, Modern Orthodox, and Reconstructionist movements."Although Jewish history is not one long tale of travails," says Professor Cherry, "there have been several catastrophes that powerfully shaped the Jewish consciousness." He includes discussions of the impact on Jewish thought of the Babylonian exile and the destruction of the Second Temple in antiquity, and the Holocaust in the 20th century."We will see that for every topic that we cover we have a multiplicity of responses and a multiplicity of answers," says Professor Cherry, noting that this course could just as easily be called "An Introduction to Judaisms."What’s in a Name?Judaism’s sacred text is the Bible, also called the TaNaKH, the Torah, the Hebrew Bible, and, by Christians, the Old Testament. As Professor Cherry points out, these terms have different implications:TaNaKH: This is the Hebrew acronym for the three sections of the Bible—the Torah (the first five books, known as the Pentateuch), Nevi’im (Prophets), and Ketuvim (Writings).Torah: The word torah means "a teaching," and it can refer to the Pentateuch, the entire TaNaKH, or even the whole corpus of Jewish thought.Hebrew Bible: This is a religiously neutral term used by scholars for the TaNaKH. Professor Cherry notes that his expertise is in the TaNaKH, not the Hebrew Bible, since he approaches the text from the Jewish interpretive tradition.Old Testament: Christians refer to the TaNaKH as the Old Testament, since in their eyes it has been superseded by the New Testament. For Catholics, the Old Testament has a number of books that are not included in the TaNaKH.Interpreting the ScripturesJews and Christians not only have different names for the Bible, they understand it very differently. For example, Christianity takes an episode that is relatively minor in Jewish tradition—the temptation of Adam and Eve—and extracts from it the doctrine of original sin.Similarly, early rabbis took the repeated phrase, "And there was evening and there was morning," in the enumeration of the six days of creation and concluded that the day begins in the evening, which is why Jews start the celebration of their holidays at sundown.As a case study in interpretation, Professor Cherry delves deeply into the prohibition against seething (boiling) a kid in its mother’s milk, mentioned in Exodus and Deuteronomy, which led to the kosher practice of strict separation of meat and milk products. Recently, a scholar pointed out that the original Hebrew could be interpreted to mean fat instead of milk.A prohibition against seething a kid in its mother’s fat makes more sense, because it is another way of saying that the mother and offspring should not be slaughtered on the same day, in accord with the biblical injunction against killing two generations of the same species on the same day.But the rabbis had very good reasons to read the passage as they did, says Professor Cherry, who shows the theological logic that has resulted in the dietary separation of meat and milk, a practice observed by traditional Jews today.Unlocking Mysteries of Jewish Thought and Ritual"Let’s unpack this," Professor Cherry says often during these lectures, as he takes a concept, a biblical passage, or an episode from history and explores its meaning in Jewish thought and ritual.In doing so, he is following the footsteps of the acknowledged master of this form of analysis, the medieval Jewish philosopher Moses Maimonides, who figures prominently throughout the course and is treated in depth in Lecture 14.There, Professor Cherry focuses on Maimonides’s Guide of the Perplexed and its discussion of creation, prayer, and the reasons for the commandments. Maimonides is filled with insights into how Judaism evolved as it did, noting, for example, that the practice of ritual animal sacrifice in early Judaism was God’s way of taking a pagan rite that the Israelites had learned from the Egyptians and redirecting it.In a subsequent lecture, Professor Cherry shows how Maimonides’s success at putting Judaism on a logical footing set the stage for a reaction that produced the Jewish mystical system called the Kabbalah.Professor Cherry unlocks other mysteries, such as why the first day of the seventh month (Tishrei) is the Jewish New Year (Rosh Hashanah). It seems likely, he says, that "this was the time of the Babylonian New Year. So when the Jews were exiled to Babylonia, they saw that the Babylonians celebrated their New Year on that day, and said, ‘We’ve got some sacred occasion where we blow the trumpets, so let’s make that our New Year, too.’"He also explores different concepts of the Messiah, profiling two controversial candidates. The first is Shabbatai Tzvi, who was proclaimed Messiah by followers in 1665, and whose travels across Eastern Europe eventually landed him in Turkey, where he converted to Islam to avoid execution by the authorities.The other candidate is Rebbe Menachem Mendel Scheersohn, a charismatic leader of the Lubavitch Chassidim in Brooklyn, who died in 1994. Rebbe Scheersohn’s widely touted messianic credentials created intense debate and division in the Ultra-Orthodox community.From the Decalogue to Fiddler on the RoofFrom the first lecture on the Torah to the last on the Jews as the Chosen People, this course is packed with fascinating information, including:Jews use the term Decalogue, instead of Ten Commandments because there are actually more than 10 commandments in the Decalogue. For instance, "On six days you shall work and the seventh day shall be a Sabbath to you." Usually that counts as one: that you should have a Sabbath on the seventh day. But there is also, "On six days you shall work."The prophets in the biblical period served the same function as today’s free press. They tell the king what he doesn’t want to hear.When people die in the TaNaKH, everyone goes to the same place, Sheol—a shadowy underworld that is neither heaven nor hell.After crushing the Bar Kochvah revolt of the Jews in the 2nd century, the Romans changed the name of the land of Israel and Judaea to echo the Israelites’ ancient enemies, the Philistines. This is how the region came to be called Palestine.Today, the designation "Temple" on a Jewish house of worship is usually a sign that it is a Reform congregation because Reform Jews no longer look toward the dream of rebuilding the Jerusalem Temple.Orthodox Judaism is just as much a product of modernity as is Reform because several varieties of Orthodoxy emerged in the 19th century as a response to Emancipation, the Enlightenment, and the founding of the Reform movement.In addition, Professor Cherry devotes several lectures to complex issues such as the problem of evil and suffering, the Zionist movement, the place of women in the Jewish world, and how Judaism understands Christianity.Throughout, Professor Cherry is articulate, engaging, and passionate, with a gift for making a point by means of a memorable cultural reference. He calls attention to an echo of Jewish mystic Rav Kook in a Joni Mitchell song; to the Kabbalistic nature of "the force" and "the dark side" in George Lucas’s Star Wars; and to the Sabbath lesson given by Gene Wilder as an Old West rabbi in The Frisco Kid, when he dutifully dismounts his horse at sundown, risking capture by bandits.Professor Cherry notes that when he teaches introductory Judaism at Vanderbilt University, he asks his students to see two films: Fiddler on the Roof, for its picture of the breakdown of tradition as Jews confront modernity; and Woody Allen’s Crimes and Misdemeanors, for its treatment of secular Jews grappling with contemporary issues of faith and ethics. Both films repay viewing in light of the lessons you’ll learn in this course.In his final lecture, Professor Cherry sums up: "The Judaisms we’ve examined in this course reflect the ongoing struggles of the Jewish people from their ancient life as a sovereign nation, to the travails of exile, to the opportunities of acculturation in modernity, and finally to the re-establishment of the state of Israel. Hearing God’s words anew—receiving Torah every day—has meant reinterpreting the tradition, creatively rereading the words of the past, whether they relate to core ideas like the notion of evil and the notion of the Chosen People, or mitzvot such as the prohibition of idolatry, or the laws of marriage and divorce. Even the basis for reinterpreting the tradition, the claim that God’s words do not cease, is itself a rereading of Torah."

    Highly respected English folk singer Shirley Collins describes her year long stint as Lomax's assistant and their diligent work uncovering the traditional music of America's heartland.

    They are valued as dreamers, as diviners, as the backbone of the community; the core of human survival. But what can the teachings of this indigenous culture show us that will transform the way we live? On Women's Wisdom from the Heart of Africa, Sobonfu Som�, author, teacher, and the first woman empowered by the Dagara elders to impart their teachings to the West, invites you to peer into a world where people remain closely connected to nature, their ancestors, and spirit, and to learn how to use powerful rituals to restore balance within yourself and with those around you.Secrets of the Dagara StorytellersSobonfu Som�, whose name means "keeper of the rituals," was raised in her small village and sent by her elders to continue her education in the United States. With Women's Wisdom from the Heart of Africa, Som� shares authentic spiritual teachings of her tribe that were formerly handed down only within the circle of Dagara village life. These teachings are founded on a worldview that honors animals, plants, and trees as our elders, and human beings as the newcomers. From this revered relationship with the natural world, we learn how to live in unity with our environment, and create a deeper connection with spirit.Discover Your True Gifts and Offer Them to the World Through Ritual and CelebrationHow do we find this connection to spirit? For the Dagara, ritual is the gateway. Distilling the essential practices of her people, Sobonfu Som� shows you how to check in with spirit to receive guidance, observe the sacred spaces of your home, harness the energy of the elements, strengthen your relationships, create balance in your professional life, and much more. What are your unique gifts? What were you born to contribute? What can your community do to assist you? These questions are asked of every unborn Dagara child while still in the womb. Now, you have the chance to explore these and other questions, and to discover your inimitable gift as a woman with Women's Wisdom from the Heart of Africa.Highlights: Use ritual to discover power places in nature and in your body Form a council of women to initiate growth and change in your community How to relate to your life cycles and honor them as times of grace, beauty, and immense energy Leadership as seen through the eyes of Dagara women--a different way of using your power How to create a shrine in your home to call in the divine Your unfiltered intuition--a guide you can always trust Call in the spirits of the elements to create balance and harmony Reclaim your ancestral lineage to learn who you are and what are your greatest strengths Visible and invisible power--tapping into your own sacred energy How to use grief and mourning to restore, renew, and regenerate your spirit Draw upon your dreams to guide, support, and encourage yourself and others Ritual--the key to connecting with spirit and with the people you care about Seven hours of rituals, reflection, and stories to immerse yourself in the traditions of the Dagara tribe and expand any spiritual practice

    The radical ideas of Charles Darwin had shaken traditional religious beliefs. Sigmund Freud was developing his innovative models of the conscious and unconscious mind. And anthropologist James George Frazer was subjecting magic, myth, and ritual to systematic inquiry. Why, then, in this quintessentially modern moment, did late-Victorian and Edwardian men and women become absorbed by metaphysical quests, heterodox spiritual encounters, and occult experimentation?In answering this question for the first time, The Place of Enchantment breaks new ground in its consideration of the role of occultism in British culture prior to World War I. Rescuing occultism from its status as an "irrational indulgence" and situating it at the center of British intellectual life, Owen argues that an involvement with the occult was a leitmotif of the intellectual avant-garde. Carefully placing a serious engagement with esotericism squarely alongside revolutionary understandings of rationality and consciousness, Owen demonstrates how a newly psychologized magic operated in conjunction with the developing patterns of modern life. She details such fascinating examples of occult practice as the sex magic of Aleister Crowley, the pharmacological experimentation of W. B. Yeats, and complex forms of astral clairvoyance as taught in secret and hierarchical magical societies like the Hermetic Order of the Golden Dawn.Through a remarkable blend of theoretical discussion and intellectual history, Owen has produced a work that moves far beyond a consideration of occultists and their world. Bearing directly on our understanding of modernity, her conclusions will force us to rethink the place of the irrational in modern culture. “An intelligent, well-argued and richly detailed work of cultural history that offers a substantial contribution to our understanding of Britain.”—Nick Freeman, Washington Times

    As Black and African Studies programs emerged in the early 1970's, the question of who has the right and responsibility to determine course and curriculum also emerged.

    Written by Spider Robinson, 'The Crazy Years' takes its name from Robert A Heinlein's designation of the last years of the 20th century and contains essays from Robinson's tenure as op-ed columnist for 'The Globe and Mail' and from 'Galaxy Online'. Environmentalists that place the survival of earth before the survival of humanity, the idiocy of computer designs, and the downsides of the Internet are among the subjects Robinson uses to take the world to task.

    Jura finds that the favourite rooms in his house, each designed to reflect an aspect of his personality, are disappearing one by one. He remembers perfectly well playing the piano in `The Grand Piano Room'. However, the other members of his family deny the room ever existed. In `The Last Day' a family discovers an app that tells them on which day one of them will die. A man receives letters from God giving him choices which throw him into a moral dilemma. In this award-winning collection of stories, `Melnikas questions the taboos that limit human freedom.' Lire Jaroslavas Melnikas is one of the most inventive and interesting Ukrainian and Lithuanian writers today. La Croix wrote of him, `He meditates, like Dostoyevsky, on the relationship between sin and freedom.'

    And this is precisely what Bruce Fink does in this ambitious book, a fine analysis of Lacan's work on language and psychoanalytic treatment conducted on the basis of a very close reading of texts in his Icrits: A Selection.As a translator and renowned proponent of Lacan's works, Fink is an especially adept and congenial guide through the complexities of Lacanian literature and concepts. He devotes considerable space to notions that have been particularly prone to misunderstanding, notions such as "the sliding of the signified under the signifier,"or that have gone seemingly unnoticed, such as "the ego is the metonymy of desire." Fink also pays special attention to psychoanalytic concepts, like affect, that Lacan is sometimes thought to neglect, and to controversial concepts, like the phallus.From a parsing of Lacan's claim that "commenting on a text is like doing an analysis," to sustained readings of "The Instance of the Letter in the Unconscious," "The Direction of the Treatment," and "Subversion of the Subject" (with particular attention given to the workings of the Graph of Desire), Fink's book is a work of unmatched subtlety, depth, and detail, providing a valuable new perspective on one of the twentieth century's most important thinkers.Bruce Fink is a practicing Lacanian psychoanalyst, analytic supervisor, and professor of psychology at Duquesne University in Pittsburgh. He is the author of A Clinical Introduction to LacanianPsychoanalysis (1997) and The Lacanian Subject (1995). He has coedited three volumes on Lacan's seminars and is the translator of Lacan's Seminar XX, On Feminine Sexuality, the Limits of Love and Knowledge (1998), Icrits: A Selection (2002), and Icrits: The Complete Text (forthcoming).

    Here nature reigns and natural phenomena dominate and define the landscape. Photographed from above, the sights of volcanoes, glaciers, coral reefs, canyons, sea beds and rivers reveal the delicate and monumental natural patterns that are etched on the earth's crust. Bernhard Edmaier's photographs capture the beauty of these unspoiled areas and document phenomena that may last for a few brief moments or remain for millions of years." Earthsong divides the planet into four parts reflecting the major environments that cover its surface - Aqua (water), Barren (tundra), Desert (lands with minimal precipitation), and Green (forest and grass land). Thus the frozen ice of the Arctic appears with the warm oceans of the Pacific; we see coastal deserts alongside underwater deserts, glacial deserts and sand deserts; the lush green forests of Europe are juxtaposed with desert flowers; and floating river algae and icy alpine summits appear with the barren wastelands of the far north. Earthsong celebrates the boundless beauty of our planet and covers areas from the Bahamas to Ethiopia, New Zealand to the United States, Europe, Ecuador and the Antarctic.

    Now the remaining wish must be used wisely and well--with the help of co-conspirators. The main thread of Third Wish--like Ariadne’s string guiding Theseus into the labyrinth with the Minotaur--begins at a table on a terrace on the Greek Island of Crete, winds its way into the center and back out to the same table, passing through Greece, Japan, France, England, and Seattle. Its main characters are Alice, Max-Pol, Aleko, Wonko, Zenkichi, Polydora, Alice-Alice, and Dog. Woven into the fabric of the novel are cultural history, art, philosophy, archeology, poetry, theater and music. The mode of the novel is contained in the words Slowly, Surprise, and Witness. More than anything else, Third Wish is a long love story--not in the usual sense--but the story of people who love life and will go to great lengths to find a flourishing Way onward.

    Race and cultural identity is a primary theme and shapes the book. There are poems about violence, the environment, relationships, politics, and grief, alongside poems full of fun, looking at everyday events from quirky, unexpected points of view. It's an accessible and inspiring book by a poet who knows and respects his audience.

    In 1980, Andrew Meldrum arrived in a Zimbabwe flush with new independence, and he fell in love with the country and its optimism. But over the twenty years he lived there, Meldrum watched as President Robert Mugabe consolidated power and the government evolved into despotism. In May 2003, Meldrum, the last foreign journalist still working in the dangerous and chaotic nation, was illegally forced to leave his adopted home. His unflinching work describes the terror and intimidation Mugabe’s government exercised on both the press and citizens, and the resiliency of Zimbabweans determined to overturn Mugabe and demand the free society they were promised.

    While a group of neo-Nazis are preparing an anniversary bash of disastrous proportions, an old physics professor returns to Potsdam to atone for his sins, an Italian postdoc designs an experiment that will determine the fate of the universe, and, in a room at Le Charit?, a Holocaust survivor tells his tale to the willing ear of a young psychologist. Who is that talking cat, why do ghosts of SS soldiers roam the city, and what is Speer's favorite actress up to?

    Six thousand color illustrations are labeled in the five languages showing in color what other dictionaries can only describe in text. All the clear, concise illustrations are organized into a series of fully indexed sections.Each key word and phrase is connected to the detailed illustrations making identification and translations quick and accurate.The scope and depth of this reference are immense, covering an incredibly detailed range of terms for:Astronomy and Earth Flora, fauna and humans Food, kitchen and around the house Gardening, clothing, articles Arts and architecture Communications, transport and machinery Energy, science and society Sports and games. This edition is ideal for anyone learning Spanish, French, German and Italian or those learning English as a second language.

    Now, the porky heroine headlines in her own "teatro," which containing all of the ingredients for a masterful performance. Boxed in a fold-out stage that includes all of the props to create scenes from "Swan Lake," "Romeo and Juliet," and "Turandot," this must-have includes colorful stage backdrops -- audiences can even draw their own scenes using the blank backdrops inside -- Olivia and Ian figures, and an amusing Playbill. For easy setup, all of the figures and backdrops are labeled according to performance; while the Playbill gives lengthy synopses of the three pieces, short bios of the lead actors, and a description of how to use the theater. Bound to make any playtime magical, Teatro Olivia is just right for younger kids looking for more fun with their favorite character and for more sophisticated types who will go hog-wild staging Tchaikovsky or Puccini.

    Features include:Environmental maps covering the oceans and forestsWorld comparison charts and maps30,000-entry pronunciation guide109-page index

    His major works include the Houston Museum of Fine Art, Davis Art Museum at Wellesley College, the Stockholm Museum of Modern Art and Architecture, and the Potzdammer Platz Hotel in Berlin. Now Moneo will be known as a daring critic as well. In this book, he looks at eight of his contemporaries--all architects of international stature--and discusses the theoretical positions, technical innovations, and design contributions of each. Moneo's discussion of these eight architects--James Stirling, Robert Venturi, Aldo Rossi, Peter Eisenman, Alvaro Siza, Frank Gehry, Rem Koolhaas, and the partnership of Jacques Herzog and Pierre De Meuron--has the colloquial, engaging tone of a series of lectures on modern architecture by a master architect; the reader hears not the dispassionate theorizing of an academic, but Moneo's own deeply held convictions as he considers the work of his contemporaries. More than 500 illustrations accompany the text.Discussing each of the eight architects in turn, Moneo first gives an introductory profile, emphasizing intentions, theoretical concerns, and construction procedures. He then turns to the work, offering detailed critical analyses of the works he considers to be crucial for an informed understanding of this architect's work. The many images he uses to illustrate his points resemble the rapid-fire flash of slides in a lecture, but Moneo's perspective is unique among lecturers. These profiles are not what Moneo calls the tacit treatises that can be found on the shelves of a university library, but lively encounters of architectural equals.

    William St. Clair offers a very different picture of the past from those presented by traditional approaches through quantified information he provides on book prices, print runs, intellectual property, and readerships gathered from over fifty publishing and printing archives.

    But for the returned soldier there's a shadow over his own war experience in Italy. Three brothers went to war, but only one returned--Tu is the sole survivor.

    A collection of photographic and literary portraits of the homes of some of America's top writers includes coverage of such figures as Ernest Hemingway, Frederick Douglass, Louisa May Alcott, Mark Twain, and Robert Frost; in a volume complemented by discussions of how their living environments reflected their creative processes and inner lives.

    . . about Nairobi in the 1950s, still a quaint, eccentric pioneer town, full of characters of all stripes and tribes, where rhinoceros roamed the streets and local residents went to the movies in pajamas. He writes of the camp he built twelve miles outside of Nairobi so that he would never be off safari, a forty-acre patch of bush called Hog Ranch (abutting Karen Blixen’s plantation), named for the families of warthogs who wandered into camp, a camp populated with waterbuck, suni, dik-diks, leopard, giraffe, and occasionally lion and buffalo.In “Big Pig at Hog Ranch,” Beard tells the story of Thaka (translation from the Kikuyu: “handsome stud”), Hog Ranch’s number-one, fearsome, 300-pound warthog, who came into camp and dropped to the ground happy for a vigorous tummy rub, and who one night, “lying in his favorite position, munching on corn and barbeque chicken,” was encroached upon by a bristly haired, wild-looking boar hog. All three hundred pounds of Thaka exploded straight at the hairy intruder, the two brutish, bony heads crashing together thundering through the camp and Peter witnessed the unleashed power—the bullish strength—of the wild pig . . .In “Roping Rhino,” Beard tells of his first job in Africa, rounding up and relocating rhinos for the Kenya Game Department with his cohort and neighbor, a weather-beaten native of Old Kenya who thrived on danger and refused to bathe—and of the enormous silver-backed rhino bull that became their Moby Dick . . .He writes of his quest to photograph overpopulated and habitat-destroying elephants for Life magazine on the eve of Kenya’s independence . . . of his close encounter with the legendary man-eating lions of “Starvo” (descendants of the famed beasts rumored to be immune to bullets, who in the late nineteenth century halted the construction of the Mombasa railroad, devouring railroad workers and snatching sleeping passengers from their Pullman berths in the dead of night to make a meal of them), who charged the author, “coming in slow motion, like a bullet train erupting out of a tunnel, soundless, like an ancient force.” He tells of his round-the-clock adventure tracking and studying crocodiles with a game warden–biologist at Lake Rudolf, a tale that begins with one crewmember being grabbed from behind by a ten-foot crocodile and another doing battle with an almost prehistoric monster fish—a 200-pound Great Nile perch! . . . and he writes of the final wildlife encounter that ended his safari days, an incident that proved Karen Blixen’s motto: “Be bold, be bold . . . be not too bold.”Zara’s Tales confirms to our constant surprise and delight that “nothing out of the ordinary happens. It’s just Africa, after all.”

    French, a veteran correspondent for The New York Times, gives a compelling firsthand account of some of Africa’s most devastating recent history–from the fall of Mobutu Sese Seko, to Charles Taylor’s arrival in Monrovia, to the genocide in Rwanda and the Congo that left millions dead. Blending eyewitness reportage with rich historical insight, French searches deeply into the causes of today’s events, illuminating the debilitating legacy of colonization and the abiding hypocrisy and inhumanity of both Western and African political leaders. While he captures the tragedies that have repeatedly befallen Africa’s peoples, French also opens our eyes to the immense possibility that lies in Africa’s complexity, diversity, and myriad cultural strengths. The culmination of twenty-five years of passionate exploration and understanding, this is a powerful and ultimately hopeful book about a fascinating and misunderstood continent.

    The authors start from the premise that corporate (or company) law across jurisdictions addresses the same three basic agency problems: (1) the opportunism of managers vis-�-vis shareholders; (2) the opportunism of controlling shareholders vis-�-vis minority shareholders; and (3) the opportunism of shareholders as a class vis-�-vis other corporate constituencies, such as corporate creditors and employees.

    Thus, the diagnosis of potential pathologies must also be founded on this relation. Given that the efficacy of all forms of treatment depends upon the therapeutic relation, a diagnostic of this sort has wide-ranging applications.Paul Verhaeghe's critical evaluation of the contemporary DSM-diagnostic shows that the lack of reference to an updated governing metapsychology impinges on the therapeutic value of the DSM categories. In response to this problem, the author sketches out the foundations of such a metapsychology by combining a Freudo-Lacanian approach with contemporary empirical research. Close attention is paid to the processes of identity acquisition to show how the self and the Other are not two separate entities. Rather, subject formation is seen as a process in which both the subject's and the Other's identity, as well as the relationship between them, comes into being.By engaging this new theoretical approach in a constant dialogue with the findings of contemporary research, this book provides a compass for the practical applications of such a differential diagnostic. Post-modern categories of anxiety disorders, personality disorders, and post-traumatic stress disorders are approached both through the well-known neurotic, psychotic, and perverse structures, as well as through the less familiar distinction between an actual pathology and a psychopathology. These two outlooks, which involve the role of language and the subject's relation to the Other, are spelled out to show their implications for treatment at every turn.

    From Wittgenstein’s Mistress to Reader’s Block to Springer’s Progress to This Is Not a Novel, he has delighted and amazed readers for decades. And now comes his latest masterwork, Vanishing Point, wherein an elderly writer (identified only as "Author") sets out to transform shoeboxes crammed with notecards into a novel — and in so doing will dazzle us with an astonishing parade of revelations about the trials and calamities and absurdities and often even tragedies of the creative life — all the while trying his best (he says) to keep himself out of the tale. Naturally he will fail to do the latter, frequently managing to stand aside and yet remaining undeniably central throughout — until he is swept inevitably into the narrative’s startling and shattering climax. A novel of death and laughter both — and of extraordinary intellectual richness.

     Provides an overview of the most significant issues and debates in Gothic studies. Explains the origins and development of the term Gothic. Explores the evolution of the Gothic in both literary and non-literary forms, including art, architecture and film. Features authoritative readings of key works, ranging from Horace Walpole's The Castle of Otranto to Bret Easton Ellis's American Psycho. Considers recurrent concerns of the Gothic such as persecution and paranoia, key motifs such as the haunted castle, and figures such as the vampire and the monster. Includes a chronology of key Gothic texts, including fiction and film from the 1760s to the present day, and a comprehensive bibliography.

    He dreams of very strange things, meets a rare potato, and decides to start celebrating Carnival. Who knows what he will dream of next!

    Zahi Hawass shares some of the many intriguing tales about the legendary "curse of the pharaohs"-including several of his own experiences with it. Also known as the "curse of the mummies," this spine-tingling legend-still believed by many people-claims that anyone who disturbs the rest of the ancient Egyptian dead will be haunted or harmed by their spirits. Often blamed when things go wrong, these ancient spirits are given credit for accidents, illnesses, and even deaths.Many strange things have happened to Dr. Hawass during his years as an archaeologist in the field, and he delights in telling about them. For example: o?= - He tells of the exciting discovery of beautiful statues found in the tomb of a man called Inty-shedu and of the bizarre circumstances-including an earthquake and then his own heart attack-that prevented him from publicly announcing the discovery.o?= - After he excavated the mummies of two small children in the Valley of the Golden Mummies and arranged to have them transferred to a museum, the children began haunting his dreams every night, following him in his travels around the world. After several months of sleepless nights, he realized that the children didn't want to be separated from another mummy-a grown man, perhaps their father-that had been buried with them. So he had that mummy moved to the museum, too, and the nightmares stopped!o?= - During exploration of another tomb, he was knocked unconscious by an electric shock from the frayed wire of the lamp he held. The fact that he survived these incidents seems proof to him that if there is a curse, itprobably helped him. He says, "The greatest desire of the ancient Egyptians was that their names would live forever. We as archaeologists dedicate our lives to bringing the names of the ancients back to life.o?= So you see, though I do excavate tombs, the spirits of the dead should be pleased with me." Dr. Hawass also delves into the fascinating background of the curse, telling readers how it became famous all over the world after the discovery of the tomb of the pharaoh Tutankhamun, also known as King Tut, in 1922. Shortly after the discovery of the tomb, seemingly inexplicable misfortunes began to occur, ranging from a pet canary being devoured by a cobra to the illnesses and deaths of several people involved with the excavation of the fabulous tomb. Rumors quickly spread that an ancient curse had been awakened. In a later chapter, Dr. Hawass makes clear that there are simple, natural explanations for most of the disasters linked to the curse of the pharaohs-such as ancient, infection-causing germs, for example. In another chapter, he explains that ancient Egyptians did believe in curses and magic, and he tells how they carved curse inscriptions on their tombs to warn off robbers. (It didn't work. Neither did trying to hide the tombs.) Overflowing with beautiful 4-color photographs, Curse of the Pharaohs not only explores the legendary curse but also introduces readers to the thrills and dangers of archaeology and to the fascinating world of ancient Egypt. A valuable reference tool for school reports, the book's extensive back matter includes a timeline, glossary, index, bibliography, and further reading list, as well as fun and informative sections on how mummies were made, thearchaeologist's tools, and Dr. Hawass's tips for budding archaeologists.

    Sherman's troops. A young sharpshooter for the South, Charlie Merrill, who has suffered many losses in his life already, must find a way to endure---and grow---if he is to survive the battles that will culminate in July at the gates of Atlanta.From the opening salvos on Rocky Face Ridge near Dalton, through the trials of Resaca and Kennesaw Mountain, Charlie must face the overwhelming force of the Federal army and a growing uncertainty about his place in the war. Never before has the Atlanta Campaign been rendered---in all its swift and terrible action---with such attention to history or with writing that reaches the level of art. This crucial episode in the Civil War's western theater comes alive with unexcelled power and drama as it unfolds in soldiers' hands and hearts.Throughout the course of the novel, Charlie's life is laid out in powerful detail. The experiences from his childhood, through the war, and into his twilight years are to a great extent on his mind half a century later when he is to give a major speech in the park of his small Georgia townA Distant Flame is a book about the cost of war and the running conflict that led Sherman's Army to the Battle of Atlanta---and the March to the Sea. It stands as a testament to love, dedication, and growth, from the Civil War's fields of fire to the slow steps of old age.

    He demonstrates the logic of Israel's sacrificial system, the ethical dimensions of ancient worship, and the priestly forms of ritual.

    Using a blend of ethnography and economic geography, Elizabeth C. Dunn shows how management technologies like niche marketing, accounting, audit, and standardization make up flexible capitalism's unique form of labor discipline. This new form of management constitutes some workers as self-auditing, self-regulating actors who are disembedded from a social context while defining others as too entwined in social relations and unable to self-manage.Privatizing Poland examines the effects privatization has on workers' self-concepts; how changes in personhood relate to economic and political transitions; and how globalization and foreign capital investment affect Eastern Europe's integration into the world economy. Dunn investigates these topics through a study of workers and changing management techniques at the Alima-Gerber factory in Rzesz�w, Poland, formerly a state-owned enterprise, which was privatized by the Gerber Products Company of Fremont, Michigan.Alima-Gerber instituted rigid quality control, job evaluation, and training methods, and developed sophisticated distribution techniques. The core principle underlying these goals and strategies, the author finds, is the belief that in order to produce goods for a capitalist market, workers for a capitalist enterprise must also be produced. Working side-by-side with Alima-Gerber employees, Dunn saw firsthand how the new techniques attempted to change not only the organization of production, but also the workers' identities. Her seamless, engaging narrative shows how the employees resisted, redefined, and negotiated work processes for themselves.

    While we learn of Chunhee s tragic path to her becoming someone who makes bricks of the highest quality, the novel retraces the familial circumstances that shaped her. While poignant yet brutal, "Whale" is also a satire of how we the general public, mass media, even artists and writers tend to romanticize voiceless figures of history."

    Within these pages are hundreds of facts, figures, stories, and trivia about reading and writing, from the earliest printed books to today’s bestsellers. You will find out whether you are a sponge, a sandglass, a strain-bag, or a mogul diamond; why Lewis Carroll was once accused of being Jack the Ripper; the working title of Lady Chatterley’s Lover; and which bestselling classic was rejected 22 times, once with the note: "garbage passing itself off as literature." It’s the only book about books that you’ll ever need.

    The author takes seriously the historical and philosophical consequences of the notion of the earth as a globe, arriving at the thesis that what is praised or decried as globalization is actually the end phase in a process that began with the first circumnavigation of the earth o and that one can already discern elements of a new era beyond globalization. In the end phase of globalization, the world system completed its development and, as a capitalist system, came to determine all conditions of life. Sloterdijk takes the Crystal Palace in London, the site of the first world exhibition in 1851, as the most expressive metaphor for this situation. The palace demonstrates the inevitable exclusivity of globalization as the construction of a comfort structure o that is, the establishment and expansion of a world interior whose boundaries are invisible, yet virtually insurmountable from without, and which is inhabited by one and a half billion winners of globalization; three times this number are left standing outside the door.

    What makes sea foam? What are those tiny sand volcanoes along the waterline? You'll find the answers to these questions and dozens more in this comprehensive field guide to the state's beaches, which shows visitors how to decipher the mysteries of the beach and interpret clues to an ever-changing geological story.Orrin Pilkey, Tracy Monegan Rice, and William Neal explore large-scale processes, such as the composition and interaction of wind, waves, and sand, as well as smaller features, such as bubble holes, drift lines, and black sands. In addition, coastal life forms large and small--from crabs and turtles to microscopic animals--are all discussed here. The concluding chapter contemplates the future of North Carolina beaches, considering the threats to their survival and assessing strategies for conservation. This indispensable beach book offers vacationers and naturalists a single source for learning to appreciate and preserve the natural features of a genuine state treasure.Southern Gateways Guide is a registered trademark of the University of North Carolina PressWhat North Carolina island migrates sixteen feet toward the mainland every year?What forms the tiny volcanoes of sand that ooze bubbles of water?What is barking sand?Why do you sometimes sink ankle-deep in beach sand?What type of wave is not formed by wind? Why are clamshells usually found open-side-down in the sand?You'll find the answers to these questions and dozens more in this comprehensive field guide to the state's beaches, which shows visitors how to decipher the mysteries of the beach and interpret clues to an ever-changing geological story. Take a walk on the beach with three coastal experts who reveal the secrets and the science of the North Carolina shoreline.Southern Gateways Guide is a registered trademark of the University of North Carolina Press

    Arguing that theories of temporality have significant and underappreciated relevance to the social dimensions of science and the political dimensions of struggle, Grosz engages key theoretical concerns related to the reality of time. She explores the effect of time on the organization of matter and on the emergence and development of biological life. Considering how the relentless forward movement of time might be conceived in political and social terms, she begins to formulate a model of time that incorporates the future and its capacity to supersede and transform the past and present.Grosz develops her argument by juxtaposing the work of three major figures in Western thought: Charles Darwin, Friedrich Nietzsche, and Henri Bergson. She reveals that in theorizing time as an active, positive phenomenon with its own characteristics and specific effects, each of these thinkers had a profound effect on contemporary understandings of the body in relation to time. She shows how their allied concepts of life, evolution, and becoming are manifest in the work of Gilles Deleuze and Luce Irigaray. Throughout The Nick of Time, Grosz emphasizes the political and cultural imperative to fundamentally rethink time: the more clearly we understand our temporal location as beings straddling the past and the future without the security of a stable and abiding present, the more transformation becomes conceivable.

    To run a successful hedge fund you must have an investing edge -- that special insight that allows you to reap greater returns for your clients and yourself.A quick study, Kessler gets an education in investing from some fascinating and quirky personalities. Eventually he works out his own insight into the world economy, a powerful lens that reveals to him hidden value in seemingly negative trends. Focussing on margin surplus, Kessler comes to see that current American economy, at the apex of the information revolution, is not so different from the British economy at the height of the industrial revolution. Drawing out the parallels he develops a powerful investing tool which he shares with readers. Contrarian and confident, Kessler made a fortune applying his ideas to his hedge fund. Which only proves that they may not be as crazy as they sound.

    Created as sets of consecutive images, the works portray racial mixing among the main groups that inhabited the colony: Indians, Spaniards, and Africans. In this beautifully illustrated book, Ilona Katzew places casta paintings in their social and historical context, showing for the first time the ways in which the meanings of the paintings changed along with shifting colonial politics. The book examines how casta painting developed art historically, why race became the subject of a pictorial genre that spanned an entire century, who commissioned and collected the works, and what meanings the works held for contemporary audiences. Drawing on a range of previously unpublished archival and visual material, Katzew sheds new light on racial dynamics of eighteenth-century Mexico and on the construction of identity and self-image in the colonial world.