. .I get excited just listing these things! -LKPS SHELTER, it turns out, had a major influence on builders, and included are buildings our 1973 book inspired, so this is truly a sequel.

    20,000 first printing.

    This has led to widespread interest in using natural materials—straw, cob, and earth—for building homes and other buildings that are inexpensive, and that rely largely on labor rather than expensive and often environmentally-damaging outsourced materials.Earthbag Building is the first comprehensive guide to all the tools, tricks, and techniques for building with bags filled with earth—or earthbags. Having been introduced to sandbag construction by the renowned Nader Khalili in 1993, the authors developed this "Flexible Form Rammed Earth Technique" over the last decade. A reliable method for constructing homes, outbuildings, garden walls and much more, this enduring, tree-free architecture can also be used to create arched and domed structures of great beauty—in any region, and at home, in developing countries, or in emergency relief work.This profusely illustrated guide first discusses the many merits of earthbag construction, and then leads the reader through the key elements of an earthbag building: Special design considerations Foundations, walls and floors Electrical, plumbing and shelving Lintels, windows and door installations Roofs, arches and domes Exterior and interior plasters.With dedicated sections on costs, making your own specialized tools, and building code considerations, as well as a complete resources guide, Earthbag Building is the long-awaited, definitive guide to this uniquely pleasing construction style.Kaki Hunter and Donald Kiffmeyer have been involved in the construction industry for the last 20 years, specializing in affordable, low-tech, low-impact building methods that are as natural as possible. They developed the "Flexible Form Rammed Earth Technique" of building affordably with earthbags and have taught the subject and contributed their expertise to several books and journals on natural building.

    His name is Tadao Ando, and he is the world's greatest living architect. Combining influences from Japanese tradition with the best of Modernism, Ando has developed a completely unique building aesthetic that makes use of concrete, wood, water, light, space, and nature in a way that has never been witnessed in architecture. Ando has designed award-winning private homes, churches, museums, apartment complexes, and cultural spaces throughout Japan, as well as in France, Italy, Spain, and the USA. This book, created at the height of Ando's illustrious career, presents his complete works to date.

    Since the first edition was published in 2005, it has been adopted as a textbook at many universities. Organized into chapters on "Raw Materials/Building Materials (Modules)," "Building Components (Elements)," "Building Methods (Structures)," and "Buildings (Examples)," the book now includes a new section on translucent materials and an article on the use of glass. The chapter on "Building Elements" now includes a discussion of facades, and the chapter on "Structures" has been expanded to cover "Principles of Space Creation." The examples section now includes extensive documentation of current projects whose systematic character is oriented around the production process.Experience with the preceding edition has shown that the book has become an indispensable handbook for reference and reading not only for students and teachers but also for architects.

    At a time when reinforced concrete and steel were considered industrial building materials, Wright boldly made use of them to build private homes. His prairie house concept--that of a low, sprawling home based upon a simple L or T figure--was the driving force behind some of his most famous houses and became a model for rural architecture across America. Wrights designs for office and public buildings were equally groundbreaking and unique. From Fallingwater to New Yorks Guggenheim Museum, his works are among the most famous in the history of architecture. About the Series: Each book in TASCHEN's Basic Architecture Series features:an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts and plans)

    Emblematic of Southern California car culture, stylized eateries and other roadside buildings built from the 1930s to the 1950s were dismissed as lowbrow stylistic folly in their heyday. Yet, as Alan Hess points out, in many ways they were the realization of modern architecture's grand promises. They were populist, employed new materials, and captured their purpose, place, and culture as vividly as any great architectural style. The influential original edition helped to spark a robust preservation movement and kick-started the reappreciation of mid-century architecture and design. This latest edition features extensive up-to-date research and dozens of rarely seen and newly found photographs. Googie Redux is the definitive document of a style born in California that has spread to all corners of the world.

    Ira does the sound. Chris does hundreds of drawings. The result is a 22-minute story, with sound and images, now on DVD for the first time. The story's about a little boy who's obsessed with old buildings that are being demolished. It's packaged as this gorgeous little book, with 96 pages of never-before-published photographs of Louis Sullivan buildings, with the DVD tucked inside. Also, there are DVD Extras: audio outtakes, a look at Chris's pencil sketches, a high-resolution version of the movie that'll play on home computers.

    The book is a part of a broader research project by Bruce Mau Design intended to provoke debate and discussion about the future of design culture, broadly defined as the "familiar objects and techniques that are transforming our lives." In essays, interviews, and provocative imagery aimed at a broad audience, Massive Change explores the changing force of design in the contemporary world, and in doing so expands the definition of design to include the built environment, transportation technologies, revolutionary materials, energy and information systems, and living organisms. The book is divided into 11 heavily illustrated sections covering major areas of change in contemporary society — such as urbanism and architecture, the military, health and living, and wealth and politics. Each section intersperses intriguing documentary images with a general introductory essay, extended captions, and interviews with leading thinkers, including engineers, designers, philosophers, scientists, architects, artists, and writers. Concluding the book is a graphic timeline of significant inventions and world events from 10,000 B.C. to the present.

    This updated volume comprehensively examines this contemporary master’s career, including the architect’s furniture designs, sculpture, and drawings. His spectacular cultural and civic projects have secured Calatrava’s place in the pantheon of world-class 21st-century architects. Among these are the Athens Olympics Sports Complex; the Tenerife Concert Hall in the Spanish Canary Islands; the Valencia Science Museum, Planetarium, and Opera House, and the much-anticipated World Trade Center Transportation Hub. This newest edition introduces Calatrava’s latest triumphs, including the expressive Turning Torso tower in Sweden and the Chicago Tower, the tallest skyscraper in the US when built. A catalogue raisonne, detailed biography, and bibliography complete this comprehensive monograph.

    Frank Lloyd Wright: The Interactive Portfolio embraces this spirit of innovation in a unique collection of removable sketches, letters, and other documents that bring Wright to life.The treasures of Wright's storied life and work--from early drafts of his An Autobiography to his hand drawn wedding announcement, and from a letter describing early plans for Fallingwater to sketches conceptualizing the Guggenheim Museum--fill the pages of this museum-in-a-book. Also included is the audio CD Frank Lloyd Wright Speaks, featuring excerpts from interviews with Wright and lectures to his Taliesin fellows.

    An acclaimed international interior designer demystifies terms, presented in 12 easy-to-use subject areas.

    Waves crash upon the rocks or wash up on beautiful stretches of sandy beaches. This is the location of The Sea Ranch, an area covering several thousand acres of large, open meadows and forested natural settings interspersed with award-winning architecture. When the area, a sheep ranch well into the last century, was rediscovered for its beauty in the 1960s, it came to be envisioned as a home community that harmonized with the environment. Renowned landscape designer Lawrence Halprin's master plan for The Sea Ranch community accordingly incorporated a set of building guidelines that minimized the visual as well as physical impact upon the landscape. Subsequent buildings by architects such as Joseph Esherick, Charles Moore, William Turnbull, Obie Bowman, Donlyn Lyndon, and others have been recognized worldwide for environmentally sensitive planning and architecture. They sparked a generation of imitators that became part of what is known as "The Sea Ranch style," epitomizing what many people imagine when they think of Northern Californian architecture. This beautiful monograph, lavishly illustrated with over 300 newly commissioned photographs and including maps, plans, detailed descriptions of the houses, and essays by Donald Canty and Lawrence Halprin, presents the definitive record of The Sea Ranch community.

    In celebration, Italy has restored this sculpture to its original splendor--and David: Five Hunded Years is the first to capture each step of the way.What started as a solid block of granite, emerged as one of the most significant statues in the world. After half a millennium of exposure, David has undergone a complete restoration to revive his original splendor. This magnificent depiction reveals the classical man as he looked when Michelangelo originally laid down his chisel in 1504. Radically new photographic techniques, including new photographic zooms, and color accuracy capture in detail every aspect of the restored masterpiece, all accompanied by illuminating background information from prominent art historian Antonio Paolucci.Art lovers, historians, or just those who appreciate a true beauty will not be able to resist such a brilliant addition to their collection.

    His influence on post-war architecture is undisputed, the sunny climate and rich landscape being particularly suited to his cool, sleek modern style. Neutra had a keen appreciation for the relationship between people and nature; his trademark plate glass walls and ceilings which turn into deep overhangs have the effect of connecting the indoors with the outdoors. Neutra's ability to incorporate technology, aesthetics, science, and nature into his designs him recognition as one of Modernist architecture's greatest talents.

    Presents the history of almost 100 elevator structures, tracing the essential themes in the development of the city and its apartment culture.

    His major works include the Houston Museum of Fine Art, Davis Art Museum at Wellesley College, the Stockholm Museum of Modern Art and Architecture, and the Potzdammer Platz Hotel in Berlin. Now Moneo will be known as a daring critic as well. In this book, he looks at eight of his contemporaries--all architects of international stature--and discusses the theoretical positions, technical innovations, and design contributions of each. Moneo's discussion of these eight architects--James Stirling, Robert Venturi, Aldo Rossi, Peter Eisenman, Alvaro Siza, Frank Gehry, Rem Koolhaas, and the partnership of Jacques Herzog and Pierre De Meuron--has the colloquial, engaging tone of a series of lectures on modern architecture by a master architect; the reader hears not the dispassionate theorizing of an academic, but Moneo's own deeply held convictions as he considers the work of his contemporaries. More than 500 illustrations accompany the text.Discussing each of the eight architects in turn, Moneo first gives an introductory profile, emphasizing intentions, theoretical concerns, and construction procedures. He then turns to the work, offering detailed critical analyses of the works he considers to be crucial for an informed understanding of this architect's work. The many images he uses to illustrate his points resemble the rapid-fire flash of slides in a lecture, but Moneo's perspective is unique among lecturers. These profiles are not what Moneo calls the tacit treatises that can be found on the shelves of a university library, but lively encounters of architectural equals.

    One century into the electronic age, people have become accustomed to interacting indirectly, mediated through networks. But now as digital technology becomes invisibly embedded in everyday things, even more activities become mediated, and networks extend rather than replace architecture. The young field of interaction design reflects not only how people deal with machine interfaces but also how people deal with each other in situations where interactivity has become ambient. It shifts previously utilitarian digital design concerns to a cultural level, adding notions of premise, appropriateness, and appreciation.Malcolm McCullough offers an account of the intersections of architecture and interaction design, arguing that the ubiquitous technology does not obviate the human need for place. His concept of digital ground expresses an alternative to anytime-anyplace sameness in computing; he shows that context not only shapes usability but ideally becomes the subject matter of interaction design and that environmental knowing is a process that technology may serve and not erode.Drawing on arguments from architecture, psychology, software engineering, and geography, writing for practicing interaction designers, pervasive computing researchers, architects, and the general reader on digital culture, McCullough gives us a theory of place for interaction design. Part I, Expectations, explores our technological predispositions--many of which (situated interactions) arise from our embodiment in architectural settings. Part II, Technologies, discusses hardware, software, and applications, including embedded technology (bashing the desktop), and building technology genres around life situations. Part III, Practices, argues for design as a liberal art, seeing interactivity as a cultural--not only technological--challenge and a practical notion of place as essential. Part IV, Epilogue, acknowledges the epochal changes occurring today, and argues for the role of digital ground in the necessary adaptation.

    But this idea couldn't be more wrong! Rather, the newest trends in prefab has emerged as a great way for a design- (and cost-) conscious generation to achieve the dream of home ownership. Today, prefab houses are manufactured to the highest standards of construction and aesthetics. And with the internet, these houses can be ordered from all over the world--affording people everywhere the opportunity to acquire an affordable home of distinction.Prefab Modern explores the best prefabricated houses on the market today, from all over the world along with a resource directory on how you can purchase them. Included are case studies from all over the US and around the world, from top architects and designers. Projects featured include:The Ikea "Blokok House" Michael Graves "Target House" Steven Holl's "Turbulence House" in New Mexico David Hertz's Venice, CA "Concrete House" "SUSI" and "Fred Houses" from Kaufmann, KFN Architects (Australia) Jennifer Siegal's "Office of Mobile Design" and "Seaview House"and many more!Prefab is the inevitable next step to "cool" housing as the market looks for reasonably priced housing for first and second homes. Prefab Modern is the perfect guide to this undeniable and fascinating trend.

    Edward Townsend Stotesbury, one of the wealthiest Philadelphians in the early twentieth century, commissioned renowned architect Horace Trumbauer to build the one-hundred-forty-seven room mansion in 1916 on three hundred acres just outside Philadelphia. Whitemarsh Hall, which took five years to build at an estimated cost of $10 million with all the furnishings, was a wedding present for his second wife. This book explores Whitemarsh Hall’s construction, its heyday in the 1920s, the multiple impacts of the Great Depression, Stotesbury’s death, and subsequent ownership over the next four decades, culminating in its eventual submission to decay, vandalism, and the wrecking ball in 1980.

    * A hands-on, well-illustrated reference that helps architects and contractors avoid making common errors in traditional construction details * Graphical approach allows users to quickly visualize design solutions* Lists the rules-of-thumb for each detail, and correct and incorrect examples of how to design or construct each detail

    Here for the first time is a collection of their hardwon know-how and official guidelines, written by the top experts in their respective fields of preservation.Forty-two fully illustrated chapters include:-- cleaning and waterproof coating for historic masonry-- repointing mortar joints-- maintaining historic adobe buildings-- the dangers of abrasive cleaning-- repairing historic wooden windows-- rehabilitating historic storefronts-- repairing wooden shingles-- preserving barns-- repairing stucco-- using substitute materials on historic building exteriors-- mothballing historic buildings-- understanding architectural cast ironThere's even a chapter on repairing vintage signs. Each subject is treated with the utmost care and discusses the safest and most historically accurate repairs. Perhaps just as important as the valuable advice on how to undertake various projects, the guides also give invaluable advice on what not to do-based on years of preservation experience-that can save a homeowner thousands of dollars, hours, and perhaps a priceless piece of architecture. For the student or the professional restorer, THE PRESERVATION OF HISTORIC ARCHITECTURE is the official government text on saving old buildings.

    This book is an argument for the wisdom of the street, the ingenuity of the improvisers and the long-term, large-scale effectiveness of immediate, small-scale actions. Written by Nabeel Hamdi, the guru of urban participatory development and the master of the art, Small Change brings over three decades of experience and knowledge to bear on the question 'what is practice'?. Through an easy-to-read narrative style, and using examples from the North and South, the author sheds light on this question and the issues that stem from it - issues relating to political context, the lessons of the 'informal city', and the pursuit of learning that challenges convention. The result is a comprehensive, yet imaginative, guide to the forms of knowledge, competencies and ways of thinking that are fundamental to skilful practice in urban development. This is powerful, informed, critical and inspiring reading for practitioners in the field, students and teachers of urban development, those who manage international aid and everyone looking to build their community.

    An introductory overview is followed by a page-long description and history of each building (including its architect) with a current and, often, a historical photo alongside. (Some of the buildings have been demolished and exist only in old renderings.) Two large color maps locate all the buildings in the city's grid. Mullio and Volland are a freelance curator and writer, respectively, who specialize in architecture. The volume has a wide format: 8.875x10.25". Annotation ©2004 Book News, Inc., Portland, OR

    In 'The Philosophy of Sustainable Design', Jason McLennan outlines the major ideas and issues that have emergend in the growing movement of green architecture and sustainable design over the last 30 years.

    Hudson's Department Store on Woodward Avenue was more than just a store--it was a Detroit icon and a world-class cultural treasure. At 25 stories, it was the world's tallest department store, and was at one time home to the most exceptional offerings in shopping, dining, services, and entertainment. The store prided itself on stocking everything from grand pianos to spools of thread. In addition to departments offering fashionable clothing and home furnishings, the original Hudson's store featured an auditorium, a circulating library, dining rooms, barber shops, a photo studio, holiday exhibits, a magnificent place called Toytown, and the world's largest American flag. As a legendary symbol of urban and entrepreneurial American history, the J.L. Hudson's Department Store earned a permanent place in Detroit's collective memory. Although "the big store" no longer graces Woodward Avenue, its legacy lives on in the hearts and minds of generations, and in the remarkable photographs that preserve its reign.

    This extensively illustrated presentation vividly conveys the purity and power of Meier's unique and celebrated vision. Twenty-seven residential, commercial, and civic projects are featured, including the 173/176 Perry Street residential towers in New York overlooking the Hudson River, perhaps the most celebrated new apartment buildings of our time; the Yale University History of Art and Arts Library in New Haven, Connecticut; and the Vatican-sponsored competition for his winning Jubilee Church of the year 2000 for the Vicariate of Rome. The development and significance of Richard Meier's work is discussed in two essays by the distinguished architectural historians and critics Kenneth Frampton and Joseph Rykwert. A biographical chronology and a selected bibliography complete this elegant and comprehensive monograph on a modern American master.

    Born in Uruguay, Dieste spent most of his long and productive career creating industrial and agrarian works, public infrastructure, commercial buildings, and small churches in his native country. Dieste's unique and innovative method of design, a melding of architecture and engineering, elevated these often humble buildings to masterworks of art. Capitalizing on his revolutionary approach to building with reinforced masonry, Dieste built aesthetically stunning structures economically. If he often worked outside the architectural mainstream, he never lost sight of the modest people for whom his structures were built. Today, those familiar with his work consider him the equal of such structural innovators as Pier Luigi Nervi and Eduardo Terroja. In this, the first comprehensive analysis of his work to be published in English, both the beauty and technical innovation of Dieste's projects are examined in detail. Three essays by Dieste himself convey his thoughts on art, culture, and technology. With Dieste's death in 2000, this book serves as a tribute and a definitive reference to his extraordinary work and its brilliant union of architecture and engineering.

    Meticulously researched and illustrated with over one hundred photographs, the volume includes images of the majestic hotel, details of its unforgettable design, and juicy tales about its many celebrity guests, including Queen Elizabeth and Prince Philip, John F. Kennedy, and movie stars like Mel Gibson and Brad Pitt.

    None of these features by themselves characterize a bungalow, but it is often the way these details and others are combined-and the philosophy they represent-that makes a house a true, authentic Arts and Crafts bungalow.

    In fact, no other American city is so richly endowed with historic buildings as Philadelphia--some dating back to the seventeenth century. In addition to obvious national treasures like Independence Hall, there are thousands of eighteenth- and nineteenth-century homes that continue to shelter and comfort Philadelphians as they have for centuries. Less well known are the hundreds of sacred places--colonial and Victorian Protestant and Catholic churches, Quaker meeting houses, and Jewish synagogues--that enrich every neighborhood. Replete with symbolism and often architecturally impressive, these sacred places await discovery in the pages of this handsome book.The rich diversity of Philadelphia's sacred places owes its existence to William Penn's guarantee of religious toleration to the many religious denominations attracted to his holy experiment. They are a metaphor for the modern American pluralistic society that is itself a legacy from Penn. Philadelphia's historic sacred places also reflect how these different congregations chose to celebrate their belief in God through the choice of architectural style, art, and decoration. Here can be found the eloquent simplicity of Quaker meeting houses, the soaring steeples of colonial churches surrounded by atmospheric graveyards, and opulently embellished Roman Catholic parish churches.Roger Moss has selected fifty of these inspired Philadelphia historic sacred places, and he conducts the reader on a tour of each hallowed site, calling attention to the architecture and fine details that are then recorded in exquisite color photographs by Tom Crane. At each site the reader is provided with the basic information about the congregation that commissioned the building as well as the architects, artists, and artisans who created these masterpieces--collectively, a treasure of our shared cultural heritage.This opulent volume, by the author and photographer of the acclaimed Historic Houses of Philadelphia, will serve as a guide through the architectural and religious traditions of Philadelphia, complete with maps, telephone numbers, and web sites, so the reader can visit these sacred places in person. There is also an extensive bibliography of further reading on each sacred place.

    From a primitive log chapel on the banks of the Detroit River three centuries ago to the contemporary structures in the far-flung suburbs, the Catholic churches that grace southeastern Michigan pique the interest and admiration of designers, artists, and scholars. Detroit's Catholic churches have embraced many roles during their existence, serving as historical landmarks, centers for political activities, community charities, and anchors for the city's diverse ethnic groups. They symbolize the devotion, strength, and unity that have nurtured the faithful since 1701. The congregation of Ste. Anne, Detroit's first church, persevered to build seven churches over two centuries, each more magnificent than its predecessor.

    Soothing. Mystical. Meditative. All the most serene words in the world couldn't begin to describe the effect of Asia's most beautiful interiors. Whether it's a monastery in Tibet, a coffee plantation in Java, or a Tadao Ando-designed house in Japan, each interior chosen for this book is remarkable not only for its aesthetics but for its spirit. Presented in two sublime volumes, these interiors have what it takes to transport you to a sacred place. Breathe deeply, delve in, and be inspired.

    Catherine, situated among the mountains of the Sinai Peninsula in Egypt, is the oldest continuously active monastery in the world. Recorded as a Christian pilgrimage site as early as the fourth century, it is located where Moses is thought to have seen the Burning Bush and to have received the Ten Commandments. In the sixth century the great Byzantine Emperor Justinian provided a handsome church and fortifications for the monastery. Later generations of pilgrims added other gifts; there are still frequent pilgrims there today. In this beautiful and informative book, the isolated Monastery and its buildings are presented in many newly commissioned color images that include the richly decorated sanctuary of the sixth-century church and the world's most outstanding collection of icons. Along with an introduction by His Eminence Archbishop Damianos and an essay on the Monastery by Helen C. Evans, the book offers powerful photographs of the site--some of which are provided from the Monastery's archives--with the descriptive captions written by the monks of the Monastery.

    Although Frank Lloyd Wright designed more than 1,000 projects during his long and prolific career, Auldbrass Plantation, in Yemassee, South Carolina, is the only plantation he ever designed. It is also one of the largest and most complex projects he ever undertook. Wright had an unusually intense commitment to Auldbrass, and worked on it, off and on, for more than twenty years, from 1938 until his death in 1959. Because Auldbrass was private and because it fell into disrepair in the 1960s after the owners' death, it was rarely photographed or studied, and as a consequence little has been known about this major work. With a recently completed restoration and new photography, this book affords a rare opportunity to see one of Wright's greatest works, as the master himself originally envisioned it. Through photos, plans, and drawings, we see what Wright planned, and how it has finally all been either restored or realized for the first time. In 1986, film producer Joel Silver (Die Hard, Lethal Weapon, 48 Hours, Predator, Romeo Must Die, The Matrix, and over forty other films) bought Auldbrass. He had earlier bought and meticulously restored Wright's famous 1923 Storer House in Hollywood. Now he has again collaborated with Wright's grandson, architect Eric Lloyd Wright, who restored the Storer House, to restore the Auldbrass Plantation.

    Organized for quick access, this book makes it easy to find exactly the technique you are looking for. Over 850 photos and drawings illustrate using hand and power tools, including choosing the right tool for the job, setting it up, and basic and special operations. Among the topics covered:Choosing the right tool Mastering hand-tool skills Setting up machines Making accurate cuts Using jigs and fixtures

    A richly illustrated survey of the technical arts (textiles, ceramics, carpentry, masonry), Semper's analysis of the preconditions of style forever changed the interpretative context for aesthetics, architecture, and art history. Style, Semper believed, should be governed by historical function, cultural affinities, creative free will, and the innate properties of each medium. Thus, in an ambitious attempt to turn nineteenth-century artistic discussion away from historicism, aestheticism, and materialism, Semper developed in Der Stil a complex picture of stylistic change based on scrutiny of specific objects and a remarkable grasp of cultural variety. Harry Francis Mallgrave's introductory essay offers an account of Semper's life and work, a survey of Der Stil, and a fresh consideration of Semper's landmark study and its lasting significance."

    From international landmarks to civic buildings to cultural institutions to metropolitan infrastructure and the single-family home, reminders of the era of 'brutalist' architecture surround Torontonians. But for how long? As architectural fashion has shifted to the glass-and-steel neomodernism of today, these concrete structures have been increasingly ignored – and in some cases, demolished.Concrete Toronto takes readers on a guided tour of Toronto's concrete architecture. Editors Michael McClelland and Graeme Stewart have assembled a diverse group of industry experts – architects, university faculty, local practitioners, city planners, historians and journalists – to examine the unique and important qualities and the past and future of Toronto's concrete buildings in interviews, articles, archival photos, drawings and case studies.Appealing to both the average reader and the enthusiast, Concrete Toronto provides a refreshing look not only at the neglected buildings, but also at the trends that produced them and the impact and consequences that resulted from their construction.

    While countless books have been devoted to films and their stars, none have attempted a truly definitive history of those magical venues that have transported moviegoers since the beginning of the last century. In this stunningly illustrated book, film industry insiders Ross Melnick and Andreas Fuchs take readers from the nickelodeon to the megaplex and show how changes in moviemaking and political, social, and technological forces (e.g., war, depression, the baby boom, the VCR) have influenced the way we see movies.Archival photographs from archives like the Academy of Motion Picture Arts and Sciences and movie theater ephemera (postcards, period ads, matchbooks, and even a "barf bag") sourced from private collections complement Melnick's informative and engaging history. Also included throughout the book are Fuchs' profiles detailing 25 classic movie theaters that have been restored and renovated and which continue to operate today. Each of these two-page spreads is illustrated with marvelous modern photographs, many taken by top architectural photographers. The result is a fabulous look at one way in which Americans continue to come together as a nation. A timeline throughout places the developments described in a broader historical context."We've had a number of beautiful books about the great movie palaces, and even some individual volumes that pay tribute to surviving theaters around the country. This is the first book I can recall that focuses on the survivors, from coast to coast, and puts them into historical context. Sumptuously produced in an oversized format, on heavy coated paper stock, this beautiful book offers a lively history of movie theaters in America , an impressive array of photos and memorabilia, and a heartening survey of the landmarks in our midst, from the majestic Fox Tucson Theatre in Tucson, Arizona to the charming jewel-box that is the Avon in Stamford, Connecticut. I don't know why, but I never tire of gazing at black & white photos of marquees from the past; they evoke the era of moviemaking (and moviegoing) I care about the most, and this book is packed with them. Cinema Treasures is indeed a treasure, and a perfect gift item for the holiday season. - Leonard Maltin"Humble or grandiose, stand-alone or strung together, movie theaters are places where dreams are born. Once upon a time, they were treated with the respect they deserve. In their heyday, historian Ross Melnick and exhibitor Andreas Fuchs write in Cinema Treasures, openings of new motion-picture pleasure palaces that would have dazzled Kubla Khan 'received enormous attention in newspapers around the country. On top of the publicity they generated, their debuts were treated like the gala openings of new operas or exhibits, with critics weighing in on everything from the interior and exterior design to the orchestra.' Handsomely produced and extensively illustrated, Cinema Treasures is detailed without being dull and thoroughly at home with this often neglected subject matter. Its title would have you believe it is a celebration of the golden age of movie theaters. But this book is something completely different: an examination of the history of movie exhibition, which the authors accurately call 'a vastly under-researched topic.'" - Los Angeles Times

    This book reproduces the most important of his written work over the past 15 years, focused around the concept of space as the common denominator within cities, architecture and social structures.

    A refreshing look at parenting, love, and building one's own house.

    In doing so, he offers nothing less than an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's argument, structured as a critical dialogue, discovers the first plausible anticipation of modernity in the formation of Renaissance perspective. Understanding this notion of perspective against the background of the medieval philosophy of light, he argues, leads to an understanding of architectural space as formed by typical human situations and by light before it is structured geometrically. The central part of the book addresses the question of divided representation--the tension between the instrumental and the communicative roles of architecture--in the period of the baroque, when architectural thinking was seriously challenged by the emergence of modern science. Vesely argues that to resolve the dilemma of modernity--reconciling the inventions and achievements of modern technology with the human condition and the natural world--we can turn to architecture and its latent capacity to reconcile different levels of reality, its ability to relate abstract ideas and conceptual structures to the concrete situations of everyday life. Vesely sees the restoration of this communicative role of architecture as the key to the restoration of architecture as the topological and corporeal foundation of culture; what the book is to our literacy, he argues, architecture is to culture as a whole. He concludes by proposing a new poetics of architecture that will serve as a framework for the restoration of the humanistic role of architecture in the age of technology.

    Evolving from the traditional heart of intramural Beirut in the mid-nineteenth century to be the showcase of the French Mandate in the Levant, it became the symbol of the city's reconstruction following the 1975-1990 Lebanese War. Archival, survey, planning and design materials generated during the recovery of the city center and its conservation area reveal how urban design policies formulated in the 1920s and 1930s (the transition period between tradition and early modernity) were finally brought to their full potential. We see how international experience in urban and architectural conservation was adapted to local materials and know-how. The need to modernize infrastructure and upgrade public spaces was reconciled with the equally present need to preserve the cultural identity of place through the reuse of conserved structures, made possible due to the adoption of specific stone masonry repair techniques. Proceeding according to a pre-approved but flexible master plan, the recovery of the Beirut city center is a major postwar reconstruction and urban regeneration project.

    Augustine, Florida, America’s Oldest City, and transformed it into an exotic travel destination for the social elite. He raised magnificent, fanciful Spanish Renaissance hotel palaces on what had been orange grove and salt marsh. Then he connected his creation with the outside world by building a modern railroad system.Flagler’s hotels stand as monuments to innovation in architecture and engineering. They were the first large buildings in the United States constructed of poured concrete, and they pioneered use of novel amenities like electric lights, steam heat, and elevators. They are still a vital part of modern St. Augustine. The Ponce de Leon, Flagler’s preeminent hotel, now houses Flagler College; the Alcazar now holds the City Hall and the Lightner Museum. Only the Casa Monica (previously called the Cordova) is presently a hotel.

    Reproduced from rare original sources, the lovely illustrations appear in both book format and on a high-resolution, print-quality CD. 266 color and 11  black-and-white illustrations.

    Blackburn Losey answers these questions and more by weaving a straightforward yet comprehensive account of the universal construct, its relationship with sacred geometry, the manifestation of matter, consciousness and the harmonic relationship of all things beyond quantum physics from the essence and fabric of creation to this here and now. Understand how to tap into the Akashic records, the universal consciousness, to access any and all information you desire! Realize how you can experience unlimited realities through easy and fun exercises that assist you to leap from third dimensional reality to existing as multi-dimensional beings. Learn how to apply these techniques to create unlimited possibilities within your life and the lives of others! You are the creator that you seek!

    The book includes suburban areas of interest and excursions to notable sites farther out. Major buildings—such as the Town Hall, St George’s Hall, and the two Cathedrals—receive extended treatment; the streets of the business district are dealt with alphabetically; and the rest of the city—including the docks—is covered in a series of carefully planned walks.Based on Nikolaus Pevsner’s original text for the Buildings of England, the book is augmented by close study of Liverpool’s buildings themselves and by extensive new research. It is an authoritative work of reference as well as a practical handbook for visitors and residents walking in the city.

    They served sacred purposes or allowed their inhabitants to withdraw from the hurly burly of life— churches and monasteries. A large part of this book is dedicated to Europe's religious architecture of the Middle Ages from Pre-Romanesque to Gothic. It was only in the 11th century that the number of fortified castles, city palaces and other secular buildings began to increase. The final chapter on the secular architecture of the Middle Ages is dedicated to these buildings.

    To celebrate the centennial of this event, the Johns Hopkins University Press presents a new edition of Gene Sansone's acclaimed book, Evolution of New York City Subways. Produced under the auspices of New York's Metropolitan Transit Authority, this comprehensive account of the rapid transit system's design and engineering history offers an extensive array of photographs, engineering plans, and technical data for nearly every subway car in the New York City system from the days of steam and cable to the present.The product of years of meticulous research in various city archives, this book is organized by type of car, from the 1903–04 wood and steel Composite cars to the R142 cars put into service in 2000. For each car type, Sansone provides a brief narrative history of its design, construction, and service record, followed by detailed schematic drawings and accompanying tables that provide complete technical data, from the average cost per car and passenger capacity to seat and structure material, axle load, and car weight. Sansone also includes a helpful subway glossary from A Car (the end car in a multiple car coupled unit) to Zone (a section of the train to the conductor's left or right side).Subway and train enthusiasts, students of New York City history, and specialists in the history of technology will appreciate this updated and authoritative reference work about one of the twentieth century's greatest urban achievements.

    It is also entirely imaginary.Gilles Tréhin, an autistic man with exceptional creative talents and an obsession with large cities, conceived and developed Urville over the course of 20 years. He shares his vision in this beautifully illustrated guide to the city, which he renders convincingly real in nearly 300 drawings of different districts of Urville. He describes, in remarkable detail, the architectural styles of its individual buildings and provides historical, geographical, economic and cultural information. This includes historical figures and cultural anecdotes grounded in historical reality - Tréhin accounts for the effects of the Vichy regime, the Second World War and globalisation on his imagined city.This book offers fascinating evidence of and insight into the creative power of the autistic mind and will be of interest to people with autism and without.

    Whereas previous architectural studies have searched for universal rules to explain the entire history of Egyptian architecture, Rossi reconciles the approaches of architectural historians and archaeologists by testing architectural theories. This book is essential reading for all scholars of Ancient Egypt and the architecture of ancient cultures.

    This book celebrates the greatest examples of these singular yet varied creations in text and pictures, including such spectacular bridges as New York's Verrazano Narrows and San Francisco's Golden Gate Bridge. Puentes begins by presenting bridges from different standpoints - artistic, technical, humanistic - and continues by placing them in historical eras from antiquity to modern times. A special chapter covers footbridges. Detailed captions, archival photographs and artwork, and an index make this an enjoyable and informative read.

    Divided into three sections, looking at the politics, histories and practices of participation, the book gives both a broad theoretical background and more direct examples of participation in practice. Respectively the book explores participation's broader context, outlining key themes and including work from some seminal European figures and shows examples of how leading practitioners have put their ideas into action.Illustrated throughout, the authors present to students, practitioners and policy makers an exploration of how a participative approach may lead to new spatial conditions, as well as to new types of architectural practices, and investigates the way that the user has been included in the design process.

    This book sets Pallado in his contemporary context, discusses the theory of the orders, proportions, space composition, façade design, and presents this material in a way accessible to practicing architects and students, so that the ideas can be applied in their architectural work.

    Boyds Mills Press publishes a wide range of high-quality fiction and nonfiction picture books, chapter books, novels, and nonfiction

    Of particular note in this new edition are a fully integrated approach to environmental issues and construction sustainability. The rest of the material has been updated as required, with particular attention paid to the illustrations. With over 150 new photographs and many revised figures, plus a supporting website at www.wiley.com/go/barrysintroduction, students learning the fundamentals of building and construction on undergraduate and other NQF level 5 - 6 courses will find this the ideal introduction to the subject.

    He explores the various ways in which such experiences once formed an essential element in making religion integral to human life, and argues for their reinstatement at the centre of theological discussions about the existence of God. In effect, the discussion continues the theme of Brown's two much-praised earlier volumes, Tradition and Imagination and Discipleship and Imagination, in its advocacy of the need for Christian theology to take much more seriously its relationship with the various wider cultures in which it has been set.

    1910), one of the great architectural photographers of the twentieth century, collaborated with Le Corbusier from 1949 until the renowned architect died in 1965. Herve approached his subjects seeking not only to document the buildings he was commissioned to photograph but also, especially, to convey a sense of space, texture, and structure. Through light and shadow, Herve defined the dialogue between substance and form. By delineating a strong contrast between light and shadow as well as placing emphasis on building details, the photographer was able to communicate the depth of a room, the surface of a wall, or the strength of a building's framework. For too long, Herve the master of architectural photography has eclipsed Herve the photographer whose career began as early as 1938 and whose subject matter varied widely. Featuring more than one hundred of his photographs in every genre, this book celebrates Herve's work as an artist, creating images that serve not simply as records but stand as works of a singular imagination."

    What would our built environment be like if sensory response, sentiment, and memory were critical design factors, the equals of structure and program? In Sensory Design, Joy Monice Malnar and Frank Vodvarka explore the nature of our responses to spatial constructs—from various sorts of buildings to gardens and outdoor spaces, to constructions of fantasy. To the degree that this response can be calculated, it can serve as a typology for the design of significant spaces, one that would sharply contrast with the Cartesian model that dominates architecture today.In developing this typology, the authors consult the environmental sciences, anthropology, psychology, and architectural theory, as well as the spatial analysis found in literary depiction. Finally, they examine the opportunities that CAVE™ and other immersive virtual reality technologies present in furthering a new, sensory-oriented design paradigm. The result is a new philosophy of design that both celebrates our sensuous occupation of the built environment and creates more humane design.Joy Monice Malnar, AIA, is associate professor of architecture at the University of Illinois, Urbana-Champaign. Frank Vodvarka is associate professor of fine arts at Loyola University Chicago. They are coauthors of The Interior Dimension: A Theoretical Approach to Enclosed Space (1992).

    A photographic exploration of Japanese architecture and design in size-constricted areas explores imaginative, ingenious, and revolutionary solutions to space-compromised living.

    By rediscovering the most ancient of all building materials --earth--forward-thinking homebuilders can now create structures that set new standards for beauty, durability, and efficient use of natural resources.Rammed earth construction is a step forward into a sustainable future, when homes will combine pleasing aesthetics and intense practicality with a powerful sense of place. Rammed earth homes are built entirely on-site, using basic elements--earth, water, and a little cement. The solid masonry walls permit design flexibility while providing year-round comfort and minimal use of energy. The builder and resident of a rammed earth house will experience the deep satisfaction of creating permanence in a world dominated by the disposable.

    Through detailed examination of projects at Skidmore, Owings Merrill, this study of Khan's career provides insight into architectural and engineering practice.

    His body of theoretical work focuses on buildings of crisis, whether marred by major earthquakes, suffering the effects of economic embargo, or damaged by war. Since the destruction of the World Trade Center, his designs have taken on new meaning and significance. In The Storm and the Fall, Woods brings his visions to a new depth, moving them from feverishly rendered drawings to three-dimensional space. The book focuses on two recent Woods installations - one at the Houghton Gallery at New York's Cooper Union, the other at the Fondation Cartier pour l'art contemporain, Paris - that address the role of today's architecture. The Storm critiques the geometric box that rules most building designs and proposes instead a dynamic field of potential energy, represented by a complex array of vectors. The Fall crystallizes a built space in the midst of collapse, witnessing a moment too brief to inhabit - except in imagination. Both pieces are explored in Woods's powerful sketches, renderings, models, and constructions, exposing the mutations that enable them to be. A postscript of his hopeful design for a new World Center relates even more of his ideas, and essays by Anthony Vidler and Paul Virilio offer insights into the significance of the work.

    This is a visual smorgasbord of Victorian architecture and ornamentation, adorned with sparkling coats of colorful paint. Gorgeous examples of Carpenter Gothic, Gothic Revival, Italianate, Second Empire, Edwardian, American Bracketed Villa, and Stick Styles are presented. Most date from the late 1800s to the early 1900s, and all are dripping with finely wrought wood bric-a-brac and ornaments. Includes work by celebrated architects Frank Furness, Samuel Sloan, and Stephen Decatur Button. This selection of summer cottages and guesthouses was drawn from one of the greatest collections of late 19th century buildings in the United States.

    This book embodies the quintessence of the man and his work; the variety of style and design seen in the houses featured brings together in one volume the many strands of Lutyen's fertile mind. Complementary to the work of the architect is Lawrence Weaver's leisurely 'saunter' round the houses and gardens - an effect created by the use of many detailed and cleverly composed photographs.

    Further accolades and outrage ensued in 1972 when Venturi and Denise Scott Brown (along with Steven Izenour) analyzed the Las Vegas strip as an archetype in Learning from Las Vegas. Now, for the first time, these two observer-designer-theorists turn their iconoclastic vision onto their own remarkable partnership and the rule-breaking architecture it has informed.The views of Venturi and Scott Brown have influenced architects worldwide for nearly half a century. Pluralism and multiculturalism; symbolism and iconography; popular culture and the everyday landscape; generic building and electronic communication are among the many ideas they have championed. Here, they present both a fascinating retrospective of their life work and a definitive statement of its theoretical underpinnings.Accessible, informative, and beautifully illustrated, Architecture as Signs and Systems is a must for students of architecture and urban planning, as well as anyone intrigued by these seminal cultural figures. Venturi and Scott Brown have devoted their professional lives to broadening our view of the built world and enlarging the purview of practitioners within it. By looking backward over their own life work, they discover signs and systems that point forward, toward a humane Mannerist architecture for a complex, multicultural society.

    It illustrates the visual and sensory impact of each of these different types of material in individual, large-format color photographs which could be considered virtual samples. Accompanying each sample are striking photographs of finished buildings that showcase the various ways in which leading international architects have put the materials to use. Materials featured have been divided into 8 families of Wood, Natural Stone, Fired Man-made Stone, Unfired Man-made Stone, Metal, Plastic, Glass and New Materials, and within each family there is an inventory to pure materials, additives and composites.

    Louis socialite, Grace Lewis Miller, to design a small winter home on the edge of glamour-baked Palm Springs. Miller wanted an open, light-filled house that could also act as a studio for her fashionably avant-garde exercise course in posture and grace, "The Mensendieck System." This unique program, combined with the desert landscape and the proactive health-minded client appealed to the idealist in Neutra. The frequent, fervent dialog between Neutra and Miller, who had great mutual respect, produced a work of forward-thinking and artful architecture. In Richard Neutra's Miller House, Stephen Leet traces the conception and realization of the house, examines the complex relationship between architect and client, and shows how the Mensendieck System influenced the creation of this seminal Neutra project. Beautiful duotone photographs by Julius Shulman, excerpts from the detailed correspondence between Neutra and Miller, and sketches and drawing provide valuable insight into the design process. Like the houses of Albert Frey, a contemporary of Neutra's who also build in the desert, the Miller House shows how architecture, the California landscape, and an interest in well-being can intersect in a moment of the architectural sublime.

    This accompanying book is packed with real advice and inspiration for both real and armchair builders. Kevin McCloud covers the requirements for locating and buying land and property, and securing building permission, in the countries targeted by most British buyers—Spain, France, Italy and Ireland—including plenty of pointers on the common pitfalls. Both complete self-builds and renovations are covered, with advice on building abroad as well as what to do when things—as they so often do—go wrong.

    In addition to his philosophical teachings, he provided ideas for the development of many practical activities including education--both general and special--agriculture, medicine, economics, architecture, science, religion, and the arts. Today there are thousands of schools, clinics, farms, and many other organizations based on his ideas.Steiner's original contribution to human knowledge was based on his ability to conduct spiritual research, the investigation of metaphysical dimensions of existence. With his scientific and philosophical training, he brought a new systematic discipline to the field, allowing for conscious methods and comprehensive results. A natural seer from childhood, he cultivated his spiritual vision to a high degree, enabling him to speak with authority on previously veiled mysteries of life.Topics include: the origins and nature of architecturethe formative influence of architectural formsthe history of architecture in the light of human spiritual evolutionnew architecture as a means of uniting with spiritual forcesart and architecture as manifestations of spiritual realitiesmetamorphosis in architectureaspects of a new form of architecturethe first and second Goetheanum buildingsthe architecture of a community in Dornachthe temple is the human beingthe restoration of the lost temple

    

    Now the headquarters of the Society of Architectural Historians and designated a National Historic Landmark in 1998, the house was built in 1892 at a critical moment in urban and architectural history. The Charnley House is the first authoritative publication on the building, which has long been discussed in surveys but never before examined in detail.In this collection of original essays, six well-known architectural historians illuminate various aspects of the house, both inside and out, as they consider its remarkable formal and spatial qualities, its historical significance in the development of Chicago's elite residential neighborhood, and its place in the context of American domestic architecture. Equally important, the contributors tackle the knotty, decades-old issue concerning the building's designer. While many have ascribed the scheme to Frank Lloyd Wright, Louis Sullivan's chief assistant at the time, this book sheds new light on how the house relates significantly to the work of both master and apprentice.The continuing debate over the house's "authorship" highlights the importance of the Charnley house in the history of modern architecture as the seminal work of residential design in the United States. These thoroughly researched interpretations, supplemented by an abundance of never before published illustrations, analyze this house of distinction with the care and detail it deserves. Beautifully restored in late 1980s, the Charnley house now has a book worthy of it.

    Leff offers this affectionate, insightful portrait of his adopted home of Collinsville, Connecticut, a village that looked perfectly ordinary until he fell prey to its rhythms and charm. The town taught him a new way of seeing his environment, and through this process he discovered what many Americans long for amid the suburban sprawl decried in James H. Kunstler's The Geography of Nowhere and many other recent books: a sense of community.When Leff began to look for a suitable place to raise a family, his criteria were familiar: an affordable fixer-upper with some historical character, pleasant neighbors, good schools, walkable streets, and attractive natural surroundings. The suburbs around Hartford were uninviting, so he settled sixteen miles away in Collinsville, a small village that grew up around--indeed was largely built by--The Collins Company, once the world's leading maker of edge tools.Collins, which supplied the pikes for John Brown's raid on Harpers Ferry, went out of business in 1966, and Collinsville settled into the familiar decrepitude of many New England mill towns. In spite of its half-alive state, Leff found in its battered factory buildings and struggling main street an extraordinary place. Built before the restrictive zoning codes that today keep most Americans in their cars for hours on end, Collinsville's mixed-use center has been preserved by industrious residents and a hilly topography marked by the presence of the Farmington River, which once drove the mill. The landscape designer Frederick Law Olmsted Sr. lived here at a time when Samuel Collins, the socially minded founder of the company, was laying out his ideal village for workers and managers.Leff feels Olmsted's presence as he walks the village's uneven streets, often in the company of his children, musing on its history, politics, and architecture. Living at the center of Collins's creation years later, Leff has come to believe, like Olmsted, that human beings are deeply affected by their experience of landscape, and that local interaction--between parents and teachers, store owners and customers, bar regulars and volunteer firefighters--matters. The Last Undiscovered Place argues quietly but forcefully for looking at our landscapes more carefully, as Leff strives for a metaphorical Collinsville that can serve as a way to rediscover other places, those that already exist and those that are still on the drawing boards of developers and planners.

    He is equally well-known for his prodigious output of theoretical work, including his masterpiece, "Alpine Architecture, in which he envisions the rebuilding of the world starting from the Alps. No other Modernist publication comparably unites peacetime euphoria with progressive optimism. With full page illustrations and an informative essay on Taut's alpine architecture, this book presents a classic work of architecture to a new generation.

    Many medieval tiles disappeared during nineteenth-century restorations but the designs lived on in the copies made by Victorian tile manufacturers. The British Museum has a collection of these tiles.

    Each style is described by author William Morgan, a Pulitzer Prizenominated architectural historian, in a short historical summary, alongside a list of its distinguishing features. Multiple examples of each house style are provided, the book includes 350 houses from more than 40 states, so the reader can see the region-specific variations. Complementing the beautiful color photographs is a selection of line drawings highlighting each style's key attributes. Both at the desk and in the field, for a wide audience of discerning house hunters, homeowners, and realtors; architects, builders, and students; and the ever-increasing public with a seemingly insatiable curiosity about residential design, this elegant, informative, portable volume will be an invaluable resource for years to come.

    In 192 square-format pictures shot over the past 15 years, Friedlander has framed the familiar through his own unique way of seeing the world. Whether he's representing modest vernacular buildings or monumental skyscrapers, Friedlander liberates them from our preconceived notions and gives us a new way of looking at our surrounding environment. Shot during the course of countless trips to urban and rural areas across the country, many of them made by car (the driver's window sometimes providing Friedlander with an extra frame), these pictures capture an America as unblemished by romanticized notions of human nature as it is full of quirky human touches. Nevertheless, man's presence is not at stake here; streets, roads, facades and buildings offer their own visual intrigue, without reference to their makers. And in the end, it is not even the grand buildings themselves that prick our interest, but rather the forgettable architectural elements--the poles, posts, sidewalks, fences, phone booths, alleys, parked cars--that through photographic juxtaposition with all kinds of buildings help us to discover the spirit of an Architectural America.

    Trevor Yorke first charts the origins of the abbey and traces its development from the late 5th century to the Dissolutions of the Monasteries in 1536. He also looks at their fate since.The second section examines their individual parts in detail, beginning with the most striking feature of monastic ruins, the church. He then looks at the cloister buildings, including the kitchen and dormitory; the workshops, guest houses and gardens; and finally the abbey estates.The final section contains an illustrated time chart for dating abbeys, a glossary of unfamiliar terms and a list of recommended abbeys and priories to visit.

    On the occasion of the opening of the museum of architecture in the Gallery of Modern Art in Munich, the museum director asked architects of international standing to sketch their personal greetings and congratulations on a paper napkin. These napkins are now part of a colorful, imaginative, and often droll collection, reproduced here interspersed with pithy quotes from an array of famous architects.

    Forty-three of her large scale projects are detailed with sketches, diagrams, full page images of the completed buildings as well as computer generated designs from the production phases. Includes an extensive interview with Hadid. This is an omnibus incorporating previous El Croquis no 52-73-& 103.

    A collection of essays on changing lifestyles in contemporary Japanese cities, encompassing the rise of the one-room mansion, the crucial role of convenience stores, and the implications of a dispersed - technology-dependent - infrastructure.

    Although the Detroit metro area is primarily known as an industrial region, it boasts some of the finest examples of Art Deco in the country. Art Deco in Detroit explores the wide-ranging variety of these architectural marvels, from world-famous structures like the Fisher and Penobscot Buildings, to commercial buildings, theaters, homes, and churches. Through a panorama of photographs, authors Rebecca Binno Savage and Greg Kowalski take readers on a fascinating tour of this influential movement and its manifestations in and around Detroit. The grandeur evident in some of the major buildings reflects a time when artisans and architects collaborated to craft structures that transcend functionality-they endure as standing works of art.

    Among them are Robert Adam Architects Ltd, Norman Davenport Askins, John Blatteau Associates, Fairfax & Sammons, Robert A.M. Stern Architects, Michael G. Imber, and Porphyrios Associates. The build

    Now available in paperback, Erwin Hauer Continua gathers stunning photographs, drawings, and descriptions of these classic works of design.

    Book by Gedacht, Daniel C.

    This biography, full of amusing detail and delicious anecdotes, wonderfully recreates his extraordinary life. In this volume, Betjeman is at the height of his fame, universally adopted as Teddy Bear to the Nation. By now he is known not just as a poet, but as a television personality too. He is also the essential public face of conservation, fighting - not always with great efficiency or success - to save our heritage. We live with him the triumph of Summoned by Bells, his richly emotional autobiography in verse, but also follow his tribulations as Poet Laureate, despairingly in search of inspiration in the bombastic events of royal and public life. Perhaps least expected of all is the pleasure he found in Banana Blush, the poems he recorded to the music of Jim Parker.

    One of the most revealing legacies of Britain's long history in India is the colonial architecture from the two centuries preceding the struggle for independence. Built to house both occupiers and occupied alike, these imposing buildings, including palaces, mansions, clubhouses and government offices, represented a hybrid of Western and Eastern sensibilities as their architects sought to plant the flag of British dominance in a foreign culture. Colonial Splendour focuses on India's towns and cities, particularly Calcutta, Bombay, and Madras, providing countless illustrations, sketches, and photographs of the many impressive buildings and ruins that dot India's coastlines, hillsides, and valleys. Andreas Volwahsen's informative commentaries highlight the considerable achievements of these magnificent structures while offering insight into the stories these buildings tell about their own and India's history.

    Parasite Paradise documents 23 projects that respond on their own terms to new and unforeseen demands. Many of these parasites have settled in the government-designated "Vinex" district of Leidsche Rijn near Utrecht, turning a district almost exclusively concerned with dwelling into a more urban entity. What do these small, mobile architectural interventions mean for our strictly regulated society and for the planning of architecture and urbanism? What sense (or nonsense) is there in mobile architecture from a historical perspective? How much of it is art and how much is architecture? Parasite Paradise encourages us to consider a new approach to planning, one where not everything is fixed beforehand. This makes it required reading for architects, urban planners, and artists whose concern is designing urban space. With projects by Shigeru Ban, Atelier van Lieshout, Vito Acconci, Alicia Framis, Dominique Gonzalez-Foerster & Martial Galfione, Kathrin B+hm & Stefan Saffer with Andreas Lang, Attila Foundation, Winter/H+rbelt, and others.

    Buff and Hensman's houses epitomized the increasingly casual lifestyle that revolutionized social habits across the United States in the 1960s. An almost perfect climate in and around Los Angeles made it possible for the architects to develop a wood-frame and glass-panel architecture that lends seamlessly with its surroundings. When California building code forced a change in their design methodology, they began a new phase of their creative life that reinvigorated their practice. This book is the first comprehensive look at their achievement, and includes commentary on their most important projects as well as a complete chronology of all of their work.

    The book also offers full accounts of the suburbs, the city of Salford, and the industrial towns of Bolton, Bury, Rochdale, and Oldham, each with its own tradition of civic buildings and its own crop of talented local architects.A general introduction to the volume provides a historical and artistic overview of South-East Lancashire’s architecture, and each city, town, or village is treated in a detailed gazetteer. Numerous maps and plans, over 100 new color photographs, full indexes, and an illustrated glossary complete this invaluable guide.

    Over 300 gorgeous, full-color photographs allow readers to experience homes actually built from the designs. Virtually every home style is offered, including farmhouses, country cottages, contemporaries, luxury estates, vacation retreats, and regional specialties. In addition to the designs, The Ultimate Book of Home Plans offers practical tips and advice on everything from selecting a site and hiring a contractor to adding such finishing touches as trimwork and landscaping.

    Freed from restrictive regulations for the first time Le Corbusier was able to put into practice his concept of modern social housing. A milestone of modern architecture and subject of controversial debate, the Unit� in Marseille continues to attract numerous visitors and students of architecture. This volume is the latest addition to Birkh�user's series of guides to Le Corbusier's most acclaimed buildings, and includes an additional chapter on his Unit�s in Rez�-les-Nantes, Briey en For�t, Firminy and Berlin. The author, a practising architect and well known le Corbusier specialist, lives in Marseille and teaches at the Ecole d'architecture de Marseille-Luminy.

    They are some of the most visited buildings in the land. This book features a concise history of each of the major cathedrals and includes contemporary and historical images of the exteriors and interiors. The interiors feature items such as stained glass windows, and the exterior would also show details such as gargoyles.

    Behind their imposing facades and highly decorated churches, the convents of Naples housed the daughters of the city's most exclusive families, women who, despite their cloistered existence, were formidable players in the city's power structure. Invisible City vividly portrays the religious world of seventeenth-century Naples, a city of familial and internecine rivalries, of religious devotion and intense urban politics, of towering structures built to house the virgin daughters of the aristocracy. Helen Hills demonstrates how the architecture of the convents and the nuns' bodies they housed existed both in parallel and in opposition to one another. She discusses these women as subjects of enclosure, as religious women, and as art patrons, but also as powerful agents whose influence extended beyond the convent walls. Though often ensconced in convents owing to their families' economic circumstances, many of these young women were able to extend their influence as a result of the role convents played both in urban life and in art patronage. The convents were rich and powerful organizations, riven with feuds and prey to the ambitions of viceregal and elite groups, which their thick walls could not exclude. Even today, Neapolitan convents figure prominently in the city's fabric. In analyzing the architecture of these august institutions, Helen Hills skillfully reads conventual architecture as a metaphor for the body of the aristocratic virgin nun, mapping out the dialectic between flesh and stone.

    It calls oneself a “showcase for consumer culture of GDR” (p.13) and so there are much more photos than texts. Nevertheless you learn something about the history of East German Design because Ralf E. Ulrich deals in the introduction of the book with it. He copies the lines of the development of GDR design from the beginning of the GDR in 1949 till the “Wende” in 1989. By all changings in the consumer culture of East Germany it is important to note that the design was always driven by ideology, general social developments and the socialist planned economy. With a greater focus on export markets in the 1960ies it happened yet that on the one hand some design concepts from international products were adapted. On the other hand some GDR products were sold on West German market, too. You could find the marking “Made in GDR” on IKEA pendant lamps made in Halle, Privileg typewriters supplied by the mail order company Quelle and hairdryers.

    As a trained gardener, he places our current knowledge of plant utilization and ecology in the service of the planetary garden, in which plant species from a tremendous variety of cultures are collected, composed, and carefully overseen in their development by the landscape designer. Cl�ment has taken this approach, which was developed for private gardens, and worked with celebrated architects - most recently, Jean Nouvel - to apply it in his large city parks, including Parc Citro�n, the park at the Grande Arche de La D�fense, and the museum park at the Mus�e du Quai Branly in Paris. The high artistic caliber of his designs is attested by exhibitions and installations at the Canadian Centre for Architecture CCA in Montreal and the Centre Pompidou, where they stand beside the work of Daniel Buren, Nan Goldin, and others. Gilles Cl�ment has been presenting his contribution to landscape architecture for decades in more than thirty publications and numerous lectures throughout the world. This is the first comprehensive English-language monograph on his work.

    Although buildings have always been reused, the process of doing so has rarely been treated as an artform. In recent years, however, a huge amount of press coverage has been devoted to remodelling projects such as the Tate Modern in London, the Baltic Art Factory in Gateshead, the Grand Louvre pyramid and courtyard, and the Reichstag in Berlin, to name but a few.By attracting prestigious architects to its practice, it would appear that remodelling, once the dowdy cousin of the more glamorous architecture, has gained a new respectability. Re-readings responds to remodelling as an artform, making sense of the considerable structural, aesthetic, environmental, contextual and programmatic challenges of remodelling existing buildings. Illustrated throughout with a rich international portfolio of case studies, it explains the theory behind the way that architects and designers interpret and adapt buildings.

    LEA's simple and effective framework makes it useful to a wide audience of users throughout an enterprise, coordinating resources for business requirements and facilitating optimal adoption of technology.Lightweight Enterprise Architectures provides a methodology and philosophy that organizations can easily adopt, resulting in immediate value-add without the pitfalls of traditional architectural styles. This systematic approach uses the right balance of tools and techniques to help an enterprise successfully develop its architecture.The first section of the text focuses on how enterprises deploy architecture and how architecture is an evolving discipline. The second section introduces LEA, detailing a structure that supports architecture and benefits all stakeholders. The book concludes by explaining the approach needed to put the framework into practice, analyzing deployment issues and how the architecture is involved throughout the lifecycle of technology projects and systems.This innovative resource tool provides you with a simpler, easily executable architecture, the ability to embrace a complex environment, and a framework to measure and control technology at the enterprise level.

    Julia Klimi's stunning photographs of domestic interiors, specially taken over a period of several years, capture the quintessential Greek style, while pointing out rich regional variations. Outside spaces, many with views of the sea, are also featured, from verandas merging into swimming pools and shaded marble paths leading to secret gardens, to courtyards surrounded by olive trees—all suffused with the astonishing light of the eastern Mediterranean.Thirty-five houses are featured in eight geographical sections: The Dodecanese (Rhodes, Symi, Astypalaia, Patmos); Crete; The Cyclades (Santorini, Serifos, Paros, Mykonos, Tinos); The Saronic Islands (Hydra, Spetses); The Ionian Islands (Corfu); The Peloponnese (Monemvasia, Arkadia); Athens; and The Mainland (Pelion, Zagorohoria, Metsovo). The stories of the people who have lovingly restored these homes are also told. Some have created contemporary interiors with reinforced concrete, brick, and iron, while others have used entirely traditional materials and methods.Unlike previous attempts to capture the Greek style, this book provides an insider's unique view.

    The Montreal-born photographer has made haunting studies of bombed-out buildings in Beirut, decaying New York tenements, Versailles rooms in dusty disarray, Brasilia's paean to spare 1950s modernism, and, most recently, the abandoned, contaminated cities of Chernobyl and Pripyat. Taken together, they add to his ongoing project: the interpretation of the interrupted urban landscape. This new monograph combines the eye of a celebrated photographer with the distinctive voice of an artist and adventurer. Each breathtaking image--meticulously selected by the photographer from his own personal archive--is accompanied by a compelling first person account, based on interviews conducted by Martin C. Pedersen, executive editor of Metropolis magazine. Polidori tells behind-the-scene stories about the making of his photographs, takes us to war-torn Beirut and Brasilia and other world capitals, talks about what makes a building photogenic, how he shoots buildings he doesn't like, his favorite architects, and his love of mosques. A look at the world's great cities as seen through the eyes of a sharp social observer--and a great photographer.