Apollinaire—Roman by birth, Polish by name (Wilhelm-Apollinaris de Kostrowitski), Parisian by choice—died at thirty-eight in 1918. Nevertheless, he became one of the leading figures in twentieth-century poetry, a transitional figure whose work at once echoes the Symbolists and anticipates the work of the Surrealists.

    During his brief 5-year reign as the enfant terrible of French literature he produced an extraordinary body of poems that range from the exquisite to the obsene, while simultaneously living a life of dissolute excess with his lover and fellow poet, Verlaine. At the age of 21, he abandonned poetry and travelled across Europe before settling in Africa as an arms trader. This edition sets the two sides of Rimbaud side by side with a sparkling translation of his most exhilarating poetry and a generous selection of the letters from the harsh and colourful period of his life as a colonial trader.

    Momo's hilarious yet heart-wrenching story begins when he loses his virginity in a bordello at the age of 11. Ibrahim offers Momo his ear and advice and gradually teaches the precocious boy that there is more to life than whores and stealing groceries. When Momo's father, a passive-aggressive lawyer who neglects his son's well being, disappears and is found dead, Ibrahim adopts the orphaned boy. The two decide to make a trip across Europe to the birthplace of Monsieur Ibrahim that brings them to the most important crossroads of their lives. As this deeply funny and exquisitely crafted plot unravels, it reveals how we learn the most essential lessons of life and death when we expect them the least.Oscar and the Lady in Pink gives us an entirely different tale of love and courage. Oscar is ten years old and dying of leukemia. He knows that his bone marrow transplant has failed, but the only person in the hospital who will talk to him about dying is his beloved Mamie-Rose, an elderly volunteer who visits the sick children. When it becomes clear that Oscar's time is growing short, Mamie-Rose gives him an idea: he should pretend that every day he lives represents the passage of ten years, and at the end of each day he should write down his experiences as a letter to God so that he might feel less alone. With Mamie-Rose as his guide, Oscar begins an uplifting journey through days made fuller by the richness of his imagination and spirit.Eric-Emmanuel Schmitt has given us two illuminating tales about suffering, love, compassion, and faith in both God and humanity. These stories are guaranteed to make readers laugh, cry, and stop to reflect on the grace and wonder that can be found in every heart.

    Here for the first time is a comprehensive bilingual representation of French poetic achievement in the twentieth century, from the turn-of-the-century poetry of Guillaume Apollinaire to the high modernist art of Samuel Beckett to the contemporary verse of scourge Michel Houellebecq. Many of the English translations (on facing pages) are justly celebrated, composed by eminent figures such as T.S. Eliot, Wallace Stevens, and John Ashbery; many others are new and have been commissioned for this book. Distinguished scholar and editor Mary Ann Caws has chosen work by more than 100 poets. Her deliberately extensive, international selection includes work by Francophone poets, by writers better known for accomplishments in other genres (novelists, songwriters, performance artists), and by many more female poets than have typically been represented in past anthologies of modern French poetry. The editor has opted for a chronological organisation that highlights six crucial pressur

    He dreams of very strange things, meets a rare potato, and decides to start celebrating Carnival. Who knows what he will dream of next!

    For a time associated with the Surrealist movement, his poetry later changed to work that confronted major moral, political, and artistic concerns of the 20th century. The exquisite translations by Susanne Dubroff maintain the simplicity of vision and expression that link Char to the poet-philosophers of ancient Greece. Presented side by side in French and in English, the book offers a comprehensive selection of work that spans the life of this great poet and will be a valuable additon to the libraries of both readers and students of either language.

    She was sent to Auschwitz, where she was assigned to the "hospital" run by Joseph Mengele, the "Angel of Death."She survived, and eight days after her liberation sat down and detailed her experience in this testimony. By using a physician’s detached language, she was able to describe the horrors she'd seen—she was, for example, the first person to report precisely how the Nazis worked the gas chambers—and thus become the only female doctor to bear witness to Auschwitz.Afterwards, Sima Vaisman put her testimonial in a drawer and refused to talk about her experience. Forty years later, one of her nieces opened the drawer....Brought to publication in France by the famed Nazi-hunter Serge Klarsfeld, here with a foreword by internationally renowned fashion designer Diane von Furstenberg, niece of Sima Vaisman and herself the daughter of an Auschwitz survivor.

    It demonstrates the breadth, depth, and impact of communard feminist socialisms far beyond the 1871 insurrection. Examining the period from the early 1860s through that century's end, Carolyn J. Eichner investigates how radical women developed critiques of gender, class, and religious hierarchies in the immediate pre-Commune era, how these ideologies emerged as a plurality of feminist socialisms within the revolution, and how these varied politics subsequently affected fin-de-siecle gender and class relations. She focuses on three distinctly dissimilar revolutionary women leaders who exemplify multiple competing and complementary feminist socialisms: Andre Leo, Elisabeth Dmitrieff, and Paule Mink. Leo theorized and educated through journalism and fiction, Dmitrieff organized institutional power for working-class women, and Mink agitated crowds to create an egalitarian socialist world. Each woman forged her own path to gender equality and social justice.

    Maupassant has weaved intricate plots and strong characters that have been drawn in detail. The stories throw light on different attitudes and behaviours of people and social interactions. Engrossing!

    The story of this near-miraculous resistance effort, an epic undertaking carried out in plain view of the Nazis, is recounted in full for the first time in The Surgeon and the Shepherd, an incredible, true tale of wartime heroism. In 1942, in coordination with the Belgian resistance, Schepens stage-managed a highly secret information and evacuation service through the counterfeit operation of a back-country lumbering enterprise. This book traces Schepens’s gradual transformation from an apolitical young ophthalmologist into double agent “Jacques Pérot,” and his emergence in the postwar period as a modern folk hero to the residents of Mendive. Woven into the account are the stories of a remarkable international cast of characters, most notably the Basque shepherd Jean Sarochar, regarded as a local misfit, with whom Schepens formed his most unlikely partnership and an enduring friendship.Part biography, part spy tale, part cultural study, The Surgeon and the Shepherd is based on more than ten years of oral history research. The saga of a Belgian “first resister” who, by posing as a collaborator, successfully duped both the Germans and the local French Basque population, it offers a powerful and illuminating picture of moral and physical courage.

    To top it all off, a poet...'Victor Hugo dominated literary life in France for over half a century, pouring forth novels, poems, plays, and other writings with unflagging zest and vitality. Here, for the first time in English, all aspects of his work are represented within a single volume. Famous scenes from the novels Notre-Dame, Les Miserables and The Toilers of the Sea are included, as well as excerpts from his intimate diaries, poems of love and loss, and scathing denunciations of the political establishment. All the chosen passages are self-contained and can be enjoyed without any previous knowledge of Hugo's work. Much of the material is appearing in English for the first time, and most of it has never before been annotated thoroughly in any language.

    The focus is literary and intellectual, the context cultural. The discovery of Japanese woodblock prints in Paris, following the opening of Japan to the West in 1854, was a startling aesthetic encounter that played a crucial role in the Impressionists' and Post-Impressionists' invention of Modernism. French writers also experimented with Japanese aesthetics in their own work, in ways that similarly thread into the foundations of literary Modernism. Japonisme (the practice of adapting Japanese aesthetics to creative work in the West) became a sustained French tradition, in texts by such writers as Zola and Proust through Barthes and Bonnefoy. Each generation discovered new Japanese arts and genres, commented on the work of their predecessors in this vein, and broke still more ground in East-West aesthetics to innovate in the forms of Western literature and thought. To read literary history in this way unsettles Eurocentric assumptions about many of the French writers who are commonly considered the

    These are the shattered mystic visions of a seminal Surrealist with a deep thirst for the negation of consciousness through ecstasy, humiliation, depravity and pain.