Klinger's brilliant new annotations of Sir Arthur Conan Doyle's classic Holmes short stories in 2004 created a Holmes sensation. Inside, readers will find all the short stories from The Return of Sherlock Holmes, His Last Bow and The Case-Book of Sherlock Holmes, with a cornucopia of insights: beginners will benefit from Klinger's insightful biographies of Holmes, Watson, and Conan Doyle; history lovers will revel in the wealth of Victorian literary and cultural details; Sherlockian fanatics will puzzle over tantalizing new theories; art lovers will thrill to the 450-plus illustrations, which make this the most lavishly illustrated edition of the Holmes tales ever produced. The New Annotated Sherlock Holmes illuminates the timeless genius of Arthur Conan Doyle for an entirely new generation of readers.

    But Britain eluded him. To conquer the island nation, he needed Russia's Tsar Alexander's help. The Tsar refused, and Napoleon vowed to teach him a lesson by intimidation and force. The ensuing invasion of Russia, during the frigid winter of 1812, would mark the beginning of the end of Napoleon's empire. Although his army captured Moscow after a brutal march deep into hostile territory, it was a hollow victory for the demoralized troops. Napoleon's men were eventually turned back, and their defeat was a momentous turning point in world affairs. Dramatic, insightful, and enormously absorbing, Moscow 1812 is a masterful work of history.

    In the national hysteria that followed, eight others were arrested and tried; four of those were executed, four imprisoned. Therein lie all the classic elements of a great thriller. But the untold tale is even more fascinating.Now, in American Brutus, Michael W. Kauffman, one of the foremost Lincoln assassination authorities, takes familiar history to a deeper level, offering an unprecedented, authoritative account of the Lincoln murder conspiracy. Working from a staggering array of archival sources and new research, Kauffman sheds new light on the background and motives of John Wilkes Booth, the mechanics of his plot to topple the Union government, and the trials and fates of the conspirators.Piece by piece, Kauffman explains and corrects common misperceptions and analyzes the political motivation behind Booth’s plan to unseat Lincoln, in whom the assassin saw a treacherous autocrat, “an American Caesar.” In preparing his study, Kauffman spared no effort getting at the truth: He even lived in Booth’s house, and re-created key parts of Booth’s escape. Thanks to Kauffman’s discoveries, readers will have a new understanding of this defining event in our nation’s history, and they will come to see how public sentiment about Booth at the time of the assassination and ever since has made an accurate account of his actions and motives next to impossible–until now.In nearly 140 years there has been an overwhelming body of literature on the Lincoln assassination, much of it incomplete and oftentimes contradictory. In American Brutus, Kauffman finally makes sense of an incident whose causes and effects reverberate to this day. Provocative, absorbing, utterly cogent, at times controversial, this will become the definitive text on a watershed event in American history.From the Hardcover edition.

    While his popularity as a playwright has sometimes overshadowed his achievements in prose, the importance of Chekhov's stories is now recognized by readers as well as by fellow authors. Their themes - alienation, the absurdity and tragedy of human existence - have as much relevance today as when they were written, and these superb new translations capture their modernist spirit. Elusive and subtle, spare and unadorned, the stories in this selection are among Chekhov's most poignant and lyrical. The book includes well-known pieces such as The Lady with the Little Dog, as well as less familiar work like Gusev inspired by Chekhov's travels in the Far East, and Rothschild's Violin, a haunting and darkly humorous tale about death and loss. The stories are arranged chronologically to show the evolution of Chekhov's art.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

    Within a few years, the slave insurgents forced the French administrators of the colony to emancipate them, a decision ratified by revolutionary Paris in 1794. This victory was a stunning challenge to the order of master/slave relations throughout the Americas, including the southern United States, reinforcing the most fervent hopes of slaves and the worst fears of masters.But, peace eluded Saint-Domingue as British and Spanish forces attacked the colony. A charismatic ex-slave named Toussaint Louverture came to France's aid, raising armies of others like himself and defeating the invaders. Ultimately Napoleon, fearing the enormous political power of Toussaint, sent a massive mission to crush him and subjugate the ex-slaves. After many battles, a decisive victory over the French secured the birth of Haiti and the permanent abolition of slavery from the land. The independence of Haiti reshaped the Atlantic world by leading to the French sale of Louisiana to the United States and the expansion of the Cuban sugar economy.Laurent Dubois weaves the stories of slaves, free people of African descent, wealthy whites, and French administrators into an unforgettable tale of insurrection, war, heroism, and victory. He establishes the Haitian Revolution as a foundational moment in the history of democracy and human rights.

    The younger William Pitt -- known as the 'schoolboy' -- began his days as Prime Minister in 1783 deeply underestimated and completely beleaguered. Yet he annihilated his opponents in the General Election the following year and dominated the governing of Britain for twenty-two years, nearly nineteen of them as Prime Minister. No British politician since then has exercised such supremacy for so long. Pitt presided over dramatic changes in the country's finances and trade, brought about the union with Ireland, but was ultimately consumed by the years of debilitating war with France. Domestic crises included unrest in Ireland, deep division in the royal family, the madness of the King and a full-scale naval mutiny. He enjoyed huge success, yet died at the nadir of his fortunes, struggling to maintain a government beset by a thin majority at home and military disaster abroad; he worked, worried and drank himself to death. Finally his story is told with the drama, wit and authority it deserves.

    During his brief 5-year reign as the enfant terrible of French literature he produced an extraordinary body of poems that range from the exquisite to the obsene, while simultaneously living a life of dissolute excess with his lover and fellow poet, Verlaine. At the age of 21, he abandonned poetry and travelled across Europe before settling in Africa as an arms trader. This edition sets the two sides of Rimbaud side by side with a sparkling translation of his most exhilarating poetry and a generous selection of the letters from the harsh and colourful period of his life as a colonial trader.

    How Stoker became the creator of the mysterious, seductive count from a castle (and coffin) in Transylvania was a story in and of itself. Over the past century, Dracula has never been out of print and has become its own cultural phenomena, starting with Bela Lugosi’s famed rendition in 1931, to Mel Brooks, Francis Ford Coppola, Christopher Lee, Buffy, Anne Rice’s Vampire Chronicles and the hugely popular Twilight series. This generously illustrated documentary collection explores in full the scope of the Dracula phenomenon, from the folkloric origins of the vampire legend to its unending legacy as a vital influence on the literary and performing arts, not to mention the Romanian tourist industry. Nor does it overlook Bram Stoker himself, and includes his working notes and exceptional primary documents.

    For in the eyes of this raven-haired, half-Indian loner, Martha sees the hint of danger, the depths of sorrow—and the tiniest spark of untold passion. Indeed, tragedy forced Ridge Longtree to leave the Apache stronghold at a young age. But when Martha's father is murdered, and Apache kidnap her younger sister, he cannot bear to see her distraught. Reluctantly, he agrees to lead her to the stronghold to save her kin. But somewhere along the jagged mountain trail, the two discover a passion that threatens to set their hearts aflame and endanger their mission of rescue.

    Saved from the drudgery of a working-class existence by a young Pre- Raphaelite artist, Lizzie Siddal rose to become one of the most famous faces in Victorian Britain and a pivotal figure of London's artistic world, until tragically ending her life in 1862.

    . . [a] splendid examination.” —BooklistOn October 25, 1854, acting in defense of their base at Balaklava during the Crimean War, the Light Brigade of the British Cavalry Division made the most magnificent and brutal charge in military history. Seven hundred men armed with sabers and lances charged straight at the muzzles of Russian cannons. In the slaughter that followed, many fell to roundshot and shell. Those who survived took a terrible revenge on the enemy.In this vivid and extraordinarily detailed account of the charge and the bloody melee that followed, Terry Brighton draws on twenty years of research to tell the story in the words of the survivors themselves for the first time. Hell Riders takes the reader closer than ever before to the experience of charging into the valley of death, and reveals the horrific truth about the charge of the Light Brigade exactly as the survivors lived it.

    It describes the evolution, use and eclipse of the battleship.’ Lloyds’ List ‘With crisp scholarship, Peter Padfield traces the development of the battleship from sailing ships much like Nelson’s which had been fitted with auxiliary steam engines and had iron armour hung on their sides, to the ultimate: the Japanese battleship, Yamato, a giant of more than 70,000 tons firing 18 inch shells more than 20 miles.’ Books and Bookmen ‘A fascinating documentary account of particular interest to the armchair strategist.’ Booklist ‘A worthy addition to anyone’s library that wishes to learn more of the rise and fall of the battleship.’ Good Book Guide The battleship reigned supreme at sea from the 1860s to the 1940s, the ultimate symbol of naval power and national pride, queen on the naval chessboard. This book describes its evolution from the wooden man-of-war plated with iron armour to the great steel leviathan of the Second World War, and its ultimate displacement as arbiter of naval power by the aircraft carrier. At the same time the author explains how strategy and battle tactics changed in response to the mounting of ever larger guns with greater range and penetrative power, and the development of threatening new weapon systems, particularly torpedoes, torpedo boats, mines and submarines; and he explores the chilling reality of action with vivid descriptions of major naval battles including the Yalu in the first Sino-Japanese War, Tsushima in the Russo-Japanese War, Jutland in the First World War and many lesser known engagements. The pioneer naval architects and engineers and the commanders who fought these great ships in action, Togo, Jellicoe, Beatty, Scheer, Hipper, Cunningham, Lee, Oldendorf find their way naturally into this absorbing, often horrifying history of what was once the arbiter of naval power.

    But it did not go to plan and there were many political repercussions. Using new material from archives in Britain and South Africa, Saul David blows the lid on this most sordid of imperial wars and comes to a number of startling new conclusions.'Saul David's brilliant and magisterial account must now be regarded as the definitive history of the Zulu War' Frank McLynn, Literary Review'This meticulously detailed book...give[s] a fully rounded and judicious account of this dismal conflict Guardian'Fascinating, thrilling, convincing... reads like a novel' EconomistSaul David is Professor of War Studies at the University of Buckingham and the author of several critically acclaimed history books, including The Indian Mutiny: 1857 (shortlisted for the Westminster Medal for Military Literature), Zulu: The Heroism and Tragedy of the Zulu War of 1879 (a Waterstone's Military History Book of the Year) and, most recently, Victoria's Wars: The Rise of Empire.

    Louis, Missouri and joins a wagon train headed west, to provide a better life for her daughter. As the trail turns increasingly dangerous, Dawson Clements, a jaded ex-soldier helps Clarissa and her daughter survive. As they near Montana can Clarissa convince Dawson to remain by her side for a journey that will last a lifetime?

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Ninety-five percent of the native population signed the petition, causing the annexation treaty to fail in the U.S. Senate. This event was unknown to many contemporary Hawaiians until Noenoe K. Silva rediscovered the petition in the process of researching this book. With few exceptions, histories of Hawai'i have been based exclusively on English-language sources. They have not taken into account the thousands of pages of newspapers, books, and letters written in the mother tongue of native Hawaiians. By rigorously analyzing many of these documents, Silva fills a crucial gap in the historical record. In so doing, she refutes the long-held idea that native Hawaiians passively accepted the erosion of their culture and loss of their nation, showing that they actively resisted political, economic, linguistic, and cultural domination. Drawing on Hawaiian-language texts, primarily newspapers produced in the nineteenth century and early twentieth, Silva demonstrates that print media was central to social communication, political organizing, and the perpetuation of Hawaiian language and culture. A powerful critique of colonial historiography, Aloha Betrayed provides a much-needed history of native Hawaiian resistance to American imperialism.

    Hull argues that the routines and practices of the Imperial German Army, unchecked by effective civilian institutions, increasingly sought the absolute destruction of its enemies as the only guarantee of the nation's security. So deeply embedded were the assumptions and procedures of this distinctively German military culture that the Army, in its drive to annihilate the enemy military, did not shrink from the utter destruction of civilian property and lives. Carried to its extreme, the logic of military necessity found real security only in extremities of destruction, in the silence of the graveyard.Hull begins with a dramatic account, based on fresh archival work, of the German Army's slide from administrative murder to genocide in German Southwest Africa (1904-7). The author then moves back to 1870 and the war that inaugurated the Imperial era in German history, and analyzes the genesis and nature of this specifically German military culture and its operations in colonial warfare. In the First World War the routines perfected in the colonies were visited upon European populations. Hull focuses on one set of cases (Belgium and northern France) in which the transition to total destruction was checked (if barely) and on another (Armenia) in which military necessity caused Germany to accept its ally's genocidal policies even after these became militarily counterproductive. She then turns to the Endkampf (1918), the German General Staff's plan to achieve victory in the Great War even if the homeland were destroyed in the process--a seemingly insane campaign that completes the logic of this deeply institutionalized set of military routines and practices. Hull concludes by speculating on the role of this distinctive military culture in National Socialism's military and racial policies.Absolute Destruction has serious implications for the nature of warmaking in any modern power. At its heart is a warning about the blindness of bureaucratic routines, especially when those bureaucracies command the instruments of mass death.

    He had idolised Effie, despite her spoilt and headstrong ways, and he now faces the task of raising their two daughters alone. Fifteen years later, and the baby girl who brought such tragedy is the mirror image of her mother. But flaxen-haired Flora is also showing signs of Effie's tempestuous temperament. Sensible Josie worries her younger sister may be led astray. But even she could not predict how a chance meeting between Flora and a seductive stranger would plunge the whole family into danger...

    M. Dent edition of 1997.Aiming in his translation for "an English haunted and affected by the strangeness of the original," David Constantine offers a wealth of Heinrich von Kleist's key writings in this collection, the most ambitious of its kind.

    . . literature on Wyatt Earp. . . . Lubet’s study of the complicated legal aftermath of the OK Corral manages to be stylish and . . . elegant, a virtue not often found in outlaw studies."—Larry McMurtry, New York Review of Books “This is the first book to examine in depth these legal proceedings, and no one could have done a better job. Lubet explains, in a clear and interesting way, how Arizona territorial law worked in the 1880s.”—Michael F. Blake, Chicago Tribune

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Together, the two men spearheaded one of the greatest intellectual revolutions in modern history, and their rivalry, usually amicable but occasionally acrimonious, forged modern evolutionary theory. Yet today, few people today know much about Wallace.The Heretic in Darwin's Court explores the controversial life and scientific contributions of Alfred Russel Wallace--Victorian traveler, scientist, spiritualist, and co-discoverer with Charles Darwin of natural selection. After examining his early years, the biography turns to Wallace's twelve years of often harrowing travels in the western and eastern tropics, which place him in the pantheon of the greatest explorer-naturalists of the nineteenth century. Tracing step-by-step his discovery of natural selection--a piece of scientific detective work as revolutionary in its implications as the discovery of the structure of DNA--the book then follows the remaining fifty years of Wallace's eccentric and entertaining life. In addition to his divergence from Darwin on two fundamental issues--sexual selection and the origin of the human mind--he pursued topics that most scientific figures of his day conspicuously avoided, including spiritualism, phrenology, mesmerism, environmentalism, and life on Mars.Although there may be disagreement about his conclusions, Wallace's intellectual investigations into the origins of life, consciousness, and the universe itself remain some of the most inspired scientific accomplishments in history. This authoritative biography casts new light on the life and work of Alfred Russel Wallace and the importance of his twenty-five-year relationship with Charles Darwin.

    In this electrifying novel, those lives are explored through the eyes of the women who knew and loved them—intensely, scandalously.Four women from widely different backgrounds are linked by a sensational fate. Mary Shelley: the gifted daughter of gifted parents, for whom passion leads to exile, loss, and a unique fame. Lady Caroline Lamb: born to fabulous wealth and aristocratic position, who risks everything for the ultimate love affair. Fanny Brawne: her quiet, middle-class girlhood is transformed—and immortalized—by a disturbing encounter with genius. Augusta Leigh: the unassuming poor relation who finds herself flouting the greatest of all taboos.With the originality, richness, and daring of the poets themselves, Passion presents the Romantic generation in a new and unforgettable light.

    There, enriched by friendships with Thoreau and Emerson, he enjoyed an idyllic time. But three years later, unable to make enough money from his writing, he returned ingloriously, with his wife and infant daughter, to live in his mother's home in Salem.In 1853 Hawthorne moved back to Concord, now the renowned author of The Scarlet Letter and The House of the Seven Gables. Eager to resume writing fiction at the scene of his earlier happiness, he assembled a biography of his college friend Franklin Pierce, who was running for president. When Pierce won the election, Hawthorne is appointed the lucrative post of consul in Liverpool.Coming home from Europe in 1860, Hawthorne settled down in Concord once more. He tried to take up writing one last time, but deteriorating health finds him withdrawing into private life. In Hawthorne in Concord, acclaimed historian Philip McFarland paints a revealing portrait of this well-loved American author during three distinct periods of his life, spent in the bucolic village of Concord, Massachusetts.

    They marked the establishment of Prussian hegemony in central Europe, the creation of the Bismarckian Reich in 1871, and, as a by-product, the reduction of Habsburg influence and the collapse of Napoleon III's Second Empire. Showalter gives a full account of the international context as well as of the wars themselves and their consequences.

    Fullerton shows how the Regencyworld was really a dangerous place with a fast rising crime rate and alegal system that handed out ferocious sentences. Her book will beessential reading for every Janeite.

    Surveying its development from 1874 to 1954, Netz describes its use to control cattle during the colonization of the American West and to control people in Nazi concentration camps and the Russian Gulag. Physical control over space was no longer symbolic after 1874. This is a history told from the perspective of its victims. With vivid examples of the inter- connectedness of humans, animals, and the environment, this dramatic account of barbed wire presents modern history through the lens of motion being prevented. Drawing together the history of humans and animals, Netz delivers a compelling new perspective on the issues of colonialism, capitalism, warfare, globalization, violence, and suffering. Theoretically sophisticated but written with a broad readership in mind, Barbed Wire calls for nothing less than a reconsideration of modernity.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Includes special rulers that enable drafting to custom sizes. Quotes from period fashion magazines and other sources give additional information on construction, materials, and wardrobe planning. For theatrical and reenactment costumers, vintage clothing collectors, brides, and doll artists.

    No further information has been provided for this title.

    This beautifully detailed edition of the classic story is closely adapted from Lewis Carroll’s original text, and it features all the characters familiar to viewers of the Disney animated film. Appropriate for both children and adults, Alice's Adventures in Wonderland is distinguished by the luminous artwork of Greg Hildebrandt.

    Capaldi shows how Mill was groomed for his life by both his father James Mill and Jeremy Bentham, the two most prominent philosophical radicals of the early 19th century. Mill, however, revolted against this education and developed friendships with both Thomas Carlyle and Samuel Taylor Coleridge who introduced him to Romanticism and political conservatism. A special feature of this biography is the attention devoted to Mill's relationship with Harriet Taylor. No one exerted a greater influence than the woman he was eventually to marry. Capaldi reveals just how deep her impact was on Mill's thinking about the emancipation of women. Nicholas Capaldi was until recently the McFarlin Endowed Professor of Philosophy and Research Professor of Law at the University of Tulsa. He is the founder and former Director of Legal Studies. His principal research and teaching interest is in public policy and its intersection with political science, philosophy, law, religion, and economics. He is the author of six books, including The Art of Description (Prometheus, 1987) and How to Win Every Argument (MJF Books, 1999), over fifty articles, and editor of six anthologies. He is a recent recipient of the Templeton Foundation Freedom Project Award.

    He was a major critic and an important fiction writer as well. Emerging out of the Pre-Raphaelite circle, his bold and innovative work made him both a celebrated and controversial writer at home and a figure of international importance. Hugo, Baudelaire, and Mallarmé were among his great admirers.Jerome McGann and Charles L. Sligh now present a generous sampling of Swinburne’s poetry and prose. This wide-ranging collection satisfies a long need for a comprehensive selection of Swinburne’s work. It is accompanied by learned and critically incisive commentaries and notes.

    'The Second Stain' is the 13th story in 'The Return of Sherlock Holmes' and was included in this volume because of tape duration restraints.Gripping, suspenseful and hugely entertaining, these acclaimed dramatisations bring the world of Holmes and Watson to life, and are guaranteed to appeal to any fan of the great detective.

    But in reading such writers as Frank Norris with Mary Wilkins Freeman and Charlotte Perkins Gilman with Stephen Crane, Jennifer L. Fleissner boldly argues that feminist claims in fact shaped the period's cultural mainstream. Women, Compulsion, Modernity reopens a moment when the young American woman embodied both the promise and threat of a modernizing world.Fleissner shows that this era's expanding opportunities for women were inseparable from the same modern developments—industrialization, consumerism—typically believed to constrain human freedom. With Women, Compulsion, and Modernity, Fleissner creates a new language for the strange way the writings of the time both broaden and question individual agency.

    In addition to the haunting and highly individual prose poems called "Spleen," this volume offers masterpieces such as "To the Reader," "Albatross," "Invitation to the Voyage," and "The Cracked Bell."

    Partly because of its enormous range and variety, his poetry has remained comparatively little known outside France. In this new edition of his acclaimed translations, Harry Guest convincingly brings into English many of Hugo's great qualities: his passion for social justice, his simple humanity and an imaginative breadth of vision which few poets have equalled. The book's usefulness is enhanced by the inclusion of the French texts, drawn as they are from so many different periods of Hugo's work. Harry Guest was born in Penarth in 1932. He read Modern Languages at Cambridge before beginning a career as a teacher in schools and universities in Japan and England. With his wife, Lynn Guest, a historical novelist, he now lives in Exeter. A Puzzling Harvest, his collected poems 1955-2000, is also published by Anvil.

    This volume also provides discussion of Chekhov's plays by some of the twentieth century's great directors, including Konstantin Stanislavsky, Peter Brook, and Mark Rozovsky.A Chronology and Selected Bibliography are also included.

    But her fighting spirit and desire to help others drove her to become one of the world's most famous humanitarians. Learn all about the life of the woman who formed the American Red Cross.

    Bordeaux, inexplicably began to wither and die. Panic seized France, and Jules-Emile Planchon, a botanist from Montpellier, was sent to investigate. Magnifying glass in hand, he discovered the roots of a dying vine covered in microscopic yellow insects. The tiny aphid would be named Phylloxera vastatrix -- 'the dry leaf devastator'. Where it had come from was utterly mysterious, but it advanced with the speed of an invading army. As the noblest vineyards of France came under biological siege, the world's greatest wine industry tottered on the brink of ruin. The grand owners fought the aphid with expensive insecticide, while peasant vignerons simply abandoned their ruined plots in despair. Within a few years the plague had spread across Europe, from Portugal to the Crimea. the parasite had accidentally been imported from America. He believed that only the introduction of American vines, which appeared to have developed a resistance to the aphid, could save France's vineyards. His opponents maintained that this would merely assist the spread of the disease. Meanwhile, encouraged by the French government's offer of a prize of 300,000 gold francs for a remedy, increasingly bizarre suggestions flooded in, and many wine-growing regions came close to revolution as whole local economies were obliterated. Eventually Planchon and his supporters won the day, and phylloxera-resistant American vines were grafted onto European root-stock. Despite some setbacks -- the first fruits of transplanted American vines were universally pronounced undrinkable -- by 1914 all vines cultivated in France were hybrid Americans. of one of the earliest and most successful applications of science to an ecological disaster.

    Includes special rulers that enable drafting to custom sizes. Quotes from original fashion magazines and other sources give additional information on construction, materials, and wardrobe planning. Also included is an 87-page, illustrated manual on period dressmaking and millinery. For theatrical and reenactment costumers, vintage clothing collectors, brides, and doll artists.

    In just thirty minutes, the Mill River flood left 139 people dead and 740 homeless -- and a nation wondering how this terrible calamity had happened.In this compelling tale of a man-made disaster peopled with everyday heroes and arrogant scoundrels, Elizabeth Sharpe opens a rare window into industry and village life in nineteenth-century New England, a time when dam failures and other industrial accidents were widespread and laws favored factory owners rather than factory workers. In the Mill Valley, the townsfolk depended upon generally benevolent patriarchs who assured them that the dam was safe, when most people could see that it was not.The story of the Mill River flood is the story of those townsfolk: of George Cheney, the dam keeper whose repeated warnings about leaks in the dam had been ignored by the mill owners; of his wife, Elizabeth, who watched in disbelief as the dam burst open from the bottom; of Isabell Hayden, the mother who saw her young son swept away in the river's torrent; and of Fred Howard, a box maker who spent the days after the flood searching for bodies, burying friends, and waiting to see if the button factory he relied upon for his livelihood would be rebuilt. It is also the story of the well-meaning but overconfident businessmen who built the dam: of Onslow Spelman, the manufacturer who dismissed the dam keeper's flood warning, irrationally insisting that the dam could not break; of Lucius Fenn and Joel Bassett, the engineer and contractor whose rolesin the construction of the dam would be questioned during the public inquest into the causes of the flood; of William Skinner, the factory owner who struggled to decide whether or not to rebuild his silk factory in the village that bore his name; and of many others.The flood highlighted class divisions between worker and owner, as well as the disorganized state of professional engineering, then still in its infancy. As the flood exposed the dangers of allowing mill owners -- who were not trained engineers -- to design their own dam, legislation to regulate the building of reservoir dams in Massachusetts was enacted for the first time. Engineers, politicians, and business owners battled over control of the reform measures to prevent similar tragedies, yet saw them continually repeated."In the Shadow of the Dam" is the story of an event that reshaped a society. Told through the eyes of villagers like Collins Graves, lauded as a hero for his desperate ride through the valley to warn people of the impending flood, and industrialists like Joel Hayden Jr., entrusted with the responsibility of disaster relief despite his culpability in failing to maintain the leaking dam, "In the Shadow of the Dam" is a history of our uneasy relationship with industrial progress and a riveting narrative of a tragic disaster in small-town Massachusetts.

    --David W. Tracy A major contribution to Jewish-Christian relations. --Marc Tanenbaum It will bring the Catholic community an entirely new development in their thinking about the people of the Jewish faith. --Robert F. Drinan It comes from the heart of an honest priest who is deeply moved by the poisonous horror of anti-Semitism, and who appeals to his people to remember that...it is a denial of Christian faith, a failure of Christian hope, and a malady of Christian love. --Abram Sachar A definitive work. --Benjamin Epstein This revised and updated edition of THE ANGUISH OF THE JEWS - a classic history of anti-Semitism written by a Roman Catholic priest and now with a foreword by Philip Cunningham is as relevant today as when it was first published in 1964. Hailed by Jews and Christians alike as a groundbreaking book that did much to expose the reality of historical anti-Semitism in the United States and around the world, it includes material covering the last two decades; it considers developments in the Middle East, and it explores the impact that Judaic studies have had on Christian thought. +

    It demonstrates the breadth, depth, and impact of communard feminist socialisms far beyond the 1871 insurrection. Examining the period from the early 1860s through that century's end, Carolyn J. Eichner investigates how radical women developed critiques of gender, class, and religious hierarchies in the immediate pre-Commune era, how these ideologies emerged as a plurality of feminist socialisms within the revolution, and how these varied politics subsequently affected fin-de-siecle gender and class relations. She focuses on three distinctly dissimilar revolutionary women leaders who exemplify multiple competing and complementary feminist socialisms: Andre Leo, Elisabeth Dmitrieff, and Paule Mink. Leo theorized and educated through journalism and fiction, Dmitrieff organized institutional power for working-class women, and Mink agitated crowds to create an egalitarian socialist world. Each woman forged her own path to gender equality and social justice.

    But could the detective be too late?'The Man with the Twisted Lip' Watson rescues a patient from a disreputable opium den in London. Whom should he meet there but Holmes - in disguise and on the trail of an unusually well-off beggar.'The Adventure of the Blue Carbuncle' When the Countess of Morcar's missing blue carbuncle is found in a Christmas goose, Holmes must retrace the unfortunate goose's steps to find the thief.'The Adventure of the Speckled Band' A midnight vigil at a ruined ancestral estate presents Holmes and Watson with a case of atrocious villainy in one of Conan Doyle's favourite stories.

    Many of the items that have been specially photographed for these books have rarely, if ever, been seen by the public because of the vulnerability of the collection. These books give access to superb shoes and hats; forthcoming books will include funky buttons and beautiful embroideries. From bergeres to boaters, this book provides a unique journey through the styles of a period that saw major radical and social changes, from the French Revolution to the emancipation of women.

    In this study, George S. Williamson examines the factors that gave rise to this distinct and profound longing for myth. In doing so, he demonstrates the entanglement of aesthetic and philosophical ambitions in Germany with some of the major religious conflicts of the nineteenth century.Through readings of key intellectuals ranging from Herder and Schelling to Wagner and Nietzsche, Williamson highlights three crucial factors in the emergence of the German engagement with myth: the tradition of Philhellenist neohumanism, a critique of contemporary aesthetic and public life as dominated by private interests, and a rejection of the Bible by many Protestant scholars as the product of a foreign, "Oriental" culture. According to Williamson, the discourse on myth in Germany remained bound up with problems of Protestant theology and confessional conflict through the nineteenth century and beyond.A compelling adventure in intellectual history, this study uncovers the foundations of Germany's fascination with myth and its enduring cultural legacy.

    The contents might have seemed of little value, but to some they were altogether priceless. They were the notebooks and sermon notes of Robert Murray M'Cheyne, the godly and devoted minister of St Peter's Church, Dundee. From these papers, lodged in the library of New College, Edinburgh, Dr Michael D. McMullen has transcribed the sermons found in this set of three volumes. They are indeed a precious treasure. Whether based on Old Testament or New, every sermon is full of Christ: the sinners need of Him, the fullness of His grace, the happiness of those who come to Him, and the danger of stopping short of genuine faith in Him. They will remind preachers and ordinary Christians alike that to preach Christ aright, one must first know Him, and live in the atmosphere of His love.

    The letters and thoughts of Thomas Jefferson, members of the Corps of Discovery, their guide Sacagawea, and Captain Lewis's Newfoundland dog, all tell of the historic exploratory expedition to seek a water route to the Pacific Ocean.

    

    It charts the poverty and struggles of the working class as well as the leadership roles of middle-class and elite women. It considers the influence of religion, education, and politics, especially the advent of organised feminism and the suffragette movement. It looks, too, at the huge role played by women in the British Empire: how imperialism shaped English women's lives and how women also moulded the Empire.

    In The Price of Liberty, Claude Clegg accounts for 2,030 North Carolina blacks who left the state and took up residence in Liberia between 1825 and 1893. By examining both the American and African sides of this experience, Clegg produces a textured account of an important chapter in the historical evolution of the Atlantic world.For almost a century, Liberian emigration connected African Americans to the broader cultures, commerce, communication networks, and epidemiological patterns of the Afro-Atlantic region. But for many individuals, dreams of a Pan-African utopia in Liberia were tempered by complicated relationships with the Africans, whom they dispossessed of land. Liberia soon became a politically unstable mix of newcomers, indigenous peoples, and "recaptured" Africans from westbound slave ships. Ultimately, Clegg argues, in the process of forging the world's second black-ruled republic, the emigrants constructed a settler society marred by many of the same exclusionary, oppressive characteristics common to modern colonial regimes.

    His short stories, peopled with a vivid assortment of dwarves, evil witches, enchanted swans, and devious princes, owe a clear debt to the Brothers Grimm. But rather than rehashing old tales, Hauff created a realm far more exotic than the Grimm's Black Forest, a place where the morals are less than clear-cut and where characters must rely on wits as much as magic spells to solve their predicaments. One collection (probably his best known volume), Little Mook, provides the two tales for our new Pocket Paragon: "The History of Little Mook" and "Longnose the Dwarf." "Little Mook" features a gnomish, innocent orphan whose parents never thought he would amount to much and refused him even the most basic education. Friendless and alone, the naive Little Mook is stripped of his inheritance, cast out into a hostile world. Blessed with an enterprising nature and outfitted with a pair of magic slippers, he still manages to outwit a cabal of treacherous courtiers and make his fortune. "Longnose the Dwarf" stars a clever little boy enslaved by a cruel witch's curse. Freed from servitude but transformed into a hideous dwarf with a huge proboscis, he returns to parents who no longer recognize him. Luckily his culinary skills put him in good standing with the local Duke, and his good nature and generous heart restore him (with a little help from some magic herbs and an enchanted goose) to his family. Both stories are decorated with the glowing, gemlike tempera paintings of Boris Pak, a Russian artist whose ornate, whimsical style perfectly captures the romance and humor of these two extraordinary fables. His paintings, smuggledout of Communist Russia, are the first of his works to be published in the U.S. and they're reproduced here in glorious color.

    Principal themes explored are the consort's formal and informal power, her religious role, and her cultural patronage. Courts surveyed include those of France, Spain, Russia, Sweden, Denmark, the Imperial court at Vienna, and three German electorates linked to monarchies: Brandenburg-Prussia, Saxony-Poland and Hanover (Great Britain). The fourteen contributing authors include distinguished scholars and researchers from Britain, the U.S. and the continent.

    To unearth these overlapping meanings and vocabularies from the Victorian era, Ruth A. Solie examines sources as disparate as journalism, novels, etiquette manuals, religious tracts, and teenagers' diaries for the muffled, even subterranean, conversations that reveal so much about what music meant to the Victorians. Her essays, giving voice to "what goes without saying" on the subject—that cultural information so present and pervasive as to go unsaid—fill in some of the most intriguing blanks in our understanding of music's history. This much-anticipated collection, bringing together new and hard-to-find pieces by an acclaimed musicologist, mines the abundant casual texts of the period to show how Victorian-era people—English and others—experienced music and what they understood to be its power and its purposes. Solie's essays start from topics as varied as Beethoven criticism, Macmillan's Magazine, George Eliot's Daniel Deronda, opera tropes in literature, and the Victorian myth of the girl at the piano. They evoke common themes—including the moral force that was attached to music in the public mind and the strongly gendered nature of musical practice and sensibility—and in turn suggest the complex links between the history of music and the history of ideas.

    Combining varied historical and literary sources, Sarah Gardner argues that women served as guardians of the collective memory of the war and helped define and reshape southern identity. Gardner considers such well-known authors as Caroline Gordon, Ellen Glasgow, and Margaret Mitchell and also recovers works by lesser-known writers such as Mary Ann Cruse, Mary Noailles Murfree, and Varina Davis. In fiction, biographies, private papers, educational texts, historical writings, and through the work of the United Daughters of the Confederacy, southern white women sought to tell and preserve what they considered to be the truth about the war. But this truth varied according to historical circumstance and the course of the conflict. Only in the aftermath of defeat did a more unified vision of the southern cause emerge. Yet Gardner reveals the existence of a strong community of Confederate women who were conscious of their shared effort to define a new and compelling vision of the southern war experience.In demonstrating the influence of this vision, Gardner highlights the role of the written word in defining a new cultural identity for the postbellum South.During the Civil War, its devastating aftermath, and the decades following, many southern white women turned to writing as a way to make sense of their experiences. Combining varied historical and literary sources, Sarah Gardner argues that women served as guardians of the collective memory of the war and helped define and reshape southern identity. She considers such well-known authors as Caroline Gordon, Ellen Glasgow, and Margaret Mitchell and also recovers works by lesser-known writers such as Mary Ann Cruse, Mary Noailles Murfree, and Varina Davis. Gardner reveals the existence of a strong community of Confederate women who were conscious of their shared effort to define a new and compelling vision of the southern war experience. In demonstrating the influence of this vision, Gardner highlights the role of the written word in defining a new cultural identity for the postbellum South.

    Hailed as great heroes at the time, the Montana vigilantes are still revered as founding fathers.Combing through original sources, including eye-witness accounts never before published, Frederick Allen concludes that the vigilantes were justified in their early actions, as they fought violent crime in a remote corner beyond the reach of government.But Allen has uncovered evidence that the vigilantes refused to disband after territorial courts were in place. Remaining active for six years, they lynched more than fifty men without trials. Reliance on mob rule in Montana became so ingrained that in 1883, a Helena newspaper editor advocated a return to “decent, orderly lynching” as a legitimate tool of social control.Allen’s sharply drawn characters, illustrated by dozens of photographs, are woven into a masterfully written narrative that will change textbook accounts of Montana’s early days—and challenge our thinking on the essence of justice.

    The father of British Symbolism and portrait painter of his age, he forged a controversial career that spanned the reign of Queen Victoria. This book, the first in-depth biography of Watts, sheds new light on the pioneering spirit and breadth of mind of the artist.Drawing on Watts’s abundant personal correspondence and diaries and an array of other contemporary documents, the book chronicles the artist’s career and personal life, including his friendships with Edward Burne-Jones, Frederic Leighton, William Gladstone, and Alfred Tennyson and his relationships with a series of singular women. The book also examines Watts’s wide reforming zeal and political agenda as well as his role and dealings in the Victorian art world.

    The author shows how the growing and changing Library was influenced by - and in turn affected - major intellectual, social, historical and political trends that occupied the sphere of public discourse in late 18th- and early 19th-century America.

    The Union's Irish Brigade built an unusual reputation for bravery and gallantry, having fought throughout the war, from First Bull Run in 1861 to the Confederate surrender at Appomattox Court House in 1865. The regiments were small, but highly effective, and Meagher, who had fought for the independence of Ireland from Britain, threw himself into the contest for union and liberty. This enthralling, well-illustrated story of a colorful, little-known hero and his brigade includes detailed accounts of their battles and skirmishes throughout America's Civil War.

    The title story is an affectionate portrayal of the vanishing world of the marionette theatre with its guild-dominated society of the traveling puppeteers and their gypsy-like way of life. "The Village on the Moor" is seen through an investigating lawyer's eyes, and is the case of a mysterious death out on the moor, the chief suspect being a girl of sinister aura with whom the young deceased was in love. Both these stories are translated into English for the first time. One of Storm's most moving stories, "Renate," records the memories of an eighteenth-century Lutheran pastor and his love for a farmer's daughter who is persecuted by the local community for alleged witchcraft. Denis Jackson also translated Storm's The Dykemaster.

    However, Davidson also concludes that eighteenth-century writers from Locke to Austen believed that the public practice of vice was far more dangerous for society than discrepancies between what people say and do in private.

    He returned to Boston laden with photographs, curios, and art objects, as well as the elaborate tattoos he had "collected" on his body. His journals, correspondence, and art collection dramatically demonstrate America's early impressions of Japanese culture, and his personal odyssey illustrates the impact on both countries of globetrotting tourism.Interweaving Longfellow's experiences with broader issues of tourism and cultural authenticity, Christine Guth discusses the ideology of tourism and the place of Japan within nineteenth-century round-the-world travel. This study goes beyond simplistic models of reciprocal influence and authenticity to a more synergistic account of cross-cultural dynamics.

    He provides novel insights on well-known aspects of the Sioux story, such as the Oregon Trail, the deaths of Crazy Horse and Sitting Bull, and the Ghost Dance, and offers an in-depth look at many lesser-known facets of Sioux history and culture. Paying close attention to Sioux perspectives of their history, the book demonstrates how the Sioux creatively responded to the challenges of U.S. expansion and domination, revealing simultaneously how U.S. power increasingly limited the autonomy of their communities as the century came to a close. Ostler's innovative analysis of the Plains Sioux culminates in a compelling reinterpretation of the events that led to the Wounded Knee massacre of December 29, 1890. History Department Head at the University of Oregon, Associate Professor Jeffrey Ostler has held honors such as the National Endowment for the Humanities Fellowship and has published articles in Western Historical Quarterly, Great Plains Quarterly, and Pacific Historical Review.

    Arguing that these novels are far more complex than critics have suggested, Weinstein expands the archive of sentimental novels to include some of the more popular, though under-examined writers, and shows how canonical texts can take on new meaning when read in the context of these novels. She demonstrates the aesthetic and political complexities of this influential genre and its impact on Stowe, Twain and Melville.

    The contents might have seemed of little value, but to some they were altogether priceless. They were the notebooks and sermon notes of Robert Murray M'Cheyne, the godly and devoted minister of St Peter's Church, Dundee. From these papers, lodged in the library of New College, Edinburgh, Dr Michael D. McMullen has transcribed the sermons found in this set of three volumes. They are indeed a precious treasure. Whether based on Old Testament or New, every sermon is full of Christ: the sinners need of Him, the fullness of His grace, the happiness of those who come to Him, and the danger of stopping short of genuine faith in Him. They will remind preachers and ordinary Christians alike that to preach Christ aright, one must first know Him, and live in the atmosphere of His love.

    Tennyson, a poet of the Victorian age who succeeded Wordsworth as Poet Laureate. Contents: To the Queen; Juvenilia; The Lady of Shalott and Other Poems; English Idyls and Other Poems; The Princess; A Medley; In Memoriam A.H.H.; Maud: A Monodrama; Enoch Arden and Other Poems; The Window or, The Song of the Wrens; The Lover's Tale; Idylls of the King; Ballads and Other Poems; Tiresias and Other Poems; Locksley Hall Sixty Years After, etc.; Demeter, and Other Poems; Queen Mary: A Drama; Harold: A Drama; Becket; The Falcon; The Cup; The Promise of May; and Crossing the Bar. See other titles by this author available from Kessinger Publishing.

    Seen primarily as a venue for apolitical social gatherings, the salon's influence is generally believed to have ended during the French Revolution. In French Salons, Steven Kale challenges conventional thinking about the salon. Drawing on an impressive range of primary sources, he offers a nuanced history of this institution from the eighteenth century through the Revolution of 1848 which emphasizes continuity and evolution over disjuncture and highlights its shifting political character and relevance.Salons, Kale shows, originally provided opportunities for the exchange of literary and philosophical ideas among the French aristocracy. Central to the maintenance of salon culture were salonnières, aristocratic women such as Madame de Staël who opened their homes to fellow elites and nurtured a sociability that united the members of high society. Salons provided ready-made venues for aristocratic politics during the early years of the French Revolution, when salons were transformed into places where the upper classes could express their political opinions and concerns. Even at the height of the Terror, salons did not dissolve but, rather, were displaced as aristocrats moved their social networks of influence to such cities as Coblenz, Brussels, and London. Napoleon sought to manipulate salon culture for his own ends, but with his fall from power, salons reemerged and proliferated. Although never intended to serve as political clubs, salons became informal sites for the cultivation of political capital and the exchange of political ideas during the Bourbon Restoration and the July Monarchy.By 1848, the conditions that sustained aristocratic sociability declined, and salons became increasingly marginal to French public life. At the same time, new political institutions—parties, the press, legislative bodies—emerged that more effectively disseminated and shaped political opinion and led to real political change.Challenging many of the conclusions of recent historiography, including the depiction of salonnières as influential power brokers, French Salons offers an original, penetrating, and engaging analysis of elite culture and society in France before, during, and after the Revolution.

    Using a variety of feminine and masculine pseudonyms to theorize about fashion and to advise on popular vacation destinations, home furnishings, and entertainment, Mallarmé created a spectacularly original work. The distinguishing feature of Mallarmé's magazine is that it explores the nature of fashion from the inside. While it is a genuine fashion magazine, it also satirizes the entire genre. Various theories have been entertained about the work: it has been viewed as a prose poem, a hoax, and a cynical money-making venture. Furbank and Cain, however, argue that such guesses are hopelessly off the mark. Complete with the original artwork and a contextualizing introduction and commentary, this is the definitive translation of one of French literature's greatest enigmas.

    

    He is known as the painter of images of a strange and compelling beauty: mysterious landscapes with barren trees, figures silhouetted against the evening sky, and gothic ruins in wintry mists.The meaning of these pictures has long been disputed, but William Vaughan argues that Friedrich's aim was to convey the spiritual experience of life. For Friedrich, the contemplation of nature can lead us to understand the deeper meaning of things. In this emphasis on feeling, and focus on landscape, Friedrich was very much the product of his times.In this captivating book, Vaughan discusses all aspects of the artist's life and career, from his childhood as the son of a soapmaker in Pomerania, to his adulthood in Dresden, where he achieved such fame that his paintings were bought by the Prussian royal family and the Russian Tsar. Friedrich's radical political sympathies, however, were to affect his reputation and, as the author reveals, it was only in the late twentieth century that the enigmatic quality of his paintings began to be fully valued and he gained truly international recognition.

    Africans brought aspects of their culture such as folklore, music, language, religion and dress with them to the Americas. The African cultural features were retained and nurtured in Jamaica because they guaranteed the survival of Africans and their descendants against European attempts at cultural annihilation. This book illuminates the complexities of accommodation and resistance, showing that these complex responses are not polar opposites, but melded into each other. In addition, the Language of Dress reveals the dynamics of race, class and gender in Jamaican society, the role of women in British West Indian history and contributes to ongoing interest in the history of women and in the history of resistance.