Nothing is simple and everything is perilous when humans are involved: corruption, greed, and even love (of a sort).A permanent corporate branding gives a young woman enhanced physical abilities and a nearly-constant highRecruits lifted out of poverty find a far worse fate collecting biohazardous plants on an inhospitable worldThe only adult survivor of the apocalypse decides he will be the savior of teenagers; the teenagers are not amused.From Johannesburg to outer space, these previously uncollected tales are a compelling, dark, and slippery ride.

    The original ASIN: B00K6N7K0O.THE NEW NOVEL FROM THE AUTHOR OF THE #1 BESTSELLER THE STONE MAN Hugo award-winning website Martin Hogan is being watched, all of the time. He just doesn't know it yet. It started a long time ago, too, even before his wife died. Before he started walking every day. Before the walks became an attempt to find a release from the whirlwind that his brain has become. He never walks alone, of course, although his 18 month old son and his faithful dog, Scoffer, aren't the greatest conversationalists. Then the walks become longer. Then the other dog starts showing up. The big white one, with the funny looking head. The one that sits and watches Martin and his family as they walk away. All over the world, the first attacks begin. The Brotherhood of the Raid make their existence known; a leaderless group who randomly and inexplicably assault both strangers and loved ones without explanation. Martin and the surviving members of his family are about to find that these events are connected. Caught at the center of the world as it changes beyond recognition, Martin will be faced with a series of impossible choices ... but how can an ordinary and broken man figure out the unthinkable? What can he possibly do with a head full of knives? Luke Smitherd (author of the Amazon bestseller THE STONE MAN and THE BLACK ROOM series) asks you once again to consider what you would do in his latest unusual and original novel. A HEAD FULL OF KNIVES is a supernatural mystery that will not only change the way you look at your pets forever, but will force you to decide the fate of the world when it lies in your hands.

    From Dido to Jane Eyre, the characters of great literature are trying to figure out how to have healthy, happy relationships—with varying degrees of success—just like the rest of us. But the world’s best-known heroes and heroines didn’t go through all their trials and tribulations for naught—and now, thanks to Much Ado About Loving, we can learn from their foibles, misadventures, and eventual triumphs. Much as things have changed since the days when Jane Austen was writing, a lot about love has stayed the same. And so timeless literary classics contain many great lessons about romance that are as relevant today as they ever were. In this unique relationship guide full of humor and pathos, Maura Kelly and Jack Murnighan reflect on the renowned novels that have given them the most insight into their romantic lives. In chapters like Lightbulb in August: How to Have a Clue When He’s Just Not That Into You, they use Faulkner to discuss early warning signs a relationship isn’t going to work out. In Infinite Gesticulating: Why Do Men Talk So Much? they cite David Foster Wallace as an example of the male propensity to bloviate, but also have some suggestions for how to deal with it. Witty, wise and well-read in equal measures, Kelly and Murnighan will appeal to lovers of Candace Bushnell as much as to hard-core literary types with their entertaining, erudite, and engaging style.

    Lewis' The Chronicles of Narnia. Enchanted by its fantastic world as a child, prominent critic Laura Miller returns to the series as an adult to uncover the source of these small books' mysterious power by looking at their creator, Clive Staples Lewis. What she discovers is not the familiar, idealized image of the author, but a more interesting and ambiguous truth: Lewis's tragic and troubled childhood, his unconventional love life, and his intense but ultimately doomed friendship with J.R.R. Tolkien.Finally reclaiming Narnia "for the rest of us," Miller casts the Chronicles as a profoundly literary creation, and the portal to a life-long adventure in books, art, and the imagination.

    But that has not stopped Dave Barry from writing an entire book about them, dealing frankly and semi-thoroughly with such important guy issues as:- Scratching- Why the average guy can remember who won the 1960 World Series but necessarily the names of all his children- Why guys cannot simultaneously think and look at breasts- Secret guy orgasm-delaying techniques, including the Margaret Thatcher Method- Why guys prefer to believe that there is no such thing as a "prostate"

    They include introductions for books of avant-garde poets; collaborations with visual artists, and articles for publications such as The New York Review of Books, The London Review of Books, and October.One section focuses on writers and literary works: strange tales from classical and modern China; the Psalms in translation: a skeptical look at E. B. White’s New York. Another section is a continuation of Weinberger’s celebrated political articles collected in What Happened Here: Bush Chronicles (a finalist for the National Books Critics Circle Award), including a sequel to “What I Heard About Iraq,” which the Guardian called the only antiwar “classic” of the Iraq War. A new installment of his magnificent linked “serial essay,” An Elemental Thing, takes us on a journey down the Yangtze River during the Sung Dynasty.The reader will also find the unlikely convergences between Samuel Beckett and Octavio Paz, photography and anthropology, and, of course, oranges and peanuts, as well as an encomium for Obama, a manifesto on translation, a brief appearance by Shiva, and reflections on the color blue, death, exoticism, Susan Sontag, and the arts and war.

    In Too Much Horror Business, Kirk finally unveils his near-mythical treasure trove of rare posters, props, costumes, and toys from the early silent classics to more modern fare. From Bela Lugosi’s annotated Dracula script to the creepy Donnie Darko bunny suit to cool model kits from the 1960s, Hammett has amassed hundreds of items over the years, including priceless international collectibles as well as the quirkier toys of his youth. Alongside scores of full-color, original photographs in this highly designed volume, Kirk offers up thoughts about his appreciation for all things scary and fantastic, shedding light on not only the collection of a lifetime, but the man himself.Praise for Too Much Horror Business:“Like a classic record, there are numerous layers to Too Much Horror Business: The Kirk Hammett Collection, and that’s what makes it so utterly rewarding. Plus, it’s damn beautiful to look at. Ultimately, this is one of the best books of the year and a true game-changer. Whether you’re a Metallica fan, a horror fan, or just a reader in general, you need it.” —ArtistDirect.com

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Clarke created this cinematic masterpiece.Regarded as a masterpiece today, 2001: A Space Odyssey received mixed reviews on its 1968 release. Despite the success of Dr. Strangelove, director Stanley Kubrick wasn’t yet recognized as a great filmmaker, and 2001 was radically innovative, with little dialogue and no strong central character. Although some leading critics slammed the film as incomprehensible and self-indulgent, the public lined up to see it. 2001’s resounding commercial success launched the genre of big-budget science fiction spectaculars. Such directors as George Lucas, Steven Spielberg, Ridley Scott, and James Cameron have acknowledged its profound influence.Author Michael Benson explains how 2001 was made, telling the story primarily through the two people most responsible for the film, Kubrick and science fiction legend Arthur C. Clarke. Benson interviewed Clarke many times, and has also spoken at length with Kubrick’s widow, Christiane; with visual effects supervisor Doug Trumbull; with Dan Richter, who played 2001’s leading man-ape; and many others.A colorful nonfiction narrative packed with memorable characters and remarkable incidents, Space Odyssey provides a 360-degree view of this extraordinary work, tracking the film from Kubrick and Clarke’s first meeting in New York in 1964 through its UK production from 1965-1968, during which some of the most complex sets ever made were merged with visual effects so innovative that they scarcely seem dated today. A concluding chapter examines the film’s legacy as it grew into it current justifiably exalted status.

    A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question. The books in the series will all follow the same structure:a biography of the novelist, including other works, influences, and, in some cases, an interview; a full-length study of the novel, drawing out the most important themes and ideas; a summary of how the novel was received upon publication; a summary of how the novel has performed since publication, including film or TV adaptations, literary prizes, etc.; a wide range of suggestions for further reading, including websites and discussion forums; and a list of questions for reading groups to discuss.

    There are 12 pieces in all here, ranging from those first published in places like Interzone and Pulphouse to a two-page poem taken from the pages of Asimov's. Although many readers may be familiar with Hand's longer works, such as Glimmering or Waking the Moon, here she shows that she's a master of short fiction as well. Her stylish prose and keen insights make for some wonderful stories. --Craig E. EnglerContents:Last Summer at Mars Hill (1994)The Erl-King (1993)Justice (1993)Dionysus Dendrites (1993) poemThe Have-Nots (1992)In the Month of Athyr (1992)Engels Unaware (1992)The Bacchae (1991)Snow on Sugar Mountain (1991)On the Town Route (1989)The Boy in the Tree (1989)Prince of Flowers (1988)

    Inspired more than thirty years ago by works as diverse as J.R.R. Tolkien's epics, Robert Browning's poetry, and Sergio Leone's Westerns, this is the tale that Stephen King has never abandoned. When he typed the first sentence in 1970, King feared the telling might take several lifetimes, but two thousand pages and four books later, the end is in sight. Published in anticipation of The Dark Tower V: Wolves of the Calla, A Concordance, Volume I is the definitive guide to the first four books in Stephen King's bestselling epic fantasy series, The Dark Tower. With the hundreds of characters, Mid-World geography, and the High Speech lexicon, this comprehensive handbook is one no Dark Tower fan will want to be without. It is the perfect way in for readers new to the series, or the perfect way back in for longtime fans who read the first four books years ago.

    But his writing talent goes much further. We Install offers a showcase of styles, from humor—in “Father of the Groom,” a scientist with a penchant for wild experimentation helps his love-struck son by synthesizing a wedding ring out of two carrots—to classic science fiction, as in the Hugo Award–winning “Down in the Bottomlands” and “Hoxbomb,” in which a regular guy just trying to make a living selling scooters has to deal with some very odd competition. The alternate history tale “Drang von Osten” begins on a bloody battlefield in World War II and ends somewhere quite different. In the brand-new “Logan’s Law,” a man discovers that sometimes, second chances really do work out. The book’s three essays tackle the diverse subjects of how to write alternate history, Tolkien’s The Lord of the Rings, and the history of Chanukah.We Install will delight longtime Turtledove fans and new readers alike with its rich offerings from one of the finest craftsmen writing today.

    The pervasiveness of images of torture, horror, and war has all but demolished the twentieth-century hope that such imagery might shock us into a less alienated state, or aid in the creation of a just social order. What to do now? When to look, when to turn away?Genre-busting author Maggie Nelson brilliantly navigates this contemporary predicament, with an eye to the question of whether or not focusing on representations of cruelty makes us cruel. In a journey through high and low culture (Kafka to reality TV), the visual to the verbal (Paul McCarthy to Brian Evenson), and the apolitical to the political (Francis Bacon to Kara Walker), Nelson offers a model of how one might balance strong ethical convictions with an equally strong appreciation for work that tests the limits of taste, taboo, and permissibility.

    Redgrave first introduced this document on Reddit and it has since been revised, and finalized. He closely examines the information available to the player in order to build up the hidden story of the game. Both facts and Redgrave's own speculations are provided and a clear distinction is made between the two in order to allow the reader room to disagree with his conclusions and make up their own minds based on the evidence presented.