The speech is reprinted for the first time in book form in THIS IS WATER. How does one keep from going through their comfortable, prosperous adult life unconsciously? How do we get ourselves out of the foreground of our thoughts and achieve compassion? The speech captures Wallace's electric intellect as well as his grace in attention to others. After his death, it became a treasured piece of writing reprinted in The Wall Street Journal and the London Times, commented on endlessly in blogs, and emailed from friend to friend.Writing with his one-of-a-kind blend of causal humor, exacting intellect, and practical philosophy, David Foster Wallace probes the challenges of daily living and offers advice that renews us with every reading.

    If you were lucky enough to have caught a performance on David Sedaris's most recent sold-out, 34-city tour, you already know that David Sedaris Live For Your Listening Pleasure is a must-have album! If you didn't hear it live and in person, then you're in for a treat-hilarious brand-new recordings from performances in Denver, New York, Durham, LA, and Atlanta, in one convenient audiobook collection, on sale November 24 for only $17.98.From the bold feral rabbits of his French backyard to the eating habits of a carnivorous bird Down Under, Live For Your Listening Pleasure takes listeners on a veritable tour of natural wonders, beginning with a fable, Cat and Baboon and moving on to the peculiarly American habitat of the "big-box" store.Track Listing:1: Cat and Baboon (Temple Hoyne Buell Theatre in Denver, Colorado)2-5: Author, Author (Avery Fisher Hall at Lincoln Center for the Performing Arts in New York City)6-8: Innocence Abroad (Durham Performing Arts Center, in Durham, North Carolina)9-13 Laugh, Kookaburra (Royce Hall, UCLA in Los Angeles, California)14-16: Diary Entries (Cobb Energy Performing Arts Centre in Atlanta, Georgia)

    With Bluets, Maggie Nelson has entered the pantheon of brilliant lyric essayists.

    Davis' life and work have been dedicated to examining this fundamental question and to ending all forms of oppression that deny people their political, cultural, and sexual freedom. In this collection of twelve searing, previously unpublished speeches, Davis confronts the interconnected issues of power, race, gender, class, incarceration, conservatism, and the ongoing need for social change in the United States.With her characteristic brilliance, historical insight, and penetrating analysis, Davis addresses examples of institutional injustice and explores the radical notion of freedom as a collective striving for real democracy - not something granted or guaranteed through laws, proclamations, or policies, but something that grows from a participatory social process that demands new ways of thinking and being. "The speeches gathered together here are timely and timeless," writes Robin D.G. Kelley in the foreword, "they embody Angela Davis' uniquely radical vision of the society we need to build, and the path to get there."The Meaning of Freedom articulates a bold vision of the society we need to build and the path to get there. This is her only book of speeches."Davis' arguments for justice are formidable. . . . The power of her historical insights and the sweetness of her dream cannot be denied."—The New York Times"One of America's last truly fearless public intellectuals." —Cynthia McKinney, former US Congresswoman"Angela Davis offers a cartography of engagement in oppositional social movements and unwavering commitment to justice." —Chandra Talpade Mohanty, Women's Studies, Hamilton College"Angela Davis deserves credit, not just for the dignity and courage with which she has lived her life, but also for raising important critiques of a for-profit penitentiary system decades before those arguments gained purchase in the mainstream." —Thomas Chatterton Williams, SFGate"Angela Davis's revolutionary spirit is still strong. Still with us, thank goodness!"—Virginian-Pilot"Long before 'race/gender' became the obligatory injunction it is now, Angela Davis was developing an analytical framework that brought all of these factors into play. For readers who only see Angela Davis as a public icon . . . meet the real Angela Davis: perhaps the leading public intellectual of our era." —Robin D. G. Kelley author of Thelonious Monk: The Life and Times of an American Original"There was a time in America when to call a person an 'abolitionist' was the ultimate epithet. It evoked scorn in the North and outrage in the South. Yet they were the harbingers of things to come. They were on the right side of history. Prof. Angela Y. Davis stands in that proud, radical tradition." —Mumia Abu-Jamal, author of Jailhouse Lawyers: Prisoners Defending Prisoners v. the U.S.A."Behold the heart and mind of Angela Davis, open, relentless, and on time!" —June Jordan"Political activist, scholar, and author Angela Davis confronts the interconnected issues of power, race, gender, class, incarceration, conservatism, and the ongoing need for social change in the U.S. in her book, The Meaning of Freedom: And Other Difficult Dialogues." —Travis Smiley RadioAngela Y. Davis is professor emerita at the University of California and author of eight books. She is a much sought after public speaker and an internationally known advocate for social justice.Robin D.G. Kelley is the author of numerous books and a professor at the University of Southern California.

    Eula Biss explores race in America and her response to the topic is informed by the experiences chronicled in these essays -- teaching in a Harlem school on the morning of 9/11, reporting for an African American newspaper in San Diego, watching the aftermath of Katrina from a college town in Iowa, and settling in Chicago's most diverse neighborhood.As Biss moves across the country from New York to California to the Midwest, her essays move across time from biblical Babylon to the freedman's schools of Reconstruction to a Jim Crow mining town to post-war white flight. She brings an eclectic education to the page, drawing variously on the Eagles, Laura Ingalls Wilder, James Baldwin, Alexander Graham Bell, Joan Didion, religious pamphlets, and reality television shows.These spare, sometimes lyric essays explore the legacy of race in America, artfully revealing in intimate detail how families, schools, and neighborhoods participate in preserving racial privilege. Faced with a disturbing past and an unsettling present, Biss still remains hopeful about the possibilities of American diversity, "not the sun-shininess of it, or the quota-making politics of it, but the real complexity of it."

    Long before Whole Foods organic produce was available at your local supermarket, Berry was farming with the purity of food in mind. For the last five decades, Berry has embodied mindful eating through his land practices and his writing. In recognition of that influence, Michael Pollan here offers an introduction to this wonderful collection.Drawn from over thirty years of work, this collection joins bestsellers The Omnivore’s Dilemma, by Pollan, and Animal, Vegetable, Miracle, by Barbara Kingsolver, as essential reading for anyone who cares about what they eat. The essays address such concerns as: How does organic measure up against locally grown? What are the differences between small and large farms, and how does that affect what you put on your dinner table? What can you do to support sustainable agriculture?A progenitor of the Slow Food movement, Wendell Berry reminds us all to take the time to understand the basics of what we ingest. “Eating is an agriculture act,” he writes. Indeed, we are all players in the food economy.

    Thompson's first piece for Rolling Stone--the story of his infamous run for sheriff of Aspen in 1970--to his last--an examination of the Kerry/Bush showdown in 2004--FEAR AND LOATHING AT ROLLING STONE presents more than 40 examples of his best work. Thompson takes us on a roller-coaster ride filled with the likes of McGovern and Nixon, Watergate and Vietnam, Ali and Clinton. And buttressing the narrative throughout are letters and memos that illuminate the stories behind the stories--from the original back-and-forth resulting in Thompson's first pieces to the meticulous planning for his reporting of the '72 campaign. Simply put, FEAR AND LOATHING AT ROLLING STONE is the definitive work of the magazine's most popular writer.

    Our attachment to the vita activa creates an imperative to work which degrades the human being into a labouring animal, an animal laborans. At the same time, the hyperactivity which characterizes our daily routines robs human beings of the capacity to linger and the faculty of contemplation. It therefore becomes impossible to experience time as fulfilling.Drawing on a range of thinkers including Heidegger, Nietzsche and Arendt, Han argues that we can overcome this temporal crisis only by revitalizing the vita contemplativa and relearning the art of lingering. For what distinguishes humans from other animals is the capacity for reflection and contemplation, and when life regains this capacity, this art of lingering, it gains in time and space, in duration and vastness.

    A collection of essays, thoughts, and prayers from award-winning artist Makoto Fujimura, Refractions brings people of all backgrounds together in conversation and meditation on culture, art, and humanity.

    This uncompromising fighter for an end of "exploitation of man by man and nations by nations" remains a revered hero of oppressed people around the world today.

    Contents:Anything is possible! --It's about being based --Who is the superstar of your life? --Rappin' and The Pack --I'm happy you're alive --Women! --Dreamin' --Drugs and pain are the same thang --And we all get rich! --Rappin' and following dreams --Sprituality and the Caveman --I'm alive, I'm real and it's okay! --The elderly are gifts --Playing from the heart --Colors! --We are legend and we are takin' over!

    When their dad mysteriously disappears, brothers Dean and Sam Winchester join forces to bring him home and are pulled headlong into the world he knew best—one full of demons, spirits, monsters, and ghouls. Featuring essays from three lucky fans as well as leading writers and pop culture experts, this insightful anthology sheds light on a variety of issues, including why such a male-centric show has such a large female fan base, “Wincest” and homoeroticism, how Supernatural can be interpreted as a modern-day Brothers Grimm, and the questionable nature of John Winchester’s parenting habits.

    Do we read nonfiction in order to receive information, or do we read it to experience art? It's not very clear sometimes. This, then, is a book that tries to offer a clear objective: I am here in search of art. I am here to track the origins of an alternative to commerce.John D'Agata leaves no tablet unturned in his exploration of the roots of the essay. The Lost Origins of the Essay takes the reader from ancient Mesopotamia to classical Greece and Rome, from fifth-century Japan to nineteenth-century France, to modern Brazil, Germany, Barbados, and beyond. With brief and brilliant introductions to seminal works by Heraclitus, Sei Sho-nagon, Michel de Montaigne, Jonathan Swift, Virginia Woolf, Marguerite Duras, Octavio Paz, and more than forty other luminaries, D'Agata reexamines the international forebears of today's American nonfiction. This idiosyncratic collection makes a perfect historical companion to D'Agata's The Next American Essay, a touchstone among students and practitioners of the lyric essay.

    In this personal essay, one of Australia’s most respected journalists argues in favour of a doubtful mind.When society seems to demand confidence and certainty, how much courage does it take to admit doubt, especially self-doubt?MUP’s Little Books on Big Themes series pairs Australia’s leading thinkers and cultural figures with some of the big themes in life.

    Blogs, tweets and newspaper articles on the subject appear daily, many of them repetitive, most of them admitting they don't know what will happen. Amidst the twittering, the thoughts of Jean-Claude Carrière and Umberto Eco come as a breath of fresh air. There are few people better placed to discuss the past, present and future of the book. Both avid book collectors with a deep understanding of history, they have explored through their work the many and varied ways ideas have been represented through the ages. This thought-provoking book takes the form of a long conversation in which Carrière and Eco discuss everything from what can be defined as the first book to what is happening to knowledge now that infinite amounts of information are available at the click of a mouse. En route there are delightful digressions into personal anecdote. We find out about Eco's first computer and the book Carrière is most sad to have sold. Readers will close this entertaining book feeling they have had the privilege of eavesdropping on an intimate discussion between two great minds. And while, as Carrière says, the one certain thing about the future is that it is unpredictable, it is clear from this conversation that, in some form or other, the book will survive.

    In this timely new book, Tim Wise explores how Barack Obama’s emergence as a political force is taking the race debate to new levels. According to Wise, for many white people, Obama’s rise signifies the end of racism as a pervasive social force; they point to Obama not only as a validation of the American ideology that anyone can make it if they work hard, but also as an example of how institutional barriers against people of color have all but vanished. But is this true? And does a reinforced white belief in color-blind meritocracy potentially make it harder to address ongoing institutional racism? After all, in housing, employment, the justice system, and education, the evidence is clear: white privilege and discrimination against people of color are still operative and actively thwarting opportunities, despite the success of individuals like Obama.Is black success making it harder for whites to see the problem of racism, thereby further straining race relations, or will it challenge anti-black stereotypes to such an extent that racism will diminish and race relations improve? Will blacks in power continue to be seen as an “exception” in white eyes? Is Obama “acceptable” because he seems “different from most blacks,” who are still viewed too often as the dangerous and inferior “other”?"From the Civil Rights struggle, to Dr. King's dream, to Barack Obama's election, Tim Wise provides us with an extremely important and timely analysis of the increasing complexity of race on the American political and social landscape. Between Barack and a Hard Place: Racism and White Denial in the Age of Obama provides an insightful and much needed lens through which we can begin to navigate this current stage in our ongoing quest for a more inclusive definition of who we are as a nation. It's definitely a book for these times!"—Danny Glover"Tim Wise has looked behind the curtain. In Between Barack and a Hard Place he explores the real issues of race in the Obama campaign and incoming presidency, issues that the mainstream media has chosen to ignore. His book debunks any notion that the United States has entered a post-racial period; instead he identifies the problems that emerge in the context of the victory of a black presidential candidate who chose to run an essentially non-racial campaign. With this book, Wise hits the bull's eye."—Bill Fletcher"Wise outlines…how racism and white privilege have morphed to fit the modern social landscape. In prose that reads like his lightening rod speeches, he draws from a long list of high-profile campaign examples to define what he calls 'Racism 2.0,' a more insidious form of racism that actually allows for and celebrates the achievements of individual people of color because they're seen as the exceptions, not the rules."—Jamilah King, Colorlines"This book makes an intriguing argument and is packed with insight. Wise clearly explains the complexity of institutional racism in contemporary society. He continuously reminds the reader that Obama's victory may signal the entrenchment of a more complicated, subtle, and insidious form of racism. The jury is still out."—Jeff Torlina, Multicultural ReviewTim Wise is among the most prominent antiracist writers and activists in the US and has appeared on ABC's 20/20 and MSNBC Live. His previous books include Speaking Treason Fluently and White Like Me.

    Instead, it is about its own real conditions of existence: about swarm circulation, digital dispersion, fractured and flexible temporalities. It is about defiance and appropriation just as it is about conformism and exploitation.In short: it is about reality."

    This book is a collection of her most personal and inspirational speeches, given over the course of a year and a half, on the Obama's historic journey to the White House. In her own words, Michelle Obama talks about her beliefs, her upbringing, and her values.

    Like Baudelaire's gentleman stroller, Myles travels the city--wandering on garbage-strewn New York streets in the heat of summer, drifting though the antiseptic malls of La Jolla, and riding in the van with Sister Spit--seeing it with a poet's eye for detail and with the consciousness that writing about art and culture has always been a social gesture. Culled by the poet from twenty years of art writing, the essays in The Importance of Being Iceland make a lush document of her--and our--lives in these contemporary crowds. Framed by Myles's account of her travels in Iceland, these essays posit inbetweenness as the most vital position from which to perceive culture as a whole, and a fluidity in national identity as the best model for writing and thinking about art and culture. The essays include fresh takes on Thoreau's Cape Cod walk, working class speech, James Schulyer and Bjork, queer Russia and Robert Smithson; how-tos on writing an avant-garde poem and driving a battered Japanese car that resembles a menopausal body; and opinions on such widely ranging subjects as filmmaker Sadie Benning, actor Daniel Day-Lewis, Ted Berrigan's Sonnets, and flossing.

    Le Guin. In these essays, the author argues passionately that the homogenization of our world makes the work of fantasy essential for helping us break through what she calls the reality trap. Le Guin writes not only of the pleasures of her own childhood reading, but also about what fantasy means for all of us living in the global twenty-first century.

    Steiner makes an ideal guide from the Risorgimento in Italy to the literature of the Gulag, from the history of chess to the enduring importance of George Orwell. Again and again everything Steiner looks at in his New Yorker essays is made to bristle with some genuine prospect of turning out to be freshly thrilling or surprising.

    This infinity of lists is no coincidence: a culture prefers enclosed, stable forms when it is sure of its own identity, while when faced with a jumbled series of ill-defined phenomena, it starts making lists. The poetics of lists runs throughout the history of art and literature. We do not only see it at work in ancient bestiaries, the celestial hosts of angels or the naturalist collections of the 16th century. We also find it more obliquely from Homer to Joyce, from the treasures of Gothic cathedrals to the fantastic landscapes of Bosch and cabinets of curiosities, until we get to Andy Warhol and Arman in the 20th century. In this 5-colour illustrated edition, Umberto Eco reflects on how the idea of catalogues has changed over the centuries and how, from one period to another, it has expressed the spirit of the times. His essay is accompanied by a literary anthology and a wide selection of works of art illustrating and analysing the texts presented. This new illustrated essay is a companion volume to On Beauty and On Ugliness.

    Champion of what he called "termite art" (focused, often eccentric virtuosity as opposed to "white elephant" monumentality), master of a one-of-a-kind prose style whose jazz-like phrasing and incandescent twists and turns made every review an adventure, he has long been revered by his peers. Susan Sontag called him "the liveliest, smartest, most original film critic this country ever produced"; for Peter Bogdanovich, he was "razor-sharp in his perceptions" and "never less than brilliant as a writer."Farber was an early discoverer of many filmmakers later acclaimed as American masters: Val Lewton, Preston Sturges, Samuel Fuller, Raoul Walsh, Anthony Mann. A prodigiously gifted painter himself, he brought to his writing an artist's eye for what was on the screen. Alert to any filmmaker, no matter how marginal or unsung, who was "doing go-for-broke art and not caring what comes of it," he was uncompromising in his contempt for pretension and trendiness-for, as he put it, directors who "pin the viewer to the wall and slug him with wet towels of artiness and significance."The excitement of his criticism, however, has less to do with his particular likes and dislikes than with the quality of attention he paid to each film as it unfolds, to the "chains of rapport and intimate knowledge" in its moment-to-moment reality. To transcribe that knowledge he created a prose that, in Robert Polito's words, allows for "oddities, muddles, crises, contradictions, dead ends, multiple alternatives, and divergent vistas." The result is critical essays that are themselves works of art.Farber on Film contains this extraordinary body of work in its entirety for the first time, from his early and previously uncollected weekly reviews for The New Republic and The Nation to his brilliant later essays (some written in collaboration with his wife, Patricia Patterson) on Godard, Fassbinder, Herzog, Scorsese, Altman, and others. Featuring an introduction by editor Robert Polito that examines in detail the stages of Farber's career and his enduring significance as writer and thinker, Farber on Film is a landmark volume that will be a classic in American criticism.

    In these myriad, multiform, endlessly changing expressions of the American experience, the authors and editors of this volume find a new American history.In more than two hundred original essays, "A New Literary History of America" brings together the nation s many voices. From the first conception of a New World in the sixteenth century to the latest re-envisioning of that world in cartoons, television, science fiction, and hip hop, the book gives us a new, kaleidoscopic view of what Made in America means. Literature, music, film, art, history, science, philosophy, political rhetoric cultural creations of every kind appear in relation to each other, and to the time and place that give them shape.The meeting of minds is extraordinary as T. J. Clark writes on Jackson Pollock, Paul Muldoon on Carl Sandburg, Camille Paglia on Tennessee Williams, Sarah Vowell on Grant Wood s "American Gothic," Walter Mosley on hard-boiled detective fiction, Jonathan Lethem on Thomas Edison, Gerald Early on "Tarzan," Bharati Mukherjee on "The Scarlet Letter," Gish Jen on "Catcher in the Rye," and Ishmael Reed on "Huckleberry Finn." From Anne Bradstreet and John Winthrop to Philip Roth and Toni Morrison, from Alexander Graham Bell and Stephen Foster to Alcoholics Anonymous, "Life," Chuck Berry, Alfred Hitchcock, and Ronald Reagan, this is America singing, celebrating itself, and becoming something altogether different, plural, singular, new.Please visit www.newliteraryhistory.com for more information. "

    Jim Shepard, Aimee Bender, Steve Almond, D. A. Powell, Chris Offutt, and others distill elements of writing and share insights into the joys and pains of their own work. They explore a wide range of topics, everything from writing dialogue to the do’s and don'ts of writing about sex. With how-tos, close readings, and personal anecdotes, The Writer's Notebook offers aspiring wordsmiths advice and inspiration to hone their own craft. Included is a CD of workshop discussions and panels

    Whether it was the Bremen Literature Prize, the Grillparzer Prize, or the Austrian State Prize, his participation in the acceptance ceremony—always less than gracious, it must be said—resulted in scandal (only at the awarding of the prize from Austria’s Federal Chamber of Commerce did Bernhard feel at home: he received that one, he said, in recognition of the great example he set for shopkeeping apprentices). And the remuneration connected with the prizes presented him with opportunities for adventure—of the new-house and luxury-car variety. Here is a portrait of the writer as a prizewinner: laconic, sardonic, and shaking his head with biting amusement at the world and at himself. A revelatory work of dazzling comedy, the pinnacle of Bernhardian art.

    Now, for the very first time, these musings have been collected in one hilarious collection. In The Chain of Curiosity, Sandi takes the reader on a side-splitting journey through life's peculiarities in a book packed with wit, wisdom and wonderment. From pondering the joys of World Pencil Day to examining the intricacies of applause etiquette, and from tip-toeing around the delicate art of school report vocabulary to researching the oddest way to meet a sticky end, the tickling tidbits and intriguing revelations contained within the book will delight Sandi's fans, both old and new.

    Some of these talks have now been collected in a book, many of them accompanied by a reading from classic Hindu texts, such as The Bhagavad Gita, The Hatha Yoga Pradipika, and The Yoga Sutras of Patanjali. Composed with humor and sensitivity, An Offering of Leaves is the perfect gift for the aspiring yoga practitioner and any spiritual seeker wanting to live with thoughtfulness and integrity.

    Featuring works by so-called alternative parents who have attempted to move away from mainstream thought, this anthology carefully considers the implications of raising children with disabilities. From professional writers to novice storytellers, including original essays by Robert Rummel-Hudson, Ayun Halliday, and Kerry Cohen, this assortment of authentic, shared experiences from parents in the know is a partial antidote to the stories that misrepresent, ridicule, and objectify disabled children and their parents.

    These reporters have voyaged to the ends of the earth to bring back the decade’s most thrilling, eccentric, and extraordinary tales. But the pieces collected here do more than paint a portrait of the world’s most extreme and fascinating environments—they also explore important questions about adventure in the 21st century.These stories rocket readers across the roof of the world on the new high-speed railway in Tibet, describe the tension between Indian farmers and the sacred elephants besieging their villages, and introduce them to a shaman whom some believe can cure the most serious depressions. We meet the great Afghan warlord Ahmed Shah Massoud—said to have been the finest guerrilla fighter since Ho Chi Minh—encounter a yeti with legendary mountaineer Reinhold Messner, and much more.This is a wide-ranging collection for every road warrior and adventurer—armchair or otherwise—culled from the much acclaimed journal that in its first ten years has won millions of devoted readers and garnered more than a dozen prestigious prizes for excellence in journalism.

    The book maps his trajectory through India, China, Pakistan, to Egypt and Morocco, during the year of his wandering between his native Singapore and his new home in Berowra. His essays offer memorable portraits of his parents and grandparents, friends and teachers, barbers and backpackers, the handicapped and the poor. Boey is a poet and he brings poetic sensibility to make this writing of the most powerful kind.

    They include introductions for books of avant-garde poets; collaborations with visual artists, and articles for publications such as The New York Review of Books, The London Review of Books, and October.One section focuses on writers and literary works: strange tales from classical and modern China; the Psalms in translation: a skeptical look at E. B. White’s New York. Another section is a continuation of Weinberger’s celebrated political articles collected in What Happened Here: Bush Chronicles (a finalist for the National Books Critics Circle Award), including a sequel to “What I Heard About Iraq,” which the Guardian called the only antiwar “classic” of the Iraq War. A new installment of his magnificent linked “serial essay,” An Elemental Thing, takes us on a journey down the Yangtze River during the Sung Dynasty.The reader will also find the unlikely convergences between Samuel Beckett and Octavio Paz, photography and anthropology, and, of course, oranges and peanuts, as well as an encomium for Obama, a manifesto on translation, a brief appearance by Shiva, and reflections on the color blue, death, exoticism, Susan Sontag, and the arts and war.

    Accessible and absorbing, the essays in Is God Happy? deal with some of the eternal problems of philosophy and the most vital questions of our age.Leszek Kolakowski has also written on religion, Spinoza, Bergson, Pascal and seventeenth-century thought. He left communist Poland after his expulsion from Warsaw University for anti-communist activities. From 1970 he was a fellow of All Souls College, Oxford.'His distinctive mix of irony and moral seriousness, religious sensibility and epistemological scepticism, social engagement and political doubt was truly rare ... a true Central European intellectual-perhaps the last' Tony Judt, The New York Times Review of Books

    . . the results are startling and honest" (The New York Times Book Review)Fanny Howe's richly contemplative The Winter Sun is a collection of essays on childhood, language, and meaning by one of America's most original contemporary poets.Through a collage of reflections on people, places, and times that have been part of her life, Howe shows the origins and requirements of "a vocation that has no name." She finds proof of this in the lives of others--Jacques Lusseyran, who, though blind, wrote about his inner vision, surviving inside a concentration camp during World War II; the Scottish nun Sara Grant and Abb� Dubois, both of whom lived extensively in India where their vocation led them; the English novelists Antonia White and Emily Bront�; and the fifth-century philosopher and poet Bharthari. With interludes referring to her own place and situation, Howe makes this book into a Progress rather than a memoir.The Winter Sun displays the same power as found in her highly praised collection of essays, The Wedding Dress, a book described by James Carroll as an "unflinching but exhilarating look at real religion, the American desolation, a woman's life, and, always, the redemption of literature."

    His other books include: The Devil's Delusion: Atheism and Its Scientific Pretensions, Newton's Gift, and A Tour of the Calculus.

    Over more than three decades Adrienne Rich’s essays have been praised for their lucidity, courage, and range of concerns. In A Human Eye, Rich examines a diverse selection of writings and their place in past and present social disorders and transformations. Beyond literary theories, she explores from many angles how the arts of language have acted on and been shaped by their creators’ worlds. This powerful new collection includes a stirring response to the anthology Iraqi Poetry Today, a critique of three classic socialist manifestos, and a rereading of The Dead Lecturer, an early volume of poems by LeRoi Jones. Rich engages the impulse to make art that both impels toward and interacts with social change, a theme she also traces through the letters of poets Robert Duncan and Denise Levertov, gay and lesbian politics and poetry, and influential texts on Zionism and the Jewish diaspora.

    Make that a year of Sunday talk shows. That's because Amy, as you will discover on every page of this book, knows the critical question for journalists is how close they are to the truth, not how close they are to power."—From the Preface by Bill MoyersAmy Goodman, award-winning host of the daily internationally broadcast radio and television program Democracy Now!, breaks through the corporate media's lies, sound bites, and silence in this wide-ranging new collection of articles. In place of the usual suspects—the "experts" who, in Goodman's words, "know so little about so much, explain the world to us, and get it so wrong"—this accessible, lively collection allows the voices the corporate media exclude and ignore to be heard loud and clear. From community organizers in New Orleans, to the courageous American soldiers who've said "No" to Washington's wars, to the victims of torture and police violence, we are given the extraordinary opportunity to hear ordinary people standing up and speaking out. Written with all of the fierce intelligence and passion for truth that millions have come to expect from Amy Goodman's reportage, Breaking the Sound Barrier proves the power that independent journalism can play in the struggle for a better world, one in which ordinary citizens are the true experts of their own lives and communities.

    A renowned stylist of hyper-brevity in fiction, Fleur Jaeggy proves herself an even more concise master of the essay form, albeit in a most peculiar and lapidary poetic vein. Of De Quincey’s early nineteenth-century world we hear of the habits of writers: Charles Lamb “spoke of ‘Lilliputian rabbits’ when eating frog fricassse”; Henry Fuseli “ate a diet of raw meat in order to obtain splendid dreams”; “Hazlitt was perceptive about musculature and boxers”; and “Wordsworth used a buttery knife to cut the pages of a first-edition Burke.” In a book of “blue devils” and night visions, the Keats essay opens: “In 1803, the guillotine was a common child’s toy.” And poor Schwob’s end comes as he feels “like a ‘dog cut open alive’”: “His face colored slightly, turning into a mask of gold. His eyes stayed open imperiously. No one could shut his eyelids. The room smoked of grief.” Fleur Jaeggy’s essays—or are they prose poems?—smoke of necessity: the pages are on fire.

    Although Professor Snape frequently chose to behave in a manner that was harmful to him and those around him, the author believes that his virtue outweighed his weaknesses, and that both his virtue and weaknesses are a source of wisdom and consolation to those who are progressing along the path of devotion. He is, indeed, a symbol of true faith.

    We should be interested in everything that can be learned from whatever source. That's the only way we can enrich our mind and not become dogmatic and fanatical about our beliefs. Jaime T. Licauco From the Preface

    Hard-hitting, provocative, and incisive, these essays consider contemporary composition and performance, the role of critics and historians in the life of the arts, and the fraught terrain where ethics and aesthetics interact and at times conflict. Many of the works collected here have themselves excited wide debate, including the title essay, which considers the rights and obligations of artists in the aftermath of the 9/11 terrorist attacks. In a series of lively postscripts written especially for this volume, Taruskin, America's "public" musicologist, addresses the debates he has stirred up by insisting that art is not a utopian escape and that artists inhabit the same world as the rest of society. Among the book's forty-two essays are two public addresses—one about the prospects for classical music at the end of the second millennium C. E., the other a revisiting of the performance issues previously discussed in the author's Text and Act (1995)—that appear in print for the first time.

    With contributions by Elizabeth Berg, Judith Guest, Mary Pipher, Judith Viorst, and a host of other acclaimed literary artists representing a wide range of voices and experiences, Eye of My Heart is a clear-eyed celebration of a grand institution and an all-important epoch in a woman’s life.

    He was an old salt, dispensing copious wisdom and entertainment in a voice that is part Florida cracker, part biology professor. Readers got a taste of his stories in How to Build a Tin Canoe, but that volume barely scratched the surface of his total output. Flotsam and Jetsam includes all those stories, plus about five times more.His stories revolve around boats and boatbuilding, with countless sidetracks into such esoterica as clam chowder, sawmills, cast-netting, and alligators. His style is similar to his sister Bailey White’s—mining a deep vein of Southern eccentricity and charm, while also imparting a great deal of practical and technical wisdom.As Peter Spectre wrote about him: “At first blush his style seemed to be pure memory dump, but if you stuck with it over the long haul, you would discover that each piece was part of a long, loose tale about what life used to be and still could be without SUVs, personal watercraft, Blackberries, plywood, fast food, and any amount of other useless stuff bought off the shelf. The cumulative, compelling effect was to cause one to examine critically one’s life in light of what he wrote about his. A story by Robb White was beautifully constructed.”A must-read for any boat-nut, and for anyone who values the old ways of doing it yourself.

    In this raw and moving memoir, the prize-winning writer Fatos Lubonja brilliantly evokes life for prisoners of the state as they struggled to cope with the physical and psychological deprivations of imprisonment."Second Sentence" opens in 1978 with a vivid description of the author's experiences as a forced labourer in a copper mine in Northern Albania. In the tense camp atmosphere Lubonja discovers that two of his co-prisoners have written a letter to the Party criticizing 'the foremost leader', Enver Hoxha. Shortly afterward they are spirited away under mysterious circumstances. Lubonja does not make the connection until he is himself re-arrested in the camp with seven others and sent to stand trial as part of an alleged counter-revolutionary organization.With heart-breaking honesty, Lubonja describes the long months of interrogation and solitary confinement as he awaits his second sentence.This is an extraordinary portrait of the impenetrable world of Communist Albania and an unforgettable memoir of friendship and betrayal.

    Lewis, Joy Davidman was an accomplished writer in her own right, with several published works to her credit. "Out of My Bone" tells Davidman's life story in her own words through her numerous letters.

    Or not reproducing. Or walking around in a sweet little dress with a round belly underneath that will turn into a baby to cuddle and spoil. When you’re fifteen, the idea is fascinating, it attracts you like a piece of chocolate cake. When you’re thirty, the possibility attracts you like an abyss.Gabriela Wiener is not one to shy away from unpleasant truths or to balk at a challenge. She began her writing career by infiltrating Peru’s most dangerous prison, going all in at swingers clubs, ingesting ayahuasca in the Amazon jungle. So at 30, when she gets unexpectedly pregnant, she looks forward to the experience the way a mountain climber approaches a precipitous peakWith a scientist’s curiosity and a libertine’s unbridled imagination, Wiener hungrily devours every scrap of information and misinformation she encounters during the nine months of her pregnancy. She ponders how pleasure and pain always have something to do with things entering or exiting your body. She laments that manuals for pregnant women don’t prepare you for ambushes of lust or that morning sickness is like waking up with a hangover and a guilty conscious at once. And she tries to navigate the infinity of choices and contradictory demands a pregnant woman confronts, each one amplified to a life-and-death decision.While pregnant women are still placed on pedestals, or used as political battlegrounds, or made into passive objects of study, Gabriela Wiener defies definition. With unguarded humor and breathtaking directness, Nine Moons questions the dogmas, upends the stereotypes, and embraces all the terror, beauty, and paradoxes of the propagation of the species.

    Politics. Literary Criticism. WHAT ARE INTELLECTUALS GOOD FOR? appraises a large gallery of twentieth-century intellectuals, including Randolph Bourne, Dwight Macdonald, Lionel Trilling, Irving Howe, Isaiah Berlin, William F. Buckley Jr., Allan Bloom, Richard Rorty, Stanley Fish, Christopher Lasch, Edward Said, Ellen Willis, and Christopher Hitchens. It also includes two essays on intellectuals and politics and concludes with one on moral consequences of our species cyber-evolution. George Scialabba, a columnist for the Boston Globe and contributor to the Boston Review, Dissent, the American Prospect, and the Nation, is admired by a circle of discerning readers. WHAT ARE INTELLECTUALS GOOD FOR?, his second essay collection, brings his voice to a larger audience. Scott McLemee, the Intellectual Affairs columnist of InsideHigherEd, has contributed a foreword.

    Each dog (and one cat) profiled has had a rough past, suffering abuse or extreme neglect at the hands of humans.Some dogs featured here have become therapy dogs for hospitals and nursing homes; reading partners for children; friends to at risk teens and the injured in veterans affairs hospitals; service dogs for the deaf and blind; arson dogs; and even search-and-rescue dogs. Some of these special dogs are disabled, blind, deaf, missing limbs, but they don't seem to know it. These spunky, happy animals have repaid the kindness of their rescuers in spades, bringing the therapy of love to people in need, sometimes even saving lives.

    Stanner's words changed Australia. Without condescension and without sentimentality, in essays such as 'The Dreaming' Stanner conveyed the richness and uniqueness of Aboriginal culture. In his Boyer Lectures he exposed a 'cult of forgetfulness practised on a national scale,' regarding the fate of the Aborigines, for which he coined the phrase 'the great Australian silence'. And in his essay 'Durmugam' he provided an unforgettable portrait of a warrior's attempt to hold back cultural change. 'He was such a man,' Stanner wrote. 'I thought I would like to make the reading world see and feel him as I did.' The pieces collected here span the career of W.E.H. Stanner as well as the history of Australian race relations. They reveal the extraordinary scholarship, humanity and vision of one of Australia's finest essayists. Their revival is a significant event. With an introductory essay by Robert Manne. 'Bill Stanner was a superb essayist with a wonderful turn of phrase and ever fresh prose. He always had important things to say, which have not lost their relevance. It is wonderful that they will now be available to a new and larger audience.' - Henry Reynolds 'Stanner's essays still hold their own among this country's finest writings on matters black and white.' - Noel Pearson

    He was an authority on rock & roll, blues, jazz, punk, avant-garde, and world music -- often discovering new artists and trends years (even decades) before they hit the mainstream. Now, noted music writer Anthony DeCurtis has compiled the best pieces from Palmer's oeuvre and presents them here, in one compelling volume.A member of the elite group of the defining rock critics who emerged in the 1960s and 1970s, Palmer possessed a vision so complete that, as DeCurtis writes, "it's almost as if, if you read Bob, you didn't need to read anyone else." Blues & Chaos features some of his most memorable pieces, including gripping stories about John Lennon, Led Zeppelin, Moroccan trance music, Miles Davis, Jerry Lee Lewis, Philip Glass, and Muddy Waters.Wonderfully entertaining, infused with passion, and deeply inspiring, Blues & Chaos is a must for music fans everywhere.Flirtations with chaos / by Anthony DeCurtis --The big picture : "The opinions expressed are dangerously subjective." --The blues : "A post-Heisenberg-uncertainty-principle mojo hand" --Jazz : "A kinetic kaleidoscope" --The originators : "Where the hell did this man come from?" --Soul and R&B : "It had to come from somewhere, and the church is where it all came from" --Classic rock : "Musically, we weren't afraid to go in any direction whatsoever" --John Lennon and Yoko Ono : "Now the music's coming through me again" --Punk rock and beyond : "Fear and nothing" --World music : "The world is changing and so is our music" --Morocco : "We fell through each other, weightless, into the sky" --On the edge : "Listen, as if a new world had suddenly opened up" --Sonic guitar maelstrom : "All hail the overdriven amp."

    Published to accompany MASS MoCA’s landmark installation of LeWitt’s innovative wall drawings, this book celebrates the artist and his illustrious 50-year career.

    His memoirs, originally scattered through his story collections, are among the most thrilling evocations of growing up in the New York of the 1950s and '60s—and of continuing to grow up, in the cultural turmoil of the '70s and '80s, as a writer, teacher, lover, and reader. The same honesty and excitement shine in Michaels's highly personal commentaries on culture and art. Whether he's asking what makes a story, reviewing the history of the word "relationship," or reflecting on sex in the movies, he is funny, penetrating, surprising, always alive on the page.The Essays of Leonard Michaels is the definitive collection of his nonfiction and shows, yet again, why Michaels was singled out for praise by fellow writers as diverse as Susan Sontag, Larry McMurtry, William Styron, and Charles Baxter. Beyond autobiography or criticism, it is the record of a sensibility and of a style that is unmatched in American letters.

    These men, ranging from teenage boys to men in their eighties from over forty different countries, were detained for years without charges, trial, and a fair hearing. Without any legal status or protection, they were truly outside the law: imprisoned in secret, denied communication with their families, and subjected to extreme isolation, physical and mental abuse, and, in some instances, torture.These are the detainees' stories, told by their lawyers because the prisoners themselves were silenced. It took habeas counsel more than two years--and a ruling from the United States Supreme Court--to finally gain the right to visit and talk to their clients at Guantánamo. Even then, lawyers were forced to operate under severe restrictions designed to inhibit communication and envelop the prison in secrecy. In time, however, lawyers were able to meet with their clients and bring the truth about Guantánamo to the world.The Guantánamo Lawyers contains over one hundred personal narratives from attorneys who have represented detainees held at "GTMO" as well as at other overseas prisons, from Bagram Air Base in Afghanistan to secret CIA jails or "black sites." Mark Denbeaux and Jonathan Hafetz--themselves lawyers for detainees--collected stories that cover virtually every facet of Guantánamo, and the litigation it sparked. Together, these moving, powerful voices create a historical record of Guantánamo's legal, human, and moral failings, and provide a window into America's catastrophic effort to create a prison beyond the law.An online archive, hosted by New York University Libraries, will be available at the time of publication and will contain the complete texts as well as other accounts contributed by Guantánamo lawyers. The documents will be freely available on the Internet for research, teaching, and non-commercial uses, and will be preserved indefinitely as a historical collection.

    When God & Grief Meet offers just that: Real-life stories that meet you in your sorrow and inspire you with the hope and strength to go on.Lynn Eib, a longtime patient advocate and grief support group facilitator, shares her gift of encouragement in this heartening message for mourners. You won't find pat answers, clich�s, or easy-fix formulas, but you will see that God specializes in consoling those who grieve. As Psalm 34:18 promises: "The LORD is close to the brokenhearted; he rescues those whose spirits are crushed." This is the spirit of When God & Grief Meet: A book that will give comfort for your present and courage for your future.

    In A Peepshow with Views of the Interior, acclaimed fiction writer and poet Aislinn Hunter writes lyrical paratexts on topics ranging from Charlotte Bronte's dogs, bird displays in museums, peep shows, and clocks and convalescence.

    This unique guide to one of today's hottest tourist destinations combines fascinating articles by a wide variety of writers, woven throughout with the editor's own indispensable advice and opinions-providing in one package an unparalleled experience of an extraordinary place. THIS EDITION ON ISTANBUL FEATURES:• Seductive, colorful, and in-depth articles that illuminate the dazzling treasures and monuments of Istanbul, from the Grand Bazaar to the Sultans' palaces; the delights of Turkish cuisine; the rich pageant of Istanbul's history; and the people and personalities that define it today. • More personal pieces that take the reader beyond the usual tourist highlights, offering intimate reports on everything from the heavenly scent (and taste) of Turkish roses to the glitzy nightlife of this city of “minarets and miniskirts” to the unusual pleasure of being pummeled to within an inch of your life in an historic Turkish bath.• Enticing recommendations for related reading, including novels, histories, memoirs, and the most useful guidebooks.• An A-Z Miscellany of concise and entertaining information to arm you for your trip-on everything from Alexander the Great and Ataturk to Whirling Dervishes and Turkish Wine. • Interviews, Q & As, and commentary from visitors and residents, ranging from the 18th-century society wit Lady Mary Wortley Montague to Nobel Prize-winner Orhan Pamuk.• Spotlights on unusual shops, restaurants, hotels, and experiences not to be missed.

    

    Kandinsky accompanies the first full-scale retrospective of the artist's career to be exhibited in the United States since 1985, when the Guggenheim culminated its trio of groundbreaking exhibitions of the artist's life and work in Munich, Russia and Paris. This presentation of nearly 100 paintings brings together works from the three institutions that have the greatest concentration of Kandinsky's work in the world: the Solomon R. Guggenheim Museum, New York; Centre Georges Pompidou, Paris; and St�dtische Galerie im Lenbachhaus, Munich; as well as significant loans from private and public holdings. This traveling exhibition's final iteration at the Guggenheim Museum will investigate both Kandinsky's formal and conceptual contributions to the course of abstraction in the twentieth century, concentrating on his innovations in painting. Kandinsky traces the artist's vision through thematic motifs such as the horse and rider, mountainous landscapes, tumultuous seascapes, apocalyptic imagery and other religious subjects.

    The celebrated author of Things Fall Apart delivers his first book in more than 20 years--a new collection of autobiographical essays that offers a vivid portrait of growing up in colonial Nigeria and inhabiting its middle ground.

    In her essays and linguistic-sculptural interventions on what poetry makes possible, Moure reveals why she has placed her bets on poetry as a way of life. In these works, the richness of poetry is laid bare as Moure challenges us to think more deeply about who we are as speakers, readers, writers, and citizens of the world.

    . . pitch-perfect prose. . . . In language of terrible beauty, she takes India's everyday tragedies and reminds us to be outraged all over again."written in response to new developments in India that have seen the government launch a full scale war, "Operation Green Hunt," against the tribal community of Naxals defending their land in central India), and a previously unpublished essay also dealing with the government's response to the tribals' demands for greater land rights. Arundhati Roy's writings on the Naxals and her public support for their cause have led to a government investigation and threats of imprisonment, engendering worldwide petitions and outcry in her defense.

    Tongue, word, thought, and intellect all conspire in a free language love of living history, divination, sex, solitude and amusement. She is America's only real rock n' roll schoolteacher. Lessons layered with profundity and protracted parallels. Where old world religion, Gertrude Stein and Oreo cookies co-exist in an actual and mystic world of wonder." --Thurston Moore, Sonic Youth"If Rebecca Brown's talent for prose were any tighter, it would be a lyric -- to a pop standard. An homage -- a menage -- to America, exposing what's laid bare in a comic tragic redux. I laughed till it hurt." --Van Dyke Parks, Composer/Arranger"Anyone who can get from the Eucharist, to a Necco Wafer, to the goo beween the Oreo wafers, to the Inquisition, to the goo between the legs of excited young women is a distant sibling of mine. She can dash and she can drift and she is not much interested in the really bad parts that might qualify as confession. She likes the float of quotidian living and I like to read the words upon which she floats." -- Dave Hickey, author of Air GuitarThe impulse to tell our worst to a bunch of strangers has been fueling American self-hood for 300 years: there's a direct line from the Puritan confession narrative to today's lurid, inescapable exhibitionism. But whose stories are we telling?This collection of mordant, poignant, and playful essays shows Rebecca Brown at the height of her imaginative and intuitive powers. A wry, incisive social and literary critique is couched in a gonzo mix of pop culture, autobiography, fiction, literary history, misremembered movie plots, and fantasy that plays with the notion of what it is to be “American.” Fantastical connections and unlikely meetings span the course of America’s cultural history in a manic remix, featuring appearances by Brian Wilson, Gertrude Stein, Nathaniel Hawthorne, the Invisible Man, the Abligensian Crusade, John Wayne, Felix Mendelssohn, JFK, Shane, and God.Rebecca Brown’s books include: The Gifts of the Body, The Last Time I Saw You, The Haunted House, Terrible Girls, and The End of Youth.

    D. Wright, and other contemporary poets whose complexities make them challenging, original, and, finally, readable. Burt's intelligence and enthusiasm introduce both tentative and longtime poetry readers to the rewards of reading new poetry. As Burt writes in the title essay: "The poets I know don't want to be famous people half so much as they want their best poems read; I want to help you find and read them. I write here for people who want to read more new poetry but somehow never get around to it; for people who enjoy Seamus Heaney or Elizabeth Bishop and want to know what next; for people who enjoy John Ashbery or Anne Carson but aren't sure why; and, especially, for people who read the half-column poems in glossy magazines and ask, ‘Is that all there is?'"

    The essays collected here by Marjorie Perloff and Craig Dworkin break that critical silence to readdress some of the fundamental connections between poetry and sound—connections that go far beyond traditional metrical studies.Ranging from medieval Latin lyrics to a cyborg opera, sixteenth-century France to twentieth-century Brazil, romantic ballads to the contemporary avant-garde, the contributors to The Sound of Poetry/The Poetry of Sound explore such subjects as the translatability of lyric sound, the historical and cultural roles of rhyme, the role of sound repetition in novelistic prose, the connections between “sound poetry” and music, between the visual and the auditory, the role of the body in performance, and the impact of recording technologies on the lyric voice. Along the way, the essays take on the “ensemble discords” of Maurice Scève’s Délie, Ezra Pound’s use of “Chinese whispers,” the alchemical theology of Hugo Ball’s Dada performances, Jean Cocteau’s modernist radiophonics, and an intercultural account of the poetry reading as a kind of dubbing.A genuinely comparatist study, The Sound of Poetry/The Poetry of Sound is designed to challenge current preconceptions about what Susan Howe has called “articulations of sound forms in time” as they have transformed the expanded poetic field of the twenty-first century.

    How might we shift to a more durable and responsible way of life? What changes in values and behavior will be required? Ranging geographically from southern Indiana to the Boundary Waters Wilderness and culturally from the Bible to billboards, Sanders extends the visions of Henry David Thoreau, John Muir, and Rachel Carson to our own day. A Conservationist Manifesto shows the crucial relevance of a conservation ethic at a time of mounting concern about global climate change, depletion of natural resources, extinction of species, and the economic inequities between rich and poor nations. The important message of this powerful book is that conservation is not simply a personal virtue but a public one.

    Nearly all of his creative energy went into what was central for him: the great novels and stories that are now part of the canon of Irish and world literature.Yet he spoke out when he felt he had something worth saying and his non-fiction writings are of great interest to anyone who loves his work, and to all those interested in the recent history of Ireland. This book brings together all of McGahern's surviving essays, reviews and speeches. In them his canon of great writers - Tolstoy, Chekhov, James, Proust and Joyce - is cited many times, with deep and subtle appreciation. His discussions of Irish writers who influenced him are generous and brilliant - among them Michael McLaverty, Ernie O'Malley and Forrest Reid. His interventions on issues he felt strongly about - sectarianism, women's rights, the power of the church in Ireland - are lucid and far-sighted.

    Mixing theory and practice, the personal and the political, she tackles questions about the place of feminism in art and political discourse, the aesthetics and values of contemporary painting, and the influence of the market on the creation of art. Schor writes across disciplines and is committed to the fluid interrelationship between a formalist aesthetic, a literary sensibility, and a strongly political viewpoint. Her critical views are expressed with poetry and humor in the accessible language that has been her hallmark, and her perspective is informed by her dual practice as a painter and writer and by her experience as a teacher of art.In essays such as “The ism that dare not speak its name,” “Generation 2.5,” “Like a Veneer,” “Modest Painting,” “Blurring Richter,” and “Trite Tropes, Clichés, or the Persistence of Styles,” Schor considers how artists relate to and represent the past and how the art market influences their choices: whether or not to disavow a social movement, to explicitly compare their work to that of a canonical artist, or to take up an exhausted style. She places her writings in the rich transitory space between the near past and the “nextmodern.” Witty, brave, rigorous, and heartfelt, Schor’s essays are impassioned reflections on art, politics, and criticism.

    Rather than an attempt to distill or define a musician's work, Arcana IV illuminates directly via personal vision and experience, through the undiluted words and thoughts of the practitioners themselves, elucidating through manifestos, scores, interviews, notes and critical papers, composer/performers address composing, improvising, teaching, living, touring and thinking in and through music. Essential for composers, musicians, students and fans alike, this challenging and original series has now become the major source on new music theory and practice in the twenty-first century. Among Arcana IV's contributors are the late Derek Bailey, Nels Cline, Chris Cutler, Paul Dresher, Kenneth Gaburo, Shelley Hirsch, Wayne Horvitz, Vijay Iyer, Gordon Mumma, Matana Roberts, Katherine Supov' and Carolyn Yarnell.

    It gathers selections from some of his earliest works such as The Aesthetics of Architecture (1979) to his most recent Culture Counts (2007). The book also includes a good number of unpublished essays. It is made up of five sections - the last section of all contains some of Scruton's most pugilistic pieces on Dawkins and on The Iraq War. Scruton holds Burkean political views and his book The Meaning of Conservatism was a response to the growth of liberalism in the Conservative party. At all times he is concerned to shift the right way from economics towards moral issues such as sex education and censorship laws. But he has in fact written on almost every aspect of philosophy - always in prose which is accessible and written with pellucid clarity.

    At stake is not what he writes about--whether memory, Gertrude Stein, immortality, or a walk on Nevsky Prospect--but how he writes it. Formally, Dragomoshchenko never tires of digression, creating playful games of patience and anticipation for his reader. In so doing, he pushes story and closure into the background--arriving, finally, but not to a destination. Ultimately, Dragomoshchenko "carefully seeks out the dust of traces from the period of oblivion," which evidently lead to the oblivion of minds.

    Spring Ulmer's THE AGE OF VIRTUAL REPRODUCTION disrupts and redefines established patterns of seeing as she looks both at and beyond suffering and slaughter for an ethical way to live. Relentlessly in relation and in isolation, Ulmer meditates on moral and emotional anaesthesia--our age of numbing. On the road in Rwanda, investigating executions, meditating on photographs of the past, Ulmer interrogates her own and others' often romantic obsession with what is disappearing and asks how to be in touch with the real and reality--either through the self or through its loss. Looking at work by August Sander, Walter Benjamin, Congolese painter Tshibumba Kanda Matulu, John Berger, Jean Genet, Kenzaburo Oe, and others, she finds, with Benjamin, that there is no cultural document that is not at the same time a record of barbarism. THE AGE OF VIRTUAL REPRODUCTION offers a catalogue (of people, stories, nature, and art) that maintains that more than just surviving, life can be overwhelmingly and beautifully patterned, and thus, critically, recognizable.

    Books takes this intimate, insider’s approach to literature, featuring 200 brief essays and recommendations by 150 esteemed figures in the literary world, including authors, writers, journalists, scholars, and critics. The list of contributors includes: Oscar Hijuelos, Pulitzer Prize–winning author; John Guare, playwright; Alec Wilkinson, The New Yorker columnist and author; poet laureates Mark Strand and Robert Pinsky; and Kenneth Turan, NPR and the Los Angeles Times film critic, among many others. Fang Duff Kahn Publishers will donate 2% of the purchase price of each book to First Book, a national organization that gives children from low-income families the opportunity to read and own their first new books. It has distributed more than 65 million books to children.

    The theatrical poses and objects in the portraits are based on well-known images of powerful figures drawn from seventeenth- through nineteenth-century Western art. Pictorially, Wiley gives the authority of those historical sitters to his twenty-first-century subjects.”—National Portrait Gallery “My intention is to craft a world picture that isn’t involved in political correctives or visions of utopia. It’s more of a perpetual play with the language of desire and power.”—Kehinde Wiley“Wiley inserts black males into a painting tradition that has typically omitted them or relegated them to peripheral positions. At the same time, he critiques contemporary portrayals of black masculinity itself…. He systematically takes a ‘pedestrian’ encounter with African-American men, elevates it to heroic scale, and reveals—through subtle formal alterations—that postures of power can sometimes be seen as just that, a pose.”—Art in AmericaLos Angeles native and New York-based visual artist Kehinde Wiley has firmly situated himself within art history’s portrait painting tradition. As a contemporary descendent of a long line of portraitists—including Reynolds, Gainsborough, Titian, Ingres, and others—Wiley engages the signs and visual rhetoric of the heroic, powerful, majestic, and sublime in his representation of urban black and brown men found throughout the world. By applying the visual vocabulary and conventions of glorification, wealth, prestige, and history to subject matter drawn from the urban fabric, Wiley makes his subjects and their stylistic references juxtaposed inversions of each other, imbuing his images with ambiguity and provocative perplexity.In Black Light , his first monograph, Wiley’s larger-than-life figures disturb and interrupt tropes of portrait painting, often blurring the boundaries between traditional and contemporary modes of representation and the critical portrayal of masculinity and physicality as it pertains to the view of black and brown young men. The models are dressed in their everyday clothing, most of which is based on far-reaching Western ideals of style, and are asked to assume poses found in paintings or sculptures representative of the history of their surroundings. This juxtaposition of the “old” inherited by the “new”—who often have no visual inheritance of which to speak—immediately provides a discourse that is at once visceral and cerebral in scope.Without shying away from the socio-political histories relevant to the subjects, Wiley’s heroic images exhibit a unique modern style that awakens complex issues which many would prefer remain mute.

    M. ScanlonPeter SingerDavid VellemanBernard WilliamsThe exchanges are direct, open, and sharp, and give a clear account of these thinkers' core ideas about ethics. They also provide unique insights into their intellectual development--how they became interested in ethics and how they conceived the ideas for which they became famous.Conversations on Ethics will engage anyone interested in moral philosophy.

    A World of Fragile Things offers a distinctly psychoanalytic perspective on "the art of living," one that focuses on ongoing and ever-evolving processes of self-fashioning rather than defining a fixed and unitary sense of self. With a compelling blend of philosophical insight and psychoanalytic acumen, Mari Ruti asks experts and readers alike to probe the complexities of human existence, offering a contemporary outlook on some of the most enduring questions of Western thought.

    This new translation of selected letters and essays traces the life and thoughts of this extraordinary writer. Hölderlin's letters to friends and fellow writers such as Hegel, Schiller and Goethe describe his development as a poet, while those written to his family speak with great passion of his beliefs and aspirations, as well as revealing money worries and, finally, the tragic unravelling of his sanity. These works examine Hölderlin's great preoccupations - the unity of existence, the relationship between art and nature and, above all, the spirit of the writer.

    Donaghy's prose is notable for the same delightfully lucid style and lightly worn erudition so admired in his verse. His was also the most intellectually promiscuous of minds, and he was happy to allude to Irish music, neuroscience and Renaissance art in the same breath - and rarely resisted a good joke, if it served his argumentative purpose. This companion volume to the "Collected Poems" gathers together the best of his writing on poetry and the arts, as well as a number of fascinating and revealing interviews. It also reprints his classic primer in ars poetica, 'Wallflowers'.

    Césaire engages anthropology, esthetics, surrealism, history, and poetry as she grapples with questions of power and deception, self-deception, the economic slipknot of a post-slavery debt system, identity and inauthenticity, bad faith, psychological and affective aberration, and cultural zombification. All are caught in the web of “the great camouflage.” The collection provides a multifaceted portrait of Césaire, and includes short writings from others who wrote passionately about her, including André Breton, André Masson, René Ménil, Daniel Maximin, and her husband Aimé Césaire and daughter, Ina Césaire.

    The MESSAGE TO GARCIA was one of his early writings. It would be hard to estimate just how much good that wonderful booklet has done. Suffice to say that the need was felt for such commonsense philosophy and the MESSAGE TO GARCIA filled that need, acquiring momentum as it went on its way, until nearly one hundred million copies have been circulated, having been printed in every language in use today.Elbert Hubbard was one of the greatest intellectual giants Of modern times, indeed of any time. His influence penetrated humanity leaving a throb of inspiration and a prescription for happiness to all whom his philosophy reached. He knew the shortcomings, the faults and the failings of human nature. He met them with sensible adviceand encouragement. His keen insight and great heartedness, combined with the unusual ability to express himself simply and sincerely were his resources at hand, no other pen inspired and in-structed so well.Hubbard was unquestionably America's most brilliant and able writer. His "LITTLE JOURNEYS TO THE HOMES OF THE GREAT" are the Masterpieces that the world recognizes and acknowledges as the work of a genius. In them Hubbard put his best self. He gives a closeup view of the greatest men and women of all times, not in the dry uninteresting biographical style, but in his own inimitable style, packed with wisdom, wit and inspiration, with touches of satire here and there but always full of kindness and good cheer. They seemed to have been written for people who think, who want to think.- Colonel Andrew Summers Rowan

    Daniel writes from the ground he walks on and the landscape he inhabits, spinning narratives that seek to define how he belongs to the land and to life itself. He takes the reader to beaches, old-growth forests, and deep river canyons—wild places, and places scarred by human exploitation—and leads us also through inner landscapes where he explores mortality, creativity, and spirituality. This collection extends John Daniel’s earlier work in the personal essay form.

    Due to sold-out tribute concerts across Australia and the remastering of the complete Triffids oeuvre, a new generation is discovering McComb’s work; fans old and new can delve deeper into his life and music in this intensely personal biography. Many of the featured photographs and images are previously unpublished. Works by both local and international contributors are collected in honor of the 10-year anniversary of David McComb's death, and include: Jonathan Alley, Jill Birt, Martyn Casey, David Cavanagh, Nick Cave, Claire Colebrook, Laurie Duggan, John Dyer, Robert Forster, Richard Gunning, Megan Heyward, Thomas Hoareau, Tracee Hutchison, Phil Kakulas, Steve Kilbey, John Kinsella, Graham Lee, Judith Lucy, Alsy MacDonald, Andrew McGowan, Robert McComb, Gavin Martin, Steve Miller, Denise Nestor, David Nichols, Rob Snarski, and Jon Stratton.

    The title derives from a quote by Ken Kesey, “Oregon is the citadel of the spirit.”Citadel of the Spirit boasts an impressive roster of literary talent. Some of the better-known writers who contributed essays for the anthology include: Gina Ochsner, Kathleen Dean Moore, Michael Strelow, David Horowitz, Kim Stafford, Walt Curtis, Ken Babbs, Bart King, Ellen Waterston, Jeff Baker, Kassten Alonso, Katrine Barber, Joanna Rose, Brian Doyle, Melissa Madenski, Cheryl Strayed, Erin Ergen­bright, and Monica Drake.

    Love, sex, and all of its joys and discontents ravage this issue, as even the strongest in history succumb to the siren’s song.Among the contributors: Vladimir Nabokov, Henry VIII, Giacomo Casanova, Marguerite Duras, John Keats, Simone de Beauvoir, Walt Whitman, Sappho, Marquis de Sade, Ovid, Philip Roth, Anaïs Nin, Alfred Kinsey, Thomas Mann.

    Diana Joseph relives her slutty years while giving a mom’s perspective on her teenage son's description of girls in his yearbook, while Brian Alexander teaches us about sex surrogates, Tristan Taormino talks about pregnant sex, and Violet Blue offers a spirited defense of modern porn. The erotic elements of Twilight, adult sex ed, a visit to a BDSM porn set, the science behind penis size, a very special piece of ass, a cheating wife, and much more make it under the covers of Best Sex Writing 2010, culled from magazines, newspapers, blogs and websites by series editor Rachel Kramer Bussel.

    It's a book of exquisite essays—or are they prose poems—that tessellate into something larger: a meditation, perhaps, or a vision. Johnston's subject is at once the absolute otherness of the creatures with whom we share the world's everyday spaces—dogs, owls, mice, squirrels, crows—and the worth of our attempts to get to know them. Modest, calm, and beautiful, this is an exceptional book."—Robert MacfarlaneDevin Johnston teaches at St. Louis University. He was named a finalist for the 2008 National Book Critics Circle Award for Sources, published by Turtle Point Press.

    So why is it always assumed that the republic was an oligarchy? The main reason is that most of what we know about it we know from Cicero, a great man and a great writer, but also an active right-wing politician who took it for granted that what was good for a small minority of self-styled 'best people' (optimates) was good for the republic as a whole. T. P. Wiseman interprets the last century of the republic on the assumption that the People had a coherent political ideology of its own, and that the optimates, with their belief in justified murder, were responsible for the breakdown of the republic in civil war.

    Murrow's 1950s This I Believe radio series. Includes such luminaries of the twentieth century as Pearl Buck, Norman Cousins, Margaret Mead, James Michener, Jackie Robinson, and Harry Truman. With an introduction by Edward R. Murrow and a foreword by Dan Gediman, executive producer of the contemporary This I Believe radio broadcasts, heard weekly on public radio.

    Designed to inspire and inform, this collection embodies the concepts of “breaking silence,” “bearing witness,” resistance, and resilience. Beyond students and teachers, the book will appeal to all readers with a commitment to social justice.Fire and Ink brings together, for the first time in one volume, politically engaged writing by poets, fiction writers, and essayists. Including many of our finest writers—Martín Espada, Adrienne Rich, June Jordan, Patricia Smith, Gloria Anzaldúa, Sharon Olds, Arundhati Roy, Sonia Sanchez, Carolyn Forche, Chitra Banerjee Divakaruni, Alice Walker, Linda Hogan, Gary Soto, Kim Blaeser, Minnie Bruce Pratt, Li-Young Lee, and Jimmy Santiago Baca, among others—this is an indispensable collection. This groundbreaking anthology marks the emergence of social action writing as a distinct field within creative writing and literature. Featuring never-before-published pieces, as well as reprinted material, Fire and Ink is divided into ten sections focused on significant social issues, including identity, sexuality and gender, the environment, social justice, work, war, and peace. The pieces can often be gripping, such as “Frame,” in which Adrienne Rich confronts government and police brutality, or Chris Abani’s “Ode to Joy,” which documents great courage in the face of mortal danger.Fire and Ink serves as a wonderful reader for a wide range of courses, from composition and rhetoric classes to courses in ethnic studies, gender studies, American studies, and even political science, by facing a past that was often accompanied by injustice and suffering. But beyond that, this collection teaches us that we all have the power to create a more equitable and just future.

    Martin attributed her grid-based works to metaphysical motivations, lending a serene complexity to her oeuvre that has defied any easy categorization. Perhaps for this reason, critical and scholarly analysis of her paintings has been scarce—until now. This important new anthology brings together the most current scholarship on Martin’s paintings by twelve multidisciplinary essayists who consider various aspects of the artist’s four-decade career. Organized by Dia Art Foundation, whose extensive holdings of Martin’s paintings and ambitions to support in-depth research on the works are unparalleled, the publication brings renewed focus and energy to Martin’s career and her contributions to the art historical narrative.

    These essays, stories, music reviews, the occasional chemically-induced rant, and a couple of recipes— because, for whatever reason, everyone seems to love his recipes—represent a cross-section of the past seven years’ worth of Warren’s writing online. From jumping around Britain, Europe and North America to just dragging his carcass up to the local pub for a think, this is the unedited spillage from the inside of the writer’s head during the ’00s. Some of it even makes sense.

    Reviewing the 2008 edition of The Pushcart Prize, Publishers Weekly called it “a must-have for contemporary literature lovers” (starred review). The Chicago Tribune has raved, “When it comes to contemporary American literature, the small press is where the action is . . . of all anthologies, Pushcart’s is the most rewarding to read straight through.” In The Pushcart Prize XXXIV more than sixty selections of short stories, essays, and poetry have been picked from thousands of nominations by Pushcart Press staff, contributing editors, and hundreds of small presses. This year Rosanna Warren and Wesley McNair serve as poetry editors. The result is an introduction to a literary world that few readers have access to, where much of today’s important new writing is published, far from the commercial influence of the conglomerates. The Pushcart Prize has been chosen for the Ivan Sandrof Lifetime Achievement recognition by the National Book Critics Circle and for numerous other awards.From Publishers' Weekly: "This year's Pushcart anthology offers consistently good prose and poetry that covers a broad range of styles and topics. On the historical front, 'Tied to History' by Greil Marcus and 'A Poetics of Hiroshima' by William Heyen are among several pieces that reinvigorate well-plowed terrain from WWII, while 'Return to Hayneville' by Gregory Orr offers a shocking true tale of police rounding up, imprisoning and battering peaceful protestors in the segregated South. Contemporary standout pieces from J.C. Hallman ('Ethan: A Love Story') and Charles McLeod ('Edge Boys') mine the rich veins of, respectively, video games and suburban teenage prostitution. But not all of the pieces work: two of the unsuccessful stories in this volume — Mary Gaitskill's 'The Arms and Legs of the Lake' and Brock Clarke's 'Our Pointy Boots' — are failed efforts to interrogate the realities of troops returning from the second Iraq War. The anthology is at its most innovative with its poetry, which surpasses the prose in experiments with language and form." Publishers Weekly (Copyright Reed Business Information, Inc.)

    Lush and evocative, yoking together the simplicities and complexities of the world of natural sound and the music inspired by it, this collection includes essays, illustrations, and plenty of sounds and music. The Book of Music and Nature celebrates our relationship with natural soundscapes while posing stimulating questions about that very relationship. The book ranges widely, with the interplay of the texts and sounds creating a conversation that readers from all walks of life will find provocative and accessible. The anthology includes classic texts on music and nature by twentieth century masters including John Cage, Hazrat Inrayat Khan, Pierre Schaeffer, Rainer Maria Rilke, and Toru Takemitsu. Innovative essays by Brian Eno, Pauline Oliveros, David Toop, Hildegard Westerkamp and Evan Eisenberg also appear. Interspersed throughout are short fictional excerpts by authors Rafi Zabor, Alejo Carpentier, and Junichiro Tanazaki. The web-based virtual CD includes fifteen tracks of music made out of, or reflective of, natural sounds, ranging from Babenzele Pygmy music to Australian butcherbirds, and from Pauline Oliveros to Brian Eno.

    In this delightful collection of anecdotes, Michael Colgrass invites the reader into his private encounters with Igor Stravinsky, Aaron Copland, Leonard Bernstein, Dizzy Gillespie, and a host of other key figures in American music. Maverick to the core, Colgrass also writes about romancing a Cold War spy in Bucharest, composing a ballet overnight for the Joffrey Ballet, and playing a gig for a stripper that landed him a job in West Side Story . His anecdotes often humorous and profound describe a pivotal era in American music that shaped this Pulitzer Prize-winning composer. A "must read" for music lovers. Click here for a YouTube video on Michael Colgrass: Adventures of an American Composer

    McClane published Walls: Essays, 1985-1990, a volume of essays dealing with life in Harlem, the death of his alcoholic brother, and the complexities of being black and middle-class in America. Now, in Color: Essays on Race, Family, and History , McClane contributes further to his self-described “autobiographical sojourn” with a second collection of interconnected essays. In McClane’s words, “All concern race, although they, like the human spirit, wildly sweep and yaw.”A timely installment in our national narrative, Color is a chronicle of the black middle class, a group rarely written about with sensitivity and charity. In evocative, trenchant, and poetic prose, McClane employs the art of the memoirist to explore the political and the personal. He details the poignant narrative of racial progress as witnessed by his family during the 1950s, ’60s, and ’70s. We learn of his parents’ difficult upbringing in Boston, where they confronted much racism; of the struggles they and McClane encountered as they became the first blacks to enter previously all-white institutions, including the oldest independent school in the United States; and of the part his parents played in the civil rights movement, working with Dr. King and others. The book ends with a tender account of his parents in the throes of Alzheimer’s disease, which claimed both their lives. “Ken McClane’s latest collection proves that he is one of the finest essayists currently plying the trade. Graceful, incisive, humane, Ken’s writing is both beautifully wrought and deeply informative about how we live life. All of us practicing essayists can only marvel in delight at his skill and envy his accomplishment. I have known Ken since my days in graduate school over twenty-five years ago and I still feel now as I felt then: when I grow up I want to be half the writer Ken McClane is.” —Gerald L. Early, author of The Culture of Bruising: Essays on Prizefighting, Literature, and Modern American Culture and This is Where I Came In: Black America in the 1960s “Kenneth McClane’s voice is unique in American letters: pragmatic; contemplative; intriguingly moody; at times unabashedly and movingly sentimental. He chronicles a world of black people that is little-known and even less-imagined. Color is a wonderful book of beautifully written, understated essays by an important writer who has steadily contributed to American letters.” —Elizabeth Alexander, Yale University “Kenneth McClane argues that the inclusion of a jazz phrase in the midst of another obviously discrete modality becomes an act of communion that 'honors the fragile possibility for mutuality.' He is right, for he does this skillfully in Color . An exciting find, the volume is a compendium of sophisticated essays rendered with deceptive simplicity. Color, always insightful, sometimes inexplicably tender, is that rare volume, seldom encountered, that moves us beyond measure.” —Mari Evans, author of Continuum: New and Selected Poems and Clarity as Concept: A Poet’s Perspective“The essays that comprise Color are mighty in their directed honesty and uncompromising views of the lived racialized world observed with an intellectual curiosity and wise generosity that astonishes on every page. Through it all, the words hum with love, so that even the pained heart sings.” —Helena Maria Viramontes, author of Their Dogs Came With Them

    You'll find inspiration on every page as you meander through illuminating observations that are both personal and universal. Each beautifully illustrated essay reveals the magic - and wonder - of the often unseen world around us.Excerpt from "Look Both Ways""It occurred to me, as I stood there, that I could simultaneously, vividly look both ways - backward and forward, in time - at once. I remembered longing to know what was coming, who I would become and how. And I suddenly saw it all over again in front of me. The light was exactly the same, and as the sun fell and the summer shadows slivered against the elegant, lean, concrete towers in the distance, I recognized the smell of the warm air, the precise pink and grey of the coming dusk and the mysterious melancholy and joy of both knowing and not-knowing, and the continuity that occurs when both collide."—Debbie Millman

    Beginning with one of the foundations of queer theory—his famous meditation on how sex leads to a shattering of the self, “Is the Rectum a Grave?”—this volume charts the inspired connections Bersani has made between sexuality, psychoanalysis, and aesthetics.   Over the course of these essays, Bersani grapples with thinkers ranging from Plato to Descartes to Georg Simmel. Foucault and Freud recur as key figures, and although Foucault rejected psychoanalysis, Bersani contends that by considering his ideas alongside Freud’s, one gains a clearer understanding of human identity and how we relate to one another. For Bersani, art represents a crucial guide for conceiving new ways of connecting to the world, and so, in many of these essays, he stresses the importance of aesthetics, analyzing works by Genet, Caravaggio, Proust, Almodóvar, and Godard.   Documenting over two decades in the life of one of the best minds working in the humanities today, Is the Rectum a Grave? and Other Essays is a unique opportunity to explore the fruitful career of a formidable intellect.

    As in her acclaimed first collection, Season of the Body, Miller leads us on a pilgrimage through her life as a woman driven by spiritual yearning. Together, these essays prompt us to consider how our hard-won abilities to bless others become ways of blessing ourselves.

    Even the most conservative defenses of the status quo, Raymond Geuss argues, require imaginative acts of some kind. In this collection of recent essays, including his most overtly political writing yet, Geuss explores the role of imagination in politics, particularly how imaginative constructs interact with political reality. He uses decisions about the war in Iraq to explore the peculiar ways in which politicians can be deluded and citizens can misunderstand their leaders. He also examines critically what he sees as one of the most serious delusions of western political thinking--the idea that a human society is always best conceived as a closed system obeying fixed rules. And, in essays on Don Quixote, museums, Celan's poetry, Heidegger's brother Fritz, Richard Rorty, and bourgeois philosophy, Geuss reflects on how cultural artifacts can lead us to embrace or reject conventional assumptions about the world. While paying particular attention to the relative political roles played by rule-following, utilitarian calculations of interest, and aspirations to lead a collective life of a certain kind, Geuss discusses a wide range of related issues, including the distance critics need from their political systems, the extent to which history can enlighten politics, and the possibility of utopian thinking in a world in which action retains its urgency.

    A lacerating satire, an exorcism of demons, a grotesque cabinet of horrors, it is the Black Book of the Beat Generation, the forerunner of the psychedelic counterculture, and a progenitor of postmodernism and the digital age. A work of excoriating laughter, linguistic derangement, and transcendent beauty, it remains both influential and inimitable. This is the first book devoted in its entirety to William Burroughs’ masterpiece, bringing together an international array of scholars, artists, musicians, and academics from many fields to explore the origins, writing, reception, and complex meanings of Naked Lunch. Tracking the legendary book from Texas and Mexico to New York, Tangier, and Paris, Naked Lunch@50 significantly advances our understanding and appreciation of this most elusive and uncanny of texts.           Contributors:Contributors:Keith AlbarnEric AndersenGail-Nina AndersonThéophile AriesJed BirminghamShaun de WaalRichard DoyleLoren GlassOliver HarrisKurt HemmerAllen HibbardRob HoltonAndrew HusseyRob JohnsonJean-Jacques LebelIan MacFadyenPolina MackayJonas MekasBarry MilesR. B. MorrisTimothy S. MurphyJurgen PloogDavis SchneidermanJennie SkerlDJ SpookyPhilip Taaffe

    The result is vibrant, messy, mysterious, and enduring.