But David Airey’s “Logo Design Love” is something different: it’s a guide for designers (and clients) who want to understand what this mysterious business is all about. Written in reader-friendly, concise language, with a minimum of designer jargon, Airey gives a surprisingly clear explanation of the process, using a wide assortment of real-life examples to support his points. Anyone involved in creating visual identities, or wanting to learn how to go about it, will find this book invaluable. - Tom Geismar, Chermayeff & GeismarIn Logo Design Love, Irish graphic designer David Airey brings the best parts of his wildly popular blog of the same name to the printed page. Just as in the blog, David fills each page of this simple, modern-looking book with gorgeous logos and real world anecdotes that illustrate best practices for designing brand identity systems that last. David not only shares his experiences working with clients, including sketches and final results of his successful designs, but uses the work of many well-known designers to explain why well-crafted brand identity systems are important, how to create iconic logos, and how to best work with clients to achieve success as a designer. Contributors include Gerard Huerta, who designed the logos for Time magazine and Waldenbooks; Lindon Leader, who created the current FedEx brand identity system as well as the CIGNA logo; and many more. Readers will learn:• Why one logo is more effective than another• How to create their own iconic designs• What sets some designers above the rest• Best practices for working with clients• 25 practical design tips for creating logos that last

    Now, he takes us further into the design realm and shows how we can apply time-honored design principles to presentation layouts.Throughout Presentation Zen Design, Garr shares his lessons on designing effective presentations that contain text, graphs, color, images, and video. After establishing guidelines for each of the various elements, he explains how to achieve an overall harmony and balance using the tenets of Zen simplicity. Not only will you discover how to design your slides for more professional-looking presentations, you'll learn to communicate more clearly and will accomplish the goal of making a stronger, more lasting connection with your audience.

    Taken from a Dutch collection, this exuberant selection traverses the evolution of the printed letter in all its various incarnations via exquisitely designed catalogs displaying not only type specimens in roman, italic, bold, semi-bold, narrow, and broad, but also characters, borders, ornaments, initial letters and decorations as well as often spectacular examples of the use of the letters. The Victorian fonts, sumptuous and sometimes unbelievably outrageous, are accorded a prominent place in this book. In addition to lead letters, examples from lithography and letters by window-dressers, inscription carvers, and calligraphers are also displayed and described. Featuring works by type designers including: William Caslon, Fritz Helmuth Ehmcke, Peter Behrens, Rudolf Koch, Eric Gill, Jan van Krimpen, Paul Renner, Jan Tschichold, A. M. Cassandre, Aldo Novarese, Adrian FrutigerIn order to include a vast amount of material, we have divided this text into two volumes. The first volume displays pre 20th Century type specimens, and the second covers the period from 1900 to the middle of the century. In the first volume, editor Cees de Jong and collector Jan Tholenaar write about single specimens and types; in the second, Alston Purvis outlines the history of types.

    But with a typical price tag of $5,000 to $10,000 for a usability consultant to conduct each round of tests, it rarely happens. In this how-to companion to Don't Make Me Think: A Common Sense Approach to Web Usability, Steve Krug spells out an approach to usability testing that anyone can easily apply to their own web site, application, or other product. (As he said in Don't Make Me Think, "It's not rocket surgery".)In this new book, Steve explains how to: -Test any design, from a sketch on a napkin to a fully-functioning web site or application-Keep your focus on finding the most important problems (because no one has the time or resources to fix them all)-Fix the problems that you find, using his "The least you can do" approachBy pairing the process of testing and fixing products down to its essentials (A morning a month, that's all we ask ), Rocket Surgery makes it realistic for teams to test early and often, catching problems while it's still easy to fix them. Rocket Surgery Made Easy adds demonstration videos to the proven mix of clear writing, before-and-after examples, witty illustrations, and practical advice that made Don't Make Me Think so popular.

    By using accessible programming languages such as Processing, artists and designers are producing extravagant, crystalline structures that can form the basis of anything from patterned textiles and typography to lighting, scientific diagrams, sculptures, films, and even fantastical buildings. Opening with a gallery of thirty-five illustrated case studies, Generative Design takes users through specific, practical instructions on how to create their own visual experiments by combining simple-to-use programming codes with basic design principles. A detailed handbook of advanced strategies provides visual artists with all the tools to achieve proficiency. Both a how-to manual and a showcase for recent work in this exciting new field, Generative Design is the definitive study and reference book that designers have been waiting for.

    Employing a methodology that is primarily learning by example and “thinking with our eyes,” this manual features graphs and practical analytical techniques that can be applied to a broad range of data analysis tools—including the most commonly used Microsoft Excel. This approach is particularly valuable to those who need to make sense of quantitative business data by discerning meaningful patterns, trends, relationships, and exceptions that reveal business performance, potential problems and opportunities, and hints about the future. It provides practical skills that are useful to managers at all levels and to those interested in keeping a keen eye on their business.

    With the rising popularity of MP3 files and streaming digital music--and the near-extinction of traditional album art--concert posters have become the most important visual representation of contemporary music.Gig Posters Volume I celebrates this dynamic medium with contributions from 101 top designers--including Rob Jones of Animal Rummy, Steve Walters, Jay Ryan, Gary Houston, Aesthetic Apparatus, Patent Pending Industries, and many more. Throughout the book, their voices offer fascinating commentary and behind-the-scenes information about the creation of gig posters.Readers will also discover 101 perforated and ready-to-frame posters promoting today's most innovative and original bands--including Radiohead, the White Stripes, Modest Mouse, Girl Talk, Queens of the Stone Age, Wilco, and many, many more.Complete with an introduction by founder and curator Clay Hayes, Gig Posters Volume I celebrates the most talented designers, artists, bands, and performers of the twenty-first century.

    Handcrafted CSS: Video Edition: More Bulletproof Web Design

    With more than 2,000 design projects illustrating more than 400 entries, it provides an intense overview of the varied elements that make up the graphic design profession through a unique set of chapters: “principles" defines the very basic foundation of what constitutes graphic design to establish the language, terms, and concepts that govern what we do and how we do it, covering layout, typography, and printing terms; “knowledge" explores the most influential sources through which we learn about graphic design from the educational institutions we attend to the magazines and books we read; “representatives" gathers the designers who over the years have proven the most prominent or have steered the course of graphic design in one way or another; and “practice" highlights some of the most iconic work produced that not only serve as examples of best practices, but also illustrate its potential lasting legacy. Graphic Design, Referenced serves as a comprehensive source of information and inspiration by documenting and chronicling the scope of contemporary graphic design, stemming from the middle of the twentieth century to today.

    Designing successful products and services in the digital age requires a multi-disciplinary team with expertise in interaction design, visual design, industrial design, and other disciplines. It also takes the ability to come up with the big ideas that make a desirable product or service, as well as the skill and perseverance to execute on the thousand small ideas that get your design into the hands of users. It requires expertise in project management, user research, and consensus-building. This comprehensive, full-color volume addresses all of these and more with detailed how-to information, real-life examples, and exercises. Topics include assembling a design team, planning and conducting user research, analyzing your data and turning it into personas, using scenarios to drive requirements definition and design, collaborating in design meetings, evaluating and iterating your design, and documenting finished design in a way that works for engineers and stakeholders alike.

    Chased out of Germany by the Nazis, who banned and burned his books, Kahn emigrated to Palestine, then France, and finally the United States to continue his life's work. Though his achievements were numerous, the most notable was the development of creative visualizations to explain complex scientific ideas. Published on the 125th anniversary of Kahn's birth and destined to bring his work back into the spotlight, this monograph features more than 350 illustrations with extensive captions, three original texts by Fritz Kahn, a foreword by Steven Heller, and an essay about Kahn’s life and œuvre. Natural science buffs, graphics professionals, and anyone interested in visual expression of ideas will be fascinated by this tribute to Kahn’s greatest achievements.

    The extensive appendix contains a general index, one on typefaces (more than 300 are depicted in the book), an index on over 250 type designers, an exhaustive index on type founders from Gutenberg to present, a graphical dictionary, and a bibliography for further reading. The original Dutch edition Letterfontein received a Certificate for Typographic Excellence from Type Directors Club New York (TDC) in 2010, and a red-dot design award from the Design Zentrum Nordrhein-Westfalen, Germany. Special features include:thoroughly hardbound in half linen with three ribbon bookmarks  144 pages appendix with resourceful glossary and indices convenient typographic ruler with conversions between four measurement systems and hidden shortcuts for your Apple keyboard!

    1 Explains and illuminates the technique, philosophy, and approach behind classical hand drawn animated effects and how to apply these skills to your digital projects. This title helps to create stunning animated effects such as sparkling pixie dust, roaring tidal waves, and raging fires. Full description

    A fascinating mix of established master draftsmen and neophytes, working in a vast range of techniques, Illustration Now! Vol. 3 features illustrators from 30 countries, including  information about their career paths, and lists of selected exhibitions. Also included is an introduction by specialist Steven Heller on current trends in the field. This book is perfect for graphic artists, creative professionals and illustration students, as well as anyone with an appreciation for draftsmanship and visual language.

    The first book to reveal how thinking like a designer can help solve the greatest challenges we face in business, society, and our daily lives. What can we learn from the ways great designers think--and how can it improve our world? In this highly original book by journalist Warren Berger, in collaboration with celebrated designer Bruce Mau, ten groundbreaking principles of design are shown in action--addressing business, social, and personal challenges and improving the way we think, work, and live. "Glimmer" takes readers on a journey through today's fascinating world of design, where the formerly distinct disciplines of graphic, product, and social design are undergoing "smart recombinations." In the cutting-edge studios of Mau and other visionaries, everything is ripe for reinvention--including the ways businesses function, children learn, and communities thrive. Designers are solving problems at an unprecedented pace today by using improved technology and the highly practical design principles described in this book, such as "Ask stupid questions," "Make hope visible," "Work the metaphor," "Embrace constraints," and "Begin anywhere." "Glimmer" inspires readers to apply these same principles to their own life challenges. While celebrated designers work on re-creating the world, Berger reveals the growing grassroots "glimmer movement" in which everyday people are emerging as designers and problem solvers. Readers will be fascinated by how "transformation design" is reinventing companies and addressing thorny social problems. Berger shares stories of how burned fingers, wrenched backs, and mixed-up pills all led to ingenious new product designs. In a time of anxiety and retrenchment, this hopeful yet hardheaded book illuminates "the glimmer of possibility and potential--that first spark of an innovative idea or a life-changing plan." According to Berger, "This faint light is all around us and also within us, if we can learn to recognize and nurture it." The best designers already know how to transform that glimmer of possibility into the steady glow of creation and innovation --and with the inspiration of "Glimmer," we're now all able to do the same.

    An unparalleled collection of groundbreaking creations crafted from paper as a material for innovative art and design.

     The iconic work of a singular architect   Zaha Hadid is a wildly controversial architect, who for many years built almost nothing, despite her designs winning prizes and critical acclaim. Some even said her work was unbuildable. Yet over the past decade she has completed numerous structures including the Rosenthal Center for Contemporary Art in Cincinnati (which the New York Times called ’’the most important new building in America since the Cold War’’), the Phaeno Science Center in Wolfsburg, Germany,and the Central Building of the new BMW Assembly Plant in Leipzig. Today, Hadid is firmly established among the élite of world architecture, her audacious and futuristic designs having catapulted her to international fame. Born in Baghdad and educated in London, where her practice is based, Hadid has designed radical architecture for over 30 years and is now the subject of this massive TASCHEN monograph. Covering her complete works to date, and all of her recent work from Dubai to Guangzhou, this XL tome demonstrates the progression of Hadid’s career—including not only buildings but also furniture and interior designs—with in-depth texts, spectacular photos, and her own drawings. Also included is a special section with translucent vellum paper allowing multiple layers of designs to be viewed at once or separately.

    In this new edition, bead expert Lois Sherr Dubin updates all chapters with the latest archeological discoveries, opens a new chapter on contemporary adornment since the 1980s, with a focus on glass beads, and best of all, adds 200 beads to what is considered by many to be the piece de resistance: the eight-page gatefold timeline that guides readers through the remarkably rich history of the world's first form of adornment. The latest revisions include the oldest bead ever discovered, dating to 108,000 b.c. and explain why beads worn on the human body were the original media communication system. Updates include the numerous maps scattered throughout, which have been modernized and are now in color; 72 formerly black-and-white images have been replaced with full color; and 125 new photographs were added to this edition. Beautifully packaged with a new cover, this revised and expanded edition is a must-have for devotees of the first edition and for the next generation of bead obsessives and aficionados.

    This compilation introduces a new wave of young designers who are rediscovering the stylistic elements reminiscent of classic graphic design such as silkscreen printing, classical typography, hand lettering, woodcutting and folk art and integrating them into their work. Inspired by 20th Century American legends such as Saul Bass, Charley Harper and Alexander Girard, the burgeoning designers and their work showcased this in this book are inspiring, ranging from illustrations, poster art, editorials, book covers and record sleeves to stationary and textiles."

    This revolution has come about through embracing the design culture of the fashion industry. Why shouldn't design sensibilities also be applied to hearing aids, prosthetic limbs, and communication aids? In return, disability can provoke radical new directions in mainstream design. Charles and Ray Eames's iconic furniture was inspired by a molded plywood leg splint that they designed for injured and disabled servicemen. Designers today could be similarly inspired by disability.In Design Meets Disability, Graham Pullin shows us how design and disability can inspire each other. In the Eameses' work there was a healthy tension between cut-to-the-chase problem solving and more playful explorations. Pullin offers examples of how design can meet disability today. Why, he asks, shouldn't hearing aids be as fashionable as eyewear? What new forms of braille signage might proliferate if designers kept both sighted and visually impaired people in mind? Can simple designs avoid the need for complicated accessibility features? Can such emerging design methods as "experience prototyping" and "critical design" complement clinical trials?Pullin also presents a series of interviews with leading designers about specific disability design projects, including stepstools for people with restricted growth, prosthetic legs (and whether they can be both honest and beautifully designed), and text-to-speech technology with tone of voice. When design meets disability, the diversity of complementary, even contradictory, approaches can enrich each field.

    Borders can be elegant or whimsical, can match or contrast with the afghan, and can lift even the simplest afghan from "ordinary" into the "very special" category. If you usually depend upon fringe as an accent, you'll have fun experimenting with these 50 crochet borders by Jean Leinhauser. The borders can be worked with any weight of yarn that works well with the body of the afghan. For some designs, the number of colors used in a border also can be varied. General instructions are included for how to use the borders, work with stitch pattern multiples, and estimate yarn amounts.

    Yet information graphics is rarely taught in schools or is the focus of on-the-job training. Now, for the first time, Dona M. Wong, a student of the information graphics pioneer Edward Tufte, makes this material available for all of us. In this book, you will learn:to choose the best chart that fits your data;the most effective way to communicate with decision makers when you have five minutes of their time;how to chart currency fluctuations that affect global business;how to use color effectively;how to make a graphic “colorful” even if only black and white are available.The book is organized in a series of mini-workshops backed up with illustrated examples, so not only will you learn what works and what doesn’t but also you can see the dos and don’ts for yourself. This is an invaluable reference work for students and professional in all fields.

    Etcetera draws on five of Sibella's favourite color themes as a framework for the display of her impeccable eye for detail and her bowerbird tendencies.Each section will draw you into Sibella's world of color and texture through inspirational room settings, to the most intimate of details.

    Since the release of that book, he has honed his craftcontinuing without the use of computers, and screen-printing the work in his shop called the Bird Machine for bands such as the Melvins, the Shins, Modest Mouse, Andrew Bird, Shellac, My Morning Jacket, the Decemberists, Low, Built to Spill, Tortoise, and hundreds of others.This book features 120 of Jay Ryan's favorite pieces of art from the last three years, including text about each of the prints, detail photos (shot at the Museum of Contemporary Art in Chicago), and original drawings. With a foreword by Andrew Bird and an essay by best-selling novelist Joe Meno (Hairstyles of the Damned), this volume solidifies Jay's position as one of the most unique postermakers in a thriving and exciting field.Critical praise for Jay Ryan's 100 Posters, 134 Squirrels:“Jay Ryan's decade of rock-postering has produced some superb and arresting work...I cannot think of a better visual advertisement for underground rock: posters that are wild, articulate, and well made; posters with both a heart and a brain.”—PopMatters“Not only a gorgeous catalog of the artist's many memorable posters, but a history of sorts of the Chicago underground rock scene in the last 15 years.”—Chicago Sun-Times

    Many designers think that CSS is code, and that it's too hard to learn. Jason takes an approach to CSS that breaks it down around common design tasks and helps the reader learn that they already think in styles--they just need to learn to speak the language.Jason helps Web designers find their voice, walks them through the grammar of CSS, shows them how to write their design specs in CSS, and how to prepare it for screen, printer or handheld devices. Along the way designers will learn to optimize their code, make it accessible, optimize for search engines, mix it up with Flash, and more.

    With Forms, Folds & Sizes – Revised, you can just look them up! Including updated information and new topics, thishandbook provides designers with all the little details that can make or break a design, such as how much space to leave in the gutter when designing barrel folds, how to layout a template for a box and the ratios of each part, metric conversion charts, and standard envelope sizes in the USA, Europe, Canada and Asia.Featuring new topics such as sustainable design, web design, and grid design basics, Forms, Folds & Sizes – Revised is the one resource to turn to for answers to everything from folds and bindings to paper, imaging and much, much more!

    It shows how some of the latest and most experimental prints have been made using these techniques. It also shows how to use the computer as an image-making tool and how to translate digital images into tangible works of art. Each chapter has clear, step-by-step illustrations with extensive case studies, which help the student understand the technical aspects of each printmaking technique. Each chapter profiles a leading contemporary printmaker, with an interview and examples of their work. The appendices include many useful troubleshooting charts, indicating the problems that are likely to arise with different techniques, and what can be done to solve them. There is also a useful glossary of technical terms.

    Quixotic, often whimsical and definitely quirky, they provide a sanctuary from the Irish climate, which is frequently grey, cold and damp. No wonder, therefore, that over the centuries Ireland's domestic architecture and interior design has developed a distinctive personality in which colour and vivacity are highly prized. "Romantic Irish Homes" presents 15 of the finest examples of these traits, each one of them distinctive and yet sharing the same native spirit. From vast ancient castles through sturdy Georgian manors to small farmhouses, the majority of them never previously photographed, the homes featured here offer a unique insight into the Irish temperament and an exploration of a style of decoration that, while adapted to meet 21st-century demands, still retains an historic integrity. Photographed by Simon Brown, "Romantic Irish Homes" is every bit as charming and memorable as the Irish people themselves.

    Well-targeted copy and a strong brand voice are essential if you want to stand out from the competition.Copywriting shows how to write for all formats and contexts, from catalogs and products to advertising and websites. It explores the challenges of commercial writing, providing the tools to become a confident andversatile copywriter. Leading industry talents from both the US and UK are interviewed, major campaigns covering all areas of the industry are illustrated in color and examined in depth, and exercises and tips aid in developing writing, editing, and presentation skills.Revealing the secrets of this rapidly expanding profession, Copywriting provides the skills and techniques that will help you to thrive in the world of creative commercial writing.

    A science fiction book about design, it describes corporate identity beyond certainty, entwined with politics, speculation and information networks. Carved out from the multipolar geopolitical spaces of the early 21st century and the paradoxical leftovers and peripheries of ancient regimes and ruined ideologies, Uncorporate Identity is at once an artistic manifesto for design under globalization and a workbook of essays, narratives and truisms investigating the ambiguous state of identity and branding today.Authored by Metahaven, a design and research think tank consisting of Daniel van der Velden, Vinca Kruk and Gon Zifroni, Uncorporate Identity is edited by Marina Vishmidt and includes contributions by and collaborations with Armin Linke, Dieter Lesage, Chantal Mouffe, Peter van Ham, Regula StAmpfli, Michael Taussig, BAVO, Mihnea Mircan, Ruedi Baur, David Reinfurt, Adriaan Mellegers, Tina Clausmeyer and many others.

    Published on the occassion of an exhibition at the Danish Architecture Centre, Copenhagen, 21 February - 31 May 2009.

    The convergence of interactive technologies with conventional design spheres--furniture and lighting, interiors, product design--is one of the most exciting areas affecting consumer product development. Going beyond "smart" or embedded domestic technologies, these products offer new realms of customization and experience for consumers increasingly looking for products that are more than mere tools. Imagine chairs that conform to one's body, or a tablecloth whose pattern changes according to the mood or occasion. There's no longer any need for hardwood floors or wallpaper: new textures and finishes can be projected to create any conceivable ambience. Here is a world of design in which the latest digital technologies are ultimately placed in the hands of users, enriching lifestyles in new and unanticipated ways. 350 color illustrations.

    The postwar economic boom launched a generation of charming, cheeky, and relentlessly cheerful critters and characters that found their way into our homes--and our hearts--in print, on television, and on packaging. Some took detours that reflected the times (Elsie the Cow was sent into outer space in 1958). Some were fashion victims who survived (remember hippy Hush Puppies, circa 1969?). And some are no longer with us (the Frito Bandito was finally brought to justice in 1971). These endearingly offbeat characters are as fresh and entertaining today as they were creatively inspired in decades past.

    Just because we stress an apprenticeship does not mean that this 240+ page manual is lacking by any means! Basic Fundamentals of Modern Tattoo covers everything from how to build a tattoo machine to what types of needle configurations are best for each task. The best part of the book is that you get access to www.TeachMeToTattoo.com an interactive website designed specifically for the book. Where you can ask questions and get detailed information about each section of the book. As more information is added to the website the value increases.

    Saint Laurent’s extraordinary taste went well beyond the world of fashion, and in this lavish volume, the eight splendid homes he shared with friend and lifelong business partner Pierre Bergé are presented in immaculate detail. Notoriously shy, the designer and Bergé lived in luxury, surrounded by incomparable collections of furniture and art. From the serene interiors of their apartment on the Rue Babylone to the incandescent beauty of the Villa Majorelle in Marrakech, Bergé and Saint Laurent’s sensibilities come alive. Taken after Saint Laurent’s death in 2008, Ivan Terestchenko’s photographs capture these exquisite surroundings in full, showcasing nineteenth-century French décor, important paintings by modern and Romantic artists, and masterpieces of furniture, sculpture, and silver ranging from the Renaissance to the Art Deco era. Though the homes presented here are now empty, The Private World of Yves Saint Laurent and Pierre Bergé is a testament to a rare union of passion, elegance, and supreme connoisseurship.   “The quintessence of very grand and highly personal French taste.” -- Le Figaro  “As he did with fashion, Yves seized at one moment in time, a taste that was in the air, only to show his mastery. During the 1970s exoticism and Marrakech were currents in the air and St. Laurent became the authority. He was interested in Art Deco before it became fashionable, even before Andy Warhol and Karl Lagerfeld . . . St Laurent’s and Bergé’s taste is an expression of a culture and is always a story. When they decorated a house it was no longer an ordinary house: it became a story to tell.”-- Jacques Grange   “Takes readers . . . inside all eight of the couple's spectacular homes, from Paris to Marrakech.”-- Elle Decor  “Some of the most influential interiors of our time.”-- Town & Country  “(A) beautiful glimpse into their private world.”-- Habitually Chic  “A visually stunning book about a richly layered lifestyle built over the course of 40-plus years.”-- Home Design with Kevin Sharke y “(An) amazing book.”-- Decorati Access Interior Design Magazine  “You'll agree that this is a book with which you will be enchanted. And if a little of that YSL flair rubs off on us, all the better.”-- The Peak of Chic  “Terestchenko’s photographs beautifully capture the opulence and eclecticism of their dwellings.”--Clear “In this lavish volume, the eight splendid homes . . . are presented in immaculate detail.”-- California Home + Design “Sumptuously showcase(s) the eight immaculately designed homes (of Yves Saint Laurent and Pierre Bergé).”-- Elle <!--StartFragment--> “A stunning book.” ~ ESFN   FEATURED ON THE TODAY SHOW: Holiday Guide: Find the Perfect Book for Each Person on Your List (http://today.msnbc.msn.com/id/3350894...)

    Drawn with wit and grace, these clever sketches do not try to please or flatter the architectural establishment. Rather, they make an impassioned argument against what Krier sees as the unquestioned doctrines and unacknowledged absurdities of contemporary architecture. Thus he shows us a building bearing a suspicious resemblance to Norman Foster's famous London "gherkin" as an example of "priapus hubris" (threatened by detumescence and "priapus nemesis"); he charts "Random Uniformity" ("fake simplicity") and "Uniform Randomness" ("fake complexity"); he draws bloated "bulimic" and disproportionately scrawny "anorexic" columns flanking a graceful "classical" one; and he compares "private virtue" (modernist architects' homes and offices) to "public vice" (modernist architects' "creations"). Krier wants these witty images to be tools for re-founding traditional urbanism and architecture. He argues for mixed-use cities, of "architectural speech" rather than "architectural stutter," and pointedly plots the man-vehicle-landneed ratio of "sub-urban man" versus that of a city dweller. In an age of energy crisis, he writes (and his drawings show), we "build in the wrong places, in the wrong patterns, materials, densities, and heights, and for the wrong number of dwellers"; a return to traditional architectures and building and settlement techniques can be the means of ecological reconstruction. Each of Krier's provocative and entertaining images is worth more than a thousand words of theoretical abstraction.

    Like its predecessors, Los Logos: Compass offers a definitive overview of current developments and advancements in logo design the creative discipline that shapes the identities of brands, companies, and individuals. Comprised of 304 pages, and in a larger format than used in the past, Los Logos: Compass offers a rich, high-quality selection of up-to-the-minute logos that readers have come to expect. But the focus of the publication has been further sharpened from a comprehensive documentation to a competent classification of prevailing tendencies in design. In addition to illustrating the various co-existing design approaches and trends that are shaping logo design today, and will continue to influence it in the coming years, the book showcases outstanding work by noted designers in short text features. Los Logos: Compass aims to be not only an archive of current design, but to educate designers and clients about which approaches make the best fit for a given project independent of the latest trends. This issue is especially important in a challenging economy in which innovation and identity are essential. This fifth edition in the Los Logos series is not only a source of inspiration and an authoritative reference manual, but also a valuable compass that shows that every design problem is a variety of creative opportunities in disguise.

    Of course, the term also refers to any topic that conjures feelings of unease and discomfort. Furthering the partnership with MBP begun with the publication of Guess Who?, internationally acclaimed illustrator Noma Bar has compiled his newest collection of work, Negative Space.

    The book also discusses how readers can learn to read the signals an object sends, interpret meaning and discover historical context.Thinking: Objects provides an essential reference tool that will enable you to find your own style and succeed in the industry.

    The style was known as "artistic" and was quickly taken up by letterpress printers as the design idiom ofchoice for advertisements, packaging, and all of the other ephemera occasioned by the rapid expansion of America's economy. For a while, this commercial style represented the best in popular taste. But just as quickly as this exuberant style was embraced, it fell abruptly out of favor. By century's end, the ornate bits of artistic printing were tossed into the gutter, and the style itself relegated to the dustbin of history. The rise and fall of this highly embellished idiom, which culminated in its denouncement as aesthetically and morallysuspect"a freak of fancy"are traced in this, the first comprehensive study devoted to the history of American artistic printing. Authors Douglas Clouse and Angela Voulangas explore the style's origins in the British Aesthetic Movement and analyze its distinctive features: idiosyncratic color harmonies, eclectic choice of type andornament, compartmentalized compositional strategies. They also present a landmark portfolio of letterpress printing samples, drawn from some of the most important public and private print archives. More than 150 examples of period ephemera, printers' own tour de force promotional pieces, and specimens of type and ornament are reproduced, many for the very first time since their initial circulation more than a century ago.The Handy Book of Artistic Printing celebrates a previously berated and today largely forgotten episode of design historyone of increasing interest in light of the recent embrace of ornament by some leading contemporary designers. This book will be of value to graphic designers, but also to fine artists, visual merchandisers, and collectors of ephemera everywhere.

    Using "The Enchanted Vision"--a three-day lecture delivered by Duquette at UCLA in the early 1970s--as its springboard, More Is More conveys through lavish illustrations Duquette's artistic credo on the arts of living and the living arts. Author Hutton Wilkinson explains Duquette's design philosophy, creative process, and studio practices, as well as the evolution of his exceptional style and vision.While Duquette's own work receives full attention, an entire chapter is devoted to the artwork and persona of his wife, Elizabeth "Beegle". This personal dimension is further enhanced by countless anecdotes about the fabulous life they led together: their international travels, active social lives among royalty and the jet-set, their many dinner parties and gatherings, their homes and studios.The final chapter reveals that Duquette's legacy is alive and well as Wilkinson continues to develop the Duquette style and expand the brand across the globe.

    Tangible presents graphic-inspired design, objects and orchestrated spaces by exceptional young creatives that are producing striking visual and spatial work.

    Beautifully designed, accessible, and informative, these little books are a repository of ideas and inspiration for designers of all kinds. Included in each volume is a CD of all the images shown within--to be redrawn, reworked, or even licensed for further use.  The books are available individually or in a beautiful decorative slipcase.The FiftiesThe Fifties produced some of the most inventive and innovative twentieth-century pattern designs as the emerging trend for abstraction in the fine arts--as exemplified by Miró, Calder, and Klee, for instance--acted as a stimulus for many European and American designers.

    This nuts-and-bolts guide to building Italian-style walks the reader through all the elements that make the rustic Italian home so unique, from the hand-laid stone walls to the artisanal stucco wall finishes. Author Elizabeth Minchilli, an American design writer based in Rome and Tuscany, received dozens of questions from readers after publishing her last book, Artisan's Restoring a Home in Italy. The queries went beyond the usual searches for fabric and couches. "People were hungry to know how terra-cotta tiles were laid, or how fireplaces were built," she says. Italian Rustic, researched with the help of her Italian architect husband, is the user-friendly result: a book that explains, in clear text accompanied by photographs and drawings, how to lay a tile floor a la Italiana, or add a Tuscan-style pergola to any garden. With more than 300 stunning photographs shot on location in Tuscany and Umbria, the book contains profiles of local artisans, engaging text on how the farmhouse style evolved, and targeted advice on how Americans can find Italian-style building materials and craftsmen close to home. This essential sourcebook will appeal to anyone building an addition or an entire house from scratch, or for homeowners who want to add just a touch of Italian style to their houses.

    It is in the permanent design collections of museums throughout the world. Founded by designer Rudy VanderLans and a group of friends, and coinciding with the birth of the Macintosh computer, Emigre magazine lived at the vanguard of computer generated design. Fueled by Emigre's succesful digital type foundry, the magazine became one of the most popular and controversial graphic design magazines published during the 1990s.Designed and edited by VanderLans, Emigre, the book, is a selection of reprints, using original digital files, tracing Emigre's development from its early bitmap design days through to the final twice-yearly book-sized issues co-published with Princeton Architectural Press.Also Includes:* 32-page booklet of Letters to the Editor, 'Dear Emigre'* CD-Rom with music and videos published by Emigre* Full-sized commemorative poster

    It is a place where well-tanned Italians joyfully share the islands beauty with celebrities and emphatic island lovers: from limoncello, the native digestivo, to its eponymous Capri pants, to the bright turquoise jewelry and bejeweled sandals made famous by its glamorous denizens.In a colorful tribute to the isle adored by literary icons and the jet set alike, author Pamela Fiori explains with resonant texts and vibrant images the effortless charm of this fabled island.

    Each beautifully designed, affordable volume offers a concise overview of a design fundamentalthe hows of design. But as most seasoned designers will tell you, a comprehensive education also requires an understanding of the whys of design practice. Graphic Design Theory presents groundbreaking, primary texts from the most important historical and contemporary designthinkers. From Aleksandr Rodchenko's "Who We Are: Manifesto of the Constructivist Group" to Kenya Hara's "Computer Technology and Design," this essential volume provides the necessary foundation for contemporary critical vocabulary and thought. Graphic Design Theory is organized in three sections: "Creating the Field" traces the evolution of graphic design over the course of the early 1900s, including influential avant-garde ideas of futurism, constructivism, and the Bauhaus; "Building on Success" covers the mid- to late twentieth century and considers the International Style, modernism, and postmodernism; and "Mapping the Future" opens at the end of the last century and includes current discussions on legibility, social responsibility, and new media. Striking color images illustrate each of the movements discussed and demonstrate the ongoing relationship between theory and practice. A brief commentary prefaces each text, providing a cultural and historical framework through which the work can be evaluated. Authors include such influential designers as Herbert Bayer, Lszl Moholy-Nagy, Karl Gerstner, Katherine McCoy, Michael Rock, Lev Manovich, Ellen Lupton, and Lorraine Wild. Additional features include a timeline, glossary, and bibliography for further reading. A must-have survey for graduate and undergraduate courses in design history, theory, and contemporary issues, Graphic Design Theory invites designers and interested readers of all levels to plunge into the world of design discourse.

    I wanted people to look at the artwork and hear the music." —Alex Steinweiss Alex Steinweiss invented the album cover as we know it, and created a new graphic art form. In 1940, as Columbia Records’ young new art director, he pitched an idea: Why not replace the standard plain brown wrapper with an eye-catching illustration? The company took a chance, and within months its record sales increased by over 800 per cent. His covers for Columbia—combining bold typography with modern, elegant illustrations—took the industry by storm and revolutionized the way records were sold. Over three decades, Steinweiss made thousands of original artworks for classical, jazz, and popular record covers for Columbia, Decca, London, and Everest; as well as logos, labels, advertising material, even his own typeface, the Steinweiss Scrawl. He launched the golden age of album cover design and influenced generations of designers to follow. Less well known—but included here—are his posters for the U.S. Navy; packaging and label design for liquor companies; film title sequences; as well as his fine art. Includes essays by three-time Grammy Award-winning art director/designer Kevin Reagan and graphic design historian Steven Heller; Steinweiss’ personal recollections from an epic career; and extensive ephemera from the Steinweiss archive. Record collectors and graphic designers rejoice! Previously available in a limited edition, the book is finally available in an affordable trade version.

    It is now possible to transfer designs made on a computer to computer-controlled machinery that creates actual building components. This "file to factory" process not only enables architects to realize projectsfeaturing complex or double-curved geometries, but also liberates architects from a dependence on off-the-shelf building components, enabling projects of previously unimaginable complexity.Digital Fabrications, the second volume in our new Architecture Briefs series, celebrates the design ingenuity made possible by digital fabrication techniques. Author Lisa Iwamoto explores the methods architects use to calibrate digital designs with physical forms. The book is organized according to five types of digital fabrication techniques: tessellating, sectioning, folding, contouring, and forming. Projects are shown both in their finished forms and in working drawings, templates, and prototypes, allowing the reader to watch the process of each fantastic construction unfold. Digital Fabrications presents projects designed and built by emerging practices that pioneer techniques and experiment with fabrication processes on a small scale with a do-it-yourself attitude. Featured architects include Ammar Eloueini/DIGIT-AL Studio, Elena Manferdini, Brennan Buck, Michael Meredith/MOS, Office dA, Mafoomby, URBAN A+O, SYSTEM Architects, Andrew Kudless, IwamotoScott, Howeler Yoon, Hitoshi Abe, Chris Bosse, Tom Wiscombe/Emergent, Jeremy Ficca, SPAN, Urban A&O, Gnuform, Heather Roberge, Patterns, and Servo.

    This handy volume takes the mystery out of font selection by displaying the entire alphabet and numerals for 1000 unique typefaces, making it easy for designers—or anyone who works with type—to find the perfect face for any job. An easy-to-understand icon system organizes hundreds of fonts, making searching and cross-referencing easy. And, an additional feature, color photos offer real-world examples of many of the fonts in action, showing how they translate from screen to final layout. Accessible and thorough, 1000 Fonts is an indispensable tool for novice and expert designers alike.

    In Switzerland, in the 1970s, tens of thousands lost their jobs in the watch industry, and for a time it looked as if a 500-year-long tradition of skills would be lost forever. Today, against the odds, artist craftsmen have triumphantly brought about the renaissance of the mechanical handmade watch.The aesthetic agenda is being set by a group of remarkable independents. This book tells their story, and it is beautifully illustrated with hundreds of examples of their virtuoso work.Here is George Daniels, who systematically set out to surpass the skills of the most celebrated watchmaker of all time, Abraham Louis Breguet. Daniels, the world’s most renowned watchmaker, has even improved upon those eighteenth-century skills by inventing a lever escapement requiring no lubrication. Svend Andersen (Denmark), Vincent Calabrese (Italy), Alain Silberstein and Vianney Halter (France), Aniceto Jiménez Pita (Spain), Marco Lang (Germany), Philippe Dufour, Antoine Preziuso, and Franck Muller (Switzerland), and Roger Smith (England) are among the other participants. In addition to the major interviews, other craftsmen and workshops from Switzerland, Austria, Germany, Holland, Finland, Ireland, and Hungary are introduced and illustrated.

    For more than 15 years, Mike Mills' works in the fields of design and film have determined the visual landscape of our times. Graphics Films is a painstakingly produced document of Mills' career to date, including many never-before-seen examples of his works in graphic design, installation, publications and film projects. Past projects by Mills include music videos for Air (-Sexy Boy-), Blonde Redhead (-Top Ranking-), Yoko Ono (-Walking on Thin Ice-) and Bran Van 3000 (-Afrodiziak-) and album cover designs for the Beastie Boys (the Root Down EP), Sonic Youth (Washing Machine), Air (Moon Safari and Kelly Watch the Stars) and others. He has designed graphics and textiles for Marc Jacobs and created the identity for X-Girl Clothing, and has exhibited his unique graphic installations worldwide, with solo shows at Andrea Rosen Gallery in New York and Colette in Paris, among others. In 1996 Mills cofounded The Directors Bureau, a multidisciplinary production company, with Roman Coppola. Since then, he has directed an impressive slew of music videos and films including The Architecture of Reassurance (2000) and Paperboys (2001), both of which were official selections at the Sundance Film Festival. In 2004 he completed his first feature film, Thumbsucker (starring Keanu Reeves and Tilda Swinton), and he is currently at work on his second.

    Feeling blue. White lies. Grey areas. In every language spoken on earth human beings use colors to express themselves. World renowned author, Vladimir Nabokov*, claimed he could hear color and actually assigned a color to each letter of the alphabet based on each letter's particular sound. The Eskimos of the polar regions have countless words that uniquely describe the color white. In the world of graphics some designers have devoted their entire body of work to one color, sometimes showing it off in all of its full-bodied glory, sometimes stripping it back to its barest essentials.Colour Mania brings together an eclectic group of talented designers who have one thing in common: they are artists who simply can't get enough of one particular color be that red, orange, yellow, green, blue, purple, black or white. This book offers a depth of understanding of individual colors that is unprecedented.

    Yet, the frustrations and convoluted "work-arounds" often encountered make it clear that there is substantial room for improvement. Drawn from more than 60 years of combined experience studying, implementing, and teaching about performance in human-technology systems, Display and Interface Design: Subtle Science, Exact Art provides a theoretically-based yet practical guide for ecological display and interface design.Written from the perspective of cognitive systems engineering and ecological interface design, the book delineates how to design interfaces tailored to specific work demands, leverage the powerful perception-action skills of the human, and use powerful interface technologies wisely. This triadic approach (domain, human, interface) to display and interface design stands in sharp contrast to traditional dyadic (human, interface) approaches. The authors describe general principles and specific strategies at length and include concrete examples and extensive design tutorials that illustrate quite clearly how these principles and strategies can be applied. The coverage spans the entire continuum of interfaces that might need to be developed in today's work places.The reason that good interfaces are few and far between is really quite simple: they are extremely difficult to design and build properly. While there are many books available that address display design, most of them focus on aesthetic principles but lack scientific rigor, or are descriptive but not prescriptive. Whether you are exploring the principles of interface design or designing and implementing interfaces, this book elucidates an overarching framework for design that can be applied to the broad spectrum of existing domains.

    This selection of the very best—curated by Spike Lee and Aaron Perry-Zucker—is a visual document of the most inspirational U.S. presidential campaign in living history. From its inception, the Barack Obama campaign was destined to make history. Its message of inclusion and empowerment was spread by thousands of volunteers, a grassroots organization of unprecedented size and enthusiasm. Design for Obama built on this spirit with an online forum where artists, designers and supporters could upload their artworks and download others. Shepard Fairey’s social realist "Hope" poster became 2008’s enduring image, inspiring scores of designs that appeared on the streets, at rallies and registration drives, and in homes and offices around the country. Edited by designforobama.org founder Aaron Perry-Zucker and filmmaker Spike Lee, this collection showcases over 200 of the best pro-Obama posters. Contributors range from prominent graphic and street artists to young up-and-comers. With essays by Spike Lee, Perry-Zucker, and design historian Steven Heller, this outstanding collection serves as a matchless historical document of the widespread visual creativity that helped spur Obama to victory.

    Exceptional examples of large-scale radical renovations and adaptations of industrial wasteland, bunkers, abandoned churches and forsaken rural centres are featured along with creative transformations of smaller building units in the urban and rural context. These overlooked architectural sites are reborn as inhabitable residences, working spaces, art spaces and hotels. This unique collection of inspiring architectonic transformations affirms this sprawling area of innovation and at the same time presents social and cultural interplay between past, present and future.

    Explores and celebrates magazine culture through cutting-edge visuals and editorial contributions from around the world.

    The unprecedented global scope of this collection of over 750 key buildings juxtaposes architectural icons with regional masterpieces.Divided into six world regions, the collection is the result of a rigorous selection process and the input of more than 150 specialists from around the world. Each building is fully illustrated and described by a short text. In addition, a mass of useful information is provided. This includes details of architects' practices and extensive indexes. Comprehensive world data illustrates the changing economic and political contexts of architectural production throughout the century.

    

    Its use of the most modern design approaches and latest marketing methods quickly made it famous and unrivaled. Its clients were international corporations like Gillette, Jaguar, Ferrero, Knoll International, Olivetti, Pirelli, Ranx Xerox, Unilever, IBM, as well as American Airlines and Ford, for which it created visual corporate identities that are still in use today.Unimark was known for always using the latest technological innovations and for using computers long before anyone else. With their visual outlook, Unimark designers had a defining influence on our environment; they left an enduring legacy with their practice and their theory. Many Unimark designers have been honored with international awards for their achievements. A distinctive hallmark of Unimark design is the systematic use of the Helvetica typeface for the corporate identity of firms.

    It is fundamental to the fields of civil, mechanical, chemical and bioengineering. This time-tested text has been used for over 35 years to introduce junior and senior-level undergraduate engineering students, as well as graduate students, to the basic principles of continuum mechanics and their applications to real engineering problems. The text begins with a detailed presentation of the coordinate invariant quantity, the tensor, introduced as a linear transformation. This is then followed by the formulation of the kinematics of deformation, large as well as very small, the description of stresses and the basic laws of continuum mechanics. As applications of these laws, the behaviors of certain material idealizations (models) including the elastic, viscous and viscoelastic materials, are presented.This new edition offers expanded coverage of the subject matter both in terms of details and contents, providing greater flexibility for either a one or two-semester course in either continuum mechanics or elasticity. Although this current edition has expanded the coverage of the subject matter, it nevertheless uses the same approach as that in the earlier editions - that one can cover advanced topics in an elementary way that go from simple to complex, using a wealth of illustrative examples and problems. It is, and will remain, one of the most accessible textbooks on this challenging engineering subject.Significantly expanded coverage of elasticity in Chapter 5, including solutions of some 3-D problems based on the fundamental potential functions approach.New section at the end of Chapter 4 devoted to the integral formulation of the field equationsSeven new appendices appear at the end of the relevant chapters to help make each chapter more self-containedExpanded and improved problem sets providing both intellectual challenges and engineering applications

    These selected essays represent a new approach to the way managers learn and act in response to their environment and the way organizational change evolves. Readers of this volume will find a wealth of examples and insights which go well beyond thinking and cognition to explain action. The author's ideas are at the forefront of our thinking on leadership, teams, and the management of change. "This book engages the puzzle of impermanence in organizing. Through rich examples, evocative language, artful literature citing, and imaginative connecting, Weick re-introduces core ideas and themes around attending, interpreting, acting and learning to unlock new insights about impermanent organizing. The wisdom in this book is timeless and timely. It prods scholars and managers of organizations to complicate their views of organizing in ways that enrich thought and action." - Jane E. Dutton, Robert L. Kahn Distinguished University Professor, University of Michigan

    One of the first American designers to mix graffiti and a punk aesthetic with fashion, Sprouse manipulated conventional notions of style, and his unique sensibility has inspired designers from John Galliano to Raf Simmons to Marc Jacobs. Sprouse’s career started in the late seventies, when, after working for Halston, he migrated to a warehouse on the Bowery and started making outfits for his neighbor, Debbie Harry. The fashion world quickly embraced his innovative, culturally relevant sensibility and downtown edge. But Sprouse’s inability to compromise his artistic vision for the rigid fashion business compromised his commercial success. The Padilhas possess the largest private collection of Sprouse’s work, and were given exclusive access to his archives by his family for this project. They also obtained never-before-published images from photographers such as Steven Meisel, Bob Gruen, and Mert and Marcus. The book features a foreword by the novelist Tama Janowitz, one of Sprouse’s closest friends. The release of this book coincides with a retrospective at Deitch Projects. The book will be available with four different jackets, each featuring a different Day-Glo color, an homage to Sprouse’s iconic album cover for Debbie Harry’s Rockbird.

    That's the theme running through Handcrafted CSS: More Bulletproof Web Design, by bestselling author Dan Cederholm, with a chapter contributed by renowned Web designer and developer Ethan Marcotte. This book explores CSS3 that works in today's browsers, and you'll be convinced that now's the time to start experimenting with it.Whether you're a Web designer, project manager, or a graphic designer wanting to learn more about the fluidity that's required when designing for the Web, you'll discover the tools to create the most flexible, reliable, and bulletproof Web designs. And you'll finally be able to persuade your clients to adopt innovative and effective techniques that make everyone's life easier while improving the end user's experience. This book's seven chapters deconstruct various aspects of a case-study Web site for the Tugboat Coffee Company, focusing on aspects that make it bulletproof and demonstrate progressive enrichment techniques over more traditional labor-intensive methods.Subjects covered in this book include: building for unanticipated future use progressively enriching designs using CSS3 properties using RGBA color for transparency with an alpha channel modular float management crafting flexible frameworks fluid layouts using grid-based design principles craftsmanship details on typography, jQuery, and shifting backgrounds

    Book by Roam, Dan

    This cutting-edge anthology from Yaiza Nicolas and Andres Gonzalez Fernandez includes both established and emerging illustrators and hundreds of full-color examples of their artwork, catagorized according to theme and organized in a visual index for quick reference.

    Take the high-waist jeans, simple yet bold graphics and the big hairstyles, designers still love and get inspired by them. Flashback is an edition where we showcase the latest yet evocative designs from around the globe and reveal this recurrent habit. This could mean simple designs with brave colour choices, bold fonts on sephia-tone paper, strong geometric forms, streamlined graphics, and lots more.So let's take a trip down memory lane with Flashback.

    R. Geigy AG was the launching pad for one of the great periods of Swiss graphic design, in the 1950s and 1960s. The open-minded corporate culture of the chemical company in Basel combined product and company advertising in an exemplary way. The resulting works reveal a modernist formal idiom without being indebted to a specific, formulaic look. There was room in it for visual symbolism as well as the acquisition of nonrepresentational art, with which some of the graphic designers involved were connected. Under the leadership of Max Schmid for many years, the studio employed Roland Aeschlimann, Karl Gerstner, Jaarg Hamburger, Steff Geissbahler, Andreas His, Toshihiro Katayama, and Nelly Rudin, among others. Freelance designers such as Michael Engelmann, Gottfried Honegger, Armin Hofmann, Herbert Leupin, Warja Lavater, Numa Rick, and Niklaus Stoecklin were also used. In the 1960s, the Basel office, most especially George Giusti and Fred Troller, was involved in developing the studios of the subsidiaries in the United States and the United Kingdom, placing more emphasis on advertising. This is the first comprehensive presentation of Geigy design, an important Swiss contribution to the international history of design, in all its determination and independence.

    101-1,600: Limited to 1,500 numbered copies, each signed by the artist. Also available in an Art Edition (No. 1-100), including a serigraph print."I love music so much and I had such ambition that I was willing to go way beyond what the hell they paid me for. I wanted people to look at the artwork and hear the music." —Alex Steinweiss Alex Steinweiss invented the album cover as we know it, and created a new graphic art form. In 1940, as Columbia Records’ young new art director, he pitched an idea: Why not replace the standard plain brown wrapper with an eye-catching illustration? The company took a chance, and within months its record sales increased by over 800%. His covers for Columbia— combining bold typography with modern, elegant illustrations —took the industry by storm and revolutionized the way records were sold. Over three decades, Steinweiss made thousands of original artworks for classical, jazz, and popular record covers for Columbia, Decca, London, and Everest; as well as logos, labels, advertising material, even his own typeface, the Steinweiss Scrawl. He launched the golden age of album cover design and influenced generations of designers to follow. Less well known—but included here—are his posters for the U.S. Navy; packaging and label design for liquor companies; film title sequences; as well as his fine art. Includes an essay by design historian Steven Heller; Steinweiss’ personal recollections from an epic career; and extensive ephemera from the Steinweiss archive, most of it never before published.

    You will discover how to: Find your voice and own your inner brilliance; Lead a group with beginner's mind; Uncover inspiration when you most need it; Recognize and utilize the creative wisdom in the room; and Turn the messy business of being human into the stuff that makes you grow. Shakti Gawain said, "I loved Getting Messy! It's one of those gems that will guide you toward greater self awareness." Getting Messy is a must-read for teachers, trainers, coaches, mentors, and group facilitators. Parents, consultants, counselors, and others who work with people in meaningful ways will also find it helpful. Packed full of wisdom and insight, Getting Messy is a valuable resource for those who wish to expand the range of creative possibility in a range of diverse teaching and learning situations.

    Rice: California Block Prints is the first book published on the artists work and presents more than sixty of his color block prints dating from 1910 to 1935. Among the prints featured are scenes from Yosemite, Mt. Shasta, Monterey, Carmel, the San Francisco Bay Area, Lake Tahoe, and other California landmarks. An essay by Roberta Rice Treseder, Rices daughter, recounts his life and achievements, with special emphasis on his block printing methods and materials.

    Meanwhile, off camera, summer campers all over America packed up their gear, preparing to depart Scout camps, computer camps, and sports camps, and millions of recreational vehicles owners were on the road, permanent itinerant campers. In Camps, Charlie Hailey examines the space and idea of camp as a defining dimension of 21st-century life.The ubiquity and diversity of camps calls for a guidebook. This is what Hailey offers, but it is no ordinary one. Not only does he establish a typology of camps, but he also embeds within his narrative a key to camp ideology. Thus we see how camp spaces are informed by politics and transform the ways we think about and make built environments. Hailey describes camps of diverse regions, purposes, and forms, and navigates the inherent paradoxes of zones that are neither temporary nor permanent: camps of choice, including summer camps, protest camps, drift camps (research stations on Arctic ice floes), and LTVA (Long-Term Visitor Area) Camps; strategic camps regulated by power--boot camps, GTMO (the detention camp at Guant�namo Bay), immigrant camps, and others;--and transient spaces of relief and assistance, among them refugee camps, FEMA City, work camps, and Gypsy camps. More than 150 diagrams, sketches, building and site plans, photographs, political cartoons, video game screenshots, aerial and satellite images, and maps illustrate camp space in unprecedented complexity and variety.Today camps are at the center of emerging questions of identity, residency, safety, and mobility. Camp spaces register the struggles, emergencies, and possibilities of global existence as no other space does.

    Rather than focusing on the "how to" aspects of digital photography, author Jim Krause focuses on the "what if" aspects. You'll learn how to use your camera to explore the world around you from different perspectives and how to capture awe-inspiring digital images. For inspiration, you'll find a vast assortment of photos of household objects, plants, animals, machines, architectural details, treasure and trash. Krause shares his shooting techniques—both on-site and post-shooting digital treatments—so you can train your eyes to look for situations that will allow you to capture shots and create remarkable compositions.

    It challenges the next generation of graphic designers to re-envision packaging design as a less environmentally destructive practice than it presently is, and examines an array of techniques and methodologies for creating innovative and sustainable packaging designs, from first concept to final production. The book is organized into two distinct sections embracing first the theory, including many case studies, and then the practice of eco-friendly packaging design. In the first part of the book, after introducing the student to the background of packaging design and its purpose, the author focuses on issues of sustainability. Through a series of case studies and interviews he looks at some of the companies that are leading the way in sustainable packaging. The second part of the book provides practical information on creating eco-friendly packaging and follows various projects through, step by step.

    The journey taken by the birds is an allegory for the different stages on the Sufi path to enlightenment and the soul’s search for unity with the Divine. For this exquisite book, Farah K. Behbehani relates the tales of the ten birds and their leader, illustrating the Arabic name of each bird in Jali Diwani calligraphy. A line from the Arabic version of the poem that captures each bird's essence is also illustrated and explained.

    With a rough-hewn, up-close approach she delves into the fascinating details behind the scenes. Her collection of snapshotstyle photographs convey the buzz of fashionas consistently most inspiring spectacle. A bold mixture of color and black-and-white, these images are by turns whimsical and awe-inspiring. As much a star as the celebrities she profiles, Lowit brings an insider perspective to this world of high glamour.

    Powerful, brilliant pictures—presented in just the right layout—can make us experience a whole range of emotions, from fear to attraction, anger to happiness.The Society of Publication Designers' (SPD) annual competition seeks the very best in editorial design work. Judged by a worldwide panel of top designers, the43rd edition of Rockport’s best-selling SPD series celebrates the journalists, editorial directors, photographers, and other talented individuals who brought events of the year 2007—with all its triumphs and disasters—to our doorsteps and computer screens.Stunning full-page layouts present everything from products to people, and objects to events, in ways that make each palpable and unforgettable. Featuring work published in a wide range of mediums and created by journalistic, design, and publishing talent from around the world, this stunning volume celebrates the people and firms who represent editorial design at its best.

    Book annotation not available for this title.

    He wasn't looking for just any designer. He wanted to find a designer who could design complex technology that was simple to use."Follow a young man's journey as he discovers the three secrets of user-centred design.It's a small book that has big results.

    This monograph focuses on Kahn’s major designs – from the Yale Art Gallery in New Haven, Connecticut, the Salk Institute, La Jolla, California, the Kimbell Art Museum in Fort Worth, Texas, Phillips Exeter Library, Exeter, New Hampshire to the National Capital of Bangladesh and the Indian Institute of Management in Ahmedabad – as well as a number of unfinished projects, in order to understand his work and philosophy

    Escher, sprinkle in a pinch of William Morris, and you'll get Drip Dot Swirl.An exceptional resource for creatives who love pattern, but can't devote hundreds of hours to developing swatches, Drip Dot Swirl is an amazing library that contains 94 original vector patterns. Styles range from intricate knotwork to subtle florals to retro wallpaper to alien-inspired mazes. The patterns are equally useful for personal or professional projects.This eye-popping book and DVD feature handcrafted vector patterns which tile seamlessly. With examples from ten artists, you'll see how top designers and illustrators use the patterns in various projects. The DVD contains all 94 source files in vector EPS format (with three color options per pattern), swatch libraries and PDF tutorials on how to use the files. Both beginners and advanced design professionals will be able to jump right in.Drip Dot Swirl explodes with unique illustrative patterns. The diverse selection to choose from will help jump-start your imagination. It's a resource that can be used again and again, for brochures, scrapbooks, illustrations, website backgrounds, textiles, crafting, altered art and more. Designers and illustrators who want to wield the power of pattern will keep this book handy.

    Beginning with a brief history of couture, the book provides fully illustrated instructions on constructing a couture dress from start to finish. It covers tools and supplies, stitching of different kinds of closures, and draping techniques used in designing shirts, skirts, and dresses. It also includes discussions of corsetry and executing accurate stitches. After reading this book, students will understand the various haute couture methods, particularly how these methods affect design decisions and relate to the quality of these very special garments. Instructors, contact your Sales Representative for access to Instructor's Materials.

    They are among the twenty-one real-life renovations featured in this essential resource—from stately town houses to brownstone fixer-uppers—to give the true experience of creating an urban oasis on any street. Whether hunting for rare chandeliers, salvaging floorboards for new tabletops, or removing walls to let more light in, all the nuts and bolts of restoration are here. In Boston, a young family's renovation takes three years and includes every modern amenity (a media room, home gym, elevator), but saves most of the original interiors (window shutters and seats, marble fireplaces). A Baltimore couple—both stars of the graphic design world—must reconcile their cutting-edge tastes with their traditional surrounds. From furniture and color to rooftops and terraces, Restoring a House in the City offers a treasury of inspiration and ideas, as well as a lavish illustrated tour of some of the best done renovations in the business.

    Alongside his own history, Sean has assembled a wealth of recollections and stories from prominent artists and skateboarders such as Andy Howell, Barry McGee, Ed Templeton, Steve Caballero, and Tony Hawk. The end result is a fascinating historical account of art in the skateboard subculture, as told by those directly involved with shaping its legendary creative face. Decades after its first printing, the graphics and stories within are as provocative as they day they were first conceived.

    Aiming to rethink the form of modern life, the Bauhaus became the site of a dazzling array of experiments in the visual arts that have profoundly shaped the world today. Bauhaus 1919-1933: Workshops for Modernity, published to accompany a major multimedia exhibition, is The Museum of Modern Art's first comprehensive treatment of the subject since its famous Bauhaus exhibition of 1938, and offers a new generational perspective on the twentieth century's most influential experiment in artistic education. Organized in collaboration with the three major Bauhaus collections in Germany (the Bauhaus-Archiv Berlin, the Stiftung Bauhaus Dessau and the Klassic Stiftung Weimar), Bauhaus 1919-1933 examines the extraordinarily broad spectrum of the school's products, including industrial design, furniture, architecture, graphics, photography, textiles, ceramics, theater and costume design, painting and sculpture. Many of the objects discussed and illustrated here have rarely if ever been seen or published outside Germany. Featuring approximately 400 color plates, richly complemented by documentary images, Bauhaus 1919-1933 includes two overarching essays by the exhibition's curators, Barry Bergdoll and Leah Dickerman, that present new perspectives on the Bauhaus. Shorter essays by more than 20 leading scholars apply contemporary viewpoints to 30 key Bauhaus objects, and an illustrated narrative chronology provides a dynamic glimpse of the Bauhaus' lived history.

    Ranging from early antiques such as the 1680 Wainscot Chair and the 1740 Louis XV Chaise Lounge, to modern day collectibles such as Marc Newson's 1988  Embryo and Tom Dixon's 2007 Wingback, here are over 100 breathtaking chairs, all photographed on location.This lavish celebration of Chairs offers design aficionados and furniture lovers both authoritative text and 400 stunning photographs .In this beautifully designed volume, the chair really is the hero.

    You're not a professional designer, but you want your slides to look professional. What do you do?Enter Robin Williams, the beloved, best-selling non-designer's designer (with over 850,000 copies of The Non-Designer's Design Book in print!) who has taught an entire generation the basics of design and typography. In The Non-Designer's Presentation Book, Robin expands upon the design principles introduced in her award-winning Non-Designer's series. She explains four fundamental principles of good design as applied to digital presentations, and adds four more principles specific to clear communication with slides.Whether you work with a Mac or PC, PowerPoint or Keynote, let Robin guide you, in her signature, light-hearted style, through the entire process of creating a presentation—from using the right software to organizing your ideas to designing effective, beautiful slides that won't put your audience to sleep.In this essential guide to presentation design, you'll learn:• What makes a good presentation or a bad one• How to plan, organize, and outline your presentation• Four principles of designing effective presentations• Four principles for designing beautiful slides that communicate clearly• An exhaustive list of timeless presentation rules ... that you should totally ignore

    Handy? And how! This delightful collection offers 225 vintage-inspired textile patterns ready to print out and craft up. The book pages feature the colorful designs from which users can choose to reproduce from the included disk. The patterns come from celebrated fabric purveyor Reprodepotthe savvy crafter's first stop for fabrics. Founder Djerba Goldfinger hand-selected her favorites for the books: Flora gathers together sweet blossomy designs, while Folk features homey motifs. Each book includes step-by-step directions for ten fabulous papercraft projectsan invitation suite, party decorations, gift tags, and more. With the disk embedded in the front, these books are both user-friendly and as pretty as can be.

    Alastair Duncan celebrates art deco's rich variety of form and its diverse international roots as the very factors that make it a perennial favourite of modern collectors and designers.

    What is the spirit of this moment, and how does architecture reflect the creativity as the first decade of the 21st century draws to a close? Architecture Now! 6 is THE reference for what is happening and what is to come. Easy-to-navigate illustrated AZ entries include current and recent projects, biographies, contact information, and web sites.

    While it is incredibly convenient to have all these tools readily available in one suite, it also contributes to confusion with managing media from one product to the next.That's where this book comes in! Popular author Joseph Lowery walks you through best practices for refining, streamlining, and improving your workflow from one product to the next.Offers a clear overview of exactly what methods work best when transitioning from one Adobe CS4 product to another Demonstrates how to smoothly transition from one CS4 product to another Includes step-by-step examples of an exemplary workflow used throughout the chapters so you can watch its progression With a more streamlined workflow and a better understanding of how the Adobe CS4 products work in cohesion, you're well on your way to making the Adobe suite work for you.

    By 1933, when the Nazis forced the school to close, Albers had become one of its best-known artists and teachers. Having migrated with his wife Anni to the U.S., where he taught at Black Mountain College and at Yale, Albers began to experiment with the optical effects of simple color combinations. The experimentation blossomed into a lifelong obsession that would culminate in his best-known series of paintings, Homage to the Square, in which he painted several differently-colored squares within larger squares in order to illustrate his theory that alterations in environment, shape and light would produce changes in color. This edition contains impeccable reproductions of Albers' famous series, which beautifully illustrate the artist's primary thesis, that the discrepancy between visual information received by the retina and what the mind perceives proves that this information is not intrinsic to color itself, but is dependent on its relationship with its surroundings.

    Over forty exemplary projects by internationally renowned architecture practices such as Renzo Piano and OMA founder Rem Koolhaas are featured in addition to social initiatives such as Brad Pitt's Make It Right Foundation. From a zero emission ice station facility in Antarctica to the High Line public promenade in New York, it represents a broad range of environmentally mindful concepts that are outstanding architectonically and also devoted to regional environmental and social conditions as well as their global impact.

    Trick or Cheat shows how an ordinary project can be turned into the exceptional simply by using an unexpected twist in format, material or concept to capture the imagination and attention of the target audience. In a world overcrowded with ads that are all openly or surreptitiously trying to pervade our consciousness it is becoming increasingly difficult for the world's creative talent to come up with ideas and concepts the consumer finds fresh and exciting. This book focuses on tricky, sometimes risky approaches that have proved highly successful. Features print ads, brochures, promotional material, posters and a wide range of other media.

    This book records the creative process & the finished results.

    An amazing reference, this book provides insight into how designers from varied backgrounds approach their work, how different cultures associate communication and creativity in different ways, and how we see this reality used, pushed to its limits, and even completely transformed by design. No matter where you are from, this book will leave you with a broadened awareness of your own visual taste and an in-depth, contextual understanding of graphic design worldwide.

    New digital textile-printing technology is enabling designers to work with an almost unlimited palette of colors to produce work of staggering detail in relatively short timescales.Written specifically for textile designers, Digital Textile Design provides the know-how for students andprofessionals who wish to use Adobe Photoshop and Illustrator as design tools. A series of inspirational tutorials, presented in step-by-step format, guide the reader through the process of creating designs that will be suited to both the traditional textile production process, and to the new industry of digital printing onto fabric.Against the backdrop of the development of digital print, the book discusses how designers can access this new technique, looks at the work of those currently exploring its possibilities, and also features the craft of embellishment that is being used to offset the apparent flatness of print.

    The most effective online marketers give their organizations huge competitive advantages-5-30x according to research. They do it by moving their focus one step lower in the funnel. They do it by coming to the realization that the click is almost incidental. It's what happens next that makes all the difference. This is the story of what happens next-told in a way to help you make it happen. Honest Seduction is an extended compilation of blog posts and articles from the people that coined the term post-click marketing. It is both strategic and tactical-providing you with executive and in-the-trenches guidance for achieving higher return on your marketing investments. Scott Brinker, Anna Talerico and Justin Talerico have been segmenting, qualifying and converting online marketing traffic for Fortune 500 clients since 1994.

    Yet not all organisational accomplishment can be explained with recourse to deliberate choice and purposeful design on the part of strategic actors. This book shows why. Using examples from the world of business, economics, military strategy, politics and philosophy, it argues that collective success may inadvertently emerge as a result of the everyday coping actions of a multitude of individuals, none of whom intended to contribute to any preconceived plan. A consequence of this claim is that a paradox exists in strategic interventions, one that no strategist can afford to ignore. The more directly and deliberately a strategic goal is single-mindedly sought, the more likely it is that such calculated instrumental action eventually works to undermine its own initial success"--Provided by publisher.

    On the one hand, it depicts young women with their vulvas in the foreground, so large and close-up that the viewer can precisely study their marvelous forms. On the other hand, the facing page in each pair of pages offers a bird s eye view showing the model lying on a bed or sofa, photographed from above, so that the girls lustily offer themselves to the viewer with their legs widely spread. Women s power: exciting, uninhibited, erotic! Texts in English, German & French.