Structured around the forty questions Luiselli translates and asks undocumented Latin-American children facing deportation, Tell Me How It Ends (an expansion of her 2016 Freeman's essay of the same name) humanizes these young migrants and highlights the contradiction of the idea of America as a fiction for immigrants with the reality of racism and fear both here and back home."

    Addressing his fifteen-year-old namesake on the one hundredth anniversary of the Emancipation Proclamation, Baldwin wrote: “You know and I know, that the country is celebrating one hundred years of freedom one hundred years too soon.”Award-winning author Jesmyn Ward knows that Baldwin’s words ring as true as ever today. In response, she has gathered short essays, memoir, and a few essential poems to engage the question of race in the United States. And she has turned to some of her generation’s most original thinkers and writers to give voice to their concerns.The Fire This Time is divided into three parts that shine a light on the darkest corners of our history, wrestle with our current predicament, and envision a better future. Of the eighteen pieces, ten were written specifically for this volume.In the fifty-odd years since Baldwin’s essay was published, entire generations have dared everything and made significant progress. But the idea that we are living in the post-Civil Rights era, that we are a “postracial” society, is an inaccurate and harmful reflection of a truth the country must confront. Baldwin’s “fire next time” is now upon us, and it needs to be talked about.

    Essays that challenge, discomfort, disorient, galvanize, and inspire all of us to evolve now, for our shared future.

    How does it feel to be constantly regarded as a potential threat, strip-searched at every airport?Or be told that, as an actress, the part you’re most fitted to play is ‘wife of a terrorist’? How does it feel to have words from your native language misused, misappropriated and used aggressively towards you? How does it feel to hear a child of colour say in a classroom that stories can only be about white people? How does it feel to go ‘home’ to India when your home is really London? What is it like to feel you always have to be an ambassador for your race? How does it feel to always tick ‘Other’?Bringing together 21 exciting black, Asian and minority ethnic voices emerging in Britain today, The Good Immigrant explores why immigrants come to the UK, why they stay and what it means to be ‘other’ in a country that doesn’t seem to want you, doesn’t truly accept you – however many generations you’ve been here – but still needs you for its diversity monitoring forms.Inspired by discussion around why society appears to deem people of colour as bad immigrants – job stealers, benefit scroungers, undeserving refugees – until, by winning Olympic races or baking good cakes, or being conscientious doctors, they cross over and become good immigrants, editor Nikesh Shukla has compiled a collection of essays that are poignant, challenging, angry, humorous, heartbreaking, polemic, weary and – most importantly – real.

    Sixties Scoop. Bill C-31. Blood quantum. Appropriation. Two-Spirit. Tsilhqot’in. Status. TRC. RCAP. FNPOA. Pass and permit. Numbered Treaties. Terra nullius. The Great Peace…Are you familiar with the terms listed above? In Indigenous Writes, Chelsea Vowel, legal scholar, teacher, and intellectual, opens an important dialogue about these (and more) concepts and the wider social beliefs associated with the relationship between Indigenous peoples and Canada. In 31 essays, Chelsea explores the Indigenous experience from the time of contact to the present, through five categories – Terminology of Relationships; Culture and Identity; Myth-Busting; State Violence; and Land, Learning, Law, and Treaties. She answers the questions that many people have on these topics to spark further conversations at home, in the classroom, and in the larger community.Indigenous Writes is one title in The Debwe Series.

    Finally, the collection turns to remembrances of "The Great Conroy," as he is lovingly titled by friends, and concludes with a eulogy. The inarguable power of Conroy's work resonates throughout A Lowcountry Heart, and his influence promises to endure.This moving tribute is sure to be a cherished keepsake for any true Conroy fan and remain a lasting monument to one of the best-loved masters of contemporary American letters.

     As she contemplates the pleasure of artistic labor, finding solace and safety within the woods, and the joyful and rhythmic beating of wings, Oliver intimately shares with her readers her quiet discoveries, boundless curiosity, and exuberance for the grandeur of our world. This radiant collection of her work, with some pieces published here for the first time, reaffirms Oliver as a passionate and prolific observer whose thoughtful meditations on spiders, writing a poem, blue fin tuna, and Ralph Waldo Emerson inspire us all to discover wonder and awe in life's smallest corners.

     In the ten years since the publication of her beloved, groundbreaking Encyclopedia of an Ordinary Life, #1 New York Times bestselling author Amy Krouse Rosenthal has been quietly tinkering away. Using her distinct blend of nonlinear narrative, wistful reflections, and insightful wit, she has created a modest but mighty new work.Why the title T​extbook Amy Krouse Rosenthal?​ • Because the book is organized into chapters with classic subject headings such as Social Studies, Music, Language Arts, Math, etc. • Because textbook ​is an expression meaning “quintessential,” as in, Oh, that wordplay and unconventional format is so typical of her, so textbook Amy. • Because for the first time ever, readers can further engage with a book via text messaging. • Because if an author’s previous book has E​ncyclopedia i​n the title, following it up with a ​Textbook would be rather nice.Not exactly a memoir, not just a collection of observations, Textbook Amy Krouse Rosenthal is an exploration into the many ways we are connected on this planet and speaks to the awe, bewilderment, and poignancy of being alive.

    From a painfully shy childhood in which she tried, unsuccessfully, to hide her big body and even bigger opinions; to her public war with stand-up comedians over rape jokes; to her struggle to convince herself, and then the world, that fat people have value; to her accidental activism and never-ending battle royale with Internet trolls, Lindy narrates her life with a blend of humor and pathos that manages to make a trip to the abortion clinic funny and wring tears out of a story about diarrhea.With inimitable good humor, vulnerability, and boundless charm, Lindy boldly shares how to survive in a world where not all stories are created equal and not all bodies are treated with equal respect, and how to weather hatred, loneliness, harassment, and loss--and walk away laughing. Shrill provocatively dissects what it means to become self-aware the hard way, to go from wanting to be silent and invisible to earning a living defending the silenced in all caps.

    Through deep reporting with key activists and thinkers, passionately personal writing, and distinguished cultural criticism, We Gon’ Be Alright links #BlackLivesMatter to #OscarsSoWhite, Ferguson to Washington D.C., the Great Migration to resurgent nativism. Chang explores the rise and fall of the idea of “diversity,” the roots of student protest, changing ideas about Asian Americanness, and the impact of a century of racial separation in housing. He argues that resegregation is the unexamined condition of our time, the undoing of which is key to moving the nation forward to racial justice and cultural equity.

    Now, in his first book of nonfiction, Percy challenges the notion that literary and genre fiction are somehow mutually exclusive. The title essay is an ode to the kinds of books that make many readers fall in love with fiction: science fiction, fantasy, mysteries, horror, from J.R.R. Tolkien to Anne Rice, Ursula K. Le Guin to Stephen King. Percy's own academic experience banished many of these writers in the name of what is "literary" and what is "genre." Then he discovered Michael Chabon, Aimee Bender, Cormac McCarthy, Margaret Atwood, and others who employ techniques of genre fiction while remaining literary writers. In fifteen essays on the craft of fiction, Percy looks to disparate sources such as Jaws, Blood Meridian, and The Girl with the Dragon Tattoo to discover how contemporary writers engage issues of plot, suspense, momentum, and the speculative, as well as character, setting, and dialogue. An urgent and entertaining missive on craft, Thrill Me brims with Percy's distinctive blend of anecdotes, advice, and close reading, all in the service of one dictum: Thrill the reader.

    Float reaches an even greater level of brilliance and surprise. Presented in an arrestingly original format--individual chapbooks that can be read in any order, and that float inside a transparent case--this collection conjures a mix of voices, time periods, and structures to explore what makes people, memories, and stories "maddeningly attractive" when observed in spaces that are suggestively in-between.One can begin with Carson contemplating Proust on a frozen Icelandic plain, or on the art-saturated streets of downtown New York City. Or journey to the peak of Mount Olympus, where Zeus ponders his own afterlife. Or find a chorus of Gertrude Steins performing an essay about falling--a piece that also unearths poignant memories of Carson's own father and great-uncle in rural Canada. And a poem called "Wildly Constant" piercingly explores the highs and lows of marriage and monogamy, distilled in a wife's waking up her husband from the darkness of night, and asking him to make them eggs for breakfast.Exquisite, heartbreaking, disarmingly funny, Float kaleidoscopically illuminates the uncanny magic that comes with letting go of expectations and boundaries. It is Carson's most intellectually electrifying, emotionally engaging book to date.

    What is race and why does it matter? What motivates the human tendency to construct Others? Why does the presence of Others make us so afraid?Drawing on her Norton Lectures, Toni Morrison takes up these and other vital questions bearing on identity in The Origin of Others. In her search for answers, the novelist considers her own memories as well as history, politics, and especially literature. Harriet Beecher Stowe, Ernest Hemingway, William Faulkner, Flannery O'Connor, and Camara Laye are among the authors she examines. Readers of Morrison's fiction will welcome her discussions of some of her most celebrated books--Beloved, Paradise, and A Mercy.If we learn racism by example, then literature plays an important part in the history of race in America, both negatively and positively. Morrison writes about nineteenth-century literary efforts to romance slavery, contrasting them with the scientific racism of Samuel Cartwright and the banal diaries of the plantation overseer and slaveholder Thomas Thistlewood. She looks at configurations of blackness, notions of racial purity, and the ways in which literature employs skin color to reveal character or drive narrative. Expanding the scope of her concern, she also addresses globalization and the mass movement of peoples in this century. National Book Award winner Ta-Nehisi Coates provides a foreword to Morrison's most personal work of nonfiction to date.

    My Private Property, comprised of short prose pieces, is a brilliant and charming display of her humor, deep imagination, mindfulness, and play in a finely crafted edition.PersonaliaWhen I was young, a fortune-teller told me that an old woman who wanted to die had accidentally become lodged in my body. Slowly, over time, and taking great care in following esoteric instructions, including lavender baths and the ritual burial of keys in the backyard, I rid myself of her presence. Now I am an old woman who wants to die and lodged inside me is a young woman dying to live; I work on her.

    It also makes a compelling and provocative argument against calling the police.Contributions cover a broad range of issues including the killing by police of black men and women, police violence against Latino and indigenous communities, law enforcement's treatment of pregnant people and those with mental illness, and the impact of racist police violence on parenting, as well as specific stories such as a Detroit police conspiracy to slap murder convictions on young black men using police informant and the failure of Chicago's much-touted Independent Police Review Authority, the body supposedly responsible for investigating police misconduct. The title Who Do You Serve, Who Do You Protect? is no mere provocation: the book also explores alternatives for keeping communities safe.Contributors include William C. Anderson, Candice Bernd, Aaron Cantú, Thandi Chimurenga, Ejeris Dixon, Adam Hudson, Victoria Law, Mike Ludwig, Sarah Macaraeg, and Roberto Rodriguez.

    The challenges faced by movements working for antiviolence, anti-imperialist, and queer liberation, as well as racial, economic, reproductive, gender, and food justice are the same challenges that marginalized mothers face every day. Motivated to create spaces for this discourse because of the authors’ passionate belief in the power of a radical conversation about mothering, they have become the go-to people for cutting-edge inspired work on this topic for an overlapping committed audience of activists, scholars, and writers. Revolutionary Mothering is a movement-shifting anthology committed to birthing new worlds, full of faith and hope for what we can raise up together. Contributors include alba onofrio, Alexis Pauline Gumbs, Ariel Gore, Arielle Julia Brown, Autumn Brown, Cheryl Boyce-Taylor, China Martens, Christy NaMee Eriksen, Claire Barrera, Cynthia Dewi Oka, Esteli Juarez Boyd, Fabielle Georges, Fabiola Sandoval, Gabriela Sandoval, H. Bindy K. Kang, Irene Lara, June Jordan, Karen Su, Katie Kaput, Layne Russell, Lindsey Campbell, Lisa Factora-Borchers, Loretta J. Ross, Mai’a Williams, Malkia A. Cyril, Mamas of Color Rising, Micaela Cadena, Noemi Martinez, Norma A. Marrun, Panquetzani, Rachel Broadwater, Sumayyah Talibah, Tara CC Villaba, Terri Nilliasca, tk karakashian tunchez, Victoria Law, and Vivian Chin.

    In a world that teaches us to cling to what we love at all costs, there is an undeniable art to moving on – and it’s one that we are constantly relearning. In this series of honest and poignant essays, Heidi Priebe explores the harsh reality of what it means to let go of the people and situations we love most - often before we are ready to – and how to embrace what comes next.

    student activists are exposing a pervasive cover-up of sexual violence on college campuses. Every day more survivors come forward. But other survivors choose not to. We Believe You elevates the stories the headlines about this issue have been missing--more than 30 experiences of trauma, healing and everyday activism, representing a diversity of races, economic and family backgrounds, gender identities, immigration statuses, interests, capacities and loves.More than 1 in 5 women and 5 percent of men are sexually assaulted at college, a shocking status quo that might have stayed largely hidden and unaddressed but for the two authors of We Believe You. In 2013, Annie E. Clark and Andrea L. Pino, then 23 and 20, building on the work of earlier activists, outed themselves as assault survivors and filed a federal complaint against the University of North Carolina (Chapel Hill) for mishandling such crimes; within a month, the U.S. government began to investigate UNC. Within a year, dozens of colleges were under federal investigation.But Clark and Pino rightly see themselves as two among many. Students from every kind of college and university--large and small, public and private, highly selective and less so?are sounding alarms and staking claims to justice by filing complaints, by pressing charges, and by simply living beyond the effects of assault and the betrayals of their schools. A sampling of their voices speak out in this book.

    This book would be impressive enough as a collection of finely-forged fragments, but as it weaves itself into an even more impressive whole, my hat came off. Lily Hoang writes like she has nothing to lose and everything at stake.” —Maggie Nelson“A Bestiary is a work of great subtlety, precision, intelligence, daring, and emotive keenness. It seems completely contemporary (by which I mean that it is unlike anything I’ve read and that it makes me want to change my own writerly procedures). With head¬long, reckless, improvisatory gestures, Lily Hoang prompts us to rethink what literature today can dare to aspire to. Her intellectually magnanimous book’s position on the threshold between recognizable ‘literature’ and some other vanguard form of performance/utterance made me feel happy and stimulated and dizzy (in a rapturous way) while I was reading it.” —Wayne Koestenbaum“The most perfect use of fragmentation, myth, language, fairytale, and terrible beauty that I have ever seen in my life. I’m swooning. My faith in what writing can be has been restored.” —Lidia YuknavitchLily Hoang is the author of four books, including Changing, recipient of a PEN Open Books Award. She has two novels forthcoming: Old Cat Lady and The Book of Martha and she co-edited the anthology The Force of What’s Possible: Writers on Accessibility and the Avant-Garde. She teaches in the MFA program at New Mexico State University, where she is Associate Department Head. She serves as Prose Editor at Puerto del Sol and Non-Fiction Editor at Drunken Boat.

    This anthology is a diverse collection of real-life stories from queer and trans people on their own health-care experiences and challenges, from gay men living with HIV who remember the systemic resistance to their health-care needs, to a lesbian couple dealing with the experience of cancer, to young trans people who struggle to find health-care providers who treat them with dignity and respect. The book also includes essays by health-care providers, activists and leaders with something to say about the challenges, politics, and opportunities surrounding LGBTQ health issues.Both exceptionally moving and an incendiary call-to-arms, The Remedy is a must-read for anyone--gay, straight, trans, and otherwise--passionately concerned about the right to proper health care for all.Contributors include Amber Dawn, Sinclair Sexsmith, Francisco Ibanez-Carrasco, Cooper Lee Bombardier, Kara Sievewright, and Kelli Dunham.Zena Sharman is a passionate advocate for queer and trans health. She has over a decade's experience in health research; currently she is Director of Strategy at the Michael Smith Foundation for Health Research. Zena is also co-editor of Persistence: All Ways Butch and Femme. She lives in Vancouver, British Columbia.

    Now Terry Tempest Williams, the author of the environmental classic Refuge and the beloved memoir When Women Were Birds, returns with The Hour of Land, a literary celebration of our national parks, an exploration of what they mean to us and what we mean to them.From the Grand Tetons in Wyoming to Acadia in Maine to Big Bend in Texas and more, Williams creates a series of lyrical portraits that illuminate the unique grandeur of each place while delving into what it means to shape a landscape with its own evolutionary history into something of our own making. Part memoir, part natural history, and part social critique, The Hour of Land is a meditation and a manifesto on why wild lands matter to the soul of America.

    His humor and short fiction appear in various publications throughout the Southeast.

    It takes us from backstage at the ballet to the trial of a woman for the murder of her newborn baby. It moves effortlessly from the significance of moving house to the pleasure of re-reading Pride and Prejudice.Everywhere I Look includes Garner's famous and controversial essay on the insults of age, her deeply moving tribute to her mother and extracts from her diaries, which have been part of her working life for as long as she has been a writer. Everywhere I Look glows with insight. It is filled with the wisdom of life.

    Clever, awkward, & laugh-out-loud funny.”The Huffington Post

    She was asked by many to put these short essays into book form, to create, as one reader said, something to "take to the beach, or bed, or on an airplane." Elizabeth and her friend, the book's designer Phyllis Florin, happily complied, and they hope that their offering will be as welcome as flowers in a mailbox.

    I make no apology for that, nor am I nervous that it will it make a jot of difference. I shall still be thought to be kindly, cosy and essentially harmless. I am in the pigeon-hole marked 'no threat' and did I stab Judi Dench with a pitchfork I should still be a teddy bear.'Alan Bennett's third collection of prose Keeping On Keeping On follows in the footsteps of the phenomenally successful Writing Home and Untold Stories, each published ten years apart. This latest collection contains Bennett's peerless diaries 2005 to 2015, reflecting on a decade that saw four premieres at the National Theatre (The Habit of Art, People, Hymn and Cocktail Sticks), a West End double-bill transfer, and the films of The History Boys and The Lady in the Van.There's a provocative sermon on private education given before the University at King's College Chapel, Cambridge, and 'Baffled at a Bookcase' offers a passionate defence of the public library. The book includes Denmark Hill, a darkly comic radio play set in suburban south London, as well as Bennett's reflections on a quarter of a century's collaboration with Nicholas Hytner. This is an engaging, humane, sharp, funny and unforgettable record of life according to the inimitable Alan Bennett.

    Surely capitalism is due an upgrade or two?’When Caitlin Moran sat down to choose her favourite pieces for her new book she realised that they all seemed to join up. Turns out, it’s the same old problems and the same old ass-hats.Then she thought of the word ‘Moranifesto’, and she knew what she had to do…This is Caitlin’s engaging and amusing rallying call for our times. Combining the best of her recent columns with lots of new writing unique to this book, Caitlin deals with topics as pressing and diverse as 1980s swearing, benefits, boarding schools, and why the internet is like a drunken toddler.And whilst never afraid to address the big issues of the day – such as Benedict Cumberbatch and duffel coats – Caitlin also makes a passionate effort to understand our 21st century society and presents us with her ‘Moranifesto’ for making the world a better place.The polite revolution starts here! Please.

    In Proxies an original constraint, a “total suppression of recourse to authoritative sources,” engineers Brian Blanchfield’s disarming mode of independent intellection. The “repeatable experiment” to draw only from what he knows, estimates, remembers, and misremembers about the subject at hand often opens onto an unusually candid assessment of self and situation. The project’s driving impulse, courting error, peculiar in an era of crowd-sourced Wiki-knowledge, is at least as old as the one Montaigne had when, putting all the books back on the shelf, he asked, “What do I know?”

    With illustrations from Archibald Prize winner Ben Quilty.In January 2016 Richard Flanagan and Ben Quilty travelled to Lebanon, Greece, and Serbia to follow the river that is the exodus of our age: that of refugees from Syria.Flanagan's 'notes' and Quilty's sketches bear witness to the remarkable people they met on that journey and their stories. These individual portraits from the Man Booker Prize-winning author and Archibald Prize-winning artist combine to form a powerful testament to human dignity and courage in the face of war, death, and suffering.Refugees are not like you and me. They are you and me. That terrible river of the wretched and the damned flowing through Europe is my family.

    The collection will include pre-published essays that have gone viral, like “The White Industrial Savior Complex,” first published in The Atlantic.

    The philosopher brings up many Stoic principles on the nature of time, namely that men waste much of it in meaningless pursuits. According to the essay, nature gives man enough time to do what is really important and the individual must allot it properly. In general, time can be best used in the study of philosophy, according to Seneca. This essay has been carefully adapted into a contemporary form to allow for easy reading.

    Three epic thru-hikes totalling 5840 miles. Will one Englishman dare to face his fears?Three books in one - Over 800 pages of adventure! Book #1 - The Journey in Between A man at a crossroads. A thousand-mile hike. A life forever changed. Keith Foskett was the definition of restless. Drifting aimlessly, he knew a piece was missing from his life. But when a stranger in a Greek bar tells him about a world-famous pilgrim’s trail, the chance encounter sets Foskett’s life in a new 1,000-mile direction. On El Camino de Santiago, the wanderer copes with extreme temperatures, fake faith healers, and insatiable kleptomaniacs. Threatened with arrest for ‘not sleeping’ and suffering with excruciating blisters, he pushes himself to new limits.Keith Foskett’s travelogues have been shortlisted for Outdoor Book of the Year multiple times by The Great Outdoors magazine. Awash with vivid descriptions and a cast of engaging real-life characters, the author delivers a humorous and mesmerizing tale of adventure and metamorphosis. The Journey in Between is a daring travel memoir. If you like indulging your inner adventurer, taking the less popular fork in the road, and visiting foreign locations, then you’ll love Keith Foskett’s transformative tale.  Book #2 - The Last Englishman A real-life adventurer. A gruelling pan-American trek. Will one Englishman dare to face his fears?Born traveller Keith Foskett had thousands of miles of thru-hiking experience when he prepared for his toughest challenge yet: a gruelling 2,640-mile hike from Mexico to Canada. In a six-month journey along America’s Pacific Crest Trail, he crossed the arid expanses of California’s deserts, the towering peaks of Oregon’s volcanic landscape, and the dense forests of Washington.Battling phobias of bears, snakes, critters and camping in the woods after dark, can Foskett find new ways to achieve his ultimate goal when the worst winter in years bears down on the trail?Veteran storyteller Keith Foskett lets you join him for a trek across the greatest long-distance hiking trail on Earth. With witty humour, astute observations, and a delightful cast of characters, you’ll discover a compelling narrative that turns the travelogue formula on its head. The Last Englishman is an extraordinary travel memoir by an experienced long-distance hiker. If you believe there’s more to life than work, yearn for new horizons and challenges, and believe in overcoming adversity, then you’ll love Keith Foskett’s tale of exploration.  Book #3 - Balancing on Blue One man’s remarkable challenge. 2,000+ miles of unforgiving wilderness. Can he escape the mundane to become a thru-hiker?When this long-distance hiker chose to backpack all 2,180 miles of the Appalachian Trail, he left ordinary life behind for five months. Enduring an incredible test of physical and psychological strength, Foskett was pushed to his limits…Accompanied by an array of eclectic characters – including a drug dealer, a world-champion juggler and a sex-starved Minnesotan – he weaves a route through some of America's wildest landscapes and history, and writes with insight, humour and reflection. Attempting to keep his English sense of humour alive amidst the bumps and bruises, can he survive his journey of self-discovery to emerge victorious?Balancing on Blue is a superb standalone travel memoir. If you like living outside the box, escaping into the wild, and journeying deep into the unknown, then you’ll love this courageous trek.

    Agoraphobia, the challenges of parenting a child with special needs, and the legacy of a formidable father all shaped that journey. In these deeply personal and instructive essays, the author of the internationally acclaimed If I loved you, I would tell you this and Life Drawing explores the making of art through the experiences of building a life. Engaging, challenging, and moving, Crash Course is full of insight into how to write—and why.From "Autumn, 1972, A Moment at Which I Became a Writer":I sense, even now, the reverberations of a kind of shattering of my foundation and a quick rebuild, a change at a molecular level of who I understood myself to be. No longer someone who could look at another person without wondering what their life was like, but someone with a new curiosity about what people's stories might actually be.Robin Black is the author of the story collection, If I loved you, I would tell you this and the novel Life Drawing, both critically acclaimed, and both published in multiple languages. She has developed a loyal, enthusiastic following for her essays on life and writing, online and in such publications as the New York Times, the Chicago Tribune, and O Magazine. She lives with her husband in Philadelphia, Pennsylvania, where the house is always open for their three grown children.

    He uses his unique blend of erudition, street smarts and authentic experience in essays on the country's seemingly irreconcilable partisan divide - both racial and political, parenthood, and his own experiences as an athlete, African-American, and a Muslim. The book is not just a collection of expositions; he also offers keen assessments of and solutions to problems such as racism in sports while speaking candidly about his experiences on the court and off.Timed for publication as the nation debates whom to send to the White House, the combination of plain talk on issues, life lessons, and personal stories places Writings on the Wall squarely in the middle of the conversation, as many of Abdul-Jabbar's topics are at the top of the national agenda. Whether it is sparring with Donald Trump, within the pages of TIME magazine, or full-length features in the The New York Times Magazine, writers, critics, and readers have come to agree on what The Washington Post observed: Abdul-Jabbar "has become a vital, dynamic and unorthodox cultural voice."

    The Weird and the Eerie are closely related but distinct modes, each possessing its own distinct properties. Both have often been associated with Horror, yet this emphasis overlooks the aching fascination that such texts can exercise. The Weird and the Eerie both fundamentally concern the outside and the unknown, which are not intrinsically horrifying, even if they are always unsettling. Perhaps a proper understanding of the human condition requires examination of liminal concepts such as the weird and the eerie. These two modes will be analysed with reference to the work of authors such as H.P. Lovecraft, H.G. Wells, M.R. James, Christopher Priest, Joan Lindsay, Nigel Kneale, Daphne Du Maurier, Alan Garner and Margaret Atwood, and films by Stanley Kubrick, Jonathan Glazer and Christoper Nolan.

    Intense, vivid, and fearless, her work endows the true and seemingly ordinary aspects of life—a commuter chases snowball-throwing children through backyards, a bookish teenager memorizes the poetry of Rimbaud—with beauty and irony. These essays invite readers into sweeping landscapes, to join Dillard in exploring the complexities of time and death, often with wry humor. On one page, an eagle falls from the sky with a weasel attached to its throat; on another, a man walks into a bar.Marking the vigor of this powerful writer, The Abundance highlights Annie Dillard’s elegance of mind.

    In these true stories, writers and their loved ones struggle as their worlds are upended. What do you do when your father kills himself, or your mother is committed to a psych ward, or your daughter starts hearing voices telling her to harm herself—or when you yourself hear such voices? Addressing bipolar disorder, OCD, trichillomania, self-harm, PTSD, and other diagnoses, these stories vividly depict the difficulties and sorrows—and sometimes, too, the unexpected and surprising rewards—of living with mental illness.

    Each essay takes a day as its point of inquiry, observing the body as it moves through time, architecture, and space, gradually demanding a new logic and level of consciousness from the narrator and reader.I was reading a line in a book, then reading a line in another book, and performing small acts in between: I sat at intervals on the toilet, I slept sporadically, I ate kale and "fish food," and called myself "Renee" for a time. Nobody knew who I was at the grocery store, but going there was my big event. I knew the books of these people; I knew these people and I didn't change their names, but when they appeared in my books it wasn't really their stories I was telling, so they didn't need my protection and I could go "Danielle, Danielle" all day.Born in Atlanta, GA, in 1971, Renee Gladman studied Philosophy at Vassar College and Poetics at New College of California. In addition to Calamities (Wave Books, 2016), she is the author of eight works of prose, including the Ravicka novels Event Factory (2010), The Ravickians (2011), and Ana Patova Crosses a Bridge (2013), as well as a book of poetry, A Picture-Feeling. Her most recent work of fiction Morelia is forthcoming in 2016. A longtime publisher and bookmaker, her projects include Clamour (1996-1999), Leroy Chapbook series (1999-2003), and Leon Works (since 2005). She is the recipient of a 2014-2015 fellowship from The Radcliffe Institute for Advanced Study at Harvard University and a 2016 grant to artists from Foundation for Contemporary Arts. She lives in New England with poet-ceramicist, Danielle Vogel.

    Best-selling author Amy Stewart edits this year’s volume of the finest science and nature writing.

    Scruton explores the conflict between the Christian-inspired Enlightenment and Islam, and attempts to find a remedy for the void at the heart of our civilisation. Why do we capitulate before everyone more ignorant than ourselves? Why do we turn immediately on all those who wish to defend our rooted values against whatever invading force has appeared over the horizon? These hard-hitting essays from a profound intellect threaten the bedrock of conventional opinion.

    Yet what we actually get are Eurocentric worlds that demonize or erase people of colour. Why do authors and readers accept this? Where did it start? And going forward, how do we resist?SFF author and critic Phenderson Djeli Clark takes a look at these issues in Fantasy's Othering Fetish, the latest ebook from Media Diversified. Featuring a foreword by novelist Daniel José Older, this book discusses everything from medieval Arthurian romance to Tolkien and Game of Thrones, and provides a overview of contemporary work by global SFF authors of colour. With its sharp, insightful critique and Clark's deep knowledge of and passion for the genre, Fantasy's Othering Fetish is a much-needed antidote to the whitewashed worlds of mainstream SFF.

    Many of the important essays and interviews from those pages have been revised and reorganized for The Essential Wrapped In Plastic: Pathways to Twin Peaks. The Essential Wrapped In Plastic is a work of critical analysis and historical reporting. The core of the book is a detailed episode guide that reviews each chapter of David Lynch and Mark Frost’s landmark series (which originally aired on ABC television in 1990 and 1991). These reviews are supplemented by comments from actors, writers, producers and other creative personnel who provide intimate and first-hand remarks about Twin Peaks. Each critique also includes analysis of scripted scenes that were deleted from the final televised episodes, allowing for a deeper understanding of how Twin Peaks was being crafted as it went along. The last episode of Twin Peaks is examined in detail, with a chapter that focuses on the installment’s final, mesmerizing act—an essay that sheds light on what really happened to the series’ enigmatic protagonist, Dale Cooper. The feature film, Fire Walk With Me, is the subject of two in-depth essays. The first delves into the character of Laura Palmer and shows how David Lynch transformed the idea of Laura (from the series) into a fully realized character (in the film). The second essay radically challenges the design of the Fire Walk With Me prologue, arguing that Dale Cooper is a more prominent and vital presence in the story than might first appear. Vibrant and provocative, Twin Peaks is an enduring masterpiece. The Essential Wrapped In Plastic is a crucial guide to this remarkable work.

    Black’s work reassembles autobiographical fragments to think about the relationship between bodies, labor, and affect. Drawing on feminist, communist, and black radical theory she explores sex, ambivalence, departures, history, and violence with characteristic wit and precision.

    Here, Weinberger chronicles a nineteenth-century journey down the Colorado River, records the dreams of people named Chang, and shares other factually verifiable discoveries that seem too fabulous to possibly be true. The second section collects Weinberger’s essays on a wide range of subjects—some of which have been published in Harper’s, New York Review of Books, and London Review of Books—including his notorious review of George W. Bush’s memoir Decision Points and writings about Mongolian art and poetry, different versions of the Buddha, American Indophilia (“There is a line, however jagged, from pseudo-Hinduism to Malcolm X”), Béla Balázs, Herbert Read, and Charles Reznikoff. This collection proves once again that Weinberger is “one of the bravest and sharpest minds in the United States” (Javier Marías).

    Unflinchingly honest yet unfailingly hopeful, Rev. Sarah is a genre unto herself. You've never had this much fun going to church

    Petersburg in 1872, adopted the pen-name of Teffi, and it is as Teffi that she is remembered. In pre-revolutionary Russia she was a literary star, known for her humorous satirical pieces; in the 1920s and 1930s, she wrote some of her finest stories in exile in Paris, recalling her unforgettable encounters with Rasputin, and her hopeful visit at age thirteen to Tolstoy after reading War and Peace. In this selection of her best autobiographical stories, she covers a wide range of subjects, from family life to revolution and emigration, writers and writing. Like Nabokov, Platonov, and other great Russian prose writers, Teffi was a poet who turned to prose but continued to write with a poet’s sensitivity to tone and rhythm. Like Chekhov, she fuses wit, tragedy, and a remarkable capacity for observation; there are few human weaknesses she did not relate to with compassion and understanding.

    Bringing together the insights of dozens of experts—from linguists to music historians, ethnographers, urbanists, and environmental journalists—amplified by cartographers, artists, and photographers, it explores all five boroughs of New York City and parts of nearby New Jersey. We are invited to travel through Manhattan’s playgrounds, from polyglot Queens to many-faceted Brooklyn, and from the resilient Bronx to the mystical kung-fu hip-hop mecca of Staten Island. The contributors to this exquisitely designed and gorgeously illustrated volume celebrate New York City’s unique vitality, its incubation of the avant-garde, and its literary history, but they also critique its racial and economic inequality, environmental impact, and erasure of its past. Nonstop Metropolis allows us to excavate New York’s buried layers, to scrutinize its political heft, and to discover the unexpected in one of the most iconic cities in the world. It is both a challenge and homage to how New Yorkers think of their city, and how the world sees this capital of capitalism, culture, immigration, and more.Contributors: Sheerly Avni, Gaiutra Bahadur, Marshall Berman, Joe Boyd, Will Butler, Garnette Cadogan, Thomas J. Campanella, Daniel Aldana Cohen, Teju Cole, Joel Dinerstein, Paul La Farge, Francisco Goldman, Margo Jefferson, Lucy R. Lippard, Barry Lopez, Valeria Luiselli, Suketu Mehta, Emily Raboteau, Molly Roy, Sharifa Rhodes-Pitts, Luc Sante, Heather Smith, Jonathan Tarleton, Astra Taylor, Alexandra T. Vazquez, Christina Zanfagna Interviews with: Valerie Capers, Peter Coyote, Grandmaster Caz, Grand Wizzard Theodore, Melle Mel, RZA

    Through these essays Quist explores feelings of oppression and alienation as he wrestles with a single act of violence in a Washington, D.C. suburb, racial tensions in a rural South Carolina town, and the welcome anonymity of crowded Bangkok streets. These personal narratives are rich with Quist’s experience growing up as a person of color caught between parents, socioeconomic classes, and the countries he calls home.

    Without countervailing voices, a better world can never materialise. Without countervailing voices, wells will still be dug and bridges will still be built, but only for the few. Food will still be grown, but it will not reach the mouths of the poor. New medicines will be developed, but they will be inaccessible to many of those in need.” George Monbiot is one of the most vocal, and eloquent, critics of the current consensus. How Did We Get into This Mess?, based on his powerful journalism, assesses the state we are now in: the devastation of the natural world, the crisis of inequality, the corporate takeover of nature, our obsessions with growth and profit and the decline of the political debate over what to do. While his diagnosis of the problems in front of us is clear-sighted and reasonable, he also develops solutions to challenge the politics of fear. How do we stand up to the powerful when they seem to have all the weapons? What can we do to prepare our children for an uncertain future? Controversial, clear but always rigorously argued, How Did We Get into This Mess? makes a persuasive case for change in our everyday lives, our politics and economics, the ways we treat each other and the natural world.

    Published for Independent Bookstore Day 2016, this pamphlet contains The Bookstore Strikes Back, originally published in Atlantic Monthly.

    As a master storyteller and thinker John Berger challenges readers to rethink their every assumption about the role of creativity in our lives.In this brilliant collection of diverse pieces—essays, short stories, poems, translations—which spans a lifetime’s engagement with art, Berger reveals how he came to his own unique way of seeing. He pays homage to the writers and thinkers who infuenced him, such as Walter Benjamin, Rosa Luxemburg and Bertolt Brecht. His expansive perspective takes in artistic movements and individual artists—from the Renaissance to the present—while never neglecting the social and political context of their creation.Berger pushes at the limits of art writing, demonstrating beautifully how his artist’s eye makes him a storyteller in these essays, rather than a critic. With “landscape” as an animating, liberating metaphor rather than a rigid defnition, this collection surveys the aesthetic landscapes that have informed, challenged and nourished John Berger’s understanding of the world. Landscapes—alongside Portraits—completes a tour through the history of art that will be an intellectual benchmark for many years to come.

    New York Times bestselling author, humorist, and newspaper columnist Michael Perry returns with a new collection of bite-sized essays from his Sunday Wisconsin State Journal column, “Roughneck Grace.” Perry’s perspectives on everything from cleaning the chicken coop to sharing a New York City elevator with supermodels will have you snorting with laughter on one page, blinking back tears on the next, and--no matter your zip code--nodding in recognition throughout.

    He also founded the Black Star Line, a shipping and passenger line which promoted the return of the African diaspora to their ancestral lands.Prior to the 20th century, leaders such as Prince Hall, Martin Delany, Edward Wilmot Blyden, and Henry Highland Garnetadvocated the involvement of the African diaspora in African affairs. Garvey was unique in advancing a Pan-African philosophy to inspire a global mass movement and economic empowerment focusing on Africa known as Garveyism. Promoted by the UNIA as a movement of African Redemption, Garveyism would eventually inspire others, ranging from the Nation of Islam to the Rastafari movement (some sects of which proclaim Garvey as a prophet).Garveyism intended persons of African ancestry in the diaspora to "redeem" the nations of Africa and for the European colonial powers to leave the continent. His essential ideas about Africa were stated in an editorial in the Negro World entitled "African Fundamentalism", where he wrote: "Our union must know no clime, boundary, or nationality… to let us hold together under all climes and in every country…"

    Whether cleaning houses or looking for love, she peels back the surfaces of ordinary moments and reveals a life both hilarious and traumatic. The End of My Career sees Grover living with her parents again as she enters her late thirties, reconciling the pleasures and perils of being female, chronically ill, and subsisting on menial labor at the edge of an increasingly unaffordable city. Desperate for stable work, she gets hired as a state-sanctioned private investigator looking into shady workers’ comp claims—even while she herself fights in court for her own disability settlement. Angry and heartbroken, brimming with the outrageous contradictions of the modern world, The End of My Career embodies the comic nightmare of our times.

    Literary Nonfiction. Music. A meditation on messages, POPULAR MUSIC asks: how does art make itself heard? The poems of Kelly Schirmann's debut full-length collection offer a unique voice, investigating the spaces between-between the singer and the audience; the lyrics and the message. Like a pop song, these poems encourage and distract, inviting the reader and listener in, wanting to tell you things that seem intimate, while telling them to everyone. They want to know: is anyone listening? And reader, we hope you are.

    Essays. Through these powerful and insightful essays, David Olimpio explores the residual effects of sexual abuse, divorce, and grief. With surprising candor and a disarming sense of humor, Olimpio takes on the outwardly wholesome landscape of his suburban Houston childhood and the complex sexual relationships in his adult life. Both poignant and poetic, THIS IS NOT A CONFESSION leaves us with a sense that our identities have the power to transcend our circumstances.

    Coming from thirteen different countries, these youth share stories of family, school, change, and dreams. The broad range of experiences and the honesty with which these young people tell their stories is captured here with inspiring clarity. Their reasons for immigrating are vast, but a common thread unites them; despite tremendous tribulation these young people continue to work towards the futures of which they dream.With the included study guide and glossary, Green Card Youth Voices is an exceptional resource for English and social science classes, adult learners, ESL classrooms, and book clubs.Includes: Introduction by Kao Kalia Yang, author of The Latehomecomer: A Hmong Family Memoir, 30 personal essays, 30 color portraits, links to the students' video narratives, glossary, study guide.

    Without flinching, they look deeply and honestly at their own experiences and assumptions about race and racial divides in Canada in hopes that the rest of the country will do the same.Featuring a candid conversation between CBC radio host Shelagh Rogers and Chief Justice Sinclair, this book acts as a call for all Canadians to make reconciliation and decolonization a priority, and reminds us that once we know the history, we all have the responsibility—and ability—to make things better.

    Featuring stunning pairings of more than 80 paintings and drawings, this book charts the evolution of Matisse's impact on Diebenkorn over the course of Diebenkorn's career. Though they never met, Matisse was an enduring source of inspiration for the Californian artist, and their works share surprising similarities in subject, composition, palette, and technique. Essays by Janet Bishop and Katherine Rothkopf explore how this influence evolved over time, connecting the work of the two painters and highlighting the ways Diebenkorn drew from Matisse's example to forge a style entirely his own. The volume is rounded out by an introduction by John Elderfield, who knew Diebenkorn personally and has curated exhibitions of both artists' work; an essay by Jodi Roberts on parallels between the artists' drawings; and a bibliography documenting Diebenkorn's collection of books about the French artist. The first in-depth examination of the relationship between the work of Diebenkorn and Matisse, this publication offers new ways of understanding both artists.

    Memoir. BARBELL BUDDHA: THE COLLECTED WRITINGS OF CHRIS MOORE contains all of Moore's previously published and new writings on the subjects of spiritual, mental, and physical strength, expressed in the characteristically engaging, irreverent, soulful, and witty style for which he is known and loved by his countless readers. This volume is not only an inspiration to all who seek growth, strength, and change in their lives; it's also a testament to Moore's life, which he lived with passion, integrity, and modesty.

    First published in 1964 and no less relevant half a century later, The Paranoid Style in American Politics scrutinizes the conditions that gave rise to the extreme right of the 1950s and the 1960s, and presages the ascendancy of the Tea Party movement and, now, Donald Trump’s 2016 presidential campaign.   Fringe groups can and do both influence and derail American politics, and Hofstadter remains indispensable reading for anyone who wants to understand why paranoia, a persistent psychic phenomenon with an outsize role in American public life, refuses to abate.   An ebook short.

    For this entry in the Bookmarked series, Aaron Burch, editor of the literary journal Hobart, will focus on the influence of "The Body" on his life and work.Aaron Burch's fiction has appeared in numerous literary magazines and anthologies, including The &NOW Awards, The Best Innovative Writing, Another Chicago magazine, New York Tyrant, Los Angeles Review, and Barrelhouse. His chapbook, How to Take Yourself Apart, How to Make Yourself Anew, was published by PANK as the winner of their inaugural chapbook contest. He is the founding and current editor of the literary journal Hobart.

    Her many essays have appeared in Harper's, Conjunctions, The New Yorker, Antioch Review, The Threepenny Review, and many other journals. This first collection of work spans 30 years and includes an introduction and brief epilogues to each essay. Tisdale's questing curiosity pursues subjects from the biology of flies to the experience of working in an abortion clinic, why it is so difficult to play sports with men, and whether it's possible for writers to tell the truth. She restlessly returns to themes of the body, the family, and how we try to explain ourselves to each other. She is unwilling to settle for easy answers, and she finds the ambiguity and wonder underneath ordinary events. The collection includes a recent essay never before published, about the mystery of how we present ourselves to each other and whether it is possible to know our own inner lives.

    In prose both as superbly rendered as his poetry and as down-to-earth and easy as speaking, Levine reveals the things that made him the poet he became. In the title essay, originally the final speech of his poet laureate year, he recounts how as a boy he composed little speeches walking in the night woods near his house and how he later realized these were his first poems. He wittily takes on the poets he studied with in the Iowa Writing Program: John Berryman, who was his great teacher and lifelong friend, and Robert Lowell, who was neither. His deepest influences--jazz, Spain, the working people of Detroit--are reflected in many of the pieces. There are essays on Spanish poets he admires, William Carlos Williams, Wordsworth, Keats, and others. A wonderful, moving collection of writings that add to our knowledge and appreciation of Philip Levine--both the man and the poet.

    It's a sport that shows us what a human being might be capable of, with extreme dedication--whether we're eating hot dogs in the stands, waiting out a rain delay in our living rooms, or practising the lost art of catching a stray radio signal from an out-of-market broadcast.From learning about America through ball diamond visits to the most famous triple play that never happened on Canadian soil, Forbes invites us to witness the adult conversing with the O Pee-Chee baseball cards of his youth. Tender, insightful, and with the slow heartbreak familiar to anyone who's cheered on a losing team, The Utility of Boredom tells us a thing or two about the sport, and how a seemingly trivial game might help us make sense of our messy lives.

    Sayantani Dasgupta's generous intelligence and lively curiosity bring alive whole worlds-those of ancient stories and those of daily living, artfully considered. Cultures, languages, religions, landscapes, legacies-this is a writer who contains multitudes. -Peggy Shumaker, Author of " Just Breathe Normally"Sayantani Dasgupta writes with such keen intelligence and vivid clarity that we can't help be taken in. Lyrical, compassionate, and compelling, these beautiful essays transport us to another world. In Dasgupta's able hands, it is a world we come to recognize as our own. -Kim Barnes, Author of "In the Kingdom of Men"Sayantani Dasgupta brings together past and present as she considers childhood, violence, safety, family, monsters, goddesses, and the concept of home. These beautiful essays move between India and America, between selves and versions of selves, as Sayantani considers what is real and what is story or indeed, how the two are ever different. The range of landscapes and subjects is as breathtaking as the writing, showing us a powerful mind at work.-Bich Minh Nguyen, Author of "Stealing Buddha's Dinner"The oscillations in the essays are sometimes gentle vibrations, other times beating drums, encompassing the tension between the home and the world, the past and the present, the brain and the heart. The stories constantly go away and come back and we undulate with them, rippling between delight, sorrow, rage, wonder. -Aurvi Sharma, Winner of the "2015 Gulf Coast Prize in Nonfiction"

    Over more than four decades, he built a reputation writing reviews for the Chicago Sun-Times and, later, arguing onscreen with rival Chicago Tribune critic Gene Siskel and later Richard Roeper about the movies they loved and loathed. But Ebert went well beyond a mere “thumbs up” or “thumbs down.” Readers could always sense the man behind the words, a man with interests beyond film and a lifetime’s distilled wisdom about the larger world. Although the world lost one of its most important critics far too early, Ebert lives on in the minds of moviegoers today, who continually find themselves debating what he might have thought about a current movie.The Great Movies IV is the fourth—and final—collection of Roger Ebert’s essays, comprising sixty-two reviews of films ranging from the silent era to the recent past. From films like The Cabinet of Caligari and Viridiana that have been considered canonical for decades to movies only recently recognized as masterpieces to Superman, The Big Lebowski, and Pink Floyd: The Wall, the pieces gathered here demonstrate the critical acumen seen in Ebert’s daily reviews and the more reflective and wide-ranging considerations that the longer format allowed him to offer. Ebert’s essays are joined here by an insightful foreword by film critic Matt Zoller Seitz, the current editor-in-chief of the official Roger Ebert website, and a touching introduction by Chaz Ebert. A fitting capstone to a truly remarkable career, The Great Movies IV will introduce newcomers to some of the most exceptional movies ever made, while revealing new insights to connoisseurs as well.

    The book takes on the realities of rural New England life, the moments and details that stitch a community together, the politics of being gay and divorced in such a place, and the visceral details of raising children, gardening, porcupines, travel, marriage, and other hazards of living. Written in a coastal community at the eastern edge of the United States, this book works to transcend the Maine depicted on touristy postcards by crafting missives its rural residents might really send—what true stories this place and its people have to tell. The individual pieces in 'Postcards' tell stories that are both intensely personal and entirely communal in scope, and as a collection they create a portrait of one person’s attempt to do a good job at this business of being human.

    Not major events or turning points in life, even though she is writing after a huge one in her life, but remembering moments, textures, sounds, pauses. The air that touched my skin once as I walked home. The sound of dust touching glass. How there was blue once above me when I looked up. It makes me remember that my life is about spaces—of things as large as the sky that envelopes me and of the more intimate, like the space that is my body. The book disappeared as it became each second ticking away in my life, reminding me that I will not be able to save it nor will I ever be able to forget. "–Chiwan Choi, author of Abductions “Sensual, intellectual, bold enough to extend Bachelard’s seminal Poetics of Space and prod Nelson’s exquisite Bluets, Janice Lee’s The Sky Isn’t Blue is a series of ‘dialogues with the dead.’ These disconcerted essays observe our overrun absences—the monumental bleakness of the American West, the desert of the empty bed. Still, Lee’s frequently audacious declarations accompany a mournful narrative of loneliness. The ‘you’ Lee addresses throughout often seems the author’s lover, gone, and thus us—not with Lee, but with her collection of lustrous melancholy, an elegy for her mother and for the rest of us, who will fall to hard weather. For now, Lee’s built a space of 'brightly lit darkness' in which we can all gather, alone together.”—Douglas Kearney, author of Patter“In Janice Lee’s The Sky Isn’t Blue, her thoughtfully interrogative and raw turn towards intimacies elegantly weaves body, environment, and intellect together into a sensually theorized re-encounter. The attentive instance blooms into spiritual incantation. Gaston Bachelard, a phenomenologist of the imagination, becomes her Beatrice through this labyrinth of perception and insight. Through it all, Lee achingly demonstrates our shared human dilemma: of how we endure past tribulation, confusion, and despair. Her solution is to dwell in the dark blue ache of it, where she astoundingly discovers immense beauty. Lee’s meditative aphorisms diffuse a deeply atmospheric wisdom into us, like ‘the wound of expectation.’ And though it’s painfully true that ‘an inhabitation becomes an unlived one,’ Lee demonstrates that the proper reaction might best be to ruminate, to return, and to be transformed in that return... accomplishing a sensitivity and insight that magnifies. Isn’t that a central premise of our humanity?” –Sueyeun Juliette Lee, author of Solar Maximum“Janice Lee is a poet's poet, a writer's writer, a griever's griever, a human's human. The Sky Isn't Blue is a phenomenal work for a reader's reader—demanding us to be awake in this world.” –Ali Liebegott, author of Cha-Ching!

    With words, music and soul-deep creativity, she transforms everyday conversations and ordinary experiences into something precious and rare. The title she gave this book 'The Beautiful Not Yet: Poems, Essays and Lyrics'- names her secret, I think: she sees the beauty of everyday life before it comes into view, sees it before the rest of us do. Beyond Life's broken facades, she manages to get a look at what Thomas Merton called the 'hidden wholeness, ' then shows us what she's seen so we can see it too. her work has been a great gift of inspiration and encouragement to me. I know it will be a gift to you." -Parker J. Palmer (author of "Let Your Life Speak," "The Courage to Teach," and "Healing the Heart of Democracy.

    Historically, women have been instrumental in moving the essay to center stage, and Waveform continues this rich tradition, further expanding the dynamic genre s boundaries and testing its edges. With thirty essays by thirty distinguished and diverse women writers, this carefully constructed anthology incorporates works ranging from the traditional to the experimental.Waveform champions the diversity of women s approaches to the structure ofthe essay today a site of invention and innovation, with experiments in collage, fragments, segmentation, braids, triptychs, and diptychs. Focused on these explorations of form, Waveform is not wed to a fixed theme or even to women s experiences per se. It is not driven by subject matter but highlights the writers interaction with all manner of subject and circumstance through style, voice, tone, and structure.This anthology presents some of the women who are shaping the essay today, mapping an ever-changing landscape. It is designed to place essays recently written by women such as Roxane Gay, Cheryl Strayed, Margo Jefferson, Jaquira Diaz, and Eula Biss into the hands of those who have been waiting patiently for something they could equally claim as their own.Contributors: Marcia Aldrich, Jocelyn Bartkevicius, Chelsea Biondolillo, Eula Biss, Barrie Jean Borich, Joy Castro, Meghan Daum, Jaquira Diaz, Laurie Lynn Drummond, Patricia Foster, Roxane Gay, Leslie Jamison, Margo Jefferson, Sonja Livingston, Alexandria Marzano-Lesnevich, Brenda Miller, Michele Morano, Kyoko Mori, Bich Minh Nguyen, Adriana Paramo, Jericho Parms, Torrey Peters, Kristen Radtke, Wendy Rawlings, Cheryl Strayed, Dana Tommasino, Sarah Valentine, Neela Vaswani, Nicole Walker, Amy Wright"

     It's meant to be a very easy read; not a book you read systematically from beginning to end but rather a book to read during those times you find reading a book overwhelming. How we choose to look at something is essential to our happiness, and the author, Dushka Zapata, hopes to leave readers with a little of that.

    This collection presents the finest examples of a new kind of nonfiction storytelling as practiced by a young generation of longform experts. The collection includes Leslie Jamison’s landmark portrait of a lonely whale named “52 Blue,” Matthew Shaer’s harrowing account of a shipwreck during Hurricane Sandy, and James Verini’s prize-winning tale of romance and courage in Afghanistan.The fascinating and original writing in Love and Ruin demonstrates why The Atavist has become the leader in publishing “remarkable . . . can’t look away pieces of multimedia journalism” (New York Times).

    Here are the deeply felt and beautifully articulated moments of life as it is really lived — the triumphs and tumult of parenting, the ups and downs of friendship, the challenges of marriage, the delicate balance between solitude and intimacy, the fleeting beauty of the seasons, the death of loved ones, the march of time.It is a special privilege to enter the life of a writer as candid, as quietly courageous, as Katrina. “Wake up,” she gently reminds us. “Be grateful. Keep an eye out for wonder.”So it is that we begin to discover the sacred in the everyday. We learn to embrace rather than deny the wealth of experience an ordinary life can hold. And we find in these pages the very companionship we seek for the bewildering, bewitching journey through midlife and beyond.

    An unforgiving and unflinching condemnation of the Empire of Nothing and strategies to escape it- as well as snapshots of what that world looks like from the perspective of someone who is really living it.

    From Barbara Blaine, founder of Survivors Network of Those Abused by Priests (SNAP), to Sister Simone Campbell, whose "Nuns on the Bus" tour for social justice generated national attention, the book highlights women whose stories illustrate not only problems in the church but also the promise of reform. The women profiled span a diverse range of ages, ethnicities, and experiences--single and married, lesbian and straight, mothers and sisters. The women profiled share one trait--that faith is bigger than the institutional church. The book's Introduction provides readers with an essential overview of the history of women in the church, and the Conclusion looks at the potential for future change. Ideal for anyone who has struggled with the Catholic church's relationship with women, this moving book offers hope.

    Craft tips, model poems, prompts, and Q&As. Includes more than 100 of our finest poets such as Tony Hoagland, Laura Kasischke, Alberto Rios, and Ellen Bass.

    She was particularly struck by Laqueur’s bold assertion: “More words have been shed, I suspect, about the clitoris, than about any other organ, or at least, any organ its size.” How was it possible that Hall had been reading compulsively for years and never once stumbled upon this trove of prose devoted to the clit? If Lacquer’s claim was correct, where were all these “words”? And more: what did size have to do with it? Hall set out to find all that had been written about the clit past and present. As she soon discovered, the history of the clitoris is no ordinary tale; rather, its history is marked by the act of forgetting.ADVANCED PRAISE In her marvelously researched and sculpted essay/memoir, Elizabeth Hall convinces me that clitoral stimulation is my birthright, a supreme act reaching back to the origins of sensation, connecting me to all my animal sisters: artist, poet, hyena, dolphin. What a thrilling world Hall constructs, her bulleted points rat-tat-tatting the patriarchy, strobing with pleasure. — Dodie Bellamy, author of When the Sick Rule the World and Cunt Norton The unfolding of relationships between, among many other details, Freud, terra cotta cunts, hyenas, anatomists, and Acker, mixed with a certain slant of light on a windowsill and a leg thrown open invite us into this intricately structured catalogue of clit. “I started with a question: what does the body want? And ended with: it wants.” The investigation does not stop there. Elizabeth Hall’s prose builds quietly into a denouement that is as cerebral and corporeal as it is bawdy and beautiful. — Wendy C. Ortiz, author of Excavation: A Memoir and Hollywood Notebook “I am never bored by a body,” says Elizabeth Hall, in this gorgeous little book about a gorgeous little organ. Hall’s restless unearthing of the clitoris’s hidden history mines discourses as varied as sexology, plastic surgery, literature and feminism to produce an eye-opening compendium, stitched together with wit, lyricism and desire. In this spirited collection of telling details and revelatory insights, the “tender button” finally gets its due. — Janet Sarbanes, author of People of the Pancake and Army of One “God this book is glorious. I’m so grateful to Elizabeth Hall for her devotion–scholarly and bodily– alive in this rigorous, lyrical exploration of a most under-written organ. In this far-ranging meditation and investigation, Hall moves elegantly from Marie Bonaparte to the female hyena to contemporary heroes like Kathy Acker and Holly Hughes, asking over and over again: what is it to have a body? How do we read our way into and through that body? Hall shows us how, in dizzying, thrilling detail; you will learn and laugh and wonder why it took you so long to find this book. ” — Suzanne Scanlon, author of Her 37th Year, An Index and Promising Young Women

    The result is an urgent inquiry—philosophical, political, and personal—into the maladies of our age.Hilary Plum’s memoir Watchfires is a tender, twisted, darkly vibrant meditation on the war on terror as autoimmune disease. A quiet work of genius, as hopeful in its punishing honesty as it is rueful in its dire beauty, Watchfires warns, remembers, regrets, recovers. Plum can taste our febrile paranoia and writes it inside out.—Roy Scranton Hilary Plum’s Watchfires derives its title from the military practice of lighting a large fire after a battle, to help those lost to locate the group. How apt, given how lost we are. Composed of paragraph pyres, Watchfires illuminates the illness of our bodies and our body politic. In the wake of the Boston Marathon bombing and of the private illnesses that the author and her family have endured, Watchfires poses poignant and essential questions about our age: where does the self begin and end? Who is the other if not my own (other-abled) body? Is terrorism a political act or a cancer? In the tradition of Virginia Woolf, Susan Sontag, Simone Weil, and William Stafford, Plum shores these half-fictive, all-true fragments against the ruins of our humanity, lost islands in the age of terrorism and autoimmunity.—Philip MetresHilary Plum is a remarkably natural essayist and Watchfires is teeming with wisdom, depth, and ache. Flitting among a half-dozen topics with organic ease and wonder, Plum’s work is oblique but always precise, personal and utterly controlled—imagine what Virginia Woolf might have written if she’d been intimately familiar with the Boston Marathon bombing, having a partner suffering from cancer, and the forever wars. If there’s any justice in the reading world, this book will be read broadly and passed between admirers for decades to come.—Daniel TordayBio: Hilary Plum is the author of the novel They Dragged Them Through the Streets (FC2, 2013). With Zach Savich she edits Rescue Press’s Open Prose Series. She lives in Philadelphia.

    Siri Hustvedt is a notable novelist, art scholar, and a philosopher of science. In this memorable and immensely enjoyable volume, Hustvedt rises above the exhausted debate over the two cultures, to demonstrate not just the possibility but also the advantages of combining the approaches of the arts, humanities, and sciences to illuminate a key aspect of the human condition: the mind-body problem.” —Antonio Damasio, bestselling author of Descartes’ Error and Self Comes to Mind “Siri Hustvedt proves her membership in the highest rank of neuroscientists and philosophers who probe the nature of thought and the workings of consciousness. A novelist and a student of psychoanalysis and neuroscience, Hustvedt can ask questions others cannot ask about imagination, identity, epistemology, gendered power, and mortality. Her authoritative knowledge and her courage to challenge the status quo guide the reader to fresh epiphanies about what counts as human nature. The work is, in the end, a work of freedom.” —Rita Charon, Columbia University “The Delusions of Certainty is the best book on the mind-body problem I have ever read. Perhaps only a great novelist and essayist can address what neuroscientists and philosophers fail to question. Siri Hustvedt takes the reader on an inspiring journey into highly relevant and often unanswered questions about what it means to be human.” —Vittorio Gallese, University of Parma Prizewinning novelist, feminist, and scholar Siri Hustvedt turns her brilliant and critical eye toward the metaphysical issues of neuropsychology in this lauded, standalone volume. Originally published in her “canonical” (Publishers Weekly) and “absorbing” (Kirkus Reviews) collection A Woman Looking at Men Looking at Women, The Delusions of Certainty exposes how the age-old, unresolved mind-body problem has shaped—and often distorted and confused—contemporary thought in neuroscience, psychiatry, genetics, artificial intelligence, and evolutionary psychology.

    Moreover, this new collection also includes unpublished college essays and hundreds of never-before-seen notes, a critical but unknown part of Judd’s writing practice. Judd’s earliest published writing, consisting largely of art reviews for hire, defined the terms of art criticism in the 1960s, but his essays as an undergraduate at Columbia University in New York, published here for the first time, contain the seeds of his later writing, and allow readers to trace the development of his critical style. The writings that followed Judd’s early reviews are no less significant art-historically, but have been relegated to smaller publications and have remained largely unavailable until now. The largest addition of newly available material is Judd’s unpublished notes—transcribed from his handwritten accounts of and reactions to subjects ranging from the politics of his time, to the literary texts he admired most. In these intimate reflections we see Judd’s thinking at his least mediated—a mind continuing to grapple with questions of its moment, thinking them through, changing positions, and demonstrating the intensity of thought that continues to make Judd such a formidable presence in contemporary visual art. Edited by the artist’s son, Judd Foundation curator and co-president Flavin Judd, and Judd Foundation archivist Caitlin Murray, this volume finally provides readers with the full extent of Donald Judd’s influence on contemporary art, art history, and art criticism.

    While corsets are well-known to accentuate the wearer's waist, embrace their curves and flatter their figure, there’s more to a corset than meets the eye. Solaced: 101 True Stories about Corsets, Well-Being, and Hope sheds light on firsthand experiences of individuals that defied life's hurdles and wore their corsets as armor—both in a literal and figurative sense—rather than wearing them as shackles. In Lucy's inspiring anthology, every heartrending story is a retelling of strength and determination. This eye-opening read gives a fresh perspective on corsetry as it addresses the controversial hype that has since swept the media. With one enthralling testimony at a time, Solaced refutes the persisting myths and stigmas that have labeled this otherwise effective therapeutic method to be outdated, eccentric, or inhumane. Discover for yourself how a corset proved to be the long-awaited answer for many; relieving pain from those who suffer from chronic illness and pain disorders, protecting those who had survived domestic abuse from ex-partners or frightening mugging attempts, soothing those suffering from deep grief, social disorders, anxiety and PTSD, as well as playing a crucial role toward recovery for victims of vehicle collisions, stroke and cancer survivors alike. Chosen among thousands of entries, Lucy has carefully compiled these 101 enlightening verified stories from real, living corset wearers in the 21st century who have transformed their lives and shown that the corset is a versatile tool—not merely for vanity, but for those seeking healing and restoration. "Therapeutic support and bracing, combined with a corset’s aesthetic customizability, comfort, luxuriousness, and elegant appeal, may improve patient compliance and encourage faster rehabilitation overall." Put simply, good health shouldn't be a last resort. Therapeutic corsetry brings together fashion and function; treatment and tailoring; corrective care and couture. The corset wearers herein choose to throw taboo to the wind... and lace themselves in solace.

    With an abiding curiosity and poetic ease, Oliver leads us through the underground city of Cappadocia, explores the vicissitudes of a Berlin marked by historical fracture, recalls a shocking childhood exodus, and recreates the intimacy of the spaces we inhabit. Blending criticism, reportage, and a travel writing all her own, Oliver presents a brilliant collection of essays that asks us what it means to leave the familiar behind and make the unfamiliar our own.Migratory Birds is part of the Undelivered Lectures series from Transit Books.

    Youth and frailty, ambition and anxiety, the limitations of the body and the challenges of personal transformation: these are the undercurrents that animate acclaimed poet Ashleigh Young's first collection of essays. In Can You Tolerate This?—the title comes from the question chiropractors ask to test a patient's pain threshold—Young ushers us into her early years in the faraway yet familiar landscape of New Zealand: fantasizing about Paul McCartney, cheering on her older brother's fledging music career, and yearning for a larger and more creative life. As Young's perspective expands, a series of historical portraits—a boy who grew new bone wherever he was injured, an early French postman who built a stone fortress by hand, a generation of Japanese shut-ins—strike unexpected personal harmonies, as an unselfconscious childhood gives way to painful shyness in adolescence. As we watch Young fall in and out of love, undertake an intense yoga practice that masks an eating disorder, and gradually find herself through her writing, a highly particular psyche comes into view: curious, tender, and exacting in her observations of herself and the world around her. Can You Tolerate This? presents a vivid self-portrait of an introspective yet widely curious young woman, the colorful, isolated community in which she comes of age, and the uneasy tensions—between safety and risk, love and solitude, the catharsis of grief and the ecstasy of creation—that define our lives.

    Maximum Sunlight takes readers to Tonopah to try and find what exactly it is that’s out there. Told through a series of candid interviews and observations of town life, the book attempts to get beyond the stories people want to tell about a place—or don’t want to tell—into some kind of truth.It is a tightly observed, thought-provoking, and at times heartbreaking tour of a place that’s strange and conflicted and, in a way, unlike anywhere else—but also a lot like a lot of America. Just not the America many ever get to see.

    This is Alan Watts' speech on the elements of Western civilization we take for granted, it's buddhist interpretation and possibilities for the redemption of the West.

    Over the next five decades of reporting, he often returned to scenes of racial tension. Now, for the first time, the best of Trillin’s pieces on race in America have been collected in one volume.   In the title essay of Jackson, 1964, we experience Trillin’s riveting coverage of the pathbreaking voter registration drive known as the Mississippi Summer Project—coverage that includes an unforgettable airplane conversation between Martin Luther King, Jr., and a young white man sitting across the aisle. (“I’d like to be loved by everyone,” King tells him, “but we can’t always wait for love”).   In the years that follow, Trillin rides along with the National Guard units assigned to patrol black neighborhoods in Wilmington, Delaware, long after the riots there have ended; looks into a Boston disco whose doormen ask black patrons for more photo IDs than most people carry; reports on the case of a black homeowner accused of manslaughter in the death of a white teenager in an overwhelmingly white Long Island suburb; and chronicles the remarkable fortunes of the Zulu Social Aid & Pleasure Club, a black carnival krewe in New Orleans whose members parade on Mardi Gras in blackface.   He takes on issues that are as relevant today as they were when he wrote about them. Excessive sentencing is examined in a 1970 piece about a black militant in Houston sentenced to thirty years in prison for giving away one marijuana cigarette. The role of race in the use of deadly force by police is highlighted in a 1975 article about an African American shot by a white policeman in Seattle.   Uniting all these pieces is Trillin’s unflinching eye and graceful prose. Jackson, 1964 is an indispensable account of a half-century of race and racism in America, through the lens of a master journalist and writer who was there to bear witness.  Praise for Calvin Trillin  “[A writer] of painterly, impeccably crafted journalism.”—People   “There can never be enough of Calvin Trillin. He has become a literary treasure over the past four decades.”—The Washington Times   “Without false rhetoric . . . [Trillin] can suddenly bring into focus the whole confused story of Civil Rights by examining in detail one particularly significant episode.”—The Times Literary Supplement

    In this lyrical collection, Sonja Livingston weaves together strands of research and imagination to conjure figures from history, literature, legend, and personal memory. The result is a series of essays that highlight lives as varied, troubled, and spirited as America itself.Harnessing the power of language, Livingston breathes life into subjects who led extraordinary lives--as rule-breakers, victims, or those whose differences made them cultural curiosities--bringing together those who slipped through the world largely unseen with those whose images were fleeting or faulty so that they, too, remained relatively obscure. Included are Alice Mitchell, a Memphis society girl who murdered her female lover in 1892; Maria Spelterini, who crossed Niagara Falls on a tightrope in 1876; May Fielding, a "white slave girl" buried in a Victorian cemetery; Valaida Snow, a Harlem Renaissance trumpeter; a child exhibited as Darwin's Missing Link; the sculptors' model Audrey Munson; a Crowwarrior; victims of a 1970s serial killer; the Fox Sisters; and many more.

    To read Loren Eiseley (1907-1977) is to renew a sense of wonder at the miracles and paradoxes of evolution and the ever-changing diversity of life. At the height of a distinguished career as a "bone-hunter" and paleontologist, Eiseley turned from fieldwork and scientific publication to the personal essay in six remarkable books that are masterpieces of prose style. Weaving together anecdote, philosophical reflection, and keen observation with the soul and skill of a poet, Eiseley offers a brilliant, companionable introduction to the sciences, paving the way for writers like Carl Sagan, Stephen Jay Gould, and Neil deGrasse Tyson. Now for the first time, the Library of America presents his landmark essay collections in a definitive two-volume set. Beginning with the surprise million-copy seller The Immense Journey (1957), Eiseley produced an astonishing succession of books that won acclaim both as science and as art. Here, for the first time in a single collector's edition, are all of Eiseley's beloved, thought-provoking, sometimes darkly lyrical essay collections, from The Immense Journey to the posthumous The Star Thrower (1978). Eiseley's subjects are wide-ranging, curious, and meticulously realized: the role of flowering plants in evolution; a disturbing insect, seen in childhood; the questions raised by a new fossil; a forgotten episode in the history of science. Beginning with close observation and vivid detail, Eiseley is fearless and imaginative in pursuit of the cosmological dimensions of the phenomena he describes.

    As such, these eighteen essays, centered on art and memory, offer an investigation into form and content and the language of innocence, experience, and loss. Four sections (each borrowing names from the sculptures of Degas, Bernini, and Rodin) frame a series of meditations that consider the boundaries of the discernible world and the extremes of the body and the self. Here Parms draws heavily on memories of a Bronx upbringing in the 1980s and1990s; explorations in Spain, Portugal, Ireland, and the American West; the struggle to comprehend race, love, family, madness, and nostalgia; and the unending influence of art, poetry, and music.Written largely within the galleries of the Metropolitan Museum of Art, Lost Wax is an inquiry into the ways we curate memory and human experience despite the limits of observation and language. In these essays, Parms exhibits and examines her greatest obsessions: how to describe the surface of marble or bronze; how to embrace the necessary complexities of identity, stillness and movement, life and death--how to be young and alive.

    Our worlds overlap but, already, these worlds are not the same. Their worlds, the worlds that they will grow to fill, are already taking leave of mine. Their futures are already wedged into our present. This is both heartening and frightening. So much of our world deserves to be left. So much of it deserves to be scrapped and recycled. But, too, this scares me. I worry that a lot of what has mattered most to me in this world—Mormonism in particular—may be largely unintelligible to them in theirs. This problem isn’t new, but it is perpetually urgent. Every generation must start again. Every generation must work out their own salvation. Every generation must live its own lives and think its own thoughts and receive its own revelations. And, if Mormonism continues to matter, it will be because they, rather than leaving, were willing to be Mormon all over again. Like our grandparents, like our parents, and like us, they will have to rethink the whole tradition, from top to bottom, right from the beginning, and make it their own in order to embody Christ anew in this passing world. To the degree that we can help, our job is to model that work in love and then offer them the tools, the raw materials, and the room to do it themselves.These essays are a modest contribution in this vein, a future tense apologetics meant for future Mormons. They model, I hope, a thoughtful and creative engagement with Mormon ideas while sketching, without obligation, possible directions for future thinking.

    The self-glorifying march of folly steps off at the end of the Cold War, in an era when delusions of omnipotence allowed the market to climb to virtual heights, while society was divided between the selfish and frightened rich and the increasingly debt-ridden and angry poor. The new millennium saw the democratic election of an American president nullified by the Supreme Court, and the pretender launching a wasteful, vainglorious and never-ending war on terror, doomed to end in defeat and the loss of America’s prestige abroad.All this culminates in the sunset swamp of the 2016 election—a farce dominated by Donald Trump, a self-glorifying photo-op bursting star-spangled bombast in air. This spectacle would be familiar to Aristotle, whose portrayal of the “prosperous fool” describes a class of people who “consider themselves worthy to hold public office, for they already have the things that give them a claim to office.”

    "Joel Peckham's writing is essential reading for me. He's a contemporary whose work I need to read to understand the world I live in. His first collection, RESISTING ELEGY, hit me as a revelation because of its intimacy, its depth, and its unflinching honesty not only with the reader, but with himself. There are very few people in the world willing to take such a terrifying journey into the essence of their own lives and far, far fewer with the skills to take us along with them. Peckham is one of those people and his voice guides us through a darkness we'd be too afraid to explore alone. And then there is the writing. Peckham's exquisite language does what writing is supposed to do envelope you in a new universe and take you on a dramatic and emotional journey. His new collection, BODY MEMORY, continues what is now his hallmark: It explores the deeply personal and hard-to- articulate understandings of what it means to both have a body and also be one. His fears, his phobias, his frailties are all on display so we can better understand ourselves and what it means to be alive and to be grateful to be alive today." Derek B. Miller"

    In rich, evocative snapshots of Chicago, the desert Southwest, California, New England, and Texas, the book traces a peripatetic childhood shaped by loss and dislocation that tumbles into an early adulthood spent chasing excitement from coast to coast and abroad. After being raped in Italy on her first trip to Europe at twenty-five, the author goes adrift in despair from which only drugs and alcohol provide escape. The flash lyric essays in this debut collection pursue a lost sense of self and home after trauma, but as the author discovers, home is not a place marked neatly on any map. Reaching recovery takes years and detours through depression, blurred landscapes, rehab, and jail. Ultimately, the book maps not home at all, but a truer place, one made all the sweeter for having travelled so far to find it.

    It will show you how to take your concept from idea to proper publication, step-by-step. It covers all the nuts and bolts of magazine publishing, from budgeting and distribution to design and print.It also acts as an inspirational resource, with case studies from magazines across the sector – from the most niche indie titles, through the main players of the independent scene, to the most innovative and successful larger scale publications. How many people do you need? Do you want to take advertising? Should you hire a distributor or focus on subscriptions? Interviews with industry insiders – editors, art directors, printers, distributors, retailers and more – are filled with expert tips and examples so you can make the right plan for every aspect of your publishing project. Both print and digital magazines are represented, with a focus on navigating the pitfalls associated with transitioning a print title to digital platforms (and vice versa), mastering social media and creating content specifically for digital readers.

    But behind the headlines, what is it really like to be a woman in India today? Walk in the shoes of some of India’s finest women writers, and go on a journey into their intimate lives in Walking Towards Ourselves. From the film sets of Bollywood to a closeted marital home in a Tamil Nadu village; from the slick boardroom of an online dating app to a makeshift bamboo house in the post-cyclone Sundarbans; from a beauty parlour where skin bleaching is the norm, to a home for abandoned girls in Karnataka, walk with them. Walk with them as they report from Mumbai’s streets alone at night, as they grapple with domestic violence, as they search for love through marriage brokers, as they learn to speak their minds, as they lay claim to their bodies, as they choose to be partnered or not, to become mothers or not, to make art, to make love, to make meaning of their lives. Reaching across different strata of society, religion and language, this anthology creates a kaleidoscope of distinct and varied real-life stories. Told with startling honesty, piercing insight, moments of poetry, and flashes of humour, Walking Towards Ourselves explores what it means to be a woman in India in a time of intense and incredible change.

    Introduction by Haley Mlotek.

    Finding things to adore, things to stick to, that my eyes have always skip-stumbled over: a gecko humming on the wall, exhilarated by its own smallness. Tourists at a bus stop smoothing down their frizz-static hair, already learning the language of a country halfway between humid & a hard place. Orchid on the table, gasping & singing into bloom. This is the way that remembering happens."Topaz Winters’ second chapbook is a delicate, petite rumination on loss & longing, on home & hustle, on memory & monsoon season.Read it here.

    Two of Martin Luther King, Jr.'s most radical works examining economic inequality, police brutality, and black power, which speak to our most pressing social issues of today.Though we’re familiar with the celebrated King who shared his dream of racial equality on the steps of the Lincoln Memorial, and who reassured those engaged in the struggle that “if you stand up for justice you can never fail,” it is rare that we remember his declarations that “a riot is the language of the unheard,” or that “Black power is a cry of disappointment.” Captured here, in this brief ebook volume, are excerpts of two of King’s most radical works—“The Other America” and “Black Power”—which powerfully speak across time to our most pressing social issues today.

    Or sometimes, there isn’t anyone there to offer advice or support. Mothers may be feel isolated and lack a support network to provide honest advice, and others may face a barrage of unwarranted, unhelpful tips or warnings. This collection of essays from 60 mothers will empower and unite parents with real, honest advice from women who have been there. These writers share the advice or support they received—or wish they had—on everything from pregnancy to surviving the first year to parenting teens to empty nest syndrome. Inspired by the viral essay and #SoGladTheyToldMe social media movement, this book aims to change conversations about motherhood by presenting a broader, more realistic, and more balanced image of motherhood so that women will feel less inadequate, adversarial, and isolated. So Glad They Told Me is filled with compassionate, honest advice, and the poignant, painful, and sometimes hilarious truths you wish your best girlfriends had told you about motherhood. The personal essays in So Glad They Told Me offer hope, humor, and truth about parenting at all phases—from pregnancy, infancy, toddlerhood, all the way up through empty nest parenting, including topics such as special needs diagnoses, pregnancy loss, surviving colic, parenting a transgender child, and balancing work and family. I'm so glad they told me, and you will be too. –Ann Imig, Founder, LISTEN TO YOUR MOTHER So Glad They Told Me is a must read for any mother, new or not-so new. With beautiful, funny, smart essays, this is a treasure full of voice, guidance, and best of all, quiet support for all of us. Because despite all of the love that goes into it, what mother hasn’t felt alone in the midst of the wonders of this role? The more voices of support for one another, the better. –Amy Joyce, editor, The Washington Post’s On Parenting Sadly, "they" didn't tell me much about motherhood and I was left to flounder around on my own. I'm quite sure if I'd had this book, my early years as a mom would have been far more pleasant and far less filled with angst! – Jill Smokler, Founder and President, Scary Mommy Motherhood is damn hard; of that there is little doubt. The few things that can make it easier often feel so elusive--several good nights of sleep, or perhaps a few days relaxing on the beach while the children are being cared for by a nanny, just far away enough so as not to disrupt your respite but still close enough so you can be assured of their safety. Short of the sleep or beach fantasies, though, the one reality that can ease the struggle of child-rearing is knowing that you are not alone. The authors of "So Glad They Told Me" share their stories with honesty, bravery, and a sweetness that left me feeling as though I was having coffee with a dear friend who truly understands that sometimes we just need to know that, as author Mandy Hitchcock reminds us, "this path is not uncharted." - Carla Naumburg, PhD, author of Ready, Set, Breathe: Practicing Mindfulness with Your Children for Fewer Meltdowns and a More Peaceful Family (New Harbinger, 2015)