Leaving the comfort of Bilbo’s home they must face many perils before they can claim their long-lost gold -- Trolls, Elves, Goblins, Wargs, and worse…Richly illustrated with more than 100 color photos from the film, and featuring a brand new fold-out map charting the journey from Bag End to Wilderland, The Hobbit: An Unexpected Journey Visual Companion begins the Quest for the Lonely Mountain in spectacular style.

    Tolkien’s classic novel into breathtaking three-dimensional life.

    Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart - 'the eccentric' - the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play. Named after the U.S.-retitling of Carlos Aured's The Blue Eyes of the Broken Doll, House of Psychotic Women is an examination of these characters through a daringly personal autobiographical lens. Anecdotes and memories interweave with film history, criticism, trivia and confrontational imagery to create a reflective personal history and an examination of female madness, both onscreen and off. This sharply-designed book with a 32-page full-colour section is packed with rare stills, posters, pressbooks and artwork that combine with family photos and artifacts to form a titillating sensory overload, with a filmography that traverses the acclaimed and the obscure in equal measure. Films covered include The Entity, The Corruption of Chris Miller, Singapore Sling, 3 Women, Toys Are Not for Children, Repulsion, Let's Scare Jessica to Death, The Haunting of Julia, Secret Ceremony, Cutting Moments, Out of the Blue, Mademoiselle, The Piano Teacher, Possession, Antichrist and hundreds more!

    A fresh, dynamic reboot of the franchise, Batman Begins explored Bruce Wayne's evolution from billionaire orphan to Gotham City's dark avenger. The film deconstructed the super-hero genre and put an indelible stamp on it – Nolan's character-driven, hard-edged realism gave Batman a new, "real-world" origin story.A 2008 sequel, The Dark Knight, took those compelling foundations and raised the stakes, pitting Batman against a deranged master criminal, the Joker (Heath Ledger, whose performance won him a posthumous Academy Award® for Best Supporting Actor), in an all-out war for Gotham's soul. At once a sprawling crime epic, a rumination on moral relativism, and a blockbuster action film, The Dark Knight expanded the scope and depth of Batman Begins and broke box-office records.Now, the final film in The Dark Knight Trilogy, The Dark Knight Rises, brings Nolan's Batman saga to an end. An epic disaster movie on a global scale, The Dark Knight Rises blends the tragic, character-driven roots of Batman Begins with the thrilling action and thematic complexity of The Dark Knight.The Art and Making of The Dark Knight Trilogy tells the complete behind-the-scenes story of these three monumental films. Based on in-depth interviews with Nolan and all of the films’ key cast and crew - including cowriters David S. Goyer and Jonathan Nolan, cinematographer Wally Pfister, and composer Hans Zimmer - and supported by lavish art and never-before-seen photography, the book reveals the creative development and design behind The Dark Knight Trilogy. Each chapter is devoted to a separate step of the filmmaking process, highlighting how Nolan's vision and working methods - favoring repertory-style casting, tenets of classicla drama, and practical effects - helped make the definitive Batman for a new generation.

    There is also an introduction featuring a conversation about The Dark Knight trilogy among the three writers: Christopher Nolan, Jonathan Nolan and David S. Goyer Synopsis:Christopher Nolan brings The Dark Knight trilogy to its climax.The trilogy commenced with Batman Begins, which traced the origins of how Bruce Wayne took on the role of the masked crusader to fight the forces of evil.In the second film, The Dark Knight, Batman found himself battling the anarchy unleashed by the Joker.Physically and psychologically depleted by the events at the end of The Dark Knight, in The Dark Knight Rises Batman must marshal all his resources to meet the threat to Gotham City posed by the masked villain Bane.These three films form a trilogy unique in the history of cinema - and express a dark imaginative vision that reflects the uncertainties of the twenty-first century.This volume contains the complete screenplays of all three films, together with storyboards from each one. Copyright © 2012 DC Comics.BATMAN and all related characters and elements are trademarks of and © DC Comics.WB SHIELD: TM & © Warner Bros. Entertainment Inc. (s12)

    The Wretched of the Screen collects a number of Steyerl's landmark essays from recent years in which she has steadily developed her very own politics of the image.Twisting the politics of representation around the representation of politics, these essays uncover a rich trove of information in the formal shifts and aberrant distortions of accelerated capitalism, of the art system as a vast mine of labor extraction and passionate commitment, of occupation and internship, of structural and literal violence, enchantment and fun, of hysterical, uncontrollable flight through the wreckage of postcolonial and modernist discourses and their unanticipated openings.

    Loden’s 1970 film Wanda is a masterpiece of early cinema vérité, an anti-Bonnie-and-Clyde road movie about a young woman, adrift in rust-belt Pennsylvania in the early 1960s, who embarks on a crime spree with a small-time crook.How to paint a life, describe a personality? Inspired by the film, a researcher seeks to piece together a portrait of its creator. In her soul-searching homage to the former pin-up girl famously married to Hollywood giant Elia Kazan, the biographer’s evocative powers are put to the test. New insights into Loden’s sketchy biography remain scarce and the words of Marguerite Duras, Georges Perec, Jean-Luc Godard, Sylvia Plath, Kate Chopin, Herman Melville, Samuel Beckett and W.G. Sebald come to the narrator’s rescue. As remembered scenes from Wanda alternate with the droll journal of a flailing research project, personal memories surface, and with them, uncomfortable insights into the inner life of a singular woman who is also, somehow, every woman.

    The epic clash of being against being. Han vs the green fellow. Chief Brody vs the very large shark. John McClane vs broken glass, and many, many more....Scott Campbell's acclaimed Great Showdowns series, showing strangely good-natured confrontations between his favorite movie characters, finally gets the book collection fans have been demanding!Whether it's Ripley vs the Alien Queen or Spinal Tap vs an undersized model of Stonehenge, these memorable moments of melee deserve to be celebrated. Behold, The Great Showdowns.

    This impeccably British character created by author Ian Fleming has starred in 23 EON-produced films, played by 6 different actors over five decades. To celebrate 50 years of this innovative franchise, EON Productions opened their archives of photos, designs, storyboards, and production materials to editor Paul Duncan, who spent two years researching over one million images and 100 filing cabinets of documentation. The result is the most complete account of the making of the series, covering every James Bond film ever made, beginning with Dr. No (1962) and ending with the upcoming Skyfall (2012), including the spoof Casino Royale (1967) and Never Say Never Again (1983). The stunning imagery is accompanied by an oral history recounted by over 150 cast and crew members, relating the true inside story of how the Bond films were made. Containing previously unpublished photography and artwork, as well as production memos from filming, this book is a comprehensive tribute to the legend of James Bond.Celebrating the 50th anniversary of the most successful and longest-running film franchise in cinema history! Made with unrestricted access to the Bond archives, this XL tome recounts the entire history of James Bond in words and pictures Among the 1,100 images are many previously unseen stills, on-set photos, memos, documents, storyboards, posters, and designs, plus unused concepts, and alternative designs Behind-the-scenes stories from the people who were there: producers, directors, actors, screenwriters, production designers, special effects technicians, stuntmen, and other crew members Includes every Bond film ever made, from Dr. No (1962) to Skyfall (2012) Special bonus included with the first print run of the book only: an original strip of film from Dr. No James Bond films © 1962–2012 Danjaq, LLC and United Artists Corporation. All rights reserved.Also available in 2 Art Editions, each limited to 250 copies.

    One of the most hilarious, romantic, adventurous, and best-loved movies of all time, The Princess Bride is a touchstone in the lives of generations of moviegoers. Now, for the first time, millions of fans will have the opportunity to own the first book to celebrate the magic, memories, and derring-do of the seminal film.A veritable treasure trove of images from everyone’s most-loved moments as well as never-before-seen behind-the-scenes photographs, script pages, production designs, and reminiscences from cast and crew, this giftable package is a perfect and brand-new way for fans of all ages to relive the film over and over again.The Princess Bride, written by William Goldman, is a timeless story set in the mythic land of Florin, where Princess Buttercup and her true love, Westley, must face kidnappers, vengeful swordsmen, an evil prince, a fire swamp, and rodents of unusual size. Its hilarious and exciting storyline, set within the loving framework of a grandfather reading to his grandson, made the film a box-office hit and pop culture phenomenon. The film starred Cary Elwes, Robin Wright, Mandy Patinkin, André the Giant, Wallace Shawn, Chris Sarandon, Christopher Guest, Billy Crystal, Fred Savage, and Peter Falk. It is best known for being an undeniably loved, oft-quoted piece of American cinematic history.Fans will find it "inconceivable" that it has been twenty-five years since Westley and Inigo Montoya first stormed the castle. This official celebration is a must-have for any of the millions of people who love the film.

    In Too Much Horror Business, Kirk finally unveils his near-mythical treasure trove of rare posters, props, costumes, and toys from the early silent classics to more modern fare. From Bela Lugosi’s annotated Dracula script to the creepy Donnie Darko bunny suit to cool model kits from the 1960s, Hammett has amassed hundreds of items over the years, including priceless international collectibles as well as the quirkier toys of his youth. Alongside scores of full-color, original photographs in this highly designed volume, Kirk offers up thoughts about his appreciation for all things scary and fantastic, shedding light on not only the collection of a lifetime, but the man himself.Praise for Too Much Horror Business:“Like a classic record, there are numerous layers to Too Much Horror Business: The Kirk Hammett Collection, and that’s what makes it so utterly rewarding. Plus, it’s damn beautiful to look at. Ultimately, this is one of the best books of the year and a true game-changer. Whether you’re a Metallica fan, a horror fan, or just a reader in general, you need it.” —ArtistDirect.com

    In Running the Show, veteran First AD Liz Gill walks you through the entire filmmaking process through the perspective of the First AD, from pre-production, shoot, wrap, and all in between. This essential guide is the only book that gives you the first hand knowledge to become a successful first assistant director

    Strangelove to A Clockwork Orange, 2001: A Space Odyssey, Full Metal Jacket, and others, has always been depicted by the media as the Howard Hughes of filmmakers, a weird artist obsessed with his work and privacy to the point of madness. But who was he really? Emilio D'Alessandro lets us see. A former Formula Ford driver who was a minicab chauffeur in London during the Swinging Sixties, he took a job driving a giant phallus through the city that became his introduction to the director. Honest, reliable, and ready to take on any task, Emilio found his way into Kubrick's neurotic, obsessive heart. He became his personal assistant, his right-hand man and confidant, working for him from A Clockwork Orange until Kubrick's death in 1999.Emilio was the silent guy in the room when the script for The Shining was discussed. He still has the coat Jack Nicholson used in the movie. He was an extra on the set of Eyes Wide Shut, Kubrick's last movie. He knew all the actors and producers Kubrick worked with; he observed firsthand Kubrick's working methods down to the smallest detail. Making no claim of expertise in cinematography but with plenty of anecdotes, he offers a completely fresh perspective on the artist and a warm, affecting portrait of a generous, kind, caring man who was a perfectionist in work and life.

    Published in conjunction with an exhibition launched at the Victoria and Albert Museum in London that the New York Times called “extraordinary,” the book showcases the talents of renowned designers such as Adrian, Edith Head, and Sandy Powell, among many others, whose work spans the silent era to the Golden Age of Hollywood to the present day. Essays by a wide variety of leading scholars, archivists, and private collectors, as well as contributions by contemporary costume designers, actors, and directors, take a close look at the conventions of what is considered “costume” and the role of the designer in creating a film’s characters and helping to shape its narrative. With memorable wardrobe classics from The Tramp, Ben-Hur, Cleopatra, The Wizard of Oz, Gone with the Wind, Pirates of the Caribbean, Ocean’s Eleven, Sherlock Holmes, Avatar, and many more, Hollywood Costume is the ultimate volume for fashionistas and film lovers alike. Praise for Hollywood Costume: “More than a book, it’s a display and worthy of every coffee table.” —DailyCandy

    Book annotation not available for this title...Title: .The Location Sound Bible..Author: .Viers, Ric..Publisher: .Ingram Pub Services..Publication Date: .2012/09/01..Number of Pages: .354..Binding Type: .PAPERBACK..Library of Congress: .2012016109

    The movie takes a team of scientists and explorers on a thrilling journey that will test their physical and mental limits and strand them on a distant world, where they will discover the answers to our most profound questions and to life's ultimate mystery.With an introduction by Scott himself, this lavish book will be the only publication to accompany Prometheus. Stunning production art and behind the scenes photos will grant the reader a window on the process of creating this astounding new epic.

    From 1962's Dr. No to 2012's Skyfall, this lavish film-by-film guide, written by Bond Production Designer Dennis Gassner, boasts the most impressive visual collection of James Bond movie posters to date. Featuring a gallery of rare and sought-after posters, as well as spectacular unused concept artwork, and unique teasers and lobby cards from virtually every country where Bond movies have screened, this is a gorgeous collection of the images that have defined cinema's most famous superspy. 007 (Gun Logo) and related James Bond Trademarks© 1962-2012 Danjaq, LLC and United Artists Corporation. All rights reserved. 007 (Gun Logo) and related James Bond Trademarks are trademarks of Danjaq, LLC, licensed by EON Productions Limited.

    But how many of you are familiar with The Exorcist III, Amityville II: The Poession or The Blob Remake?Or minor masterpieces such as Incubus, The Black Pit of Dr. M or Ichi The Killer? Fright film fans need look no further than this indispensable guide from from the experts at Rue Morgue, the worlds leading horror in culture and entertainment magazine.

    Did screenwriter Danny Rubin know what he was doing when he wrote it? That it would star Bill Murray and become a hit? That it would become a touchstone for major religions? That psychologists would come to prescribe the movie to their patients? Follow this unique screenplay's exciting journey through agents, directors, studios, stars and the writer's own confused brain to emerge as one of the most delightful and profoundly affecting comedies of all time. For movie lovers and screenwriters alike, "How To Write Groundhog Day" includes the original screenplay, notes, scene sketches, and a personal tour of the Hollywood writing process from this popular screenwriting teacher.

    Moviegoers everywhere were riveted by her magnetic talent and appeal as she rose to become cinema's first great star.In this engaging collection, copublished with the Library of Congress, an eminent group of film historians sheds new light on this icon's incredible life and legacy. Pickford emerges from the pages in vivid detail. She is revealed as a gifted actress, a philanthropist, and a savvy industry leader who fought for creative control of her films and ultimately became her own producer. This beautifully designed volume features more than two hundred color and black and white illustrations, including photographs and stills from the collections of the Library of Congress and the Academy of Motion Picture Arts and Sciences. Together with the text, they paint a fascinating portrait of a key figure in American cinematic history.

    

    Every shot, every line of dialogue, every stunt.They borrowed and collected costumes, convinced neighborhood kids to wear grass skirts and play natives, cast a fifteen-year-old as Indy's love interest, rounded up seven thousand snakes (sort of), built the Ark, the Idol, the huge boulder, found a desert in Mississippi, and melted the bad guys' faces off.It took seven years.Along the way, Chris had his first kiss (on camera), they nearly burned down the house and incinerated Eric, lived through parents getting divorced and remarried, and watched their friendship disintegrate.Alan Eisenstock's Raiders! is the incredible true story of Eric Zala and Chris Strompolos, how they realized their impossible dream of remaking Raiders of the Lost Ark, and how their friendship survived all challenges, from the building of a six-foot round fiberglass boulder to the devastation of Hurricane Katrina.

    This book not only collects some of Alvin’s finest work, but also includes previously unseen comprehensives and in progress sketches. With the text including commentary from Alvin’s widow, this is a unique insight into the work of one of the 20th century’s great artist/illustrators.

    to the gritty realism of Saving Private Ryan, the films of Steven Spielberg have captured the imagination of the world. Renowned critic Richard Schickel now gives us the definitive illustrated monograph on this Oscar®-winning Hollywood icon, whose long and glittering career few directors have equaled.  Spielberg is one of the most influential and inspirational minds in cinema, and Schickel provides perceptive analysis of nearly 40 years' worth of work, with illuminating film-by-film commentary on such masterpieces as the underwater thriller, Jaws; the high-speed adventures of Indiana Jones; the harrowing Schindler's List; sci-fi classic Close Encounters of the Third Kind; and the recent releases Tintin and War Horse. The book culminates with the long-awaited Lincoln and features over 250 dynamic images, plus revealing behind-the-scenes photos from DreamWorks's archives.

    In The Music of James Bond, author Jon Burlingame throws open studio and courtroom doors alike to reveal the full and extraordinary history of the soundsof James Bond, spicing the story with a wealth of fascinating and previously undisclosed tales.Burlingame devotes a chapter to each Bond film, providing the backstory for the music (including a reader-friendly analysis of each score) from the last-minute creation of the now-famous James Bond Theme in Dr. No to John Barry's trend-setting early scores for such films as Goldfinger andThunderball. We learn how synthesizers, disco and modern electronica techniques played a role in subsequent scores, and how composer David Arnold reinvented the Bond sound for the 1990s and beyond.The book brims with behind-the-scenes anecdotes. Burlingame examines the decades-long controversy over authorship of the Bond theme; how Frank Sinatra almost sang the title song for Moonraker; and how top artists like Shirley Bassey, Tom Jones, Paul McCartney, Carly Simon, Duran Duran, GladysKnight, Tina Turner, and Madonna turned Bond songs into chart-topping hits. The author shares the untold stories of how Eric Clapton played guitar for Licence to Kill but saw his work shelved, and how Amy Winehouse very nearly co-wrote and sang the theme for Quantum of Solace.New interviews with many Bond songwriters and composers, coupled with extensive research as well as fascinating and previously undiscovered details--temperamental artists, unexpected hits, and the convergence of great music and unforgettable imagery--make The Music of James Bond a must read for 007buffs and all popular music fans. This paperback edition is brought up-to-date with a new chapter on Skyfall.

                Here also are those who began to work long after the studio days were over—Robert Altman, David Lynch, Steven Spielberg, among them—who talk about how they came to make movies on their own. Some—like Peter Bogdanovich, Nora Ephron, Sydney Pollack, François Truffaut—talk about how they were influenced by the iconic pictures of the great pioneer filmmakers. Others talk about how they set out to forge their own paths—John Sayles, Roger Corman, George Lucas, et al.            In this series of conversations held at the American Film Institute, all aspects of their work are discussed. Here is Arthur Penn, who began in the early 1950s in New York with live TV, directing people like Kim Stanley and such live shows as Playhouse 90, and on Broadway, directing Two for the Seesaw and The Miracle Worker, before going on to Hollywood and directing Mickey One and Bonnie and Clyde, among other pictures, talking about working within the system. (“When we finished Bonnie and Clyde,” says Penn, “the film was characterized rather elegantly by one of the leading Warner executives as a 'piece of shit' . . . It wasn’t until the picture had an identity and a life of its own that the studio acknowledged it was a legitimate child of the Warner Bros. operation.”)            Here in conversation is Sidney Poitier, who grew up on an island without paved roads, stores, or telephones, and who was later taught English without a Caribbean accent by a Jewish waiter, talking about working as a janitor at the American Negro Theater in exchange for acting lessons and about Hollywood: It “never really had much of a conscience . . . This town never was infected by that kind of goodness.”            Here, too, is Meryl Streep, America’s premier actress, who began her career in Julia in 1977, and thirty odd years later, at sixty, was staring in The Iron Lady, defying all the rules about “term limits” and a filmmaking climate tyrannized by the male adolescent demographic . . . Streep on making her first picture, and how Jane Fonda took her under her wing (“That little line on the floor,” Fonda warned Streep, “don’t look at it, that’s where your toes are supposed to be. And that’s how you’ll be in the movie. If they’re not there, you won’t be in the movie”). Streep on the characters she chooses to play: “I like to defend characters that would otherwise be misconstrued or misunderstood.”            The Next Generation is a fascinating revelation of the art of making pictures.

    Superbly researched and written as an engrossing story of an actor's struggle against professional decline. A must-read!" - Robert Cremer, author of Lugosi: The Man Behind the Cape (Henry Regnery, 1976). "Gary Rhodes represents that elusive Gold Standard in narrative research into the full depth and breadth of Bela Lugosi's complicated career. Rhodes' devotion to the banishment of myth, and to its replacement with frank and humanizing truth, has provided a wealth of historical storytelling that, in turn, renders the actor's known body of work all the more fascinating and comprehensible. Just when I catch myself believing I know all there is to be known about Lugosi - along comes Gary Rhodes and Bill Kaffenberger with a fresh brace of revelations. The process advances immeasurably in No Traveler Returns: The Lost Years of Bela Lugosi." - Michael H. Price, coauthor of the Forgotten Horrors series. In No Traveler Returns, Bela Lugosi scholar extraordinaire Gary D. Rhodes and Bill Kaffenberger provide a fascinating time travel journey back to the late 1940s/early 1950s, when Lugosi - largely out of favor in Hollywood - embarked on a Gypsy-like existence of vaudeville, summer stock, and magic shows. While many historians have considered this era a limbo in Lugosi's career, with precious few facts unearthed, Rhodes and Kaffenberger take the reader along for a wide-eyed ride as Bela performs in a nightclub so notorious that armed guards keep watch on the roof, dresses as Dracula in a magic show where he and a gorilla (a man in a suit) play football with the guillotined head of a woman (a dummy), and races from one stock engagement to another without ever missing a cue. Never in his American career was Bela so busy, and never did his light shine so brightly as he valiantly troupes to support his family, dominate age and illness, and please his audiences. It's a fastidiously researched education in the show business world of the time - and a stirring tribute to the charm, brilliance and inexhaustible professionalism of the star who was Dracula. - Gregory William Mank, author of Bela Lugosi and Boris Karloff: The Expanded Story of a Haunting Collaboration (McFarland, 2009).

    The long-awaited memoir from the Academy Award–winning director of such legendary films as The French Connection, The Exorcist, and To Live and Die in LA, The Friedkin Connection takes readers from the streets of Chicago to the suites of Hollywood and from the sixties to today, with autobiographical storytelling as fast-paced and intense as any of the auteur's films.William Friedkin, maverick of American cinema, offers a candid look at Hollywood, when traditional storytelling gave way to the rebellious and alternative; when filmmakers like him captured the paranoia and fear of a nation undergoing a cultural nervous breakdown.The Friedkin Connection includes 16 pages of black-and-white photographs.

    "The Twilight Journey" follows author Stephenie Meyer and stars Robert Pattinson, Kristen Stewart and Taylor Lautner on their wild five-year journey from the set of the first movie to 2012's "Breaking Dawn, Part 2." It's packed with funny, intimate, often shockingly frank interviews, as well as set visits, trivia, and dozens of now-iconic photographs. The book is not only a keepsake for fans to pore over but also a revealing portrait of an unassuming first-time author and three very different young actors coping with a fame so sudden and overwhelming that it not only transformed their lives but Hollywood itself. Includes five posters based on original EW covers.

    Renowned for her classic beauty and charismatic presence, she rocketed to stardom as a dancer in the Ziegfeld Follies, moving across the country to star in her first film, To Have and to Hold, in 1916. An instant hit with audiences, Murray soon became one of the most famous names in Tinseltown. However, Murray's moment in the spotlight was fleeting. The introduction of ta

    It covered jazz, of course, but it also included Davis’s ruminations on race, politics and culture. Fascinated, Hef sent the writer—future Pulitzer-Prize-winning author Alex Haley, an unknown at the time—back to glean even more opinion and insight from Davis. The resulting exchange, published in the September 1962 issue, became the first official Playboy Interview and kicked off a remarkable run of public inquisition that continues today—and that has featured just about every cultural titan of the last half century.To celebrate the Interview’s 50th anniversary, the editors of Playboy have culled 50 of its most (in)famous Interviews and will publish them over the course of 50 weekdays (from September 4, 2012 to November 12, 2012) via Amazon’s Kindle Direct platform. Here is the interview with the actor Marlon Brando from the January 1979 issue.

    It covered jazz, of course, but it also included Davis’s ruminations on race, politics and culture. Fascinated, Hef sent the writer—future Pulitzer-Prize-winning author Alex Haley, an unknown at the time—back to glean even more opinion and insight from Davis. The resulting exchange, published in the September 1962 issue, became the first official Playboy Interview and kicked off a remarkable run of public inquisition that continues today—and that has featured just about every cultural titan of the last half century.To celebrate the Interview’s 50th anniversary, the editors of Playboy have culled 50 of its most (in)famous Interviews and will publish them over the course of 50 weekdays (from September 4, 2012 to November 12, 2012) via Amazon’s Kindle Direct platform. Here is the interview with the film director Stanley Kubrick from the September 1968 issue.

    They called their work "stunts" and "gags" but those words don't mean the same thing anymore.The Fall Guy: 30 Years as The Duke's Double, is a look back at the original action stars of Hollywood. Men's men, unmatched in strength, skill, and bravery...yet rarely acknowledged outside the industry professionals who knew just how incredible their work really was.

    Every single feature, interview, review and in-depth look at Argento's multi-faceted universe was meticulously collated into one stunning, Sold Out volume, originally called Profondo Argento. Available again at last, now under a new title and cover, Dario Argento: The Man, the Myths and the Magic includes a wealth of fresh material and interviews exclusively conducted for this exhaustive overview of Argento's extraordinary body of work. Illustrated with rare stills, posters and candid behind-the-scenes photos from the author's private collection, Jones probes deep into the psyche and methodology of one of the world's most celebrated genre directors - and in doing so also uncovers the luminous chaos of the entire Italian Film Industry itself. Limited Edition, available in hardback only. From his early beginnings scripting Sergio Leone's Once Upon a Time in the West, his directorial breakthrough with the chic giallo The Bird with the Crystal Plumage and his ground-breaking soundtrack use of the progressive rock group Goblin, to producing the gut-wrenching Dawn of the Dead, his Terror Trilogy with his Hollywood superstar daughter Asia and helming his latest thriller Dracula 3D, everything you ever wanted to know about Dario Argento but were afraid to ask is all here. Rarely has any journalist ever been granted such wide access to the life and work of his all-time favourite director. Yet that's precisely what happened to internationally renowned writer, broadcaster and author Alan Jones who won the respect of Dario Argento for his detailed location reports and critical assessments of the Italian Master of the Macabre. Features full-length interviews with: Asia Argento, Claudio Argento, Fiore Argento, Lamberto Bava, Roy Bava, Simon Boswell, Michael Brandon, Chiara Caselli, Luigi Cozzi, Liam Cunningham, Keith Emerson, Franco Ferrini, Jessica Harper, Udo Kier, Daria Nicolodi, Stefania Rocca, George A. Romero, Gianni Romoli, Dardano Sacchetti, Julian Sands, Tom Savini, Claudio Simonetti, Michele Soavi, Sergio Stivaletti, Max Von Sydow, Ronnie Taylor, Luciano Tovoli. All-new illustrations. Never-before-seen behind the scenes photos, exclusive shots specially produced for this book, rare artwork and stills. This book features full coverage of Argento's new film Dracula 3D.

    This groundbreaking book celebrates one hundred years of the costume designers' and costume illustrators' contributions to the art of cinematic storytelling. Costume designer Deborah Nadoolman Landis offers us a unique perspective on the art and importance of the costume drawing. During her years of practice and research, Professor Landis has discovered a wealth of never-before-seen original sketches, published here for the first time, along with a comprehensive array of first-person anecdotes from collectors, archivists, illustrators, and designers. Whether the film, costume designer, or star was significant or successful did not factor into the criteria for choosing the sketches in this book. Every drawing had a chance to be included on its own merit as a work of art. Featuring a comprehensive introduction that contextualizes the rigors of costume design and a filmography that details the career highlights of each artist, Hollywood Sketchbook is the perfect gift for any lover of fine art, costume design, and the movies.

    Working alongside cast and crew, photographer Greg Williams provides an inside look into the world of Skyfall, with candid shots of the stars and sequences featuring many of the movie's breathtaking sets.Timed with the release of the twenty-third Bond film and the fiftieth anniversary of the movie franchise, this intriguing book is an essential companion to what will be one of the top movie events of the year.Featuring a star studded cast including Daniel Craig, Javier Bardem, Ralph Fiennes, B r nice Marlohe, Naomie Harris, Ben Whishaw with Albert Finney and Dame Judi Dench.007 (Gun Logo) and related James Bond Trademarks(c) 1962-2012 Danjaq, LLC and United Artists Corporation. All rights reserved. 007 (Gun Logo) and related James Bond Trademarks are trademarks of Danjaq, LLC, licensed by EON Productions Limited.

    It provides a concrete, step-by-step strategy to land a job in the entertainment industry. It is the first book to provide insights and advice from both sides of the spectrum: seasoned professionals with decades-long success and wisdom, and up-and-coming professionals who were pounding the pavement just a few years ago and share the up-to-the minute strategies that helped them land their first jobs.

    If you're a casual consumer who thinks Hollywood exists simply for diversion, this book may change your life.“I am a Junior film and Television student... your interpretations of the films have helped formed the kind of filmmaker I am becoming, and also the way I experience films.”Humans crave narrative and usually don't stop to question why. Are we perhaps created to consume story, to create story, because we're image bearers of a Master Storyteller? In this book, movies meet God at the multiplex as the author challenges readers to redefine entertainment, understand the story they're in, and experience a new integrated level of spirituality and entertainment.“You actually look at the film aspects and see how the artist’s worldview really comes through.”What can we learn about God from Doctor Who and Han Solo? What are people like Jon Stewart and even Michael Bay helping us understand about story, good and bad? Peppered with movie quotes and metaphors, journey through the incredible changes film and storytelling have had on 21st century culture. Instead of an overly-academic offering on film and faith, Cinemagogue weaves a narrative from the author's own pop culture saturated life to the Greatest Story Ever Told, from Superman to Citizen Kane, Bertrand Russell to John Frame, Kurt Vonnegut to the apostle Paul, from our favorite narrative to our shared meganarrative.“…I grew up on television in the 80s and relate to the context you grew up in…. I thank God for you and your ability to glorify him in everything, no matter what.”Classic notions of story structure, “monomyth” and universally shared themes in both popular and classic tales are examined in light of ancient scripture. From there, readers can see the genesis of creativity and worldview distortions from which conversation can bring us back to the future. After a dirty dozen examples of popular film in chapter five (with questions for discussion) the book tackles common objections with genre and content: horror movies, foul language, violence, sexuality, magic and more… and how many traditional objections are overshadowed by incredible opportunities for those brave enough to overcome fear and wade into the culture stream, secure in their faith.“Your talk was one of the final confirmations of our move to Los Angeles to re-engage the film business by getting upstream in culture and trying to influence from the top down. Worked as an assistant on a TV series for a year, and now I’m working at a digital marketing agency that does a ton of film/TV work, as well as writing/producing my own projects.”The book ends with a call and commission to those who consider themselves spiritual and religious to get their heads out of the sand, to start realizing and utilizing the power of narrative.“…really convicted me in both the movie and gaming arena to analyze what I am watching/playing and why. I had almost zero discernment before stumbling onto your series…”A requested resource by movie-goers, movie-makers, pastors and teachers, Cinemagogue is an extension of a website and podcast, providing a "how-to" for those who want to experience the transforming power inherent in all story.“Listening to your podcasts… opened my eyes to examine what I watch even closer.”Take your entertainment seriously while simultaneously having more fun with it than ever before. Learn how to watch to glorify, to be edified, and possibly to evangelize. Even better, create to magnify.

    Now, for the first time, millions of fans have the opportunity to own the first-ever book celebrating the magic, music, and memories of the seminal film.With photographs, reminiscences from cast and crew, memorable quotes, trivia, and song lyrics, this gift-able package is a perfect and brand-new way to relive the film.Dirty Dancing is a timeless love story set in the summer of 1963 when Baby, an innocent seventeen-year-old, meets Johnny, a dashing hotel dance instructor at Kellerman’s Catskills resort. Its passionate story line and alluring dance numbers made the film a box-office hit and pop-culture phenomenon. Though the film launched the careers of stars Patrick Swayze and Jennifer Grey, and won an Academy Award®, a Golden Globe®, a Grammy Award®, and an Independent Spirit Award®, it is best known for being an undeniably loved, oft-quoted piece of American cinematic history. With the recent passing of Patrick Swayze, the twenty-fifth anniversary of the film takes on a new meaning and poignancy. This official celebration of the film, the stars, and the time is a must-have for any of the millions of people who love the film.

    Among the films covered are these "top ten": Double Indemnity, Kiss Me Deadly, Gun Crazy, Criss Cross, Detour, In A Lonely Place, T-Men, Out of the Past, The Reckless Moment, and Touch of Evil.

    media. Arabs and Muslims in the Media examines this paradox and investigates the increase of sympathetic images of “the enemy” during the War on Terror. Evelyn Alsultany explains that a new standard in racial and cultural representations emerged out of the multicultural movement of the 1990s that involves balancing a negative representation with a positive one, what she refers to as “simplified complex representations.” This has meant that if the storyline of a TV drama or film represents an Arab or Muslim as a terrorist, then the storyline also includes a “positive” representation of an Arab, Muslim, Arab American, or Muslim American to offset the potential stereotype. Analyzing how TV dramas such as The Practice, 24, Law and Order, NYPD Blue, and Sleeper Cell, news-reporting, and non-profit advertising have represented Arabs, Muslims, Arab Americans, and Muslim Americans during the War on Terror, this book demonstrates how more diverse representations do not in themselves solve the problem of racial stereotyping and how even seemingly positive images can produce meanings that can justify exclusion and inequality.

    In this volume of the FilmCraft series of books, sixteen of the world's leading costume designers come together to share their inspiration and knowledge with the reader. They provide insights into the challenges of envisioning a character, working with budgets, and collaborating with production designers, actors and directors. Designers featured include Academy Award winners Aggie Guerard Rodgers, Janty Yates and Lindy Hemming.

    "Beyond Casablanca" offers thoughtful reviews of 100 classic films worth watching, including silent and foreign pictures, musicals, dramas, comedies, Westerns, and even science fiction and horror. From cult classics to Oscar winners, readers will find movies for every taste and mood.

    Packed with previously unseen visual material, including storyboards and designs for sets and key characters, this highly collectible full-colour book charts the journey from paper to screen: a five-year process for a crew of just 320 people - requiring 3.000 storyboard images, 19,456 square metres of foam board and 893 different mouths for the Pirate Captain alone. Also included are rare interviews with the directors, producers and key members of the production team, giving insight into the creative and technical challenges of a project of this size and ambition. The Making of The Pirates! is a must-have for the many fans of the film, and for anyone interested in the methods, passions and eccentricities of Aardman, this most quintessentially British animation studio.

    All actors and heads of department report to them. Some directors are also writers, employing unique styles of dialogue. Others, like Pedro Almod var, create inimitable visual and tonal styles that set their films apart from the crowd. Unlike the other volumes in the series, Directing covers all disciplines of film art that pass through the director's hands, from development and writing, to working with actors, designers and cinematographers, to post-production and distribution.

    The five feature films he directed in the Soviet Union-among them Andrei Rublev, Solaris, and Stalker-brought him international fame. Evading censorship and mounting pressure by Soviet authorities, he did not return to the Soviet Union after completing Nostalghia in Tuscany in 1983. His final film, The Sacrifice, was shot in Sweden in 1985. Compiled and edited by Tarkovsky's son Andrey Jr., film historian and critic Hans-Joachim Schlegel, and Lothar Schirmer, our book pays homage to a great visionary who though in poetic and, at times, disturbing images of near-biblical intensity. It features stills and documentary photos from each of his films, a rich selection of Tarkovsky's own writings, private photographs from the family album, as well as Polaroids from Russia and Italy. A compilation of prominent voices who have commented on Tarkovsky's work and personality-including Jean-Paul Sartre, Ingmar Bergman, and Aleksandr Sokurov-rounds out the volume.

    Also included are candid shots, vintage publicity stills, screen captures from films, contemporary photographs, aerial views, and maps detailing the various filming locations.Featuring exclusive quotes from the Three Stooges' directors, supporting actors, and family members, this collection is a treasure trove of memorabilia for the Stooges fan and an important document in Hollywood's cinematic history.

    Featuring an exclusive interview with recently deceased director Ken Russell and new interviews with cast, crew, and historians, Raising Hell examines this beautifully blasphemous movie about an oversexed priest and a group of sexually repressed nuns in 17th century France. From the film’s inception through its headline-making production and controversial reception, Richard Crouse explores what it is about Russell’s rarely seen cult classic that makes it a cinematic treasure.

    Nothing affects the quality of a photo more than the lens. It's no longer just about the megapixels-it's the glass that makes all the difference!Many first-time buyers of DSLRs don't venture past the basic lens included in the box. While some are reluctant to spend more money, others are confused by all the buzzwords or are overwhelmed by all the choices out there. It's really a shame, because interchangeable lenses give you amazing scope for quality photography.Take in vast sweeping scenes with a wide angle lens. Capture faraway birds with a telephoto lens. Examine the tiniest detail of a flower with a macro lens. Record the perfect portrait with a prime lens. Anything is possible when you choose the right lens for the job!This book isn't a simple catalogue of available lenses. New products are coming out all the time, and comparing specific lenses can be difficult. Instead, author N.K. Guy gives you all the information you need to make smart buying decisions. Optical technology is demystified, arcane terminology is decoded, and practical tips are provided.The Lens will help you build the perfect lens collection to suit your needs-now and in the future.

    They are cultivated, retired music teachers. Their daughter, who is also a musician, lives abroad with her family. One day, Anne has an attack. The couple's bond of love is severely tested.

    In France, the joy of acting is alive and well. Scores of French actresses are doing the best work of their lives in movies tailored to their star images and unique personalities. Yet virtually no one this side of the Atlantic even knows about them. Viewers who feel shortchanged by Hollywood will be thrilled to discover The Beauty of the Real.This book showcases a range of contemporary French actresses to an audience that will know how to appreciate them—an American public hungry for the exact qualities that these women represent. To spend time with them, to admire their flashing intelligence and fearless willingness to depict life as it is lived, gives us what we're looking for in movies but so rarely find: insights into womanhood, meditations on the dark and light aspect's of life's journey, revelations and explorations that move viewers to reflect on their own lives. The stories they bring to the screen leave us feeling renewed and excited about movies again.Based on one-on-one interviews and the viewing of numerous films, Mick LaSalle has put together a fascinating profile of recent generations of French film stars and an overview of their best work. These women's insights and words illuminate his book, which will answer once and for all the two questions Americans most often have about women and the movies: Where did all the great actresses go? And how can I see their movies?Please click here to see a video discussing The Beauty of the Real at the Roxie Film Festival.

    Beginning in the 1960s with The Housemaid, it traces a path through the history of Korean horror, offering new interpretations of classic films, demarcating the shifting patterns of production and consumption across the decades, and introducing readers to films rarely seen and discussed outside of Korea. It explores the importance of folklore and myth on horror film narratives, the impact of political and social change upon the genre, and accounts for the transnational triumph of some of Korea's contemporary horror films. While covering some of the most successful recent films such as Thirst, A Tale of Two Sisters, and Phone, the collection also explores the obscure, the arcane and the little-known outside Korea, including detailed analyses of The Devil's Stairway, Woman's Wail and The Fox With Nine Tails. Its exploration and definition of the canon makes it an engaging and essential read for students and scholars in horror film studies and Korean Studies alike.

    The film was shot in Sweden, in summer 1985 while Tarkovsky was in exile; it turned out to be his final testament, urging each individual to take personal responsibility for everything that happens in the world.Day after day, while the film was being made, Layla Alexander-Garrett – Tarkovsky’s on-site interpreter - kept a diary which forms the basis of her book "Andrei Tarkovsky: The Collector Of Dreams".In this book the great director is portrayed as a real, living person: tormented, happy, inexhaustibly kind but at times harsh, unrelenting, conscience-stricken and artistically unfulfilled.

    A Matter of Time: The Unauthorized Back to the Future Lexicon brings you the entire franchise: every character, place and object ever featured in the BTTF mythos, from the movies, screenplays, cartoons, novels, video games, card game, amusement-park ride, music videos and more. Every McFly, Brown, Tannen, Parker, Clayton and Strickland. Every crazy invention. Every Hill Valley business-past, present and future. The Back to the Future Lexicon covers it all. This staggeringly complete encyclopedia, written by the author of Timeline of the Planet of the Apes and Lexicon of the Planet of the Apes, contains:- Nearly 3,000 alphabetical entries detailing every character, scientific innovation, institution, location, vehicle, business and more, from every corner of the BTTF universe- A stunning painted cover and more than 25 breathtaking, full-page interior sketches from artist Pat Carbajal, produced exclusively for this volume- A foreword by BTTF.com's Stephen Clark, a noted expert on the Back to the Future mythos- Detailed listings of Doc Brown's many inventions, as well as all known ancestors, descendants and aliases for every major character from the film trilogy- An episode guide to Back to the Future's entire expanded universe- A gallery featuring more than 150 covers from the films' home-video releases, novels, comics and more

    Suber emphasizes that what is required of a professional in the world of film is not just technique, but an understanding and ability to deal with the realities of how films get made.

    "Ma Nuit chez Maud" remains his most famous film, the highlight of an impressive range of films examining the sexual, romantic, and artistic mores of contemporary France, the temptations of desire, the small joys of everyday life, and sometimes, the vicissitudes of history and politics. Yet Rohmer was already forty years old when Maud was released and had already had a career as the editor of "Cahiers du Cin ma," a position he lost in a political takeover in 1963. The interviews in this book offer a range of insights into the theoretical, critical, and practical circumstances of Rohmer's remarkably coherent body of films, but also allow Rohmer to act as his own critic, providing us with an array of readings concerning his interest in setting, season, color, and narrative. Alongside the application of a theoretical rigor to his own films, Rohmer's interviews also discuss directors as varied as Godard, Carn, Renoir, and Hitchcock, and the relations of film to painting, architecture, and music. This book reproduces little-known interviews, such as a debate Rohmer undertakes with Women and Film concerning feminism, alongside detailed discussions from "Cahiers" and "Positif," many produced in English here for the first time.

    The authors examine why and how these famous actors have become some of the most respected and influential in the film world. Each title is divided into 10 chapters, each one dedicated to a specific role and fully documented with film stills, on-set photography and film sequences.

    Completed just before his death in February 2010, Gillis contributed an introduction to each transcript to shed light on his ideas and plans, as well as anecdotal details and personal commentary. The book has more to do with an artist's understanding of sex than the mere views of a flesh peddler. The careful language and brutal intelligence that Jamie brought to interviews are what separates the conversations from any other work that might have more academic or prurient pretensions.Extreme novelist Peter Sotos, perhaps better known and appreciated in France and the United Kingdom than his home country, was a good friend of Jamie Gillis, and Sotos' unusual perspective makes this volume possible.

    As embodied by Jeff Bridges, the main character of the 1998 Coen brothers' film The Big Lebowski is a modern hero who has inspired festivals, burlesque interpretations, and even a religion(Dudeism). In this paperback reissue, film author and curator Jenny M. Jones tells the full story of the Dude, from how the Coen brothers came up with the idea for a modern LA noir to never-been-told anecdotes about the film's production, its critical and commercial reception, and, finally, how it came to be such an international cult hit. Achievers, as Lebowski fans call themselves, will discover many hidden truths, including why it is that Walter Sobchak (John Goodman) is so obsessed with Vietnam, what makes Theodore Donald "Donny" Kerabatsos (Steve Buscemi) so confused all the time, how the film defies genre, and what unexpected surprise Bridges got during filming of the Gutterballs dream sequence. (Hint: it involved curly wigs and a gurney.) Interspersed throughout are sidebars, interviews with members of the film's cast and crew, scene breakdowns, guest essays by prominent experts on Lebowski language, music, filmmaking techniques, and more, and hundreds of photographsâ??including many of artwork inspired by the film.

    O’Bannon also includes his insights on subjects such as the logic of the three-act structure, the role of the producer in screenplay development, and the psychological principle known as “hedonic adaptation,” which has a unique effect on the structuring of screen stories.

    "If you haven't come acrosss DI Thorne, treat yourself. You won't be disappointed" (Sunday Express).Sleepyhead: Thorne must hunt down a serial killer with a terrifyingly unique agenda. Scaredy Cat: Thorne faces a ruthless killer who isn't working alone. Lazy Bones: Sex offenders are being murdered, and Thorne must track down the killer. The Burning Girl: Thorne must find the link between a long dead case, human cargo and a murderous family. Lifeless: DI Tom Thorne goes undercover in London's homeless community to catch a killer.

    The Screenwriter's Roadmap: 21 Ways to Jumpstart Your Story keeps you on route and helps you reach your final destination: a completed screenplay that's full of surprises, emotionally resonant, and ready for the marketplace.Neil Landau, an established Hollywood screenwriter and script doctor, provides 21 questions for you to ask yourself as you write, to help you nail down your screenplay's story structure, deepen its character arcs, bolster stakes, heighten suspense, and diagnose and repair its potential weaknesses. These 21 vital questions have been field-tested and utilized in the creation of some of Hollywood's biggest blockbusters and critically acclaimed films. Each chapter is augmented by end of chapter "homework" assignments, examples from recent blockbusters and timeless classic films, as well as interviews with some of Hollywood's most successful screenwriters including Scott Z. Burns (Contagion), Tony Gilroy (The Bourne Legacy), Laeta Kalogridis (Shutter Island), David Koepp (Spider Man), Jeff Nathanson (Catch Me If You Can), Eric Roth (Extremely Loud & Incredibly Close), David S. Goyer (The Dark Knight Rises), Billy Ray (The Hunger Games), Melissa Rosenberg (the Twilight trilogy), Sheldon Turner (Up in the Air), and many others.

    The Foreword is written by Academy and Golden Globe Award winner Richard Dreyfuss and the book contains behind-the-scenes stories of Quentin Tarantino, Leonardo DiCaprio, Shirley MacLaine, David Carradine and Tony Scott, among many others. This clear-eyed, realistic step-by-step guide offers wisdom on breaking down a scene, standing out at an audition, talking to celebrities, how to work without representation, developing marketing materials, landing commercials, creating your own momentum, what to do when it all goes wrong, working outside Los Angeles, surviving rejection, how to get clothing for the red carpet and much, much more. With information for beginners and pros alike, it's not just invaluable insight for actors looking to mark their mark in the industry, it's great advice for anyone looking to take control of their destiny. Filled with specific examples from movies and television, the book also reveals personal, often funny, stories from the author's own journey through successes and blunders turning minutes into moments and moments into a career."She is a role model… and a true leading lady. Enjoy what she has to say and see if you can see yourself in her journey.”Kevin Costner (Academy and Golden Globe Award Winner)“She’s nailed the daily life of an actor in LA about as perfectly detailed as it gets.”Richard Dreyfuss (Academy and Golden Globe Award Winner)“She has literally figured out a way to bottle lightning.  I’m sure that her observations and guidance will be invaluable to the actor who is looking to make his or her mark in the film world and to build a career, moment by moment.” Lou Diamond Phillips (Golden Globe Nominee)“She knows what a director wants and what an editor needs to tell the story. She’s the real deal.”Dennis Christopher (Golden Globe Nominee)“Laura has strength, courage and the conviction and - pardon my French but, the balls - to hold on to her place in this business. Read her book and you’ll find out how.”Joanna Cassidy (Golden Globe Winner)“After 30 years in casting....I feel like Laura was sitting on my shoulder all these years.  She has expertly explained key notes for an actor to know and understand  pursuing their career.  An Actor is in "SHOW" and 'BUSINESS." This book helps the Know How!”Victoria Burrows (Casting Director: Lord of the Rings and Hobbit trilogies, Cast Away)“Laura Cayouette is a working actress that also has a happy, well-balanced life. Figuring out how she manages this feat is certainly worth a read.”Reginald Hudlin (Producer: Django Unchained; Director: Boomerang) “I write off most of these books.  But this one I can’t.  It stands far above most giving smart, logical, realistic and poignant advice.”George W. Perkins (Executive Producer: Desperate Housewives, 3-time Emmy Nominee)“Laura’s smart, sensible and no nonsense step by step approach to achieving a career as an actor is certain to be the new bible for everyone yearning to break into the biz.”Adam Rifkin (Writer/Director. Showtime’s Reality Show, Detroit Rock City, Mousehunt)“A must read gift for actors. Laura Cayouette, a successful actor and renowned journalist thoroughly lays out a path to artistic fulfillment and success. Bravo! The Dude Abides.

    The book tells how it came about and the involvement of key players such as James Fox, who journeyed into the criminal underworld, and how real gangsters were involved in the research for the film.

    Volume One of a two volume, HBO documentary companion collection of the writings of film historian and gay activist Vito Russo.

    Much of his popularity stems from his constant and recurring references to popular culture and cinema, as well as his own appearances in films such as The Pervert's Guide to Cinema and Examined Life. Although Žižek refers to cinema in order to help explain difficult concepts in his theoretical writing, film scholars question whether Žižek has his own theory of film. This book argues that Žižek's writing on film radically reorients the scope of contemporary film studies. Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Žižek's theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.

    From the late 1920s to the early 1950s these studios presided over the 'Golden Age of Cinema', and their publicity departments created some of the most stunning and iconic images of Hollywood's stars ever taken. Here, for the first time, are photographs showing the 'ordinary lives' of the stars, including Rita Hayworth, Gary Cooper, Humphrey Bogart and Marilyn Monroe. In reality, these photographs were as carefully constructed and prepared as any classic portrait or scene, and they depicted the actors and actresses exactly as the studios wanted them to be seen. The publicity departments cleverly formed an idealised view of the husbands, wives, children, pets, parties, premieres and hobbies of the stars. Ironically, many of the images were only used once or twice, and were then never seen again. Drawn from the extensive archive of the John Kobal Foundation, this book showcases an extraordinary collection of these hidden photographic gems. John Kobal was an authority on Hollywood portrait photography, who established a preeminent collection of works featuring iconic stars of the day. The Getty Image Library in London will be hosting an exhibition of these images to coincide with the publication of this book.

    Young filmmakers such as Richard Kern, Lydia Lunch, Kembra Pfahler, Casandra Stark and Nick Zedd produced nihilistic, nightmarish scenarios of violence, angst and erotic excess that willfully transcended all moral or aesthetic boundaries. Sometimes shot with stolen camera equipment, and flaunting their lo-fi credentials, the low-budget films of the self-proclaimed -Cinema of Transgression- presented analyses of a Lower East Side defined by criminality, brutality, drugs, AIDS, sex and excess. You Killed Me First is published on the occasion of the first exhibition on the Cinema of Transgression.

    So keep your comedy blockbuster alive and well and buy this book. Comedy has always been the backbone of the film business. In an age of sequels and brand-name movies based on established properties, the original comedy screenplay still delivers high profits. Writing the Comedy Blockbuster guides the writer as they learn what goes into writing the next comedy classic.

    In this in-depth essay, for the first time Morrell tells the full story about how the novel and Rambo were created. Among his new revelations, Morrell discusses how Audie Murphy, America's most-decorated soldier of WWII, was the model for Rambo. Morrrell also describes how the riots and anti-war demonstrations of the late 1960s had a considerable impact on his novel. In addition to writing First Blood, David Morrell is the acclaimed author of numerous New York Times bestsellers that include the classic spy trilogy The Brotherhood of the Rose, The Fraternity of the Stone, and The League of Night and Fog. An Edgar, Anthony, and Macavity nominee, Morrell is a recipient of three Bram Stoker awards as well as the International Thriller Writers' prestigious lifetime Thriller Master award. "David Morrell is, to me, the finest thriller writer living today, bar none." —Steve Berry, New York Times bestselling author of The Columbus Affair "David Morrell is a master of suspense." —Michael Connelly, New York Times bestselling author of The Lincoln Lawyer "Morrell, an absolute master of the thriller, plays by his on rules and leaves you dazzled." —Dean Koontz, New York Times bestselling author of 77 Shadow Street

    And his Movie Yearbook has been the go-to source for movie lovers for more than 25 years.Roger Ebert’s “criticism shows a nearly unequaled grasp of film history and technique, and formidable intellectual range. . . .” —New York TimesPulitzer Prize–winning film critic Roger Ebert presents more than 600 full-length critical movie reviews, along with interviews, tributes, and journal entries inside Roger Ebert’s Movie Yearbook 2013.It includes every movie review Ebert has written from January 2010 to July 2012.Also included in the Yearbook:In-depth interviews with newsmakers and celebritiesTributes to those in the film industry who have passed away recentlyEssays on the Oscars, reports from the Toronto Film Festival, and entries into Ebert's Little Movie Glossary

    This new crime fiction adapted brilliantly to the screen, birthing a cinematic genre that French cinema intellectuals following World War II christened film noir. Set on dark streets late at night, in cheap hotels and bars, and populated by the dangerous people who frequented these locales, these films introduced a new antihero, a tough, brooding, rebellious loner, embodied by Humphrey Bogart as Sam Spade in The Maltese Falcon and Philip Marlowe in The Big Sleep. This volume provides a detailed exploration of film noir, tracing its evolution, the influence of such legendary writers as Dashiell Hammett and Raymond Chandler, and the films that propelled this dark genre to popularity in the mid-20th century.

    It covered jazz, of course, but it also included Davis’s ruminations on race, politics and culture. Fascinated, Hef sent the writer—future Pulitzer Prize–winning author Alex Haley, an unknown at the time—back to glean even more opinion and insight from Davis. The resulting exchange, published in the September 1962 issue, became the first official Playboy Interview and kicked off a remarkable run of public inquisition that continues today—and that has featured just about every cultural titan of the past half century.To celebrate the interview’s 50th anniversary, the editors of Playboy have assembled 13 compilations of the magazine’s most (in)famous interviews—from big mouths and wild men to sports gods and literary mavericks. Here is our collection of 12 interviews with the most visionary filmmakers.

    Practical, hands-on information with examples and exercises to help the filmmaker include: Targeting the right festivals; Creating a press kit; Promoting and branding your film; Promoting and branding yourself; Filling out entry forms; Creating a logline; And much more.

    Learn who the key players are when it comes to getting a movie made and how to navigate the politics of filmmaking from start to finish, from first pitch to filling movie seats.

    A Daughter of the Gods (1916), The Phantom of the Opera (1925), The Magician (1926) and Seven Footprints to Satan (1929) were among the unusual and startling films containing story elements that went far beyond the realm of highly unlikely. Using surviving documentation and their combined expertise, the authors catalog and discuss these departures from the norm in this encyclopedic guide to American horror, science fiction and fantasy in the years from 1913 through 1929.

    Bukatman begins with Winsor McCay’s Little Nemo in Slumberland to explore how and why the emerging media of comics and cartoons brilliantly captured a playful, rebellious energy characterized by hyperbolic emotion, physicality, and imagination. The book broadens to consider similar “animated” behaviors in seemingly disparate media—films about Jackson Pollock, Pablo Picasso, and Vincent van Gogh; the musical My Fair Lady and the story of Frankenstein; the slapstick comedies of Jerry Lewis; and contemporary comic superheroes—drawing them all together as the purveyors of embodied utopias of disorder.

    Samuel Fuller (1912-1997) is known as the -Rousseau of the cinema, - a mostly -B- genre Hollywood moviemaker deeply admired by -A- filmmakers as diverse as Jim Jarmusch, Martin Scorsese, Francois Truffaut, Jean-Luc Godard, and John Cassavetes, all of them dazzled by Fuller's wildly idiosyncratic primitivist style.A high-school dropout who became a New York City tabloid crime reporter in his teens, Fuller went to Hollywood and made movies post-World War II that were totally in line with his exploitative newspaper work: bold, blunt, pulpy, excitable. The images were as shocking, impolite, and in-your-face as a Weegee photograph of a gangster bleeding on a sidewalk. Fuller, who made twenty-three features between 1949 and 1989, is the very definition of a -cult- director, appreciated by those with a certain bent of subterranean taste, a penchant for what critic Manny Farber famously labeled as -termite art.-Here are some of the crazy, lurid, comic-book titles of his movies: Shock Corridor, The Naked Kiss, Verboten!, Pickup on South Street. Fuller isn't for everybody. His fans have to appreciate low-budget genre films, including westerns and war movies, and make room for some hard-knuckle, ugly bursts of violence. They also have to make allowance for lots of broad, crass acting, and scripts (all Fuller-written) that can be stiff, sometimes campy, often laboriously didactic. Fuller is for those who love cinema--images that jump, shout, dance. As he put it in his famous cigar-chomping cameo, acting in Jean-Luc Godard's Pierrot le fou (1965): -Film is like a battleground . . . love, hate, violence, death. In a single word: emotion.-After directing, Sam Fuller's greatest skill was conversation. He could talk, talk, talk, from his amazing experiences fighting in World War II to the time his brother-in-law dated Marilyn Monroe, and vivid stories about his moviemaking. Samuel Fuller: Interviews, edited by Gerald Peary, is not only informative about the filmmaker's career but sheer fun, following the wild, totally uninhibited stream of Fuller's chatter. He was an incredible storyteller, and, no matter the interview, he had stories galore for all sorts of readers, not just academics and film historians.

    This is a unique window into the past and is a chance for us to hear those who contributed to the richness of our cultural heritage. With access to the entire archive of BBC Radio and television, we can now witness some of the most lively, entertaining and informative encounters in BBC broadcasting.Due to the age and nature of this archive material, the sound quality may vary.

    What can be done quickly to alter the movie's complexion? The most obvious option is to change the last element added to the film its music! So, a new composer is hired at the last minute to replace the previous composer's heartfelt work In Torn Music (which takes its title from the film Torn Curtain, whose famous score replacement put an end to the long and fruitful collaboration between director Alfred Hitchcock and composer Bernard Herrmann), Hubai recounts the often strange and surprising stories behind 300 rejected and replaced scores dating from the 1930s through the 2000s.

    In this step-by-step, full-color guide, Young clearly explains the key concepts and vital knowledge you need to edit your project from start to finish, providing clear, time-saving instruction on producing and outputting using Final Cut Pro X. This new edition has been updated to include:A thorough introduction to Final Cut Pro X and the philosophy by which the software worksCoverage of the complete postproduction process, including setup, importing, editing, audio, effects, and outputAdditional sections on Multicam Editing, working with Proxies, and effective media management of LibrariesInstruction on encoding, distributing, and archiving your completed projectsA companion website (www.focalpress.com/9781138785533) featuring downloadable video footage that you can edit using the techniques covered in the bookPacked with tutorials and real-world examples, The Focal Easy Guide to Final Cut Pro X, Second Edition will take you through the ins and outs of the software and have you editing and outputting your movies in no time!Written for Final Cut Pro X version 10.1.3 and beyond.

    Catherine Wheatley's study of Michael Haneke's 2005 thriller Cache ('Hidden') explores how, in depicting the relationship between an affluent Parisian family and the Algerian outsider Majid, the film raises questions about home and the family, France's 'hidden' post-colonial past, spectatorship and screens.

    It includes discussions of the intersection between film and literature; in-depth studies of films and directors; and such fragments as a list of Sontag's top-ten films taken from a 1982 issue of 'Sight and Sound'.

    This volume makes the black shine. This is Yugoslavia, and the modern cinema, at their blackest and their brightest."Mladen Dolar

    Her work since then has continued to investigate ideas of biography, gender, identity and memory.

    The incorporation of cognitive research into film theory is becoming increasingly widespread, with novel cinematic technologies and recent developments in digital projection making a strong grasp of perceptual psychology critical to fostering cognitive engagement.Informed by the work of neuropsychologist R. L. Gregory, this volume focuses primarily on two sets of films: the Apartment trilogyof Repulsion, Rosemary’s Baby, and The Tenant; and the Investigation trilogy of Chinatown, Frantic, and The Ninth Gate. Also included are case studies of Knife in the Water, Death and the Maiden, and The Ghost.Polanski and Perception presents a highly original and engaging new look at the work of this influential filmmaker.

    Produced in close co-operation with Tim Burton and the production team, this lavish hardcover official companion volume to the film includes a Foreword by Tim Burton, scores of photos, concept drawings and production designs, and interviews with the cast and crew.

    This title concentrates on the elements that combined, against all odds, to make 'The Godfather' so successful when it appeared in 1972.

    Why? Two words: Colonel Selig. This early pioneer laid the foundation for the movie industry that we know today. Active from 1896 to 1938, William N. Selig was responsible for an amazing series of firsts, including the first two-reel narrative film and the first two-hour narrative feature made in America; the first American movie serial with cliffhanger endings; the first westerns filmed in the West with real cowboys and Indians; the creation of the jungle-adventure genre; the first horror film in America; the first successful American newsreel (made in partnership with William Randolph Hearst); and the first permanent film studio in Los Angeles. Selig was also among the first to cultivate extensive international exhibition of American films, which created a worldwide audience and contributed to American domination of the medium.In this book, Andrew Erish delves into the virtually untouched Selig archive at the Academy of Motion Picture Arts and Sciences Library to tell the fascinating story of this unjustly forgotten film pioneer. He traces Selig’s career from his early work as a traveling magician in the Midwest, to his founding of the first movie studio in Los Angeles in 1909, to his landmark series of innovations that still influence the film industry. As Erish recounts the many accomplishments of the man who first recognized that Southern California is the perfect place for moviemaking, he convincingly demonstrates that while others have been credited with inventing Hollywood, Colonel Selig is actually the one who most deserves that honor.

    Through detailed analyses of extended sequences, technical innovations, and formal experiments, Morgan provides an original interpretation of a series of several internally related films—Soigne ta droite (Keep Your Right Up, 1987), Nouvelle vague (New Wave, 1990), and Allemagne 90 neuf zéro (Germany 90 Nine Zero, 1991)—and the monumental late video work, Histoire(s) du cinéma (1988-1998). Taking up a range of topics, including the role of nature and natural beauty, the relation between history and cinema, and the interactions between film and video, the book provides a distinctive account of the cinematic and intellectual ambitions of Godard’s late work. At the same time, Late Godard and the Possibilities of Cinema provides a new direction for the fields of film and philosophy by drawing on the idealist and romantic tradition of philosophical aesthetics, which rarely finds an articulation within film studies. In using the tradition of aesthetics to illuminate Godard’s late films and videos, Morgan shows that these works transform the basic terms and categories of aesthetics in and for the cinema.

    In this study of Goin' Down the Road, renowned film critic Geoff Pevere provides an engaging account of how a film produced under largely improvised circumstances became the most influential Canadian movie of its day as well as an enduring cultural touchstone.Featuring extensive interviews with the film's key participants, Pevere provides behind-the-scenes history and explores how the movie's meaning and interpretation have changed over time. He gives special attention to the question of why the film's creative mix of documentary techniques, road movie tropes, and social commentary have proven so popular and influential in Canadian filmmaking for decades.

    Volume Two of a two volume, HBO documentary companion collection of the writings of film historian and gay activist Vito Russo.

    Composed in an accessible style yet conversant with the latest, most advanced critical theories and methods, this innovative textbook can be reliably used on both the undergraduate and the graduate level. The book begins with chapters that familiarize students with the basic components of film technique. It connects technique to meaning and demonstrates, through numerous examples, how particular uses of film technique generate different meanings. Students will learn how films are made and how values are promoted, ideas communicated, and rhetorical arguments advanced through film technique. The second part of the book covers a range of interpretive methods, theories, and concerns. In each section, the author offers a sample reading of a film, followed by an "interpretive exercise" with suggestions for students to use in performing their own film interpretation.Carefully structured, beautifully written, and illustrated throughout, An Introduction to Film Analysis provides a thorough grounding in the subject for students around the world.

    On a personal and a professional level, their stories are told in "Hollywood Unknowns," the first history devoted to extras from the silent era through the present." Hollywood Unknowns" discusses the relationship of the extra to the star, the lowly position in which extras were held, the poor working conditions and wages, and the sexual exploitation of many of the hardworking women striving for a place in Hollywood society. Though mainly anonymous, many are identified by name and, for perhaps the first time, receive equal billing with the stars. And "Hollywood Unknowns" does not forget the "bit" players, stand-ins, and doubles, who work alongside the extras facing many of the same privations. Celebrity extras, silent stars who ended their days as extras, or members of various ethnic groups--all gain a deserved luster in acclaimed film writer Anthony Slide's prose. Chapters document the lives and work of extras from the 1890s to 1950s. Slide also treats such subjects as the Hollywood Studio Club, Central Casting, the extras in popular literature, and the efforts at unionization through the Screen Actors Guild from the 1930s onwards.Slide chronicles events such as John Barrymore's walking off set in the middle of the day so the extras could earn another day's wages, and Cecil B. DeMille's masterful organizing of casts of thousands in films such as "Cleopatra." Through personal interviews, oral histories, and the use of newly available archival material, Slide reveals in "Hollywood Unknowns" the story of the men, women, and even animals that completed the scenes on the silver screen.

    Although producing focused, high quality video is well within the capability of nearly every development professional, the skill sets required to do so have not traditionally fallen within most trainers' job descriptions. This is where Rapid Video Development for Trainers comes in: a comprehensive tutorial covering every aspect of web-based video development, this book provides both the theoretical overview and the nuts-and-bolts instructions for creating professional quality video quickly, easily, and inexpensively. Written specifically for trainers by a 20-year media industry veteran who has worked in Europe, America, and Asia, Rapid Video Development for Trainers explains in clear, nontechnical language everything you need to know to create exceptionally instructive, cost-effective video yourself. Some of the topics discussed include: - thorough coverage of the tools you'll need, with a heavy emphasis on the most cost-effective software and hardware for your project- how to edit your video for maximum clarity, consistency, and aesthetics- a full chapter on the digital technology involved with putting your video on the web- a summary 12-point plan for achieving success with your training video- and more...At a time when training and development budgets are being decreased, staff must be able to do more with less. And, since web-based video is rapidly assuming a critical role in corporate training, the ability to create highly effective video in-house is crucial. Rapid Video Development for Trainers is your invaluable educational resource for every aspect of professional-quality, cost-effective web video production.

    Ten months later ‘a box containing 19 film cans and a notebook’ was discovered in a derelict caravan. Its contents were arranged by a team of researchers as a film, Robinson in Ruins (2010), and, later, as The Robinson Institute which combined a selection of the film images with other works. To accompany the installation of The Robinson Institute at Tate Britain, filmmaker Patrick Keiller includes in this book a similar selection of images, predominantly from Robinson in Ruins and the Tate Collection, which consider the origins of the current economic crisis, and effectively serve to illustrate the development of capitalism through the details of landscape.

    It's a do-it-yourself guidebook for film and video makers of all ages and experience levels.

    One hundred twenty-five rare vintage photographs will make bicycle lovers drool over classic models and one-of-a-kinds. Then, especially for cycling aficionados, there's a special index just about the bicycles! Not to disappoint movie fans, another index is devoted to the book's Who's Who of Hollywood stars. For everyone who ever pedaled to the movies, ate popcorn in a cinema, or watched a classic movie channel, Hollywood Rides a Bike by Steven Rea is a coffee table must-have. In fact, it's a double-copy must-have . . . keep an extra in your pannier for easy reference.

    Many books have already been written about situation comedies that enjoyed long and storied runs on television but this volume focuses upon the others. Overflowing with fresh facts, interviews, photographs, and stories, nearly 300 short-lived sitcoms over a 32 year span are presented A-to-Z, whether network or syndicated, prime time or Saturday morning.

    Using examples from both the historical and the post-war avant-garde -- Dada, Surrealism, Letterism, structural-materialist film, and more -- Pavle Levi reveals a range of peculiar and imaginative ways in which filmmakers, artists, and writers have pondered and created, performed and transformed, the movies with or without directly grounding their work in the materials of film. Thestudy considers artists and theorists from all over Europe --- France, Italy, Soviet Union, Germany, Hungary -- but it particularly foregrounds the context of the Yugoslav avant-garde. Cinema by Other Means offers the English-language reader a thorough explication of an assortment of distinctlyYugoslav artistic phenomena, such as the Zenithist cine-writings of the 1920s, the proto-structural Antifilm movement of the early 1960s, and the ortho-dialectical film-poetry of the 1970s.