With humor and levity, here Adichie offers readers a unique definition of feminism for the twenty-first century—one rooted in inclusion and awareness. She shines a light not only on blatant discrimination, but also the more insidious, institutional behaviors that marginalize women around the world, in order to help readers of all walks of life better understand the often masked realities of sexual politics. Throughout, she draws extensively on her own experiences—in the U.S., in her native Nigeria, and abroad—offering an artfully nuanced explanation of why the gender divide is harmful for women and men, alike. Argued in the same observant, witty and clever prose that has made Adichie a bestselling novelist, here is one remarkable author’s exploration of what it means to be a woman today—and an of-the-moment rallying cry for why we should all be feminists.

    —New York Times Book ReviewNo writer I know of comes close to even trying to articulate the weird magic of poetry as Ruefle does. She acknowledges and celebrates in the odd mystery and mysticism of the act—the fact that poetry must both guard and reveal, hint at and pull back... Also, and maybe most crucially, Ruefle’s work is never once stuffy or overdone: she writes this stuff with a level of seriousness-as-play that’s vital and welcome, that doesn’t make writing poetry sound anything but wild, strange, life-enlargening fun. -The Kenyon ReviewProfound, unpredictable, charming, and outright funny...These informal talks have far more staying power and verve than most of their kind. Readers may come away dazzled, as well as amused... —Publishers WeeklyThis is a book not just for poets but for anyone interested in the human heart, the inner-life, the breath exhaling a completion of an idea that will make you feel changed in some way. This is a desert island book. —Matthew DickmanThe accomplished poet is humorous and self-deprecating in this collection of illuminating essays on poetry, aesthetics and literature... —San Francisco ExaminerOver the course of fifteen years, Mary Ruefle delivered a lecture every six months to a group of poetry graduate students. Collected here for the first time, these lectures include "Poetry and the Moon," "Someone Reading a Book Is a Sign of Order in the World," and "Lectures I Will Never Give." Intellectually virtuosic, instructive, and experiential, Madness, Rack, and Honey resists definition, demanding instead an utter—and utterly pleasurable—immersion. Finalist for the 2012 National Book Critics Circle Award.Mary Ruefle has published more than a dozen books of poetry, prose, and erasures. She lives in Vermont.

    Sugar - the once-anonymous online columnist at The Rumpus, now revealed as Cheryl Strayed, author of the bestselling memoir Wild - is the person thousands turn to for advice. Tiny Beautiful Things brings the best of Dear Sugar in one place and includes never-before-published columns and a new introduction by Steve Almond.  Rich with humor, insight, compassion - and absolute honesty - this book is a balm for everything life throws our way.

    It was a place where, from the confines of her bedroom in the suburbs, she could write about personal style and chronicle the development of her own. Within two years, the blog was averaging fifty thousand hits per day. Soon fashion designers were flying her around the world to attend and write about fashion shows, and to be a guest of honor at their parties.     Soon Tavi’s interests grew beyond fashion, into culture and art and, especially, feminism. In September 2011, when she was fifteen, she launched Rookie, a website for girls like her: teenagers who are interested in fashion and beauty but also in dissecting the culture around them through a uniquely teen-girl lens. Rookie broke one million page views within its first six days. Rookie Yearbook One collects articles, interviews, photo editorials, and illustrations from the highly praised and hugely popular online magazine.      In its first year, Rookie has established a large inclusive international community of avid readers. In addition to its fifty-plus regular writers, photographers, and illustrators (many of whom are teenage girls themselves), Rookie’s contributors and interviewees have included prominent makers of popular culture such as Lena Dunham, Miranda July, Joss Whedon, Jon Hamm, Zooey Deschanel, David Sedaris, Elle Fanning, Amy Poehler, Paul Rudd, John Waters, Chloe Sevigny, Liz Phair, Dan Savage, JD Samson, Ira Glass, Aubrey Plaza, Daniel Clowes, Carrie Brownstein, Paul Feig, Bethany Cosentino, Kimya Dawson, Fred Armisen, and Winnie Holzman.     As a young teenager, Gevinson couldn’t find what she was looking for in a teen magazine; Rookie is the one she created herself to fill that void. Her coolheaded intellect shines in Rookie, arguably the most intelligent magazine ever made for a teen-girl audience. Gevinson writes with a humble but keen authority on such serious topics as body image, self-esteem, and first encounters with street harassment. She’s equally deft at doling out useful advice, such as how to do a two-minute beehive, or how to deliver an effective bitchface. Rookie’s passionate staffers and faithful readers have helped make Rookie the strong community that it is.     To date, Gevinson has written for Harper’s Bazaar, Jezebel, Lula, and Pop, and is a contributing editor for Garage magazine. She has been profiled in The New York Times and The New Yorker, and has been on the cover of Pop, L’Officiel, Zeit Magazin, and Bust. As a speaker, she has made numerous presentations at venues such as IdeaCity, TEDxTeen, L2 Forum, and the Economist World in 2012 Festival. Last year Lady Gaga called her “the future of journalism.”

    It was a shock to Williams to discover that her mother had kept journals. But not as much of a shock as what she found when the time came to read them.  “They were exactly where she said they would be: three shelves of beautiful cloth-bound books . . . I opened the first journal. It was empty. I opened the second journal. It was empty. I opened the third. It too was empty . . . Shelf after shelf after shelf, all of my mother’s journals were blank.” What did Williams’s mother mean by that? In fifty-four chapters that unfold like a series of yoga poses, each with its own logic and beauty, Williams creates a lyrical and caring meditation of the mystery of her mother's journals. When Women Were Birds is a kaleidoscope that keeps turning around the question “What does it mean to have a voice?”

    Her gaze swoops vertiginously too; from a countryside of cells beneath a hospital microscope, to killer whales rounding a headland, to the constellations of satellites that belie our sense of the remote. Written with her hallmark precision and delicacy, and marked by moments in her own life, Sightlines offers a rare invitation to pause and to pay heed to our surroundings.

    She received a World Fantasy Award for Lifetime Achievement in 2007, as well as two Mythopoeic Awards and the Guardian Fiction Award for Charmed Life. But she was also a witty, entertaining speaker, a popular guest at science fiction and fantasy conventions and an engaged, scholarly critic of writing that interested her.This collection of more than twenty-five papers, chosen by Diana herself, includes fascinating literary criticism (such as a study of narrative structure in The Lord of the Rings and a ringing endorsement of the value of learning Anglo Saxon) alongside autobiographical anecdotes about reading tours (including an account of her famous travel jinx), revelations about the origins of her books, and thoughts in general about the life of an author and the value of writing. The longest autobiographical piece, 'Something About the Author', details Diana's extraordinary childhood and is illustrated with family photographs. Reflections is essential reading for anyone interested in Diana's works, fantasy or creative writing.The collection features a foreword by Neil Gaiman and an introduction and interview by Charlie Butler, a respected expert on fantasy writing.

    We watch him navigate a fraught relationship with a lonely uncle in jail who—as he degenerates into madness— continues to plead for the support of his conflicted nephew. And we cringe as he gets outed as a “moby” at a Tea Party rally. In moments like these, we can’t help but ask ourselves: How far would we go for our own family members, and when is someone simply too far gone to save? Are there truly “bad people,” and if so, should we change them? With a perfect combination of humor and pathos, these essays, peppered with Kreider’s signature cartoons, leave us with newfound wisdom and a unique prism through which to examine our own chaotic journeys through life.Uncompromisingly candid, sometimes mercilessly so, these comically illustrated essays are rigorous exercises in self-awareness and self-reflection. These are the conversations you have only with best friends or total strangers, late at night over drinks, near closing time.

    Loden’s 1970 film Wanda is a masterpiece of early cinema vérité, an anti-Bonnie-and-Clyde road movie about a young woman, adrift in rust-belt Pennsylvania in the early 1960s, who embarks on a crime spree with a small-time crook.How to paint a life, describe a personality? Inspired by the film, a researcher seeks to piece together a portrait of its creator. In her soul-searching homage to the former pin-up girl famously married to Hollywood giant Elia Kazan, the biographer’s evocative powers are put to the test. New insights into Loden’s sketchy biography remain scarce and the words of Marguerite Duras, Georges Perec, Jean-Luc Godard, Sylvia Plath, Kate Chopin, Herman Melville, Samuel Beckett and W.G. Sebald come to the narrator’s rescue. As remembered scenes from Wanda alternate with the droll journal of a flailing research project, personal memories surface, and with them, uncomfortable insights into the inner life of a singular woman who is also, somehow, every woman.

    Taking the self out feels like obeying a gag order - pretending an objectivity where there is nothing objective about the experience of confronting and engaging with and swooning over literature." - from HeroinesOn the last day of December, 2009 Kate Zambreno began a blog called Frances Farmer Is My Sister, arising from her obsession with the female modernists and her recent transplantation to Akron, Ohio, where her husband held a university job. Widely reposted, Zambreno's blog became an outlet for her highly informed and passionate rants about the fates of the modernist "wives and mistresses." In her blog entries, Zambreno reclaimed the traditionally pathologized biographies of Vivienne Eliot, Jane Bowles, Jean Rhys, and Zelda Fitzgerald: writers and artists themselves who served as male writers' muses only to end their lives silenced, erased, and institutionalized. Over the course of two years, Frances Farmer Is My Sister helped create a community where today's "toxic girls" could devise a new feminist discourse, writing in the margins and developing an alternative canon.In Heroines, Zambreno extends the polemic begun on her blog into a dazzling, original work of literary scholarship. Combing theories that have dictated what literature should be and who is allowed to write it - from T. S. Eliot's New Criticism to the writings of such mid-century intellectuals as Elizabeth Hardwick and Mary McCarthy to the occasional "girl-on-girl crime" of the Second Wave of feminism - she traces the genesis of a cultural template that consistently exiles female experience to the realm of the "minor" and diagnoses women for transgressing social bounds. "ANXIETY: When she experiences it, it's pathological," writes Zambreno. "When he does, it's existential." By advancing the Girl-As-Philosopher, Zambreno reinvents feminism for her generation while providing a model for a newly subjectivized criticism.

    As he would later write in the first of a series of award-winning columns for "Vanity Fair," he suddenly found himself being deported "from the country of the well across the stark frontier that marks off the land of malady." Over the next eighteen months, until his death in Houston on December 15, 2011, he wrote constantly and brilliantly on politics and culture, astonishing readers with his capacity for superior work even in extremis.Throughout the course of his ordeal battling esophageal cancer, Hitchens adamantly and bravely refused the solace of religion, preferring to confront death with both eyes open. In this account of his affliction, he describes the torments of illness, discusses its taboos, and explores how disease transforms experience and changes our relationship to the world around us. By turns personal and philosophical, Hitchens embraces the full panoply of human emotions as cancer invades his body and compels him to grapple with the enigma of mortality.

    His posts were inspired by the desire to re-create simple and everyday observations and stories from his own life that everyone could relate to. In Niemann’s hands, mundane experiences such as riding the subway or trying to get a good night’s sleep were transformed into delightful flights of visual fancy. The struggle to keep up with housework became a battle against adorable but crafty goblins, and nostalgia about New York manifested in simple but strikingly spot-on LEGO creations. This brilliantly illustrated collection of reflections on modern life includes all 16 of the original blog posts as well as a new chapter created exclusively for the book. Also available from Christoph Niemann: Sunday Sketching and I LEGO N.Y. Praise for Abstract City: “Everyday experiences—from looking at leaves to riding city subways—are funny and fresh and often a source of wonder when depicted by this brilliant graphic designer.” —Readers Digest “I will call Christoph when anything awful happens to me. And he will make me laugh like crazy about the whole thing. Because he is insanely funny and completely tenderly true. I love every column he did and will do.” —Maira Kalman, author/illustrator of And the Pursuit of Happiness “Christoph Niemann is the best illustrator alive. Every single time I come across a piece of his work, which is often as he either works all the time, or worse, draws incredibly fast, it is wonderful. While the rest of us are lucky to get a proper piece out here and there, Christoph produces hit after hit after hit. If he wasn’t such a genuinely sweet man, we’d surely hate his ass a lot.” —Stefan Sagmeister, author of Things I Have Learned in My Life So Far “Few books have more probingly and humorously gotten inside the mind and day-to-day experience of an artist.” —NPR.org "What’s terrifying (to me, certainly, and possibly to many of his peers) is that nearly every idea he has seems to be equally well formed . . . once again, performing neat, virtuosic circles around the rest of us, to our delight." —PRINT magazine "Irresistible." —Very Short List “A masterpiece of sophisticated humor, this is a brilliant one-of-a-kind work.” —Library Journal, starred review

    Whether through essay volumes (A Supposedly Fun Thing I'll Never Do Again, Consider the Lobster), short story collections (Girl with Curious Hair, Brief Interviews with Hideous Men, Oblivion), or his novels (Infinite Jest, The Broom of the System), the luminous qualities of Wallace's work recalibrated our measures of modern literary achievement. Conversations with David Foster Wallace gathers twenty-two interviews and profiles that trace the arc of Wallace's career, shedding light on his omnivorous talentJonathan Franzen has argued that, for Wallace, an interview provided a formal enclosure in which the writer -could safely draw on his enormous native store of kindness and wisdom and expertise.- Wallace's interviews create a wormhole in which an author's private theorizing about art spill into the public record. Wallace's best interviews are vital extra-literary documents, in which we catch him thinking aloud about his signature concerns--irony's magnetic hold on contemporary language, the pale last days of postmodernism, the delicate exchange that exists between reader and writer. At the same time, his acute focus moves across MFA programs, his negotiations with religious belief, the role of footnotes in his writing, and his multifaceted conception of his work's architecture. Conversations with David Foster Wallace includes a previously unpublished interview from 2005, and a version of Larry McCaffery's influential Review of Contemporary Fiction interview with Wallace that has been expanded with new material drawn from the original raw transcript.

    He wanted a fresh start, not only in looking at the groundwork of the problems facing our nation and the earth itself, but in gaining hope from some examples of repair and healing even in these times of Late Capitalism and its destructive contagions. As a poet and writer he understood already that much can be gleaned from looking at the vocabulary of these problems themselves and how we describe them. And he settled on “affection” as a method of engagement and solution. The result is the greatest speech he has delivered in his six decades of public life. It All Turns on Affection will take its place alongside The Unsettling of America and The Gift of Good Land as major testaments to the power and clarity of his contribution to American thought.We have taken this opportunity to include a small handful of other recent essays and a wonderful conversation between Mr. Berry, his wife Tanya Berry, and the head of the National Endowment of the Humanities Jim Leech, which took place just after the award was announced. The result offers a wonderful continuation of the long conversation Berry has had with his readers over many years and as well as a fine introduction to his life and work.

    In a series of essays that progress from the tiniest earth dwellers to the most far flung celestial bodies—considering the similarity of gods to donkeys, the inexorability of love and vines, the relations of exploding stars to exploding sea cucumbers—Amy Leach rekindles a vital communion with the wild world, dormant for far too long. Things That Are is not specifically of the animal, the human, or the phenomenal; it is a book of wonder, one the reader cannot help but leave with their perceptions both expanded and confounded in delightful ways.

    You won’t find it in books. And you certainly won’t find it in the neighborhood. This is just the beginning of Joy Castro’s unmoored life of searching and striving that she’s turned to account with literary alchemy in Island of Bones. In personal essays that plumb the depths of not-belonging, Castro takes the all-too-raw materials of her adolescence and young adulthood and views them through the prism of time. The result is an exquisitely rendered, richly detailed perspective on a uniquely troubled young life that reflects on the larger questions each of us faces in a world where diversity and singularity are forever at odds. In the experiences of her past—hunger and abuse, flight as a fourteen-year-old runaway, single motherhood, the revelations of her “true” ethnic identity, the suicide of her father—Castro finds the “jagged, smashed place of edges and fragments” that she pieces together to create an island all her own. Hers is a complicated but very real depiction of what it is to “jump class,” to not belong but to find one’s voice in the interstices of identity.

    Anne’s College, Oxford. Her lectures took the shape of this set of discursive stories. Refusing to be tied down to either fiction or the essay form, Artful is narrated by a character who is haunted—literally—by a former lover, the writer of a series of lectures about art and literature.A hypnotic dialogue unfolds, a duet between and a meditation on art and storytelling, a book about love, grief, memory, and revitalization. Smith’s heady powers as a fiction writer harmonize with her keen perceptions as a reader and critic to form a living thing that reminds us that life and art are never separate.Artful is a book about the things art can do, the things art is full of, and the quicksilver nature of all artfulness. It glances off artists and writers from Michelangelo through Dickens, then all the way past postmodernity, exploring every form, from ancient cave painting to 1960s cinema musicals. This kaleidoscope opens up new, inventive, elastic insights—on the relation of aesthetic form to the human mind, the ways we build our minds from stories, the bridges art builds between us. Artful is a celebration of literature’s worth in and to the world and a meaningful contribution to that worth in itself. There has never been a book quite like it.

    This book is an invitation to wake up from commonplace misconceptions and to see through the imaginary separate self at the root of our human suffering and confusion. Nothing to Grasp is a celebration of what is, exactly as it is.

    In this hilarious essay, originally published in the collection A Supposedly Fun Thing I'll Never Do Again, he ventures to the Illinois State Fair, where he examines butter sculptures, munches on corndogs, and swaps stories with local exhibitors. As he wanders through this endlessly fascinating world, Wallace's one-of-a-kind blend of humor and insight is on full display. "Getting Away from Already Being Pretty Much Away from It All" is an uproarious and ultimately unforgettable foray into a classic part of American life and culture.

    It is joined in this major new retrospective with many other pieces that for the first time present the full range of Brainard's writing in all its deadpan wit, madcap inventiveness, self-revealing frankness, and generosity of spirit. The Collected Writings of Joe Brainard gathers intimate journals, jottings, stories, one-liners, comic strips, mini-essays, and short plays, many of them available until now only as expensive rarities, if at all. "Brainard disarms us with the seemingly tossed- off, spontaneous nature of his writing and his stubborn refusal to accede to the pieties of self-importance," writes Paul Auster in the introduction to this collection. "These little works . . . are not really about anything so much as what it means to be young, that hopeful, anarchic time when all horizons are open to us and the future appears to be without limits." Assembled by the author's longtime friend and biographer Ron Padgett and including fourteen previously unpublished works, here is a fresh and affordable way to rediscover a unique American artist.

    With a comprehensive introduction to the genre and book by editor Dinty W. Moore, The Field Guide is perfect for both the classroom and the individual writer’s desk—an essential handbook for anyone interested in the scintillating and succinct flash nonfiction form. How many words does it take to tell a compelling true story? The answer might surprise you. “The Rose Metal Press Field Guide to Writing Flash Nonfiction, edited by the invaluable Dinty W. Moore, is a lot more than flashy. These thoughtful, thought-provoking essays and exercises have the paradoxical effect of slowing down our attention and encouraging an expansion of the moment, while seeming to be saving writing and reading time. A very useful compilation.” ~Phillip Lopate , The Art of the Personal Essay: An Anthology from the Classical Era to the Present

    Goode" affixed to the Voyager spacecraft, Let Me Clear My Throat dissects the whys and hows of popular voices, making them hum with significance and emotion. There are murders of punk rock crows, impressionists, and rebel yells; Howard Dean's "BYAH!" and Marlon Brando's "Stella!" and a stock film yawp that has made cameos in movies from A Star is Born to Spaceballs. The voice is thought's incarnating instrument and Elena Passarello's essays are a riotous deconstruction of the ways the sounds we make both express and shape who we are—the annotated soundtrack of us giving voice to ourselves.Elena Passarello is an actor and writer originally from Charleston, South Carolina. She studied nonfiction at the University of Pittsburgh and the University of Iowa, and her essays have appeared in Creative Nonfiction, Gulf Coast, Slate, Iowa Review, The Normal School, Literary Bird Journal, Ninth Letter, and in the music writing anthology Pop Till the World Falls Apart. She has performed in several regional theaters in the East and Midwest, originating roles in the premieres of Christopher Durang's Mrs. Bob Cratchit's Wild Christmas Binge and David Turkel's Wild Signs and Holler. In 2011 she became the first woman winner of the annual Stella Screaming Contest in New Orleans.

    The book would go on to inspire legions of women for decades and would later become the subject and title of a hugely popular movie in the fall of 2010. While the film was selling out movie theaters, young black gay men were literally committing suicide in the silence of their own communities.When a young Rutgers University student named Tyler Clementi took his own life after a roommate secretly videotaped him in an intimate setting with another young man, syndicated columnist and author Dan Savage created a YouTube video with his partner Terry to inspire young people facing harassment. Their message, It Gets Better, turned into a popular movement, inspiring thousands of user-created videos on the Internet. Savage's project targeted people of all races, backgrounds and colors, but Boykin has created something special "for colored boys."The new book, For Colored Boys, addresses longstanding issues of sexual abuse, suicide, HIV/AIDS, racism, and homophobia in the African American and Latino communities, and more specifically among young gay men of color. The book tells stories of real people coming of age, coming out, dealing with religion and spirituality, seeking love and relationships, finding their own identity in or out of the LGBT community, and creating their own sense of political empowerment. For Colored Boys is designed to educate and inspire those seeking to overcome their own obstacles in their own lives.

    Bringing together writers of tremendously various family backgrounds and religious orientations, this book offers frank, thoughtful consideration of themes too often polarized and politicized in our society. Participants include Li-Young Lee, Jane Hirshfield, Carolyn Forche, Gerald Stern, Christian Wiman, Joy Harjo, and Gregory Orr, with twelve others, all wrestling with difficult questions of human existence and the sources of art."

    Hot & Heavy rejects the idea that being thin is best, instead embracing the many fabulous aspects of being fat—building fat-positive spaces, putting together fat-friendly wardrobes, turning society’s rules into personal politics, and creating supportive, inclusive communities. Writers, activists, performers, and poets—including April Flores, Alysia Angel, Charlotte Cooper, Jessica Judd, Emily Anderson, Genne Murphy, and Tigress Osborn—cover everything from fat go-go dancing to queer dating to urban gardening in their essays, exploring their experiences with the word "fat," pinpointing particular moments that have impacted the way they think and feel about their bodies, and telling the story of how they each became fat revolutionaries.Ground-breaking and long overdue, Hot & Heavy is a fierce, sassy, thoughtful, authentic, and joyous collection of stories about unapologetically—and unconditionally—loving the body you’re in.

    He was stoical, and set about his treatment, determined to fight his illness. In the face of difficult decisions he sought always to understand the disease and the various medical options open to him, supported by his wife Gail and their two daughters, Georgia and Grace.In 2010, after two hard years of chemotherapy and surgery, the tests came up clear - Philip appeared to have won the battle. But his work as a key strategist for the Labour party took its toll, and feeling ill six months later, he insisted on one extra, precautionary test, which told him that the cancer had returned. Thus began Philip's long, painful but ultimately optimistic journey towards death, during which time he began to appreciate and make sense of his life, his work and his relationships in a way he had never thought possible. He realized something that he had never heard articulated before: death need not be only negative or painful, it can be life-affirming and revelatory.Written during the last few months of his life, When I Die describes the journey Philip took with his illness, leaving to us what he called his lessons from the death zone. This courageous, profoundly moving and inspiring work is as valuable a legacy to the world as anyone could wish to bestow - hugely uplifting, beautifully written with extraordinary insight.

    She has written a stunningly original book of essays whose concerns range from the most minimal and personal subjects to the most encompassing matters of art and culture. The titles themselves speak to the volume's uniqueness: "On lice," "On sleeping in the theater," "On motherhood and stools (the furniture kind)," "Greek masks and Bell's palsy."100 Essays I Don't Have Time to Write is a book in which chimpanzees, Chekhov, and child care are equally at home. A vibrant, provocative examination of the possibilities of the theater, it is also a map to a very particular artistic sensibility, and an unexpected guide for anyone who has chosen an artist's life.

    Over the centuries, Americans have read and written their way into a political culture of ink and type.Part civics primer, part cultural history, "The Story of America" excavates the origins of everything from the paper ballot and the Constitution to the I.O.U. and the dictionary. Along the way it presents fresh readings of Benjamin Franklin's "Way to Wealth", Thomas Paine's "Common Sense", "The Raven" by Edgar Allan Poe, and "Paul Revere's Ride" by Henry Wadsworth Longfellow, as well as histories of lesser-known genres, including biographies of presidents, novels of immigrants, and accounts of the Depression.From past to present, Lepore argues, Americans have wrestled with the idea of democracy by telling stories. In this thoughtful and provocative book, Lepore offers at once a history of origin stories and a meditation on storytelling itself.Here he lyes --A pilgrim passed I --The way to wealth --The age of Paine --We the parchment --I.O.U. --A Nue Merrykin Dikshunary --His Highness --Man of the people --Pickwick in America --The humbug --President Tom's cabin --Pride of the prairie --Longfellow's ride --Rock, paper, scissors --Objection --Chan the man --The uprooted --Rap sheet --To wit

    Decolonization brings about the repatriation of Indigenous land and life; it is not a metaphor for other things we want to do to improve our societies and schools. The easy adoption of decolonizing discourse by educational advocacy and scholarship, evidenced by the increasing number of calls to “decolonize our schools,” or use “decolonizing methods,” or, “decolonize student thinking”, turns decolonization into a metaphor. As important as their goals may be, social justice, critical methodologies, or approaches that decenter settler perspectives have objectives that may be incommensurable with decolonization. Because settler colonialism is built upon an entangled triad structure of settler-native-slave, the decolonial desires of white, non-white, immigrant, postcolonial, and oppressed people, can similarly be entangled in resettlement, reoccupation, and reinhabitation that actually further settler colonialism. The metaphorization of decolonization makes possible a set of evasions, or “settler moves to innocence”, that problematically attempt to reconcile settler guilt and complicity, and rescue settler futurity. In this article, we analyze multiple settler moves towards innocence in order to forward “an ethic of incommensurability” that recognizes what is distinct and what is sovereign for project(s) of decolonization in relation to human and civil rights based social justice projects. We also point to unsettling themes within transnational/Third World decolonizations, abolition, and critical space-place pedagogies, which challenge the coalescence of social justice endeavors, making room for more meaningful potential alliances.

    Through her poetry, essays, stories, and performances, Ryka Aoki has challenged, informed, and shared with queer audiences across the United States. Available on Amazon, as well as directly from the press at Trans-Genre.net.

    Neither tearful memoir nor testament of hope, the essay charts a vivid experience of such a suspended time and discovers an unsuspected intimacy between time and language. Although a life inside this ‘arrested’ time resists being described, it is neither exceptional or pathological; to outlive one’s child is historically common enough. But, because of this felt suspension of the usual flow of time which enables narration, it leaves few literary traces.

    literature is on grand display in this lavish edition of essays, poems, and passages from Emerson's voluminous journals. The neophyte entering the Emersonian universe, as opposed to the scholar, is best served by Mikics's careful annotations and cogent commentary surrounding these selections, though even the most knowledgeable scholar would benefit. - Publishers Weekly In his writing, Emerson favored fire imagery, and his own fiery intellect brightens every page of The Annotated Emerson, a wonderful new collection, meticulously annotated by David Mikics...In the lush pages of The Annotated Emerson readers will find that fire still warm, able to illuminate and sear. - Daniel Dyer - Cleveland Plain Dealer

    Soft Skull Press proudly offers this tenth-anniversary edition of visionary essays exploring the glory and power of Black Cool, curated by thought leader and bestselling author Rebecca Walker, with a foreword by Henry Louis Gates, Jr.Originally published in 2012, this collection of illuminating essays exploring the ineffable and protean aesthetics of Black Cool has been widely cited for its contribution to much of the contemporary discussion of the influence of Black Cool on culture, politics, and power around the world.Curated by Rebecca Walker, and drawing on her lifelong study of the African roots of Black Cool and its expression within the African diaspora, this collection identifies ancestral elements often excluded from colloquial understandings of Black Cool: cultivated reserve, coded resistance, intentional audacity, transcendent intellectual and spiritual rigor, intentionally disruptive eccentricity, and more.With essays by some of America’s most innovative Black thinkers, including visual artist Hank Willis Thomas, writer and filmmaker dream hampton, MacArthur-winning photographer Dawoud Bey, fashion legend Michaela angela Davis, and critical theorist and cultural icon bell hooks, Black Cool offers an excavation of the African roots of Cool and its hitherto undefined legacy in American culture and beyond.This edition includes a new introduction from Rebecca Walker, a powerful meditation on the genesis, creation, completion, and subsequent impact of this landmark volume over the last decade.

    Just beneath the surface of the phonemes, a gendered name rhythmically explodes into a founding variousness. And then the strictures of the text assert again themselves. I want to claim for this inconspicuousness a transformational agency that runs counter to the teleology of readerly intention. Syllables might call to gods who do and don't exist. That is, they appear in the text's absences and densities as a motile graphic and phonemic force that abnegates its own necessity. Overwhelmingly in my submission to reading's supple snare, I feel love.

     It begins with the personal, both past and present. It emphasizes Gass’s lifelong attachment to books and moves on to the more analytical, as he ponders the work of some of his favorite writers (among them Kafka, Nietzsche, Henry James, Gertrude Stein, Proust). He writes about a few topics equally burning but less loved (the Nobel Prize–winner and Nazi sympathizer Knut Hamsun; the Holocaust).   Finally, Gass ponders theoretical matters connected with literature: form and metaphor, and specifically, one of its genetic parts—the sentence.   Gass embraces the avant-garde but applies a classic standard of writing to all literature, which is clear in these essays, or, as he describes them, literary judgments and accounts. Life Sentences is William Gass at his Gassian best.The personals column: The literary miracle --Slices of life in a library --Spit in the mitt --The first fourth following 9/11 --What freedom of expression means, especially in times like these --Retrospection --Old favorites and fresh enemies: A wreath for the grave of Gertrude Stein --Reading Proust --Nietzsche: in illness and in health --Kafka: half a man, half a metaphor --Unsteady as she goes: Malcolm Lowry's cinema inferno --The bush of belief --Henry James's curriculum vitae --An introduction to John Gardner's Nickel mountain --Katherine Anne Porter's fictional self --Knut Hamsun --Kinds of killing --The Biggs lectures in the classics: Form: Eidos --Mimesis --Metaphor --Theoretics: Lust --Narrative sentences --The aesthetic structure of the sentence

    It takes you inside ladies' rooms, restaurants, and even their homes. Why did Angelina Jolie offer to help her? Which sitcom star nearly trampled her at the movies? How many celebrities do you have to know to get on The Tonight Show? In this offbeat memoir of her run-ins with famous people, Suzy answers these, and other, ridiculous questions. This is not simply a dishy memoir about stars. Soro knows how to deliver pathos with deadpan, self-deprecating humor. Basically, she’s really funny, and you will relate to every self-conscious, star-struck, or hilarious moment."~ Jess Riley, author of Driving Sideways, All the Lonely People and Closer Than They Appear***********************"Darkly funny, unabashedly honest, and voyeuristic with every word, Celebrity sTalker will be relished by anyone on the other side of the red carpet."~Adam Heath Avitable, comedian and author of Interviews with Dead Celebrities***********************"See how Suzy Soro parlayed her chance meeting with one of America's biggest celebrities into a hilarious and embarrassing anecdote that she clearly has not gotten over yet." ~Caissie St. Onge, former assistant to David Letterman, former writer for Rosie O'Donnell and producer of Bravo's Watch What Happens Live! Author of Jane Jones, Worst. Vampire. Ever.***********************"Her painstakingly funny book CELEBRITY sTALKER, in which she accounts her brushes with fame, is riveting and entertaining."~Comedian Wendy Liebman, Letterman, Leno, Fallon and Carson (Johnny, not Daly.)***********************"To Suzy Soro, Hollywood is one big mixer, and she's determined to work the room whether it likes it or not. Suzy's approach to celebrity is a revelation. Cataloging her catch-and-release encounters with some of the biggest names in Hollywood,Celebrity sTalker gives readers a hilarious and subversive view of life in the real Tinsel Town from a comedian who has lived it both inside...and out."~ Anna Lefler, comedian and author of THE CHICKTIONARY: FROM A-LINE TO Z-SNAP, THE WORDS EVERY WOMAN SHOULD KNOW

    In the meantime, if you'd like to read something that alternates between laugh-out-loud-funny and apocalyptically angry, keep holding this book. Steal it if necessary. In his latest collection of rants, raves, hastily spluttered articles and scarcely literate scrawl, Charlie Brooker proves that there is almost nothing in this universe, big or small, that can't reduce a human being to a state of pure blind hatred. It won't help you lose weight, feel smarter, sleep more soundly, or feel happier about yourself. It will provide you with literally hours of distraction and merriment. It can also be used to stun an intruder, if you hit him with it correctly (hint: strike hard, using the spine, on the bridge of the nose). Only a prick wouldn't buy this book. Don't be that prick.

    Masih put out a call for Intercultural Essays dealing with the subjects of "culture, race, and a sense of place." The prizewinners are gathered for the first time in a ground-breaking anthology that explores many facets of culture not previously found under one cover. The powerful, honest, thoughtful voices-Native American, African American, Asian, European, Jewish, White-speak daringly on topics not often discussed in the open, on subjects such as racism, war, self-identity, gender, societal expectations. Their words will entertain, illuminate, take you to distant lands, and spark important discussions about our humanity, our culture, and our place within society and the natural world. A TEACHING TOLERANCE Staff Pick Fall 2013"This collection of essays provides a lens into intercultural experiences that will offer important insights for teachers as well as students...and can lead to a greater understanding of and appreciation for our global community." - Dr. Zaline M. Roy-Campbell, Associate Professor and Coordinator of the Program in Teaching English Language Learners, Syracuse University "This contemporary collection of essays will be an invaluable resource. I'm especially impressed by the range of themes..." - Mary McLaughlin Slechta, ESL instructor, Nottingham High School

    What would you do, where would you be, without your comadre?      In Spanish, comadre is a powerful term. It encompasses many of the most complex and important relationships that exist between women: best friends, confidants, advisors, neighbors, and godmothers to each other’s children. For over a decade, Nora Comstock, President and CEO of the international organization Las Comadres Para Las Americas has been bringing Latina women together to support each other in the U.S. and overseas. Here, they collaborate with acclaimed author and editor Adriana Lopez to bring you the very best of today’s Latino writers as they illuminate the power of sisterly bonds.     In twelve creative nonfiction narratives, mostly by women, the authors reflect on the importance of comadres in their lives. Writers like Fabiola Santiago, Luis Alberto Urrea, Reyna Grande, and Teresa RodrÍguez tell their stories of survival in the United States and in Latin America, where success would have been impossible without their friendships. Favorites like Esmeralda Santiago, Lorraine Lopez, Carolina De Robertis, Daisy Martinez, and Ana Nogales explore what it means to have a comadre help you through years of struggle and self-discovery. And authors Sofia Quintero, Stephanie Elizondo Griest, and Michelle Herrera Mulligan look at the powerful impact of the humor and humanity that their comadres brought to each one’s life, even in the darkest moments.

    Places" Jonathan Meades has an obsessive preoccupation with places. He has spent thirty years constructing sixty films, two novels and hundreds of pieces of journalism that explore an extraordinary range of them, from natural landscapes to man-made buildings and 'the gaps between them', drawing attention to what he calls 'the rich oddness of what we take for granted'. This book collects 54 pieces and six film scripts that dissolve the barriers between high and low culture, good and bad taste, deep seriousness and black comedy. Meades delivers 'heavy entertainment' - strong opinions backed up by an astonishing depth of knowledge. To read Meades on places, buildings, politics, or cultural history is an exhilarating workout for the mind. He leaves you better informed, more alert, less gullible. "Everything is fantastical if you stare at it for long enough. Everything is interesting."

    

    A Life with Books is an essay specially commissioned for Independent Booksellers Week, supplied exclusively to independent bookshops. In it, Julian Barnes writes about his early awareness of books and about his obsessive book-collecting and time spent in second-hand bookshops around the country. He ends by praising the physical book and expressing the confident hope that it will survive.A Life with Books is published as a pamphlet, with cover art by Suzanne Dean, the renowned designer responsible for the cover of Julian Barnes’ Man Booker-winning The Sense of an Ending.

    In 30 of his finest essays--nine never before collected--Sanders examines his Midwestern background, his father's drinking, his opposition to war, his literary inheritance, and his feeling for wildness. He also tackles such vital issues as the disruption of Earth's climate, the impact of technology, the mystique of money, the ideology of consumerism, and the meaning of sustainability. Throughout, he asks perennial questions: What is a good life? How do family and culture shape a person's character? How should we treat one another and the Earth? What is our role in the cosmos? Readers and writers alike will find wisdom and inspiration in Sanders's luminous and thought-provoking prose.

    The field guide explores all of that and more. From illustrated maps of comfort food and music stops, to stories from Rosanne Cash, Tony Earley and Senator Bill Frist, Wildsam digs deep to find the taproots of the Music City.SENATOR BILL FRIST physicianALICIA HENRY artistMATT AND CARRIE EDDMENSON fashion designersJESSIE BAYLIN musicianJIM SHERRADEN letterpress printerJ. WES YODER writerTHAD COCKRELL musicianTANDY WILSON chefLIBBY CALLAWAY writerCOURTNEY JAYE musicianNICK DRYDEN architectPAUL CLEMENTS historianCHELSEA CROWELL

    This cornucopia was devoted mainly to culture and the arts, the craft of writing, and travels to remote places, along with the movies, American popular song, email, multitasking, baseball, Central Park, Tina Brown, Pauline Kael, Steve Martin, and other complications of modern life. Written with elegance and humor, these pieces are now collected in The Writer Who Stayed."If you value vintage journalism of an old-fashioned vividness and integrity please, please read this book."—Wall Street Journal"Our 'endlessly supple' English language will, Zinsser says, 'do anything you ask it to do, if you treat it well. Try it and see.' Try him and see craftsmanship."—George F. Will"Zinsser—who, with On Writing Well, taught a whole lot of us how to set down a clean English sentence—last year won a National Magazine Award for his Friday web columns in The American Scholar. They're now in a collection that's completely charming, impeccably polished, and Strunk-and-White-ishly brief. He's the youngest 90-year-old you'll read this week."—New York MagazineWilliam Zinsser is a lifelong journalist and nonfiction writer—he began his career on the New York Herald Tribune in 1946—and is also a teacher, best known for his book On Writing Well, a companion held in affection by three generations of writers, reporters, editors, teachers, and students. His 17 other books range from memoir (Writing Places) to travel (American Places), jazz (Mitchell & Ruff), American popular song (Easy to Remember), baseball (Spring Training) and the craft of writing (Writing to Learn). During the 1970s he was at Yale University, where he was master of Branford College and taught the influential nonfiction workshop that would start many writers and editors on their careers. He has taught at the New School, in New York, his hometown, and at the Columbia University Graduate School of Journalism.

    My parents married late. My father was thirty-eight, my mother forty-one. When he found out she was pregnant, he asked the doctor, ‘Can you get rid of it?’” From such an inauspicious beginning, Martin began collecting impressions that, through the tincture of time and the magic of his narrative gift, have become the finely wrought pieces of Such a Life.   Whether recounting the observations of a solemn child, understood only much later, or exploring the intricacies of neighborhood politics at middle age, Martin offers us a richly detailed, highly personal view that effortlessly expands to illuminate our world.   At a tender age Martin moved to a new level of complexity, of negotiating silences and sadness, when his father lost both of his hands in a farming accident. His stories of youth (from a first kiss to a first hangover) and his reflections on age (as a vegan recalling the farm food of his childhood or as a writer contemplating the manual labor of his father and grandfather) bear witness to the observant child he was and the insightful and irresistible storyteller he’s become. His meditations on family form a highly evocative portrait of the relationships at the heart of our lives.

    Matthew Vollmer is the author of the short story collection, FUTURE MISSIONARIES OF AMERICA, a debut work that earned high praise: "Expertly structured and utterly convincing, these stories represent the arrival of a strong new voice" (New York Times) and "...vital, and bristling with vivid imagery and detail" (Library Journal). With David Shields, Vollmer is also the co-editor of Fakes: An Anthology of Pseudo Interviews, Faux-Lectures, Quasi-Letters, "Found" Texts, and Other Fraudulent Artifact (W.W. Norton, 2012).

    Moving from gospel to soul, funk to freestyle, Young sifts through the shadows, the bootleg, the remix, the grey areas of our history, literature, and music.

    And not just any book, he’s not just offering up his in depth genre gems for your delectation, it’s better than that.In the Pseudopod Tapes, Alasdair gathers a years worth of outro’s from one of the worlds leading horror podcasts and collects them all together for you in this volume. Stuart hosts Pseudopod with a sharp wit, clear insight, tremendous honesty and warm humour. It translates extremely well to the page.

    Collected here from various sources (including the Guardian and GQ America) are the best of his adventures. Always intrigued by our ability to believe the unbelievable, Jon meets the man preparing to welcome the aliens to earth, the woman trying to build a fully-conscious robotic replica of the love of her life and the Deal or No Deal contestants with a fool proof system to beat the Banker. Jon realises that it’s possible for our madness to be a force for good when he meets America’s real-life superheroes or a force for evil when he meets the Reverend ‘Death’ George Exoo, who has dubiously assisted in more than a hundred mercy killings.He goes to a UFO convention in the Nevada desert with Robbie Williams, asks Insane Clown Posse (who are possibly America’s nastiest rappers) whether it’s true they’ve actually been evangelical Christians all along and rummages through the extensive archives of Stanley Kubrick. Frequently hilarious, sometimes disturbing, always entertaining, these compelling encounters with people on the edge of madness will have you wondering just what we’re capable of.

    When she finally realizes that being the best girl - and woman - she can be is no match for being the man she's supposed to be, there's only one solution, and it's not another purse, pair of pumps, or push-up bra. Teeny Weenies and Other Short Subjects takes a long, hard look at getting the short end of the stick, both before and after transition from female to male. This collection of humorous essays from award-winning author and transsexual man Matt Kailey explores identity, sexuality, and growing up female in a world with two sexes, two genders - and no exceptions.

    Jackson reveals the gifted ear of a poet, a journalist’s unsentimental eye, honest insight into the struggles of lower class urban life, and a willingness to indulge in candid introspect. From the title story “Oversoul” about the struggles of a recently released ex-con, to “Serial Killers: There are no alibis,” an essay that dissects a particular breed of womanizing males, Jackson’s characters reconcile the conflicts that arise in those that see their dreams perpetually shattered, realize the smallest of victories, and harbor a wavering faith in redemption—all while struggling with ever-present vices. This collection introduces a remarkable new voice in literature.

    The Bible and the Granth Sahib speak to us from these pages, as do the Quran and the Vedas. The songs of mystics and saints like Kabir, Rumi and Teresa of vila mix with the verse of poets like Ghalib, Tagore and Keats. In the final section, Khushwant Singh shares some of his own life codes and those of the rebels and mavericks he most admires. Full of spirit, wit and good sense and as free of humbug as the man himself this is a book of inspiration, comfort and entertainment for every discerning reader.

    Combining his most important pieces over the last 15 years along with two completely new essays, 'On the Becoming of Concepts' and 'The Idea of the Open', this volume is Smith's definitive treatise on Deleuze. The four sections cover Deleuze's use of the history of philosophy, his philosophical system, several Deleuzian concepts and his position within contemporary philosophy.Smith's essays are frequent references for students and scholars working on Deleuze, and Dan Smith is widely regarded as the world's leading commentator on Deleuze. Several of the articles have already become touchstones in the field, notably those on Alain Badiou and Jacques Derrida. For anyone interested in Deleuze's philosophy, this book is not to be missed.

    Revealing the full diversity of approaches to the study of textiles, the Reader introduces students to the theoretical frameworks essential to the exploration of the textile from both a critical and a creative perspective.Content is drawn from a wide range of genres - blogs, artists' statements and fiction, as well as critical writings - and organized in themed sections covering touch, memory, structure, politics, production and use. Each thematic section is separately introduced and concludes with a bibliography for further reading. The Textile Reader will be an invaluable resource for students of textile design, textile art, applied arts and crafts and material culture. Selected authors include Glenn Adamson, Anni Albers, Gilles Deleuze, Felix Guattari, Sarat Maharaj, Rozsika Parker, Sadie Plant, Peter Stallybrass, Alice Walker and Catherine de Zegher.

    We know what happened: she was challenged, disbelieved, and humiliated; he was given a life-long appointment to decide America's judicial fate. What is less known is how many women and men were inspired because of Anita Hill's bravery, how her testimony changed the feminist movement, and how she singlehandedly brought public awareness to the issue of sexual harassment. Thomas might have won his seat, but Anita Hill's legacy mobilized the women's movement and our need to demand more than the status quo.Twenty years later, this collection brings together three generations to witness, respond to, and analyze Hill's impact and present insights in law; politics; the confluence of race, class, and gender; the persistent questioning of women's credibility; and current cases of sexual harassment. With original contributions by Anita Hill, Melissa Harris-Perry, Catharine MacKinnon, Patricia J. Williams, Eve Ensler, Ai Jen Poo, Kimberly Crenshaw, Lynn Nottage, Gloria Steinem, Lani Guinier, Lisa Kron, Mary Oliver, Edwidge Danticat, Kevin Powell, and many others.Amy Richards is the author of Opting In, co-author of Manifesta, and co-founder of Soapbox, Inc.Cynthia Greenberg organized Sex, Power, and Speaking Truth: Anita Hill 20 Years Later, a conference at Hunter College in 2011.

    Because we twenty-first century ladies are rocking it out in many many ways … but we also still have a lot of leftover mental baggage around beauty and bodies and how we need to look in order to be of value. This little book was written to help you feel more rational and relaxed about all of that. Thereby freeing up mental resources for all the world-saving we’re supposed to be doing!Be Less Crazy so you can be more of whatever you want to be.

    It’s not a book meant to reopen arguments about who does and does not deserve Hall of Fame enshrinement. Rather, it remembers those who, failing entrance into Cooperstown, may unfairly be lost to history. It’s for the players we grew up rooting for, the ones whose best years led to flags and memories that will fly together forever. Players like David Cone, Will Clark, Dwight Evans, Norm Cash, Kenny Lofton, Brad Radke, and many others.This is not a numbers-driven project (although our contributors lean analytical in their views). Our plan isn’t to be overbearing with stats and spreadsheets to convince you that these players are worth remembering. What we aim to do, instead, is accomplish that same task through stories. Think of your favorite players growing up: they have their moments, games, seasons, quirks, personalities, and legends worth remembering and sharing. Now, combine the best of everyone’s forgotten favorites, and you’ve got a Hall of Nearly Great. Ask the people who have those memories and love for these players to write essays about them, and you have The Hall of Nearly Great ebook.It takes a talented writer to give these players their due honors, and we’ve collected forty-two talented writers to do just that. These are All-Star writers, some of our favorite must-reads in today’s expansive baseball coverage landscape. They have diverse voices, diverse backgrounds and diverse interests, but they all love baseball and have a passion for the players they’re writing about. You already love some of these players, and you’ll come to love the rest.

    Working across many disciplines, he created works on paper, paintings, sculpture, video, installation, music and sound works, and performances that managed to be at once shocking yet funny, and complex yet accessible. This companion volume to a much-anticipated retrospective exhibition was conceived in close collaboration with the artist as an overview of his career--from his early Performative Sculptures and Objects to the abject sculptures made of old stuffed animals to the multi-part video installation Day Is Done to the ambitious Mobile Homestead, the artist's final work before his untimely passing in 2012. This book features essays and a fully annotated plate section, as well as a newly researched and revised exhibition chronology, performance history, videography, discography, and bibliography of Kelley's work. In addition, the publication includes the artist's last interview. Mike Kelley promises to be the definitive reference on the work of this singular and highly influential artist.

    “The feminine forms we have inherited in terms of sanctified literature pretty much make me want to punch someone in the face”: An expansion of Vanessa Veselka and Lidia Yuknavitch’s conversation on women, writing, and violence, which originally appeared online at the Believer blog.

    That night, Sater came home and began writing the first lyric of Spring Awakening: "Mama Who Bore Me" - a lyric which still stands, verbatim, just as he first wrote it. Ten years later, in the wake of the enormous international success of this groundbreaking, multiaward-winning show, its original director, Michael Mayer, urged Sater to write notes explicating its famously evocative, poetic lyrics. In rich detail, Sater's notes address the literary sources and allusions of each lyric. He also writes feelingly of what prompted the songs over the course of the show's eight years of development. In so doing, Sater expands on his partnership with Sheik and his experiences with original cast members, Lea Michele and Jonathan Groff, now also known from Glee. These notes will prove invaluable for fans of the show, for all those interested in theater, and most especially for all the young performers who will play the roles and sing these songs.

    As he put it, mistakenly, 'Asians milked the cow, but did not feed it to yield more milk.' It was the beginning of a nightmarish five months for Niranjan Desai, who had been sent from India as officer on special duty to help tackle the crisis. The role of the Indian diplomat is a varied one, as Desai's and others' accounts in The Ambassadors' Club show, and Krishna V. Rajan, himself a skilful diplomat, has brought together, for the first time, a selection of experiences that shows the Indian Foreign Service in a remarkable new light.

    Anxiety, depression, prostitution, crime, and worldwide wars are only a few of these examples. Despite hundreds of spiritual, religious, and non-religious leaders, and in spite of tremendous advancements in science and technology, our collective problems are only growing. The question is why. What are we missing? The root of these problems points to one common element-not fully understanding the multidimensional human being. We cannot solve the dilemmas of humanity with the same mind that created them!This book is intended to help the general population explore some of the most complex mysteries of our world and seemingly unsolvable problems created by mankind. It provides a fast track for personal and global transformation based on science and evidence, using a bio-psycho-socio-spiritual model. Many concepts have been borrowed from outstanding scientists, philosophers, researchers, teachers, and leaders in the past and present, and a few more have been added by the author.

    Featuring noted authors and journalists as well as the brightest up-and-comers writing today, this collection provides a comprehensive look at the fascinating, innovative, and trailblazing scientific achievements and breakthroughs of 2011, along with elegant and thoughtprovoking new takes on favorite topics. This is the sixth anthology of online essays edited by Bora Zivkovic, the blogs editor at Scientific American, and with each new edition, Zivkovic expands his fan base and creates a surge of excitement about upcoming compilations. Now everyone's favorite collection will reach new horizons and even more readers. Guest-edited and with an introduction by the renowned science author and blogger Jennifer Ouellette, The Best Science Writing Online 2012 marries cutting-edge science with dynamic writing that will inspire us all.

    APART grew out of Taylor's memories of visiting her family in South Africa as a child and her later curiosity about her (white) mother's involvement in early anti-apartheid women's groups. Mixing narrative prose, poems, social and political theory, and found texts culled from years of visiting South African archives and libraries, APART navigates the difficult landscapes of history, shame, privilege, and grief."Catherine Taylor's APART offers an intimate and sweeping look at the legacy of apartheid, while performing an altogether rare balance of 'lyric seduction' against 'the ugliness of corpses.' Taylor refreshingly treats white guilt and the self-conscious recognition of privilege as starting points rather than conclusions, as she plumbs the depths of history, from which, as she reminds us, 'no one is excused.' The result is edifying, original, and critically rigorous a poetic and political vibration between 'ecstasy, shame, ecstasy, shame.'" Maggie Nelson"Catherine Taylor's APART is neither journalism nor memoir nor documentary poem nor lyric essay nor jeremiad though it contains elements of them all but a brilliant and relentless examination of conscience always in search of a literary form adequate to its mission. Embarked on the 'search for a common name' in the aftermath of South African Apartheid, Taylor's takes care on her way to gather an archive of feelings, 'signs of struggle, boredom, hope, effort, fatigue, tedium, privilege, its lack, brutality, tyranny, complicity, despair, and resistance.' If APART renders in language the affect of having an ethics, what makes Taylor's writing ultimately so persuasive as a politics is its portrait of the private citizen as 'at once ineffectual and humane, complicit and resistant, irrelevant and necessary.' Deeply attentive to the contradictory ideologies that structure our lives as historical subjects, Taylor's vision of conscientious citizenship demands that we recognize subjectivity's intrinsic subjection to power without ever losing sight of our individual agency and the necessity for independent action and inquiry. Thinking its way through the insidious, tragic inequalities of globalization, capitalism, and democracy's alleged freedoms, APART indeed succeeds in persuading its readers to disavow 'a cynicism we can't afford.'" Brian Teare"

    The family is in trouble today―and has been since the sin of our first parents. But the rescue of the family requires more than just good advice, helpful as that can be. It requires more than just a focus on the family. It requires that the family be brought into the church of Jesus Christ. In The Church-Friendly Family, Randy Booth and Rich Lusk set marriage and family in the context of the church, showing how putting the church first enables the family to bear a rich harvest in culture, education, missions, and more.

    

    

    Avoiding traditional biography and dense musical criticism, Biss writes a moving tribute to one of the most vulnerable composers in classical music history in his second Kindle Single: A Pianist Under the Influence. Biss's first Kindle Single, Beethoven's Shadow, has been a bestseller on Amazon since its release in December 2011.A Pianist Under the Influence reflects on Biss's life-long, intense, multi-layered relationship with the composer's music and historical treatment. As Biss writes from the unique position of performer, scholar and fan, his Single is both a personal and professional love-letter to the 19th century composer.An engaging read for anyone interested in the creative process, the Single also includes an annotated audio guide for readers who wish to delve further into the material. A Pianist Under the Influence is an important aspect of Biss's 2012-2013 focus on Schumann, during which Biss and several hand-picked collaborators will perform Schumann's work, music by his notable influences such as Beethoven, Schubert, and Purcell, and selections from his long list of successors ranging from Berg and Janáček to 26-year-old composer Timothy Andres. At the core of the project is four sets of concerts, curated by Biss, including series at Wigmore Hall, the Concertgebouw, Carnegie Hall and San Francisco Performances.ABOUT THE AUTHORJonathan Biss has appeared with the foremost orchestras of North America, Europe, Asia, and Australia. Widely regarded known not only for his artistry and poetic interpretations but also for his deep musical curiosity, Biss performs a diverse repertoire ranging from Mozart and Beethoven, through the Romantics to Janáček and Schoenberg as well as works by contemporary composers such as Gyorgy Kurtág and including commissions from Leon Kirchner, Lewis Spratian and Bernard Rands. Biss has a noted recording career. His recordings include an album of Schubert sonatas and two short Kurtág pieces that was named by NPR Music as one of the best albums of the year. In January 2012, Onyx Classics released the first CD in a nine-year, nine-disc recording cycle of Beethoven's complete sonatas. The second album of Beethoven sonatas will release in January 2013. Biss studied at Indiana University and at The Curtis Institute of Music, where he was appointed to the piano faculty in 2010.

    Alfred Jarry's posthumous novel, Exploits and Opinions of Dr. Faustroll, Pataphysician, first appeared in 1911, and over the next 100 years, his pataphysical supersession of metaphysics would influence everyone from Marcel Duchamp and Boris Vian to Umberto Eco and Jean Baudrillard. In 1948 in Paris, a group of writers and thinkers would found the College of 'Pataphysics, still going strong today. The iconoclastic René Daumal was the first to elaborate upon Jarry's unique and humorous philosophy. Though Daumal is better known for his unfinished novel Mount Analogue and his refusal to be adopted by the Surrealist movement, this newly translated volume of writings offers a glimpse of often overlooked Daumal: Daumal the pataphysician. Pataphysical Essays collects Daumal's overtly pataphysical writings from 1929 to 1941, from his landmark exposition on pataphysics and laughter to his late essay, "The Pataphysics of Ghosts." Daumal's "Treatise on Patagrams" offers the reader everything from a recipe for the disintegration of a photographer to instructions on how to drill a fount of knowledge in a public urinal. This volume also includes Daumal's column for the Nouvelle Revue Francaise, "Pataphysics This Month." Reading like a deranged encyclopedia, "Pataphysics This Month" describes a new mythology for the field of science, and amply demonstrates that the twentieth century had been a distinctly pataphysical era.Poet, philosopher, and self-taught Sanskrit scholar René Daumal (1908–1944) devoted himself to a lifelong attempt to think through death by means of what he called “experimental metaphysics”: an attempt to address metaphysical questions through scientific methodology. After co-founding the iconoclastic journal Le Grand Jeu and rejecting overtures from the Surrealist movement, he abandoned the literary path to become a disciple of the spiritual teacher George Gurdjieff.

    Each essay collected in The Tangled Bank explores Charles Darwin’s contention that the elements of such a bank, and by extension all the living world, are endlessly interesting and ever evolving.Pyle’s thoughtful and concise narratives range in subject from hops and those who love them to independent bookstores to the monarchs of Mexico. In each piece, Pyle refutes “the idea that the world is a boring place,” sharing his meticulous observations of the endless and fascinating details of the living earth.

    The essay was uniquely suited to Sartre because of its intrinsically provisional and open-ended character. It is the perfect form in which to dramatize the existential character of our deepest intellectual, artistic, and political commitments. This new selection of Sartre’s essays, the first in English to draw on the entire ten volumes of his collected essays as well as previously unpublished work, includes extraordinarily searching appreciations of such writers and artists as Faulkner, Bataille, and Giacometti; Sartre’s great address to the French people at the end of the occupation, “The Republic of Silence”; sketches of the United States from his visit in the 1940s; reflections on politics that are both incisive and incendiary; portraits of Camus and Merleau-Ponty; and a candid reckoning with his own career from one of the interviews that ill-health made his prime mode of communication late in life. Together they add up to an unequaled portrait of a revolutionary and sometimes reckless thinker and writer and his contentious, difficult but never less than interesting times.

    These essays are about being a woman poet in a patriarchal society. But they are not about the everyday struggles of the poet; instead, they engage issues of femininity and inspiration by way of shaman songs and heroine myths. And so “it becomes possible to explain why the women-poets of South Korea enjoy overlapping the space of the real with the space of illusions.”

    And some of our most lifechanging experiences happen with our mothers, often during everyday moments. Life Lessons From Mothers of Faith will delight you with touching true stories that highlight the almost magical way faithful mothers teach powerful lessons. These inspirational tributes from the children of Mormon moms from all walks of life underscore the sacred bond between mother and child. This is family history in the richest sense of the word—simple yet influential tales that will have you laughing, crying, and thinking. Rich with unforgettable recollections, engaging anecdotes, and timeless wisdom, these are stories mothers can truly relate to, gain insight from, and feel honored by—unique tributes that remind latter-day moms that their children are actually paying attention. Featuring Latter-day Saint sons' and daughters' recollections of their famous and not-so-famous mothers, this engaging celebration of unforgettable moments and immeasurable gifts will show any mother how it's often the little things that make the biggest difference in a child's life. Mothers of Faith contains more than seventy inspiring tributes, including stories from or about: Julie B. Beck, Steve Young, Silvia H. Allred, Jim Matheson, Ann Romney, Ruth Hale, Jason Chaffetz, Janice Kapp Perry, Doug Wright, Liz Lemon Swindle, J. Willard Marriott, Jr., Harry Reid, Sharlene Wells Hawkes, Gary Herbert, Greg Olsen, Susan Easton Black, Jimmer Fredette, and dozens more.

    

    The modern South serves up a groaning board of international cuisines virtually unknown to previous generations of Southerners, notes Brett Anderson in his introduction. Southern food, like the increasingly globalized South, shows an open and cosmopolitan attitude toward ethnic diversity. But fully appreciating Southern food still requires fluency with the region’s history, warts and all. The essays, memoirs, poetry, and profiles in this book are informed by that fluency, revealing topics and people traditional as well as avant garde, down home as well as urbane.The book is organized into six chapters: “Menu Items” shares ruminations on iconic dishes; “Messing with Mother Nature” looks at the relationship between food and the natural environment; “Southern Characters” profiles an eclectic mix of food notables; “Southern Drinkways” distills libations, hard and soft; “Identity in Motion” examines change in the Southern food world; and “The Global South” leaves readers with some final thoughts on the cross-cultural influences wafting from the Southern kitchen. Gathered here are enough prominent food writers to muster the liveliest of dinner parties: Molly O’Neill, Calvin Trillin, Michael Pollan, Kim Severson, Martha Foose, Jessica Harris, Bill Addison, Matt and Ted Lee, and Lolis Eric Elie, among others. Two classic pieces—Frederick Douglass’s account of the sustenance of slaves and Edward Behr’s 1995 profile of Cajun cook Eula Mae Doré—are included. A photo essay on the Collins Oyster Company family of Louisiana rounds out Cornbread Nation 6.Published in association with the Southern Foodways Alliance at the Center for the Study of Southern Culture at the University of Mississippi. A Friends Fund Publication.

    Germain faces life with extraordinary honesty and an unrelenting drive toward progress in these essays. Hers is a voice undeniably accurate and musical, full of truth.

    Including books on Bill Clinton, Henry Kissinger and Mother Teresa, Hitch Attacks showcases Hitchens' verve, style and firebrand wit at the height of their potency.

    In 70 short, intermingling essays Stern moves nimbly between the past and the present, the personal and the philosophical. Creating the immediacy of dailiness, he writes with entertaining engagement about what he’s reading, be it Spinoza, Maimonides, John Cage, Etheridge Knight, James Schuyler, or Lucille Clifton, and then he seamlessly turns to memories of his student years in Europe on the GI Bill, or his political and social action. Interwoven with his formidable recollections are passionate discussions of lifelong obsessions: his conflicted identity as a secular Jew opposed to Israel’s Palestine policy; the idea of neighbors in various forms, from the women of Gee’s Bend, who together made beautiful quilts, to the inhabitants of Jedwabne, who on a single day in 1941 slaughtered 300 Jews; and issues of justice.

    When he sat down to have his lunch at the hotel, he found a letter near his plate. Without suspecting anything he opened it and read: 'Jews are not wanted here.' And so the small stories of five extraordinary men coalesced, becoming one over-arching history that culminated in the establishment of the state of Israel.The Founding Fathers of Zionism, written by the famed historian Professor Benzion Netanyahu, profiles the men who showed the Jewish people the road to survival, freedom and revival. In this landmark work, Netanyahu gives us a glimpse intothe eras in which Max Nordau, Leo Pinsker, Theodor Herzl, Israel Zangwill, and Ze'ev Jabotinsky toiled for an epic cause.His original analysis of these men, their ideas and activities, puts flesh on bone, so that the five stand out in all their grandeur and uniqueness."

    "If one was not aware of the vibrant literary community that exists within the state of Oregon, then Brave on the Page would be the perfect introduction to the varied literary voices from the state’s working writers," said the Los Angeles Review's Renee K. Nicholson. "Separated into three sections, the first and third consisting of interviews and the second made up of flash essays, this book offers interesting advice and inspiration from journalists, novelists, middle-grade authors, poets, nonfiction writers, writer-activists, short story writers, and all kind of writers in-between."“For any aspiring writer who feels lonely at the keyboard, Brave on the Page is a treasure trove of inspiration and advice on the writing life that will without a doubt encourage,” said Portland Book Review reviewer Kristen Leigh. “In an artfully curated collection of interviews and flash essays written by Oregon writers and edited by Laura Stanfill, authors speak candidly with equal parts depth and grace about their craft.”Columnist and author Matt Love called Brave on the Page “easily the most quintessential Oregon book I’ve encountered in a very long time,” when he chose it as the the fourth annual Powell’s On Oregon Blog’s Book of the Year. Brave on the Page has spent several months on the Powell's Small Press Bestseller List. The book earned a spot on the prestigious Powell’s staff Top Fives lists for 2012, was named a staff pick at Powell’s Hawthorne, earned a four-star review from the Portland Book Review, and received coverage in many newspapers, including the Oregonian and the Los Angeles Review. The book is available at powells.com, made-to-order at Espresso Book Machines around the world, or online at ondemandbooks.com.

    Includes interviews with members of the original '60s girl groups and classic punk outfits like The Raincoats and The Slits as well as household names of today.

    It has also found enthusiastic acceptance among Indigenous people from other parts of the world, as well as by Non-Native people. The Red Road to Wellbriety utilizes a 12 Step approach to addictions recovery based in and culturally appropriate to the ways of life of Native and aboriginal societies. The book is structured like the Big Book of AA and it is sometimes referred to as the “Indian Big Book.” There are 12 chapters of sobriety teachings followed by 18 personal recovery stories by Native Americans and First Nations people. In addition there is a Preface, Introduction, and a lead-in called Our Native Elders Speak addressed especially to Native people who want to be free and clear of alcohol and other drugs. The word Wellbriety means to be both sober and well. The goal of The Red Road to Wellbriety is to take an individual from alcohol and drug abuse and misuse, through recovery and sobriety, and on into the healing, wellness and wellbeing that traditional tribal societies lived by. It utilizes the principles, laws and values of healing in traditional tribal life, but presented in a way that is completely compatible with the 21st Century world. Time and again our Elders have said that the 12 Steps of AA are just the same as the principles that our ancestors lived by, with only one change. When we place the 12 Steps in a circle then they come into alignment with the circle teachings that we know from many of our tribal ways. When we think of them in a circle and use them a little differently, then the words will be more familiar to us. This book is about a Red Road, Medicine Wheel Journey to Wellbriety – to become sober and well in a Native American cultural way.

    There is particular emphasis on the struggles he faced, both physical and mental, and on his crucially significant role (easily overlooked or underestimated) in bringing about the destruction of the One Ring and the downfall of Sauron. There are also discussions on his appearance and on his many names and titles. Part 2 contains a detailed examination of his interactions and relationships with his contemporaries in Middle-earth, both individuals and races. It also considers the influence of some of his ancestors on his character and attitude.

    

    It's an unprecedented archive of passionate and vocal opinions that capture the essence of Doctor Who and its many-splendoured fandom.Just in time for the 50th anniversary of the greatest television program ever, you'll find in these pages mock-angry letters to the BBC, transcripts of council meetings, a menu, flow charts, maps, scripts, timelines...and much, much more." -- from the publisher.

    "The Pen and the Bell" is about how to achieve mindfulness and creative fulfillment in spite of long to-do lists. It's about gaining access to our deeper selves in the workaday world, and bringing forth this authentic self in our writing. With both meditative and writing exercises in each chapter, it will help you awaken your creative soul and find a more rewarding life.

    Virginia. Although this case promotes marital freedom and racial equality, there are still significant legal and social barriers to the free formation of intimate relationships. Marriage continues to be the sole measure of commitment, mixed relationships continue to be rare, and same-sex marriage is only legal in 6 out of 50 states. Most discussion of Loving celebrates the symbolic dismantling of marital discrimination. This book, however, takes a more critical approach to ask how Loving has influenced the 'loving' of America. How far have we come since then and what effect did the case have on individual lives?

    The police officers pulled the body from the track and found no identification. The train’s 425 passengers were transferred to another train and delayed about twenty minutes.” The Guardians is an elegy for Manguso’s friend Harris, two years after he escaped from a psychiatric hospital and jumped under that train. The narrative contemplates with unrelenting clarity their crowded postcollege apartment, Manguso’s fellowship year in Rome, Harris’s death and the year that followed—the year of mourning and the year of Manguso’s marriage. As Harris is revealed both to the reader and to the narrator, the book becomes a monument to their intimacy and inability to express their love to each other properly, and to the reverberating effects of Harris’s presence in and absence from Manguso’s life. There is grief in the book but also humor, as Manguso marvels at the unexpected details that constitute a friendship. The Guardians explores the insufficiency of explanation and the necessity of the imagination in making sense of anything.

    Completed just before his death in February 2010, Gillis contributed an introduction to each transcript to shed light on his ideas and plans, as well as anecdotal details and personal commentary. The book has more to do with an artist's understanding of sex than the mere views of a flesh peddler. The careful language and brutal intelligence that Jamie brought to interviews are what separates the conversations from any other work that might have more academic or prurient pretensions.Extreme novelist Peter Sotos, perhaps better known and appreciated in France and the United Kingdom than his home country, was a good friend of Jamie Gillis, and Sotos' unusual perspective makes this volume possible.

    Editors Diana M. Raab and James Brown have assembled an array of talented and courageous writers who share their stories with heartbreaking honesty as they share their obsessions as well as the awe-inspiring power of hope and redemption. CONTRIBUTORS: Frederick & Steven Barthelme, Kera Bolonik, Margaret Bullitt-Jonas, Maud Casey, Anna David, Denise Duhamel, B.H. Fairchild, Ruth Fowler, David Huddle Perie Longo, Gregory Orr, Victoria Patterson, Molly Peacock, Scott Russell Sanders, Stephen Jay Schwartz, Linda Gray Sexton, Sue William Silverman, Chase Twichell, and Rachel Yoder About the Editors Diana M. Raab, an award-winning memoirist and poet, is author of six books including "Healing With Words" and "Regina's Closet." She's an advocate of the healing power of writing and teaches nation-wide workshops and in the UCLA Extension Writers' Program. James Brown, a recovering alcoholic and addict, is the author of the memoirs, " The Los Angeles Diaries" and "This River." He is Professor of English in the MFA Program in Creative Writing at California State University, San Bernardino. From the Reflections of America Series

    Forster, John Gardner, and James Wood, Douglas Glover has produced a book on writing at once erudite, anecdotal, instructive, and amusing. Attack of the Copula Spiders represents the accumulated wisdom of a remarkable literary career: novelist, short story writer, essayist, teacher and mentor, Glover has for decades been asking the vital questions. How does the way we read influence the way we write? What do craft books fail to teach aspiring writers about theme, about plot and subplot, about constructing point of view? How can we maintain drama on the level of the sentence—and explain drama in the sentences of others? What is the relationship of form and art? How do you make words live?Whether his subject is Alice Munro, Cervantes, or the creative writing classroom, Glover’s take is frank and fresh, demonstrating again and again that graceful writers must first be strong readers. This collection is a call-to-arms for all lovers of English, and Attack of the Copula Spiders our best defense against the assaults of a post-literate age.Douglas Glover is the award-winning author of five story collections, four novels, and two works of non-fiction. He is currently on the faculty of the Vermont College of Fine Arts MFA in Writing program.Praise for Douglas Glover"A master of narrative structure." - Darin Strauss, author of Half a Life, Wall Street Journal"So sharp, so evocative, that the reader sees well beyond the tissue of words into ... the author's poetic grace." - The New Yorker"Glover invents his own assembly of critical approaches and theories that is eclectic, personal, scholarly, and smart ... a direction for future literary criticism to take." - The Denver Quarterly"A ribald, raunchy wit with a talent for searing self-investigation." - The Globe and Mail"Knotty, intelligent, often raucously funny." - Maclean's"Passionately intricate." - The Chicago Tribune"Darkly humorous, simultaneously restless and relentless." - Kirkus Reviews

    In the 1940s Francis Bacon achieved a creative breakthrough that would propel his work until his death in 1992. This generously illustrated monograph opens with the fecund period, then traces subsequent periods of exceptional artistic output, decade by decade, through the end of Bacon's career. Gorgeous color illustrations allow readers to study the artist's darkly expressive palette and powerful imagery through his series of screaming popes, portraits of friends, mourning triptychs, scenes from Greek mythology, and, finally, self-portraits inspired by an awareness of his own mortality. Thought-provoking essays provide further insight into Bacon's world both within and without the studio. The volume includes a wide range of photographs and archival material to round out this penetrating study of one of the most visceral-and influential-artists of his generation.

    Already the winner of a pre-publication grant from the Ohio Arts Council, from a former winner of the Samuel Goldberg Prize for Jewish fiction, this will be right up the alley of those who enjoy "The Believer" and "This American Life," a charming but darkly tinged look at circumcision, terrorist bombers, the Catskills in the '70s, and all the other confusing things that make up the life of post-9/11 Jewish American parents and artists. Download it for free, or order the special handmade paper edition, at [cclapcenter.com/drownings].

    Founded by the legendary producer Manfred Eicher in 1969, a moment when contemporary music was being redefined across all genres, ECM (Edition of Contemporary Music) aimed to bring jazz, improvised, and written music out of the studio and into living rooms around the world. Acoustically rich and expansive, ECM's productions set new standards in sonic complexity. ECM recorded some of the world's most extraordinary music, and its stable features some of the most influential musicians of the 20th century, including Keith Jarrett, Chick Corea, Steve Reich, Carla Bley, Meredith Monk, Marion Brown, Codona, the Art Ensemble of Chicago, and Arvo P rt. Renowned for its high standards of quality, clarity, and freshness, ECM remains a cornerstone in the industry today. This comprehensive volume showcases ECM's cultural breadth, not just in the music world but also within the broader artistic universe. It highlights aspects of African American music of the 1960s in Europe, during the height of the American Civil Rights era, as well as the changing relationships between musicians, music, and listeners. In exploring the work of ECM, this catalog brings together a range of visual arts--installation pieces, photography, and film--alongside essays and an anthology of liner notes.

    

    They upheld themselves as Gods, all other concerns come after that. Blasphemous, mocking and visceral, they are the children of Nietzsche, Stirner and Thoreau. Though often overlapping with Anarchists, they are too individualistic for many so-called anarchists who are often just Socialist-minded egalitarian Utopians.

    Contributors to this volume include Duck Baker, Eve Beglarian, Karl Berger, Chuck Bettis, Claire Chase, Anna Clyne, John Corigliano, Jeremiah Cymerman, David Fulmer, Jeff Gauthier, Alan Gilbert, Judd Greenstein, Mary Halvorson, Hillary Hahn, Jesse Harris, David Lang, Mary Jane Leach, Steve Lehman, Steve Mackey, Rudresh Mahanthappa, Denman Maroney, Brad Mehldau, Jessica Pavone, Toby Picker, Gyan Riley, Jon Rose, Steve Schick, Jen Shyu, Dave Taylor, Richard Teitelbaum, Julia Wolfe, Kenny Wollesen, Nate Wooley and Charles Wuorinen.

    • The Commonplace Book of Francis Grosvenor by Ben Fernee • Conjunction - Black Sun, Black Moon by Edward Kelley • Diablo Stigmata: Considerations of the Witch's Mark by Daniel A. Schulke • Entreaty of Cain retold by Charles Godfrey Leland • Nebiros et Ars Necromantica by Johnny Jakobsson • Occult Aesthesis: Toward an Esoteric Theory of the Art Object by Tom Allen

    Thomas (Hugo-Award-winning Chicks Dig Time Lords) and Sigrid Ellis bring together essays by award-winning writers and artists who celebrate the comics medium and its creators, and who examine the characters and series that they love. Gail Simone (Birds of Prey) and Carla Speed McNeil (Finder) describe how they entered the comics industry. Colleen Doran (A Distant Soil) reveals her superhero crush, while Jill Thompson (Scary Godmother) confesses to being a comics junkie. Jen Van Meter (Hopeless Savages) sings the praises of 1970s horror comics, and Seanan McGuire (the October Daye series) takes sides in the Jean Grey vs. Emma Frost battle.Other contributors include Marjorie Liu (Dark Wolverine), Rachel Edidin (Dark Horse Comics), Jill Pantozzi (Newsarama), Kelly Thompson (Comic Book Resources), and SF/F authors Sara Ryan, Delia Sherman, Sarah Monette, and Elizabeth Bear. Also featured: an introduction by Mark Waid (Kingdom Come) and exclusive interviews with Amanda Conner (Power Girl), Louise Simonson (Power Pack), Greg Rucka (Queen & Country), and Terry Moore (Strangers in Paradise).