—New York Times Book ReviewNo writer I know of comes close to even trying to articulate the weird magic of poetry as Ruefle does. She acknowledges and celebrates in the odd mystery and mysticism of the act—the fact that poetry must both guard and reveal, hint at and pull back... Also, and maybe most crucially, Ruefle’s work is never once stuffy or overdone: she writes this stuff with a level of seriousness-as-play that’s vital and welcome, that doesn’t make writing poetry sound anything but wild, strange, life-enlargening fun. -The Kenyon ReviewProfound, unpredictable, charming, and outright funny...These informal talks have far more staying power and verve than most of their kind. Readers may come away dazzled, as well as amused... —Publishers WeeklyThis is a book not just for poets but for anyone interested in the human heart, the inner-life, the breath exhaling a completion of an idea that will make you feel changed in some way. This is a desert island book. —Matthew DickmanThe accomplished poet is humorous and self-deprecating in this collection of illuminating essays on poetry, aesthetics and literature... —San Francisco ExaminerOver the course of fifteen years, Mary Ruefle delivered a lecture every six months to a group of poetry graduate students. Collected here for the first time, these lectures include "Poetry and the Moon," "Someone Reading a Book Is a Sign of Order in the World," and "Lectures I Will Never Give." Intellectually virtuosic, instructive, and experiential, Madness, Rack, and Honey resists definition, demanding instead an utter—and utterly pleasurable—immersion. Finalist for the 2012 National Book Critics Circle Award.Mary Ruefle has published more than a dozen books of poetry, prose, and erasures. She lives in Vermont.

    These darkly humorous poems illuminate far corners of the heart, revealing teeth, tails, and more than a few dreams.I watched a lion eat a man like a piece of fruit, peel tendons from fascialike pith from rind, then lick the sweet meat from its hard core of bones.The man had earned this feast and his own deliciousness by ringing a stickagainst the lion's cage, calling out Here, Kitty Kitty, Meow!With one swipe of a paw much like a catcher's mitt with fangs, the lionpulled the man into the cage, rattling his skeleton against the metal bars.The lion didn't want to do it—He didn't want to eat the man like a piece of fruit and he told the crowdthis: I only wanted some goddamn sleep . . . Natalie Diaz was born and raised on the Fort Mojave Indian Reservation in Needles, California. After playing professional basketball for four years in Europe and Asia, Diaz returned to the states to complete her MFA at Old Dominion University. She lives in Surprise, Arizona, and is working to preserve the Mojave language.

    The lines that surface most frequently in praise of her work and her person are moving declarations of racial pride, courage, steadfastness."—Toni Morrison, from the ForewordThe Collected Poems of Lucille Clifton 1965�2010 combines all eleven of Lucille Clifton's published collections with more than fifty previously unpublished poems. The unpublished poems feature early poems from 1965�1969, a collection-in-progress titled the book of days (2008), and a poignant selection of final poems. An insightful foreword by Nobel Prize�winning author Toni Morrison and comprehensive afterword by noted poet Kevin Young frames Clifton's lifetime body of work, providing the definitive statement about this major America poet's career.On February 13, 2010, the poetry world lost one of its most distinguished members with the passing of Lucille Clifton. In the last year of her life, she was named the first African American woman to receive the $100,000 Ruth Lilly Poetry Prize honoring a US poet whose "lifetime accomplishments warrant extraordinary recognition," and was posthumously awarded the Robert Frost Medal for lifetime achievement from the Poetry Society of America."mother-tongue: to man-kind" (from the unpublished the book of days):all that I am asking isthat you see me as somethingmore than a common occurrence,more than a woman in her ordinary skin.

    Antigonick is her first attempt at making translation into a combined visual and textual experience: it will provoke poetry readers, classical scholars, theatre people and comic-book aficionados.

    With each successive book her drive to leave behind what came before has grown more fierce, the force of her gaze fixed on what has yet to be imagined. She invented a form to accommodate this need, the book-length sequence of poems, like a landscape seen from above, a novel with lacunae opening onto the unspeakable. The reiterated yet endlessly transfigured elements in this landscape—Persephone, a copper beech, a mother and father and sister, a garden, a husband and son, a horse, a dog, a field on fire, a mountain—persistently emerge and reappear with the dark energy of the inevitable, while at the same time are shot through with the bright aspect of things new-made.              From the outset (“Come here / Come here, little one”), Gluck’s voice has addressed us with deceptive simplicity, the poems in lines so clear we “do not see the intervening fathoms.”  From within the earth’sbitter disgrace, coldness and barrennessmy friend the moon rises: she is beautiful tonight, but when is she not beautiful?To read these books together is to understand the governing paradox of a life lived in the body and of the work wrested from it, the one fated to die and the other to endure.

      There is no one quite like Jack Gilbert in postwar American poetry. After garnering early acclaim with Views of Jeopardy (1962), he escaped to Europe and lived apart from the literary establishment, honing his uniquely fierce, declarative style, with its surprising abundance of feeling. He reappeared in our midst with Monolithos (1982) and then went underground again until The Great Fires (1994), which was eventually followed by Refusing Heaven (2005), a prizewinning volume of surpassing joy and sorrow, and the elegiac The Dance Most of All (2009). Whether his subject is his boyhood in working-class Pittsburgh, the women he has loved throughout his life, or the bittersweet losses we all face, Gilbert is by turns subtle and majestic: he steals up on the odd moment of grace; he rises to crescendos of emotion. At every turn, he illuminates the basic joys of everyday experience.   Now, for the first time, we have all of Jack Gilbert’s work in one essential volume: testament to a stunning career and to his place at the forefront of poetic achievement in our time.

    The wit and wisdom of the West, as documented by Dalton Wilcox, poet laureate of the West.

    In these pages, Oliver shares the wonder of dawn, the grace of animals, and the transformative power of attention. Whether studying the leaves of a tree or mourning her adored dog, Percy, she is ever patient in her observations and open to the teachings contained in the smallest of moments.Our most precious chronicler of physical landscape, Oliver opens our eyes to the nature within, to its wild and its quiet. With startling clarity, humor, and kindness, A Thousand Mornings explores the mysteries of our daily experience.

    . . a major poet of our time.”Wendell Berry is the author of over forty works of poetry, fiction, and non-fiction, and has been awarded numerous literary prizes, including the T.S. Eliot Award, a National Institute of Arts and Letters award for writing, the American Academy of Arts and Letters Jean Stein Award, and a Guggenheim Foundation Fellowship. While he began publishing work in the 1960s, Booklist has written that “Berry has become ever more prophetic,” clearly standing up to the test of time.

    Because if we’re talking about the best possible compliment to your eyes and ears alike, few have as many perks and grand moments as this." —School Library Journal starred review "Out of a windless August night/A luna moth in ghostly lightBeat softly on my window screen/Tick-tick-ticking-all silver green.She whispered secrets in my ear--/I am but a stranger here.The stars are scrawled across the sky/By ghostwriters, the Moon and I.You will not see me here tonight--/I have a thousand stars to write."What could be better than cuddling up with your child and this book on your lap and allowing your imaginations to soar with the words and images? Lovingly selected by U.S. Children's Poet Laureate J. Patrick Lewis and paired with vibrant animal photography, this collection of poems is an exuberant celebration of the animal kingdom and a beautiful introduction to this genre of literature. Designed for family sharing but targeted to ages 4-8, this dynamic, fresh, yet still classic collection of animal poems is a must-have for the family bookshelf.Featured poets include J. Patrick Lewis, Dorothy Aldis, Emily Dickinson, Benjamin Franklin, Robert Frost, Rudyard Kipling, Jack Prelutsky, Elizabeth Madox Roberts, Robert Louis Stevenson, Alfred, Lord Tennyson, and many more.Divided into chapters that group the poems by theme for extra resonance, the collection is a mix of old and new, classics, and never-before-published. A foreword from Lewis, sets the scene for helping children appreciate this gift of language and this visual feast for the eyes. Chapters include:Welcome to the World (birth of animal young)Big Ones (large animals--elephants, hippos, rhinos, bears)Little Ones (small animals--worms, insects)Winged Ones (birds and other flying creatures) Water Ones (aquatic animals--fish, dolphins, crabs)Strange Ones (curious creatures--armadillos, centipedes)Noisy Ones (loud animals--lions, hyenas)Quiet Ones (silent or still animals--hens, rabbits, snakes)Last Thought (a reflection on the world we share with animals)

    Corral is the 2011 recipient of the Yale Series of Younger Poets award, joining such distinguished previous winners as Adrienne Rich, W. S. Merwin, and John Ashbery. Corral is the first Latino poet to win the competition.Seamlessly braiding English and Spanish, Corral's poems hurtle across literary and linguistic borders toward a lyricism that slows down experience. He employs a range of forms and phrasing, bringing the vivid particulars of his experiences as a Chicano and gay man to the page. Although Corral's topics are decidedly sobering, contest judge Carl Phillips observes, "one of the more surprising possibilities offered in these poems is joy."From "Self-Portrait with Tumbling and Lasso"I'm a cowboy        riding barebackMy soul is        whirlingabove my head like a lasso.        My right handa pistol. My left        automatic. I'm knockingon every door.        I'm coming on strong . . .

    Samson captures the essential images of contemporary life. Whether on the streets of his beloved and bewildering hometown of Winnipeg, an outpost in Antarctica, or a room in an Edward Hopper painting, he finds whimsy and elegance in the everyday, beauty and sorrow in the overlooked.This collection gathers together Samson's writing, starting with his band The Weakerthans' 1997 debut album Fallow, through Left and Leaving, Reconstruction Site, and the award-winning Reunion Tour. It also features lyrics from Samson's newly released solo album, Provincial, and selected poems.

    In Sounding the Seasons, Cambridge poet, priest and singer-songwriter Malcolm Guite transforms seventy lectionary readings into lucid, inspiring poems, for use in regular worship, seasonal services, meditative reading or on retreat. Already widely recognised, Malcolm's writing has been acclaimed by Rowan Williams and Luci Shaw, two leading contemporary religious poets. Seven Advent poems from this collection will appear in the next edition of Penguin's (US) Best Spiritual Writing edited by Philip Zaleski, alongside the work of writers such as Seamus Heaney and Annie Dillard. Malcolm Guite is Chaplain of Girton College, Cambridge. A performance poet and singer/songwriter, he lectures widely on poetry and theology in Britain and the US and has a large following on his website, www.malcolmguite.wordpress.com. He is a contributor to Reflections for Daily Prayer.

    In addition to those in 'Collected Poems', and in the 'Early Poems and Juvenilia', some unpublished pieces from Larkin's typescripts and workbooks are included, as well as verse tucked away in his letters.

    The woman who loves him is left scarred and haunted. In her fierce, one-of-a-kind debut, Rebecca Lindenberg tells the story—in verse—of her passionate relationship with Craig Arnold, a much-respected poet who disappeared in 2009 while hiking a volcano in Japan. Lindenberg’s billowing, I-contain-multitudes style lays bare the poet’s sadnesses, joys, and longings in poems that are lyric and narrative, at once plainspoken and musically elaborate.Regarding her role in Arnold’s story, Lindenberg writes with clear-eyed humility and endearing dignity: “The girl with the ink-stained teeth / knows she’s famous / in a tiny, tragic way. / She’s not / daft, after all.” And then later, playfully, of her travels in Italy with the poet, her lover: “The carabinieri / wanted to know if there were bears / in our part of America. Yes, we said, / many bears. Man-eating bears? Yes, of course, / many man-eating bears.” Every poem in this collection bursts with humor, pathos, verve—and an utterly unique, soulful voice.This widely anticipated debut, already selected as a finalist for several prominent book awards, marks the first collection in the newly minted McSweeney’s Poetry Series. MPS is an imprint which seeks to publish a broad range of excellent new poetry collections in exquisitely designed hardcovers—poetry that’s useful and meaningful to anyone in any walk of life.

    Gay Awareness Week was beginning at the University of Wyoming, and the keynote speaker was Lesléa Newman, discussing her book Heather Has Two Mommies. Shaken, the author addressed the large audience that gathered, but she remained haunted by Matthew’s murder. October Mourning, a novel in verse, is her deeply felt response to the events of that tragic day. Using her poetic imagination, the author creates fictitious monologues from various points of view, including the fence Matthew was tied to, the stars that watched over him, the deer that kept him company, and Matthew himself. More than a decade later, this stunning cycle of sixty-eight poems serves as an illumination for readers too young to remember, and as a powerful, enduring tribute to Matthew Shepard’s life.

    His third book of poetry, Looking for The Gulf Motel, is a genealogy of the heart, exploring how his family’s emotion legacy has shaped—and continues shaping—his perspectives. The collection is presented in three movements, each one chronicling his understanding of a particular facet of life from childhood into adulthood. As a child born into the milieu of his Cuban exiled familia, the first movement delves into early questions of cultural identity and their evolution into his unrelenting sense of displacement and quest for the elusive meaning of home. The second, begins with poems peering back into family again, examining the blurred lines of gender, the frailty of his father-son relationship, and the intersection of his cultural and sexual identities as a Cuban-American gay man living in rural Maine. In the last movement, poems focused on his mother’s life shaped by exile, his father’s death, and the passing of a generation of relatives, all provide lessons about his own impermanence in the world and the permanence of loss. Looking for the Gulf Motel is looking for the beauty of that which we cannot hold onto, be it country, family, or love.

    “Known for poems of universality of feeling, expressive lyricism of reflection, and heartrending allure” (Major Jackson), Dickman is a powerful poet whose new collection explores how to persevere in the wake of grief.

    I am the darker brother.They send me to eat in the kitchenWhen company comes,But I laugh,And eat well,And grow strong.Langston Hughes was a courageous voice of his time, and his authentic call for equality still rings true today. Beautiful paintings from Barack Obama illustrator Bryan Collier accompany and reinvent the celebrated lines of the poem “I, Too,” creating a breathtaking reminder to all Americans that we are united despite our differences.

    It is where a brother’s disappearance is trivialized by local media and police because he is young and aboriginal. It is also where young girls share secrets, movies, cigarettes, Big Gulps and stories of love—where a young mother full of both maternal trepidation and joy watches her small daughters as they play in the park.“In North End Love Songs, Katherena Vermette uses spare language and brief, telling sketches to illuminate the aviary of a prairie neighbourhood. Vermette’s love songs are unconventional and imminent, an examination and a celebration of family and community in all weathers, the beautiful as well as the less clement conditions. This collection is a very moving tribute, to the girls and the women, the boys and the men, and the loving trouble that has forever transpired between us.”– Joanne Arnott“From a mixed-blood Métis woman with Mennonite roots, Kate weaves a story that winds its way through the north end (Nor-tend) of Winnipeg. It’s a story of death, birth, survival, beauty and ugliness; through it all there are glimmers of hope, strength, and a will to survive whatever this city throws at you.” – Duncan Mercredi

    The poems in Pilgrim explore themes of departure, shelter, companionship, deep friendship and the necessary transformations of friendship, the struggles at crucial thresholds and the arrivals that always become further departures, offering companionship along the way.

    The public recitation of his 1933 poem known in English as "The Stalin Epigram" led to his arrest, exile, and eventual imprisonment in a Siberian transit camp, where he died, presumably in 1938. Mandelstam's work, much of it written under extreme duress, is an extraordinary testament to the enduring power of art in the face of oppression and terror.Stolen Air spans Mandelstam's entire poetic career, from his early highly formal poems in which he reacted against Russian Symbolism to the poems of anguish and defiant abundance written in exile, when Mandelstam became a truly great poet. Aside from the famous early poems, which have a sharp new vitality in Wiman's versions, Stolen Air includes large selections from The Moscow Notebooks and The Voronezh Notebooks.Going beyond previous translators who did not try to reproduce Mandelstam's music, Christian Wiman has captured in English for the first time something of Mandelstam's enticing, turbulent, and utterly heartbreaking sounds.

    Translated by native Persian speakers, Maryam Mafi and Azima Melita Kolin, this collection will appeal to Rumi lovers everywhere.This collection of mystical poetry focuses on one of life's core issues: coming to grips with the inner life. During the course of life, each of us is engaged on an inner journey. Rumi's Little Book of Life is a guidebook for that journey. The poetry is a companion for those who consciously enter the inner world to explore the gardens within--out of the everyday "world of dust"--through an ascending hierarchy that restores one's soul to the heart; the heart of the spirit; and in finding spirit, transcending all.

    “The collection of poems speaks like a journey through each formative moment we’d forgotten we had: the monster under the bed and the intricate rules about how to overcome its powers; the ability to talk to girls or boys we liked; the fear of being bullied; our first experience with real anguish.” – Litlive.ca Please note: This is not a young adult title. Some works include language not suitable for some readers.

    The tracks of a bird in the winter snow. This beautiful book captures all the sights and sounds of a child’s interactions with nature, from planting acorns or biting into crisp apples to studying tide pools or lying back and watching the birds overhead. No matter what’s outside their windows — city streets or country meadows — kids will be inspired to explore the world around them. Written by award-winning author Nicola Davies and illustrated by Mark Hearld, a breathtaking new talent in children’s books, Outside Your Window is a stunning reminder that the natural world is on our doorstep waiting to be discovered.

    The famous love poem Ode to a Nightingale by John Keats.

    Paz is a writer for the entire world to celebrate (Chicago Tribune), the poet-archer who goes straight to the heart and mind, where the center of being is one (Nadine Gordimer), the living conscience of his age (Mario Vargas Llosa), a poet-prophet, a genius (Harold Bloom). Here at last is the first retrospective collection of Paz s poetry to span his entire writing career, from the first published poem, at age seventeen, to his magnificent last poem; the whole is assiduously edited and translated by acclaimed essayist Eliot Weinberger who has been translating Paz for over forty years with additional translations by several poet-luminaries. This edition includes many poems that have never before been translated into English, new translations based on Paz s final revisions, and a brilliant capsule biography of Paz by Weinberger, as well as notes on the poems in Paz s own words, taken from various interviews he gave throughout his life.

    He was in his late forties when he committed himself to writing an ode a week and in the end produced a total of 225, which are dispersed throughout his varied oeuvre. This bilingual volume, edited by Ilan Stavans, a distinguished translator and scholar of Latin American literature, gathers all the odes together for the first time in any language. Rendered into English by an assortment of accomplished translators that include Philip Levine, Paul Muldoon, Mark Strand, and Margaret Sayers Peden, collectively they read like the personal diary of a man in search of meaning, who sings to life itself, to our connection to one another, and to the place we have in nature and the cosmos. The odes are also a lasting statement on the role of poetry as a lighting-rod during tumultuous times.

    Many poetry collections are often poorly formatted and difficult to read on eReaders. The Delphi Poets Series offers readers the works of literature's finest poets, with superior formatting. This volume presents the complete poetical works of Emily Dickinson, with beautiful illustrations and the usual Delphi bonus material. (Version: 1)* Beautifully illustrated with images relating to Dickinson's life and works* Concise introductions to the poetry and other works* For the first time in digital print, all 1775 poems by Dickinson* Images of how the poetry books were first printed, giving your eReader a taste of the original texts* Excellent formatting of the poems* Special chronological and alphabetical contents tables for the poetry* Easily locate the poems you want to read* Includes Dickinson's letters - spend hours exploring the poet's literary life* Scholarly ordering of texts into chronological order and literary genresCONTENTS:The Poetry CollectionsPOEMS : SERIES ONEPOEMS : SERIES TWOPOEMS : SERIES THREEThe PoemsTHE COMPLETE 1775 POEMSLIST OF POEMS IN CHRONOLOGICAL ORDERLIST OF POEMS IN ALPHABETICAL ORDERThe LettersTHE LETTERS OF EMILY DICKINSON

    Prabhat Prakashan has a glorious history of fifty years of publishing quality books on almost all streams of literature, viz. children books, fiction, science, quiz, humanities, personality development, health, dictionaries, encyclopedias, etc. For the last fifteen years, Prabhat Prakashan has been continuously winning accolades for excellence in book publication.

    In this wise and intimate telling—which carries us through the seasons when her marriage was ending—Sharon Olds opens her heart to the reader, sharing the feeling of invisibility that comes when we are no longer standing in love’s sight; the surprising physical bond that still exists between a couple during parting; the loss of everything from her husband’s smile to the set of his hip. Olds is naked before us, curious and brave and even generous toward the man who was her mate for thirty years and who now loves another woman. As she writes in the remarkable “Stag’s Leap,” “When anyone escapes, my heart / leaps up.  Even when it’s I who am escaped from, / I am half on the side of the leaver.” Olds’s propulsive poetic line and the magic of her imagery are as lively as ever, and there is a new range to the music—sometimes headlong, sometimes contemplative and deep. Her unsparing approach to both pain and love makes this one of the finest, most powerful books of poetry Olds has yet given us.

    Ms Smith’s new book, Shoulda Been Jimi Savannah, is just beautiful—and like the America she embodies and represents—dangerously beautiful. Shoulda Been Jimi Savannah is a stunning and transcendent work of art, despite, and perhaps because of, its pain. This book shines." —Sapphire"One of the best poets around and has been for a long time." —Terrance Hayes"Smith's work is direct, colloquial, inclusive, adventuresome." —Gwendolyn BrooksIn her newest collection, Patricia Smith explores the second wave of the Great Migration. Shifting from spoken word to free verse to traditional forms, she reveals "that soul beneath the vinyl."Patricia Smith is the author of five volumes of poetry, including Blood Dazzler, a finalist for the 2008 National Book Award, and Teahouse of the Almighty, a National Poetry Series selection. She lives in New Jersey.

    If someone comes along and starts talking, quietly shoo them away, you're busy, you're a poet with a penny in your mouth. . . . Now get your pen and paper and write about POVERTY, write line after line about starvation and deprivation from the voice of one who has been Loved in this world.CAConrad's (Soma)tic exercises desire to literally crack open existence as we know it. A Beautiful Marsupial Afternoon is an essential how-to book for anyone interested in breaking through their perceived limitations to become a more politically and physically engaged writer. Incorporating unorthodox steps in the writing process, these twenty-seven exercises and their corresponding poems confirm Conrad's unwavering belief in poetry as a necessary practice for being.CAConrad, a 2011 PEW Fellow in the Arts, is the author of five books of poetry, including The Book of Frank (Wave Books, 2010/Chax Press, 2009). He lives in Philadelphia, Pennsylvania.

    Demanding "if you really love a writer, bury her in all your awful and watch as she scrawls her way out," her book does exactly that. An incessant digging, a journey in building escape routes, armed with both humor and a brazen darkness, each poem in this book of bloodletting is another swing of the pick and axe in this young woman"s labor, insistent upon light.

    Hailing from the Ikon community in Belfast and working closely with its founder, the bestselling writer Pete Rollins, Padraig's poetry interweaves parable, poetry, art, activism and philosophy into an original and striking expression of faith. Padraig's poems are accessible, memorable profound and challenging. They emerge powerfully from a context of struggle and conflict and yet are filled with hope. Full Text - Short

    Many poetry collections are often poorly formatted and difficult to read on eReaders. The Delphi Poets Series offers readers the works of literature's finest poets, with superior formatting. This volume presents the complete poetical works of John Keats, with beautiful illustrations and the usual Delphi bonus material. (Version: 1)* Beautifully illustrated with images relating to Keats' life and works* Concise introductions to the poetry and other works* Images of how the poetry books were first printed, giving your eReader a taste of the original texts* Excellent formatting of the poems* Special chronological and alphabetical contents tables for the poetry* Easily locate the poems you want to read* Includes Keats' letters - spend hours exploring the poet's personal correspondence* Features three detailed biographies - discover Keats' literary life* Scholarly ordering of texts into chronological order and literary genresCONTENTS:The Poetry CollectionsPOEMS, 1817ENDYMION: A POETIC ROMANCELAMIA, ISABELLA, THE EVE OF ST. AGNES, AND OTHER POEMSPOSTHUMOUS AND FUGITIVE POEMSPOEMS WRITTEN LATE IN 1819The PoemsLIST OF POEMS IN CHRONOLOGICAL ORDERLIST OF POEMS IN ALPHABETICAL ORDERThe PlaysOTHO THE GREATKING STEPHENThe LettersTHE LETTERS OF JOHN KEATSThe BiographiesLIFE OF JOHN KEATS by William Michael RossettiA DAY WITH KEATS by May ByronLIFE OF JOHN KEATS by Sidney Colvin

    By juxtaposing fragments of her poems with short pieces of prose, we begin to know her as poet, friend, enemy, woman, lover, and revolutionary.From "Poems for Moscow (2)":From my hands—take this city not made by hands,my strange, my beautiful brother.Take it, church by church—all forty times forty churches,and flying up over them, the small pigeons;And Spassky Gates—in their flower—where the Orthodox take off their hats;And the Chapel of Stars—refuge chapel—where the floor is—polished by tears;Take the circle of the five cathedrals,my soul, my holy friend.Marina Tsvetaeva was born in Moscow in 1892 and died in 1941. Her poetry stands among the greatest works of twentieth century Russian writers.Ilya Kaminsky is the author of Dancing in Odessa (Tupelo Press, 2004) which won the Whiting Writers' Award, the American Academy of Arts and Letters' Metcalf Award, the Dorset Prize, and the Ruth Lilly Poetry Fellowship awarded annually by Poetry magazine.Jean Valentine won the Yale Younger Poets award for Dream Barker in 1965. Her eleventh book of poetry is Break the Glass, from Copper Canyon Press. Door in the Mountain: New and Collected Poems 1965–2003 was the winner of the 2004 National Book Award for Poetry.

    In her second book, Sierra DeMulder examines her childhood in a small town, heartache, loss, and the possibility of transcending suffering, aided by the voice of her own genius. His character appears throughout the book, providing charming commentary and biting insight on the young author's creative process and emotional path.

    As one of the most exciting new voices in American poetry, Zachary Schomburg's previous books have enthralled thousands of readers with surreal landscapes populated by gorillas in people clothes, jaguars, plagues of hummingbirds, and even Abraham Lincoln. His poems have inspired art installations, shadow puppetry, rock albums, and string quartets. In FJORDS, Schomburg inhabits the icy landscape, walking among all his little deaths as he explores the narrow inlets between the transcendent and the mundane. These are poems to be read by torchlight or with no light at all. As Schomburg explains, There is so much blood in the trees. It will be easy to fall in love like this.

    Exploring war, plagues, and the search for a new God in exile, these poems create a chorus of wanderers haunted by empire, God, and personal trauma.

    Twenty-year-old Sophie was attacked in a Lancashire park in 2007 and died several days later. The ferocity of the assault caused distress and outrage when reported by the international media and led to the creation of the Sophie Lancaster Foundation, a charity opposed to all forms of hatecrime and victimisation. The radio broadcast of Black Roses won the BBC Radio Best Speech Programme of 2011 and was shortlisted for the Ted Hughes Award for Poetry. One-third of all profits from the sale of this book will be donated to the Sophie Lancaster Foundation.

    Some are joyful. Some are sad. Some are funny and lighthearted. Many offer layers of meaning that reveal themselves only after the poem has been studied so closely as to be learned by heart. In issuing the challenge to memorize great poetry, Caroline Kennedy invites us to a deeply enriching experience. For as she reminds us, "If we learn poems by heart, not only do we have their wisdom to draw on, we also gain confidence, knowledge and understanding that no one can take away." Illustrated with gorgeous, original watercolor paintings by award-winning artist Jon J Muth, this is truly a book for all ages, and one that families will share again and again. Caroline's thoughtful introductions shed light on the many ways we can appreciate poetry, and the special tradition of memorizing and reciting poetry that she celebrates within her own family.

    Lauren Zuniga has made a name for herself for fearlessly confronting legislators and being an ambassador for the Heartland. This collection is the underbelly. No emotion is spared. No image is lost. It is a field guide to blisters and curtsies. It is a chronicle of women/children/animals coming together in a house named Clementine.

    But [Flenniken] also wrote them to honor the people she grew up with." " - Seattle Times"The poems in "Plume" are nuclear-age songs of innocence and experience set in the "empty" desert West. Award-winning poet Kathleen Flenniken grew up in Richland, Washington, at the height of the Cold War, next door to the Hanford Nuclear Reservation, where "every father I knew disappeared to fuel the bomb," and worked at Hanford herself as a civil engineer and hydrologist. By the late 1980s, declassified documents revealed decades of environmental contamination and deception at the plutonium production facility, contradicting a lifetime of official assurances to workers and their families that their community was and always had been safe. Plume, written twenty years later, traces this American betrayal and explores the human capacity to hold truth at bay when it threatens one's fundamental identity.

    That's as good a definition of contemporary poetry as any."—NPR"This book reads like a long, breathless thank you for life's seemingly random jumble of beauty, strangeness, tenderness, and joy."— Los Angeles Times"The reader's mind shoots through [Young's poems] like the steel ball in a pinball machine, dinging around, racking up points. Dean's poems are amazingly fun."— BOMB"After 10 books over 20-odd years, Young has become one of our most imitated poets: his jocular jumps from topic to topic, debts to Surrealist dream-logic, mixture of postmodern oddity, stand-up comedy and weighty pathos land his work somewhere between John Ashbery (to whom Young owes much) and Billy Collins (whose affability Young shares)." —Publishers Weekly"Young revitalizes the lyric by reminding us that Art must never be less explosive and majestic and joyous than Life, lest it not only be no temporary substitute for Life but also no fitting representation of (or challenge to) life's regularities and irregularities. Bender will make you laugh, reflect, and marvel at how the contrary impulses and instantiations of both Life and Art can so readily be distilled in the sensibilities of a single man, or—in the case of Bender—a single book." —The Huffington Post"Dean Young's Bender: New & Selected Poems provides a direct experience with all the stunning possibilities of language at its most sublime."— The JournalFrom "Even Funnnier Looking Now":If someone had asked me then,Do you suffer from the umbrage of dawn'sdark race horses, is your heart a prisonerof raindrops? Hell yes! I would have saidor No way! Never would I have said,What could you possibly be talking about?I had just gotten to the twentieth centurylike a leftover girder from the Eiffel Tower.My Indian name was Pressure-Per-Square-Inch.I knew I was made of glass but I didn'tyet know what glass was made of: hot sandinside me like pee going all the wrongdirections, probably into my heartwhich I knew was made of gold foilglued to dust . . .

    Full of advice, critique, reflection, commiseration, humor, sorrow and rage, this anthology includes poems by some of the most exciting female poets writing and performing today. Courage; Daring Poems for Gutsy Girls will live in lockers, backpacks and under beds for years, its pages reblogged, tattooed, dog-eared and coffee stained.

    E. Stallings has established herself as one of the best American poets of her generation. In addition to a lively dialogue with both the contemporary and ancient culture of her adopted homeland, Greece, this new collection features poems that, in her inimitable voice, address the joys and anxieties of marriage and motherhood. This collection builds on previous accomplishments with some longer poems and sequences of greater philosophical scope, such as “On Visiting a Borrowed Country House in Arcadia.” Stallings possesses the rare ability to craft precise poems that pulsate with deeply felt emotion. Like the olives of the title, the book embraces the bitter but savory fruits of the ancient tree, and the tears and sweetness we harvest in our temporary lives. These poems show Stallings in complete command of her talent, able to suggest the world in a word.

    It is joined in this major new retrospective with many other pieces that for the first time present the full range of Brainard's writing in all its deadpan wit, madcap inventiveness, self-revealing frankness, and generosity of spirit. The Collected Writings of Joe Brainard gathers intimate journals, jottings, stories, one-liners, comic strips, mini-essays, and short plays, many of them available until now only as expensive rarities, if at all. "Brainard disarms us with the seemingly tossed- off, spontaneous nature of his writing and his stubborn refusal to accede to the pieties of self-importance," writes Paul Auster in the introduction to this collection. "These little works . . . are not really about anything so much as what it means to be young, that hopeful, anarchic time when all horizons are open to us and the future appears to be without limits." Assembled by the author's longtime friend and biographer Ron Padgett and including fourteen previously unpublished works, here is a fresh and affordable way to rediscover a unique American artist.

    Bringing together writers of tremendously various family backgrounds and religious orientations, this book offers frank, thoughtful consideration of themes too often polarized and politicized in our society. Participants include Li-Young Lee, Jane Hirshfield, Carolyn Forche, Gerald Stern, Christian Wiman, Joy Harjo, and Gregory Orr, with twelve others, all wrestling with difficult questions of human existence and the sources of art."

    These are poems of questions and restlessness, but also of answers of a sort. As Beth Ann Fennelly writes, "[t]he big themes here—self identity, desire, escape—are illuminated with clarity, scored musically, and enlivened with wit. The Girls of Peculiar is a fabulous book."

    The daughter of a black mother and white father, a student of history and of the Deep South, she is inspired by everything from colonial paintings of mulattos and mestizos to the stories of people forgotten by history. Meditations on captivity, knowledge, and inheritance permeate Thrall, as she reflects on a series of small estrangements from her poet father and comes to an understanding of how, as father and daughter, they are part of the ongoing history of race in America.Thrall confirms not only that Natasha Trethewey is one of our most gifted and necessary poets but that she is also one of our most brilliant and fearless.

    THIS CAN'T BE LIFE is Dana Ward's first full-length collection of poetry. Although some of this writing may look like prose, everything here is written both AS, and under the sign of, "poetry." THIS CAN'T BE LIFE is an infinite frame-dissolve between art and life engined by the thoughts and feelings associated with the relationship between mortality and politics. These things, working together and against one another, constitute the funeral fun-house physics which delimit the (temporary) reality in which the book operates. Following Notley and Kerouac, Ward's poetics is a generative problematics of voice in which "the counter-poised figures of porousness, multiplicity, & instability are first principals."

    The book draws upon the wisdom of foolishness and the logic of glee, while simultaneously exploring the suffering inherent to embodied consciousness. Speakers play out moments of bravado and fear, love and mortality, disappointment and desire. They socialize incorrigibly with lakes, lovers, fire, and readers, reasoning their way to unreasonable conclusions. These poems try to understand how it is that we come to recognize and differentiate objects and beings, how wholly each is attached to its name, and which space reveals them. What Is Amazing delights in fully inhabiting its varied forms and voices, singing worlds that often coincide with our own.

    Now this landmark work has been thoroughly revised and updated for the twenty-first century. Compiled by an entirely new team of editors, the fourth edition--the first new edition in almost twenty years--reflects recent changes in literary and cultural studies, providing up-to-date coverage and giving greater attention to the international aspects of poetry, all while preserving the best of the previous volumesAt well over a million words and more than 1,000 entries, the Encyclopedia has unparalleled breadth and depth. Entries range in length from brief paragraphs to major essays of 15,000 words, offering a more thorough treatment--including expert synthesis and indispensable bibliographies--than conventional handbooks or dictionaries.This is a book that no reader or writer of poetry will want to be without.Thoroughly revised and updated by a new editorial team for twenty-first-century students, scholars, and poets More than 250 new entries cover recent terms, movements, and related topics Broader international coverage includes articles on the poetries of more than 110 nations, regions, and languages Expanded coverage of poetries of the non-Western and developing worlds Updated bibliographies and cross-references New, easier-to-use page design Fully indexed for the first time

    At the center of it all, a teenage boy's suicide resonates through the lives of those closest to him. The poems in Bruce Snider's Paradise, Indiana describe a place where mundane events neighbor the most harrowing.Shaped by the author's experiences growing up in rural Indiana, Snider investigates the landscapes traditionally claimed by male poets such as James Wright, James Dickey, and Richard Hugo, whose visions of place rarely, if ever, included the presence of gays and lesbians. Paradise, Indiana envisions a seldom recorded rural America, one where everything exists side by side: the county fair and an abandoned small town gay bar, farmers and cross-dressers, death and hope, beauty and despair.

    Tate’s remarkable work—filled with dark wit, dry humor, and deceptive simplicity—is considered among the most accessible poetry written in the last several decades, and it has inspired acclaimed poet W.S. Merwin to write, “Mr. Tate’s gift is such that many of [his] poems move me at least to plain envy of what he can do.”

    This proliferation of the joy of haiku is cause for celebration—but it can also compel us to go back to the beginning: to look at haiku’s development during the centuries before it was known outside Japan. This in-depth study of haiku history begins with the great early masters of the form—like Basho, Buson, and Issa—and goes all the way to twentieth-century greats, like Santoka. It also focuses on an important aspect of traditional haiku that is less known in the West: haiku art. All the great haiku masters created paintings (called haiga) or calligraphy in connection with their poems, and the words and images were intended to be enjoyed together, enhancing each other, and each adding its own dimension to the reader’s and viewer’s understanding. Here one of the leading haiku scholars of the West takes us on a tour of haiku poetry’s evolution, providing along the way a wealth of examples of the poetry and the art inspired by it.

    Razor, A. RazorIntroduction by Bucky SinisterCover design or artwork by Geoff MelvilleEdited by Iris BerryA Collection Of Prose and Poetry from A. Razor, who has published and written and shared his work on the road and from inside prison for many years, now here is the writer's work in one book that presents many styles and influences all worked out with a genuine love that has driven a lifetime struggle for peace among the words of this world.

    Among the poems he left behind are a particularly unsettling four that feature the mysterious Robinson: both a prototypical member of the smart set—masking his desperation with urbane savoir-faire—and an alter ego for the troubled Kees himself.In ROBINSON ALONE, Kathleen Rooney performs a bold act of literary mediumship, conjuring Kees through his borrowed character to sketch his restless journey across locales and milieus—New York, San Francisco, the highways between—and to evoke his ambitions, his frustrations, and his skewed humor. The product of a decade-long engagement with Kees and his work, this novel in poems is not only a portrait of an under-appreciated genius and his era, but also a beam flashed into haunted boiler-rooms that still fire the American spirit, rooms where energy and optimism are burnt down to ash.

    After her death in March 2012, Rich left behind a manuscript of mature work that speaks for her concern with a poetics of relation along with a passionate attention to craft.In addition to her selections from twelve volumes of published work, Later Poems: Selected and New contains ten powerful new poems. Among these, From Strata is a kind of archaeology of the present day; Itinerary searches for an indefinite future in a menaced landscape; For the Young Anarchists offers a trope of skilled labor for political action; and the haunting voice of the Teethsucking Bird reminds us of what we have been told to forget.These and other poems look back into history and forward into the future while engaging with contemporary moments. Rich s singular command of language continues to the end.

    Each anthology in the Staying Alive trilogy has 500 poems to touch the heart, stir the mind and fire the spirit. These books have been enormously popular with readers, especially as gift books and bedside companions. The poems - by writers from many parts of the world - have emotional power, intellectual edge and playful wit. This new pocketbook selection of 100 essential poems from the trilogy is a Staying Alive travel companion (also available as an e-book). As well as selecting favourite poems from the trilogy - readers' and writers' choices as well as his own favourites - editor Neil Astley provides background notes on the poets and poems. This format makes it even more suitable as a gift book for all those people you're sure would love modern poetry if only they were familiar with these kinds of poems. These essential poems are all about being human, being alive and staying alive: about love and loss; fear and longing; hurt and wonder; war and death; grief and suffering; birth, growing up and family; time, ageing and mortality; memory, self and identity; faith, hope and belief; acceptance of inadequacy and making do - all of human life in a hundred highly individual, universal poems.

    Edited by Caroline Bergvall, Laynie Browne, Teresa Carmody and Vanessa Place, I’ll Drown My Book takes its name from a poem by Bernadette Mayer, appropriating Shakespeare. The book includes work by 64 women from 10 countries, with contributors’ responses to the question—What is conceptual writing?—appearing alongside their work. I’ll Drown My Book offers feminist perspectives within this literary phenomenon.CONTRIBUTORS:Kathy Acker, Oana Avasilichioaei & Erin Moure, Dodie Bellamy, Lee Ann Brown, Angela Carr, Monica de la Torre, Danielle Dutton, Renee Gladman, Jen Hofer, Bernadette Mayer, Sharon Mesmer, Laura Mullen, Harryette Mullen, Deborah Richards, Juliana Spahr, Cecilia Vicuna, Wendy Walker, Jen Bervin, Inger Christiansen, Marcella Durand, Katie Degentesh, Nada Gordon, Jennifer Karmin, Mette Moestrup, Yedda Morrison, Anne Portugal, Joan Retallack, Cia Rinne, Giovanni Singleton, Anne Tardos, Hannah Weiner, Christine Wertheim, Norma Cole, Debra Di Blasi, Stacy Doris & Lisa Robertson, Sarah Dowling, Bhanu Kapil, Rachel Levitsky, Laura Moriarty, Redell Olsen, Chus Pato, Julie Patton, Kristin Prevallet, a.rawlings, Ryoko Seikiguchi, Susan M. Schultz, Rosmarie Waldrop, Renee Angle, Rachel Blau DuPlessis, Theresa Hak Kyung Cha, Tina Darragh, Judith Goldman, Susan Howe, Maryrose Larkin, Tracie Morris, Sawako Nakayasu, M. NourbeSe Philip, Jena Osman, kathryn l. pringle, Frances Richard, Kim Rosenfeld, and Rachel Zolf.

    They are truly delightful and robustly original—a poetic joy."—Tony HoaglandSelected by Bernadette Mayer for the National Poetry Series, these poems engage the structures of family and intimacy, exposing the viscera of the everyday, all its frailties and familiarity rendered absurd and remade through language.Outside there's a world where every love-scenebegins with a man in a doorway;he walks over to the woman and says "Open your mouth."Hannah Gamble has received fellowships from Rice University, The University of Houston, and The Edward F. Albee Foundation. She teaches literature and writing at Prairie State College and is the poet-in-residence at Children's Memorial Hospital in Chicago, Illinois.

    

    A poet whose work combines the centuries-old Acadian tradition with contemporary French poetics, Jean offers a work of haunting, unforgettable lyricism.

    In his world, angels and mysterious forces converse with the everyday and earthbound while love and a quest for truth remain central. His startling images cut deep and his grappling—making bold leaps—is full of humor. His poems seduce the reader away from the human.Nichita Stanescu(1933-1983) towers above post-World War II Romanian poetry. His poems are written in clear language while posing profound metaphysical questions. He was born in Ploiesti in 1933 and died in 1983 in Bucharest. He is one of the most acclaimed contemporary Romanian language poets, winner of the Herder Prize and nominated for the Nobel Prize.

    With poems named for letters of the Phoenician alphabet, and employing such innovative forms as the ancient ghazal, Vandenberg deciphers the seemingly indecipherable in this extraordinary becoming of self through language. Moving between the physical and the abstract, the individual and the collective, Alphabet Not Unlike the World unearths meaning—with astonishing beauty—from the pain of loss and separation.

    The length of his life was not one-third that of Wordsworth, who was born twenty-five years before him and outlived him by twenty-nine. Yet before his tragic death at twenty-six Keats had produced a body of poetry of such extraordinary power and promise that the world has sometimes been tempted, in its regret for what he might have done had he lived, to lose sight of the superlative merit of what he actually accomplished. Notice: This Book is published by Historical Books Limited (www.publicdomain.org.uk) as a Public Domain Book, if you have any inquiries, requests or need any help you can just send an email to publications@publicdomain.org.uk This book is found as a public domain and free book based on various online catalogs, if you think there are any problems regard copyright issues please contact us immediately via DMCA@publicdomain.org.uk

    Strange Light takes us back to the docks, to drama class and prom, an undersea conversation with Jacques Cousteau, and into his famous romantic howls. The epic poem, Strange Light, anchors this collection as one of the most inventive and potent collections of modern American poetry. About.com called his 2009 collection Scandalabra, one of the best books of the year. Everything hilarious and stirring is illuminated. The power of Strange Light is waiting.

    It's not even for other poets or publishers. It's for the guy driving the bus, the boy being bullied, the single mother carrying home her shopping, the son who wonders what his father's voice would sound like cheering from the sideline and the daughter who won't ever be noticed by anyone. It's for the invisible, the powerless and the lost. It's for people like me.

    These handpicked poems will take readers through a kaleidoscope of issues, ranging from relationships to city life.After the success of his first collection of poems, titled Selected Poems, Gulzar presents a collection of 60 more poems through his book Neglected Poems, a translated version authored by Pavan Varma.Gulzar’s compelling writing makes readers take a look at their lives in a deeper way. Through the poems in this book, he explores major cities like Delhi, Mumbai, Kolkata, Chennai and New York. He also takes a fresh philosophical take on human relationships and the psychological impact that they have on people when they end. Gulzar also focuses on the themes of nature and day-to-day life in this collection of poems.The translation of Gulzar’s work from Urdu to English is sure to delight people with a love for beautifully constructed verses. He is known for his trademark style and the translated version doesn’t take the sheen away from the original verses.

    "Mirov's poems are like dead soul dispatches from an emotional robot. Contained in them is the terrible recognition of the mere materiality of the universe—and that somehow arising from that is an irrational attachment to friends, loves, and a man named Ben Mirov. The poems are an attempt to speak of these things, often opening into imaginative spaces tinged with the absurd. The continued disconnect between what the speaker describes and what he may or may not feel is funny, until it's revealed to also be sad."—Dan Magers"Ben Mirov writes,'The high-fives are meant to signify celebratory attitudes and reinforce the sense of comradery we feel in the wake of our semi-athletic achievement.' For the 'semi-athletic' achiever in all of us, HIDER ROSER gives free $12 high-fives."—Amanda Nadelberg"It seems like HIDER ROSER was written by Ben Mirov. His name appears on the cover and in the poems the book contains. However, he did not write this book. I did. Ben Mirov's function in the process was more like an android, receiving messages from an alien source. If you ever actually meet the vessel I know as Ben Mirov, his personality and conversational capacity will underwhelm you. I hope these poems will not."—the author of HIDER ROSER

    Collected Poems offers the first full portrait of Ceravolo’s aesthetic trajectory, bringing to light the highly original voice that was operating at an increasing remove from the currents of the time. From a poetics associated with Frank O’Hara and John Ashbery to an ever more contemplative, deeply visionary poetics similar in sensibility to Zen and Dante, William Blake and St. John of the Cross, this collection shows how Ceravolo’s poetry takes on a direct, quiet lyricism: intensely dedicated to the natural and spiritual life of the individual. As Ron Silliman notes, Ceravolo’s later work reveals him to be “one of the most emotionally open, vulnerable and self-knowing poets of his generation.” Many new pieces, including the masterful long poem “The Hellgate,” are published here for the first time. This volume is a landmark edition for American poetry, and includes an introduction by David Lehman.-Wesleyan University Press

    

    Through her poetry, essays, stories, and performances, Ryka Aoki has challenged, informed, and shared with queer audiences across the United States. Available on Amazon, as well as directly from the press at Trans-Genre.net.

    

    With humor, stunning insight, and shimmering vulgarity Vap invents a fresh means of poetic critique in the poem itself. What she unveils for us is our own culpability in the gendered policing of contemporary poetry. I, for one, feel stimulated at being called out. I love this book." -Dawn Lundy Martin

    Emerson covers all aspects of the tragedies that, as Keats believed, contribute to our human collective of Soul-making, in which each death accrues into an immortal web of ongoing love and meaning for the living. Emerson's unwavering gaze shows that loss cannot be eluded, but can be embraced in elegies as devastating as they are beautiful.The macabre title poem refers to the old custom of making daguerreotypes, primitive photographs, of deceased loved ones. Other striking poems describe animal deaths -- mysterious calf killings, a hog slaughter, the burial of a dead jay, identifiable / but light, dry, its eyes vacant orbits. Death, as the speaker's heart and mind instruct her, exists in a shadow world. When the body disappears, the shadow also flees. By securing the shadow, the poet finds a representation of the dead's soul, a soul always linked to the body. Hence, Emerson's attention to the minute details of the body's repose -- reflected in the long, related sequence of refrained poems -- never allows its memory to fade.

    Many poetry collections are often poorly formatted and difficult to read on eReaders. The Delphi Poets Series offers readers the works of literature's finest poets, with superior formatting. This volume presents the complete poetical works and plays of W. B. Yeats, with illustrations and the usual Delphi bonus material. (Version: 1)* Beautifully illustrated with images relating to Yeats' life and works* Concise introductions to the poetry and other works* The complete poetry, appearing for the first time in digital print* Images of how the poetry books were first printed, giving your eReader a taste of the original texts* Excellent formatting of the poems and plays* Special chronological and alphabetical contents tables for the poetry* Easily locate the poems you want to read* ALL 30 plays, including rare dramas appearing for the first time in digital print* Features the complete autobiographies - discover Yeats' literary life in SEVEN different works* Scholarly ordering of texts into chronological order and literary genres* UPDATED with NCX toc feature allowing readers to skip forward or back to each poem using the Kindle's 5-way controllerCONTENTS:The Poetry CollectionsTHE WANDERINGS OF OISIN AND OTHER POEMSTHE COUNTESS KATHLEEN AND VARIOUS LEGENDS AND LYRICSTHE WIND AMONG THE REEDSPoems from THE SHADOWY WATERSTWO NARRATIVE POEMSIN THE SEVEN WOODSTHE GREEN HELMET AND OTHER POEMSRESPONSIBILITIESTHE WILD SWANS AT COOLEMICHAEL ROBARTES AND THE DANCERTHE TOWERTHE WINDING STAIR AND OTHER POEMSPARNELL’S FUNERAL AND OTHER POEMSNEW POEMS, 1938Poems from ON THE BOILERLAST POEMSThe PoemsLIST OF POEMS IN CHRONOLOGICAL ORDERLIST OF POEMS IN ALPHABETICAL ORDERThe PlaysTHE COUNTESS CATHLEENTHE LAND OF HEART’S DESIREDIARMUID AND GRANIAWHERE THERE IS NOTHINGCATHLEEN NI HOULIHANTHE HOUR-GLASSTHE POT OF BROTHTHE KING’S THRESHOLDON BAILE’S STRANDDEIRDRETHE UNICORN FROM THE STARSTHE GREEN HELMETTHE SHADOWY WATERSTHE HOUR-GLASS (VERSE VERSION)AT THE HAWK’S WELLTHE DREAMING OF THE BONESTHE ONLY JEALOUSY OF EMERCALVARYTHE PLAYER QUEENKING OEDIPUSOEDIPUS AT COLONUSTHE CAT AND THE MOONFIGHTING THE WAVESTHE WORDS UPON THE WINDOW-PANETHE RESURRECTIONTHE KING OF THE GREAT CLOCK TOWERA FULL MOON IN MARCHTHE HERNE’S EGGPURGATORYTHE DEATH OF CUCHULAINThe AutobiographiesREVERIES OVER CHILDHOOD AND YOUTHTHE TREMBLING OF THE VEILDRAMATIS PERSONAE 1896-1902ESTRANGEMENT EXTRACTS FROM A DIARY KEPT IN 1909THE DEATH OF SYNGE EXTRACTS FROM A DIARY KEPT IN 1909THE BOUNTY OF SWEDENTHE IRISH DRAMATIC MOVEMENT.

    Katrine Øgaard Jensen’s masterful translation has a strong rhythm all its own, and captures the book’s jarring quality in a remarkably smooth rendering. By the end of this insidious text, the reader is just as “namedrunk” as the book’s enigmatic lyrical subject, and discovers that their own “heartspace,” too, has been torn open, dissected, and beautifully recreated."—Judges' Citation, 2018 National Translation AwardWith black humor and cutting logic, Third-Millennium Heart explores the confounding nature of power and desire, the problem of asserting a feminist alternative without recapitulating patriarchal power structures: “The goal is to weaken every trace of odor. It will cost me my victory scent.” Yet Olsen’s ambivalence entails an embryonic potential: uncoupled from all normative arrivals, her syntax sprouts with mutant possibility, one nimbly conveyed by translator Jensen’s flexible touch. From the darkness of this “comajubilation,” in a stutter-step of declarations and retractions, Third-Millennium Heart is a work of radical re-conjuration: “Together we will beat/in the great DELTA.”PRAISE FOR THIRD-MILLENNIUM HEART“Like a supercollider smashing together exotic subatomic particles just to see what happens, Olsen accelerates language to the very limits, detonating it to watch what knowledge comes forth from ecstasy.”—The Believer“Olsen reminds us through her language that what we think of as natural may, in fact, be the technical; the science of ourselves is renewed in these poems.”—Words Without Borders“This intoxicating and terrifying poem (or many poems) is a meditation humming with repeated mantras of feminist poetics, words inside of words inside of pages inside of the book held inside your hands.”—Kenyon Review “Olsen’s writing has a way of dislodging one’s sense of self-possession; we look up from her book at a world that seems stranger, more beautiful and far more alarming—than before we started reading it.“—The Quarterly Conversation"I would love for everyone to read this book—I am advocating for its circulation. At the same time, the book doesn’t need us to read it in order for it to be alive. We need to be alive to it."—Best Translated Book Award judge Aditi Machado

    The famous poem "Song of the Open Road" by Walt Whitman.

    Carolyn Srygley-Moore is well-versed in the art of succinct imagery with pertinent line formations that create an inner and outer exploration in every verse.

    Here is spectral evidence to be used in peeling away the argument that we don't exist. Alternatively, here are 'vestments' to clothe that existence, whose character and purpose are repeatedly reshaped atop a discontinuous ridge of occult figuration. Look out for that."—William Fuller"In Caryl Pagel's EXPERIMENTS I SHOULD LIKE TRIED AT MY OWN DEATH, the act of naming presses out through the body to the natural world rendering the most poignant questions of the book those that concern agency: what happens to self and substance when the demarcation of names transpires. For example, in 'Spirit Cabinet' Pagel writes: 'What I live with in     this house     is mine     I did not make it What did What is     mine made     me.' Here self is house is language. Such folding and unfolding calls to mind Heidegger's concept of language-as-house-of-being, where 'In its home man dwells. Those who think and those who create with words are the guardians of this home.' Occupying the position of both interior and exterior, architect and structure, these poems perform a threshold demonstrating the necessity of what is made possible and impossible—both—through naming's articulation."—Karla Kelsey

    The latest book from the playful mind of artist and writer Brian Andreas.It is an exuberant reminder that all the theories in the world have nothing to do with the real point of living: being alive.

    VICTORY is raw and tender as a crying-jag, while being full of a new savagery's swagger and grace. -Dean Young Kiss me in the parking lot says this punk werewolf blade-wielding blankety-blank singing kick-ass ZAP BANG hardcore firefighter Victim #4. Oh my God my friends and & his heart is true and it is populated with wild dogs/ & missing children. All true. As are Kopel's ways he offers us to be with. VICTORY says poetry, says poems may be what we need. Blessings to you, Ben Kopel, for telling us all you do. And one more thing, for giving us the possibility/of a Dixie cup/filled with water/from a Japanese glacier. -Dara Wier When I was a kid my mother said you could name the clouds. REALLY? "Sure Kiddo, go ahead and name them!" I've just finished reading Ben Kopel's new book VICTORY and intend to name these clouds I see today VICTORY BY BEN! My darkness, it expanded // to fill the space provided, like a melody / or a metal rod placed in a loved one. I want to place this book inside you, and I mean that in a nice way. If you don't understand how to love this book then I don't know if I'm going to be able to talk to you, ever, again, seriously. --CAConrad

    The Poetry Friday Anthology makes it easy for you to take 5 minutes every Friday to share a poem. Explore a poem, connecting it with children's lives and capitalizing on a teachable moment. Pausing to share a poem—and reinforce a language skill—on Poetry Friday is a simple and effective way to infuse poetry into your current teaching practice.

    Written in a language as accessible and sturdy as our bones, THE EARLY DEATH OF MEN is humane, deliberate, and witty. An impactful, original, and fierce collection that despite its name promises to remain vital long after you put it down.

    frequently anthologized poem

    Originally written in 1899, Rilke wrote them upon returning to Germany from his first trip to Russia. His experience of the East shaped him profoundly. He found himself entranced by Orthodox churches and monasteries, above all by the icons that seemed to him like flames glowing in dark spaces. He intended these poems as icons of sorts, gestures that could illumine a way for seekers in the darkness. As Rilke here writes, "I love the dark hours of my being, for they deepen my senses." Translated by Mark S. Burrows.

    Poets Kelli Russell Agodon and Annette Spaulding-Convy, Co-Editors of Crab Creek Review and Co-Founders of Two Sylvias Press, have collaborated on this ground-breaking literary project. Featuring over 70 of the most extraordinary poets from a variety of backgrounds and whose ages span from thirteen to ninety-one, this anthology showcases superbly crafted poems exploring the contemporary woman’s experience. Fire On Her Tongue is an amazing resource for any reader or student who wants to explore an in-depth selection of work from some of today’s strongest women poets.

    In its right speaker: the melody of a male vocalist who feels literally beside himself, constantly observing each of life's interactions while also ferociously experiencing them, yelling Emerson and Whitman and Kant into the mic. In the left blares the bass lines of Jawbreaker, Alice Cooper, and the yawps of Patti Smith. "One can't be out-of-control-in control," writes Hart, and with a righteous blending of pulpit fervor and mosh pit frenzy, these poems feed upon the friction of life's contradictions and our hunger for absolutes, setting up the reader to discover "nothing is perfectly nailed to the wall." Sermons and Lectures Both Blank and Relentless is an epic call for magnificence and truth from a remarkable poet at his finest.

    Alarm clocks, dogs and Jeff Goldblum wait in the center of the Venn Diagram where the mysteries of the intangible philosophers of our day intersect. This book stands as a reminder that our hearts can hurt from knowing too much, our laugh lines can deepen and that the nature of both poetry and science are one in the same.

    Here, in poems raw and graceful, authentic and wise, Rybicki pays homage to the brave love they shared during her sixteen-year battle and praises the caregivers--nurses and doctors and friends--who helped them throughout. He invites the reader to bear witness to not only the chemotherapy, the many remissions, and the bone marrow transplants, but also the adoption of the couple's son, the lifted prayers, borrowed time, and lovers' last touches. A husband smashes an ice-cream cone against his forehead to make his wife laugh. He awakes in the middle of the night to find their dog drowsing atop a pile of her remnant clothes.The lamentations and celebrations of When All the World Is Old create a living testament to an endless love. Braided with intimate entries from Moulds's journal, these poems become the unflinching and lyric autobiography of a man hurtling himself headlong into the fire and emerging, somehow, to offer us a portrait of light and grace.Rybicki's hymns rest in the knowledge that even though all of our love stories one day come to an end, we must honor the loving anyway. The poet has dipped his pen in despair, but as he cleaves his heart and our own, he transmits the exquisite pain of loss into a beauty so fierce and scalding and ultimately healing that the reader comes out whole on the other side.

    They dared to dream. Thirty of our nation's most prestigious poets focus their creative vision on people who not only changed their own lives, but the lives of people all over the world. PoetsJill CorcoranJ. Patrick Lewis Alice SchertleDavid L. Harrison Jane YolenJoan Bransfield Graham Ellen Hopkins Georgia HeardHope Anita SmithElaine Magliaro Curtis L. Crisler Janet S. Wong Denise Lewis Patrick Joyce Lee Wong Jacqui Robbins Julia Durango Tracie Vaughn Zimmer Lisa Wheeler Hope Vestergaard Carol M. TanzmanStephanie Hemphill Alan Katz Lee Bennett HopkinsMarilyn Singer Rebecca Kai Dotlich Joyce Sidman Rose Horowitz Bruce Coville Kelly Ramsdell FinemanLaura Purdie Salas

    He now sees he must find his connection back to the present, socially entangled world in which he lives. For Clay, reverie can be a siren’s song, luring him to that space in which prisoners will begin “to interrogate themselves.”Clay pays attention to the poet’s return to the world of his daily life, tracking the subtly shifting tenors of thought that occur as the landscape around him changes. Clay is fully aware of the difficulties of Thoreau’s “border life,” and his poems live somewhere between those of James Wright and John Ashbery: they seek wholeness, all the while acknowledging that “a fragment is as complete as thought can be.” In the end, what we encounter most in these poems is a generous gentleness--an attention to the world so careful it’s as if the mind is “washing each grain of sand.”

    Since then, he has lived all over the country, in places such as Alabama, Kansas City and Rhode Island. He currently lives in the Badlands of North Dakota, still looking for a way to get out. Frank has been published in various reviews, journals and online zines. His first book, Interstate Chokehold, was published by NeoPoiesis Press in 2009. Frank is in the process of completing a third poetry collection and intends to take up additional prose/fiction writing and perhaps clay pigeon shooting. Reviews "Read Frank Reardon at your own risk. He'll open your heart with a corkscrew and leave you wide-eyed and longing for more...these are goddamed excellent poems." - Dan Fante, author of "Chump Change, Kissed By a Fat Waitress" and "Mooch" "You're sitting in a dark room, alone, washing down Valium with coffee, wishing you could see the stars through the dirty window; instead, you see a reflection of yourself, the lines on your face heavier, the life in your eyes drained. You hope for something better: a better girl, a better place, a better you. Cigarette smoke cuts the bitterness for a second. You squint, through the haze, trying so hard to see something in yourself. The heater brightens the room when you take a drag. There's nothing left. May as well write about it and hope to hell someone comes along to share your coffee and your life, making those damn lines mean something more than just empty scars." - R L Raymond, editor, "Pigeon Bike Press" "Frank Reardon's poetry is high-voltage! It's like when my brother stuck a screwdriver in an outlet to see what it would do. Get ready!" - Meg Tuite, fiction editor of "The Santa Fe Literary Review"

    This long-anticipated thematic book of new work by Burroughs is stunning, thorough, and masterfully executed, and is quintessential John Burroughs-wordplay in its punning and juxtapositioning. It also contains his poem/performance piece "Lens", which was nominated for the 38th annual Pushcart Prize! Packaged in a textured white cover with a heavy, deep olive green cardstock insert, and printed on creamy soft-white cotton paper, The Eater of the Absurd makes a striking statement of (in John Burroughs' own words) "pleasure, pain, and deprogramming."

    You want to write great poems. You want to write poems that challenge, inspire and awe. You want to write poems that forever alter your audience, that forever alter yourself. Those poems take guts. Glitter in the Blood: A Poet's Manifesto to Better, Braver Writing will put you in constant contact with your guts. Pushcart prize nominated and highly accomplished performance poet Mindy Nettifee is not going to lead you step-by-step up a how-to staircase. With this collection of essays, prompts and exercises, Mindy is giving you the wrench you need to open up the blood and let it flow into your writing.

    Like a "fast animal," the poet's voice can swiftly change direction and tone as he crisscrosses between present and past.Built like one single sustained song, Fast Animal is alive with music, ardor, and wit that flow in utterances that are uniquely [Seibles'] and his alone."—Laure-Anne Bosselaar, author of The Hour BetweenFrom "Delores Jepps"It seems insane now, butshe’d be standing soakedin schoolday morning light,her loose-leaf notebook,flickering at the bus stop,and we almost trembledat the thought of her mouthfilled for a moment with bothof our short names. I don’t knowwhat we saw when we sawher face, but at fifteen there’sso much left to believe in… Tim Seibles, who teaches at Old Dominion University, is the author of six previous books, including Body Moves and Hurdy-Gurdy. His poetry has been featured in Best American Poetry 2010. Seibles has been the recipient of an NEA grant for poetry and Open Voice award.

    Her surreal and fable-like prose poems invite comparison to Franz Kafka, Julio Cortázar, or even contemporary American poets Russell Edson and Charles Simic. But di Giorgio's voice, imagery, and themes—childhood, the Uruguayan countryside, a perception of the sacred—are her own. Previously written off as "the mad woman of Uruguayan letters," di Giorgio's reputation has blossomed in recent years. Translator Adam Giannelli's careful selection of poems spans the enormous output of di Giorgio's career to help further introduce English-language readers to this vibrant and original voice.Marosa di Giorgio was born in Salto, Uruguay, in 1932. Her first book Poemas was published in 1953. Also a theater actress, she moved to Montevideo in 1978, where she lived until her death in 2004.