This seemingly simple request for advice sets the trio on a journey of discovery as, over the course of a single night, they step into the role of the kindhearted former shopkeeper who devoted his waning years to offering thoughtful counsel to his correspondents. Through the lens of time, they share insight with those seeking guidance, and by morning, none of their lives will ever be the same.By acclaimed author Keigo Higashino, The Miracles of the Namiya General Store is a work that has touched the hearts of readers around the world.

    He is not sure where he's going or why, but it means that he gets to sit in the front seat of a silver van with his beloved owner, Satoru. Side by side, they cruise around Japan through the changing seasons, visiting Satoru's old friends. He meets Yoshimine, the brusque and unsentimental farmer for whom cats are just ratters; Sugi and Chikako, the warm-hearted couple who run a pet-friendly B&B; and Kosuke, the mournful husband whose cat-loving wife has just left him. There's even a very special dog who forces Nana to reassess his disdain for the canine species. But what is the purpose of this road trip? And why is everyone so interested in Nana? Nana does not know and Satoru won't say. But when Nana finally works it out, his small heart will break...

     The best website for learning Japanese grammar is now in print! My website has been helping people learn Japanese as it's really spoken in Japan for many years. If you find yourself frustrated that you can't understand Japanese movies or books despite having taken Japanese classes, then this book is for you. It will help you finally understand those pesky particles and break down grammatical concepts that will allow you to comprehend anything from simple to very complex sentences. You will also learn Japanese that's spoken by real people including casual speech patterns and slang, stuff that's often left out in most textbooks. Don't take my word for it, just check out my website and order this book to have it handy wherever you go.

    From the mists of Japanese prehistory, through the medieval ages, up to today, the bestiary of Japanese folklore contains a wide range of monsters. There are women with extra mouths in the backs of their heads, water goblins whose favorite food is human anus, elephant-dragons which feed solely on bad dreams, dead baby zombies, talking foxes, fire-breathing chickens, animated blobs of rotten flesh that run about the streets at night... "The Night Parade of One Hundred Demons" is a massive illustrated bestiary choc full of yokai. It features over one hundred traditional Japanese monsters, each one beautifully illustrated in full color by yokai artist Matthew Meyer. Each yokai is described in detail, including origins, habitat, diet, and legend, based on translations from centuries-old Japanese texts. Read this book, and the next time you watch an anime or a Godzilla movie, you'll be able to recognize their folkloric ancestors dating back centuries. You'll find out about all of the strange mythical animals you can see at temples and shrines, on beer can labels, and even on Japanese money. Meet the predecessors to Pokemon, Power Rangers, scary J-horror girls, and all of the strange creatures that pop up in Japanese video games. "Night Parade" will turn anyone with a passing interest in Japanese folklore into a full-blown yokai expert!

    Shipwrecked and his father murdered by ninjas, Jack Fletcher is rescued by the legendary swordmaster Masamoto Takeshi and taken to his samurai school in Kyoto. Hunted by the ninja Dragon Eye, Jack's only hope is to become a samurai warrior. And so his training begins . . . In order to perfect his fighting skills, Jack goes on a gasshuku. But nothing can prepare him for the punishment of warrior camp - the climax of which is to enter the Way of Fire, a terrifying ritual that burns away evil. Can Jack overcome his fear and walk the Way of Fire? Part of the award-winning Young Samurai series by Chris Bradford. Visit www.youngsamurai.com for competitions and to find out more about the books.Previously published for World Book Day. 'A fantastic adventure that floors the reader on page one and keeps them there until the end' - Eoin Colfer'Addictive' - Evening Standard

    He was tipped for Olympic glory, but a promising running career was interrupted by war service. His capture during the fall of Singapore marked the beginning of a three-and-a-half-year nightmare of starvation, torture and disease. Andy was imprisoned in the notorious Changi camp before being transported to Taiwan, where he worked as a slave in a copper mine and was twice ordered to dig his own grave. He was later taken to Japan on a hell-ship voyage that nearly killed him, but Andy's athleticism and spirit enabled him to survive an ordeal in which many died. From his poverty-stricken boyhood in the slums of the Gorbals to the atomic wasteland of Nagasaki, Andy's life story is vividly recounted in Tomorrow You Die , an epic, compassionate tale that will shock, enthral and inspire.

    The novel follows the (mis)adventures of its travel-addicted protagonist Zack, and in that respect is similar thematically to Alex Garland's 'The Beach' or Gregory David Roberts' 'Shantaram.' Accordingly, the reader is viscerally transported into the surreal realms of Roppongi, as Zack attempts to come to terms with a series of life-changing events unfolding at rapid pace. In the process, the novel punches through the impossibly glamorous surface of Roppongi and plunges the reader deep into its seedy underbelly ... showing a disturbing side of Japan not often written about in the English language.

    This proliferation of the joy of haiku is cause for celebration—but it can also compel us to go back to the beginning: to look at haiku’s development during the centuries before it was known outside Japan. This in-depth study of haiku history begins with the great early masters of the form—like Basho, Buson, and Issa—and goes all the way to twentieth-century greats, like Santoka. It also focuses on an important aspect of traditional haiku that is less known in the West: haiku art. All the great haiku masters created paintings (called haiga) or calligraphy in connection with their poems, and the words and images were intended to be enjoyed together, enhancing each other, and each adding its own dimension to the reader’s and viewer’s understanding. Here one of the leading haiku scholars of the West takes us on a tour of haiku poetry’s evolution, providing along the way a wealth of examples of the poetry and the art inspired by it.

    This hardcover collectible book features a variety of well-known international artists and their unique interpretations of Sanrio characters in various media, including canvas, spray paint, watercolor and ink, aerosol and acrylics on wood, mixed media, oil on panel, and silk screen. The pieces in the book reflect the many ways Hello Kitty and Sanrio have influenced and inspired so many artists around the world.

    To populate these "comfort stations," as they were euphemistically called, the Japanese army drafted or tricked around two-hundred thousand girls, most from rural Korea, into coming to work in military "factories." Instead, they were forced into sexual slavery.After the war, the surviving comfort women, gripped with a crushing sense of shame, rarely if ever spoke about their ordeals. As a result, their suffering has barely been acknowledged in the history books. Realizing that the survivors were dying off, the Council was formed to record their accounts before it was too late; before Japanese revisionists erased these unfortunate events from the history books forever."Story of a Comfort Girl" is the moving first-person account of one such survivor.

    The layout designs that you see here act as a "blueprint" in the animation-making process. A layout is an individual piece of paper onto which all the relevant information of a scene is written [...] With the full cooperation of Studio Ghibli and the Ghibli Museum, Mitaka, we are able to display layouts from Studio Ghibli works, ranging from Nausicaa of the Valley of the Wind to the latest summer 2008 release Ponyo on the Cliff by the Sea, including those handwritten and drawn by Hayao Miyazaki himself. Also, layouts from classic works in Japanese animation history, such as Heidi, From the Apenines to the Andes, Conan, the Boy in the Future, and Downtown Story that directors Takahata and Miyazaki had worked on before founding Studio Ghibli, are put on display in the historical retrospective section. Having approximately 1,300 layout designs shown all together is a first of its kind in Japan, and a rare opportunity worldwide.

    The tales are concerned with themes such as perception of conflict, self-transformation, the cultivation of chi (life energy), and understanding yin and yang. Some of the parables seem light and fanciful, but they offer the reader valuable lessons on the fundamental principles of the martial arts; “The Mysterious Technique of the Cat” is iconic. The “demon” in the title story refers to the mythical tengu, who guard the secrets of swordsmanship. A swordsman travels to Mt. Kurama, famous for being inhabited by tengu, and in a series of conversations he learns about mushin (no-mind), strategy, the transformation of chi, and how the path of the sword leads to the understanding of life itself. The author, Issai Chozanshi, had a deep understanding of Taoism, Buddhism, Confucianism, and Shinto, as well as insight into the central role of chi in the universe—points that are succinctly explained in William Scott Wilson’s fine introduction and extensive endnotes. This is essential reading for anyone who wants to truly understand the philosophical underpinnings of martial arts, and how these principles relate to our existence.

    This book, a comprehensive celebration of Tenko, explores how this groundbreaking drama came to be made, its filming in the UK and the Far East, and the real-life events which inspired its memorable characters and storylines. The series’ cast (which included Ann Bell, Stephanie Cole, Louise Jameson, Stephanie Beacham, Veronica Roberts, Claire Oberman and Burt Kwouk) have contributed their memories of working on the show, as have creator Lavinia Warner and writers Jill Hyem and Anne Valery, who share their thoughts on working on one of television’s first female ensemble dramas. In addition to the ‘making of’ story, every episode is reviewed in depth.Remembering Tenko is illustrated with more than 300 photographs sourced from the Radio Times, the BBC and the private albums of Tenko’s cast and crew, including 20 pages of full-colour plates.

    

    How to Make a Japanese House presents 21 lessons in how to design a single-family home from three decades of architectural practice. From the Western perspective, in which more space is better space, small interiors may once have seemed undesirable, but Japanese architects have long excelled at overcoming the limitations of building in densely populated areas and creating brilliant effects of spaciousness with minimal square footage. As urban areas across the world grow only more dense in population, a knack for the economic handling and design of domestic space has clearly established itself as a key virtue of contemporary architectural practice. Through a rich array of research, interviews, drawings and photographs, How to Make a Japanese House demonstrates that Japanese homes present a radically different way of thinking about architecture, and provide inspiration for dwelling on a smaller scale.

    While there, Manbo documented his surroundings using Kodachrome film, a technology then just seven years old, to capture community celebrations and to record his family's struggle to maintain a normal life under the harsh conditions of racial imprisonment. Colors of Confinement showcases sixty-five stunning images from this extremely rare collection of color photographs, presented along with three interpretive essays by leading scholars and a reflective, personal essay by a former Heart Mountain internee.

    The Art of the Japanese Sword conveys to the reader Japanese samurai sword history and Japanese sword care, as well as explaining how to view and appreciate a blade. With 256 full-color pages, this sword book illustrates in meticulous detail how modern craftsmen use traditional methods to prepare their steel, forge the sword and create the unique hardened edge. By gaining a good understanding of how a sword is made, the reader will be able to appreciate the samurai sword more fully. Topics include:Appreciating the Japanese swordHistory of the Japanese swordTraditional Japanese steelmakingMaking the swordFinishing the sword

    As once-peaceful Okinawa prepares for war, master and student venture to China in search of the deepest meaning of karate. After the destruction of Pearl Harbor, the tides of war turn against Japan and an American invasion fleet approaches Okinawa. Kenichi is conscripted as a runner for the Japanese general staff and finds himself in the epicenter of the Battle of Okinawa. In the aftermath, he must fight again to rebuild the shattered hopes of his people and preserve his master’s art of karate.

    The long Chinese Civil War precipitated a long regional war between China and Japan that went global in 1941 when the Chinese found themselves fighting a civil war within a regional war within an overarching global war. The global war that consumed Western attentions resulted from Japan's peripheral strategy to cut foreign aid to China by attacking Pearl Harbor and Western interests throughout the Pacific on December 7-8, 1941. S. C. M. Paine emphasizes the fears and ambitions of Japan, China, and Russia, and the pivotal decisions that set them on a collision course in the 1920s and 1930s. The resulting wars - the Chinese Civil War (1911-1949), the Second Sino-Japanese War (1931-1945), and World War II (1939-1945) - together yielded a viscerally anti-Japanese and unified Communist China, the still-angry rising power of the early twenty-first century. While these events are history in the West, they live on in Japan and especially China.

    He is celebrated for his unique ability to blend strikingly contemporary elements with the traditional design vernacular. He has worked in ultramodern urban hotels and some of Japan's most famous classic gardens. In each project, his work as a designer of landscape architecture is inseparable from his Buddhist practice. Each becomes a Zen garden, "a special spiritual place where the mind dwells."This beautiful book, illustrated with more than 400 drawings and color photographs, is the first complete retrospective of Masuno's work to be published in English. It presents 37 major gardens around the world in a wide variety of types and settings: traditional and contemporary, urban and rural, public spaces and private residences, and including temple, office, hotel and campus venues. Masuno achieved fame for his work in Japan, but he is becoming increasingly known internationally, and in 2011 completed his first commission in the United States which is shown here.Zen Gardens, divided into three chapters, covers: "Traditional Zen Gardens," "Contemporary Zen Gardens" and "Zen Gardens outside Japan." Each Zen garden design is described and analyzed by author Mira Locher, herself an architect and a scholar well versed in Japanese culture.Celebrating the accomplishments of an influential, world-class designer, Zen Gardens also serves as something of a master class in Japanese garden design and appreciation: how to perceive a Japanese garden, how to understand one, even how to make one yourself. Like one of Masuno's gardens, the book can be a place for contemplation and mindful repose.

    The author has spent over 20 years living in the country, working as a writer and journalist. Some of his impressions of Japan and of the people who live there have been recorded in: Keiko's House: An old house, its history, and the history of those who have lived there in the past.  Haircuts: When 92-year-old Mr Kato changes his barber, his life takes on a surprising new meaning.  Click: One photograph every day. The memories of twenty years, all neatly arranged in albums. Mrs Terada's camera sees everything.  Mrs Sakamoto's Grouse: When Mrs Sakamoto sees a new brand of whisky on the shelves of her local neighbourhood shop, the result is unexpected.  The Old House: Two boys play in the garden of a deserted house once owned by a notorious miser; which turns out not to be deserted after all.

    

    Takashi Murakami is celebrated the world over for his deft blurring of high and low art. In this volume, accompanying a major exhibition of his work and the first in the Middle East, readers are immersed in the unique way Murakami channels the ecstasy and anxiety of contemporary culture.Conceived by the artist as a self-portrait in the guise of a cartoon, Murakami – Ego illuminates the role of the artist as a cipher and critic of pop phenomena as well as a mirror of global networks of consumerism, interpretation, and exchange. The book features some of the artist’s most celebrated series, including Kaikai Kiki Lots of Faces and Pom and Me. Murakami has conceived of the exhibition itself as a work of art, creating new modes of display that include sculptural pedestals with digital animation, a circus tent that doubles as an indoor cinema, and an impressive 300-foot-long painting, all of which are featured in the book. In addition to an interview by curator Massimiliano Gioni, Murakami will contribute writings on various works.

    Loco of the influential blog "Loco in Yokohama) vividly illustrates with unflinching introspection and candor, the birth and evolution of a racist, and in doing so makes the persuasive argument that the only way to cure this social virus is by first acknowledging and engaging one’s own racism. Loco takes us on a scintillating journey from the streets of Brooklyn, where a child’s first playground was the frontlines of the Black Nationalist Movement of the seventies, to a period of black militancy, military service, interracial romance and corporate bigotry in the eighties and nineties. Following the traumatic events of 9/11/2001, Loco relocates to Japan where he learns that old adage -— you can’t hide from yourself -— the hard way. He finds the woman he was made to love; only she’s a member of a race he has come to loathe. In the name of this love, Loco confronts this dark stowaway with deep roots even as the world is literally falling apart around him, in the form of the Tohoku disaster of 3/11/2011. A book that is both a memoir and an impassioned call to arms, Hi! My Name is Loco and I am a Racist tells us in no uncertain terms that while racism continues to be demonized as a dark aberration that only “evil people,” ignorant fools, or people lacking compassion and common decency are subject to, then it will remain at large – hiding in plain sight, in our schools, offices, carpools, living rooms...and sometimes even in the mirror.

    Setsu Shigematsu’s book is the first to present a sustained history of ūman ribu’s formation, its political philosophy, and its contributions to feminist politics across and beyond Japan. Through an in-depth analysis of ūman ribu, Shigematsu furthers our understanding of Japan’s gender-based modernity and imperialism and expands our perspective on transnational liberation and feminist movements worldwide.In Scream from the Shadows, Shigematsu engages with political philosophy while also contextualizing the movement in relation to the Japanese left and New Left as well as the anti–Vietnam War and radical student movements. She examines the controversial figure Tanaka Mitsu, ūman ribu’s most influential activist, and the movement’s internal dynamics. Shigematsu highlights ūman ribu’s distinctive approach to the relationship of women—and women’s liberation—to violence: specifically, the movement’s embrace of violent women who were often at the margins of society and its recognition of women’s complicity in violence against other women.Scream from the Shadows provides a powerful case study of a complex and contradictory movement with a radical vision of women’s liberation. It offers a unique opportunity to reflect on the blind spots within our contemporary and dominant views of feminism across their liberal, marxist, radical, Euro-American, postcolonial, and racial boundaries.

    When the right brain is developed well together with the left brain in proper balance, humans can show great abilities. There is correlation between the right and left brain. A child tends to be right-brain dominant between zero and three years old. Tapping on the amazing ability of the right brain during this period can help children retain this innate capability that we were born with.The Mystery of the Right Brain is one of few books written by Makota Shichida that was published in English. In this well-researched book, you will find many fascinating examples of children who have been taught using the Shichida Method. Within the pages of this book, you will unravel the mystery of the right brain, including:1. Scientific explanations on the structure and functions of the brain2. Differences between the capabilities of the right and left brain3. Techniques to harness the innate power of the right brain4. Use of image training to draw out the creativity of children to enrich their literary and artistic expression, memory and intuitive senses5. Methods to activate the right-brain memory6. Processing power of the right-brain computing faculty7. Understanding and leveraging the right brain for language and music training8. Utilising the right-brain speed reading ability

    The result is an enthralling combination of powerful technical wisdom and the philosophical elucidation offered to martial artists by Buddhism, Shintoism, Confucianism, and Taoism. From the metaphor of the Four Elements and fundamentals of physical practice and strategy to an offering of Zen wisdom on the "way" of nature, "Musashi's Book of Five Rings" is as profound and important a book on martial arts as you will find.

    This spring will mark the centennial of Japan’s gift of three thousand cherry trees to Washington, DC, and this sumptuously illustrated catalogue is the companion to a celebratory exhibition at the National Gallery of Art featuring the work of Ito Jakuchu.Jakuchu (1716–1800), a wealthy wholesaler and talented painter, is, in Japan, the most recognized artist of the premodern era. His thirty-scroll set of bird-and-flower paintings titled Colorful Realm of Living Beings is a renowned cultural treasure, one of the most beautiful and skilled examples of how the natural world is depicted and symbolized in Japanese art. Presenting gorgeous flora and fauna in meticulous detail, the scrolls are reunited here with Jakuchu’s triptych of the Buddha Sakyamuni from the Zen monastery Shokokuji in Kyoto. This stunning volume reproduces these masterpieces of Edo-period art and complements them with extensive background material on their significance. Recent conservation of the scrolls has revealed new information about the materials and techniques used by Jakuchu, and those findings are discussed in the volume, offering a multifaceted understanding of the artist’s virtuosity and innovation as a painter.            As the first English-language examination and overseas display of Jakuchu’s Colorful Realm in its entirety, the book and exhibition will offer new audiences a chance to encounter this landmark work— generously lent by the Imperial Household Agency, Tokyo.

    

    Drawing on legal codes, diaries, town registers, petitions, and criminal records, it describes how the work of “selling women” transformed communities across the archipelago. By focusing on the social implications of prostitutes’ economic behavior, this study offers a new understanding of how and why women who work in the sex trade are marginalized. It also demonstrates how the patriarchal order of the early modern state was undermined by the emergence of the market economy, which changed the places of women in their households and the realm at large.

    1925) was a brilliant writer and intellectual whose relentless obsession with beauty, purity, and patriotism ended in his astonishing self-disembowelment and decapitation in downtown Tokyo in 1970. Nominated for the Nobel Prize, Mishima was the best-known novelist of his time (works like Confessions of a Mask and The Temple of the Golden Pavilion are still in print in English), and his legacy—his persona—is still honored and puzzled over.Who was Yukio Mishima really? This, the first full biography to appear in English in almost forty years, traces Mishima's trajectory from a sickly boy named Kimitake Hiraoka to a hard-bodied student of martial arts. In detail it examines his family life, the wartime years, and his emergence, then fame, as a writer and advocate for traditional values. Revealed here are all the personalities and conflicts and sometimes petty backbiting that shaped the culture of postwar literary Japan.Working entirely from primary sources and material unavailable to other biographers, author Naoki Inose and translator Hiroaki Sato together have produced a monumental work that covers much new ground in unprecedented depth. Using interviews, social and psychological analysis, and close reading of novels and essays, Persona removes the mask that Mishima so artfully created to disguise his true self.Naoki Inose, currently vice governor of Tokyo, has also written biographies of writers Kikuchi Kan and Osamu Dazai.New York–based Hiroaki Sato is an award-winning translator of classical and modern Japanese poetry, and also translated Mishima's novel Silk and Insight.

    

    He revitalized the Rinzai Zen tradition (which emphasizes the use of koans, or unanswerable questions, in meditation practice), and all masters of that school today trace their lineage back through him. He is responsible for the most famous of all koans: "What is the sound of one hand clapping?" He is also famous for his striking and humorous art, which he also regarded as teaching. This book provides a rare, intimate look at Hakuin the man, through his personal correspondence. Beating the Cloth Drum contains twenty-eight of Hakuin's letters to students, political figures, fellow teachers, laypeople, and friends. Each letter is accompanied by extensive commentary and notes. They showcase Hakuin's formidable, thoughtful, and sometimes playful personality—and they show that the great master used every activity, including letter-writing, as an opportunity to impart the teachings that were so close to his heart.

    But when American warships appeared off the coast of Japan in 1853 and forced the Japanese government to sign treaties demanding, among other things, freedom of religion, the country had to contend with this Western idea.In this book, Jason Ananda Josephson reveals how Japanese officials invented religion in Japan and traces the sweeping intellectual, legal, and cultural changes that followed. More than a tale of oppression or hegemony, Josephson’s account demonstrates that the process of articulating religion offered the Japanese state a valuable opportunity. In addition to carving out space for belief in Christianity and certain forms of Buddhism, Japanese officials excluded Shinto from the category. Instead, they enshrined it as a national ideology while relegating the popular practices of indigenous shamans and female mediums to the category of “superstitions”—and thus beyond the sphere of tolerance.Josephson argues that the invention of religion in Japan was a politically charged, boundary-drawing exercise that not only extensively reclassified the inherited materials of Buddhism, Confucianism, and Shinto to lasting effect, but also reshaped, in subtle but significant ways, our own formulation of the concept of religion today. This ambitious and wide-ranging book contributes an important perspective to broader debates on the nature of religion, the secular, science, and superstition.

    According to the legend, Australian soldiers were vastly outnumbered by the Japanese, who suffered great losses as a result of Allied fighting and the harsh conditions of the Kokoda track. In this important book, Peter Williams seeks to dispel the Kokoda Myth. Using extensive research and Japanese sources, he explains what really happened on the Kokoda track in 1942. Unlike most other books written from an Australian perspective, this book focuses on the strategies, tactics and battle plans of the Japanese and shows that the Australians were in fact rarely outnumbered. For the first time, this book combines narrative with analysis to present an undistorted picture of the events of the campaign. It is a must-read for anyone who is interested in the truth of the Kokoda Campaign of 1942.

    It is known both as an internationally-beloved delicacy and a Japanese treasure. Edomae Sushi, the variety most commonly seen in America today, features a delicious blend of raw fish, vinegar, and cooked rice. In addition to these ingredients, harmony and balance are essential. From the fish selection and rice preparation down to the tea with which it is served, every detail counts.Renowned sushi chef Kazuo Nagayama’s own personal recipes are presented here with exquisitely photographed examples that provide a glimpse into the painstaking art that goes into making each piece that is sure to leave the reader salivating! Sushi is arranged by season reflecting the availability of the main ingredients and includes thoughtful descriptions and informational graphics.

    She confronts a temple burglar in the dead of night, and crosses treacherous mountain passes to deliver food to hungry people. During her travels, Yuko-chan trips and tumbles down a snowy cliff. She discovers a strange thing as she waits for help: her tea gourd, regardless of how she drops it, always lands right-side-up. The tea has frozen in the bottom of the gourd! Inspired by this, she creates the famous Daruma doll toy, which rights itself when tipped—a true symbol of resilience.Thanks to Yuko-chan's invention, the villagers are able to earn a living and feed themselves by selling the dolls. Yuko-chan never gave up, no matter the obstacles she faced, and the Daruma doll is a charming reminder of the power of perserverence.

    In parts of eighteenth-century Japan, couples raised only two or three children. As villages shrank and domain headcounts dwindled, posters of child-murdering she-devils began to appear, and governments offered to pay their subjects to have more children. In these pages, the long conflict over the meaning of infanticide comes to life once again. Those who killed babies saw themselves as responsible parents to their chosen children. Those who opposed infanticide redrew the boundaries of humanity so as to encompass newborn infants and exclude those who would not raise them. In Eastern Japan, the focus of this book, population growth resumed in the nineteenth century. According to its village registers, more and more parents reared all their children. Others persisted in the old ways, leaving traces of hundreds of thousands of infanticides in the statistics of the modern Japanese state. Nonetheless, by 1925, total fertility rates approached six children per women in the very lands where raising four had once been considered profligate. This reverse fertility transition suggests that the demographic history of the world is more interesting than paradigms of unidirectional change would have us believe, and that the future of fertility and population growth may yet hold many surprises.

    All monies go the Japanese Red Cross. This anthology was prepared by an international team of volunteers and includes the donation of a poem in German with English translation by award-winning Austrian poet and writer, Friederike Mayröcker. Greg Mc Queen, founder of 100 Stories for Haiti and 50 Stories for Pakistan says this: "You're holding a book that beat the odds. A book made from determination. From compassion. And by holding it - buying it - reading it - telling others about it - you stand with the writers and artists who created it: ordinary people who watched the lives of strangers destroyed and decided that they needed to help." Celebrate with us Japan and its people.

    Inside, you'll learn traditional patchwork techniques, such as log cabin, hexagons, baskets, and stars, sewn in soft sepia and taupe fabrics. Featuring piecework, appliqué, machine stitching, handstitching, and embroidery, these projects are a delight for anyone who loves doing needlework. You'll also discover large wall quilts as well as smaller projects, from fabric baskets and handbags to an apron and fabric cushions--all with enclosed paper patterns.In her masterful style, Yoko Saito uses beautiful and meticulous stitching while still embracing the wabi sabi concept of imperfection, using odd-shaped pieces and quilting with a free mind. Japanese Quilting Piece by Piece invites all quilt artists to stray from conventional designs and create one-of-a-kind quilts and quilted projects.

    

    In Japan and the "Culture of the Four Seasons," Haruo Shirane shows how, when, and why this practice developed and explicates the richly encoded social, religious, and political meanings of this imagery.Refuting the belief that this tradition reflects Japan's agrarian origins and supposedly mild climate, Shirane traces the establishment of seasonal topics to the poetry composed by the urban nobility in the eighth century. After becoming highly codified and influencing visual arts in the tenth and eleventh centuries, the seasonal topics and their cultural associations evolved and spread to other genres, eventually settling in the popular culture of the early modern period. Contrasted with the elegant images of nature derived from court poetry was the agrarian view of nature based on rural life. The two landscapes began to intersect in the medieval period, creating a complex, layered web of competing associations. Shirane discusses a wide array of representations of nature and the four seasons in many genres, originating in both the urban and rural perspective: textual (poetry, chronicles, tales), cultivated (gardens, flower arrangement), material (kimonos, screens), performative (noh, festivals), and gastronomic (tea ceremony, food rituals). He reveals how this kind of "secondary nature," which flourished in Japan's urban architecture and gardens, fostered and idealized a sense of harmony with the natural world just at the moment it was disappearing.Illuminating the deeper meaning behind Japanese aesthetics and artifacts, Shirane clarifies the use of natural images and seasonal topics and the changes in their cultural associations and function across history, genre, and community over more than a millennium. In this fascinating book, the four seasons are revealed to be as much a cultural construction as a reflection of the physical world.

    This book offers a cultural approach to understanding the politics of the Tokugawa period at the same time deconstructing some of the assumptions of modern national historiographies.

    In Japan, literary youth, men and women, sought to turn their imaginations and craft to tackling the ensuing injustices, with results that captured both middle-class and worker-farmer readers. This anthology is a landmark introduction to Japanese proletarian literature from that period. Contextualized by introductory essays, forty expertly translated stories touch on topics like perilous factories, predatory bosses, ethnic discrimination, and the myriad indignities of poverty. Together, they show how even intensely personal issues form a pattern of oppression. Fostering labor consciousness as part of an international leftist arts movement, these writers, lovers of literature, were also challenging the institution of modern literature itself. This anthology demonstrates the vitality of the “red decade” long buried in modern Japanese literary history.

    Lavishly illustrated, half of the book features full page reproductions along with the passages from the Bible which inspired their creation. The rest of the book contains other works by Sadao Watanabe with essays by Sandra Bowden, I. John Hesselink, Makoto Fujimura, and John A. Kohan.

    Its dark warship-like silhouette earned it the nickname of Gunkanjima ("battleship island"). During the wave of industrialisation in the nineteenth century, a coal seam was discovered on the island and the Mitsubishi corporation opened a mine there. Workers settled on the island and the population increased, the small mining town quickly becoming a modern and autonomous settlement. During the 1950s, Gunkanjima became one of the most densely populated places in the world with over 5,000 inhabitants. But after an accident and the restructuring of the Mitsubishi mining project, the mine closed in January 1974. The last inhabitants deserted the island, the connection by boat was suspended, and since then Gunkanjima has become a ghost town. Marchand and Meffre photographed the island between 2008 and 2012.

    The pretty, colorful pages include step-by-step instructions on how to draw Kokeshi dolls and ready-to-color kimonos, accessories, and more, plus tips for creating unique patterns and prints! With a sturdy board cover and hip elastic band closure, this is the ultimate gift for stylists and artists of all ages.

    The Kanto earthquake triggered cultural responses that ran the gamut from voyeuristic and macabre thrill to the romantic sublime, media spectacle to sacred space, mournful commemoration to emancipatory euphoria, and national solidarity to racist vigilantism and sociopolitical critique. Looking at photography, cinema, painting, postcards, sketching, urban planning, and even scientific visualizations, Weisenfeld demonstrates how visual culture has powerfully mediated the evolving historical understanding of this major national disaster, ultimately enfolding mourning and memory into modernization.

    In Japan Chinatsu is trying to escape a passionless marriage to Yugi Hamogoshi, a man with a secret who won't let her go. Fleur and Chinatsu used to be schoolfriends. Fleur and Chinatsu had a bond. Fleur and Chinatsu had dreams. This is the story of what happens before they can be together again. A cross-cultural thriller like no other, Sarah Dobbs' KILLING DANIEL exposes the secret lives of contrasting people with unflinching insight and lyrical prose.'A very dark and frightening novel, told in short chapters and brief sentences, that pass like the shivers of bad dreams' - MAX DUNBAR 3:AM MAGAZINEOne of the books of the year at Lancashire Writing Hub

    By the first years of the twentieth century, however, as heterosexuality became associated with an enlightened modernity, love between men was increasingly branded as "feudal" or immature. The resulting rupture in what has been called the "male homosocial continuum" constitutes one of the most significant markers of Japan's entrance into modernity. And yet, just as early Japanese modernity often seemed haunted by remnants of the premodern past, the nation's newly heteronormative culture was unable and perhaps unwilling to expunge completely the recent memory of a male homosocial past now read as perverse.Two-Timing Modernity integrates queer, feminist, and narratological approaches to show how key works by Japanese male authors--Mori Ōgai, Natsume Sōseki, Hamao Shirō, and Mishima Yukio--encompassed both a straight future and a queer past by employing new narrative techniques to stage tensions between two forms of temporality: the forward-looking time of modernization and normative development, and the "perverse" time of nostalgia, recursion, and repetition.

    It reveals how Musashi built on what he learned from his father and his uncles, how he perfected it on his musha shugyo, and how his Enmei-ryū evolved into the Niten Ichi-ryū, his unique art of fighting with two swords.A Life in Arms shows how Musashi's path through life was shaped by strong personal traits: his reckless valor in the face of danger, his sensitive intelligence in the fields of art and architecture, his generosity toward peers and pupils, and his defiant stubbornness in old age. The complex yet human portrait that arises is a far cry from the accepted one-dimensional caricature of this great medieval swordsman.

    There are three premises: (1) the abstract concepts promoted by Japanese aesthetics find concrete expression at the most disparate levels of everyday life; (2) the abstract and the concrete coalesce in the visual domain, attesting to the visual nature of Japanese culture at large; and (3) anime can help us appreciate many aspects of Japan's aesthetic legacy, in terms of both its theoretical propositions and its visual, even tangible, aspects.

    In this book, we explore tea and Zen both, as well as how they relate to each other and our own inner transformation.

    Yet each one has something to teach about Buddhist truth, which permeates time and space. This little book may enable people the world over to share in the precious teachings of Buddhism and acquire an unshakable spirit.

    Less commonly recognized is the role played by the distinctly hybrid institution—at once museum, laboratory, and prison—of the zoological garden. In this eye-opening study of Japan’s first modern zoo, Tokyo’s Ueno Imperial Zoological Gardens, opened in 1882, Ian Jared Miller offers a refreshingly unconventional narrative of Japan’s rapid modernization and changing relationship with the natural world. As the first zoological garden in the world not built under the sway of a Western imperial regime, the Ueno Zoo served not only as a staple attraction in the nation’s capital—an institutional marker of national accomplishment—but also as a site for the propagation of a new “natural” order that was scientifically verifiable and evolutionarily foreordained. As the Japanese empire grew, Ueno became one of the primary sites of imperialist spectacle, a microcosm of the empire that could be traveled in the course of a single day. The meaning of the zoo would change over the course of Imperial Japan’s unraveling and subsequent Allied occupation. Today it remains one of Japan’s most frequently visited places. But instead of empire in its classic political sense, it now bespeaks the ambivalent dominion of the human species over the natural environment, harkening back to its imperial roots even as it asks us to question our exploitation of the planet’s resources.

    

    There he meets Taka-chan, a little girl who has been imprisoned by a fierce and fearsome sea dragon. The dragon is angry that Taka-chan’s father and his fellow fishermen no longer pay him proper respect, but he is willing to free Taka-chan on one condition: Runcible must seek out the most loyal creature in all Japan and lay a flower at his feet. So Taka-chan and Runcible set out on a quest of discovery that takes them to the bustling heart of Tokyo. From palace grounds to noodle shop, Runcible explores the city, stopping at nothing to solve the mystery that will release his new friend from her captivity.Taka-chan and I joins image and word in a tale that is as thrilling as it is poignant. Betty Jean Lifton, a lifelong student of Japanese folklore, and Eikoh Hosoe, a renowned Japanese photographer, have together created an enduring work of beauty that is fit to share a shelf with a classic like The Red Balloon.

    However, fifteen-year-old Ruth Mix was volunteering in a Japanese American Internment Camp in the barren heat of the Arizona desert. The daughter of an activist mother, giving help to the needy was common in her life, but nothing would prepare her for the injustices she witnessed working as the only Caucasian nurse’s aide in the Gila River camp hospital.Despite the strict rules of segregation, Ruth made many secret friendships, and even found love. She watched as the families of her new friends were forced to live in primitive conditions and denied everyday items that she had taken for granted. Eventually, she began smuggling in basic necessities for the internees: fresh food, baby diapers, soap and powder. This simple act of kindness was considered a crime, but Ruth was willing to risk getting caught and arrested.The tall, red-headed teenager became known among the Japanese American internees as Taiyo mitaina kaminoke: The Girl with Hair like the Sun.

    It appears that she has won that battle when life turns brutal again with the wrenching loss of her soul mate and, soon afterwards, another cancer diagnosis—this time of metastasis to her bones. She was given just six months to live. Unremitting pain, both physical and psychological, sends her to the depth of despair, where she seeks to end her life. Instead, Muriel embarks on a courageous quest for health that includes not only her body, but also her psyche and spirit. She discovers that all aspects of her being are woven into one tapestry—you cannot permanently heal one part without the others. In the midst of this journey she has her third bout with cancer. This time she has the understanding and tools to walk away from conventional treatment and practice gentle approaches to becoming and staying well. Ultimately, she is led to the joy and serenity that abide in the deep recesses of her soul—her Invincible Summer.

    Adopting a people-centered view of Japan's post Cold War history and the US-Japan relationship, the authors focus on the fifteen-year Okinawan struggle to secure the return of Futenma Marine Corps Air Station, situated in the middle of a bustling residential area, from US to Okinawan control. They also highlight the Okinawan resistance to the US and Japanese governments' plan to build a substitute new base at Henoko, on the environmentally sensitive northeastern shore of Okinawa. Forty years after Okinawa's belated "return" to Japan from direct US rule, its people reject the ongoing military role assigned their islands, under which they are required to continue to attach priority to US strategy. In a persistent and deepening resistance without precedent in Japan's modern history, a peripheral and oppressed region stands up against the central government and its global superpower ally. One recent prime minister who tried to meet key Okinawan demands was brought down by bureaucratic and political pressure from Tokyo and Washington. His successors struggle in vain to find a formula that will allow them to meet US demands but also assuage Okinawan anger. Okinawa becomes a beacon of citizen democracy as its struggles raise key issues about popular sovereignty, democracy and human rights, and the future of Japan and the Asia-Pacific.

    Serial killers stalked the streets of Kyoto at night, while noblemen and women mingled freely at the imperial palace, drinking saké and watching kabuki dancing in the presence of the emperor's principal consort. Among these noblewomen was an imperial concubine named Nakanoin Nakako, who in 1609 became embroiled in a sex scandal involving both courtiers and young women in the emperor's service. As punishment, Nakako was banished to an island in the Pacific Ocean, but she never reached her destination. Instead, she was shipwrecked and spent fourteen years in a remote village on the Izu Peninsula before she was finally allowed to return to Kyoto. In 1641, Nakako began a new adventure: she entered a convent and became a Buddhist nun.Recounting the remarkable story of this resilient woman and her war-torn world, G. G. Rowley investigates aristocratic family archives, village storehouses, and the records of imperial convents. She follows the banished concubine as she endures rural exile, receives an unexpected reprieve, and rediscovers herself as the abbess of a nunnery. While unraveling Nakako's unusual tale, Rowley also reveals the little-known lives of samurai women who sacrificed themselves on the fringes of the great battles that brought an end to more than a century of civil war. Written with keen insight and genuine affection, An Imperial Concubine's Tale tells the true story of a woman's extraordinary life in seventeenth-century Japan.

    Beyond its immediate form of cartooning, anime is also a unique mode of cultural production and consumption that led to the phenomenon that is today called “media mix” in Japan and “convergence” in the West.According to Steinberg, both anime and the media mix were ignited on January 1, 1963, when Astro Boy hit Japanese TV screens for the first time. Sponsored by a chocolate manufacturer with savvy marketing skills, Astro Boy quickly became a cultural icon in Japan. He was the poster boy (or, in his case, “sticker boy”) both for Meiji Seika’s chocolates and for what could happen when a goggle-eyed cartoon child fell into the eager clutches of creative marketers. It was only a short step, Steinberg makes clear, from Astro Boy to Pokémon and beyond.Steinberg traces the cultural genealogy that spawned Astro Boy to the transformations of Japanese media culture that followed—and forward to the even more profound developments in global capitalism supported by the circulation of characters like Doraemon, Hello Kitty, and Suzumiya Haruhi. He details how convergence was sparked by anime, with its astoundingly broad merchandising of images and its franchising across media and commodities. He also explains, for the first time, how the rise of anime cannot be understood properly—historically, economically, and culturally—without grasping the integral role that the media mix played from the start. Engaging with film, animation, and media studies, as well as analyses of consumer culture and theories of capitalism, Steinberg offers the first sustained study of the Japanese mode of convergence that informs global media practices to this day.

    Photographer Yuji Susaki revisits this fanciful fashion with a clear and reductive vision. Beautiful female models, clad in 17 original costumes such as samurai, nurse, sailor, nun, dracula and cat, are impeccably posed and photographed close-in against all-white backdrops. In Cosplay: Made in Japan, the author creates characters according to his unique eye, bringing this international phenomenon home to Japan again. This is Yuji Susakis fourth book; he currently lives and works in Japan.

    Warriors, battles, supernatural powers, prophecy, and destiny collide in a whirlwind of action, intrigue, and romance that links past and present. On the plains of the China/Mongolia border in legendary times, wolves and men fight for domination of the steppe. Suthachai, a young warrior, finds himself mysteriously poisoned. He will die a slow death unless an antidote is found, and all the clues as to who poisoned him point to the legend of Snow Wolf: once revered as a goddess, a great heroine, a master strategist, and savior of her people. Snow Wolf may provide the answers he needs to save his own life, but at what cost?Embarking on a desperate quest to discover the secret of Snow Wolf, Suthachai becomes embroiled with the Dragon Lodges, secret and mysterious, who rule the land as enemies of Snow Wolf and stand in the way of his quest. Little does Suthachai know that Snow Wolf has already devised a plan—using him—to rid the world of the Dragon Lodges forever: if he can survive.Fred Lit Yu lives in New York City. This is his first novel.

    C. Greenway, an English writer based in Japan. It is a collection of posts first written for the website ten minutes hate about life in Japan before and since the Great East Japan Earthquake in March 2011. It also includes a selection of emails, status updates and tweets from the days after the disaster and the following year, covering the writer's involvement in fundraising and volunteering efforts - along with plenty of new material - in an attempt to answer the question, 'what was it like?'

    Asian American Studies. MIAH means "fate" in Taiwanese. Spanning much of the twentieth century, these linked, subtly understated stories trace the destinies of simple folk from the brutal Japanese occupation of the early twentieth century through to the "White Terror" of the exiled Chinese Mainlanders and the Kuomintang, and finally to modern Taiwan and Canada.In the powerfully gripping MIAH, a girl from Vancouver accompanies her mother to Taiwan for her grandmother Ah Mah's funeral. There she discovers the tragic story of Fifth Uncle, who was hounded by Kuomintang forces until he took pesticides and died.... In "The Colonel and Mrs. Wang" a Mainlander officer and his Taiwanese-raised son confront each other over politics. One day, the son is betrayed to the authorities. Who was the anonymous informer?... In the touching story "Lysander," a modern day Taiwanese boy is sent to Vancouver for his education. A diamond cannot be polished without friction, he has been taught. He must bear the hardship in an alien teenage culture where he tries to desperately cope and eventually loses himself.MIAH is a rare look at Taiwanese and modern Canadian life, historical, and personal, and completely honest.

    Japanese fisherman Shima and his younger brother, out on a routine fishing expedition, are wrecked on an uninhabited island by a freak typhoon. Their rescue by a passing American whaling ship proves a short-lived miracle when, barred from reentering Japan, the ship heads for the whaling grounds of the South Pacific.Shima becomes an unwilling passenger in a strange floating world filled with foreign faces, a new language, and a hostile chief mate. But when the reclusive captain suddenly falls ill, Shima and third mate Daniel Ellis stumble upon a secret from his past that brings together their previously isolated worlds. Inspired by the true story of John Manjiro, one of the first Japanese in America and later interpreter to the shogun, "The Sea-God at Sunrise" is a tale of friendship and forgiveness across two cultures at the height of America's Golden Age of Whaling.

    Young readers will also learn how the Japanese people celebrate family occasions.

    An aesthetic that arose in Japan in the 16th century and flourished until modern times, the Rinpa school is celebrated for its use of lavish pigments and its references to traditional court literature and poetry. Central to the Rinpa aesthetic is the evocation of the natural world—especially animals and plants with literary connotations—as well as eye-catching compositions that cleverly integrate calligraphy and image.Featuring beautiful color reproductions of some ninety works—including painting, calligraphy, printed books, textiles, lacquerware, ceramics, and cloisonné—from the Metropolitan Museum of Art and other notable public and private collections, Designing Nature traces the development of Rinpa, highlighting the school's most prominent proponents and, for the first time, the influence of this quintessential Japanese style on modern design aesthetics in both the East and the West.

    The Art of Japanese Architecture provides a broad overview of traditional Japanese design in its historical and cultural context. It begins with a discussion of prehistoric dwellings and concludes with a description of modern Japanese buildings. Critical historical influences and trends—notably the introduction of Buddhist culture from Korea and China, the development of feudalism, and the impact of modern Western styles of building—are all discussed in detail as facets of Japanese design. Through all of these changes, a restrained architectural tradition developed in marked contrast to an exuberant tradition characterized by monumentality and the use of bold colors. The book provides tremendous insights into the dynamic nature of Japanese architecture and how it reflects an underlying diversity within Japanese culture. The book is profusely illustrated with over 370 color photographs, woodblock prints, maps, diagrams, and specially commissioned watercolors. A classic in the making, The Art of Japanese Architecture will be sure to enlighten and delight readers.

    Grammar Power focuses on the items in Tobira that are considered essential for learners of Intermediate Japanese, i.e., mandatory items marked by white numbers within black circles and highly recommended items marked with numbers in gray circles in Tobira's grammar notes. Each chapter contains three sections: Kiso (Learning the basic skills), Ooyoo (Applying your skills), and Hatten (Expanding your skills). By working on the exercises in each section in this order, learners acquire the targeted grammar skills step by step.

    Roughly corresponding to folklore studies or ethnography in the West, this social science was developed outside the academy over the first half of the twentieth century by a diverse group of intellectuals, local dignitaries, and hobbyists. Alan Christy traces the paths of the distinctive individuals who founded minzokugaku, how theory and practice developed, and how many previously unknown figures contributed to the growth of the discipline. Despite its humble beginnings, native ethnology today is a fixture in Japanese intellectual life, offering arguments and evidence about the popular, as opposed to elite, foundations of Japanese culture. Speaking directly to fundamental questions in anthropology, this authoritative and engaging book will become a standard not only for the field of native ethnology but also as a major work in broader modern Japanese cultural and intellectual history.

    From the seventeenth to the turn of the twentieth century, lawyers and their predecessors changed society in ways that first samurai and then the state could not. During the Edo period (1600-1868), they worked from the shadows to bend the shogun's law to suit the market needs of merchants and the justice concerns of peasants. Over the course of the nineteenth century, legal practitioners changed law from a tool for rule into a new epistemology and laid the foundation for parliamentary politics during the Meiji era (1868-1912).This social and political history argues that legal modernity sprouted from indigenous roots and helped delineate a budding nation's public and private spheres. Tracing the transition of law regimes from Edo to Meiji, Darryl E. Flaherty shows how the legal profession emerged as a force for change in modern Japan and highlights its lasting contributions in founding private universities, political parties, and a national association of lawyers that contributed to legal reform during the twentieth century.

    Written for martial arts practitioners and those interested in Japanese culture and history, Anshin draws from his doctoral dissertation to create the first critical biography on Tesshu, over 120 years after his death in 1888.Among practitioners of Japanese martial arts both in Japan and overseas there is hardly a person not knowing the name of Tesshu, who is also famous for his calligraphy and pursuits of enlightenment in Zen Buddhism. Despite this, for over a century Tesshu's figure, buried under numerous anecdotes and mythical stories, has presented a contrasting combination of broad popularity with the absence of critical biographies and the lack of verified data.Based on scrupulous investigation of primary and secondary sources, Anshin's book shows that Tesshu's whole life was an uncompromising quest for the authentic Japanese swordsmanship, which had been practically lost by his time. Anshin further analyzes how this quest eventually led Tesshu to play the central role in the bloodless surrender of Edo Castle - one of the most important events in the Meiji Restoration of 1868.Looking at everything, from the beginning and development of Tesshu's thoughts and belief systems to establishing his own swordsmanship school called Itto Shoden Muto-ryu, Anshin chronologically highlights Tesshu's dramatic life path. This path reflects like a mirror centuries-old cultural history of Japanese warrior class, the samurai, and its martial arts.

    No other report on Fukushima chronicles what happened from the perspective of the people directly involved in trying to avert a severe nuclear accident. Here’s what others say about this important chronicle…“This is a story which cannot be put down.” (Will D.)“Thanks for writing the book…it’s quite the read” (Steve B.)“Extremely well done and helpful” (Meredith A.)“It’s a very useful account” (Barry S.)The book neither supports nor opposes nuclear energy. The narrative is intended to be an unbiased revelation of the Fukushima staff’s heroic efforts.

    In The Art of Censorship Kirsten Cather traces how this case represents the most recent in a long line of sensational landmark obscenity trials that have dotted the history of postwar Japan. The objects of these trials range from a highbrow literary translation of Lady Chatterley's Lover and modern adaptations and reprintings of Edo-period pornographic literary "classics" by authors such as Nagai Kafu to soft core and hard core pornographic films, including a collection of still photographs and the script from Oshima Nagisa's In the Realm of the Senses, as well as adult manga. At stake in each case was the establishment of a new hierarchy for law and culture, determining, in other words, to what extent the constitutional guarantee of free expression would extend to art, artist, and audience.The work draws on diverse sources, including trial transcripts and verdicts, literary and film theory, legal scholarship, and surrounding debates in artistic journals and the press. By combining a careful analysis of the legal cases with a detailed rendering of cultural, historical, and political contexts, Cather demonstrates how legal arguments are enmeshed in a broader web of cultural forces. She offers an original, interdisciplinary analysis that shows how art and law nurtured one another even as they clashed and demonstrates the dynamic relationship between culture and law, society and politics in postwar Japan.The Art of Censorship will appeal to those interested in literary and visual studies, censorship, and the recent field of affect studies. It will also find a broad readership among cultural historians of the postwar period and fans of the works and genres discussed.

    Examines how alcohol, opium, and addiction were portrayed in the culture of China's Northeast during the first half of the twentieth century.

    The Table of Organization provided for 300 civilians, 350 officers and 500 enlisted men. The Survey operated from headquarters in London and established forward headquarters and regional headquarters in Germany immediately following the advance of the Allied armies. It made a close examination and inspection of several hundred German plants, cities and areas, amassed volumes of statistical and documentary material, including top German government documents; and conducted interviews and interrogations of thousands of Germans, including virtually all of the surviving political and military leaders. Germany was scoured for its war records, which were found sometimes, but rarely, in places where they out to have been; sometimes in safe-deposit vaults, often in private houses, in barns, in caves; on one occasion, in a hen house, and on two occasions, in coffins. Targets in Russian-held territory were not available to the Survey. Some two hundred details reports were made, including an Over-all Report, of which this is a summary. During the course of its work, the Survey rendered interim reports and submitted studies and suggestions in connection with their air operations against Japan. While the European War was going on, it was necessary, in many cases, to follow closely behind the front; otherwise, vital records might have been irretrievably lost. Survey personnel suffered several casualties, including four killed.

    As censors construct and maintain their own archives, their acts of suppression yield another archive, filled with documents on, against, and in favor of censorship. The extant archive of the Japanese imperial censor (1923-1945) and the archive of the Occupation censor (1945-1952) stand as tangible reminders of this contradictory function of censors. As censors removed specific genres, topics, and words from circulation, some Japanese writers converted their offensive rants to innocuous fluff after successive encounters with the authorities. But, another coterie of editors, bibliographers, and writers responded to censorship by pushing back, using their encounters with suppression as incitement to rail against the authorities and to appeal to the prurient interests of their readers. This study examines these contradictory relationships between preservation, production, and redaction to shed light on the dark valley attributed to wartime culture and to cast a shadow on the supposedly bright, open space of free postwar discourse. (Winner of the 2010-2011 First Book Award of the Weatherhead East Asian Institute, Columbia University” ).

    Zen gardens are beautiful Japanese gardens steeped in history, religious meaning and a visual simplicity. There are many styles and many ingredients, Stones, Rocks, Moss, Sand, Gravel, Plants and Shrubs,Lanterns and Ornaments. Japanese Zen gardens is a book that introduces the reader to the subject and presents the options available for anyone wishing to build their own garden space at home - however large or small.Zen gardens are becoming more and more popular around the world and building one is not as difficult as you may think. With a little knowledge and following our step by step instructions with pictures you will discover how straight forward it is to build a Zen garden in your yard or garden.Japanese Zen gardens are serene havens of tranquil beauty and the perfect antidote to a stressful world. The author Russ Chard has written and published Japanese garden books, articles and videos for the past 10 years.

    Towards the mid-seventeenth century the Japanese States were largely at peace, and rapid urbanization, a rise in literacy and an increase in international contact ensued. The number of those able to purchase luxury goods, or who felt their social position required them, soared. At the same time, painters and artists were flourishing and the early eighteenth century saw the rise in popularity and importance of printmaking. While there were dominant styles and trends throughout the composite Japanese polity, the 'Tenka', there were also those peculiar to specific regions: most striking was the difference between the cultural and artistic styles of the 'Kanto' (Kyoto) and those of the 'Kamigata' (Osaka and Edo). In Obtaining Images, Timon Screech introduces the reader not only to important artists and their work, but also to the intellectual issues and concepts surrounding the production and consumption of art in Japan at that time. Rather than looking at art in the Edo period through the lens of European art, Screech contextualizes the making and use of painting and prints, elucidating how and why works were commissioned, where they were displayed and what special properties were attributed to them. The author argues that different imperatives are at work in the art of different traditions, and firmly anchors the art of Japan of this period in its contemporary context, offering a highly engaging and comprehensive introduction to the student and general reader alike.

    There is a connection between these two views. As the first ever non-Western language to be modernized, Japanese language modernizers needed to convince the West that Japanese was just as good a language as the national languages of the West. The result was a fervent desire for linguistic uniformity. Today the legacy of modernist language ideology poses many problems to an internationalizing Japan. All indigenous minority languages are heading towards extinction, and this purposefully created homogeneity also affects the integration of immigrants and their languages. This book examines these issues from the perspective of language ideology, and in doing so the mechanisms by which language ideology undermines linguistic diversity are revealed.

    The booklets were numbered from one to twelve and one was released each month for a year. Each contained sixteen pages of photographs from Kitajima's legendary nocturnal wanderings in Tokyo and conveys the spirit of the happenings he organized at the time. Kitajima's original booklets have now become cult objects, and this new edition is set to become a collector's item. Keizo Kitajima was born in Nagano, Japan, in 1954, and through working with Daido Moriyama he discovered CAMP gallery in Toyko. Kitajima has exhibited and published extensively throughout his career. In 2001 he created the Photographers' Gallery in Tokyo as a venue for exhibitions, debates and publishing.

    This study provides new insights into the majority prejudices, social and political movements, and state policies that influenced not only their perceived positions as "others" on the margins of the Japanese empire, but also the minorities' views of themselves, their place in the nation, and the often strained relations between the two groups.

    The word katachi, roughly sense of form, is difficult to define in other languages. This handy book features about 600 objects and forms made by the materials that have been passed down for over a thousand years, such as paper, wood, bamboo, fiber, clay, metal, and stone. Examples of uniquely Japanese katachi include shoji, sliding panels of paper on wooden frames; uchiwa, flat fans; geta, wooden clogs; boxwood combs; bamboo birdcages; tatami mats; fude, calligraphy brushes; sword blades; kanazuchi, a hummer and more.

    Most studies of disability consider disability in North American or European contexts; and studies of diversity in Japan consider ethnic and cultural diversity, but not the differences arising from disability. This book therefore breaks new ground, both for scholars of disability studies and for Japanese studies scholars. It charts the history and nature of disability in Japan, discusses policy and law relating to disability, examines caregiving and accessibility, and explores how disability is viewed in Japan. Throughout the book highlights the tension between individual responsibility and state intervention, the issues concerning how care for disability is paid for, and the special problem of how Japan is providing care for its large and increasing population of elderly people.

    Tune into nature everywhere from coral reefs to emerald forests, tap into the region's spirit in ancient cities and temples, and try everything from curry to dim sum; all with your trusted travel companion. Get to the heart of Southeast Asia and begin your journey now!Inside Lonely Planet Southeast Asia on a Shoestring Travel Guide:Colour maps and images throughoutHighlights and itineraries help you tailor your trip to your personal needs and interestsInsider tips to save time and money and get around like a local, avoiding crowds and trouble spotsEssential info at your fingertips - hours of operation, phone numbers, websites, transit tips, pricesBudget-oriented recommendations with honest reviews - eating, sleeping, sight-seeing, going out, shopping, and hidden gems that most guidebooks missCultural insights give you a richer, more rewarding travel experience - customs, history, art, music, architecture, politics, landscapes, wildlife, food, drink, and moreOver 170 colour local mapsUseful features - including Responsible Travel, Month-by-Month (annual festival calendar), and Big Adventures, Small BudgetCoverage of Myanmar (Burma), Laos, Thailand, Cambodia, Vietnam, Malaysia, Singapore, Brunei Darussalam, Philippines, Indonesia, Timor-Leste, and moreeBook Features: (Best viewed on tablet devices and smartphones)Downloadable PDF and offline maps to avoid roaming and data chargesEffortlessly navigate and jump between maps and reviewsBookmarks and speedy search capabilities to get to key pages in a flashEmbedded links to recommendations' websitesAdd notes to personalise your guidebook experienceZoom-in maps and imagesSeamlessly flip between pagesInbuilt dictionary for quick referencingThe Perfect Choice: Lonely Planet Southeast Asia, our most comprehensive guide to Southeast Asia, is perfect for both exploring top sights and taking roads less travelled.Looking for just a few of the destinations included in this guide? Check out Lonely Planet's Travel Guides to those particular destinations, our most comprehensive guides that cover both the top sights and take the roads less travelled, or check out Lonely Planet's Discover Guides, which are photo-rich guides to those destinations' most popular attractions. Authors: Written and researched by Lonely Planet, China Williams, Greg Bloom, Celeste Brash, Stuart Butler, Jayne D'Arcy, Shawn Low, Brandon Presser, Nick Ray, Simon Richmond, Daniel Robinson, Adam Skolnick, Iain Stewart, Ryan Ver Berkmoes, and Richard Waters.About Lonely Planet: Since 1973, Lonely Planet has become the world's leading travel media company with guidebooks to every destination, an award-winning website, mobile and digital travel products, and a dedicated traveller community. Lonely Planet covers must-see spots but also enables curious travellers to get off the beaten track and understand more of the nature and culture of the places they find themselves in.*Bestselling guide to Southeast Asia Source: Nielsen Bookscan. Australia, UK and USA, March 2011 to February 2012.

    Using text and images, it is a collection of stories about how Canadians "found Japan," the first place they reached when travelling westward across the Pacific.These connections began as early as 1848, when the adventurous son of a Hudson's Bay Company trader tempted fate by smuggling himself, disguised as a shipwrecked sailor, into the closed and exotic land of the shoguns. He was followed by an intriguing cast of characters—missionaries, educators, businessmen, social activists, political figures, diplomats, soldiers and occasional misfits—who experienced a rapidly changing Japan as it underwent its remarkable transformation from a largely feudal society to a modern state.Now, when the world is becoming more Asia-centric, Finding Japan provides glimpses into an earlier era that challenged conventional perceptions about Canadian connections across the Pacific.

    Anyone with an interest in fabric arts, particularly Japanese arts and design, can master stitching techniques and layer threads to create pattern, color, and texture. There are more than 40 easy-to-follow patterns to help fine-tune this skill set that will appeal to not only temari enthusiasts, but to quilters and embroiderers as well. Step-by-step directions and detailed drawings explain each technique, while mini patterns aid in practicing the new skills and help to lay the groundwork for individual and unique designs. This volume is great for beginners and for those stitchers looking for new challenges and intermediate temari designs. The book is more than a collection of patterns: once the basic techniques have been mastered, instruction is provided on how to combine patterns on the same ball to create a unique temari. A guide for left-handed stitchers is also provided.

    This "modern woman" archetype was also penetrating into Eastern cultures, however, challenging the Chinese and Japanese historical norm of the woman as homemaker, servant, or geisha. Through a focus on the writings of the Western women who engaged with the Far East, and the Eastern writers and personalities who reacted to this new global gender communication by forming their own separate identities, Katrina Gulliver reveals the complex redefining of the self taking place in a crucial time of political and economic upheaval. Including an analysis of the work of Nobel Prize laureate Pearl S. Buck, The Modern Woman in China and Japan is an important contribution to gender studies and will appeal to historians and scholars of China and East Asia as well as to those studying Asian and American literature.

    

    An eminent sociologist of science, and a co-founder of this sub-discipline, he was only sixty-five years old. Few social scientists are remembered after they die and can no longer parlay their influence into the goods of this world for colleagues and acquaintances. This was not Ben-David's fate. His work continues to be taught and referred to by scholars spread far and wide (in terms of both countries and disciplines). His students never forgot him, his books were republished, and his essays appeared in new collections.Ben-David's legacy includes ideas and ideals. Its central tenet is the autonomy of science, its right - and duty - to be value-free. Scholarship oriented to any goal other than the accumulation of objective knowledge about empirical reality, for him, was science no longer and did not have its authority. In this light, the life of scholarship was one of moral dedication, with nothing less than the fate of liberal democratic society depending on it. And for science to thrive, the university, its home, had to be the embodiment of the cardinal virtue of this society: the virtue of civility.In the spirit of Ben-David, believing that scholarly debate advances common good, and rational discourse wins whichever way arguments in it are settled, this festschrift debates such core issues as the nature of science, its changing definition and position in Western society, the forms of organization optimal for scientific creativity, and the ability of the research university to foster scientific growth, while also performing its educational role.

    Essay topics range from American anti-Semitism to the experiences of French-African soldiers, providing nearly 60 new contributions to the genre arranged across two comprehensive volumes.A collection of original historiographic essays that include cutting-edge research Analyzes the roles of neutral nations during the war Examines the war from the bottom up through the experiences of different social classes Covers the causes, key battles, and consequences of the war

    Musicians from this island prefecture in the very south of Japan have found success as performers and recording artists, and have been featured in a number of hit films and television dramas. In particular, the Yaeyama region in the south of Okinawa has long been known as a region rich in performing arts, and Yaeyaman musicians such as BEGIN, Daiku Tetsuhiro, and Natsukawa Rimi have been at the forefront of the recent Okinawan music boom. This popularity of Okinawan music represents only the surface of a diverse and thriving musical culture within modern-day Yaeyama. Traditional music continues to be an important component of traditional ritual and social life in the islands, while Yaeyama's unique geographical and cultural position at the very edge of Japan have produced varied discourses surrounding issues such as tradition versus modernity, preservation, and cultural identity. Songs from the Edge of Japan explores some of the reasons for the high profile of Yaeyaman music in recent years, both inside and outside Yaeyama. Drawing on extensive ethnographic fieldwork carried out since 2000, the book uses interviews, articles from the popular media, musical and lyrical analysis of field and commercial recordings, as well as the author's experiences as a performer of Yaeyaman and Okinawan music, to paint a picture of what it means to perform Yaeyaman music in the 21st century.

    While previous translations of his writings have framed Nishida within Asian or Oriental philosophical traditions, Haver's introduction and approach to the texts rightly situate the work within Nishida's own commitment to Western philosophy. In particular, Haver focuses on Nishida's sustained and rigorous engagement with Marx's conception of production.Agreeing with Marx that ontology is production and production is ontology, Nishida in these three essays—"Expressive Activity" (1925), "The Standpoint of Active Intuition" (1935), and "Human Being" (1938)—addresses sense and reason, language and thought, intuition and appropriation, ultimately arguing that in this concept of production, ideality and materiality are neither mutually exclusive nor oppositional but, rather, coimmanent. Nishida's forceful articulation of the radical nature of Marx's theory of production is, Haver contends, particularly timely in today's speculation-driven global economy. Nishida's reading of Marx, which points to the inseparability of immaterial intellectual labor and material manual labor, provokes a reconsideration of Marxism's utility for making sense of—and resisting—the logic of contemporary capitalism.

    Following Germany's example, some adopted nuclear phase-out plans, focusing instead on renewable energy. Even heavily nuclear-reliant France began to consider a phase-out, and some developing countries in the Middle East and the Asia-Pacific area rethought their nuclear plans. David Elliott reviews the disaster and its global impacts, looking in detail at public and governmental reactions as the scale of the disaster became clear, and at the social, environmental, economic, technological and political implications in Japan and worldwide. He asks whether growing opposition to nuclear power around the world spells the end of the global nuclear renaissance.

    An excellent hand-drawn retrospective and an amazing feat of sustained creativity. Entirely bilingual in English and Japanese. Artist and English teacher J Muzacz set out on a journey with some sketchbooks and ordinary ball pens. A test of artistic endurance, J drew an A4 (8.5in. x 11in.) piece for everyday of 2011 while living, working and traveling in Japan-A Drawing-A-Day Project for 365 days. Delving into history books for classic traditional imagery and embarking on broken bilingual conversations with locals about hidden shrines, temples and festivals, helping harvest rice, eating strange food, dissecting fashion and more, J has unearthed some real gems that many Japanese people do not even know about. Working from life and with stills captured by some of Japan's finest photographers, depicting Hokkaido in the arctic north to Okinawa in the tropical south and everywhere in between, J has captured history, culture and current events in stark and striking black and white, reminiscent of Japan's archetypal art style-the Hanga woodblock print. Images range from beautiful landscapes to scenes of unsettling tsunami aftermath, women wearing kimono to unfinished old faces-- always evocative and educational, insightful explanations or anecdotes on every page, laid out clearly in both English and Japanese. Muzacz re-establishes artwork as a viable means to record a unique folk history while still communicating universal human tendencies and timeless natural beauty. Let us not forget that visual art is a valuable story-telling medium which transcends language barriers. Japan 365 is a must-have for aspiring artists or architects, Japan-o-philes of any kind, Asian art aficionados, anyone interested in Japanese language, history and culture, or simply someone in need of a little daily creative inspiration. Japan 365 is a useful Art/Reference volume, cultural study, coffee table book and more. You definitely want to add this one-of-a-kind book to your collection.

    John Rennie Short, one of today’s most prolific and well-respected geographers, encapsulates six hundred years of maps made by Koreans and non-Koreans alike. Largely chronological in its organization, Korea begins by examining the differing cartographic traditions prevalent in the early Joseon period in Korea—roughly 1400 to 1600—and its temporal equivalent in early modern Europe. As one of the longest continuous dynasties, Joseon rule encompassed an enormous range and depth of cartographic production. Short then surveys the cartographic encounters from 1600 to 1900, distinguishing between the early and late Joseon periods and highlighting the influences of China, Japan, and the rest of the world on Korean cartography. In his final section, Short covers the period from Japanese colonial control of Korea to the present day and demonstrates how some of the tumultuous events of the past hundred years are recorded and contested in maps. He also explores recent cartographic controversies, including the naming of the East Sea/Sea of Japan and claims of ownership of the island of Dokdo. A common theme running throughout Short’s study is how the global flow of knowledge and ideas affects mapmaking, and Short reveals how Korean mapmakers throughout history have embodied, reflected, and even contested these foreign depictions of their homeland.

    Consequently, leaders promote favorable images of the state in order to attract allies and win support for their policies. Jing Sun, an expert on international relations and a former journalist, refers to such soft power campaigns as "charm offensives."Sun focuses on the competition between China and Japan for the allegiance of South Korea, Taiwan, and other states in the region. He finds that, instead of adopting a one-size-fits-all approach, the Chinese and the Japanese deploy customized charm campaigns for each target state, taking into consideration the target's culture, international position, and political values. He then evaluates the effectiveness of individual campaigns from the perspective of the target state, on the basis of public opinion polls, media coverage, and the response from state leaders.A deep, comparative study, Japan and China as Charm Rivals enriches our understanding of soft power by revealing deliberate image campaign efforts and offering a method for assessing the effectiveness of such charm offensives.

    This book provides an historical study and theoretical analysis of the transitions that have occurred in the status of women during the course of modernization and industrialization in five East Asian societies Japan, South Korea, North Korea, Taiwan, and China, the latter four societies presenting an ideal show-case of the effects of social regimes, captialist or socialist, on different ethnic cultures Korean and Chinese. This analysis is interwoven with a discussion of contemporary issues such as the persistence of tradition and gender discrimination, how gender roles undermine the development of healthier marriage and family relationships and better relations among the generations, the lack of full equality for women in employment, falling birthrates, and rising divorce rates. The book the first study of its kind undertaken by a sociologist who is also fluent in all of the local languages also describes the interplay between cultural norms, economic change, government policies, and ways of thinking among the subjects relating to social change.