Encounters like this occur thousands of times across the United States in nail salons increasingly owned and operated by Asian immigrants. This study looks closely for the first time at these intimate encounters, focusing on New York City, where such nail salons have become ubiquitous. Drawing from rich and compelling interviews, Miliann Kang takes us inside the nail industry, asking such questions as: Why have nail salons become so popular? Why do so many Asian women, and Korean women in particular, provide these services? Kang discovers multiple motivations for the manicure-from the pampering of white middle class women to the artistic self-expression of working class African American women to the mass consumption of body-related services. Contrary to notions of beauty service establishments as spaces for building community among women, The Managed Hand finds that while tentative and fragile solidarities can emerge across the manicure table, they generally give way to even more powerful divisions of race, class, and immigration.

    He transports us back to the street where he was born “early in the final industrial century” to help us envision an America he’s known from the 1930s to the present. His subjects include his brothers, a great-uncle who gave up on America and returned to czarist Russia, a father who survived unspeakable losses, the artists and musicians who inspired him, and fellow workers at the factory who shared the best and worst of his coming of age. Throughout the collection Levine rejoices in song–Dinah Washington wailing from a jukebox in midtown Manhattan; Della Daubien hymning on the crosstown streetcar; Max Roach and Clifford Brown at a forgotten Detroit jazz palace; the prayers offered to God by an immigrant uncle dreaming of the Judean hills; the hoarse notes of a factory worker who, completing another late shift, serenades the sleeping streets. Like all of Levine’s poems, these are a testament to the durability of love, the strength of the human spirit, the persistence of life in the presence of the coming dark.

    In the early part of the work, Gretchen and her friends consider whether evil provides a problem for those who believe in the perfection of God. As the discussion continues they consider the nature of human evil—whether, for example, fully rational actions can be intentionally evil. Recurring themes are the distinction between natural evil and evil done by free agents, and the problems the Holocaust and other cases of genocide pose for conceptions of the universe as a basically good place, or humans as basically good beings. Once again, Perry’s ability to get at the heart of matters combines with his exemplary skill at writing the dialogue form. An ideal volume for introducing students to the subtleties and intricacies of philosophical discussion.

    

    HEA guaranteed!

    Groundbreaking in every way when first published, this book is a simple, straightforward, direct calculus text. It's popularity is directly due to its broad use of applications, the easy-to-understand writing style, and the wealth of examples and exercises which reinforce conceptualization of the subject matter. The author wrote this text with three objectives in mind. The first was to make the book more student-oriented by expanding discussions and providing more examples and figures to help clarify concepts. To further aid students, guidelines for solving problems were added in many sections of the text. The second objective was to stress the usefulness of calculus by means of modern applications of derivatives and integrals. The third objective, to make the text as accurate and error-free as possible, was accomplished by a careful examination of the exposition, combined with a thorough checking of each example and exercise.

    

    In letters that are poignant and often angry, yet touched with the humor that characterizes his monologues, Dear Dad chronicles Anderson's hard journey from shame and fear to understanding.Anderson's many appearances on The Tonight Show, his specials on HBO and Showtime, and his concerts across the country have won him wide acclaim. But when he found that, despite his considerable success as a comic, he felt no relief from his pain, Anderson entered therapy and joined an Adult Children of Alcoholics group. Only then was he able to break a lifelong pattern of denial.Includes an introduction by Anderson and a selection of letters from Dear Dad readers about their own experiences."Compelling, tender, funny, and well-written. . . . I respect Louie's courage for talking so openly. Writing the book may have helped the writer in his healing process, but it will also assist readers in theirs."--Melody Beattie, author of Codependent No More

    Written by Susan McMurry, the Study Guide and Solutions Manual provide answers and explanations to all in-text and end-of-chapter exercises.

    So when her boyfriend Roy suggests they go to grad school abroad in Spain, she's all for the adventure. New city, new life, new friends. What could possibly go wrong? Max Durant is excited to be back home in Madrid and take a much needed break from his hectic life in London. He was looking forward to a new challenge in school...until it materializes in the feistiest girl he ever met on a basketball court. There's something about her that simply makes his blood boil and he becomes instantly hooked. But then his world comes to a screeching halt when he realizes she's already taken. Despite the obvious warning signs and potential disaster, Emma and Max become close friends when they're forced together as partners in the same study group. When the lines start to blur and things begin to unravel, Emma must decide if she should hold on to her past...or take a risk in her future.

    

    She now has a new name, a new life, and strict orders not to reveal her secret. But fitting into a community is hard when you can't tell people anything about yourself. When she learns that one of her new friends, Matt Whitmore, is LDS, she can't even tell him that she's a Mormon too.She doesn't dare get involved. The fact that Matt's father is a high-profile senator could give her the kind of exposure she doesn't need. How can you fall in love when you can never reveal who you really are? But when someone almost takes her life, Shaye recognizes that whoever is after her knows exactly who and where she is.  Can she trust Matt to help her? Can she trust his family?

    From the publication of his first collections, A Boy’s Will (1913) and North of Boston (1914), Frost was recognized as a poet of unique power and formal skill, and the enduring significance of his work has been acknowledged by each subsequent generation. His poetry ranges from deceptively simply pastoral lyrics and genial, vernacular genre pieces to darker meditations, complex and ironic.Here, based on extensive research into his manuscripts and published work, is the first authoritative and truly comprehensive collection of his writings. Brought together for the first time in a Library of America single volume is all the major poetry, a generous selection of uncollected poems, all of Frost’s dramatic writing, and the most extensive gathering of his prose writings ever published, several of which are printed here for the first time.The core of this collection is the 1949 Complete Poems of Robert Frost, the last collection supervised by Frost himself. This version of the poems is free of unauthorized editorial changes introduced into subsequent editions. Also included is In the Clearing (1962), Frost’s final volume of poetry. Verse drawn from letters, articles, pamphlets, and journals makes up the largest selection of uncollected poems ever assembled, including nearly two dozen beautiful early works printed for the first time. Also gathered here are all the dramatic works: three plays and two verse masques.The unprecedented prose section includes more than three times as many items as any other collection available. It is rich and diverse, presenting many newly discovered or rediscovered pieces. Especially unusual items include Frost’s contribution to John F. Kennedy’s inauguration and two fascinating 1959 essays on “The Future of Man.” Several manuscript items are published here for the first time, including the essays “‘Caveat Poeta’” and “The Way There,” Frost’s remarks on being appointed poetry consultant to the Library of Congress in 1958, the preface to a proposed new edition of North of Boston, and many others. A selection of letters represents all of Frost’s important comments about prosody, poetics, style, and his theory of “sentence sounds.”

    It paints a picture of the local church in all its biblical and real life guts, gaffes, and glory in an effort to edify local congregations and entice the disaffected back to the fold. It also provides a solid biblical mandate to love and be part of the body of Christ and counteract the "leave church" books that trumpet rebellion and individual felt needs. Why We Love the Church is written for four kinds of people—the Committed, the Disgruntled, the Waffling, and the Disconnected.

    Intelligent. Respectful. Considerate. At only nineteen he already has a promising future ahead of him. Nothing can deter his bright path to success. Not even his twin brother, Chance, who has consistently dragged Wisdom into his own drama since childhood.Meet Chance. Crude. Hot-headed. Reckless. Dropping out of high school at an early age, Chance has already accepted the fact that he's destined to be a "screw up." Unlike his brother, Chance finds solemn running the streets of Philadelphia. His reckless behavior ultimately leads to some bad decision making that will change his life forever.Spring break has arrived, and Wisdom decides to return home after an entire year of avoiding doing so. During this short amount of time, their love and respect for another is tested after Chance makes some reckless mistakes that ultimately leaves a loved one dead.My Brother's Keeper is a fast paced, gritty, Cain and Abel like tale that will leaving you wondering just how far you'll go to protect a loved one.