Rosa Parks was often described as a sweet and reticent elderly woman whose tired feet caused her to defy segregation on Montgomery’s city buses, and whose supposedly solitary, spontaneous act sparked the 1955 bus boycott that gave birth to the civil rights movement. The truth of who Rosa Parks was and what really lay beneath the 1955 boycott is far different from anything previously written. In this important book, Danielle McGuire writes about the rape in 1944 of a twenty-four-year-old mother and sharecropper, Recy Taylor, who strolled toward home after an evening of singing and praying at the Rock Hill Holiness Church in Abbeville, Alabama. Seven white men, armed with knives and shotguns, ordered the young woman into their green Chevrolet, raped her, and left her for dead. The president of the local NAACP branch office sent his best investigator and organizer—Rosa Parks—to Abbeville. In taking on this case, Parks launched a movement that exposed a ritualized history of sexual assault against black women and added fire to the growing call for change.

    The international sex trade criss-crosses the entire globe, a sinister network made up of criminal masterminds, local handlers, corrupt policemen, willfully blind politicians, eager consumers, and countless hapless women and children. In this ground-breaking work of investigative reporting, the celebrated journalist Lydia Cacho follows the trail of the traffickers and their victims from Mexico to Turkey, Thailand to Iraq, Georgia to the UK, to expose the trade's hidden links with the tourist industry, internet pornography, drugs and arms smuggling, the selling of body organs, money laundering, and even terrorism.This is an underground economy in which a sex slave can be bought for the price of a gun, but Cacho's powerful first-person interviews with mafiosi, pimps, prostitutes, and those who managed to escape from captivity makes it impossible to ignore the terrible human cost of this lucrative exchange.Shocking and sobering, Slavery Inc, is an exceptional book, both for the colossal scope of its enquiry, and for the tenacious bravery with which Cacho pursues the truth.

    It asks what follows when we make our desires and even our own happiness conditional on the happiness of others: “I just want you to be happy”; “I’m happy if you’re happy.” Combining philosophy and feminist cultural studies, Sara Ahmed reveals the affective and moral work performed by the “happiness duty,” the expectation that we will be made happy by taking part in that which is deemed good, and that by being happy ourselves, we will make others happy. Ahmed maintains that happiness is a promise that directs us toward certain life choices and away from others. Happiness is promised to those willing to live their lives in the right way.Ahmed draws on the intellectual history of happiness, from classical accounts of ethics as the good life, through seventeenth-century writings on affect and the passions, eighteenth-century debates on virtue and education, and nineteenth-century utilitarianism. She engages with feminist, antiracist, and queer critics who have shown how happiness is used to justify social oppression, and how challenging oppression causes unhappiness. Reading novels and films including Mrs. Dalloway, The Well of Loneliness, Bend It Like Beckham, and Children of Men, Ahmed considers the plight of the figures who challenge and are challenged by the attribution of happiness to particular objects or social ideals: the feminist killjoy, the unhappy queer, the angry black woman, and the melancholic migrant. Through her readings she raises critical questions about the moral order imposed by the injunction to be happy.

    Clarissa Pinkola Estés, published in 34 languages and one of the most far-reaching artist-psychoanalysts of our time, teaches that in archetypal imagination, "Mother Night is the quintessential medial woman, the woman who can walk in two worlds... 'the one who knows' and who can reveal solid ways of living and unleashing creative life in both worlds." The program Mother Night presents a new series of audio teachings from the Jungian psychoanalyst and author of Women Who Run With the Wolves. This six-session learning event invites us to tap the generative power of the goodness of the core self that is, all creativity and understanding that lies out of sight in darkness often called the unconscious. Throughout 11 hours of teaching stories, you'll hear 12 stories and myths told here for the first time.

    A woman won a state presidential primary contest (quite a few of them, actually) for the first time in this country's history. Less than a year later, a vice-presidential candidate concluded her appearance in a national debate and immediately reached for her newborn baby. A few months after that, an African American woman moved into the White House not as an employee but as the First Lady. She is only the third First Lady in American history to have a postgraduate degree, and for most of her marriage, she has out-earned her husband. In Big Girls Don't Cry, Rebecca Traister, a Salon.com columnist whose election coverage garnered much attention, makes sense of this moment in American history, in which women broke barriers and changed the country's narrative in completely unexpected ways: How did the volatile, exhilarating events of the 2008 election fit together? What lessons can be learned from these great political upheavals about women, politics, and the media? In an utterly engaging, razor-sharp narrative interlaced with her first-person account of being a young woman navigating this turbulent and exciting time, Traister explores how—thanks to the campaigns of Hillary Clinton and Sarah Palin, and the history-making work and visibility of Michelle Obama, Tina Fey, Rachel Maddow, Katie Couric, and others—women began to emerge stronger than ever on the national stage.

    Today's transgenders and other sex/gender radicals are writing a drastically new world into being. In Gender Outlaws, Bornstein, together with writer, raconteur, and theater artist S. Bear Bergman, collects and contextualizes the work of this generation's trans and genderqueer forward thinkers — new voices from the stage, on the streets, in the workplace, in the bedroom, and on the pages and websites of the world's most respected mainstream news sources. Gender Outlaws includes essays, commentary, comic art, and conversations from a diverse group of trans-spectrum people who live and believe in barrier-breaking lives.

    Many people wrongly believe sex trafficking involves young women from foreign lands. In reality, the majority of teens caught in the sex trade are American girls--runaways and throwaways who become victims of ruthless pimps.            In Somebody's Daughter: The Hidden Story of America's Prostituted Children and the Battle to Save Them, meet the girls who are fighting for their dignity, the cops who are trying to rescue them, and the community activists battling to protect the nation's most forsaken children. Author Julian Sher takes you behind the scenes to expose one of America’s most underreported crimes: A girl from New Jersey gets arrested in Las Vegas and, at great risk to her own life, helps the FBI take down a million-dollar pimping empire. An abused teenager in Texas has the courage to take the stand in a grueling trial that sends her pimp away for 75 years. Survivors of the sex trade in New York, Phoenix, and Minneapolis set up shelters and rescue centers that offer young girls a chance to break free from the streets. “The sex trade is the new drug trade,” says one FBI special agent, and Somebody's Daughter is a call to action, shining a light on America’s dirty little secret.

    Moving through a world of topics and emotions, these voices are fierce, alive, tender, complicated, imaginative, and smart. Girls today often find themselves in a struggle between remaining strong and true to themselves and conforming to society’s expectations in an attempt to please. They are taught not to be too intense, too passionate, too smart, too caring, too open. They are encouraged to shut down their instincts, their outrage, their desires and their dreams, to be polite, to obey the rules. I Am an Emotional Creature is a celebration of the authentic voice inside every girl and an inspiring call to action for girls everywhere to speak up, follow their dreams, and become the women they were always meant to be.Among the girls Ensler creates are an American who struggles with peer pressure in a suburban high school; an anorexic blogging as she eats less and less; a Masai girl from Kenya unwilling to endure female genital mutilation; a Bulgarian sex slave, no more than fifteen, a Chinese factory worker making Barbies; an Iranian student who is tricked into a nose job; a pregnant girl trying to decide if she should keep her baby.Through rants, poetry, questions, and facts, we come to understand the universality of girls everywhere: their resiliency, their wildness, their pain, their fears, their secrets, and their triumphs. I Am an Emotional Creature is a call, a reckoning, an education, an act of empowerment for girls, and an illumination for parents and for us all.

    Dalloway, Virginia Woolf details Clarissa Dalloway’s preparations for a party of which she is to be hostess, exploring the hidden springs of thought and action in one day of a woman’s life. Paired here with A Room of One’s Own, a masterful and provocative essay on women’s role in society, this beautiful hardcover edition will be a welcome addition to the library of any Woolf scholar or fan.

    Well-known Evangelical leaders—individuals and couples, males and females from a broad range of denominational affiliation and ethnic diversity—share their surprising journeys from a more or less restrictive view to an open inclusive view that recognizes a full shared partnership of leadership in the home and in the church based on gifts not gender. How I Changed My Mind About Women in Leadership offers a positive vision for the future of women and men together as partners of equal worth without competitiveness in the work of equipping this and the next generation of Christian disciples for the ‘work of ministry’ and service in the Kingdom of God.

    At the turn of the millennium, we are witnessing the emergence of a vital--perhaps viral--new strain of female poetics: the "Gurlesque," a term that describes writers who perform femininity in their poems in a campy or overtly mocking manner, risking the grotesque to shake the foundations of acceptable female behavior and language. Built from the bric-a-brac of girl culture, these works charm and repel: this work is fun, subversive, and important. Poets include Brenda Coultas, Brenda Shaghnessy, Cathy Park Hong, Matthea Harvey, and Sarah Vap.

     You can change self-limiting attitudes and open up new opportunities for happiness. You can become a sojourner. A sojourner is a woman who is free to choose her own path and go wherever her dreams take her. Are you ready to create the life you truly want? The Sojourner’s Passport shares ideas that have helped thousands of women overcome self-defeating beliefs and self-imposed barriers to personal fulfillment.

    From Harriet Tubman, Emma Goldman, and Angela Davis to Vandana Shiva, Sylvia Rivera, and Lucy Parsons, this collection offers a subversive portrait celebrating the military prowess and revolutionary drive of these women whose violent resolve often shatters the archetype of woman as nurturer. A sampling of quotes from key writings and speeches gives voice to each woman’s ideologies, philosophies, struggles, and quiet humanity while the stencils offer further opportunities to commemorate these women and their actions through the reproduction of their likenesses.

    This book insightfully looks at the various kinds of microaggressions and their psychological effects on both perpetrators and their targets. Thought provoking and timely, Dr. Sue suggests realistic and optimistic guidance for combating--and ending--microaggressions in our society.Praise for Microaggressions in Everyday Life:"In a very constructive way, Dr. Sue provides time-tested psychological suggestions to make our society free of microaggressions. It is a brilliant resource and ideal teaching tool for all those who wish to alter the forces that promote pain for people." --Melba J. T. Vasquez, PhD, ABPPPresident, American Psychological Association"Microaggressions in Everyday Life offers an insightful, scholarly, and thought-provoking analysis of the existence of subtle, often unintentional biases, and their profound impact on members of traditionally disadvantaged groups. The concept of microaggressions is one of the most important developments in the study of intergroup relations over the past decade, and this volume is the definitive source on the topic." --John F. Dovidio, PhD Professor of Psychology, Yale University"Derald Wing Sue has written a must-read book for anyone who deals with diversity at any level. Microaggressions in Everyday Life will bring great rewards in understanding and awareness along with practical guides to put them to good use." --James M. Jones, PhD Professor of Psychology and Director of Black American Studies, University of Delaware"This is a major contribution to the multicultural discourse and to understanding the myriad ways that discrimination can be represented and its insidious effects. Accessible and well documented, it is a pleasure to read." --Beverly Greene, PhD, ABPP Diplomate in Clinical Psychology and Professor of Psychology, St. John's University

    These caustic poems with their black humour, sharp sarcasm, tart repartees, semantic puns and semiotic plays irritate, shock and sting the readers until they are provoked into rethinking the ‘time-honoured’ traditions and entrenched hierarchies at work in contemporary society. The poet stands myths and legends on their head to expose their regressive core. She uses words, images and metaphors as tools of subversion, asserting, in the process, her caste, gender and regional identities while also transcending them through the shared spaces of her socioaesthetic practice. She de-romanticises the world and de-mythifies religious and literary traditions by re-appropriating the hegemonic language in a heretical gesture of Promethean love for the dispossessed. The poet interrogates the tenets of a solipsistic modernism to create a counterpoetic community speech brimming with emancipatory energy.

    Rose breaks new ground in answering a fundamental question in most feminist and anti-racist writing: how do we identify, witness, and then recover from trauma—as individuals, as families, as communities, and as a country? Muscio's ability to address dire topics with a unique freshness and bravery allows her readers to come face to face with the true brutality of a violent culture, and then react powerfully with righteous rage and hopeful determination.

    In 1907, a scholarship took her to England, where she developed a passionate devotion to the suffrage movement. Upon her return to the United States, Alice became the leader of the militant wing of the American suffrage movement. Calling themselves "Silent Sentinels," she and her followers were the first protestors to picket the White House. Arrested and jailed, they went on hunger strikes and were force-fed and brutalized. Years before Gandhi's campaign of nonviolent resistance, and decades before civil rights demonstrations, Alice Paul practiced peaceful civil disobedience in the pursuit of equal rights for women.With her daring and unconventional tactics, Alice Paul eventually succeeded in forcing President Woodrow Wilson and a reluctant U.S. Congress to pass the Nineteenth Amendment, granting women the right to vote. Here at last is the inspiring story of the young woman whose dedication to women's rights made that long-held dream a reality."Alice Paul was a visionary and a pioneer. Her struggle for women's rights was built on the premise that no society or nation can reach its full potential if half of the population is left behind." -- Hillary Rodham Clinton

    Aline Kominsky-Crumb is a pioneer of the autobiographical form, showing women's everyday lives, especially through the lens of the body. Phoebe Gloeckner places teenage sexuality at the center of her work, while Lynda Barry uses collage and the empty spaces between frames to capture the process of memory. Marjane Satrapi's Persepolis experiments with visual witness to frame her personal and historical narrative, and Alison Bechdel's Fun Home meticulously incorporates family documents by hand to re-present the author's past.These five cartoonists move the art of autobiography and graphic storytelling in new directions, particularly through the depiction of sex, gender, and lived experience. Hillary L. Chute explores their verbal and visual techniques, which have transformed autobiographical narrative and contemporary comics. Through the interplay of words and images, and the counterpoint of presence and absence, they express difficult, even traumatic stories while engaging with the workings of memory. Intertwining aesthetics and politics, these women both rewrite and redesign the parameters of acceptable discourse.

    That's taught as fact in psychology textbooks, academic journals, and bestselling books. And these hardwired differences explain everything from sexual orientation to gender identity, to why there aren't more women physicists or more stay-at-home dads.In this compelling book, Rebecca Jordan-Young takes on the evidence that sex differences are hardwired into the brain. Analyzing virtually all published research that supports the claims of "human brain organization theory," Jordan-Young reveals how often these studies fail the standards of science. Even if careful researchers point out the limits of their own studies, other researchers and journalists can easily ignore them because brain organization theory just sounds so right. But if a series of methodological weaknesses, questionable assumptions, inconsistent definitions, and enormous gaps between ambiguous findings and grand conclusions have accumulated through the years, then science isn't scientific at all.Elegantly written, this book argues passionately that the analysis of gender differences deserves far more rigorous, biologically sophisticated science. "The evidence for hormonal sex differentiation of the human brain better resembles a hodge-podge pile than a solid structure... Once we have cleared the rubble, we can begin to build newer, more scientific stories about human development."

    Answers came through the point and click of a digital camera. On behalf of the IRC, Ann Jones spent two years traveling through Africa, East Asia, and the Middle East, giving cameras to women who had no other means of telling the world what war had done to their lives. The photography project—which moved from Liberia to Syria and points in between—quickly broadened to encompass the full consequences of modern warfare for the most vulnerable. Even after the definitive moments of military victory, women and children remain blighted by injury and displacement and are the most affected by the destruction of communities and social institutions. And along with peace often comes worsening violence against women, both domestic and sexual.Dramatic and compelling, animated by the voices of brave and resourceful women, War Is Not Over When It's Over shines a powerful light on a phenomenon that has long been cast in shadow.

    Spanning decades and elucidating the fight for equality, it not only captures important pieces of black history, but reveals the struggle from a female perspective. The live recordings in this captivating collection are preceded by a short biography to introduce each speaker. SPEECHES INCLUDE:◆ Michelle Obama at the Democratic National Convention (2008)◆ Shirley Chisholm on Equal Rights for Women (1969)◆ Barbara Jordan, "Who Will Speak for the Common Good? (1976)◆ Fannie Lou Hamer at the Democratic National Convention (1964)◆ Rosa Parks at the Million Man March (1995)◆ Myrlie Evers (widow of Medgar Evers, Chairman of NAACP, 1995-98)◆ Dorothy Height (Chairperson/Executive Committee of the Leadership Conference on Civil Rights and longtime social activist)◆ Anita Hill at Simmons College (2008)◆ Dorothy Cotton at Cornell, MLK Commemorative Lecture (2007)◆ Angela Davis, How Does Change Happen? at UC Davis (2006)RUNNING TIME ⇒ 2hrs. and 8mins.©2010 Phoenix (P)2010 Phoenix

    Contributors hail from multiple geographical sites, spiritualities, occupations, sexualities, class backgrounds, and generations. Poets, creative writers, artists, scholars, and activists employ a mix of genres to express feminist issues and highlight how Arab and Arab American feminist perspectives simultaneously inhabit multiple, overlapping, and intersecting spaces: within families and communities; in anticolonial and antiracist struggles; in debates over spirituality and the divine; within radical, feminist, and queer spaces; in academia and on the street; and between each other.Contributors explore themes as diverse as the intersections between gender, sexuality, Orientalism, racism, Islamophobia, and Zionism, and the restoration of Arab Jews to Arab American histories. This book asks how members of diasporic communities navigate their sense of belonging when the country in which they live wages wars in the lands of their ancestors. Arab and Arab American Feminisms opens up new possibilities for placing grounded Arab and Arab American feminist perspectives at the center of gender studies, Middle East studies, American studies, and ethnic studies.

    Their challenge in the Middle East has been intensified by the rise of a political Islam that too often condemns women’s empowerment as Western cultural imperialism or, worse, anti-Islamic. In Paradise Beneath Her Feet, Isobel Coleman shows how Muslim women and men are fighting back with progressive interpretations of Islam to support women’s rights in a growing movement of Islamic feminism. In this timely book, Coleman journeys through the strategic crescent of the greater Middle East—Saudi Arabia, Iraq, Iran, Afghanistan, and Pakistan—to reveal how activists are working within the tenets of Islam to create economic, political, and educational opportunities for women. Coleman argues that these efforts are critical to bridging the conflict between those championing reform and those seeking to oppress women in the name of religious tradition. Success will bring greater stability and prosperity to the Middle East and stands to transform the region.    Coleman highlights a number of Muslim men and women who are among the most influential Islamic feminist thinkers, and brilliantly illuminates the on-the-ground experiences of women who are driving change: Sakena Yacoobi, an Afghan educator, runs more than forty women’s centers across Afghanistan, providing hundreds of thousands of women with literacy and health classes and teaching them about their rights within Islam. Madawi al-Hassoon, a successful businesswoman, is challenging conservative conventions to break new ground for Saudi professional women. Salama al-Khafaji, a devout dentist-turned-politician, relies on moderate interpretations of Islam to promote opportunities for women in Iraq’s religiously charged environment. These quiet revolutionaries are using Islamic feminism to change the terms of religious debate, to fight for women’s rights within Islam instead of against it. There is no mistaking that women and women’s issues are very much on the front lines of a war that is taking place between advocates of innovation, tolerance, and plurality and those who use violence to reject modernity in Muslim communities around the world. Ultimately,  Paradise Beneath Her Feet offers a message of hope: Change is happening—and more often than not, it is being led by women.

    Fiction. Essays. Women's Studies. FEMINAISSANCE = collectivity; feminine ecriture; the politics of writing; text and voice; the body as a site of contestation, insurgence and pleasure; race and writing; gender as performance; writing about other women writers; economic inequities; Helene Cixous; monstrosity; madness; and aesthetics.FEMINAISSANCE = Dodie Bellamy, Caroline Bergvall, Meiling Cheng, Wanda Coleman, Bhanu Kapil, Chris Kraus, Susan McCabe, Tracie Morris, Eileen Myles, Maggie Nelson, Vanessa Place, Juliana Spahr, Christine Wertheim, Stephanie Young, Lidia Yuknavitch.FEMINAISSANCE = "If the fact that women do not say 'We' was one of the constitutive problems for 20th century feminism, the fact that women do and still clearly feel the need to say 'We' is just as rich and interesting a topic for feminism today. The writings gathered here prove feminism to be alive and more relevant to all genders than ever: not just because feminist discourse remains a political necessity, but because of its artistic and intellectual pleasures." Sianne Ngai"

    In exile from revolutionary Cuba, Ana Mendieta found in the 1960s US another kind of social upheaval: Frida Kahlo was finally being appreciated as an artist, not just a muse; Valerie Solanas wrote her manifesto, then shot Andy Warhol; Carolee Schneemann performed nude and pulled a feminist scroll out of her vagina. And Ana Mendieta began creating what she called "earth-body art," revolutionary work that explored issues of gender and cultural activity. In 1985, at the height of her success, she plunged to her death from the window of the New York City apartment she shared with her husband, artist Carl Andre. He was tried and acquitted of her murder.These vibrantly drawn pages chronicle how the women's art movement changed the way we look at the female body in art and in the world. Redfern and Caron bring luminaries and the conflicts that inspired them to blazing life, telling us not only who is Ana Mendieta, but why we need to know.

    Comrades brings to life the story of a seven-year imprisonment and explores the struggles and agonies of two men, tried not for what they did, but for who they were.

    Drawing on feminist theory, environmental studies, and the sciences, Stacy Alaimo focuses on trans-corporeality, or movement across bodies and nature, which has profoundly altered our sense of self. By looking at a broad range of creative and philosophical writings, Alaimo illuminates how science, politics, and culture collide, while considering the closeness of the human body to the environment.

    Over a long career she worked through most of the twentieth century's avant-garde artistic movements from abstraction to realism, yet always remained uniquely individual, powerfully inventive, and often at the forefront of contemporary art. She was one of the world’s most respected sculptors, best known for her public-space pieces, grand-scale sculptures of spiders so large they must rest outside. But beginning in the 1960s, she used her own clothing and that of her loved ones as components of her sculptures and designs: a reincarnation of her childhood and her past. Her art would expand into new realms in 2002 when she began to weave together scraps of iridescent-colored fabric, creating works that vary from figures of flowers to chromatic abstractions, constituting a repertoire of truly surprising interweaves. This set of images is collected here in its entirety for the first time, constituting the closest thing yet to a general catalog.

    In What's With Paul & Women? Jon Zens exposes the fallacies of this interpretation, and opens up the meaning of 1 Timothy 2:9-15 using insights gleaned from the Artemis-saturated Ephesian culture where Timothy was left to stand against false teaching (1:3). Going beyond 1 Timothy 2, this book covers the major issues in gender inequality with three Appendices: one on the Ephesian social world in which 1 Timothy was written, another on 1 Corinthians 14:34-36 and an extensive review of John Piper's What's the Difference? Manhood & Womanhood Defined According to the Bible. If 1 Timothy 2:11-12 and 1 Corinthians 14:34-36 have puzzled you, What's With Paul & Women? will help in your quest to discern the mind of the Lord as the gender debate continues.

    Stansell's comprehensive history tracks major and minor moments that highlight promise both realized and unmet. Beginning with the release of Mary Wollstonecraft's A Vindication of the Rights of Woman and concluding with the connection of modern American feminism to global human rights, Stansell constructs a sweeping narrative that puts the accomplishments of specific players, such as Elizabeth Cady Stanton, Susan B. Anthony, and the oft-overlooked Maria Stewart, into a larger historical context, and also chronicles leaders, organizations, and acts of protest that defined feminism in the 20th century. She examines the partnership between abolition and suffrage that led to respective political victories and indentifies the missteps (like an early partnership with white supremacists) that compromised progress, creating a truly balanced history for future generations. The volume's breadth means some details and individuals are lost, but in plotting the points of a long overdue narrative, Stansell fulfills her promise.

    A dynamic chronicle not just a movement but an era, this is the story of a group of pissed-off girls with no patience for sexism and no intention of keeping quiet.

    In the 70s as the feminist movement evolved focusing on various platform issues (equal pay, voter registration) Betty latched on to sexual liberation as a symbol for self-empowerment.Realizing that so many women weren't enjoying sex she asked, "How could women ever be truly equal if they were reliant on men for their sexual satisfaction?" She quickly became the leader of the sex-positive feminist movement and the rest is history.The memoir chronicles her 40-year career as a feminist, including:· Her career as a fine artist mounting the first one-woman show of erotic art in 1968.· Her experiences with group sex during the Sexual Revolution.· Her historic vulva slide show that premiered at NOW's 1973 Sexuality Conference.· Her infamous Bodysex workshops, teaching 1,000s of women to take charge of their own orgasms for 25 years.· Her introduction of the electric vibrator in 1973 to the American woman as a pleasure device.

    Persecuted by Anthony Comstock and his Society for the Suppression of Vice, this turn-of-the-century heroine was also a spiritualist who learned many secrets of high magick through her claimed wedlock to an angelic being. Born in Philadelphia in 1857, Ida Craddock became involved in occultism around the age of thirty. She attended classes at the Theosophical Society and began studying a tremendous amount of materials on various occult subjects. She taught correspondence courses to women and newly married couples to educate them on the sacred nature of sex, maintaining that her explicit knowledge came from her nightly experiences with an angel named Soph. In 1902, she was arrested under New York's antiobscenity laws and committed suicide to avoid life in an asylum. Now for the first time, scholar Vere Chappell has compiled the most extensive collection of Craddock's work including original essays, diary excerpts, and suicide lettersone to her mother and one to the public.

    They promote that, contrary to popular belief, it is precisely the Church's controversial teachings on abortion, sex, marriage, contraception, and reproductive technologies that illuminate the Church's love of women and reverence for sex. Relying on biological, sociological, and medical evidence, along with personal anecdotes and experiences, these women defend Church teaching--all from a pro-woman perspective.

    For decades Judy Chicago has worked tirelessly to ensure that women's artistic achievements become a permanent part of our cultural heritage. In this sumptuous, large format book, she turns her attention to the work of Frida Kahlo, one of the world's most revered female painters. In this volume Chicago, together with her collaborator, art historian Frances Borzello, has handpicked a selection of Kahlo's work, a hundred portraits that speak to the full spectrum of women's experience. The result is a fascinating conversation between two artistic icons, one that is further enhanced by a dialogue between Chicago and Borzello, an authority on women's portraiture. The book features each work on its own spread, facing commentary by Chicago and Borzello. Essays explore Kahlo's many facets: woman, artist, historical figure, and inspiration. Designed to evoke a Mexican retablo, or altarpiece, this volume reframes Frida Kahlo for a contemporary audience.

    Fast- forward to the twenty-first century: taboos continue to fade, and Babeland has opened new stores coast to coast and online. Thousands of men and women have attended Babeland workshops, gleaning details on how to give and get mind-blowing orgasms. Now this core curriculum-with its spirit of open-minded playfulness-is available to everyone.Easing anxiety about bodily pleasure, Moregasm is for women of all ages and the men (and women) who love them. Detailed and comprehensive, it's an exuberant and friendly manual of modern sex, filled with stylish photographs and illustrations, questions, suggestions, personal stories from real people, and easy to follow advice.More fun than any other sex guide and offering the most in-depth, up- to-date information, it's a must-have for anyone who's ever done it, wants to do it, or wants to do it better.

    With over ninety exquisite black-and-white portraits spanning three decades, this richly printed coffee table gift book succeeds in distilling the universality of experience that links us all yet never sacrifices the dignity of the individual. Whether photographing a Haitian healer or a San Bushmen chief, Gluckstein infuses each portrait with an essential human grace.  “The Indigenous Peoples of the world have a gift to give that the world needs desperately, this reminder that we are made for harmony, for interdependence.  If we are ever to prosper, it will only be together…. The work of Dana Gluckstein helps us to truly see, not just appearances, but essences, to see as God sees us, not just the physical form, but also the luminous soul that shines through us.”  —Archbishop Desmond Tutu, DIGNITY  DIGNITY’S power, artistry, and impassioned call to action make it a historic book in support of Indigenous Peoples who are among the world’s most impoverished and oppressed inhabitants.  The inspirational text is intended to give a fuller awareness of the United Nations Declaration on the Rights of Indigenous Peoples adopted in 2007 by 144 countries. The declaration is the most comprehensive global statement of the measures every government needs to enact to ensure the survival, dignity, and well-being of the Indigenous Peoples of the world.  DIGNITY includes the full text of the declaration. Gluckstein’s striking portraits illuminate this vision.   “The dispassionate remove common to most modern portraits is all but absent in these images; in its stead is a passionate complicity between artist and sitter that allows each subject to be memorialized with both beauty and grace.” —The late Robert A. Sobieszek, Curator, Department of Photography, Los Angeles County Museum of Art

    These beautifully illustrated mini-poster pages showcase radicals, dissidents, folk singers, and rabble-rousers, from Emma Goldman to Tupac, Pablo Neruda to Fred Hampton. This is a real people's history, a book packed with dynamite, desire, and, above all, courage.

    No more! Women are now in positions of power in every branch of government, business, and social organization. They are providing a new style of collaborative and visionary leadership, which is changing the way society functions.Goddess Shift: Women Leading for a Change is an anthology that celebrates these values. It includes chapters by women leaders in diverse fields of human endeavor. These range from entertainment (Oprah Winfrey), business finance (Suze Orman), government (First Lady, Michelle Obama), sports (Venus and Serena Williams), social change and philanthropy (Angelina Jolie), and literature (Sue Monk Kidd).In over forty inspiring chapters, Goddess Shift describes the shape of the new human family that is emerging from the leadership of these remarkable women, and the very different future they envision for the world we share.

    Drawing on extensive interviews with ninety-four women prisoners, Megan Sweeney examines how incarcerated women use available reading materials to come to terms with their pasts, negotiate their present experiences, and reach toward different futures.

    Using charming illustrations, it is an empowering do-it-yourself guide to menstruation and an accessible educational tool for women of all ages. Cycling not only covers the basics of the menstrual cycle but also explores such topics as the history of menstrual products, the pseudoscience of "menotoxins," the possibilities of modern-day moon lodges, and more! Entertaining and engaging, Cycling is designed to make women feel good about their bodies and good about menstruation."Cycling relates to others in a friendly, unequivocal manner that fosters in the reader a demand for more information. Szumowski has a sharp eye for detail, an intimate grasp of the workings of the human body, and an unflagging grip on what we need to understand to make ourselves work better." -Bitch Magazine"We can trust Szumowski to provide a sharp focus on women's health issues - clearly, confidently, and intelligently." -Anne Elizabeth Moore, founding editor of The Best American Comics Series"The smart little instruction manual for menstruation we have always wished for!" -Terri Kapsalis, author of Public Privates: Performing Gynecology from Both Ends of the Speculum"Charming, informative, approachable, and clever. Szumowski has outdone herself with this accessible, entertaining guide. Cycling is a must read for all those who menstruate or know of someone who does." -The Chicago Women's Health Center

    The life and work of Frida Kahlo were inextricably intertwined. This beautiful monograph celebrates the artist while exploring the lesser-known aspects of her story. Reproductions of Kahlo's paintings are accompanied by a series of illuminating essays that explore the artist s private writings and the intensepublic interest in her life, the role of physical and mental suffering in the creative process, and the coded and doublemeanings hidden in so much of Kahlo s work. In addition, a photographic essay compiled by her grandniece, Cristina Kahlo, features images from the family's private collection. As an icon of female strength and suffering, Frida Kahlo has become something of an art world myth. This scholarly yet profoundly moving illustrated tribute to her life and work offers a measured perspective that rises above the noise of celebrity to discover the true artist and the truth of her art.

    Those successfully heeding this call have embraced the qualities previously relegated to the “feminine”--inner awareness, collaboration, relational intelligence, respect for the sacred and generosity--and married them to the best of their “masculine” attributes to create a new form of leadership more inspiring, inviting, and effective for transforming how we live on Earth and with each other. This anthology presents more than 30 essays from eminent women trailblazers--such as author Alice Walker, psychiatrist Jean Shinoda Bolen, playwright Eve Ensler, holistic doctor Rachel Naomi Remen, biologist Janine Benyus, hip-hop performer Rha Goddess, and famous tree-sitter Julia Butterfly Hill--as well as lesser-known but equally influential leaders--such as social entrepreneur Judy Wicks, philanthropic activist Kathy LeMay, food justice advocate LaDonna Redmond, and media educator Sofia Quintero. Their narratives explore how they cultivated their leadership impulses and their “feminine” strengths, reinventing leadership to prioritize community, collaboration, the environment, and the common good. Illuminating a path to progressive environmental and social change, their passionate stories of joyful, creative, collaborative, and sacred leadership ignite within each reader the power to help cocreate a healthy, peaceful, just, and sustainable world.

    Wolf challenges the widespread belief that breastfeeding is medically superior to bottle-feeding. Despite the fact that breastfeeding has become the ultimate expression of maternal dedication, Wolf writes, the conviction that breastfeeding provides babies unique health benefits and that formula feeding is a risky substitute is unsubstantiated by the evidence. In accessible prose, Wolf argues that a public obsession with health and what she calls "total motherhood" has made breastfeeding a cause c�l�bre, and that public discussions of breastfeeding say more about infatuation with personal responsibility and perfect mothering in America than they do about the concrete benefits of the breast.Parsing the rhetoric of expert advice, including the recent National Breastfeeding Awareness Campaign, and rigorously questioning the scientific evidence, Is Breast Best? uncovers a path by which a mother can feel informed and confident about how best to feed her thriving infant--whether flourishing by breast or by bottle.

    The book goes beyond previous studies, and challenges claims that Jewish women were not sexually violated during the Holocaust. This anthology by an interdisciplinary and international group of scholars addresses topics such as rape, forced prostitution, assaults on childbearing, artistic representations of sexual violence, and psychological insights into survivor trauma. These subjects have been relegated to the edges or completely left out of Holocaust history, and this book aims to shift perceptions and promote new discourse.

    Minh-ha is one of the most powerful and articulate voices in both independent filmmaking and cultural politics.Elsewhere, Within Here is an engaging look at travel across national borders--as a foreigner, a tourist, an immigrant, a refugee-in a pre- and post-9/11 world. Who is welcome where? What does it mean to feel out of place in the country you call home? When does the stranger appear in these times of dark metamorphoses? These are some of the issues addressed by the author as she examines the cultural meaning and complexities of travel, immigration, home and exile. The boundary, seen both as a material and immaterial event, is where endings pass into beginnings. Building upon themes present in her earlier work on hybridity and displacement in the median passage, and illuminating the ways in which "every voyage can be said to involve a re-siting of boundaries," Trinh T. Minh-ha leads her readers through an investigation of what it means to be an insider and an outsider in this "epoch of global fear."Elsewhere, Within Here is essential reading for those interested in contemporary feminist thought and postcolonial studies.

    Unfortunately, conventional wisdom about leadership won’t get you to the top. Much of it is outdated, incomplete, and ineffective. What you need is...The Missing 33%™!No Ceiling, No Walls takes a fresh, unblinking look at leadership. It identifies the vital missing piece of the leadership equation, describing the "why" as well as the "what" with specific, actionable information you won't find anywhere else:• Develop 3 crucial skills seldom taught in leadership programs• Focus on hitting outcomes rather than just doing your job• Speak the Language of Power™ without losing your voice• Cultivate your own greatness while engaging it in others• Create your own career path with help from trailblazing leading womenand more!Organizations that have bought No Ceiling, No Walls:Among the organizations that have bought multiple copies of No Ceiling, No Walls for their women are: AACE International, DePuy (a J&J company), Interpublic Group, Kodak, MassMutual, New York Life, PepsiCo, Professional Women in Healthcare, OfficeMax, Prudential, Sunoco, The MITRE Corporationand many more!Praise for No Ceiling, No Walls“Women at all career levels must incorporate the ideas in this thoughtful book on leadership. The future depends on women acknowledging that there is nothing holding them back from succeeding in business.” Vicki Donlan, author of HER TURN: Why It's Time for Women to Lead in America“Colantuono’s book provides thoughtful coaching to women leaders, whether experienced or new to the workforce. Her wise and practical advice is a must-read for individuals who are determined to reach the next level of their careers." Anne Szostak, President & CEO of Szostak Partners and former chairman and CEO Fleet Bank Rhode Island"Informed by her extensive experience , Susan Colantuono offers a refreshingly keen, sophisticated analysis of what women need to do to become leaders. This is a must-read book for women - and men - who want more women in leadership positions in America." Evelyn Murphy, author of Getting Even: Why Women Don't Get Paid Like Men and What To Do About It"No Ceiling, No Walls, is both inspirational and inspired. Practical exercises and tools offer valuable ways women can enhance their leadership skills ? for example, using the language of power to communicate the value they bring. But perhaps what makes this book so smart is the emphasis it puts on business acumen as the way for women to demonstrate that they have the “right stuff” to take on leadership roles. Aside from this being the absolute truth, it certainly makes climbing the corporate ladder more accessible.Be your own coach yourself using No Ceilings, No Walls as a guide." Carol Frohlinger, author Nice Girls Just Don't Get It and Her Place at the TableNo Ceiling, No Walls "is a guide for women who...want to prosper and succeed at a much higher level....a fascinating read with plenty of wisdom to absorb, highly recommended..." Midwest Book Review (The Business Shelf)No Ceiling, No Walls is the first in our ASK Leading Women™ series. All ASK Leading Women™ books offer inspiring and practical solutions for women as they move from career-start to the C-suite and onto corporate boards. When you ASK Leading Women, you get cutting-edge content, ready-to-apply tools, insights from self-assessments, and examples from successful women who act as your virtual mentors.

    From fierce and funny sexual fantasies to cutting observations of interracial dynamics, How to Seduce a White Boy in Ten Easy Steps asks us to fully consider what it is to be human in an age of fragmentation and double meanings. There are no easy answers here: the voice of the liberated woman rings clearly as a man-eater in one moment and shudders under the weight of lost love in the next. Laura Yes Yes skillfully navigates the trauma of being the Other while acknowledging the absurdity of our perceptions of race. With precise craft and breathtaking imagery, How to Seduce a White Boy blooms as a ferocious celebration of life.

    Now Avivah Wittenberg-Cox's new book shows you how to achieve a healthy and profitable balance. We know that business needs more women. Gender balance has been proven time and time again to lead to more innovation, better business performance and corporate governance. The only question is, how can business leaders make this happen?Avivah Wittenberg-Cox, an acknowledged world authority on women and business, points the way. In four simple steps she provides guidance on how to bring about real change: - Audit - where are you really at with gender balance now?- Awareness - Opening your eyes to what better gender balance could mean for your company- Alignment - Ensuring the buy-in that will bring about real results and change- Sustain - Building gender diversity into corporate DNAThis lively, hands-on guide is packed with research and case-studies showing how some of the world's biggest blue-chip firms have done it.Women are most of the talent and much of the market - you need this book.

    For over three decades, menstrual activists have questioned the safety and necessity of feminine care products while contesting menstruation as a deeply entrenched taboo. Chris Bobel shows how a little-known yet enduring force in the feminist health, environmental, and consumer rights movements lays bare tensions between second- and third-wave feminisms and reveals a complicated story of continuity and change within the women's movement. Through her critical ethnographic lens, Bobel focuses on debates central to feminist thought (including the utility of the category "gender") and challenges to building an inclusive feminist movement. Filled with personal narratives, playful visuals, and original humor, "New Blood" reveals middle-aged progressives communing in Red Tents, urban punks and artists "culture jamming" commercial menstrual products in their zines and sketch comedy, queer anarchists practicing DIY health care, African American health educators espousing "holistic womb health," and hopeful mothers refusing to pass on the shame to their pubescent daughters. With verve and conviction, Bobel illuminates today's feminism-on-the-ground--indisputably vibrant, contentious, and ever-dynamic.

    Since then, the Iranian-born artist has continued to explore difficult subjects: the boundaries between East and West, men and women, the sacred and the profane, exile and belonging. Her work is marked by its graphic boldness and stirring imagery: photographs of women cloaked in black veils with excerpts of Farsi poetry inscribed across the surface; videos of clans of men and women in barren landscapes chanting or groups of men and women listening to rousing moralistic sermons in a public hall; and, as in her most recent projects, magical realist works in which women fly or plant themselves in gardens to ensure their fertility.Renowned art critic and historian Arthur C. Danto explores the entirety of the artist’s rich and varied oeuvre, from the earliest photographs to her latest work, the film Women Without Men. Her first feature film, for which she was awarded the prestigious Silver Lion for Best Director at the Venice Film Festival, is based on the novella of the same name that was banned in Iran; it has taken nearly seven years to complete. In addition to the important essay by Danto, the book includes a foreword in the form of a letter by artist Marina Abramović and commentaries for each series of work by Neshat herself, allowing a glimpse into the creative process of one of the most unique artists of her time.

    Violence against women has increased throughout Mexico and in other countries, including Argentina, Costa Rica, Guatemala, and Peru. Law enforcement officials have often failed or refused to undertake investigations and prosecutions, creating a climate of impunity for perpetrators and denying truth and justice to survivors of violence and victims’ relatives. Terrorizing Women is an impassioned yet rigorously analytical response to the escalation in violence against women in Latin America during the past two decades. It is part of a feminist effort to categorize violence rooted in gendered power structures as a violation of human rights. The analytical framework of feminicide is crucial to that effort, as the editors explain in their introduction. They define feminicide as gender-based violence that implicates both the state (directly or indirectly) and individual perpetrators. It is structural violence rooted in social, political, economic, and cultural inequalities. Terrorizing Women brings together essays by feminist and human rights activists, attorneys, and scholars from Latin America and the United States, as well as testimonios by relatives of women who were disappeared or murdered. In addition to investigating egregious violations of women’s human rights, the contributors consider feminicide in relation to neoliberal economic policies, the violent legacies of military regimes, and the sexual fetishization of women’s bodies. They suggest strategies for confronting feminicide; propose legal, political, and social routes for redressing injustices; and track alternative remedies generated by the communities affected by gender-based violence. In a photo essay portraying the justice movement in Chihuahua, relatives of disappeared and murdered women bear witness to feminicide and demand accountability.Contributors: Pascha Bueno-Hansen, Adriana Carmona López, Ana Carcedo Cabañas, Jennifer Casey, Lucha Castro Rodríguez , Angélica Cházaro, Rebecca Coplan, Héctor Domínguez-Ruvalcaba, Marta Fontenla, Alma Gomez Caballero, Christina Iturralde, Marcela Lagarde y de los Ríos, Julia Estela Monárrez Fragoso, Hilda Morales Trujillo, Mercedes Olivera, Patricia Ravelo Blancas, Katherine Ruhl, Montserrat Sagot, Rita Laura Segato, Alicia Schmidt Camacho, William Paul Simmons, Deborah M. Weissman, Melissa W. Wright

    

    The book has been widely used as an important resource for understanding women's liberation theologies, in Africa, Asia, and Latin America emerging out of women's struggles for justice in church and society. More than twenty years have passed and it is time to bring out a new collection of essays to signal newer developments and to include emerging voices. Divided into four partsContext and Theology; Scripture; Christology; and Body, Sexuality, and Spiritualitythese carefully selected essays paint a vivid picture of theological developments among indigenous women and other women living in the global South who face poverty, violence, and war and yet find abundant hope through their faith.

    The Hidden 1970s explores the distinctiveness of those years, a time when radicals tried to change the world as the world changed around them.This powerful collection is a compelling assessment of left-wing social movements in a period many have described as dominated by conservatism or confusion. Scholars examine critical and largely buried legacies of the 1970s. The decade of Nixon's fall and Reagan's rise also saw widespread indigenous militancy, prisoner uprisings, transnational campaigns for self-determination, pacifism, and queer theories of play as political action. Contributors focus on diverse topics, including the internationalization of Black Power and Native sovereignty, organizing for Puerto Rican independence among Latinos and whites, and women's self-defense. Essays and ideas trace the roots of struggles from the 1960s through the 1970s, providing fascinating insight into the myriad ways that radical social movements shaped American political culture in the 1970s and the many ways they continue to do so today.

    A vital and sophisticated discussion, these timely essays will change the way we think about modern feminism and Indigenous women.

    Ironically, what is often lost in these debates is a sense of what is specific about pornography. By focusing on pornography's mainstream contemporary commercial products for a heterosexual male audience, Everyday Pornography offers the opportunity to reconsider what it is that makes pornography a specific form of industrial practice and genre of representation.Everyday Pornography presents original work from scholars from a range of academic disciplines (Media Studies, Law, Sociology, Psychology, Women's Studies, Political Science), introducing new methodologies and approaches whilst reflecting on the ongoing value of older approaches. Among the topics explored are: the porn industry's marketing practices (spam emails, reviews) and online organisation commercial sex in Second Life the pornographic narratives of phone sex and amateur videos the content of best-selling porn videos how the male consumer is addressed by pornography, represented within the mainstream, understood by academics and contained by legislation.This collection places a particular emphasis on anti-pornography feminism, a movement which has been experiencing a revival since the mid-2000s. Drawing on the experiences of activists alongside academics, Everyday Pornography offers an opportunity to explore the intellectual and political challenges of anti-pornography feminism and consider its relevance for contemporary academic debate.

    This unique volume zooms in, translating the work into nearly 100 pages of detailed, legible reproductions.

    To achieve true gender equality, it must come to an end. Stop Street Harassment: Making Public Places Safe and Welcoming for Women draws on academic studies, informal surveys, news articles, and interviews with activists to explore the practice's definition and prevalence, the societal contexts in which it occurs, and the role of factors such as race and sexual orientation. Perhaps more crucially, the book makes clear how women experience street harassment--how they feel about and respond to it--and the ways it negatively impacts lives.But understanding is only a beginning. In the second half of the book, readers will find concrete strategies for dealing with street harassers and ways to become involved in working to end this all-too-common violation. Educators, counselors, parents, and other concerned individuals will discover resources for teaching about harassment and modeling behavior that will help prevent harassment incidents.

    Building on the resurgence of interest in the Divine Feminine, Julie Loar presents the qualities and origins of an international array of these deities, along with powerful suggestions for putting their attributes to practical use. In a daily-reflection format, she gracefully aligns the goddesses with the cycles of nature and the signs of the zodiac.If you are struggling to attain a goal, call on the Nepalese goddess Chomolungma, as the sherpas climbing Mount Everest have done for generations. Or, for good luck, invoke the Roman goddess Fortuna, the inspiration behind gambling’s wheel of fortune. With 366 goddesses to choose from, you will find a deity to call upon for every aspiration and need.

    Its elaborate techniques of "transitional" justice encourage future generations to move forward by creating a false assumption of closure, enabling those who are guilty to elude responsibility. This approach to history, common to late-twentieth-century humanitarianism, doesn't presuppose that evil ends when justice begins. Rather, it assumes that a time before justice is the moment to put evil in the past.Merging examples from literature and history, Robert Meister confronts the problem of closure and the resolution of historical injustice. He boldly challenges the empty moral logic of "never again" or the theoretical reduction of evil to a cycle of violence and counterviolence, broken only once evil is remembered for what it was. Meister criticizes such methods for their deferral of justice and susceptibility to exploitation and elaborates the flawed moral logic of "never again" in relation to Auschwitz and its evolution into a twenty-first-century doctrine of the Responsibility to Protect.

    Taking stock of this transformative paradigm, The Intersectional Approach guides new and established researchers to engage in a critical reflection about the broad adoption of intersectionality that constitutes what the editors call a new "social literacy" for scholars.In eighteen essays, contributors examine various topics of interest to students and researchers from a feminist perspective as well as through their respective disciplines, looking specifically at gender inequalities related to globalization, health, motherhood, sexuality, body image, and aging. Together, these essays provide a critical overview of the paradigm, highlight new theoretical and methodological advances, and make a strong case for the continued use of the intersectional approach both within the borders of women's and gender studies and beyond.Contributors: Lidia Anchisi, Gettysburg CollegeNaomi Andre, University of MichiganJean Ait Belkhir, Southern University at New OrleansMichele Tracy Berger, University of North Carolina at Chapel HillKia Lilly Caldwell, University of North Carolina at Chapel HillElizabeth R. Cole, University of MichiganKimberle Crenshaw, University of California, Los AngelesBonnie Thornton Dill, University of MarylandMichelle Fine, Graduate Center, City University of New YorkJennifer Fish, Old Dominion UniversityMako Fitts, Seattle UniversityKathleen Guidroz, Mount St. Mary's UniversityIvette Guzman-Zavala, Lebanon Valley CollegeKaaren Haldeman, Durham, North CarolinaCatherine E. Harnois, Wake Forest UniversityAnaLouise Keating, Texas Woman's UniversityRachel E. Luft, University of New OrleansGary K. Perry, Seattle UniversityJennifer Rothchild, University of Minnesota, MorrisAnn Russo, DePaul UniversityNatalie J. Sabik, University of Michigan Jessica Holden Sherwood, University of Rhode IslandYvette Taylor, University of Newcastle, United Kingdom Nira Yuval-Davis, University of East LondonThe contributors are Lidia Anchisi, Naomi Andre, Jean Ait Belkhir, Michele Tracy Berger, Kia Lilly Caldwell, Elizabeth R. Cole, Kimberle Crenshaw, Bonnie Thornton Dill, Michelle Fine, Jennifer Fish, Mako Fitts, Kathleen Guidroz, Ivette Guzman-Zavala, Kaaren Haldeman, Catherine E. Harnois, AnaLouise Keating, Rachel E. Luft, Gary K. Perry, Jennifer Rothchild, Ann Russo, Natalie J. Sabik, Jessica Holden Sherwood, Yvette Taylor, and Nira Yuval-Davis. The editors are Michele Tracy Berger and Kathleen Guidroz.

    The author interviewed physicians of obstetrics and gynecology around the United States to find out why physicians rarely integrate abortion into their medical practice. While abortion stigma, violence, and political contention provide some explanation, her findings demonstrate that willing physicians are further encumbered by a variety of barriers within their practice environments. Structural barriers to the mainstream practice of abortion effectively institutionalize the buck-passing of abortion patients to abortion clinics. As the author notes, Public-health-minded HMOs and physician practices could significantly change the world of abortion care if they stopped outsourcing it. Drawing from forty in-depth interviews, the book presents a challenge to a commonly held assumption that physicians decide whether or not to provide abortion based on personal ideology. Physician narratives demonstrate how their choices around learning, doing, and even having abortions themselves disrupt the pro-choice/pro-life moral and political binary.

    Each entry provides a critical definition of the concept, examining the background to the idea, its usage and the major figures associated with the term. Taking a truly interdisciplinary and global view of gender studies, concepts covered include:Agency Diaspora Heteronormativity Subjectivity Performativity Class Feminist Politics Body Gender identity Reflexivity.With cross referencing and further reading provided throughout the text, Gender: The Key Concepts unweaves the relationships between different aspects of the field defined as gender studies, and is essential for all those studying gender in interdisciplinary contexts as undergraduates, postgraduates and beyond.

    This epidemic would ultimately transform abortion politics, produce new science, and help build two of the most enduring social movements of the late twentieth century--the reproductive rights and the disability rights movements. At most a minor rash and fever for women, German measles (also known as rubella), if contracted during pregnancy, could result in miscarriages, infant deaths, and serious birth defects in the newborn. Award-winning writer Leslie J. Reagan chronicles for the first time the discoveries and dilemmas of this disease in a book full of intimate stories--including riveting courtroom testimony, secret investigations of women and doctors for abortion, and startling media portraits of children with disabilities. In exploring a disease that changed America, Dangerous Pregnancies powerfully illuminates social movements that still shape individual lives, pregnancy, medicine, law, and politics.

    The editors, Shaun R. Harper and Frank Harris III--two experts in the field of men and masculinities--frame each of the six sections of the book with a summary of issues and implications for educational practice. Each section also includes a wealth of forward-thinking strategies and suggestions that faculty and institutional leaders can creatively employ on their campuses to reverse problematic trends and outcomes among male undergraduates.With contributions from leading scholars in education, sociology, psychology, and other disciplines, College Men and Masculinities explores the following issues in depth:Identity development and gender socialization Sexualities and sexual orientations Destructive behaviors (judicial offenses, alcohol abuse, and violence) Health and wellness College men of color College men and sports This vital resource will help educators and administrators address the alarming trends and issues that arise from identity-related challenges among boys and college men."What a valuable resource! This book includes some of the most influential research and theory on all aspects of collegiate masculinity--from sports to spirituality, hazing to hook-ups, and alcohol to assault. Always sensitive to how different groups of men experience college life, Harper and Harris's book will surely become the touchstone text for those who work with or study college men." --Michael Kimmel, author of Manhood in America and professor of sociology, Stony Brook University"Essential reading for all who care about gender equity, this book advances the conversation about men in college at the critical nexus of identity development, culture, and relationship, enabling faculty and student affairs administrators to build more thoughtful and challenging educational environments for men from diverse populations." --Susan Marine, Women's Center director and assistant dean for student life, Harvard UniversityThis book offers educators and administrators much-needed guidance for understanding and effectively meeting the developmental, academic, and social needs of undergraduate men." --Chauncey Smith, undergraduate student leader, Morehouse College

    She spends her days doting on them and caring for her sick neighbor and elderly mother. However, she also secretly visits women and helps them induce miscarriages for unwanted pregnancies. While the practice itself was illegal in 1950s England, Vera sees herself as simply helping women in need, and always does so with a smile and kind words of encouragement. When the authorities finally find her out, Vera's world and family life rapidly unravel

    This study looks at a wide range of medieval English romance texts, including the works of Chaucer and Malory, from a broad cultural perspective, to show that while they employ magic in order to create exotic, escapist worlds, they are also grounded in a sense of possibility, and reflect a complex web of inherited and current ideas. The book opens with a survey of classical and biblical precedents, and of medieval attitudes to magic; subsequent chapters explore the ways that romances both reflect contemporary attitudes and ideas, and imaginatively transform them. In particular, the author explores the distinction between the white magic' of healing and protection, and the more dangerous arts of nigromancy', black magic. Also addressed is the wider supernatural, including the ways that ideas associated with human magic can be intensified and developed in depictions of otherworldly practitioners of magic. The ambiguous figures of the enchantress and the shapeshifter are a special focus, and the faery is contrasted with the Christian supernatural - miracles, ghosts, spirits, demons and incubi. Professor CORINNE SAUNDERS Saunders teaches in the Department of English, University of Durham.

    She attends industry conferences, interviews producers and performers, and speaks to hundreds of men and women each year about their experience with porn. Students and educators describe her work as "life changing."In Pornland—the culmination of her life's work—Dines takes an unflinching look at porn and its affect on our lives. Astonishingly, the average age of first viewing porn is now 11.5 years for boys, and with the advent of the Internet, it's no surprise that young people are consuming more porn than ever. But, as Dines shows, today's porn is strikingly different from yesterday's Playboy. As porn culture has become absorbed into pop culture, a new wave of entrepreneurs are creating porn that is even more hard-core, violent, sexist, and racist. To differentiate their products in a glutted market, producers have created profitable niche products—like teen sex, torture porn, and gonzo—in order to entice a generation of desensitized users.Going from the backstreets to Wall Street, Dines traces the extensive money trail behind this multibillion-dollar industry—one that reaps more profits than the film and music industries combined. Like Big Tobacco—with its powerful lobbying groups and sophisticated business practices—porn companies don't simply sell products. Rather they influence legislators, partner with mainstream media, and develop new technologies like streaming video for cell phones. Proving that this assembly line of content is actually limiting our sexual freedom, Dines argues that porn's omnipresence has become a public health concern we can no longer ignore.Going from the backstreets to Wall Street, Dines reveals how porn is affecting our lives and why its omnipresence is detrimental to our sexual freedom.

    In these pages, reproductive-health researcher Carole Joffe shows how a pervasive stigma—cultivated by the religious right—operates to maintain barriers to access by shaming women and marginalizing abortion providers. Through compelling testimony from doctors, health-care workers, and patients, Joffe reports the lived experiences behind the polemics, while also offering hope for a more compassionate standard of women’s health care. From the Trade Paperback edition.

    Born in Cairo in 1963, and moving to France at age 11, from early on in life Amer was witness to the cross-cultural subjugation of women, whether from increasing religious conservatism in Egypt, or via the subtler machinations of Western commodity culture. In Amer's hand-embroidered paintings, delicate abstract tracings of sewn thread are counterposed with often quiet but sometimes confrontational erotic imagery. Trawling all manner of materials from fashion magazines, children's fairy tales, pornography, dictionaries, the Koran and medieval Arabic manuscripts, Amer challenges their authority, highlighting their exclusions and countering with a powerfully asserted female subject. This handsome monograph is the first publication to document the full breadth of her art, with numerous images of and detailed commentary on her paintings, sculptures, drawings, prints, videos, performances and garden works. Art historian Maura Reilly contributes a substantial scholarly text that chronicles the trajectory of Amer's career, and art historian Laurie Farrell focuses on the artist's collaborative works with Reza Farkondeh. Also included is a conversation between the artist and scholar Martine Antle, plus a complete chronology, exhibition list and bibliography, all of which affirm this volume as the definitive resource on the artist.

    From insights by sex workers on how they handle money, intimate relationships and daily harassment by police, to the experience of male and transgender sex work, this fascinating and original book offers theoretical discussions as well empirical case studies, providing new ways to link theory with lived experiences. The result is a vital new contribution to sex-worker rights. The book will equip any reader with new theoretical frameworks for understanding the sex industry, challenging readers to explore the topic of sex work in new ways, especially its cultural, economic and political dimensions.

    I spent my formative political years in Claudia Jones's London stamping ground of Notting Hill -- it was the classic centre of post-war black activism in Britain. Most West Indian immigrants in the 1950s came by boat to Southampton and the train from there took them into Paddington. Hence the large black community in that part of West London. So I know people who had worked with Claudia Jones and spoke of her with awe. She founded two of Black Britain's most important institutions; the first black newspaper, the West Indian Gazette, and she was also one of the founding organizers of the Notting Hill Carnival.Claudia Jones: Beyond Containment transcends the silencing and erasure historically accorded women of achievement: it makes accessible and brings to wider attention the words of an often overlooked twentieth-century political and cultural activist, who tirelessly campaigned, wrote, spoke out, organized, edited and published autobiographical writings, poetry, essays on subjects close to her political heart -- human rights, peace, struggles related to gender, race and class -- this is a collection that unites the many facets of a woman whose identities as a radical thinker and as a black woman are not in conflict. --Book Jacket (from WorldCat)

    Beginning with a completely scientific, fairly non-hormonal look at the history of the term “on the rag” and ending with the “Diary of a Break Up in One Full Menstrual Cycle,” this lighthearted guide looks at: - Who should fund the medical research into why men do what they do. (Hint: It's definitely NOT the government) - Why men hate to talk about their feelings (with four separate mentions of the word “penis”) - An absolutely foolproof method for sustaining a long-term relationship, and why it could kill you

    The stories and discussion questions are designed to empower teens and women of all ages to value their vagina and make healthy, values driven, and life affirming decisions when it comes to their sexual behavior.

    The collection examines Indigenous peoples within the Canadian settler state and Indigenous women within feminism; the challenges posed by the settler state for women of colour and Indigenous women; and the possibilities and limits of an anti-colonial praxis. Critical race feminism, like critical race theory more broadly, interrogates questions about race and gender through an emancipatory lens, posing fundamental questions about the persistence if not magnification of race and the "colour line" in the twenty-first century. The writers of these articles – whether exploring campus politics around issues of equity, the media’s circulation of ideas about a tolerant multicultural and feminist Canada, security practices that confine people of colour to spaces of exception, Indigenous women’s navigation of both nationalism and feminism, Western feminist responses to the War on Terror, or the new forms of whiteness that persist in ideas about a post-racial world or in transnational movements for social justice – insist that we must study racialized power in all its gender and class dimensions. The contributors are all members of Researchers and Academics of Colour for Equity. Sherene Razack is a Professor in the Department of Sociology and Equity Studies, University of Toronto. She is the author and editor of a number of books, including Casting Out: The Eviction of Muslims from Western Law and Politics, and Race, Space, and the Law: Unmapping a White Settler Society. Sunera Thobani is an Assistant Professor at the Centre for Women’s and Gender Studies, University of British Columbia. She is the author of Exalted Subjects: Studies in the Making of Race and Nation in Canada. Malinda Smith is an Associate Professor in the Department of Political Science, University of Alberta, and author of Beyond the ‘African Tragedy’: Discourses on Development and the Global Economy.

    Since then, I've been fortunate enough to work with literally thousands of people in the world of education. Through all these experiences, I've picked up loads more great ideas about how to manage behaviour. I've also gained an insight into what works in different settings, with different young people, and for different kinds of staff. The basic tenets of this book remain faithful to the original. What I've done though is adapt and develop the ideas so that they apply to more practitioners, in more diverse situations: to those working in early years and further education, as well as primary and secondary schools. And for those of you working in the most challenging schools or colleges, I've included a new section on coping in really difficult circumstances. I've also taken advantage of new developments in the world of technology. So, there's a companion website offering you extra material, links and ideas. Sue Cowley

    This guide is ideal for graduate students enrolled in a techniques of counseling course and practitioners who wish to incorporate feminist therapy into their current approach, including how to apply feminist therapy to both women and men and how to deal with the gender issues of both sexes. Client/Therapist dialogues provide readers with examples of how each technique actually works in a therapeutic session. The text also provides case studies, coverage of ethical issues, and feminist assessment guidelines that show readers how to conduct a feminist assessment with and without using the DSM-IV-TR.

    Are feminists really angry, unreasoning, man-haters who argue only from an emotional perspective as some claim? Does the incessant repetition of this trope make anti-feminism and misogyny a routine element in everyday speech? Tomlinson addresses these questions.

    Most of the expressions of collective agency are analyzed in this book within the context of the neoliberal model of globalization that has seriously affected most Latin American and Caribbean women's lives in multiple ways. Contributors explore the emergence of the area's feminist movement, dictatorships of the 1970s, the Central American uprisings, the urban, grassroots organizing for better living conditions, and finally, the turn toward public policy and formal political involvement and the alternative globalization movement. Geared toward bridging cultural realities, this volume represents women's transformations, challenges, and hopes, while considering the analytical tools needed to dissect the realities, understand the alternatives, and promote gender democracy.

    Despite what is often reported, new mothers don t opt out of work. They are pushed out by discriminating and inflexible workplaces. Today s workplaces continue to idealize the worker who has someone other than parents caring for their children.Conventional wisdom attributes women s decision to leave work to their maternal traits and desires. In this thought-provoking book, Joan Williams shows why that view is misguided and how workplace practice disadvantages men both those who seek to avoid the breadwinner role and those who embrace it as well as women. Faced with masculine norms that define the workplace, women must play the tomboy or the femme. Both paths result in a gender bias that is exacerbated when the two groups end up pitted against each other. And although work-family issues long have been seen strictly through a gender lens, we ignore class at our peril. The dysfunctional relationship between the professional-managerial class and the white working class must be addressed before real reform can take root.Contesting the idea that women need to negotiate better within the family, and redefining the notion of success in the workplace, Williams reinvigorates the work-family debate and offers the first steps to making life manageable for all American families."

    A devout follower and advocate of Gandhi, Mahadevi Varma is a household name in India and is a major woman of letters in the modern Hindi world. The essays collected in this volume represent some of Mahadevi Varma's most famous writings on the woman question in India. The collection also includes an introduction to her life, with biographical notes, an analysis of her importance in the field of Hindi letters, as well as a selection of her poems; these latter because Mahadevi Varma made her mark in the world of Hindi literature through her poetry, and a volume of translations would be incomplete without a sampling of them. The introduction to the translated volume sketches Mahadevi Varma's life and work and her significance to both the development of modern standard Hindi as well as to the nascent women's movement underway in the 1920s in India. Little scholarly attention has been given in the academy outside of India to Varma's numerous contributions to women's education, to the development of modern standard Hindi, and to political thought during the Independence movement in late-colonial India. This volume of translations engages themes like language and nationalism, women's roles as artists, the politics of motherhood and marriage themes that continue to be relevant to women's lives in contemporary India and to movements for women's rights outside India as well. This volume of translations of Mahadevi Varma's feminist political essays is the first of its kind. While some of these essays, especially those from Mahadevi Varma's Hamari Shrinkhala Ki Kariyan collection have been translated by Neera K. Sohoni and published under the title Links in the Chain (Katha, 2003), there is no sustained treatment of Varma's political thinking in one, accessible volume. While there is ample work on Varma in Hindi, scholars of feminism (and students of Hindi who are in the nascent stages of language acquisition) have nowhere to turn for a comprehensive sampling of her work. Mahadevi Varma is also one of the most difficult writers to access even for trained scholars of Hindi language and literature. Her highly Sanskritized diction and her stylized prose sketches make her work a pleasure to read in the original but daunting to translate into English. This volume has contributions from some of the most highly regarded Hindi experts. In the editor's introduction to the volume of translations a brief biographical sketch followed by an analysis of the political climate of Northern India has been provided so that the reader unfamiliar with India of the 1920s—1940s will have the necessary historical context to place her work. The introduction to the volume also raises the issue of why she gave up writing poetry and turned solely to writing prose when she became involved with the movements for women's rights and national independence. Finally, the volume provides feminist cultural historians a rich archive of how Indian women like Mahadevi Varma were actively negotiating their lives as women, activists, artists, teachers, and married women. This work will be of use to scholars of Hindi language and literature in the US/European academy and should be of interest to cultural and feminist historians of modern India. This volume will introduce Mahadevi Varma's literary scope to an English-speaking audience, and will serve as a reference for feminist historians of the nationalist period in the Indian subcontinent."

    The wild days of non-monogamy in the 1970s, the development of a queer aesthetic in the 1980s, the fight for visibility during the culture wars of the 1990s, her search for meaning as she contemplates mortality in the past ten years—HAMMER! includes texts from these periods, new writings, and fully contextualized film stills to create a memoir as innovative and disarming as her work has always been.Barbara Hammer has made over eighty films and video works over the past forty years. Her experimental films of the 1970s often dealt with taboo subjects such as menstruation, female orgasm, and lesbian sexuality. In the 1980s she used optical printing to explore perception and the fragility of 16mm film life itself. Her documentaries tell the stories of marginalized peoples who have been hidden from history. Her most recent work, A Horse is Not a Metaphor, won the 2009 Teddy Award for Best Short Film at the Berlin International Film Festival. A retrospective screening of her work will be presented at the Museum of Modern Art in spring 2010 and will travel to the Reina Sophia in Madrid and the Tate Modern in London.

    Written over a span of 25 years, these essays show Rogers daringly yet delicately laying out her vision of the essential unity and interdependence of science, spirituality, the arts, and the sensual experience of the physical world. Composed in an anecdotal and lyrical — but never dogmatic — style, The Grand Array takes us on a journey that both celebrates human existence and questions many of our basic concepts about nature, god, and the importance of faith. Regard for the awe-inspiring but sometimes raw mysteries of nature underlies Roger’s writing. At its heart, her message is celebratory und unifying — and as such it’s particularly relevant in today’s fractured world. Rogers calls on us to understand and move beyond the limitations of our knowledge in order to embrace the vastness of the cosmos and the place of humans in its "grand array."

    In doing so she has taken the opportunity to enlarge and improve it, rendering it, on the whole, she trusts, better worthy of the important subject of which it treats.ST. IVES, CORNWALL, Nov. 4, 1861.

    There may be numerous typos or missing text. There are no illustrations or indexes. When you buy the General Books edition of this book you get free trial access to Million-Books.com where you can select from more than a million books for free. You can also preview the book there.

    The twenty-one contributors from thirteen countries - Australia, Canada, Finland, Germany, Haiti, India, Israel, Nepal, Poland, Portugal, Puerto Rico, Scotland, and the United States - represent contexts with very different histories, political and economic structures, and gender role disparities.Authors rely on Silencing the Self theory, which details the negative psychological effects when individuals silence themselves in close relationships and the importance of the social context in precipitating depression. Specific patterns of thought about how to achieve closeness in relationships (self-silencing schema) are known to predict depression. This book breaks new ground by demonstrating that the linkage of depressive symptoms with self-silencing occurs across a range of cultures. We offer a new view of gender differences in depression situated in the formation and consequences of self-silencing, including differing motivational aims, norms of masculinity and femininity, and the broader social context of gender inequality.The book offers evidence regarding why women's depression is more wide-spread than men's and why the treatment of depression lies in understanding that a person's individual psychology is inextricably related to the social world and close relationships. Authors examine not only gender differences in depression but also related aspects of mental and physical illness, including treatments specific to women. Several chapters describe the transformative possibilities of community-driven movements for disadvantaged women that support healing through a recovery of voice, and describe the need for systemic and structural changes to counter violations of human rights as a means of reducing women's risk of depression. Bringing the work of these researchers together in one collection furthers international dialogue about critical social factors that affect the rising rates of depression around the globe.

    These convergences are not random or forced, but are in many ways natural and necessary: the same issues of agency, identity, alienation, and power inevitably are addressed by both camps. Never before has a group of scholars worked together to examine the resources these two traditions can offer one another. By bringing the relationship between these two critical fields of thought to the forefront, the book will encourage scholars to engage in new dialogues about how each can inform the other. If contemporary philosophy is troubled by the fact that it can be too limited, too closed, too white, too male, then this groundbreaking book confronts and challenges these problems.

    In the 40 years since then, the feminist movement has won triumphs and endured trials, but it has never weakened its resolve, nor for a moment been dull. The Guardian has followed its progress throughout, carrying interviews with and articles by the major figures, chronicling with verve, wit and often passionate anger the arguments surrounding pornography, prostitution, political representation, power, pay, parental rights, abortion rights, domestic chores and domestic violence. These are articles that, in essence, ask two fundamental questions: Who are we? Who should we be?This collection brings together - for the first time - the very best of the Guardian's feminist writing. It includes the newspaper's pioneering women's editor, Mary Stott, writing about Margaret Thatcher, Beatrix Campbell on Princess Diana, Suzanne Moore interviewing Camille Paglia, and Maya Jaggi interviewing Oprah Winfrey; there's Jill Tweedie on why feminists need to be vocal and angry, Polly Toynbee on violence against women, Hannah Pool on black women and political power, and Andrea Dworkin writing with incendiary energy about the Bill Clinton sex scandal.Lively, provocative, thoughtful and funny, this is the essential guide to the feminist thinking and writing of the past 40 years - the ultimate portrait of an ongoing revolution.

    It argues that the colonial state effectively transformed Egyptian medical practice and medical knowledge in ways that were decidedly gendered. On the one hand, women medical professionals who had once trained as 'doctresses' (hakimas) were now restricted in their medical training and therefore saw their social status decline despite colonial modernity's promise of progress. On the other hand, the introduction of colonial medicine gendered Egyptian medicine in ways that privileged men and masculinity. Far from being totalized colonial subjects, Egyptian doctors paradoxically reappropriated aspects of Victorian science to forge an anticolonial nationalist discourse premised on the Egyptian woman as mother of the nation. By relegating Egyptian women - whether as midwives or housewives - to maternal roles in the home, colonial medicine was determinative in diminishing what control women formerly exercised over their profession, homes and bodies through its medical dictates to care for others. By interrogating how colonial medicine was constituted, Hibba Abugideiri reveals how the rise of the modern state configured the social formation of native elites in ways directly tied to the formation of modern gender identities, and gender inequalities, in colonial Egypt.

    . . Edna St. Vincent Millay, Dorothy Parker, Anita Loos, Lois Long, Jessie Fauset, Dawn Powell, Mary McCarthy, and others imagined New York as a place where they could claim professional status, define urban independence, and shrug off confining feminine roles. It might be said that during the 1920s and 1930s these literary artists painted the town red on the pages of magazines like Vanity Fair and the New Yorker. Playing Smart, Catherine Keyser's homage to their literary genius, is a captivating celebration of their causes and careers.Through humor writing, this "smart set" expressed both sides of the story-promoting their urbanity and wit while using irony and caricature to challenge feminine stereotypes. Their fiction raised questions about what it meant to be a woman in the public eye, how gender roles would change because men and women were working together, and how the growth of the magazine industry would affect women's relationships to their bodies and minds. Keyser provides a refreshing and informative chronicle, saluting the value of being "smart" as incisive and innovative humor showed off the wit and talent of women writers and satirized the fantasy world created by magazines.

    Includes illustrations by Sara Drake, Ingrid Olson, Chelsea Dirck, Candace Corbin, Alma Vescovi, Karla Hewitt-Black, Krystal DiFronzo and more.Free for download through Pressing Concern Books: http://pressingconcern.wordpress.com/

    Tiffany M. Gill argues that the beauty industry played a crucial role in the creation of the modern black female identity and that the seemingly frivolous space of a beauty salon actually has stimulated social, political, and economic change.From the founding of the National Negro Business League in 1900 and onward, African Americans have embraced the entrepreneurial spirit by starting their own businesses, but black women's forays into the business world were overshadowed by those of black men. With a broad scope that encompasses the role of gossip in salons, ethnic beauty products, and the social meanings of African American hair textures, Gill shows how African American beauty entrepreneurs built and sustained a vibrant culture of activism in beauty salons and schools. Enhanced by lucid portrayals of black beauticians and drawing on archival research and oral histories, Beauty Shop Politics conveys the everyday operations and rich culture of black beauty salons as well as their role in building community.

    Focusing on contemporary contributions to the field while incorporating classical and theoretical arguments, this collection of creative articles by top scholars explains how the complex, evolving pattern of gender studies is constructed interpersonally, institutionally, and culturally.

    Indeed, the wage gap between men and women has never been smaller. So why does the typical woman have only 36 cents for every dollar of wealth owned by the typical man? How is it that never-married women working full-time have only 16% as much wealth as similarly situated men? And why do single mothers have only 8% of the wealth of single fathers?The first book to focus on the differences in wealth between women and men, Shortchanged is a compelling and accessible examination of why women struggle to accumulate assets, who has what, and why it matters. Mariko Lin Chang draws on the most comprehensive national data on wealth and on in-depth interviews to show how differences in earnings, in saving and investing, and, most important, the demands of care-giving all contribute to the gender-wealth gap. She argues that the current focus on equal pay and family-friendly workplace policies, although important, will not ultimately change or eliminate wealth inequalities. What Chang calls the wealth escalator--comprised of fringe benefits, the tax code, and government benefits--and the debt anchor must be the targets of policies aimed at strengthening women's financial resources. Chang proposes a number of practical suggestions to address the unequal burdens and consequences of care-giving, so that women who work just as hard as men will not be left standing in financial quicksand.A comprehensive portrait of where women and men stand with respect to wealth, Shortchanged not only sheds light on why women lack wealth, but also offers solutions for improving the financial situation of women, men, and families.

    Yet, by not asking, are they missing out on something, perhaps half the story? This is the question this book, edited and written by journalists, for journalists and the lay public interested in media, raises. Through examples from the media, and from their own experience, the contributors explain the concept of gender-sensitive journalism and look at a series of subjects that journalists have to cover—sexual assault, environment, development, business, politics, health, disasters, conflict—and set out a simple way of integrating a gendered lens into day-to-day journalism. Written in a non-academic, accessible style, this book is possibly the first of its kind in India—one that attempts to inject a gender perspective into journalism.

    While guiding the reader through complex theory, the author develops the original position of “queer feminism,” which presents queer theory as continuous with feminist theory. While there have been significant conceptual tensions between second wave feminism and traditional lesbian and gay studies, queer theory offers a paradigm for understanding gender, sex, and sexuality that avoids the conflict in order to develop solidarity among those interested in feminist theory and those interested in lesbian and gay rights. This accessible and comprehensive textbook carefully explains nuanced theoretical terminology and includes extensive suggested further reading to provide the reader with a full and thorough understanding of both disciplines.

    However, there has been an increasing trend among scholars of rejecting and re-evaluating the philosophical assumptions which underpin it. In this work, Cahill suggests an abandonment of the notion of objectification, on the basis of its dependence on a Kantian ideal of personhood. Such an ideal fails to recognize sufficiently the role the body plays in personhood, and thus results in an implicit vilification of the body and sexuality. The problem with the phenomena associated with objectification is not that they render women objects, and therefore not-persons, but rather that they construct feminine subjectivity and sexuality as wholly derivative of masculine subjectivity and sexuality. Women, in other words, are not objectified as much as they are derivatized, turned into a mere reflection or projection of the other. Cahill argues for an ethics of materiality based upon a recognition of difference, thus working toward an ethics of sexuality that is decidedly ­and simultaneously ­incarnate and intersubjective.

    Lopez finds the surprising answer in the way the Roman Empire depicted the relationship between conquering and conquered peoples in myths, inscriptions, and especially in the visual repertoire of statues and reliefs found in every Roman city. While Roman power was represented as aggressive and masculine, conquered peoples were systematically represented by images of helpless women.Lopez uses this key to unlock the themes of Paul's apostleship in a gender-critical re-imagination of his mission. Tracing themes of conquest and domination throughout sources contemporary with Paul, Lopez shows that Paul's language of the nations would have been heard by his contemporaries as confronting the Roman ideology of power and expressing solidarity with defeated peoples. Apostle to the Conquered reveals the subversive heart of Paul's theology, reframing his conversion in terms of consciousness, and his exhortations as a politics of the new creation.

    Giving due consideration to Butler's earlier and most recent work, and showing how her ideas on subjectivity, gender, sexuality and language overlap and interrelate, this book gives a better understanding not only of Butler's work, but of its applications to modern-day social and cultural practices and contexts.