The Black Panthers are most often remembered for their revolutionary rhetoric and militant action. Here Alondra Nelson deftly recovers an indispensable but lesser-known aspect of the organization’s broader struggle for social justice: health care. The Black Panther Party’s health activism—its network of free health clinics, its campaign to raise awareness about genetic disease, and its challenges to medical discrimination—was an expression of its founding political philosophy and also a recognition that poor blacks were both underserved by mainstream medicine and overexposed to its harms.Drawing on extensive historical research as well as interviews with former members of the Black Panther Party, Nelson argues that the Party’s focus on health care was both practical and ideological. Building on a long tradition of medical self-sufficiency among African Americans, the Panthers’ People’s Free Medical Clinics administered basic preventive care, tested for lead poisoning and hypertension, and helped with housing, employment, and social services. In 1971, the party launched a campaign to address sickle-cell anemia. In addition to establishing screening programs and educational outreach efforts, it exposed the racial biases of the medical system that had largely ignored sickle-cell anemia, a disease that predominantly affected people of African descent.The Black Panther Party’s understanding of health as a basic human right and its engagement with the social implications of genetics anticipated current debates about the politics of health and race. That legacy—and that struggle—continues today in the commitment of health activists and the fight for universal health care.

    Audacious, cunning, and razor-sharp, How to Be Black exposes the mass-media’s insidiously racist, monochromatic portrayal of black culture’s richness and variety. Fans of Stuff White People Like, This Week in Blackness, and Ending Racism in About an Hour will be captivated, uplifted, incensed, and inspired by this hilarious and powerful attack on America’s blacklisting of black culture: Baratunde Thurston’s How to Be Black.

    Kendi's concept of antiracism reenergizes and reshapes the conversation about racial justice in America--but even more fundamentally, points us toward liberating new ways of thinking about ourselves and each other. In How to be an Antiracist, Kendi asks us to think about what an antiracist society might look like, and how we can play an active role in building it. In this book, Kendi weaves together an electrifying combination of ethics, history, law, and science, bringing it all together with an engaging personal narrative of his own awakening to antiracism. How to Be an Antiracist is an essential work for anyone who wants to go beyond an awareness of racism to the next step: contributing to the formation of a truly just and equitable society.

    Forty years later, despite the strong DNA evidence against him, accused murderer O. J. Simpson went free after his attorney portrayed him as a victim of racism. The age of white supremacy has given way to an age of "white guilt" and neither has been good for African Americans.Through articulate analysis and engrossing recollections, acclaimed race relations scholar Shelby Steele sounds a powerful call for a new culture of personal responsibility.

    For too long, we the people have sat by and let politicians and bureaucrats from both parties obfuscate and lie. And according to this former Navy SEAL, former pro wrestler, and former Minnesota governor, the media is complicit in these acts of deception. For too long, the mainstream press has refused to consider alternate possibilities and to ask the tough questions. Here, Ventura looks closely at the theories that have been presented over the years and separates the fact from the fiction. In Ventura’s eyes, the murder of Abraham Lincoln and the assassinations of the Kennedys and Martin Luther King, all need to be re-examined. Was Watergate presented honestly, or was the CIA involved? Did the Republican Party set out to purposefully steal two elections on behalf of George W. Bush? Has all the evidence been presented about the 9/11 attacks or is there another angle that the media is afraid to explore? And finally, is the collapse of today’s financial order and the bailout plan by the Federal Reserve the widest-reaching conspiracy ever perpetrated? “If you’re talking outspoken, unconventional, and no-holds-barred, you’re talking Jesse Ventura.”—Larry King   “I wouldn’t mind seeing Ventura run for president (or for senator, or dog-catcher, or whatever). In addition to talking conspiracy, he’s likely to raise all sorts of other trouble.”—Damon W. Root, Reason Magazine

    These American poems are both elegy and jive, joke and declaration, songs of congregation and self-conception. They connect themes of loneliness, displacement, grief, ancestral trauma, and objectification, while exploring and troubling tropes and stereotypes of Black Americans. Focused primarily on depictions of Black womanhood alongside personal narratives, the collection tackles interior and exterior politics—of both the body and society, of both the individual and the collective experience. In Magical Negro, Parker creates a space of witness, of airing grievances, of pointing out patterns. In these poems are living documents, pleas, latent traumas, inside jokes, and unspoken anxieties situated as firmly in the past as in the present—timeless Black melancholies and triumphs.

    Angela Davis provides the historical, social, and political contexts with which to reinterpret the performances and lyrics of Gertrude Ma Rainey, Bessie Smith, and Billie Holiday as powerful articulations of an alternative consciousness profoundly at odds with mainstream American culture.The works of Rainey, Smith, and Holiday have been largely misunderstood by critics. Overlooked, Davis shows, has been the way their candor and bravado laid the groundwork for an aesthetic that allowed for the celebration of social, moral, and sexual values outside the constraints imposed by middle-class respectability. Through meticulous transcriptions of all the extant lyrics of Rainey and Smith--published here in their entirety for the first time--Davis demonstrates how the roots of the blues extend beyond a musical tradition to serve as a conciousness-raising vehicle for American social memory. A stunning, indispensable contribution to American history, as boldly insightful as the women Davis praises, Blues Legacies and Black Feminism is a triumph.

    Through personal essays, criticism, interviews, testimonials, poetry, and visual art, the collection explores, as coeditor Cherríe Moraga writes, “the complex confluence of identities—race, class, gender, and sexuality—systemic to women of color oppression and liberation.”

    In Black Sexual Politics, one of America's most influential writers on race and gender explores how images of Black sexuality have been used to maintain the color line and how they threaten to spread a new brand of racism around the world today.

    It was, as she says, “a way to carve out a space of celebration and freedom for black women online.”In this collection of essays, Blay expands on that initial idea by looking at the significance of influential black women throughout history, including Josephine Baker, Michelle Obama, Rihanna, and Cardi B. Incorporating her own personal experiences as well as astute analysis of these famous women, Blay presents an empowering and celebratory portrait of black women and their effect on American culture. She also examines the many stereotypes that have clung to black women throughout history, whether it is the Mammy, the Angry Black Woman, or more recently, the Thot.

    A decade later, in a newly heated era of both struggle and divisions, he writes a letter to his now thirteen-year-old daughter. David is the son of Black and South Asian migrants from Trinidad, and he draws upon his personal and ancestral past, including the legacies of slavery, indenture, and immigration, as well as the experiences of growing up a visible minority within the land of one's birth. In sharing with his daughter his own story, he hopes to help cultivate within her a sense of identity and responsibility that balances the painful truths of the past and present with hopeful possibilities for the future.

    A thought-provoking, urgent and inspirational guide to life as a Black British mum, it was an important call-to-arms allowing mothers to take control and scrap the parenting rulebook to do it their own way. It was a Sunday Times top five bestseller.Sista Sister is a compilation of essays about all the things Candice wishes someone had talked to her about when she was a young Black girl growing up in London. From family and money to Black hair and fashion, as well as sex and friendships between people of different races, this will be a fascinating read that will have another profound impact on conversations about Black Lives Matter.Written in Candice's trademark straight-talking, warm and funny style, it will delight her fans, old and new.

    Gray, a soldier, is finally returning home too. Seeing Lydia after fifteen years reignites all the temptations from years ago…and also the pain and regret. But as Lydia and Gray make their way home together, they get a chance to mend the past, and rediscover the joy, trust —and passion — of before; to realize that love isn’t just sweeter the second time around, it’s downright decadent. This novella was previously published in Gettin’ Merry, A Holiday Anthology “Jenkins’s dialogue crackles ...” –Publishers Weekly “Her stories are delicious and always leave behind both feelings of satisfaction and want...for her next novel.” –Fresh Fiction “Jenkins is a gifted storyteller who knows how to bring special spark and sass to romance.” –Romantic Times BOOKclub

    She had a front-row seat when she tagged along with her father on all of his extramarital trysts. She loved “keeping Daddy’s special secrets,” but many family members, especially her mother, consider her an accomplice in breaking up their family. Years later, Lauren’s mother, Joyce, whose health is failing, cannot let go of the bitterness caused by her husband’s philandering. She continues to blame Lauren, as does Lauren’s brother. Joyce can’t see past her anger and betrayal and has withheld her maternal affection from Lauren for most of her life. But this emotional distance has only made matters worse for Lauren’s love life—she only dates married men. That is until Dr. Matthew King enters the scene. Now poised to become a college president, Matthew is a former beau before she switched to married men, but he ultimately left Lauren brokenhearted. He tries to show Lauren that he’s a changed man since their college days. The two truly connect and their relationship quickly escalates. When Matthew proposes marriage, Lauren happily accepts, but as their very public engagement makes the news, someone is intent on sabotaging their relationship. Someone who watched her own marriage destroyed by Lauren and won’t be happy until she gives Lauren a taste of her own medicine. Can Lauren stop the cycle of destruction in time to salvage the only love she’s ever known?

    Spanning more than 35 years of work, the first comprehensive collection of essays, criticism, and articles by the legendary author of the Harlem Renaissance, Zora Neale Hurston, showcasing the evolution of her distinctive style as an archivist and author.“One of the greatest writers of our time.”—Toni MorrisonOne of the most acclaimed artists of the Harlem Renaissance, Zora Neale Hurston was a gifted novelist, playwright, and essayist. Drawn from three decades of her work, this anthology showcases her development as a writer, from her early pieces expounding on the beauty and precision of African American art to some of her final published works, covering the sensational trial of Ruby McCollum, a wealthy Black woman convicted in 1952 for killing a white doctor. Among the selections are Hurston’s well-known works such as “How It Feels to be Colored Me” and “My Most Humiliating Jim Crow Experience.” The essays in this essential collection are grouped thematically and cover a panoply of topics, including politics, race and gender, and folkloric study from the height of the Harlem Renaissance to the early years of the Civil Rights movement. Demonstrating the breadth of this revered and influential writer’s work, You Don't Know Us Negroes and Other Essays is an invaluable chronicle of a writer’s development and a window into her world and time.