This is not the novel The Handmaid's Tale. The Handmaid's Tale (1985), by Canadian writer Margaret Atwood, revisits the Anglo-American utopian/dystopian tradition. Appealing to imaginative fiction and the novel of ideas, the construction of perfect - or nightmarish - worlds rouses the reader's socio-political awareness of the present and invites questions on the shape of the near furure. The Handmaid's Tale deconstructs the utopian narrative by breaking the chronological order of the female protagonist's experience into a time-shifting testimony, a quest for meaning and an exploration of self versus the other. The intricate play on word and symbol can be read against the historical background of seventeenth-century New England Puritanism, as well as the twentieth-century New Right and women's rights movements, while inviting reference to the postmodernist outlook. This volume includes a bibliography, a study of the book's context, as well as essays and commentaries; the approach has been adapted to the needs of Capes and Agregation students.

    She traveled alone across the dangerous Somali desert to Mogadishu — the first leg of a remarkable journey that would take her to London, where she worked as a house servant; then to nearly every corner of the globe as an internationally renowned fashion model; and ultimately to New York City, where she became a human rights ambassador for the U.N. Desert Flower is her extraordinary story.

    Angela Davis provides the historical, social, and political contexts with which to reinterpret the performances and lyrics of Gertrude Ma Rainey, Bessie Smith, and Billie Holiday as powerful articulations of an alternative consciousness profoundly at odds with mainstream American culture.The works of Rainey, Smith, and Holiday have been largely misunderstood by critics. Overlooked, Davis shows, has been the way their candor and bravado laid the groundwork for an aesthetic that allowed for the celebration of social, moral, and sexual values outside the constraints imposed by middle-class respectability. Through meticulous transcriptions of all the extant lyrics of Rainey and Smith--published here in their entirety for the first time--Davis demonstrates how the roots of the blues extend beyond a musical tradition to serve as a conciousness-raising vehicle for American social memory. A stunning, indispensable contribution to American history, as boldly insightful as the women Davis praises, Blues Legacies and Black Feminism is a triumph.

    Making remarkable connections across brain function, myth, and anthropology, Dr. Shlain shows why pre-literate cultures were principally informed by holistic, right-brain modes that venerated the Goddess, images, and feminine values. Writing drove cultures toward linear left-brain thinking and this shift upset the balance between men and women, initiating the decline of the feminine and ushering in patriarchal rule. Examining the cultures of the Israelites, Greeks, Christians, and Muslims, Shlain reinterprets ancient myths and parables in light of his theory. Provocative and inspiring, this book is a paradigm-shattering work that will transform your view of history and the mind.

    Gathered from around the world, from regions as diverse as sub-Saharan Africa and Western Europe, from North and South American Indian cultures and New World settlers, from Asia and the Middle East, these 100 folktales celebrate strong female heroines.Fearless Girls, Wise Women, and Beloved Sisters is for all women who are searching to define who they are, to redefine the world and shape their collective sensibility. It is for men who want to know more about what it means to be a woman. It is for our daughters and our sons, so that they can learn to value all kinds of courage, courage in battle and the courage of love. It is for all of us to help build a more just vision of woman.

    For Fauziya Kassindja, an idyllic childhood in Togo, West Africa, sheltered from the tribal practices of polygamy and genital mutilation, ended with her beloved father's sudden death.  Forced into an arranged marriage at age seventeen, Fauziya was told to prepare for kakia, the ritual also known as female genital mutilation.  It is a ritual no woman can refuse.  But Fauziya dared to try.  This is her story--told in her own words--of fleeing Africa just hours before the ritual kakia was to take place, of seeking asylum in America only to be locked up in U.S.  prisons, and of meeting Layli Miller Bashir, a law student who became Fauziya's friend and advocate during her horrifying sixteen months behind bars.  Layli enlisted help from Karen Musalo, an expert in refugee law and acting director of the American University International Human Rights Clinic.  In addition to devoting her own considerable efforts to the case, Musalo assembled a team to fight with her on Fauziya's behalf.  Ultimately, in a landmark decision in immigration history, Fauziya Kassindja was granted asylum on June 13, 1996.  Do They Hear You When You Cry is her unforgettable chronicle of triumph.

    Davis has written on liberation theory and democratic praxis. Challenging the foundations of mainstream discourse, her analyses of culture, gender, capital, and race have profoundly influenced democratic theory, antiracist feminism, critical studies and political struggles. Even for readers who primarily know her as a revolutionary of the late 1960s and early 1970s (or as a political icon for militant activism) she has greatly expanded the scope and range of social philosophy and political theory. Expanding critical theory, contemporary progressive theorists - engaged in justice struggles - will find their thought influenced by the liberation praxis of Angela Y. Davis.The Angela Y. Davis Reader presents eighteen essays from her writings and interviews which have appeared in If They Come in the Morning, Women, Race, and Class, Women, Culture, and Politics, and Black Women and the Blues as well as articles published in women's, ethnic/black studies and communist journals, and cultural studies anthologies. In four parts - Prisons, Repression, and Resistance, Marxism, Anti-Racism, and Feminism, Aesthetics and Culture, and recent interviews - Davis examines revolutionary politics and intellectualism.Davis's discourse chronicles progressive political movements and social philosophy. It is essential reading for anyone interested in contemporary political philosophy, critical race theory, social theory, ethnic studies, American studies, African American studies, cultural theory, feminist philosophy, gender studies.

    Drawing vibrant connections between the colonization of whole nations, the health of the mountainsides and the abuse of individual women, children and men, Medicine Stories offers the paradigm of integrity as a political model to people who hunger for a world of justice, health and love.

    FAT!SO? weighs in with a more attractive alternative: feeling good about yourself at any weight—and having the style and attitude to back it up. Internationally recognized as a fat-positive spokesperson, Wann has learned that you can be absolutely happy, healthy, and successful...and fat. With its hilarious and insightful blend of essays, quizzes, facts, and reporting, FAT!SO? proves that you can be out-and-out fabulous at any size.

    Stigmata brings together her most recent essays for the first time.Acclaimed for her intricate and challenging writing style, Cixous presents a collection of texts that get away -- escaping the reader, the writers, the book. Cixous's writing pursues authors such as Stendhal, Joyce, Derrida, and Rembrandt, da Vinci, Picasso -- works that share an elusive movement in spite of striking differences. Along the way these essays explore a broad range of poetico-philosophical questions that have become characteristic of Cixous' work: * love's labours lost and found* feminine hours* autobiographies of writing* the prehistory of the work of artStigmata goes beyond theory, becoming an extraordinary writer's testimony to our lives and our times.

    Beginning with the self-portraits of nuns in medieval illuminated manuscripts, Borzello reconstructs an overlooked genre and provides essential contextual information. She moves on to sixteenth-century Italy, where Sofonisba Anguissola painted one of the longest known series of self-portraits, recording her features from adolescence to old age. In 1630, Artemisia Gentileschi depicted herself as the personification of painting, and at the same time in the Netherlands Judith Leyster portrayed herself at her easel, as a relaxed, self-assured professional. In the 1700s, women from Elisabeth Vigee-Lebrun to Angelica Kauffman conveyed, each in her own way, ideas of femininity and the artist's passion for her chosen field. And in the nineteenth century, as the doors to art schools began to open to women, self-portraits by the likes of Berthe Morisot, Marie Bashkirtseff, and photographers such as Alice Austen resonated with a newfound self-confidence. Seeing Ourselves concludes with the breaking of taboos in the twentieth century. Paula Modersohn-Becker imagines herself pregnant in her fantasy nude of 1906; Alice Neel paints herself naked at the age of eighty; and Frida Kahlo explicitly renders her own physical pain in a self-portrait complete with nails piercing her skin. And in recent decades, Cindy Sherman explores identity by transforming herself over and over into a cast of different characters, posing the questions that all the women in this enthralling book have faced when "seeing" themselves.

    In Trans Liberation, Feinberg has gathered a collection of hir speeches on trans liberation and its essential connection to the liberation of all people. This wonderfully immediate, impassioned, and stirring book is for anyone who cares about civil rights and creating a just and equitable society.

    Stalking the Soul is a call to recognize and understand emotional abuse and, most importantly, overcome it. Sophisticated and accessible, it is vital reading for victims and health professionals.

    In this brilliant exploration of the apparent conflicts and tensions between feminism and contemplative spirituality, Carol Lee Flinders uncovers how a life of meaning, self-knowledge, and freedom depends on both.In 'At the Root of This Longing'

    From the terrestrial world it leads down into darkness, to the treasure of pure feminine consciousness. We are each blessed with our own well, and from this source of salvation and eternal life, teaches Marion Woodman, we must drink or die.In Sitting by the Well, this acclaimed Jungian analyst and author uses dreams, symbols, and body imagery to reach into the shadows of the unconscious mind and cast light on our everyday lives. Here is a poetic culmination of Woodman's many years of work with the psychological impact of patriarchy on men's and women's lives--from distorted body image and addiction, to sexual trauma and relationships, to our ultimate connection with the Great Mother (matter) and Great Father (spirit).Rare Lectures Collected for the First TimeOn six archival recordings--each one digitally remastered for maximum clarity and comprehension--Marion Woodman unravels Carl Jung's core teachings about archetypes and the unconscious, and analyzes how dreams and metaphors provide powerful healing tools for the psyche. You will hear the evolution of Woodman's theories throughout the past decade, while vividly sharing her insights into what we each must do to open to spirit and find meaning in our suffering. For all of us interested in what Woodman calls the language of our instincts, Sitting by the Well is a one-of-a-kind guide for learning it.In her practice, Woodman has encountered many people who feel lost and out of touch with their bodies and their spirits. Where is the energy and imagery we need for nourishment? Join Marion Woodman and find your way to a wellspring for deeper guidance with Sitting by the Well.

    She inherited Shibden Hall, Yorkshire, seduced a neighbouring heiress, consolidated their estates (effectively a dynastic lesbian marriage), and developed the coal deposits there, managing them with flair and energy.In her account of this remarkable story, Female Fortune, Jill Liddington analyzes the role of gender in Lister's invasion of what were, at the time, almost exclusively male domains. The book is supported by generous selections from the diaries themselves.The extensive appraisal of Anne Lister's life and the themes drawn from the diaries make Female Fortune required reading for anyone engaged in current feminist analysis. It is an important text for students of women's studies, gender studies. social and cultural history, and lesbian and gay studies.

    Now, in Fighting Words, Collins expands and extends the discussion of the "outsider within" presented in her earlier work, investigating how effectively Black feminist thought confronts the injustices African American women currently face.Collins takes on a broad range of issues -- poverty, mothering, white supremacy and Afrocentrism, the resegregation of American society by race and class, the ideas of Sojourner Truth and how they can serve as a springboard for more liberating social theory. Contrasting social theories that support unjust power relations of race, class, gender, and nation with those that challenge inequalities, Collins investigates why some ideas are granted the status of "theory" while others remain "thought". "It is not that elites produce theory while everyone else produces mere thought", she writes. "Rather, elites possess the power to legitimate the knowledge that they define as theory as being universal, normative, and ideal".Collins argues that because African American women and other historically oppressed groups seek economic and social justice, their social theories may emphasize themes and work from assumptions that are different from those of mainstream American society, generating new angles of vision on injustice. Collins also puts such oppositional social theory to the test: while the words of these theories may challenge injustice, do the ideas make a difference in the lives of the people they claim to represent?Throughout,Collins provides an essential understanding of how "outsiders" resist mainstream perspectives, and what the mainstream can learn from such "outsiders". Historically situated yet transcending the specific, Fighting Words provides a new interpretive framework for both thinking through and overcoming social injustice.

    and the Latina/o youth movement, De Colores Means All of Us will appeal to readers and activists seeking to organize for the future and build new movements for liberation.

    Beginning with the First Mother in sub-Saharan Africa more than 200,000 years ago, Aurora Levins Morales takes readers on a journey through time and around the globe.We learn of Juana de Asbaje, author of the "Reply to Sor Filotea" in 1693, the first feminist essay written in the New World; Gracia Nasi, Constantinople's "Queen of the Jews"; the African-American activist and warrior of words Ida B. Wells; and the unlikely martyr and symbol, Ethel Rosenberg.Levins Morales weaves in her own story of pain and healing, ameliorated by the restorative power of memory, and bears witness to a larger history of resistance and abuse by women and men.This historical memoir revives our connection to the forgotten lore of our grandmothers, featuring explanations of the medicinal properties of herbs and and foods such as rosemary, ginkgo, and banana. With love, joy, and defiance, Levins Morales offers Remedios as testimony to those barely recorded or known to history, the women who shaped our world.Aurora Levins Morales is author of Medicine Stories: History, Culture, and the Politics of Integrity (South End Press, 1998) and Getting Home Alive (Firebrand, 1986). A Jewish "red diaper baby" from the mountains of Puerto Rico, Morales writes lucidly about the complexities of social identity. She teaches at the University of California, Berkeley and the University of Minnesota, Minneapolis.[box]Also available from South End PressMedicine Stories: History, Culture, and the Politics of IntegrityTC $14.00, 0-89608-581-3 o CUSADeColores Means All of UsTP $18.00, 0-89608-583-X o CUSALoving in the War YearsTP $17.00, 0-89608-626-7 o CUSA

    Drawing on their individual narratives, it explores international struggles to uphold the rights of this often marginalized group.

    Selections are organized into five historical periods from the 18th century to the mid-1990s. The book includes key feminist manifestoes to help students see the link between feminist theory and application, as well as clear, concise explanations of 12 key concepts that characterize the development of feminist thought since its inception.

    Wells to Anita Hill. Although most prominently a history of the century-long struggle against racism and male chauvinism, Deborah Gray White also movingly illuminates black women's painful struggle to hold their racial and gender identities intact while feeling the inexorable pull of the agendas of white women and black men. Finally, it tells the larger and lamentable story of how Americans began this century measuring racial progress by the status of black women but gradually came to focus on the status of black men-the masculinization of America's racial consciousness. Writing with the same magisterial eye for historical detail as in her best-selling Ar'n't I a Woman, Deborah Gray White has given us a moving and definitive history of struggle and freedom. "Splendid . . . a broad and sweeping history that becomes an intensely personal experience for the reader. . . . An inspiring showcase of scholarship and sistership." - Nell Irvin Painter, Raleigh News & Observer

    Continuing in the tradition of her classic collections Civil Wars and Technical Difficulties, Jordan acquaints readers with moments of American life threatened by social negligence and economic despair. With her characteristic insight, Jordan unveils how these too-frequent bouts of civil unrest bring out the weakest parts of the American spirit and challenges readers to remain inspired as society approaches the millennium.June Jordan's wisdom shines through in this brilliant collection of inspirational essays, which will be eagerly awaited by Jordan loyalists and enjoyed by her new readers.

    It was one of the few books that dared to look at how radical feminism could and should shape the future; and one whose predictions (the cybernetic revolution, for example) proved startlingly prescient of issues today. Published by Semiotext(e) in 1998, Airless Spaces, Firestone's first work of fiction, is a collection of short stories written by Firestone as she found herself drifting from the professional career path she'd been on and into what she describes as a new airless space. These deadpan stories, set among the disappeared and darkened sectors of New York City, are about losers who fall prey to an increasingly bureaucratized poverty and find themselves in an out of (mental) hospitals. But what gives characters such as SCUM-Manifesto author Valerie Solanas their depth and charge, is their the small crises that trigger an awareness that they're in trouble. Some time later, after I had moved to St. Mark's Place, I saw Valerie in the street. She asked me for a quarter, and I saw that she was begging. She had lost her apartment, and presumably her welfare. Later, a friend of mine who ran a store on St. Mark's Place said that Valerie had approached him for shelter. She was covered with sores, and wearing only a blanket to beg in. She had been out on the street approximately three months without shelter. Not long after that, she disappeared from the street entirely.

    As one of the first writers in the United States to claim black feminism for black women, Barbara Smith has done groundbreaking work in defining black women’s literary traditions and in making connections between race, class, sexuality, and gender.Smith’s essay “Toward a Black Feminist Criticism,” is often cited as a major catalyst in opening the field of black women’s literature. Pieces about racism in the women’s movement, black and Jewish relations, and homophobia in the Black community have ignited dialogue about topics that few other writers address. The collection also brings together topical political commentaries on the 1968 Chicago convention demonstrations; attacks on the NEA; the Anita Hill–Clarence Thomas Senate hearings; and police brutality against Rodney King and Abner Louima. It also includes a never-before-published personal essay on racial violence and the bonds between black women that make it possible to survive.

    At the greatest moments and in the cruelest times, black women have been a crucial part of America's history.  Now, the inspiring history of black women in America is explored in vivid detail by two leaders in the fields of African American and women's history.A Shining Thread of Hope chronicles the lives of black women from indentured servitude in the early American colonies to the cruelty of antebellum plantations, from the reign of lynch law in the Jim Crow South to the triumphs of the Civil Rights era, and it illustrates how the story of black women in America is as much a tale of courage and hope as it is a history of struggle.  On both an individual and a collective level, A Shining Thread of Hope reveals the strength and spirit of black women and brings their stories from the fringes of American history to a central position in our understanding of the forces and events that have shaped this country.

    Wood explores the relationships between narrative form and style and sexual politics, probing the political and sexual ramifications of fascism and cinema, marriage and the couple, romantic love, and representations of women, race and gender in films from the United States, Europe, and Japan.

    

    "Savoir," by Hélène Cixous, is a brief but densely layered account of her experience of recovered sight after a lifetime of severe myopia, an experience that ends with the unexpected turn of grieving for what is lost. Her literary inventiveness mines the coincidence in French between the two verbs savoir (to know) and voir (to see). Jacques Derrida's "A Silkworm of One's Own" complexly muses on a host of autobiographical, philosophical, and religious motifs—including his varied responses to "Savoir." The two texts are accompanied by six beautiful and evocative drawings that play on the theme of drapery over portions of the body.Veils suspends sexual difference between two homonyms: la voile (sail) and le voile (veil). A whole history of sexual difference is enveloped, sometimes dissimulated here—in the folds of sails and veils and in the turns, journeys, and returns of their metaphors and metonymies.However foreign to each other they may appear, however autonomous they may be, the two texts participate in a common genre: autobiography, confession, memoirs. The future also enters in: by opening to each other, the two discourses confide what is about to happen, the imminence of an event lacking any common measure with them or with anything else, an operation that restores sight and plunges into mourning the knowledge of the previous night, a "verdict" whose threatening secret remains out of reach by our knowledge.

    Nestle explores the “fragile unions” of contemporary lesbian life, both personal and historic.

    In Female Masculinity Jack Halberstam takes aim at the protected status of male masculinity and shows that female masculinity has offered a distinct alternative to it for well over two hundred years. Providing the first full-length study on this subject, Halberstam catalogs the diversity of gender expressions among masculine women from nineteenth-century pre-lesbian practices to contemporary drag king performances.Through detailed textual readings as well as empirical research, Halberstam uncovers a hidden history of female masculinities while arguing for a more nuanced understanding of gender categories that would incorporate rather than pathologize them. He rereads Anne Lister's diaries and Radclyffe Hall's The Well of Loneliness as foundational assertions of female masculine identity. He considers the enigma of the stone butch and the politics surrounding butch/femme roles within lesbian communities. He also explores issues of transsexuality among "transgender dykes"---lesbians who pass as men---and female-to-male transsexuals who may find the label of "lesbian" a temporary refuge. Halberstam also tackles such topics as women and boxing, butches in Hollywood and independent cinema, and the phenomenon of male impersonators.Female Masculinity signals a new understanding of masculine behaviors and identities, and a new direction in interdisciplinary queer scholarship. Illustrated with nearly forty photographs, including portraits, film stills, and drag king performance shots, this book provides an extensive record of the wide range of female masculinities. And as Halberstam clearly demonstrates, female masculinity is not some bad imitation of virility, but a lively and dramatic staging of hybrid and minority genders.

    She unmasks the effects of sexism on both men and women and describes a spirituality that makes healthier, happier human beings of us all. According to Chittister, the patriarchal culture that has shaped our world has also brought us to the edge of destruction with its dualisms, hierarchies, and inequality. She outlines the historical realities that produced this situation and describes how patriarchal culture and spirituality maintain their hold on us. She then argues that there is another way which is better and introduces us to a feminist worldview that, in recognizing the full humanity of women, leads all of us to new, better ways of being and relating. Heart of Flesh: A Feminist Spirituality for Women and Men offers a dynamic vision of spirituality from one of our finest writers of spiritual literature.

    While Partition sounds smooth on paper, the reality was horrific. More than eight million people migrated and one million died in the process. The forced migration, violence between Hindus and Muslims, and mass widowhood were unprecedented and well-documented. What was less obvious but equally real was that millions of people had to realign their identities, uncertain about who they thought they were. The rending of the social and emotional fabric that took place in 1947 is still far from mended.While there are plenty of official accounts of Partition, there are few social histories and no feminist histories. Borders and Boundaries changes that, providing first-hand accounts and memoirs, juxtaposed alongside official government accounts. The authors make women not only visible but central. They explore what country, nation, and religious identity meant for women, and they address the question of the nation-state and the gendering of citizenship. In the largest ever peace-time mass migration of people, violence against women became the norm. Thousands of women committed suicide or were done to death by their own kinsmen. Nearly 100,000 women were "abducted" during the migration. A young woman might have been separated from her family when a convoy was ambushed, abducted by people of another religion, forced to convert, and forced into marriage or cohabitation. After bearing a child, she would be offered the opportunity to return only if she left her child behind and if she could face shame in her natal community. These stories do not paint their subjects as victims. Theirs are the stories of battles over gender, the body, sexuality, and nationalism-stories of women fighting for identity.

    Explores the historical perception of woman as the seductress whose influence undermines the power of the white male.

    from Loyola Law School, Los Angeles. In addition to being a self-defense advocate and instructor, she has worked in the media and entertainment industries as a writer/producer/director/commentator/actor. She is a regular columnist with the Pasadena Weekly and a professor of Communication Studies at California State University-Los Angeles.

    A 9 stage process that entails at first rejecting feminine values, making it in the man's world, experiencing spiritual death, and finally turning inward to reclaim the power and spirit of the feminine.

    An impressive list of contributors explores the byways, bringing this tragic, funny, and engrossing story up to recent times." -- Lucy Lippard, author of "The Pink Glass Swan: Selected Essays on Feminist Art" During the 1930s and 1940s, women artists associated with the Surrealist movement produced a significant body of self-images that have no equivalent among the works of their male colleagues. While male artists exalted Woman's otherness in fetishized images, women artists explored their own subjective worlds. The self-images of Claude Cahun, Dorothea Tanning, Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, Kay Sage, and others both internalize and challenge conventions for representing femininity, the female body, and female subjectivity. Many of the representational strategies employed by these pioneers continue to resonate in the work of contemporary women artists. The words "Surrealist" and "surrealism" appear frequently in discussions of such contemporary artists as Louise Bourgeois, Ana Mendieta, Cindy Sherman, Francesca Woodman, Kiki Smith, Dorothy Cross, Michiko Kon, and Paula Santiago. This book, which accompanies an exhibition organized by the MIT List Visual Arts Center, explores specific aspects of the relationship between historic and contemporary work in the context of Surrealism. The contributors reexamine art historical assumptions about gender, identity, and intergenerational legacies within modernist and postmodernist frameworks. Questions raised include: how did womenin both groups draw from their experiences of gender and sexuality? What do contemporary artistic practices involving the use of body images owe to the earlier examples of both female and male Surrealists? What is the relationship between self-image and self- knowledge?Contributors: Dawn Ades, Whitney Chadwick, Salomon Grimberg, Katy Kline, Helaine Posner, Susan Rubin Suleiman, Dickran Tashjian.

    From beginning to end some of these poems chart the journey that is life and one woman's cycle of dependency as she recovers her lost identity. Thematically, it is bound by a writer's search for love and fight for freedom, drawing on the spirit and will of Harriet Tubman, the image of the bloated body of Emmett Till, the bombing of Philadelphia Move, and lesbian love. In the tradition of June Jordan and Sapphire, Pamela Sneed presents an in-your-face, powerful, and stirring debut.

    It also relates theoretical positions in women’s autobiography studies to postmodern, poststructuralist, postcolonial, and feminist analyses.The essays from thirty-nine prominent critics and writers include many considered classics in this field. They explore narratives across the centuries and from around the globe, including testimonios, diaries, memoirs, letters, trauma accounts, prison narratives, coming-out stories, coming-of-age stories, and spiritual autobiographies. A list of more than two hundred women’s autobiographies and a comprehensive bibliography of critical scholarship in women’s autobiography provide invaluable information for scholars, teachers, and readers.

    One of the trailblazing women in the Class of 1980 presents a dramatic and some-times disturbing novel about female midshipmen.

    I ask her about the phrase she used, 'Don't call me out of name,' for it seemed to speak for a whole nation of people. Odessa tells me that women who have no money and no one to stand up for them get put into a bad position and they get misnamed. Most often they get called 'welfare mothers' or 'recipients,' words she will no longer acknowledge. With millions alongside her, Odessa has emerged by her own strength and some opportunity, and now she insists upon naming herself."While Lisa Dodson was working in a Charlestown factory twenty years ago, the stories of the women she worked with daily captivated her; she listened to them speak about harsh lives and their deep commitment to family and community. It was the beginning of Dodson's desire to learn the truth and write it down.For over eight years, Dodson has been documenting the lives of girls and women-hundreds of white, African-American, Latino, Haitian, Irish, and other women in personal interviews, focus groups, surveys, and Life-History Studies. This book is a crossing--a class crossing--taking readers into fellowship with people who are seldom invited to speak but who have powerful stories to tell and who force us to abandon common myths that have been fed to us by the media about school dropouts, teen pregnancy, and welfare "cheats." Don't Call Us Out of Name delves deeply into the realities of their lives, often with surprising and uplifting stories of commonplace courage, unimaginable strength, and resourcefulness. Lisa Dodson does not simply give us the truth about women living in poverty but offers realistic hope for meaningful policy reform based on the experience and analysis of the women we have seen so far only in stereotype and whose voices we have not truly heard. These women emerge as critical contributors to the creation of sound, humane public policy.

    Challenging traditional disciplinary and cultural boundaries, the book moves beyond any unified feminist historical narrative to present a relational feminism of diverse communities, affiliations, and practices. The texts/images partake of many genres: reflective essay, testimonial dialogue, performance piece, digital collage, prose poem, and photomontage. Forging connections between usually compartmentalized areas of knowledge and of activism, the volume helps us to envision alternative epistemologies and imaginative alliances. Copublished with the New Museum of Contemporary Art.

    "[Johnson's] book should be read slowly, thoughtfully and prayerfully by Christians of all denominations, for it has much to say about belonging to the communion of all the saints." -Christian Century

    Looking closely at thirty telling cases from the pages of American legal history, Kerber's analysis reaches from the Revolution, when married women did not have the same obligation as their husbands to be "patriots," up to the present, when men and women, regardless of their marital status, still have different obligations to serve in the Armed Forces.An original and compelling consideration of American law and culture, No Constitutional Right to Be Ladies emphasizes the dangers of excluding women from other civic responsibilities as well, such as loyalty oaths and jury duty. Exploring the lives of the plaintiffs, the strategies of the lawyers, and the decisions of the courts, Kerber offers readers a convincing argument for equal treatment under the law.

    Linking representations of cultural and sexual difference, she shows the Oriental woman to have functioned as the veiled interior of Western identity. Her original and compelling argument calls into question dualistic conceptions of identity and difference, West and East, masculinist assumptions of Orientalism, and Western feminist discourses that seek to liberate the veiled woman.

    The Politics of Women's Bodies: Sexuality, Appearance, and Behavior, 2/e, brings together recent critical writings in this important field, covering such diverse topics as the sources of eating disorders, the nature of lesbianism, and the consequences of violence against women. With the exception of two classic articles, all pieces were published in the last decade, and one-quarter of the selections are new to the second edition. The Politics of Women's Bodies: Sexuality, Appearance, and Behavior, 2/e, begins by looking at how ideas about women's bodies become culturally accepted. As the writings in the first section demonstrate, this is a political process that can reflect, reinforce, or challenge the distribution of power between men and women. Subsequent sections look at how, once ideas about women's bodies become accepted, they can serve as powerful--and political--tools for controlling women's appearance, sexuality, and behavior. Articles new to this edition include Daring to Desire: Culture and the Bodies of Adolescent Girls, by Deborah L. Tolman; Casing My Joints: A Private and Public Story of Arthritis, by Mary Lowenthal Felstiner; and Holding Back: Negotiating a Glass Ceiling on Women's Muscular Strength, by Shari L. Dworkin. This unique interdisciplinary anthology is ideal for undergraduate courses that cover the body and sexuality. It is also appropriate for introductory courses in women's studies and courses in the psychology, anthropology, or sociology of women; women and health; and feminist theory.

    Fraser chronicles the corresponding growth of a $50 billion a year industry that provides false hope in exchange for cash.In this meticulously researched journey through Dietland, Fraser gives the inside scoop on: -- Diet drugs, including the controversial phen/fen-- Diet gurus Richard Simmons, Susan Powter, and Dean Ornish-- Commercial weight loss centers, including Jenny Craig and Weight Watchers-- Weight-loss products like thigh creams and diet cookiesProvocative, political, and personal, this revealing book is a remarkable work of investigative journalism and an enthralling, compelling story with almost universal relevance.

    It also features an interview with Acker.

    women's collective history! A landmark work, The Reader's Companion to U.S. Women's History, gathers together more than 400 articles to offer a diverse, rich, and often neglected panorama of the nation's past. Written by more than 300 contributors, drawn from various areas of expertise, these narrative and interpretive entries "effectively cover five centuries of women's experiences" (Bloomsbury Review). Here are articles on cowgirls and child care, on the daily lives of single women and the changing notions of motherhood, on the artistic contributions of women of color and the history of Jewish feminism. Wide-ranging in scope and wonderfully accessible, this unique resource reexamines with fresh clarity and brio the issues and concerns that color the lives of all women. Articles and their contributors include: African American Women, Darlene Clark Hine; Cult of Domesticity, Carroll Smith-Rosenberg; Fashion and Style, Lynn Yaeger; Jazz and Blues, Daphne Duval Harrison; Lesbians, Elizabeth Lapovsky Kennedy; Native American Cultures, Clara Sue Kidwell; Picture Brides, Judy Yung; Salem Witchcraft Trials, Mary Beth Norton; Vietnam Era, Sara M. Evans.

    In this candid, unblinking autobiography, Schroeder recounts her career, telling how she struggled to find a place and a voice in the guy gulag of Congress. Photos.

    . . Sandra Alcosser always gives us poems vivid with what she calls 'the tangible feel / of being alive.' EXCEPT BY NATURE is an exceptional collection: feisty, accomplished, and mature, its poems brim with serious delights".--Eamon Grennan.

    At a time when white elites were concerned with imperialist projects and civilizing missions, progressive white women developed an explicit racial ideology to promote their cause, defending patriarchy for "primitives" while calling for its elimination among the "civilized." By exploring how progressive white women at the turn of the century laid the intellectual groundwork for the feminist social movements that followed, Louise Michele Newman speaks directly to contemporary debates about the effect of race on current feminist scholarship.

    These 32 writers were among the thousands to jump-start feminism in our time. Here, in pieces that are passionate, personal, critical, and witty, they describe what it felt like to make history, to live through and contribute to the massive social movement that transformed the nation.What made these particular women rebel? And what experiences, ideas, feelings, and beliefs shaped their rebellion? How did they maintain the will and energy to keep such an unwomanly struggle going for so long, and continuing still? Memoirs and responses by Kate Millett, Vivian Gornick, Michele Wallace, Alix Kates Shulman, Joan Nestle, Jo Freeman, Yvonne Rainer, Barbara Smith, Ellen Willis, and many more embody the excitement that fueled the movement and the conflicts that threatened it from within. These stories tell how the world we live in changed.With "The Feminist Memoir Project," these activists contribute to yet another movement project, the political work of memory.

    Routledge is an imprint of Taylor & Francis, an informa company.

    Martha Chamallas surveys the full range of legal issues affecting women, from rape and domestic violence to work-place discrimination and taxation issues. Her historical approach, which traces the evolution of legal feminism from the 1970s to the present, is especially valuable for today's generation of students. This revised edition explores new territory, with the latest cases and scholarly thinking on such topics as gender and athletics, the intersection of sex, race, and sexual orientation, and international human rights. One of the most enlightening books your students are likely to read.

    Infants' bodies are altered, and what was "ambiguous" is made "normal." Kessler's interviews with pediatric surgeons and endocrinologists reveal how the intersex condition is normalized for parents and she argues that the way in which intersexuality is managed by the medical and psychological professions displays our culture's beliefs about gender and genitals.Parents of intersexed children are rarely heard from, but in this book they provide another perspective on reasons for genital surgeries and the quality of medical and psychological management. Although physicians educate parents about how to think about their children's condition, Kessler learned from parents of intersexed children that some parents are able to accept atypical genitals. Based on analysis of the medical literature and interview with adults who had received treatment as interesexed children, Kessler proposes new approaches for physicians to use in talking with parents and children. She also evaluates the appearance of a politicized vanguard, many of who are promoting an intersexual identity, who seek to alter the way physicians respond to intersexuality.Kessler explores the possibilities and implications of suspending a commitment to two "natural" genders and addresses gender destabilization issues arising from intersexuality. She thus compels readers to re-think the meaning of gender, genitals, and sexuality.

    Raising key questions about race, class, sexuality, age, material culture, intellectual history, pedagogy, and gender, this book explores the myriad relationships between feminist thinking and "Little Women".

    "Suffused with her inimitable word play and stunning intelligence, and embodying a balance of mysticism and critical theory, Daly's clarion call to uncover the quintessence of the universe is quite an intriguing tune." -On the Issues

    Conley, the first female tenured professor of neurosurgery in the country, made headline news when she resigned from Stanford University to protest the medical school's unabashed gender discrimination. In this controversial, forthright memoir, Conley portrays the world of academic medicine in which women are still considered inferior; she also explains why, as a consequence, the research and treatment of women's health problems lag far behind those of men. In assessing why women's careers and psyches are suffering, Conley provides a first-person look into what it is like to be an accomplished woman within this restrictive medical world, offering invaluable advice to patients and future doctors alike.

    Outspoken, visionary, and sometimes contentious, these women stepped into the pulpit long before twentieth-century battles over female ordination began. They were charismatic, popular preachers, who spoke to hundreds and even thousands of people at camp and revival meetings, and yet with but a few notable exceptions--such as Sojourner Truth--these women have essentially vanished from our history. Recovering their stories, Brekus shows, forces us to rethink many of our common assumptions about eighteenth- and nineteenth-century American culture.

    Mentioned in the Talmud and elaborated on in the Midrash and Kabbalistic writings, Lilith is said to be Adam's first partner. While the figure of Lilith may be as old as Jewish culture itself, until recently her stories were told primarily by men and their depiction of Lilith was consistent: she was a witch, a temptress, a dangerous, evil woman. This anthology offers a vivid, provocative, and enlightening sampling of Jewish women's responses to the Lilith myth.

    Who put all those naked men in the classical section of museums? What were the "do's" and "don'ts" for female artists as "civilization" marched across Europe? Why did nuns have more fun in medieval times? This wisecracking but cleverly wise story of art is guaranteed to turn history on its head - and maybe a few historians too. Sprinkled throughout are "believe it or not" quotations from so-called experts; useful facts (consider how many prostitutes and how few suffragettes were painted in the nineteenth century); and reproductions of famous art works "enhanced" for historical accuracy and revenge.

    Her Gaelic Symphony, given its premiere by the Boston Symphony Orchestra in 1896, was the first work of its kind by an American woman to be performed by an American orchestra. Almost all of her more than 300 works were published soon after they were composed and performed, and today her music is finding new advocates and audiences for its energy, intensity, and sheer beauty. Yet, until now, no full-length critical biography of Beach's life or comprehensive critical overview of her music existed. This biography admirably fills that gap, fully examining the connections between Beach's life and work in light of social currents and dominant ideologies.Born into a musical family in Victorian times, Amy Beach started composing as a child of four and was equally gifted as a pianist. Her talent was recognized early by Boston's leading musicians, who gave her unqualified support. Although Beach believed that the life of a professional musician was the only life for her, her parents had raised her for marriage and a career of amateur music-making. Her response to this parental (and later spousal) opposition was to find creative ways of reaching her goal without direct confrontation. Discouraged from a full-scale concert career, she instead found her m�tier in composition.Success as a composer of art songs came early for Beach: indeed, her songs outsold those of her contemporaries. Nevertheless, she was determined to separate her work from the genteel parlor music women were writing in her day by creating large-scale works--a Mass, a symphony, and chamber music--that challenged the accepted notion that women were incapable of creating high art. She won the respect of colleagues and the allegiance of audiences. Many who praised her work, however, considered her an exception among women. Beach's reaction to this was to join with other women composers of serious music by promoting their works along with her own.Adrienne Fried Block has written a biography that takes full account of issues of gender and musical modernism, considering Beach in the contexts of her time and of her composer contemporaries, both male and female. Amy Beach, Passionate Victorian will be of great interest to students and scholars of American music, and to music lovers in general.

    Pierre Bourdieu’s analysis of Kabyle society provides instruments to help us understand the most concealed aspects of the relations between the sexes in our own societies, and to break the bonds of deceptive familiarity that tie us to our own tradition.Bourdieu analyzes masculine domination as a prime example of symbolic violence—the kind of gentle, invisible, pervasive violence exercised through the everyday practices of social life. To understand this form of domination we must also analyze the social mechanisms and institutions—family, school, church, and state—that transform history into nature and eternalize the arbitrary. Only in this way can we open up the possibilities for a kind of political action that can put history in motion again by neutralizing the mechanisms that have naturalized and dehistoricized the relations between the sexes.This new book by Pierre Bourdieu—which has been a bestseller in France—will be essential reading for anyone concerned with questions of gender and sexuality and with the structures that shape our social, political, and personal lives.

    In a playful way, she encourages women to surrender to the abyss and stillness of their being, where yin is centered. While sexuality is considered to be a fundamental base of health, creativity, and spirituality, and has been used as a main energy source, it has been dominated by the male principle (yang). This comprehensive theoretical and practical introduction to holistic female sexology enables women to understand their own true nature. Piontek includes meditations and exercises geared toward connecting with the well of unlimited strength to liberate from personal and collective conditioning. Bibliography. Index.

    Irreverent and rich with insight, this book connects the feminist movement to struggles for racial and class equality as it traces the highlights and low points of feminist thinking in the past twenty-five years on a range of issues: the parallels between the current state of feminism and the setbacks in American and English feminism after World War I; why feminism must accept the leadership of women of color; and the necessity of socialist and feminist theory, despite traditional clashes between feminists and the Left. What Are We Fighting For? will help feminists and their allies connect the issues, build coalitions, and revive the movement's radical spirit.

    Time and time again, her words of empathy and inspiration have provided insight to those who suffer from the harsh realities of a hurting world. In "Jesus and Those Bodacious Women," Hollies serves up new spins on the stories of biblical women. From Eve to Mary Magdalene, portraits of the bodaciousness of the many matriarchs of the Christian tradition will prove to be blessings for readers young and old.Hollies includes study questions and suggestions at the end of each chapter, providing examples of how one can grow in faith, spirituality, and of course -- bodaciousness.

    In creative, analytical retellings of biblical tales about women, Aschkenasy demonstrates how recurring situations, dilemmas, and modes of conduct represent the politics of women's realities in premodern civilization--how women's lives in those times were characterized by social and legal limitations which some accepted and others challenged.

    In Strong Women, Deep Closets, she provides a critical analysis of discrimination and prejudice against lesbians in sport.The book is the first to explore the lesbian sporting experience as well as examine homophobia and heterosexism in women's sport. The work is based on theoretical and historical foundations and is written in an academic yet engaging style. Griffin brings to light the experiences of lesbian coaches and athletes in their own words.Strong Women, Deep Closets concludes with Griffin's assessment of the current state of lesbians' rights in athletics, set against the overall social picture in the United States. The author lists obstacles lesbian athletes face in transforming sports and details numerous personal and political strategies for leveling the playing field.

    Doctors loathed this time-consuming procedure and for centuries relied on midwives. Later, they substituted the efficiency of mechanical devices, including the electric vibrator, invented in the 1880s. In The Technology of Orgasm, Rachel Maines offers readers a stimulating, surprising, and often humorous account of hysteria and its treatment throughout the ages, focusing on the development, use, and fall into disrepute of the vibrator as a legitimate medical device.

    I really loved reading this book. It is both critical and appreciative. It is truly written in what I would call a feminist spirit."--Kathy Ferguson, University of Hawaii Kathi Weeks suggests that one of the most important tasks for contemporary feminist theory is to develop theories of the subject that are adequate to feminist politics. Although the 1980s modernist-postmodernist debate put the problem of feminist subjectivity on the agenda, Weeks contends that limited debate now blocks the further development of feminist theory.Both modernists and postmodernists succeeded in making clear the problems of an already constituted, essentialist subject. What remains as an ongoing project, Weeks contends, is creating a theory of the constitution of subjects to account for the processes of social construction. This book presents one such account. Drawing on a number of different theoretical frameworks, including feminist standpoint theory, socialist feminism, and poststructuralist thought, as well as theories of performativity and self-valorization, the author proposes a nonessentialist feminist subject, a theory of constituting subjects.

    Throughout, Friedman adapts current cultural theory from global and transnational studies, anthropology, and geography to challenge modes of thought that exaggerate the boundaries of gender, race, ethnicity, sexuality, class, and national origin. The author promotes a transnational and heterogeneous feminism, which, she maintains, can replace the proliferation of feminisms based on difference. She argues for a feminist geopolitical literacy that goes beyond fundamentalist identity politics and absolutist poststructuralist theory, and she continually focuses the reader's attention on those locations where differences are negotiated and transformed.Pervading the book is a concern with narrative: the way stories and cultural narratives serve as a primary mode of thinking about the politically explosive question of identity. Drawing freely on modernist novels, contemporary film, popular fiction, poetry, and mass media, the work features narratives of such writers and filmmakers as Gish Jen, Julie Dash, June Jordon, James Joyce, Gloria Anzald%a, Neil Jordon, Virginia Woolf, Mira Nair, Zora Neale Hurston, E. M. Forster, and Irena Klepfisz.Defending the pioneering role of academic feminists in the knowledge revolution, this work draws on a wide variety of twentieth-century cultural expressions to address theoretical issues in postmodern feminism.

    While there are many studies of tricksters, few have focused on the chicanery of women, and none have dealt with the ways in which the female trickster is constructed in America.Madcaps, Screwballs, and Con Women is the first book to explore the cultural work performed by female tricksters in the new country of American mass consumer culture. Beginning with such nineteenth-century novels as Capitola the Madcap and moving through twentieth-century novels, films, radio, and television shows, Lori Landay looks at how popular heroines use craft and deceit to circumvent the limitations of femininity. She considers texts of the 1920s such as Elinor Glyn's It and Anita Loos's Gentlemen Prefer Blondes; films of Mae West, as well as other Depression-era and wartime film comedy; the postwar television series I Love Lucy; and such contemporary texts as Roseanne, Ellen, and Batman. In addition, Landay explores the connections between these texts and advertisements selling products that encourage female deception and trickery.

    Included are the stories of several doctors who performed abortions in these times. The stories are told first hand by a diverse group of 21 women who experienced the frightening underground world of backstreet abortions.

    Brody’s readings of Victorian novels, plays, paintings, and science fiction reveal the impossibility of purity and the inevitability of hybridity in representations of ethnicity, sexuality, gender, and race. She amasses a considerable amount of evidence to show that Victorian culture was bound inextricably to various forms and figures of blackness. Opening with a reading of Daniel Defoe’s “A True-Born Englishman,” which posits the mixed origins of English identity, Brody goes on to analyze mulattas typified by Rhoda Swartz in William Thackeray’s Vanity Fair, whose mixed-race status reveals the “unseemly origins of English imperial power.” Examining Victorian stage productions from blackface minstrel shows to performances of The Octoroon and Uncle Tom’s Cabin, she explains how such productions depended upon feminized, “black” figures in order to reproduce Englishmen as masculine white subjects. She also discusses H.G. Wells’s The Island of Dr. Moreau in the context of debates about the “new woman,” slavery, and fears of the monstrous degeneration of English gentleman. Impossible Purities concludes with a discussion of Bram Stoker’s novella, “The Lair of the White Worm,” which brings together the book’s concerns with changing racial representations on both sides of the Atlantic. This book will be of interest to scholars in Victorian studies, literary theory, African American studies, and cultural criticism.

    It is also an attempt to rediscover and rehabilitate traditional indigenous knowledge as an important basis for empowering women and re-establishing the foundation of reciprocity in North-South dialogue. The author looks at the wreckage "progress" has wreaked on the lives of Thai sex workers and of indigenous peoples globally and contrasts this with a portrait - in words and pictures - of her own "undeveloped" mother, 'gardener, agriculturalist, cook, entertainer, tool and toy inventor and maker, traditional doctor, resources manager, energy conservationist, food scientist, home economist, sustainable developer, ecologist and environmentalist'. In exploring the possibilities for an appropriate development path, Sinith Sittirak applies the framework of a political economy of development which acknowledges the politics of identity and difference. Central to her framework is the recognition that 'development' is part of that universalizing process which imposes sameness by speaking for or naming the 'Other' and by excluding difference.

    Since the 1960s, more that a million copies of her diary have been sold worldwide. Yet many Brazilians refused to credit someone like Carolina with authorship of such a diary, with its complicated words (some but not all of them misused) and often lyrical phrasing. Doubters preferred to believe the book was either written by Audalio Dantas, the enterprising newspaper reporter who discovered her, or that Dantas rewrote it so substantially that her book is a fraud. With the cooperation of Carolina's daughter, Vera Eunice de Jesus Lima, recent research shows that although Dantas deleted considereable portions of the diary (as well as a second one, Casa de Alvenaria), every single word was Carolina's.This book not only sets the record straight by providing detailed translations of Carolina's unedited diaries but also explains why Brazilian elites were motivated to obscure her true personality and present her as something she was not. The Unedited Diaries of Carolina Maria de Jesus is not only about the writer but about Brazil as a whole as recorded by her sarcastic pen. The diary entries in this book span from 1958 to 1966, five years beyond text previously known to exist. They show Carolina as she was, preserving her Joycean stream-of-consciousness language, her pithy characterizations, and her allusions to antiquity.

    Williams, Black feminists have always recognized the mutual dependence of race and gender. Detailing these connections, Not Just Race, Not Just Gender explores the myriad ways race and gender shape lives and social practices.Resisting essentialist tendencies, Valerie Smith identifies black feminist theorizing as a strategy of reading rather than located in a particular subjective experience. Her intent is not to deny the validity of black women's lived experience, but rather to resist deploying a uniform model of black women's lives that actually undermines the power of black feminist thought. Whether reading race or gender in the Central Park jogger case or in contemporary media, like Livin' Large, Smith displays critical rigor that promises to change the way we think about race and gender.

    This edited volume is an outgrowth of a discussion that began on the Sociologists for Women in Society Listserve, in which participants were asked to talk about key pieces in feminist scholarship that had particularly influenced their sociological thinking. Editors Kristen A. Myers, Cynthia D. Anderson, and Barbara J. Risman have chosen articles that fall into what they consider the intellectual genres that compose feminist sociology. This collection differs from others because the editors avoid organizing material by substantive specialty areas (i.e., family, race and ethnicity, criminology, or methods). Their vision instead sees sociology as an integrated discipline, where feminist contributions have systematically influenced the shape of the whole by similarly influencing the distinct parts. In addition to simply compiling a comprehensive list of important articles from the last two decades, the editors have invited major feminist scholars to comment and reflect on the articles in each section of the book. These reflections help provide the historical and social context in which feminist scholarship has taken place. This book will be of obvious appeal to feminist scholars and gender sociologists. Yet, as feminist thought rightfully takes its place away from the margins and toward the center of the discipline, this book stands as a rich and useful resource for any contemporary theory course.

    The author asks why it is so difficult to disentangle woman ‘as subject/citizen imbued with rights from that of being daughter, sister, wife, widow and the symbol of a community’? Why is it that both Hindu and Muslim women are usually unsuccessful in their claims for property despite appealing to different personal laws?By shifting the focus from the text of the law to an ethnography of litigation–the nature of disputes, the attitudes of lawyers, the experiences in court, the logic of judgements, and so on–the analysis brings into play the crucial factors that are obscured in abstract discussions of ‘rights’.

    Government policies, consumer goods aimed at rural markets, and the increasing consolidation of agricultural industries all combined to bring about changes in farming strategies that had been in use since the frontier era. Because the Midwestern farm economy played an important part in the relations of family and community, new approaches to farm production meant new patterns in interpersonal relations as well. In Preserving the Family Farm Mary Neth focuses on these relations—of gender and community—to shed new light on the events of this crucial period.

    Ross draws on interviews, on the mainstream of sacramental theology, and on contemporary feminist theory to ascertain what she calls a feminist sacramental theology. Ross maintains that although women are still excluded from most official sacramental leadership, they are nevertheless engaged in sacramental ministry at many levels. Using feminist theories of the family, literary-psychoanalytic theory and feminist ethics, Ross explores the role of embodiment, the use of spousal imagery, the nature of the symbol, the relation of sacraments and ethics, and the significance of the sacraments of worship.

    But when the little girl comes from the working class, she's something else. Just what, and why so little is said about it, are the questions Valerie Walkerdine asks in Daddy's Girl, a book about how we see young girls, how they see themselves, and how popular culture mediates the view.Walkerdine's study looks at little girls on television and in the movies, in advertisements and popular songs. In figures from Annie to Shirley Temple in any number of her plucky poor girl roles, she shows us little orphans saddled with the task of representing the self-sufficient working class on the one hand and the loveable object of middle class charity on the other. The real working class girl, whose fantasies feed on a strange mix of these images and the rest of what popular culture offers, with all its glamorized sex and violence, is also the object of Walkerdine's attention. Reflecting on her own working class roots and taking us into the homes and the confidence of working class girls today as they watch television and movies and listen to popular songs, she gives us a sense, at once troubling and poignant, of the portrayal and manipulation of little girls as a canny part of the production of civilized femininity.At the center of this work is the issue of how girl children are taught to think of themselves and how their depiction puts them in their place. This concern leads Walkerdine to questions about television and parental control, about Freud's seduction theory and the origins of fantasy, about the political and erotic meaning of the ubiquitous gaze our culture trains on the little girl, and about academics' approach to the subject.

    Here, for the first time in English translation, Dominique Godineau offers an illuminating account of these female revolutionaries. As nurturing and tender as they are belligerent and contentious, these are not singular female heroines but the collective common women who struggled for bare subsistence by working in factories, in shops, on the streets, and on the home front while still finding time to participate in national assemblies, activist gatherings, and public demonstrations in their fight for the recognition of women as citizens within a burgeoning democracy. Relying on exhaustive research in historical archives, police accounts, and demographic resources at specific moments of the Revolutionary period, Godineau describes the private and public lives of these women within their precise political, social, historical, and gender-specific contexts. Her insightful and engaging observations shed new light on the importance of women as instigators, activists, militants, and decisive revolutionary individuals in the crafting and rechartering of their political and social roles as female citizens within the New Republic.

    The book embraces historical chapters, contemporary political analyses, and cultural studies (focusing on literature and religion).Socialist Yugoslavia undertook a relatively unusual experiment during the forty-six years of its existence (1945-91)--to eliminate the sources of social, economic, and gender inequality while laying the foundation for a society in which women and men could enjoy complete equality in politics, in education and careers, and in family life. Although the aspiration was shared with other communist countries, Yugoslavia gave its experiment a unique twist by linking its program with institutional changes to be realized through self-management organs and a complicated delegate system. The socialist system represented an improvement where gender equality was concerned over the pre-existing system associated with the interwar Kingdom of Yugoslavia, but it did not fulfill its promises.Recognizing the need for a book that surveys the experience of South Slav women during the twentieth century, Sabrina Ramet commissioned essays from leading scholars in East European/Yugoslav studies and women's studies for this volume. The resulting collection is arranged in rough chronological order, covering primarily Slovenia, Croatia, Serbia, and Bosnia from before World War II until present day. Topics covered include the structures of traditional society, gender relations in the interwar period, anti-Fascist organizations, the socialist experience, and issues connected to post-socialist politics and the war, making this the most comprehensive and up-to-date book on the subject.Contributors are Andrei Simic, Thomas A. Emmert, Vlasta Jalusič, Barbara Jancar-Webster, Tatjana Pavlovic, Zarana Papic, Julie Mertus, Obrad Kesic, Regan Ralph, Dorothy Thomas, Gordana Crnkovic, Mart Bax, Branka Magas, and Sabrina Ramet.

    Socialist Feminism. An encyclopedic yet personal exploration of the meaning of socialist feminism, the power of Marxist theory and working-class feminism, and the highs and lows of an activist life. Through columns, essays and speeches spanning 40 years, Clara Fraser addresses diverse topics including women's leadership, the interconnections of racism and sexism, homophobia in the military, electoral politics, and her own and others' battles for job rights and free speech. Meet a woman revolutionary for all times!

    It brings the continental and Anglo-American traditions into substantive and productive conversation with each other." --Ellen ArmourTo what extent has the emergence of the study of religion in Western culture been gendered? In this exciting book, Grace Jantzen proposes a new philosophy of religion from a feminist perspective. Hers is a vital and significant contribution which will be essential reading in the study of religion.

    Routledge is an imprint of Taylor & Francis, an informa company.

    In A History of European Women's Work, Deborah Simonton draws together recent research and methodological developments to take an overview of trends in women's work across Europe from the so-called pre-industrial period to the present.Taking the role of gender and class in defining women's labour as a central theme, Deborah Simonton compares and contrasts the pace of change between European countries, distinguishing between Europe-wide issues and local developments.

    It tells stories in close up and from below, allowing everyone to talk: anxious boys, naughty girls, cantankerous teachers, pontificating principals and feisty feminists.This book challenges many sacred ideas about gender reform in schools and will surprise and unsettle teachers and researchers. It draws on a deep knowledge of gender issues in schools and of feminist theories, policies and practices. It is compelling and provocative reading at the leading edge.

    The primary voice in the collection, Tomasa Cuevas, spent many years in prisons throughout Spain as a political prisoner. After the death of Franco in 1975, Cuevas began to collect oral testimonies from women she had known in prison as she traveled throughout Spain recording their stories. These, along with hers, eventually were published in three volumes in Spain. Prison of Women is a collaboration between Tomasa Cuevas and Mary E. Giles, translator and editor, who wrote the introduction and afterword, and provided contextual information in notes and a glossary. The testimonies offer a compelling record of the years leading up to the Spanish Civil War, the aftermath of that horrendous struggle, and a revealing testament to the strength of the human spirit.