Rejecting the century's predominant philosophical focus on temporality, Sloterdijk, self-described "student of the air," reinterprets the history of Western metaphysics as an inherently spatial & immunological project, from the discovery of self (bubble) to the exploration of world (globe) to the poetics of plurality (foam). Exploring macro- & micro-space from the Greek agora to contemporary urban apartments, he's able to synthesize, with immense erudition, the spatial theories of Aristotle, Descartes, Gaston Bachelard, Walter Benjamin & Georges Bataille into a morphology of shared, or multipolar, dwelling--identifying the question of being as one bound up with the aerial technology of architectonics & anthropogenesis. He describes Bubbles, Spheres' 1st volume, as a general theory of the structures that allow couplings--or as the book's original intended subtitle put it, an "archeology of the intimate." Bubbles includes a wide array of images, not to illustrate his discourse, but to offer a spatial & visual "parallel narrative" to his exploration of bubbles. Written over the course of a decade, the trilogy has waited another decade for its English translation from Semiotext(e). Volumes 2, Globes, & 3, Foam, will publish in coming seasons.

    Stigmata brings together her most recent essays for the first time.Acclaimed for her intricate and challenging writing style, Cixous presents a collection of texts that get away -- escaping the reader, the writers, the book. Cixous's writing pursues authors such as Stendhal, Joyce, Derrida, and Rembrandt, da Vinci, Picasso -- works that share an elusive movement in spite of striking differences. Along the way these essays explore a broad range of poetico-philosophical questions that have become characteristic of Cixous' work: * love's labours lost and found* feminine hours* autobiographies of writing* the prehistory of the work of artStigmata goes beyond theory, becoming an extraordinary writer's testimony to our lives and our times.

    It did not seem possible to proceed otherwise. At a certain point, it became clear that testimony contained at its core an essential lacuna; in other words, the survivors bore witness to something it is impossible to bear witness to. As a consequence, commenting on survivors' testimony necessarily meant interrogating this lacuna or, more precisely, attempting to listen to it. Listening to something absent did not prove fruitless work for this author. Above all, it made it necessary to clear away almost all the doctrines that, since Auschwitz, have been advanced in the name of ethics.---Giorgio Agamben

    Woods traces the decline and resurrection of plantation ideology in national public policy debates, showing the ways in which African Americans in the Delta have continued to push forward their agenda for social and economic justice despite having suffered countless defeats under the planter regime. Woods interweaves the role of music in sustaining their efforts, surveying a musical tradition that embraced a radical vision of social change.

    Jed Rasula and Steve McCaffery take these and other examples of twentieth-century avant-garde writing as the starting point for a collection of writings that demonstrates a continuum of creative conjecture on language from antiquity to the present. The anthology, which spans three millennia, generally bypasses chronology in order to illuminate unexpected congruities between seemingly discordant materials. Together, the writings celebrate the scope and prodigality of linguistic speculation in the West going back to the pre-Socratics.

    He argues that existing anthropological and aesthetic theories take an overwhelmingly passive point ofview, and questions the criteria that accord art status only to a certain class of objects and not to others. The anthropology of art is here reformulated as the anthropology of a category of action: Gell shows how art objects embody complex intentionalities and mediate social agency. He exploresthe psychology of patterns and perceptions, art and personhood, the control of knowledge, and the interpretation of meaning, drawing upon a diversity of artistic traditions--European, Indian, Polynesian, Melanesian, and Australian.Art and Agency was completed just before Alfred Gell's death at the age of 51 in January 1997. It embodies the intellectual bravura, lively wit, vigour, and erudition for which he was admired, and will stand as an enduring testament to one of the most gifted anthropologists of his generation.

    With the same insight and integrity displayed in his poetry, he chronicles many struggles of the Latino community: the myths and realities of machismo, the backlash against Latino immigrants and the Spanish language, the borders of racism, and U.S. colonialism in Puerto Rico.Espada's poetry has survived everything from censorship by National Public Radio to a bomb threat at a reading. In his essay "All Things Censored," he describes how NPR commissioned him to write a poem, then refused to air the work because of its political content: a defense of Mumia Abu-Jamal, the African-American journalist on death row. In "The Poetics of Commerce," Espada takes on the Nike corporation, which solicited a poem for use in a television commercial as part of the company's ongoing propaganda campaign to divert attention from its dismal human rights record in Asian sweatshops.Espada stirs together ingredients of memoir and reclaimed history in "Postcard from the Empire of Queen Ixolib," which recalls his pilgrimage to the town in Mississippi where his father was jailed half a century ago for not moving to the back of the bus. He also pays homage to "Poets of the Political Imagination"--a force throughout the Americas rooted in the traditions of Neruda and Whitman--and reflects on the political imagination as a catalyst in the creation of his own poetry.A dozen of Espada's poems, old and new, weave themselves through the essays in Zapata's Disciple. In a voice charged with anger, humor, and compassion, Espada unleashes his words--following Walt Whitman's dictum on what poets should do--"to cheer up slaves and horrify despots."

    Emmanuel Levinas, Maurice Merleau-Ponty, Edmund Husserl, Didier Franck, Martin Heidegger, Francoise Dastur, and Jean-Louis Chrétien are discussed, as are René Descartes, Diderot, Maine de Biran, Félix Ravaisson, Immanuel Kant, Sigmund Freud, and others. The scope of Derrida's deliberations makes this book a virtual encyclopedia of the philosophy of touch (and the body).Derrida gives special consideration to the thinking of touch in Christianity and, in discussing Jean-Luc Nancy's essay "Deconstruction of Christianity," devotes a section of the book to the sense of touch in the Gospels. Another section concentrates on "the flesh," as treated by Merleau-Ponty and others in his wake. Derrida's critique of intuitionism, notably in the phenomenological tradition, is one of the guiding threads of the book.On Touching includes a wealth of notes that provide an extremely useful bibliographical resource. Personal and detached all at once, this book, one of the first published in English translation after Jacques Derrida's death, serves as a useful and poignant retrospective on the work of the philosopher. A tribute by Jean-Luc Nancy, written a day after Jacques Derrida's death, is an added feature.

    Nothing About Us Without Us is the first book in the literature on disability to provide a theoretical overview of disability oppression that shows its similarities to, and differences from, racism, sexism, and colonialism. Charlton's analysis is illuminated by interviews he conducted over a ten-year period with disability rights activists throughout the Third World, Europe, and the United States. Charlton finds an antidote for dependency and powerlessness in the resistance to disability oppression that is emerging worldwide. His interviews contain striking stories of self-reliance and empowerment evoking the new consciousness of disability rights activists. As a latecomer among the world's liberation movements, the disability rights movement will gain visibility and momentum from Charlton's elucidation of its history and its political philosophy of self-determination, which is captured in the title of his book. Nothing About Us Without Us expresses the conviction of people with disabilities that they know what is best for them. Charlton's combination of personal involvement and theoretical awareness assures greater understanding of the disability rights movement.

    

    Gilberto Perez draws on his lifelong love of the movies as well as his work as a film scholar to write a lively, wide-ranging, penetrating study of films and filmmakers and the nature of the art form.

    In this book, he asks whether that desire is indeed limited to racists. Drawing upon the Australian experience, Hage draws conclusions that might also be applicable in France, the United States and Great Britain, each being examples of multicultural environment under the control of white culture. Hage argues that governments have promised white citizens that they would lose nothing under multiculturalism. However, migrant settlement has changed neighbourhoods, challenged white control, created new demands for non-whites, and led to white backlash. This book suggests that white racists and white mulitculturalists may share more assumptions than either group suspects.

    This edition includes three technique manuals of precise instruction and anatomy-embedded illustrations, plus extensive online technique video clips, teach effective, safe practices.Discussions of perinatal research, anatomy, physiology, functional adaptations, and emotional responses, invoke deep understanding for the normalcy of pregnancy. The special needs chapter equips therapists for working cooperatively with medical experts when complications or high risks are involved. Business chapters focus on marketplace success, and include voices of longtime therapists in a variety of settings.Book purchase includes exclusive access to online ancillaries featuring a wide range of professional, business and medical resources compiled specifically to prepare readers for the opportunities and challenges of a maternity massage therapy specialization.

    Legislative Theatre is the latest and most remarkable stage in his work. 'Legislative Theatre' is an attempt to use Boal's method of 'Forum Theatre' within a political system to create a truer form of democracy. It is an extraordinary experiment in the potential of theatre to affect social change. At the heart of his method of Forum Theatre is the dual meaning of the verb 'to act': to perform and to take action. Forum Theatre invites members of the audience to take the stage and decide the outcome, becoming an integral part of the performance. As a politician in his native Rio de Janeiro, Boal used Forum Theatre to motivate the local populace in generating relevant legislation. In Legislative Theatre Boal creates new, theatrical, and truly revolutionary ways of involving everyone in the democratic process. This book includes: * a full explanation of the genesis and principles of Legislative Theatre * a description of the process in operation in Rio * Boal's essays, speeches and lectures on popular theatre, Paolo Freire, cultural activism, the point of playwrighting, and much else besides.

    Selections are organized into five historical periods from the 18th century to the mid-1990s. The book includes key feminist manifestoes to help students see the link between feminist theory and application, as well as clear, concise explanations of 12 key concepts that characterize the development of feminist thought since its inception.

    Art in Theory, 1815–1900 provides the most wide-ranging and comprehensive collection of documents ever assembled on nineteenth-century theories of art.

    By the time he became our second president, no American had written more about our government and not even Jefferson or Madison had read as widely about questions of human nature, natural right, political organization, and constitutional construction. Yet this staunch constitutionalist is perceived by many as having become reactionary in his later years and his ideas have been largely disregarded.In the first major work on Adams's political thought in over thirty years, C. Bradley Thompson takes issue with the notion that Adams's thought is irrelevant to the development of American ideas. Focusing on Adams's major writings, Thompson elucidates and reevaluates his political and constitutional thought by interpreting it within the tradition of political philosophy stretching from Plato to Montesquieu.This major revisionist study shows that the distinction Adams drew between "principles of liberty" and "principles of political architecture" is central to his entire political philosophy. Thompson first chronicles Adams's conceptualization of moral and political liberty during his confrontation with American Loyalists and British imperial officers over the true nature of justice and the British Constitution, illuminating Adams's two most important pre-Revolutionary essays, "A Dissertation on the Canon and Feudal Law" and "The Letters of Novanglus." He then presents Adams's debate with French philosophers over the best form of government and provides an extended analysis of his Defense of the Constitutions of Government and Discourses on Davila to demonstrate his theory of political architecture.From these pages emerges a new John Adams. In reexamining his political thought, Thompson reconstructs the contours and influences of Adams's mental universe, the ideas he challenged, the problems he considered central to constitution-making, and the methods of his reasoning. Skillfully blending history and political science, Thompson's work shows how the spirit of liberty animated Adams's life and reestablishes this forgotten Revolutionary as an independent and important thinker.

    From such classics as Chanel No.5 to Mugler's 'Angel', this beautiful book explains how these fragrances were made, designed and marketed and why some are now considered to be masterpieces. Written by Michael Edwards, whose expertise and knowledge of perfume is unequaled. Text in English

    Essays explore the connections of Gothic fictions to political and industrial revolutions, the realistic novel, the theater, Romantic and post-Romantic poetry, nationalism and racism from Europe to America, colonized and post-colonial populations, the rise of film, the struggles between high and popular culture, and changing attitudes towards human identity, life and death, sanity and madness. The volume also includes a chronology and guides to further reading.

    "Savoir," by Hélène Cixous, is a brief but densely layered account of her experience of recovered sight after a lifetime of severe myopia, an experience that ends with the unexpected turn of grieving for what is lost. Her literary inventiveness mines the coincidence in French between the two verbs savoir (to know) and voir (to see). Jacques Derrida's "A Silkworm of One's Own" complexly muses on a host of autobiographical, philosophical, and religious motifs—including his varied responses to "Savoir." The two texts are accompanied by six beautiful and evocative drawings that play on the theme of drapery over portions of the body.Veils suspends sexual difference between two homonyms: la voile (sail) and le voile (veil). A whole history of sexual difference is enveloped, sometimes dissimulated here—in the folds of sails and veils and in the turns, journeys, and returns of their metaphors and metonymies.However foreign to each other they may appear, however autonomous they may be, the two texts participate in a common genre: autobiography, confession, memoirs. The future also enters in: by opening to each other, the two discourses confide what is about to happen, the imminence of an event lacking any common measure with them or with anything else, an operation that restores sight and plunges into mourning the knowledge of the previous night, a "verdict" whose threatening secret remains out of reach by our knowledge.

    This book is intended to address that virtual void by establishing the ground for critical discussion and reading of a central figure in Japanese culture, placing the works of Basho and his disciples in the context of broader social change. Intended for both the general reader and the specialist, Traces of Dreams examines the issues of language, landscape, cultural memory, and social practice in early modern Japan through a fundamental reassessment of haikai—popular linked verse that eventually gave birth to modern haiku—particularly that of Basho and his disciples. The author analyzes haikai not only as a specific poetic genre but as a mode of discourse that emerged from the profound engagement between the new commoner culture that came to the fore in the seventeenth century cities and the earlier traditions, which haikai parodied, transformed, and translated into the vernacular.Traces of Dreams explores the manner in which haikai both appropriated and recast the established cultural and poetic associations embodied in nature, historical objects, and famous places—the landscape that preserved the cultural memory and that became the source of authority as well as the contested ground for haikai re-visioning and re-mapping.

    This landmark anthology is a comprehensive documentary resource for the study of Modernism, bringing together more than 150 key essays, articles, manifestos, and other writings of the political and aesthetic avant-garde between 1840 and 1950.By favoring short extracts over lengthier originals, the editors cover a remarkable range and variety of modernist thinking. Included are not just the familiar high modernist landmarks such as Gustave Flaubert, Ezra Pound, and James Joyce, but also a diverse representation from the sciences, politics, philosophy, and the arts, including Charles Darwin, Thorstein Veblen, W. E. B. Du Bois, Isadora Duncan, John Reed, Adolf Hitler, and Sergei Eisenstein. Another welcome feature is a substantial selection of hard-to-find manifestos from the many modernist movements, among them futurism, cubism, Dada, surrealism, and anarchism.

    All of Abramovic's performance works from 1969 to the present time are documented in this volume by means of numerous photographs, illustrations, descriptions, and transcriptions. Comments by audience members during performances have been recorded, discussions with the artist are included, and a substantial text by a host of critics has been assembled. The artist's chronological trajectory from formal art studies in Yugoslavia to work in sound environments, video installation, and performance based around the body is followed with scrutiny. The book is a major event for this provocative performer-artist, and features essays from such notables as the curators Hans Ulrich Obrist and Chrissie lles, the critics Thomas McEvilley and Bojana Pejic, and many others.

    Strange shifts in perspective can take place when Berlin is viewed from Jakarta, or when complex histories of colonial domination strand what counts as the founding work of a national culture in a language its people no longer read. The “spectre of comparisons” arises as nations stir into self awareness, matching themselves against others, and becoming whole through the exercise of the imagination.In this series of profound and eloquent essays, Benedict Anderson, best known for his classic book on nationalism, Imagined Communities, explores these effects as they work their way through politics and culture. Spanning broad accounts of the development of nationalism and identity, and detailed studies of Southeast Asia, the book includes pieces on East Timor, where every Indonesian attempt to suppress national feeling has had the opposite effect; on the Philippines, where it is said that some horses eat better than stable-hands; on Thailand, where so much money can be made in elected posts that candidates regularly kill to get them; on the Filipino nationalist and novelist José Rizal for whom “we mortals are like turtles—we have value and are classified according to our shells;” and a remarkable essay on Mario Vargas Llosa, detailing the fate of indigenous minorities at the hands of the modern state.While The Spectre of Comparisons is an indispensable resource for those interested in Southeast Asia, Anderson also takes up the large issues of the universal grammars of nationalism and ethnicity, the peculiarity of nationalist imagery as replicas without originals, and the mutations of nationalism in an age of mass global migrations and instant electronic communications.

    Complete score transcriptions of the 12 songs from the album: Battle of Who Could Care Less * Brick * Cigarette * Evaporated * Fair * Kate * Missing the War * One Angry Dwarf and 200 Solemn Faces * Selfless, Cold and Composed * Smoke * Song for the Dumped * Steven's Last Night in Town. Includes band photos and a notation legend.

    He describes in understandable terms the parallels between modern cosmology and ancient Kabbalah. He shows how science and religion together can enrich our spiritual understanding.We "embody the energy" of the big bang, writes Matt. Furthermore, "God is not somewhere else, hidden from us. God is right here hidden from us." To discover the presence of God, Matt draws on both science and theology, fact and belief, and on the truths embodied in Buddhism, Hinduism, Islam and Christianity, as well as Judaism.A rich dialogue between the physical and the spiritual, God & the Big Bang takes us on a deeply personal, thoughtful and inspiring journey that helps us find our place in the universe--and the universe in ourselves.

    In the process they create ten new projects that draw their power from an oscillation between the recognizable and the surreal. Cleverly undermining the conventions and norms of contemporary architectural design, the authors pose a direct challenge to the seemingly endless search for new styles, arguing instead that the greatest potential for architecture in the twenty-first century rests on an imaginative examination of what we take for granted. Designed by authors, Situation Normal... weaves together text, photographs, and drawings. An introductory essay establishes the theoretical and historical position of the book.

    Williams asks how we might achieve a world where color doesn't matter--where whiteness is not equated with normalcy and blackness with exoticism and danger. Drawing on her own experience, Williams delineates the great divide between the poles of other people's imagination and the nice calm center of oneself where dignity resides, and discusses how it might be bridged as a first step toward resolving racism. Williams offers us a new starting point--a sensible and sustained consideration--from which we might begin to deal honestly with the legacy and current realities of our prejudices.

    Martí transformed rebellion into revolution. . . . Like a master weaver, Martí pulled together all the separate threads of Cuban discontent—social, economic, political, racial, historical—and wove them into a radical movement of enormous force.”—Louis A. Pérez Jr, author of José Martí in the United States “Oh Cuba! . . . the blood of Martí was not yours alone; it belonged to an entire race, to an entire continent; it belonged to the powerful youth who have lost probably the best of teachers; he belonged to the future!”—Rubén Darío This new edition of an elegant anthology features bilingual poetry, a revised translation, and several new pieces. It presents the full breadth of José Martí’s work: his political essays and writings on culture, his letters, and his poetry. Readers will discover a literary genius and an insightful political commentator on troubled US-Latin America relations.

    Challenging traditional disciplinary and cultural boundaries, the book moves beyond any unified feminist historical narrative to present a relational feminism of diverse communities, affiliations, and practices. The texts/images partake of many genres: reflective essay, testimonial dialogue, performance piece, digital collage, prose poem, and photomontage. Forging connections between usually compartmentalized areas of knowledge and of activism, the volume helps us to envision alternative epistemologies and imaginative alliances. Copublished with the New Museum of Contemporary Art.

    He opposes liberalism and postmodernism with the teleological arguments of an updated Thomistic Aristotelianism. It is this tradition, he claims, which presents the best theory so far about the nature of rationality, morality, and politics. This is the first reader of MacIntyre's groundbreaking work. It includes extracts from and his own synopses of two famous books from the 1980s, After Virtue and Whose Justice? Which Rationality? as well as the whole of several shorter works and two interviews. Together, these pieces constitute not only a representative collection of his work but also the most powerful and accessible presentation of his arguments yet available. The MacIntyre Reader concludes with Kelvin Knight's clear and insightful overview of MacIntyre's central ideas and their development in his writings. Students will find this book an excellent introduction to one of the great thinkers of our time.

    It combines traditional Classical approaches to poetic allusion and imitation with modern literary-theoretical ways of thinking about how texts are used and reused, valued and revalued, in particular reading communities. Like other volumes in the series it is among the most broadly conceived short books on Roman literature to be published in recent years.

    Daniel Belgrad shows how a startling variety of artistic movements actually had one unifying theme: spontaneous improvisation."A compelling narrative, putting living flesh on shorthand intuitions that connect North Beach to Black Mountain College, Fenollosa to Pollock, Jackson Lears's No Place of Grace to Todd Gitlin's The Sixties."—Joel Smith, Boston Review"An invaluable introduction to postwar modernism across the arts."—Thomas Augst, Boston Book Review"Belgrad's extensive probing of the artists and movements with their profound sociological roots is timely as well as comprehensive....A major contribution for serious scholars."—Choice

    Freedom is reserved only for markets in a society increasingly strangled by corporate of power".Empowerment" is the new definition of destitution.By looking at the struggles of the disabled faced with the end of social services, Ending the Social Contract as We Know It provides a powerful warning: the disabled are as canaries in a coal mine, and their maltreatment is a harbinger of things to come for the rest of us.In a tightly woven argument, Marta Russell shows how the onslaught of corporate power facing the disabled -- from issues like genetic screening, to restricted access to health care, to welfare reform -- will shortly be faced by a much broader segment of society.

    Indeed, Oppositions set the agenda, introduced the key players, and published the seminal pieces in the theorization of architecture in the last twenty years. It is a testament to the enduring importance of the journal that its issues are still highly sought after today, prized (and priced) as collector's items, and found behind the desk at virtually every architectural library. Oppositions Reader collects the most important essays from 26 issues of Oppositions. Essays from the editors of the series--Peter Eisenman, Kenneth Frampton, Mario Gandelsonas, Anthony Vidler, and Kurt Forster--are included, along with texts by such noted architects, theorists, and historians as Aldo Rossi, Alan Colquhoun, Leon Krier, Denise Scott Brown, Bernard Tschumi, Rem Koolhaas, Mary McLeod, Georgio Ciucci, and Rafael Moneo. The page design, by Massimo Vignelli, has been faithfully reproduced. Harvard Professor K. Michael Hays has selected the writings for inclusion. Contributors include: Diana Agrest, Stanford Anderson, Giorgio Ciucci, Stuart Cohen, Alan Colquhoun, Francesco Dal Co, Peter Eisenman, William Ellis, Kurt W. Forster, Kenneth Frampton, Mario Gandelsonas, Giorgio Grassi, Fred Koetter, Rem Koolhaas, Leon Krier, Mary McLeod, Rafael Moneo, Joan Ockman, Martin Pawley, Aldo Rossi, Colin Rowe, Denise Scott Brown, Jorge Silvetti, Ignasi de Solagrave-Morales, Manfredo Tafuri, Bernard Tschumi, Anthony Vidler, and Hajime Yatsuka. It is an understatement to say that this volume is indispensable for any scholar or student interested in contemporary architectural theory.

    Analysis of this behavior often involves making important assumptions and approximations, the exact nature of which vary from subject to subject. Foundations of Complex-system Theories begins with a description of the general features of complexity and then examines a range of important concepts, such as theories of composite systems, collective phenomena, emergent properties, and stochastic processes. Each topic is discussed with reference to the fields of statistical physics, evolutionary biology, and economics, thereby highlighting recurrent themes in the study of complex systems. This detailed yet nontechnical book will appeal to anyone who wants to know more about complex systems and their behavior. It will also be of great interest to specialists studying complexity in the physical, biological, and social sciences.

    Her work explores scientific and imaginative models of the universe and our place in it. This, her second collection, examines residues of meaning and mystery - in history, nature, belief systems - from a place of abandonment or skepticism. What can we know? How do we order knowledge? What are twentieth-century versions of the Fall? Jordan investigates trace elements, like clues that might be followed back to some overarching source.

    Rather than dismissing such expression as mere convention, Rambuss takes it seriously as a form of erotic discourse, one that gives voice to desires that, outside the sphere of sacred rapture, would otherwise be deemed taboo. Through startling rereadings of works ranging from the devotional verse of the metaphysical poets (Donne, Herbert, Crashaw, and Traherne) to photographer Andres Serrano’s controversial “Piss Christ,” from Renaissance religious iconography to contemporary gay porn, Rambuss uncovers the highly charged erotic imagery that suffuses religious devotional art and literature. And he explores one of Christian culture’s most guarded (and literal) closets—the prayer closet itself, a privileged space where the vectors of same-sex desire can travel privately between the worshiper and his or her God.Elegantly written and theoretically astute, Closet Devotions illuminates the ways in which sacred Christian devotion is homoeroticized, a phenomenon that until now has gone unexplored in current scholarship on religion, the body, and its passions. This book will attract readers across a wide array of disciplines, including gay and lesbian studies, literary theory and criticism, Renaissance studies, and religion.

    . . . The first book in quite a while to address itself to all of Dostoevsky’s opus, certainly a bold move that only someone of Terras’s stature could pull off.”—Gary Rosenshield, University of Madison–WisconsinAdmirers have praised Fedor Dostoevsky as the Russian Shakespeare, while his critics have slighted his novels as merely cheap amusements. In this stimulating critical introduction to Dostoevsky’s fiction, literary scholar Victor Terras asks readers to draw their own conclusions about the nineteenth-century Russian writer. Discussing psychological, political, mythical, and philosophical approaches, Terras deftly guides readers through the range of diverse and even contradictory interpretations of Dostoevsky's rich novels.    Moving through the novelist's career, Terras presents a general analysis of the novel at issue, each chapter focusing on a particular aspect of Dostoevsky's art. He probes the form and style of Crime and Punishment, and explores the ambiguity of The Brothers Karamazov. Terras emphasizes the "markedness," of Dostoevsky's novels, their wealth of literary devices such as irony, literary allusions, scenic effects, puns, and witticisms.     Terras conveys the vital contradictions and ambiguities of the novels. In this informative, engaging literary study, Terras brings Dostoevsky and his art to life.

    Reviewers have consistently lauded the book in previous editions for its clarity, concise focus, and use of many practical applications. It explains and illustrates individual, group, and couples work with children, adolescents, and adults of all ages. It highlights Adler's and Dreikurs's unique contributions to child guidance, lifestyle assessment and early recollections, and why it has been rated the most multicultural appropriate theory among counseling approaches.The fifth edition presents a fresh organization and an even clearer structure. A new emphasis is placed on the distinction between counseling and psychotherapy, as practiced from the Adlerian perspective. Additional chapter activities and review questions are added throughout the text, and all previous material is updated and refreshed.

    In Trans Liberation, Feinberg has gathered a collection of hir speeches on trans liberation and its essential connection to the liberation of all people. This wonderfully immediate, impassioned, and stirring book is for anyone who cares about civil rights and creating a just and equitable society.

    Linking representations of cultural and sexual difference, she shows the Oriental woman to have functioned as the veiled interior of Western identity. Her original and compelling argument calls into question dualistic conceptions of identity and difference, West and East, masculinist assumptions of Orientalism, and Western feminist discourses that seek to liberate the veiled woman.

    Widely recognized as a seminal work in Ranci're's corpus, the translation of which is long overdue, Mute Speech is an intellectual tour de force proposing a new framework for thinking about the history of art and literature. Ranci're argues that our current notion of "literature" is a relatively recent creation, having first appeared in the wake of the French Revolution and with the rise of Romanticism. In its rejection of the system of representational hierarchies that had constituted belles-letters, "literature" is founded upon a radical equivalence in which all things are possible expressions of the life of a people. With an analysis reaching back to Plato, Aristotle, the German Romantics, Vico, and Cervantes and concluding with brilliant readings of Flaubert, Mallarm', and Proust, Ranci're demonstrates the uncontrollable democratic impulse lying at the heart of literature's still-vital capacity for reinvention.

    The kinds of explanations that will help language students aren't always the ones you will find in a traditional, 'academic' grammar book or guide. Instead, Explaining English Grammar is a pedagogical guide, designed to help explain the 'whys' as well as the 'hows' of English grammar.The book is organized into ten chapters. Each chapter covers a specific grammar topic. After an introductory chapter, the topics covered are:- Articles- Tense and aspect- Modals- Conditionals- Prepositions and particles- Indirect objects- Infinitives and gerunds- Relative clauses- Direct and indirect speechThis sequence is designed to cover the more basic topics first, and then to go into more complex areas. However, the chapters are also free-standing, so you can read them in any order - or leave some out - if you prefer.Each chapter has a similar structure.- First there is a section that describes and gives examples of basic forms and structures. These descriptions and examples are based on Corpus research, which makes it possible to say that one form is typically used more often than another in real texts.- The next section moves on to look at how we use different structures to convey different basic meanings. These descriptions draw on research in semantics.- Finally, there is a section on 'meaning in context' - in other words, the ways in which these meanings are affected by the context in which they are used, and how they are used to convey information. Again, this section is informed by research in both pragmatics and discourse analysis.You can find additional information - and references to the research studies referred to - in 'Further reading' sections at the end of each chapter.Also, after each section, there are summary boxes of the main points, followed by exercises that you can do on your own and/ or discuss with fellow trainees. (There are answers to these questions in an Appendix.) At the end of each chapter, there is a section containing discussion topics and projects for further investigation, and another section with ideas for classroom exercises, activities, and tasks.

    The text demystifies such formidable terms as hegemony, epistemology, and praxis by defining them in accessible language and by discussing how everyday life in and out of the classroom embodies these concepts. Finding Freedom can help teachers imagine and build new classroom worlds, worlds that empower students and teachers alike to actively shape - rather than passively accept - their fates.

    It portrays the ways in which the world’s social majorities are now escaping from the monoculture of a single global civilization and regenerating their own cultural and natural spaces. In so doing, they are challenging the three sacred cows of modernity--the idea, entrenched in globalization, that there is only one, universally valid way of understanding social reality; the exclusive and general validity of Western-defined notions of human; and the notion of the self-sufficient individual, as opposed to people-in-community, which has grotesquely transformed how we see the human condition. This is quite simply, a book which will transform how one sees the world--North and South.

    This edited volume is an outgrowth of a discussion that began on the Sociologists for Women in Society Listserve, in which participants were asked to talk about key pieces in feminist scholarship that had particularly influenced their sociological thinking. Editors Kristen A. Myers, Cynthia D. Anderson, and Barbara J. Risman have chosen articles that fall into what they consider the intellectual genres that compose feminist sociology. This collection differs from others because the editors avoid organizing material by substantive specialty areas (i.e., family, race and ethnicity, criminology, or methods). Their vision instead sees sociology as an integrated discipline, where feminist contributions have systematically influenced the shape of the whole by similarly influencing the distinct parts. In addition to simply compiling a comprehensive list of important articles from the last two decades, the editors have invited major feminist scholars to comment and reflect on the articles in each section of the book. These reflections help provide the historical and social context in which feminist scholarship has taken place. This book will be of obvious appeal to feminist scholars and gender sociologists. Yet, as feminist thought rightfully takes its place away from the margins and toward the center of the discipline, this book stands as a rich and useful resource for any contemporary theory course.

    Topics covered include: evoking dramatic moments in second language learning and teaching; the nature of teacher-student interaction in drama-orientated language classrooms; and the psycho-social aspect of drama on learning.

    Yet, argues Frank Furedi in this provocative study, advocates of racial identity have long felt uncomfortable with the racialized global order which they created.Furedi traces the history of Western colonial racist ideology and its role in subjugating non-Western peoples. He analyzes the changing perception of racism in the West and how the use of "race" has altered during the course of the twentieth century.Focusing on the Second World War as the critical turning point in racist ideology, Furedi argues that the defeat of Nazism left the West uneasy with its own racist past. He assesses how this was redefined in the postwar period-especially during the Cold War- and demonstrates that, although white supremacist views gradually became obsolete in international affairs, Western nations were initially unwilling to accept criticism of their past and sought to portray racism as a natural part of human condition. As a result the West continued to adopt the moral high ground well into the postwar period, to the ultimate detriment of non-Western nations.

    It edits, introduces, and glosses some sixty excerpts, all of which reflect on the problems and opportunities associated with writing in the "mother tongue" during a period of revolutionary change for the English language.The excerpts fall into three groups, illustrating the strategies used by medieval writers to establish their cultural authority, the ways they constructed audiences and readerships, and the models they offered for the process of reading. Taken together, the excerpts show how vernacular texts reflected and contributed to the formation of class, gender, professional, and national identity. They open windows onto late medieval debates on women's and popular literacy, on the use of the vernacular for religious instruction or Bible translation, on the complex metaphorical associations contained within the idea of the vernacular, and on the cultural and political role of the "courtly" writing associated with Chaucer and his successors.Besides the excerpts, the book contains five essays that propose new definitions of medieval literary theory, discuss the politics of Middle English writing, the relation of medieval book production to notions of authorship, and the status of the prologue as a genre, and compare the role of the medieval vernacular to that of postcolonial literatures. The book includes a substantial glossary that constitutes the first mapping of the language and terms of Middle English literary theory. The Idea of the Vernacular will be an invaluable asset not only to Middle English survey courses but to courses in English literary and cultural history and courses on the history of literary theory.

    Questions that have long haunted the philosophical imagination are becoming urgent practical concerns: Where does the natural end and the artificial begin? Is there a difference between the material and the immaterial? In his new work, Mark C. Taylor extends his ongoing investigation of postmodern worlds by critically examining a wide range of contemporary cultural practices.Nothing defines postmodernism so well as its refusal of depth, its emphasis on appearance and spectacle, its tendency to collapse a three-dimensional world in which image and reality are distinct into a two-dimensional world in which they merge. The postmodern world, Taylor argues, is a world of surfaces, and the postmodern condition is one of profound superficiality.For many cultural commentators, postmodernism's inescapable play of surfaces is cause for despair. Taylor, on the other hand, shows that the disappearance of depth in postmodern culture is actually a liberation repleat with creative possibilities. Taylor introduces readers to a popular culture in which detectives—the postmodern heroes of Paul Auster and Dennis Potter—lift surfaces only to find more surfaces, and in which fashion advertising plays transparency against hiding. Taylor looks at the contemporary preoccupation with body piercing and tattooing, and asks whether these practices actually reveal or conceal. Phrenology and skin diseases, the "religious" architecture of Las Vegas, the limitless spread of computer networks—all are brought within the scope of Taylor's brilliant analysis. Postmodernism, he shows, has given us a new sense of the superficial, one in which the issue is not the absence of meaning but its uncontrollable, ecstatic proliferation.Embodying the very tendencies it analyzes, Hiding is unique. Conceived and developed with well-known designers Michael Rock and Susan Sellars, this work transgresses the boundary that customarily separates graphic design from the story within a text. The product of nearly three decades of reflection and writing, Hiding opens a window on contemporary culture. To follow the remarkable course Taylor charts is to see both our present and past differently and to encounter a future as disorienting as it is alluring.

    Their distinctive perspectives and telling arguments lend clarity to the heated debate about the purpose and direction of Native American scholarship. All too frequently, Native Americans have little control over how they and their ancestors are researched and depicted in scholarly writings. The relationship between Native peoples and the academic community has become especially rocky in recent years. Both groups are grappling with troubling questions about research ethics, methodology, and theory in the field and in the classroom.In this timely and illuminating anthology, ten leading Native scholars examine the state of scholarly research and writing on Native Americans. They offer distinctive, frequently self-critical perspectives on several important issues: the representativeness of Native informants, the merits of various methods of data collection, the veracity and role of oral histories, the suitability of certain genres of scholarly writing for the study of Native Americans, the marketing of Native culture and history, and debates about cultural essentialism. Some contributors propose alternative forms of scholarship. Special attention is also given to the experiences, responsibilities, and challenges facing Native academics themselves.With lively prose and telling arguments, Natives and Academics lends clarity to the heated debate about the purpose and direction of Native American scholarship.

    In parallel, Godelier studies the evolution of Western conjugal and familial traditions from their roots in the nineteenth century to the present. The conclusion he draws is that it is never the case that a man and a woman are sufficient on their own to raise a child, and nowhere are relations of kinship or the family the keystone of society.Godelier argues that the changes of the last thirty years do not herald the disappearance or death agony of kinship, but rather its remarkable metamorphosis—one that, ironically, is bringing us closer to the “traditional” societies studied by ethnologists.

    Yet by the nineteenth century, characters had become the equals of their readers, friends with whom readers might spend time and empathize.Although the story of this shift is usually told in terms of the "rise of the individual," Deidre Shauna Lynch proposes an ingenious alternative interpretation. Elaborating a "pragmatics of character," Lynch shows how readers used transactions with characters to accommodate themselves to newly commercialized social relations. Searching for the inner meanings of characters allowed readers both to plumb their own inwardness and to distinguish themselves from others. In a culture of mass consumption, argues Lynch, possessing a belief in the inexpressible interior life of a character rendered one's property truly private.Ranging from Defoe and Smollett to Burney and Austen, Lynch's account will interest students of the novel, literary historians, and anyone concerned with the inner workings of consumer culture and the history of emotions.

    She shows how the production of systematic knowledge from descriptions of observed particulars influenced government, how numerical representation became the privileged vehicle for generating useful facts, and how belief—whether figured as credit, credibility, or credulity—remained essential to the production of knowledge.Illuminating the epistemological conditions that have made modern social and economic knowledge possible, A History of the Modern Fact provides important contributions to the history of political thought, economics, science, and philosophy, as well as to literary and cultural criticism.

    Through an examination of post-World War II autobiographical writings, fiction, and poetry, Traise Yamamoto argues that these writers have employed the trope of masking—textually and psychologically—as a strategy to create an alternative discursive practice and to protect the self as subject.Yamamoto's range is broad, and her interdisciplinary approach yields richly textured, in-depth readings of a number of genres, including film and travel narrative. Looking at how the West has sexualized, infantilized, and feminized Japanese culture for over a century, she examines contemporary Japanese American women's struggle with this orientalist fantasy. Analyzing the various constraints and possibilities that these writers negotiate in order to articulate their differences, she shows how masking serves as a self-affirming discourse that dynamically interacts with mainstream culture's racial and sexual projections.

    Chris Gray, its editor, was himself a member of the SI. Long out of print, it has gained an enormous reputation. This new, lavish, oversize edition, keeps the original provocative, and free and easy translations, along with the cut and paste graphics, poster-art and cartoons. It stands as a remarkable, and eminently accessible, introduction to a remarkable (and oft-times superficially at least, inaccessible) revolutionary project. Now as we stand at the gates of the 21st century, it is time for a new generation of readers to take up this remarkable book.

    His chief contribution to the intellectual foundation of the system lay in the composition of the text of Tattva-mukta-kalapa, a treatise of significant philosophical import left for posterity. In this volume, which is a study of Visistadvaita based on Tattva-mukta-kalapa, the line of arguments advanced by Vedanta Desika is closely followed. The major and important issues related to the philosophy of Visistadvaita--its basic ontological and epistemological approach, the concept of individual self, God and universe, the idea of sadhana and mukti, and the doctrine of substance and attribute--are all brought within the purview of discussion. The contemporary rival schools represented by Carvakas, Buddhists and Jainas, Nyaya-Vaisesikas, Mimamsakas and the Advaitins, of both orthodox and unorthodox camps, are successfully encountered. In the textual light of Tattva-mukta-kalapa, the notion that Visistadvaita is a theological system is dispelled, and its philosophic core is established beyond doubt. The author maintains `the original orthodox style, so characteristic of the ancient Acaryas`, in his delineation of topics; yet the exposition remains free from all kinds of scholastic trappings. The volume is a definitive study of Visistadvaita doctrines, both in their `philosophical as well as theological aspects`. Its in-depth probe of `the fundamental epistemological and philosophical issues...common to all schools` both in the East and the West makes its appeal to those interested `in understanding the basic problems of philosophy`.

    It explores the question of free will versus determinism and how it has been challenged by ideas about addiction, morality and psychology during the past 150 years. This book is based on years of original research and draws on sources from the United States, UK, Canada and elsewhere and will appeal to readers in legal studies, addiction studies, criminology, sociology and psychology.

    This graceful translation remedies both those failings by bringing together the Essay with a comprehensive selection of the musical writings. Many of the latter are responses to authors like Rameau, Grimm, and Raynal, and a unique feature of this edition is the inclusion of writings by these authors to help establish the historical and ideological context of Rousseau's writings and the intellectual exchanges of which they are a part.

    Circumpolar Native peoples today experience strikingly different and often competing systems of narrative and knowledge. These systems include traditional oral stories; the authoritative, literate voice of the modern state; and the narrative forms used by academic disciplines to represent them to outsiders. Pressured by other systems of narrative and truth, how do Native peoples use their stories and find them still meaningful in the late twentieth century? Why does storytelling continue to thrive? What can anthropologists learn from the structure and performance of indigenous narratives to become better academic storytellers themselves? Cruikshank addresses these questions by deftly blending the stories gathered from her own fieldwork with interdisciplinary theoretical perspectives on dialogue and storytelling, including the insights of Walter Benjamin, Mikhail Bakhtin, and Harold Innis. Her analysis reveals the many ways in which the artistry and structure of storytelling mediate between social action and local knowledge in indigenous northern communities.

    Focusing on a variety of representations, from the boundary-shattering work of queer performances to the daring conjunction of childhood sexual abuse and desire in the work of Dorothy Allison, Between the Body and the Flesh stimulates discussions of s/m through the exploration of censorship in the arts, the fetishization of sexual paraphernalia, recombinations of class, race and sexuality, and the politics of psychoanalysis.

    As such its potential interest is by no means confined to professional philosophers; it should also appeal to art historians and critics, literary theorists, and students of film. Prominent philosophers in both aesthetics and ethics tackle a wide array of issues. Some of the questions explored in the volume include: Can art be morally enlightening and, if so, how? If a work of art is morally better does that make it better as art? Is morally deficient art to be shunned, or even censored? Do subjects of artworks have rights as to how they are represented? Do artists have duties as artists and duties as human beings, and if so, to whom? How much tension is there between the demands of art and the demands of life?

    This graphically stunning and theoretically stimulating collection includes the early works of many of today's best-known architects, including Steven Holl, Lars Lerup, Mark Mack, Lebbeus Woods, Zaha Hadid, Livio Dimitriu, and Alberto Sartoris. The Pamphlet Architecture series was founded in 1978 by architects Steven Holl and William Stout as a venue for publishing the thoughts and works of a younger generation of architects. Each issue was written, illustrated, and designed by a single architect, which gives each its unique character. The series, which received an American Institute of Architects award, continues to influence new generations of architects as it disseminates new and innovative ideas on architecture and presents the work of the luminaries of tomorrow.

    Baader and Nipkow cover all the basic material--abstract reduction systems, termination, confluence, completion, and combination problems--but also some important and closely connected subjects: universal algebra, unification theory, Grobner bases, and Buchberger's algorithm. They present the main algorithms both informally and as programs in the functional language Standard ML (An appendix contains a quick and easy introduction to ML). Key chapters cover crucial algorithms such as unification and congruence closure in more depth and develop efficient Pascal programs. The book contains many examples and over 170 exercises. This is also an ideal reference book for professional researchers: results spread over many conference and journal articles are collected here in a unified notation, detailed proofs of almost all theorems are provided, and each chapter closes with a guide to the literature.

    He finds that it was, indeed, an invention rather than a creation. From their heyday to the present, Kreyling investigates the historical conditions under which literary and cultural critics have invented "the South" and how they have chosen its representations. Through his study of these choices, Kreyling argues that interested groups have shaped meanings that preserve "a South" as "the South."

    In this book, Teun A van Dijk sketches a challenging new multidisciplinary framework for theorizing ideology. He defines ideology as the basis of the social representations of a group, its functions in terms of social relations between groups, and its reproduction as enacted by discourse. Contemporary racist discourse is examined to illustrate these ideological relations between cognition, society and discourse.

    In spite of the influence of his work over the last thirty years, remarkably little has been available in English. Essays On Otherness presents for the first time in English many of Laplanche's key essays and is the first book to provide an overview of his thinking. It offers an introduction to many of the key themes that characterise his work: seduction, persecution, revelation, masochism, transference and mourning. Such themes have been increasingly both in psychoanalytic thought and in continental philosophy, social and cultural theory, and literature making Essays On Otherness indispensable reading for all those concerned with the implications of psychoanalytic theory today.

    I really loved reading this book. It is both critical and appreciative. It is truly written in what I would call a feminist spirit."--Kathy Ferguson, University of Hawaii Kathi Weeks suggests that one of the most important tasks for contemporary feminist theory is to develop theories of the subject that are adequate to feminist politics. Although the 1980s modernist-postmodernist debate put the problem of feminist subjectivity on the agenda, Weeks contends that limited debate now blocks the further development of feminist theory.Both modernists and postmodernists succeeded in making clear the problems of an already constituted, essentialist subject. What remains as an ongoing project, Weeks contends, is creating a theory of the constitution of subjects to account for the processes of social construction. This book presents one such account. Drawing on a number of different theoretical frameworks, including feminist standpoint theory, socialist feminism, and poststructuralist thought, as well as theories of performativity and self-valorization, the author proposes a nonessentialist feminist subject, a theory of constituting subjects.

    A collection of examples of the work of over 100 Caribbean artists with text explaining the history of Caribbean art, the 20th century art schools which helped to define an indigenous aesthetic, and art's relationship to the political and racial ideologies.

    Drawing on the results of a workshop organized, funded and conducted by RIEAeuropa in the Frankopan Castle in Kraljevica, "Borderlinea presents essays and projects by leading thinkers and architects addressing the contemporary problems such tumultuous and paradoxical regions have and create within rapidly evolving European and global landscapes. The phenomenon "Borderlinea is pointed out in an unparalleld way in many essays for example by Lebbeus Woods, Gabriela Seifert (member of Formalhaut Architects), Manuel Delanda (cultural philosopher), Aleksandra Wagner (sociologist and psychoanalyst), Heinz Foerster (biophysicist), Ekkehard Rehfeld (architect) and architectural projects and conceptual proposals by Lebbeus Woods, Peter Cook, Will Alsop, Per Kartredt, Masihiko Yendo, Guy Lafranchi, etc.

    Mindful of the dangers for materialism, Peter Hitchcock nevertheless shows how oscillation is part of the conceptual framework of materialist inquiry from Marx to the present.A reply to the call to rethink the material constraints on materialism itself, this book uses oscillation to refer simultaneously to movement within and between bodies of theory, within theories of the body, and within and between institutional spaces in which such theory is taken up. Hitchcock argues that oscillation augurs a politics that both shares the legacy of historical materialism and recognizes the critical edge of cultural materialism in its approach to the social practices of everyday life. In a series of ingenious readings, he rethinks the problem of ideology for Marx and his interpreters (Etienne Balibar in particular); provides a materialist intervention on the status of the body for theory; proposes an analysis of theories of space and the space of theory in the era of "cartographic anxiety"; sees the ghosts of materialism oscillating a good deal more wildly than Derrida would have it; offers a daring approach to shoes and fetishism within transnational capitalism; and concludes with a novel lesson on what the theremin, an electronic musical instrument based on oscillators, might teach us about the importance of sense perception for materialist thought.As both a descriptive device for the state of materialism and a critical tool within a polemic about whatmaterialism can do at this juncture, oscillation provides a brilliant key to materialist critique.

    Using a variety of genres--essays, book reviews, commentaries and journal entries--Partha Chatterjee scans the entire periodfrom the Nehru era through the through the regimes of Indira and Rajiv Gandhi to the present. He attempts to develop a true perspective on democracy in India, not in the cliche-ridden sense of government of, by, and for the people, but as politics of the governed.

    Taken together, these pieces demonstrate the wide-ranging and sometimes antagonistic viewpoints of scholars and activists pursuing different political and intellectual goals.Essays include a documentation of how readers of mass-circulation print media became aware of new medical possibilities for the surgical and hormonal alteration of sex characteristics and began agitating for them; a challenge from feminist theorists to transgender movement activists to avoid repeating the mistakes of previous feminist, gay, and lesbian political mobilizations; a critique of the overreliance on discursive analysis in much current transgender scholarship; and paired essays exploring the so-called Butch/FTM Border Wars from either side of that divide. There are also pieces that focus on intersex activism, the bioethics of gender dysphoria management, and the mobilization of transgender advocacy organizations.Considering perceptions of queer embodiment past and present, these essays explore the sweeping changes in professional and popular attitudes regarding the transgender community and the issues that affect it. The timeliness of this issue as well as the diversity of its viewpoints makes it a significant contribution to the growing body of transgender literature.Contributors. Cheryl Chase, Patricia Elliot, Judith Halberstam, C. Jacob Hale, Joanne Meyerowitz, James Lindeman Nelson, Katrina Roen, Henry Rubin, Susan Stryker

    So argues Don Herzog in this arrestingly detailed exploration of England's responses to the French Revolution. Poisoning the Minds of the Lower Orders ushers the reader into the politically lurid world of Regency England.Deftly weaving social and intellectual history, Herzog brings to life the social practices of the Enlightenment. In circulating libraries and Sunday schools, deferential subjects developed an avid taste for reading; in coffeehouses, alehouses, and debating societies, they boldly dared to argue about politics. Such conservatives as Edmund Burke gaped with horror, fearing that what radicals applauded as the rise of rationality was really popular stupidity or worse. Subjects, insisted conservatives, ought to defer to tradition--and be comforted by illusions.Urging that abstract political theories are manifest in everyday life, Herzog unflinchingly explores the unsavory emotions that maintained and threatened social hierarchy. Conservatives dished out an unrelenting diet of contempt. But Herzog refuses to pretend that the day's radicals were saints. Radicals, he shows, invested in contempt as enthusiastically as did conservatives. Hairdressers became newly contemptible, even a cultural obsession. Women, workers, Jews, and blacks were all abused by their presumed superiors. Yet some of the lowly subjects Burke had the temerity to brand a swinish multitude fought back.How were England's humble subjects transformed into proud citizens? And just how successful was the transformation? At once history and political theory, absorbing and disquieting, Poisoning the Minds of the Lower Orders challenges our own commitments to and anxieties about democracy.

    Philosophy of Technology is a clear introduction to one of philosophy's newest issues. Don Ihde critically examines the impact of technological developments on various cultures throughout history-from the earliest feats of engineering and architecture to the cutting-edge developments in artificial intelligence- with an aim to understanding the human implications within a world technological culture.Using a wide variety of concrete examples and illustrations, including artificial intelligence, robotics, and nuclear energy, the author looks at both the current situation and future directions. In a final chapter, he takes the position that the foundational concern for the twenty-first century is the global environment, followed closely by multiculturality and its effect on technoculture, the future of warfare, and the distribution of wealth in a world economy.Special FeaturesProvides an introduction to the best and most recent literature on the subject Places the philosophy of technology within the overall project of philosophy Provides a clear and comprehensive overview of the main issue in the field Promotes understanding of the special role of philosophical criticism Contains a wealth of often humorous and highly imaginative examples that have become the hallmark of this author

    He sees similar developments at the end of the twentieth century as the Vietnam war and feminism returned the concept to prominence as "post-traumatic stress syndrome." Seeking to understand the psychological dislocation associated with these two periods, Farrell analyzes conflicts produced by dramatic social and economic changes and suddenly expanded horizons. He locates parallels between the cultural fantasies of the 1890's in novels and stories by Arthur Conan Doyle, Rider Haggard, H. G. Wells, Bram Stoker, and Oscar Wilde, and novels and films of the 1990's that explore such issues as child sexual abuse, domestic violence, unemployment, racism, and apocalyptic rage. In their dependence on late-Victorian models, the cultural narratives of 1990s America imply a crisis of "storylessness" deeply implicated in the sense of injury that haunts the close of the twentieth century.

    In Disowned by Memory, David Bromwich connects the accidents of Wordsworth's life with the originality of his writing, showing how the poet's strong sympathy with the political idealism of the age and with the lives of the outcast and the dispossessed formed the deepest motive of his writings of the 1790s."This very Wordsworthian combination of apparently low subjects with extraordinary 'high argument' makes for very rewarding, though often challenging reading."—Kenneth R. Johnston, Washington Times"Wordsworth emerges from this short and finely written book as even stranger than we had thought, and even more urgently our contemporary."—Grevel Lindop, Times Literary Supplement"[Bromwich's] critical interpretations of the poetry itself offer readers unusual insights into Wordworth's life and work."—Library Journal"An added benefit of this book is that it restores our faith that criticism can actually speak to our needs. Bromwich is a rigorous critic, but he is a general one whose insights are broadly applicable. It's an intellectual pleasure to rise to his complexities."—Vijay Seshadri, New York Times Book Review

    That necessarily involves a critique of the “ethnological reason” that extracts elements from their context, aestheticizes them, and then uses their supposed differences to classify types of political, economic, or religious ensembles. Such “reason” yields classical oppositions like the State versus segmentary societies, market versus subsistence economies, and Islam or Christianity versus paganism.As an alternative, the author opposes to exclusionary categories a “mestizo logic” that sees social phenomena as situated on a continuum and accentuates indistinction and the originary syncretism in all cultures and other ways of categorizing human life. The book’s rich source material is drawn from the author’s fifteen years of fieldwork and research in West Africa.The opening chapters first treat the notion of ethnological reason—its history and ideological practices—then oppose to it the reality of cultural tension, the fact that conflicts and negotiations bring about transformations in the identity of collectivities. The following two chapters illustrate a real system of transformation, and question some basic concepts of political anthropology. The discussion continues in a more illustrative manner over the next two chapters, which present case studies of two West African societies that challenge typologies of political anthropology and ethnographic classification.The last three chapters—on white paganism, cultural identities and cultural models, and understanding and acting—situate the debate within a wider historical framework of political and cultural confrontations. Who defines “ethnicities,” “identities,” “differences”? Where can one find them as pure essences witnessing to their own originary beings?

    Infants' bodies are altered, and what was "ambiguous" is made "normal." Kessler's interviews with pediatric surgeons and endocrinologists reveal how the intersex condition is normalized for parents and she argues that the way in which intersexuality is managed by the medical and psychological professions displays our culture's beliefs about gender and genitals.Parents of intersexed children are rarely heard from, but in this book they provide another perspective on reasons for genital surgeries and the quality of medical and psychological management. Although physicians educate parents about how to think about their children's condition, Kessler learned from parents of intersexed children that some parents are able to accept atypical genitals. Based on analysis of the medical literature and interview with adults who had received treatment as interesexed children, Kessler proposes new approaches for physicians to use in talking with parents and children. She also evaluates the appearance of a politicized vanguard, many of who are promoting an intersexual identity, who seek to alter the way physicians respond to intersexuality.Kessler explores the possibilities and implications of suspending a commitment to two "natural" genders and addresses gender destabilization issues arising from intersexuality. She thus compels readers to re-think the meaning of gender, genitals, and sexuality.

    St Luke's is owned entirely by its employees, all physical resources are shared, there is little hierarchy and all employees are involved in almost all decisions, including setting their own pay rises. The book describes and explains the business practices and philosophy behind St Luke's and examines its application to other companies in other industries.

    The complexities of photographic techniques, from catalogue to digital imaging and beyond, are explained in clear, straightforward language. The international groups and movements of photography are elucidated in the same accessible who-when-where-what format that has made this series so useful. And the aesthetic concepts and critical language used to explain (and often obscure) photography over the last century and a half are demystified in illuminating, enjoyable prose. A time line and a chart of all the movements complement the text and the original selection of images.

    In this series of overlapping essays on architecture and art, John Rajchman attempts to do theory in a new way that takes off from the philosophy of the late Gilles Deleuze. Starting from notions of folding, lightness, ground, abstraction, and future cities, he embarks on a conceptual voyage whose aim is to help construct a new space of connections, to build a new idiom, perhaps even to suggest a new architecture. Along the way, he addresses questions of the new abstraction, operative form, other geometries, new technologies, global cities, ideas of the virtual and the formless, and possibilities for critical theory after utopia and transgression.

    It challenges traditional social structures, as international systems (such as the European Union, the WTO or the global capital markets) become more powerful than states and governments. This book recalls the traditional social structures to study and develop ways to meet the current urgent global challenges.

    Judith Jones challenges Whitehead's readers to reconsider certain prevailing interpretations of his organic philosophy. To Jones, a rereading of Whitehead's overall philosophic project is essential to evaluating his contributions to metaphysics and ontology. SinceWhitehead's basic worldview is holistic, a return to viewing Whitehead's work as a whole helps clarify his ontological intentions and contributions to metaphysics.For this purpose, the concept of "intensity," which Jones defines as the quality and form of feeling involved in subjective experience, is basic to Whitehead's thinking about process at all naturalistic levels and is therefore particularly useful as a lens through which to view his entire system. "Intensity" is at once Whitehead's most basic metaphysical idea and a notion useful in deciphering the overall unity of purpose in his writings. A central aim of this book is to develop an aesthetically sensitive sense of being that demonstrates the profound and original contributions of process philosophy to realism.Jones shows that a thorough understanding of the concept of intensity yields modes of thought that help overcome knotty problems in conceiving Whitehead's distinction between the private experience of individuals and the public relations those individuals experience in relationship to other entities. Drawing frequently on poetic allusions to aid her interpretations, she focuses specifically on the status of intensity in intellectual and moral experience and develops an ethics of "attention" as an elaboration of Whitehead's aesthetic metaphysics.The result is a book that should be enthusiastically greeted and debated by scholars of Whitehead and by all who are interested in the field of process thought, including students of theology, literature, and feminist studies. Jones's unorthodox conclusions, backed up with scrupulous attention to both the Whitehead canon and related secondary literature, present challenges to accepted interpretations that cannot be ignored.

    Even though representation theory and constructions of simple groups have been omitted, the text serves as a springboard for deeper study in many directions." Mathematical Reviews

    This excellent primer illustrates more than 150 solutions and proofs, thoroughly explained in clear language. The generous historical references and anecdotes interspersed throughout the text create interesting intermissions that will fuel readers' eagerness to inquire further about the topics and some of our greatest mathematicians. The author guides readers through the process of solving enigmatic proofs and problems, and assists them in making the transition from problem solving to theorem proving. At once a requisite text and an enjoyable read, Mathematical Problems and Proofs is an excellent entrée to discrete mathematics for advanced students interested in mathematics, engineering, and science.