This richly illustrated volume, The Art of Mulan, reveals the story behind the making of the film and includes more than 350 stunning color and black-and-white illustrations, showcasing a variety of art produced by the many talented artists who worked on the film.Like film's heroine, the Disney artists who created Mulan made a journey of self-discovery that began with a momentous decision - to make a modern-day film adapted from an ancient Chinese source. Their efforts to remain faithful to the spirit of the original legend and the traditions of Shinese culture, while at the same time make it accessible to today's international audience, are chronicled in The Art of Mulan by the artists themselves. Their words reveal their passion while their art demonstrates the dazzling array of talent Disney committed to the making of a truly moving and spectacular film.

    Since its premiere in September 1992, Batman: The Animated Series has been acclaimed by enthusiastic viewers and longtime fans of the Batman character as the defining image of the Dark Knight onscreen. Now readers are offered an inside look into the creation of the series. Granted unprecedented access to the archives of the Warner Bros. Animation Studio, Chip Kidd has combined breathtaking photographs by Award-winning photographer Geoff Spear and fashioned an imaginative layout of never-before-published preproduction and finished artwork that echoes the boldness of producer-designer Bruce Timm's powerful TV show.Paul Dini's text offers entertaining and informative commentary on the series history, development, and continuing production. It includes glimpses into the making of the Batman animated features Mask of the Phantasm and SubZero, and a sneak peek into the future projects.Featuring a detailed episode guide, comments from the series creators and voice actors, and an introduction by Bruce Timm, Batman Animated is a must-have for Batman fans young and old.

    This must have book offers to painters the wisdom and technical savvy of a lifetime. Writing as an acknowledged master, Richard Schmid leads his reader gracefully through the fundamentals and subtleties of painting technique with refreshing clarity, authority and deep affection to all who strive for self-expression, regardless of skill level.

    His darkly dramatic Conan the Barbarian oils and the equally powerful and erotic compositions for the works of Edgar Rice Burroughs have become the ultimate standards of excellence in the fantasy and adventure field. Icon was Franzetta’s first major retrospective in his 55-year career. Lavish full-color reproduction on deluxe art paper showcases over 65 major finished oil paintings, 25 drawings, and other pieces. This new softcover edition contains 32 new pages of additional, never-before-published art and photos. New material includes paintings of Woody Allen and Peter Sellers; concepts of Clint Eastwood for the movie poster to The Gauntlet; original concepts for the Conan book cover paintings; and character drawings for the Broadway production of Li'l Abner.

    60 color illustrations. 10 photos.

    This book features a developmental history of the production through beautiful artwork, photos, and behind-the-scenes details of the challenges the director and actors faced and the making of the elaborate sets, costumes, and masks.

    Alex Grey's reflections combine his extensive knowledge of art history and his own first-hand experiences in creating art on the boundaries of consciousness. Included are practical techniques and exercises that can be used to explore the spiritual dimension of art. Challenging and thought-provoking, The Mission of Art will be enjoyed by everyone who has ever contemplated the deeper purpose of artistic expression.

    Her first album, Horses, was a landmark album of power, bravado, beauty, and grace. Its famous cover portrait, photographed by Robert Mapplethorpe, "was the first to claim both vision and authority," wrote Camille Paglia. "No female rocker had ever dominated an image in this aggressive, uncompromising way."Seven albums later, and a life punctuated by a long hiatus during which Smith raised her two children and suffered the tragic losses of her husband, Fred Sonic Smith, her dear friend, Robert Mapplethorpe, and her beloved brother, Smith is ready to mark her first fifty years on the planet with a book her fans have long awaited: the complete lyrics. With never-before-seen photographs by Robert Mapplethorpe, Annie Liebovitz, Kate Simon, and others, plus original artwork and text by Smith, Patti Smith Complete is a living commemoration of Smith's unique contribution to music and the empowerment of people through her message of work, love, and charity.

    This full-color, oversize title reveals Kalman's thoughts on magazines, advertising, sex, bookstores, food, and the design profession. Product designs, stills and storyboards from his film and video projects, and spreads from his book and magazine work are included. The impressive list of contributors includes Kurt Andersen, Paola Antonelli, David Byrne, Jay Chiat, Steven Heller, Isaac Mizrahi, Chee Pearlman, Rick Poynor, and Ingrid Sischy.

    I wish for this book to catapult you out of bed and smack into the center of one of your dreams, or lure you back to bed, where you will lie helplessly laughing at all your mistakes and frozen moments.

    From his earliest youth, Michelangelo never ceased to suffer, and thereby to create. He attempted to reconcile the apparently conflicting forces that inhibited him: earthly passions and fear of God. Hence the edifice devoted to beauty, celestial and infernal alike, that Michelangelo raised to the glory of God. It has no equivalent nor descendants. His predecessors aspired to Heaven through faith alone; Miichelangelo sought to rise through the contemplative exaltation of beauty.

    But the creative process began long before the movie release, as a team of amazingly talented artists gave form to George Lucas's extraordinary vision...This lavish volume features more than six hundred examples of the art created for The Phantom Menace—each a masterpiece in its own right: conceptual illustrations, sequential art, and brilliant, fully executed paintings. Digging deep into the exclusive Lucasfilm archives, The Art of Star Wars: The Phantom Menace details Episode 1's revolutionary use of traditional and high-tech media. Inside you'll find: Magnificent paintings that capture the exotic environments of Naboo, Tatooine, and Coruscant Key action sequences, including the Podraces on Tatooine and the riveting ground and space battles Fascinating insights and photos revealing the secrets of the artists at work The earliest conceptual drawings, following the evolution of Darth Maul, Qui-Gon Jinn, Queen Amidala, and Jar Jar Binks Exciting new poster art, created expressly for Episode 1 Now you can explore the creative impulse behind all the astonishing, masterfully crafted designs of the moview blockbuster with The Art of Star Wars: Episode 1: The Phantom Menace.

    His renditions of Hell's landscape and bizarre inhabitants, with tormented souls and hideous demons populating the living structures, sprouts from the darkest regions of the human imagination.

    Destruction of the Father; the title comes from the name of a sculpture she did following the death of her husband in1973;contains both formal texts and what the artist calls "pen-thoughts": drawing-texts often connected to her drawings and sculptures, with stories or poems inscribed alongside the images. Writing is a means of expression that has gained increasing importance for Bourgeois, particularly during periods of insomnia. The writing is compulsive, but it can also be perfectly controlled, informed by her intellectual background, knowledge of art history, and sense of literary form (she has frequently published articles on artists, exhibitions, and art events). Bourgeois, a private woman "without secrets," has given numerous interviews to journalists, artists, and writers, expressing her views on her oeuvre, revealing its hidden meanings, and relating the connection of certain works to the traumas of her childhood. This book collects both her writings and her spoken remarks on art, confirming the deep links between her work and her biography and offering new insights into her creative process.

    Thompson that spawned "gonzo journalism." Illustrated throughout in color and black-and-white, with an introduction by Hunter S. Thompson.

    It tells the story of Wojnarowicz's creative birth, from publishing his first photographs and writing what would become The Waterfront Journals to completing his tour de force, Close to the Knives, at the height of his fame. In the Shadow of the American Dream is finally a record of the private Wojnarowicz, falling in love, exploring erotic possibilities on the Hudson River piers, becoming overwhelmed by the demands of survival, and searching for the pleasure and freedom he believed one could live on.

    This exquisite book, now in softcover, is the result of that bold and immensely personal project. Through the accompanying essay, Brandenburg shares his innermost thoughts and passions as he witnesses the cycle of nature near his home in the northwoods of Minnesota.Brandenburg also contributes new photos and an Epilog that illustrates and discusses the devastating summer wind storm that wreaked havoc on the locations photographed for the original project.

    The catalogue for the first major American retrospective of the work of Mark Rothko in 20 years--scheduled to open at the National Gallery in May--this richly illustrated book reproduces 100 of Rothko's paintings, prints, and drawings in full color, and features commentaries by many noted art experts.

    "I suggest that people who like to be alone, who walk alone, will perhaps be serious workers in the art field."--Agnes Martin.

    Now, in the hands of the superb biographer Hilary Spurling, the unknown Matisse becomes visible at last.Matisse was born into a family of shopkeepers in 1869, in a gloomy textile town in the north of France. His environment was brightened only by the sumptuous fabrics produced by the local weavers--magnificent brocades and silks that offered Matisse his first vision of light and color, and which later became a familiar motif in his paintings. He did not find his artistic vocation until after leaving school, when he struggled for years with his father, who wanted him to take over the family seed-store. Escaping to Paris, where he was scorned by the French art establishment, Matisse lived for fifteen years in great poverty--an ordeal he shared with other young artists and with Camille Joblaud, the mother of his daughter, Marguerite. But Matisse never gave up. Painting by painting, he struggled toward the revelation that beckoned to him, learning about color, light, and form from such mentors as Signac, Pissarro, and the Australian painter John Peter Russell, who ruled his own art colony on an island off the coast of Brittany. In 1898, after a dramatic parting from Joblaud, Matisse met and married Amélie Parayre, who became his staunchest ally. She and their two sons, Jean and Pierre, formed with Marguerite his indispensable intimate circle.From the first day of his wedding trip to Ajaccio in Corsica, Matisse realized that he had found his spiritual home: the south, with its heat, color, and clear light. For years he worked unceasingly toward the style by which we know him now. But in 1902, just as he was on the point of achieving his goals as a painter, he suddenly left Paris with his family for the hometown he detested, and returned to the somber, muted palette he had so recently discarded.Why did this happen? Art historians have called this regression Matisse's "dark period," but none have ever guessed the reason for it. What Hilary Spurling has uncovered is nothing less than the involvement of Matisse's in-laws, the Parayres, in a monumental scandal which threatened to topple the banking system and government of France. The authorities, reeling from the divisive Dreyfus case, smoothed over the so-called Humbert Affair, and did it so well that the story of this twenty-year scam--and the humiliation and ruin its climax brought down on the unsuspecting Matisse and his family--have been erased from memory until now.It took many months for Matisse to come to terms with this disgrace, and nearly as long to return to the bold course he had been pursuing before the interruption. What lay ahead were the summers in St-Tropez and Collioure; the outpouring of "Fauve" paintings; Matisse's experiments with sculpture; and the beginnings of acceptance by dealers and collectors, which, by 1908, put his life on a more secure footing.Hilary Spurling's discovery of the Humbert Affair and its effects on Matisse's health and work is an extraordinary revelation, but it is only one aspect of her achievement. She enters into Matisse's struggle for expression and his tenacious progress from his northern origins to the life-giving light of the Mediterranean with rare sensitivity. She brings to her task an astonishing breadth of knowledge about his family, about fin-de-siècle Paris, the conventional Salon painters who shut their doors on him, his artistic comrades, his early patrons, and his incipient rivalry with Picasso.In Hilary Spurling, Matisse has found a biographer with a detective's ability to unearth crucial facts, the narrative power of a novelist, and profound empathy for her subject.From the Hardcover edition.

    According to him, it just happened that way. And that one day, when he was looking through his boxes of photographs, he realized that somehow or other dogs had crept into a fair proportion of them. Not that they were dog portraits. More just photographs with dogs in. Pictures of poodles taken at dog shows, of Airedales fetching sticks in the park, of crowds of dogs larking around together, of Highland Terriers jumping in the air for joy - and hundreds of images of dogs walking, being carried, sitting on hearthrugs, beaches, riverbanks, sofas, park benches.DogDogs is a delightful object presenting the largest selection ever published of Erwitt's dog photographs. Any dog-lover's dream title, it contains 500 pictures, all of them printed full-bleed and in arresting duotone. Also included is a captivating essay by P G Wodehouse, who was an admirer of Erwitt's work and a keen dog-owner himself. As he says, ' ... what superb photographs these are. It does one good to look at them. There is not one sitter in his gallery who does not melt the heart.'

    This new book is packed with more art, analysis interviews, and behind-the-scenes photos.

    In a rich weave of images and text, each chapter offers an intimate look at the artist's expression in a different medium. This volume includes beautiful photographs of Micheangelo's works but here also are never before seen details of his sculpture and architecture that invite us to linger. The black-and-white photographs printed in lush doutones that add depth, show in the marks of the chisel, the hand of Michangelo at work - the rough but deliberate strokes of a man struggling to express himself in an unyielding and unforgiving medium.

    His illustrations for Scribner's Illustrated Classics (Treasure Island, Kidnapped, The Last of the Mohicans, The Yearling) are etched into the collective memory of generations of readers. He was hailed as the greatest American illustrator of his day. For forty-three years, starting in 1902, N.C. Wyeth painted landscapes, still lifes, portraits, and murals, as well as illustrations for a long shelf of world literature. Yet despite worldwide acclaim, he judged himself a failure, believing that illustration was of no importance.David Michaelis tells the story of Wyeth's family through four generations -- a saga that begins and ends with tragedy -- and brings to life the huge-spirited, deeply complicated man, and an America that was quickly vanishing.

    Beginning with the self-portraits of nuns in medieval illuminated manuscripts, Borzello reconstructs an overlooked genre and provides essential contextual information. She moves on to sixteenth-century Italy, where Sofonisba Anguissola painted one of the longest known series of self-portraits, recording her features from adolescence to old age. In 1630, Artemisia Gentileschi depicted herself as the personification of painting, and at the same time in the Netherlands Judith Leyster portrayed herself at her easel, as a relaxed, self-assured professional. In the 1700s, women from Elisabeth Vigee-Lebrun to Angelica Kauffman conveyed, each in her own way, ideas of femininity and the artist's passion for her chosen field. And in the nineteenth century, as the doors to art schools began to open to women, self-portraits by the likes of Berthe Morisot, Marie Bashkirtseff, and photographers such as Alice Austen resonated with a newfound self-confidence. Seeing Ourselves concludes with the breaking of taboos in the twentieth century. Paula Modersohn-Becker imagines herself pregnant in her fantasy nude of 1906; Alice Neel paints herself naked at the age of eighty; and Frida Kahlo explicitly renders her own physical pain in a self-portrait complete with nails piercing her skin. And in recent decades, Cindy Sherman explores identity by transforming herself over and over into a cast of different characters, posing the questions that all the women in this enthralling book have faced when "seeing" themselves.

    For this collection Joel-Peter Witkin has personally selected from his own archives his finest images, ranging from his early Coney Island "freak show" studies to his most recent work. Witkin's portraits of subjects both living and dead have disturbed countless viewers for their unwavering viewpoint and magically grotesque compositions. The artist's sojourn captured here, with each photograph a station along his path, veers between oblivion and salvation. This book depicts Witkin's journey until now. Texts by the artist and Eugenia Parry.

    Internationally famous Czech photographer Jan Saudek is no exception, and equally as uncompromising in pursuit of his own unique vision. For over four decades Saudek has created a parallel photographic universe, a two-dimensional home full of longing, peopled with the most extraordinary characters and colored by desire. The timeless strength of his hand-tinted photographs lies in their poetic compositions and their forceful?at times ribald?pictorial language, with its overtones of medieval genre pictures and Baroque mythology. Rejecting the traditional beauty in his famous nude photographs, Saudek shows the distinctively different: old women, fat women, children; real people in tableaux vivants that remind us of everything from surreal early movies to fin-de-siecle carnival nights. They exist outside time, a uniquely colored and almost mythical theater of dreams. Covering his debut in the 1950s through his lesser-known work to recent images, this dazzling collection offers us the true "velvet revolution," fertile and unsettling images from the dreams we might still have. The author: Daniela Mr?zkov?, critic and editor of the Czech magazines Revue fotografie and Fotografie-Magaz?n, is the author of sixteen books on photography published in the Czech Republic and abroad, and the curator of around fifty photography exhibitions. She has been a member of international juries, and has authored film and television documentaries on photography and photographers. She hasfollowed Jan Saudek's work since his early years and is the author of Saudek's first Czech monograph, The Theatre of Life.

    And that includes the crucial zone below the belt, both fore and aft. There was nothing ambiguous about Tom of Finland's interest in his objects of desire: "lf I don't have an erection when I'm doing a drawing, I know it's no good", he himself said. The eroti-cism is naked, even aggressive. The poses inevitably consigned his work to the pornography shelves, and the walls of leather bars in the gay scene. So far there has been no account of the artistic virtuosity of his work.The present volume traces the life and career of this important artist. Born in southern Finland, Tom played the piano at local coffee shops to supplement his income as a graphic artist until his watercolors of male sexuality began to appear as covers on major American gay publications. His impact as an artist has since stretched far beyond the gay scene.

    Simple yet profound, the inspiring words and pictures make this the perfect gift choice for birthdays, weddings, religious celebrations, and times of mourning. Each passage in the book is accompanied by a spread of original artwork from a different culture including Celtic, Egyptian, Japanese, Mayan, Greek, Indian, Medieval European, Ethiopian, Thai, Chinese, Russian, Aboriginal, Inuit, and Arabic.

    Martin Parr is Europe's premier contemporary photographer, and The Last Resort is the book that is considered to have launched his career. Taken at the height of the Thatcher years, it depicts the "great British seaside" in all its garish glory. Described by some as cruel and voyeuristic and by others as a stunning satire on the state of Britain, early editions are now much sought after by collectors worldwide. Includes a new essay by Gerry Badger, photographer, architect, curator, and critic.

    It represents a daring effort on the part of the founders of DreamWorks SKG - Steven Spielberg, Jeffrey Katzenberg, and David Geffen - to pioneer a new kind of animation that is as versatile as live-action filmmaking.The reader of this book will see how the filmmakers constructed the film scene by scne, using the resources of animation to propel the narrative and deepen its dramatic impact and emotional resonance.Author Charles Solomon went behind the scenes at DreamWorks and interviewed many of the individuals involved in making The Prince of Egypt. He highlights the contributions of animated character acting, scene design, visual effects, and music to the realization of the filmmakers' vision. The dynamic layout uses hundreds of full-color illustrations - from inspirational paintings, color keys, and early character sketches to stills from the completed film - to show how the film is designed from beginning to end as a coherent and satisfying cinematic experience.

    But his photographs of plants, which he took in the thousands over more than thirty years, reveal a formally rigorous talent whose precision and dedication bridge the nineteenth and twentieth century worlds of image making. Beautifully but starkly composed against plain cardboard backgrounds, Blossfeldt's images, relying on a northern light for their sense of volume, reveal nothing of the man but everything of themselves. They are still-lifes, piercingly final statements on their subject, and have endured owing to their technical brilliance and the ongoing fascination of students and photographers. Like their maker, they are quietly and lastingly effective.

    Ken Marschall delivers a magnificent volume featuring famous paintings, including the image that graced the September 1985 "Time" magazine cover when the underwater remains of the ship were discovered.

    In this book, Shore explores ways of understanding photographs from all periods and all types - from iconic images to found photographs, from negatives to digital files. This books serves as an indispensable tool for students, teachers and everyone who wants to take better pictures or learn to look at them in a more informed way.

    It is an extraordinary look into the mind of an artist whose boundless creative output touches a myriad of media, from photography to painting to poetry to acting. Recent Forgeries includes a CD with music and spoken-word poetry. Introduction by Dennis Hopper.Softcover, 7 3/4 x 7 3/4 inches, 110 pages, 83 reproductionsISBN: 1-889195-32-4 7th Edition$25

    It has been useful in treating emotional trauma and grief, as a supplement to pain and symptom management, to address psychological distress, and to encourage self-growth and actualization. The Art Therapy Sourcebook is a guide for people who want to use art as a way of understanding themselves better. It starts with information on necessary supplies and takes the reader on a journey toward understanding the connection between artistic images and human emotions.

    This took a certain amount of planning, since dogs are generally not interested in Art (I say generally only because I have now come across a singing dog). Food and love dominate their lives."I make no apologies for the apparent subject matter. These two dear little creatures are my friends. They are intelligent, loving, comical, and often bored. They watch me work; I notice the warm shapes they make together, their sadness and their delights. And, being Hollywood dogs, they somehow seem to know that a picture is being made."David HockneyDavid Hockney introduces his two dachshunds, Stanley and Boodgie, in this delightful collection. The result of both sharp observation and affection, these paintings and drawings are lyrical studies in form and design. A text by the artist gives a behind-the- scenes glimpse of how to work with models that don't necessarily want to sit still. 84 color illustrations.

    For what Ingo Walther and his international team have done is to make sense of this most explosive of artistic centuries. Who could possibly have forecast on New Year's Eve 1899 that, one hundred years later, painting and sculpture would be only options, not prerequisite disciplines for modern artists, constantly questioning both the technical and thematic definitions of their work? The infinite laboratory of experiment that the visual arts have become over the last decades highlights not only the inherent potential for human creativity and representation, but also shows the way individuals and groups have responded to the huge social, political and technological changes of this most turbulent of times. Ranging across the full spectrum of disciplines available, including photography and new media, and thematically chaptered to highlight relationships between works and movements, this readable and encyclopaedic masterwork does just what it says on the cover. Whether you want Surrealism or Land Art, Fluxus or Bauhaus, your art book purchases can stop once you buy this. Warning: it will not fit on your coffee table!

    Madeleine Vionnet (18761975) was the greatest dressmaker in the world. Considered a genius for her innovations with the bias cutthe most difficult and desirable cut in clothing designshe has a fanatical following. Vionnet was a maverick, her results spectacular. She dressed the stars of the '30s, invented new pattern-making techniques, and eschewed corsets for her models. Vionnet's dresses are virtually un-copiable and highly coveted by vintage clothing collectors. Madeleine Vionnet is the definitive study of this venerated artist. Illustrated with more than 400 photographs, line drawings, and watercolors, it also includes 38 original patterns for Vionnet dresses. As the Art Deco Society of L.A.'s newsletter has said, anyone "interested in Art Deco or fashion must have this book."

    Mary has combined her favorite Christmas poetry, prose, and songs, and liberally illustrated them with their best-loved seasonal images.Believe / Jan Miller Girando --A Christmas carol / Christina Rossetti --Silent night --Dear Virginia / Charles Dana --Keeping Christmas / Jan Miller Girando --Quite early one morning (excerpt) / Dylan Thomas --Home for Christmas (excerpt) / Elizabeth Bowen --A visit from St. Nicholas / Clement C. Moore --Toyland --Gifts of the magi / O. Henry --Over the river and through the woods --The substitute reindeer / Mrs. Roy L. Peifer --Everywhere, everywhere Christmas tonight / Phillipe Brooks --Up on the housetop --Gospel of St. Luke (excerpt) --The friendly beasts --I believe in Christmas / M. Kathleen Haley --Christmas in Germany --Jack Frost in the garden / John P. Smeeton --A Christmas carol / Charles Dickens (excerpt) --Angels we have heard on high --Little tree / E.E. Cummings --Carol of the Brown King / Langston Hughes --Another boy: the story of the birth at Bethlehem / Bruce Barton --Christmas in Denmark --Have yourself a merry little Christmas --Don't waste the miracle / Jan Miller Girando --Santa Claus is comin' to town --Christmas in Finland --Little Jesus / Francis Thompson --Last minute shopper / Lolita Pinney --Jest 'fore Christmas / --Eugene Field --Lullay, my liking --It came upon a midnight clear --Christmas day in the morning / Pearl S. Buck --A tree of Christmas / Marguerite Gode --Christmas in Sweden --The stork / Christmas comes but once a year / Thomas Miller --The first noel --The three skaters --Coming home / Jan Miller Girando --Christmas in Italy --Let it snow! Let it snow! Let it snow! --Christmas in Switzerland --For Christmas / Rachel Field --The Christmas song (Chestnuts roasting on a open fire) --'Tis the season / Jan Miller Girando --The sugar-plum tree / Eugene Field --Jolly old St. Nicholas --It never hurts to ask / Jan Miller Girando --Christmas / Leonard Clark --A child's Christmas Eve dream / Ethel Van Deusen Humiston --Christmas in North America --All things bright and beautiful / Cecil Frances Alexander --Let there be peace on earth --Its's beginning to look like Christmas --Christmas in France --The lamb / William Blake --Here comes Santa Claus.

    This spectacular adventure in space and time takes the reader from the edge of the cosmos to a single atom -- and it all begins at a picnic.Based on the bestselling classic Powers of Ten, this magnificient journey begins millions of light years away, with every two pages representing a view ten times larger than the view two pages earlier. As readers flip through the pages, they will descend the dimensions of the universe, through our solar system down to a park on Earth, then into a human body, it's cells, DNA, and finally a single proton. Or readers can travel in reverse, from proton to deep space.A fun and compact visual odyssey, the Powers of Ten flipbook shows us not only the relative size of things in the known world, but our own place in it.Also available is the critically-acclaimed Scientific American Library Paperback version of Powers of Ten, offering detailed commentary on astronomy, biology, particles physics and more by Philip and Phylis Morrison as well as many additional photographs and illustrations. Stephen Jay Gould, writing in the New York Times Book Review, called it "a brilliant pictorial and textual embodiment of a wonderful idea".Both the paperback and flipbook were inspired by the brief and beautiful film Powers of Ten A Film Dealing with the Relative Size of Things in the Universe and the Effect of Adding Another Zero. Made by the famous designers, the Office of Charles and Ray Eames, and available on video-cassette, this remarkable film has given many people their first grasp of the dimensions of the world we live in.

    Stories of enslavement and freedom, of human migration and renaissance, of struggle and of triumph. A collection of these stunning paintings provides the backdrop for this exceptional biography which tells the story of one of our finest living painters-from his family's experience in the great migration North, to his growing up in the midst of the Harlem Renaissance, to his rise as one of the most renowned painters of African American life. With over twenty-five full-color reproductions and an insightful glossary, not only is this an easy-to-read, engaging biography, it's also an excellent starting point for discussions about American history.

    This volume catalogues portraits by Sargent from 1874, when he began his training in Paris, and covers pictures painted while he was establishing his reputation in Paris, during his early years in England, and on his first professional visit to America in 1887. The entire catalogue raisonne will bring together nearly 600 portraits, some 1,600 subject pictures and landscapes, and three mural cycles.The early portraits in this book range from private images of Sargent's family and friends to studies of writers and fellow artists and formal portraits of Parisian celebrities and patrons in France, England and America. These include his most controversial work, Madame Gautreau, and studies of some of the major artistic figures of the day: Claude Monet, Robert Louis Stevenson and Ellen Terry in her role as Lady Macbeth.Each work is catalogued in depth, with a biographical account of the sitter, a discussion of the contemporary context of the painting, and a detailed provenance, exhibition history, and bibliography. Almost all of the paintings are shown, mostly in color, including some that have never been reproduced before. The fruit of some sixteen years of research, this valuable reference provides a broad and comprehensive view of Sargent's art.

    After he was diagnosed with AIDS in the late 1980's, Wojnarowicz's art took on a sharply political edge, and from then until his death in 1992, he became entangled in highly public debates about medical research and funding, censorship in the arts, and politically sanctioned homophobia. Fever: The Art of David Wojnarowicz is the first book to explore the extraordinary breadth of his work in film, installation, sculpture, photography, performance, and writing, as well as his considerable influence on artists and writers working today. It features essays by leading art scholars, including New Museum senior curator Dan Cameron, along with excerpts from Wojnarowicz's own writings and previously unpublished material from the archives of the Wojnarowicz estate-works that cross literary lines, from memoir and fiction to political commentary and cultural critique.Dan Cameron, John Carlin, C. Carr, and Mysoon Rizk

    In addition, Perfect Works describes an enormous backstory of Xenogears, including world building and canonical character details that never made it to the game's script.Perfect Works also contains a timeline which corresponds similarly to the Xenosaga series. However, like other games in the Xeno- series, it is a separate universe from Xenosaga.Perfect Works has been unofficially translated to English by fans.

    Book by Sedoff, Maria

    Sylvette is a shy little girl, but her neighbor happens to be the artist, Pablo Picasso. His drawings, paintings, and sculptures soon become world famous. Sylvette soon overcomes her shyness and begins a career as a fine artist.Parents, teachers, and gift givers will find: gorgeous illustrations and reproductions of works by the artistsa fun and educational story for home or the classrooma great series to be used for home school materialsa whole series of books for children to learn about important artists!Author and illustrator Laurence Anholt recalls memorable and sometimes amusing moments when the lives of the artists were touched by children. Anholt's fine illustrations appear on every page and include reproductions of works by the artists.

    This book has been published on the occasion of the exhibit Wondrous Strange:Farnsworth Art Museum, Rockland, MaineJune 21 to November 8, 1998Delaware Art Museum, Wilmington, DelawareDecember 10, 1998 to February 21, 1999This exhibition has received generous financial support from MBNA America, DuPont Company, Hercules Incorporated, and Wilmington Trust Company.

    This is simply the most handsome book in the 23 year history of Fantagraphics. 300 pages in a 12' x 12' full-color format features over 200 paintings spanning Williams' life and career, reproduced with breathtaking clarity on glossy paper.

    Examining 30 works by Velazquez that span his entire career, the authors show how his technical achievement developed over time.

    With all works reproduced in color, the book includes the images for which Rothko is most famous—the large, hypnotic, poignant fields of color—along with almost 400 additional paintings that are far less well known and reveal an artist who was attuned by turns to realism, expressionism, surrealism, and the avant-garde issues of his era. "Far and away the best monograph ever written on Rothko."—Yve-Alain Bois, Artforum

    Even within portraiture, his style ranged from bold experiments to studied formality. And the subjects of his paintings were as varied as his styles, including the leaders of fashionable society, rural laborers, city streets, remote mountains, and the front lines of World War I. This beautiful book surveys and evaluates the extraordinary range of Sargent's work, and reproduces 150 of his paintings in color. It accompanies a spectacular international exhibition--the first major retrospective of the artist's career since the memorial exhibitions that followed his death.Sargent (1856-1925) was a genuinely international figure. Born of American parents, he grew up in Europe and forged his early reputation in Paris. Later, he established himself in England and the United States as the leading portraitist of the day, and traveled widely in North Africa and the Middle East. Contributors to this book assess Sargent's career in three essays. Richard Ormond presents a biographical sketch and, in a second essay, reviews Sargent's development as an artist. Mary Crawford Volk explores his thirty-year involvement with painting murals--in particular the works at the Boston Public Library and the Boston Museum of Fine Arts that Sargent regarded as his greatest achievement.The book arranges Sargent's paintings into sections that reflect every phase and aspect of his career. We encounter, for example, such famous early works as Oyster Gatherers of Cancale, Sargent's robust and brilliantly lit scene of fishing life in Brittany. We see many of his greatest American and English portraits, including his daringly posed portrait of Bostonian Isabella Stewart Gardner and his audacious painting of Lady Agnew of Lochnaw, which caused a sensation in London in 1893. The book also includes important late works such as Gassed, his monumental painting of soldiers blinded by mustard gas on the western front, and many of his ambitious murals in Boston. Sargent is a visually stunning, beautifully written, and perceptive work on one of the most important and admired artists of the nineteenth and twentieth centuries.

    A SECRET LOCATION ON THE LOWER EAST SIDE, based on an acclaimed 1998 exhibition at The New York Public Library, documents a period of intense exploration and experimentation in American writing and literary publishing. The various strains of poetry identified by Donald Allen in his watershed anthology "The New American Poetry," 1945-1960 (Grove, 1960) -Beat, Black Mountain, New York School, San Francisco Renaissance, and others - extended into and evolved throughout the 60s and 70s, finding expression in "underground" magazines and presses. Focusing on the small press publishing scene in San Francisco and in downtown New York City, this book offers a glimpse into that Mimeo Revolution, through descriptions and checklists for over 80 magazines and presses. With a Pre-Face by Jerome Rothenberg, contributions from many of the original editors and publishers, a chronological timeline of the literary underground, and over 200 black and white images, this volume is a useful guide to one of the richest periods of American writing and publishing, and an essential point of departure for students, collectors, literary historians, and librarians alike.

    He argues that existing anthropological and aesthetic theories take an overwhelmingly passive point ofview, and questions the criteria that accord art status only to a certain class of objects and not to others. The anthropology of art is here reformulated as the anthropology of a category of action: Gell shows how art objects embody complex intentionalities and mediate social agency. He exploresthe psychology of patterns and perceptions, art and personhood, the control of knowledge, and the interpretation of meaning, drawing upon a diversity of artistic traditions--European, Indian, Polynesian, Melanesian, and Australian.Art and Agency was completed just before Alfred Gell's death at the age of 51 in January 1997. It embodies the intellectual bravura, lively wit, vigour, and erudition for which he was admired, and will stand as an enduring testament to one of the most gifted anthropologists of his generation.

    Although she photographed many of the major male figures of the 19th century, the bulk of her work consists of portraits of women. This stunning book is the first to concentrate on this central aspect of Cameron's work, providing new information and insights about one of photography's most visionary practitioners.

    After trying his hand at painting and acting, the native of Libourne turned to photography and moved to Paris. He supplied studies for painters, architects, and stage designers, but became enraptured by what he called documents of the city and its environs. His scenes rarely included people, but rather the architecture, landscape, and artifacts that made up the societal and cultural stage. Atget was not particularly renowned during his lifetime but in the 1920s came to the attention of the Dada and Surrealist avant-garde through Man Ray. Four of his images, with their particular fusion of mimesis and mystery, appeared in the surrealist journal, La Revolution Surrealiste, while Ray and much of his artistic circle purchased Atget prints. His fame grew after his death, with several articles and a monograph by Berenice Abbott. Several leading photographers, including Walker Evans and Bill Brandt, have since acknowledged their debt to Atget. This fresh TASCHEN edition gathers some 500 photographs from the Atget archives to celebrate his oustanding eye for the urban environment and evocation of a Paris gone by. Down main streets and side streets, past shops and churches, through courtyards and arcades and the 20 arrondissements, we find a unique portrait of a beloved city and the making of a modern photographic master. About the series: Bibliotheca Universalis Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.Bookworm s delight never bore, always excite!Text in English, French, and German"

    In Until Now, Geddes takes us behind the scenes to find out what she was thinking when she captured these images, her 113 most-favorite photographs. Her text also provides a background to each photograph and helps readers understand how this artist and her subjects work together.Consider, for example, Geddes' comments about the shot she captured in 1991, which she titled "Rebecca": "She didn't want to hold the tulips, and she didn't want to sit on the chair-there were too many other things to be done. How do you get a 14-month-old to sit still' Show her the jelly bean, and then put it down her trousers."From signature photos of newborns to touching interactions between parent and child to enthusiastic poses from older children, this gift-size hardcover edition of Until Now gathers together Geddes' most revealing and compelling work. Whether she's posing babies in the garden or in the studio, Anne Geddes' deep affection for babies and children is obvious in the award-winning images she creates.

    Arranged in eleven thematic sections, the images capture the sights and smells of streetlife, monuments and pilgrims, creating a comprehensive picture of daily life in India.

    Eighty-three thousand copies sold.

    Born in 1954, she created in the 1980s individual artworks and stunning installations, in mediums ranging from paper and glass to cast bronze, that used anatomy as a starting point for a broad exploration of the cultural, political, and social meanings of the human body. In the 1990s, having emerged as a leading artist of her generation, she extended her inquiry to the natural world. Direct and accessible, populist in the best sense, Smith's work engages the viewer in a sometimes viscerally disturbing way.Helaine Posner uncovers the origins of Smith's work and proposes an interpretive framework that locates it within the artistic traditions that have nourished Smith. David Frankel's interview provides new insight into Smiths artistic thought. As the first monographic survey of her career, Kiki Smith is an essential reference in contemporary art.

    At their famous house at Sundborn, in central Sweden, Carl and his wife, Karin, a textile designer, created a series of revolutionary interiors that combined old furniture and objects with startlingly modern concepts of color and design. These designs gave way to a new approach to interior design that continues to influence designers today. This book presents the Larssons as designers and as creators of a remarkable domestic ideal. It sets them in their artistic and social context, using contemporary photographs and comparative pictures. At its heart are the remarkable Ett hem paintings and a series of color photographs showing the interiors at Sundborn and Karin's textiles.

    the artworks of daniel merriman illustrated..

    The only full-color survey of the firm's greatest works-including several newly restored to their original grandeur-Greene & Greene reveals the consummate artistry that ensured the brothers' place among the most brilliant of American architects. An in-depth tour of 25 magnificent homes, this book examines the creative evolution of their style. From the Gamble House in Pasadena, Californiawhose director contributes the book's forewordto lesser-known gems throughout the state, Greene & Greene is a wonderful introduction to the brothers' work, and a warm homage to the charms of this refined domestic architecture.

    It can take many forms: photographs, videos, posters, billboards, charts, plans and, in particular, language itself. Tony Godfrey has written the first ever clear, extensive, concise and informative account of this fascinating phenomenon.

    Indeed, few artistic or social movements can boast as many women forebears, founders, and participants-perhaps only feminism itself. Yet outside the movement, women's contributions to surrealism have been largely ignored or simply unknown. This anthology, the first of its kind in any language, displays the range and significance of women's contributions to surrealism. Letting surrealist women speak for themselves, Penelope Rosemont has assembled nearly three hundred texts by ninety-six women from twenty-eight countries. She opens the book with a succinct summary of surrealism's basic aims and principles, followed by a discussion of the place of gender in the movement's origins. She then organizes the book into historical periods ranging from the 1920s to the present, with introductions that describe trends in the movement during each period. Rosemont also prefaces each surrealist's work with a brief biographical statement.

    Tete a Tete is a remarkable arrangement of his most memorable portraits, including Pablo Picasso, Truman Capote, Marilyn Monroe, Lucien Freud, William Faulkner, Robert Kennedy, Che Guevara, Martin Luther King Jr., Coco Chanel, and the Dalai Lama. Beyond these famous names there are also anonymous portraits, chosen for their striking and unusual features, and a selection of pencil drawings, including a self-portrait. Cartier-Bresson supervised the design of the book and the juxtaposition of all the photographs. The result is a distinguished collection of his work, diverse in its range of extraordinary and ordinary personalities from the 1930s to the 1990s. Tete a Tete reveals Cartier-Bresson as a photographer who is as skillful in recording the subtleties of the individual portrait as he is renowned for his masterful ability to capture the decisive moment.

    During her lifetime she struggled to find a balance between her political and social life and her art. A central figure in the Modernist photography movement, she documented the people and tumultuous politics of Mexico. Many of her most powerful images are modern in aesthetic but political in content. Her portraits range from hired studio shots of socialites to documentation of Diego Rivera and Frida Kahlo at a political rally. She traveled throughout Mexico recording murals, cultural and religious icons, women in Tehuantepec, and workers at their daily tasks. Modotti was a revolutionary in her political activism, her modern and high-profile personal life, and her elegant and forthright photography. The finest of Modotti's images are presented in this volume accompanied by an essay by Margaret Hooks, author of the award-winning biography Tina Modotti: Photographer and Revolutionary (Pandora, 1983).

    Rescued from neglect, he has become a cultural icon in the late twentieth century, not only for his art but also because of his violent and tragic life. Catherine Puglisi's highly praised monograph, now available for the first time in paperback, supersedes all previous studies of the artist. Making full use of new research and dramatic recent discoveries, she has produced a precise, clear-headed and comprehensive work of scholarship that also provides a moving biography of the artist and a penetrating analysis of the genius with which he absorbed and transformed the artistic tradition of his time. All Caravaggio's works are discussed and illustrated in colour, and the book has an appendix of documents, full notes and bibliography, checklist of works and full indexes. This authoritative and beautifully produced monograph is the standard work on Caravaggio.

    Famous first as an industrial photographer, then as one of the four original staff members of Life magazine (her photograph graced its first cover), her vision and camera took her where others had never dared to venture.This new volume of her legendary work is more complete than any volume published to date. Drawing from her personal archives at Syracuse University and including the entire range of her photographic endeavors, it includes her earliest industrial work, striking portraits, and visual essays depicting horrendous social conditions. Alongside portraits of Churchill, Stalin, and Gandhi are photographs of cavernous steel mills, South African coal mines, Soviet Russia, Buchenwald, and the impoverished streets of India. Informative commentaries on the breadth of Bourke-White's work complete an unprecedented retrospective on this extraordinary photographer.

    Alchemy provides a magical language to explore what it is a painter really does in her or his studio - the smells, the mess, the struggle to control the uncontrollable, the special knowledge only painters hold of how colours will mix, and how they will look.Written from the perspective of a painter-turned-art historian, What Painting Is is like nothing you have ever read about art.

    In On Creativity David Bohm, the world-renowned scientist, investigates the phenomenon from all sides: not only the creativity of invention and of imagination but also that of perception and of discovery. This is a remarkable and life-affirming book by one of the most far-sighted thinkers of modern times.

    Book by Harry Smith

    These are real reproductions of paintings of punker moppets. That's for sure.

    The subject of winter - clearly the most inhospitable season for plein-air painting - provides some of the most exceptional and most spellbindingly beautiful paintings in Impressionism.No exhibition and no publications in the literature on Impressionism have been devoted to this theme before. While such a thematic approach might seem at first blush a superficial one, the subject of this exhibition goes to the heart of one of the central issues of Impressionism, a dedication to painting specific effects of weather and light that is unprecedented in the history of art. Inspired by Alfred Sisley's Snow at Louveciennes in The Phillips Collection, this exhibition of sixty-three works presents an opportunity to consider the subject of snow in Impressionist painting in an unprecedented way. While anyone might have come across one or two of these exceptional works in various works in this country or abroad, it comes as a surprise to most to learn that the Impressionists painted hundreds of paintings of snow or effets de neige, as they came to be called. Of all the Impressionists, three artists especially were drawn to paint effets de neige: Claude Monet, Alfred Sisley, and Camille Pissarro. Their shared fascination with these 'effets' led all three to repeatedly seek out opportunities to paint landscapes in snow. Yet each brought to the subject a highly individual response that we find reflected in the paintings assembled here. In addition to these three artists, Pierre-Auguste Renoir, Gustave Caillebotte and Paul Gauguin also painted snowscapes, though far fewer. Renoir's characteristic interest in a social gathering of skaters in the Bois de Boulogne, Caillebotte's dramatic elevated views over Paris, and Gauguin's rare Brittany snowscapes add dimension and contrast to the dedicated pursuit of winter landscape just outside Paris of Monet, Sisley, and Pisarro. The result is a wider range of winter scenes from the bucolic French countryside to ice floes on the Seine, from the paths and roads of small villages to the boulevards and rooftops of Paris. Their common ground is an obsession with winter light.Most of us do not think of Paris-or the surrounding countryside-covered in snow. We do not anticipate a blizzard impeding winter travel to this part of of the world nor have we ever seen the Seine frozen solid. A very different weather pattern prevailed during the late 19th century. Snowfalls, blizzards, and frost were a fairly commen winter occurrence. Two of the most severe periods of extended cold since 1840 occurred during the winters of 1879-80 and 1890-91. In order to provide a backdrop of recorded weather conditions of the period, we brought together documentation from numerous sources to describe precisely the winter weather during the years covered by this exhibition . The weather was at times described as 'wolf-like' or 'Siberian,' and once was compared to the North Pole. These vivid accounts not only have helped us to assign dates to certain undated works, but also have provided a context for appreciating the impact of weather conditions on life in France in the late nineteenth century.

    Its members rejected the traditional systems of high art, practicing an extraordinary form of anti-art that encompassed everything from photography and pavement art to poetry and drama. Mr. Fluxus, the first biography of this key figure in twentieth- century art, reveals the story of an unorthodox, contradictory, and elusive genius. Maciunas attempted to rule Fluxus in totalitarian fashion, yet he laughed at himself and provoked others to laughter, poking fun at the incurable illnesses and painful realities that afflicted him throughout his relatively short life. What emerges from this collection of anecdotes and impressions, coaxed from many of his former Fluxus colleagues and from an array of friends and enemies, is an informative portrait of an inspiring crusader whose mission was to change the world, beginning with the world of art.

    This fully illustrated volume accompanies the first major exhibition to focus exclusively on Wyeth's exquisite landscape paintings, on view at the Whitney Museum of American Art, New York, from May 28 to August 30,1998. Organized by Adam D. Weinberg and Beth Venn, Permanent Collection curators at the Museum, both book and exhibition span Wyeth's entire career, from his formative years in the late 1930s to the present.Andrew Wyeth, born in 1917, became associated with the group of artists known as the American Scene painters, among them Thomas Hart Benton, Grant Wood, Reginald Marsh, and Edward Hopper. Rejecting the extremes of European modernism, and propelled by a nationwide impulse to create a modern idiom that expressed the uniqueness of contemporary American life, these artists worked in a variety of realist modes, largely inspired by pre-20th-century painting.Based on experience and close observation of his immediate environment, Wyeth began making paintings inspired by the landscape, architecture, and people in two locales: Chadds Ford, Pennsylvania, and Cushing, Maine. He developed a highly subjective art that still represents a distinctly American voice.Focusing on Wyeth as a painter rather than as a storyteller, Unknown Terrain: The Landscapes of Andrew Wyeth reveals the artist's love of painting as process and material, underscores his technical prowess, and examines the abstract modernist underpinnings of his landscape compositions. In the process of selecting the more than 125 works -- in watercolor, tempera, drybrush, and oil -- allbeautifully reproduced in color, Weinberg and Venn have uncovered a large number of previously unknown watercolors. These fluid, expressionistic works perfectly capture the intensity and emotionalism of Wyeth's painting over the last 60 years.Despite Wyeth's enormous appeal, there has been little critical or art historical consideration of his career during the past quarter century. Now, this book brings together essays by a new generation of curators who investigate Wyeth's work both within the tradition of landscape painting and from a broader art historical perspective. They also explore Wyeth's career as a whole, his relationship to other abstract and realist painters, discuss why he continues to be of great interest today, and how he fits into the greater context of 20th-century art.

    Each collection sparkles with pieces seen on book covers from around the world. Fantasy, science fiction, eroticism, etc... Royo has devised a special personal mix of media that makes his work so uncannily real, so beguilingly engaging as to make him a best-selling star.

    Nowhere is this more in evidence than in his landscape work -- work which stretches the boundaries of one of painting's most cliche-ridden traditions. Since the late 1960s Richter's landscape paintings have formed an integral part of the artist's overall body of work, and one which this book documents in depth. Presented here in lush reproductions, these works are given the separate consideration they have always warranted, and the result is a book that can be counted among the most important on this seminal artist.

    Compiled and edited by Lee Lorenz, former art editor of The New Yorker and an acclaimed cartoonist in his own right, The Essential Cartoonists library is a celebration of this unique visual art form. Each volume focuses on one truly outstanding artist and features approximately 150 of the artist's best cartoons, as well as insight into background, influences, inspirations, working habits, and more. Launching the series: The Essential George Booth and The Essential Charles Barsotti. In Booth, Lorenz traces the career of this New Yorker icon. Known primarily for his unmistakable characters--Mr. Ferguson, the violin-playing Mrs. Rittenhouse, curmudgeons with their crazed dogs and unruly profusion of cats--Booth combines warmth, energy, quirkiness, and amazing detail. Like another famous Missourian, Mark Twain, Booth has never lost that flavor of small-town eccentricity--or the laugh-out-loud humor that defines his work.

    With her photo sessions and her prize-winning video clips she created the visual appearance for blockbuster acts like Marilyn Manson, Jimmy Page/Robert Plant and David Bowie. As a result of her success she directed several commercials, including the latest worldwide Adidas campaign. This book, her first publication, includes a stunning blend of new photos as well as unreleased images from the above mentioned shootings. This book also contains Floria's drawings, sketches and extra artwork in high quality reproductions. Winner of the German Photobook Award 1999.

    Edited by Miche Frizot (researcher at the Centre National de la Rechereche Scientifique in Paris) and published on the initiative of the Arts Council of the Centre National du Livre, this volume brings together conrtributions by the most reputed international specialists.

    This vibrance sings forth in the pages of Mexicolor, the collaborative project of an artist, a photographer, and a writer all in love with the brilliant displays of color seen everywhere in Mexico. Walls washed flamingo pink on top, deep matte blue on the bottom. A green flatbed truck heaped with orange marigolds. A sea of colorful skeletons at a Day of the Dead fiesta. The radiant reds, yellows, purples, and greens of the fruits and vegetables at el mercado. Mexicolor explores Mexico high and low, from colonial towns to dazzling beaches, from traditional workshops to contemporary interiors, from open markets to extraordinary homes and inns, uncovering the colorful artistry that permeates everyday life across this vast nation. Mexicolor is an ideal resource for anyone looking to brighten a home, and a beautiful picture book brimming with imagination, creative ideas, and pure pleasure.

    This collection provides an overdue review of material that at one time could only be bought under the counter, beginning with the anonymous erotica of the 19th century. It features the pioneer homoerotic nude photographs of Baron Wilhelm von Gloeden, posing nude youths in classical postures at Taormina in Sicily. It includes illustrations from groundbreaking magazines such as Physique Pictorial, the leading organ of the mid-50s gay scene, and it covers the entire range from classic masters of male nude photography, such as Herbert List, George Platt Lynes or Robert Mapplethorpe, to the pin-up beefcake of the sex magazines.

    Wolfgang Tillmans could well be the coolest photographer on the planet, and here's the evidence. Always imitated, never bettered, he's the lens-meister of the zeitgeist, the photo-journo who went artside, a man in constant demand, moving effortlessly from magazine to fashion shoot to gallery retrospective. He creates identities, he's the brand name of hip. From Ray Gun to i-D, his images feel iconic before they're out of the fluid. I'll be your mirror, he whispers, and the Gen X-kids find themselves reflected in his always open pictures. Make your own meaning, rave about them, the artifice, the stagings, it's so close to home and snapshot-casual you could do it yourself. But you couldn't. Framing is all. Every shot is classically composed, it's just the subjects that are so Now. From the portraits that made him famous, through the still lives and landscapes (undermining the genres with every shot), this second book, with design and layout from the man himself, is high colour, dirty realist heaven. Finding the still point in the information overload, the sexuality in the machine, and the image in the image saturation, Tillmans gives us the brief epiphanies we might just remember as our own.

    Tracking the zeitgeist from his native Germany to such far-flung places as Hong Kong, Brasilia, Cairo, New York, Shanghai, Stockholm, Tokyo, Paris, Singapore and Los Angeles, Gursky has earned acclaim at the leading edge of contemporary art with a polished signature style that draws upon a great diversity of ideas, precedents and techniques. Created in collaboration with the artist, this oversize book surveys the fullness of his work to date with gorgeous color plates, generous two-page details, and a wealth of supporting illustrations. The first in-depth study in English of Gursky's art, this book was published in conjunction with a major retrospective at The Museum of Modern Art, New York.

    This book, which accompanies a major centenary exhibition on Beardsley, tells the story of his brief, hectic life and uncovers the roots of his genius in the racy artistic and literary culture of 1890s London.Beardsley's startling drawings, prints, bookbindings, and posters are reproduced here from original drawings and from rare early editions of his work. Portraits and photographs of his friends and contemporaries, among them Oscar Wilde, James McNeill Whistler, Edward Burne-Jones, Max Beerbohm, and W. B. Yeats, bring his story to life. The authoritative text is the first to fully explore Beardsley's diverse influences, which range from ancient Greek vase paintings to erotic Japanese ukiyo-e prints.The book concludes with a look at Beardsley's artistic legacy and the legend that has grown around him. It demonstrates why his drawings, with their subtle symbolism, highly charged eroticism, sensuous ornamentalism, and self-conscious decadence, have a renewed resonance in our own turn-of-the-century world.

    Michener Collection, Honolulu Academy of ArtsHokusai: September 23-November 15, 1998Hiroshige: November 21, 1998-January 17, 1999The society of Japan's Edo period (1615-1867) embraced a number of intriguing contradictions. It was a time of unprecedented stability, when Japan, previously a mosaic of violently warring feudal states, finally achieved unity as a nation. Though strictly stratified in four hereditary classes -- nobles, farmers, artisans, and merchants -- Edo society nevertheless produced a vigorous middle class of enterprising commoners. By the 1800s, commoners enjoyed the numerous amenities of Edo (Tokyo), the world's largest city (pop. ca. 800,000). They launched businesses, perfected crafts, gained leisure time and literacy, traveled a system of safe roads, and enjoyed art and poetry.While initially print makers illustrated the denizens of the pleasure quarters, or ukiyo (Floating World), the print also became an acceptable and affordable medium for the full range of expression common to Japanese art, including landscape, flowers and birds, and genre scenes. The most important and prolific were the 19th-century artists Katsushika Hokusai and Utagawa Hiroshige, whose prints constitute the most recognizable images of Japanese art throughout the world. Hokusai and Hiroshige were the chief innovators of a new motif in ukiyo-e prints — the landscape as an independent subject. This collection of 200 prints, 100 by each artist, is designed to explore their full range of expression. The selection includes their great landscape series, among them Hokusai's complete Thirty-six Views of Mount Fuji, and the unfailing favorite, Hiroshige's Fifty-three Stations of the Tokaido Road, also in its entirety. In Hokusai's and Hiroshige's prints, we see the faces of the new middle class, both the excitement and drudgery of their daily activities, and their favorite views of landmarks and natural wonders.

    An accompanying essay by Esmund White puts Mapplethorpe into historical, social, sexual, and artistic context. 100 color and duotone plates. 3 gatefolds. Slipcased.

    1920, Berlin) is not only one of the world's leading photographers, but also among the few image makers whose publications reach a wide general public. He has created many images that have become icons of our daily life. However: You never can tell what exactly is going on in a typical Newton image. Newton's staged fashion photographs of strong women regularly enrage and fascinate the readers of magazines and the visitors of his exhibitions. For this comprehensive book, which has grown to become his visual autobiography, Helmut Newton has selected a never before seen variety of images that have been published from the late 1950s to the late 1990s by numerous magazines in different countries like the U.S., Britain, Italy, Germany, France, Australia, Japan, etc. Shown as facsimiles of the original pages, the visuals of this book take the viewer on a unique trip through decades of fashion styles and magazine layouts. They show Newton's start as a young fashion photographer, explain how he managed to extend the boundaries of this genre, how he beat the System of the fashion industry and how he became the master of late 20th century fashion photography. This volume photography, is a must for every individual and institution interested in fashion, style, and cultural history!

    There are 17 classic stories, reprinted in black and white. Contains the complete stories “The Portier Fortune,” “Saree,” “The School For Girls,” “Saree Falls In Love,” “Il Fuce’s Locket,” “Black Gold (The Lands of Ben Adim),” “Competition,” “Money,” “Assignment Paris (The Spanish Jewels),” “Teachers Pet,” “The Seventh Husband,” “A Ticket Home,” “The Loot Of Robinson Crusoe (The Island Of Pearls),” “Staple Springs,” “L’Spirit,” “The Incident of the Sitting Duck,” and “The Capistrano Jewels.”

    The present volume, in the words of the author, is a legacy to all the work he has done on typography. When he thought he would take a few years' leave from his main work on the art of computer programming, as is well known, the short typographic detour lasted more than a decade. When type designers, punch cutters, typographers, book historians, and scholars visited the University during this period, it gave to Stanford what some consider to be its golden age of digital typography. By the author's own admission, the present work is one of the most difficult books that he has prepared. This is truly a work that only Knuth himself could have produced.

    Where families stay together. Where flowers still bloom, and the front porch light still shines waiting. Waiting for you to indulge in the richness of hope that millions of Americans have discovered in Thomas Kinkade's light-infused art. And now, with Passages of Light, you'll be warmed by favorite Scripture passages alongside the radiant inspiration of Kinkade's work.Walk down the pebble-stone path in your mind, guilded by luminaries pointing the way. Then read how Scripture itself is a spiritual lamp for our feet and light for our path. Discover how light reveals God's glory, and how we are to walk in His light. Passages of Light reveals six key themes of light in Scripture, like the Light of Grace and the Light of Hope. And with each section, you'll catch a glimpse of the artist's passion for God through an inspirational message from Kinkade himself, followed by Scriptures that show the reason behind his hope. Through Passages of Light, you'll see the heart of the artist . . . the light of God's Word . . . and feel the pulse of divine inspiration.

    Art in Theory, 1815–1900 provides the most wide-ranging and comprehensive collection of documents ever assembled on nineteenth-century theories of art.

    150 photos, many in color.

    In one hundred hours of taped conversations, they confided their ambitions, anxieties, and accomplishments to their friend and peer John Loengard, Life's most distinguished contemporary photo essayist. These real-life stories of the adventures and mishaps of staff photographers - from World War II in Europe and the Pacific to the tumultuous events of the 1950s through the 197Os - delineate the golden era of photojournalism.

    What makes the Mona Lisa smile? Katie wants to find out so she climbs into the Leonardo Da Vinci painting. But the Mona Lisa is not really feeling very happy so Katie tries to cheer her up . . . with disastrous results!

    Since the facts don't do that too often, I decided to make it up. . . . That is the real power and joy of being an artist. We can make it come true. Or look true."—Faith Ringgold, in a 1992 interviewThis catalog is the first book-length publication devoted to the exquisite story quilts of contemporary artist Faith Ringgold. Combining painted images, handwritten texts, and quilting techniques, Ringgold weaves together modernist painting; feminist critique; postmodernist strategies of appropriation, parody, and montage; and personal memoir in a remarkable synthesis that takes on European modernism, African American folk art, and the "black aesthetic" of the 1960s and 1970s. The catalog accompanies an exhibition of The French Collection and The American Collection, a series of story quilts Ringgold has produced since 1990. Catalog essays include an examination of Ringgold's stylistic development through the 1960s and 1970s, an exploration of the social and political aspects of the story quilts, and a recollection by the artist's daughter, writer Michele Wallace.Ringgold has adapted the tradition of the American slave quilt to create a world in which African Americans and women dominate, where history is not only questioned but also reinvented. The titles of the quilts in Ringgold's French Collection and American Collection suggest her subject range and daring: Jo Baker's Birthday Party; Dinner at Gertrude Stein's; A Portrait of Aunt Jemima; Tubman, Douglass, and Truth: Wanted Dead or Alive are examples. Faith Ringgold's broad audience of admirers (her books for children have won Caldecott and New York Times book illustration honors) will welcome Dancing at the Louvre. Finally there is a book that displays her artistic achievements and provides a full discussion of her importance within contemporary art.

    It eliminates the skill required to pare leather or to sew endbands.Household tools are substituted for traditional binding equipment. Instructions for making a simple book press are included.Three bindings are described in detail:* Pamphlet Binding with Boards gives a substantial presentation of a book with only four to 32 pages. This hard cover book is presented as quarter cloth, half or full cloth. It is described both with the end sheets as paste-down, as well as exposed cloth hinges on the inside of the boards. This binding gives a substantial presentation for small projects.* Flat Back is ideal for medium size projects. Shown as sewn onto tapes, it gives a book of 24 to 100 pages. It is most commonly used binding for hard cover artists books.* Tight Back and the Hollow Back variation are presented as leather bound books, rounded and backed. This gives an arch which structurally allows a book to be bound with hundreds of pages. Yet, this elegant binding can have as few as 32 pages.

    Silent films and strident music. Outrageous fashions and inventions. Revolutions in transport, economic chaos and the first chill winds of fascism and the Depression - in hundreds of moving and shattering images.

    But its string becomes untied, and the balloon embarks on an uproarious journey through New York City. With an ever-increasing cast of wacky urban characters in tow, it soars past a host of landmarks. Eighteen famous paintings and sculptures are reproduced in this delightful, wordless book that explores the magical relationship between art and life.