His brilliant and provocative essays made him the literary voice of the Civil Rights Era, and they continue to speak with powerful urgency to us today, whether in the swirling debate over the Black Lives Matter movement or in the words of Raoul Peck’s documentary “I Am Not Your Negro.” Edited by Nobel laureate Toni Morrison, the Library of America’s Collected Essays is the most comprehensive gathering of Baldwin’s nonfiction ever published.With burning passion and jabbing, epigrammatic wit, Baldwin fearlessly articulated issues of race and democracy and American identity in such famous essays as “The Harlem Ghetto,” “Everybody’s Protest Novel,” “Many Thousands Gone,” and “Stranger in the Village.”Here are the complete texts of his early landmark collections, Notes of a Native Son (1955) and Nobody Knows My Name (1961), which established him as an essential intellectual voice of his time, fusing in unique fashion the personal, the literary, and the political. “One writes,” he stated, “out of one thing only—one’s own experience. Everything depends on how relentlessly one forces from this experience the last drop, sweet or bitter, it can possibly give.” With singular eloquence and unblinking sharpness of observation he lived up to his credo: “I want to be an honest man and a good writer.”The classic The Fire Next Time (1963), perhaps the most influential of his writings, is his most penetrating analysis of America’s racial divide and an impassioned call to “end the racial nightmare…and change the history of the world.” The later volumes No Name in the Street (1972) and The Devil Finds Work (1976) chart his continuing response to the social and political turbulence of his era and include his remarkable works of film criticism. A further 36 essays—nine of them previously uncollected—include some of Baldwin’s earliest published writings, as well as revealing later insights into the language of Shakespeare, the poetry of Langston Hughes, and the music of Earl Hines.

    Gena the main character finds herself in true blue love with Quadir, a millionaire associated with the cartel. Quadir is faced with combating the art of extortion and interception masterminded by the notorious Junior Mafia, which reigns from the inner city streets of Philadelphia onto the pages of this book. Both Gena and Quadir find themselves caught up in the vicious, yet seductive, world of drugs and money, only to find that success int his Game is no easy win. There's no way out once you're in, and everyone in stays forever...TRUE. Enjoy a copy today of the ORIGINAL and CLASSIC cover copy of TRUE TO THE GAME!

    Keyana doesn't feel lucky to have such a head of hair, but Mama tells her she is because she can wear it any way she chooses.

    California Cooper's third novel, is her most penetrating look yet at the challenges that generations of African Americans have had to overcome in order to carve out a home for themselves and their families. Set in Texas in the waning years of the Civil War, the novel tells the dramatic story of a remarkable heroine, Lifee, and her husband, Mor. When Emancipation finally comes to Texas, Mor, Lifee, and the extended family they create from other slaves who are also looking for a home and a future, set out in search of a piece of land they can call their own. In the face of constant threats, they manage not only to survive but to succeed--their crops grow, their children thrive, they educate themselves and others. Lifee and Mor pass their intelligence, determination, and talents along to their children, the next generation to surge forward. At once tragic and triumphant, this is an epic story that captures with extraordinary authenticity the most important struggle of the last hundred years.

    Lee's "beautiful" fruit store, and the "beautiful" smooth stone Old Mr. Sims always carries. The girl soon understands that beautiful means "that when you have it, your heart is happy." Young readers will enjoy appreciating the beauty of friendship and the power of hope in this encouraging story.

    But when the teenage King mistakenly kills two white deputies during a botched raid on the DuMonts, the Tremains' fear of reprisal forces King to flee Louisiana. King thus embarks on an adventure that first takes him to France, where he fights in World War I as a member of the segregated 369th Battalion—in the bigoted army he finds himself locked in combat with American soldiers as well as with Germans. When he returns to America, he battles the Mob in Jazz Age Harlem, the KKK in Louisiana, and crooked politicians trying to destroy a black township in Oklahoma. King Tremain is driven by two principal forces: He wants to be treated with respect, and he wants to create a family dynasty much like the one he left behind in Louisiana. This is a stunning debut by novelist Guy Johnson that provides a true depiction of the lives of African-Americans in the early decades of the twentieth century.

    But Zoe feels helpless in the grip of an overpowering addiction...to sex. Finding a compassionate woman therapist to help her, Zoe finally summons the courage to tell her torrid story, a tale of guilt and desire as shocking as it is compelling. From the sensitive artist with whom she spends stolen hours on rumpled sheets to the rough and violent man who draws her toward destruction, Zoe is a woman desperately searching for fulfilment -- and something darker, deeper, and perhaps deadly. As her life spins out of control and her sexual escapades carry her toward a dangerous choice, Zoe is racing against time to uncover the source of her "fatal attraction" -- as chilling secrets tumble forth from the recesses of a woman's mind, and perilous temptations lead toward a climax that can threaten her sanity, her marriage...and her life.

    Using excerpts from the thousands of interviews conducted with ex-slaves in the 1930s by researchers working with the Federal Writers’ Project, the astonishing audiotapes made available the only known recordings of people who actually experienced enslavement—recordings that had gathered dust in the Library of Congress until they were rendered audible for the first time specifically for this set.Remembering Slavery received the kind of commercial attention seldom accorded projects of this nature—nationwide critical and review coverage as well as extensive coverage on prime-time television, including Good Morning America, Nightline, CBS Sunday Morning, and CNN. Reviewers called the set “chilling … [and] riveting” (Publishers Weekly) and “something, truly, truly new” (The Village Voice).Now the groundbreaking book component of the set is available for a new generation of readers.

    I grieved for him for a very long time. And then, as time passed, the icy wall of grief surrounding my heart began to thaw and I began to heal. I remarried, had more children, and continued to record and release more music. I continued to live my life. And while I can never discount the time I spent with Big, I've never felt the need to live in the past. But sometimes, I still find myself thinking about Big being rushed the hospital, and I break down in tears. It's not just because we hung up on each other during what would be our last telephone conversation. And it's not because I am raising our son, a young man who has never known his father. It's partly all of those things. But mainly it's because he wasn't ready to go. His debut album was called Ready to Die. But in the end, he wasn't. Big never got a chance to tell his story. It's been left to others to tell it for him. In making the decision to tell my own story, it means that I've become one of those who can give insight to who Big really was. But I can only speak on what he meant to me. Yet I also want people to understand that although he was a large part of my life, my story doesn't actually begin or end with Big's death. My journey has been complicated on many levels. And since I am always linked to Big, there are a lot of misconceptions about who I really am. I hope that in reading my words, there is inspiration to be found. Perhaps you can duplicate my success or achieve where I have failed. Maybe you can skip over the mistakes I've made. Use my life as an example - of what to do and in some cases, what not to do. It's not easy putting your life out there for the masses. But I've decided I'll tell my own story. For Big. For my children. And for myself.

    Clarise, Finch, and their three adolescent daughters are living the dream life of the black financially privileged. Then everything changes with the suddenness of a violent summer thunderstorm. Finch's lucrative catering business falls on hard times. Finch is lost at sea, Clarise suffers an apparent nervous collapse, and the girls -- Shern, Bliss, and Victoria -- are discharged into the foster care of politically connected cardsharp Mae and her beautiful, dark-spirited daughter Ramona. A world rich in love, pride, and joy has been abruptly exchanged for another -- one coarser and meaner, suffused with an air of jealousy, malignity, and brutal secrets that permeate every room of Mae's unhappy home. But pain and cruelty cannot destroy a determination to survive -- and a driving need to recapture a wounded lost thing called family.

    Stories of enslavement and freedom, of human migration and renaissance, of struggle and of triumph. A collection of these stunning paintings provides the backdrop for this exceptional biography which tells the story of one of our finest living painters-from his family's experience in the great migration North, to his growing up in the midst of the Harlem Renaissance, to his rise as one of the most renowned painters of African American life. With over twenty-five full-color reproductions and an insightful glossary, not only is this an easy-to-read, engaging biography, it's also an excellent starting point for discussions about American history.

    Three of Arabesque's most popular authors pen tales about three different celebrations during this magical time of year, when dreams of desire really do come true.

    In an era when Jim Crow laws and segregation were a way of life, it was not easy to survive. Bessie didn't let that stop her. Although she was only 11 when the Wright brothers took their historic flight, she vowed to become the first African -American female pilot. Her sturdy faith and determination helped her overcome obstacles of poverty, racism, and gender discrimination. Innovatively told through a series of monologues.

    It traces the centuries-long emergence of this distinct literary tradition from its earliest roots in African proverbs, folktales, and chants to its latest flowering in the works of such writers as Rita Dove, August Wilson, and Terry McMillan. Here, in 2,000 pages and 550 selections, is (in the words of Richard Wright) the "long black song" of African American life, sung in a great choir of voices, from the slaves of the 1600s to the rap artists, orators, novelists, and poets of today. Among the works included are Frederick Douglass's Life and Toni Morrison's The Bluest Eye--both presented complete and unabridged. Here too are hundreds of spirituals and work songs, jazz and blues lyrics, poems, plays, stories, and speeches. An audio CD, produced in conjunction with the Smithsonian Institution, features many of the texts as spoken or sung by their creators.

    Mama Flora, born to poor sharecroppers in Tennessee, is forced to raise her children alone after the murder of her husband. But it will not be Willie, her son, who fulfills her ambitions, but Ruthana, the niece she raises as her own. Inspired by her love for the radical poet Ben, Ruthana seeks her soul in Africa even as Willie's son and daughter embrace Black Power and drugs in their embattled coming-of-age. Throughout all the seasons of their lives, it is Mama Flora who prevails, whose quiet determination and love bring them back, as she leads her own quest for justice in tumultuous times.From the Paperback edition.

    Determined to have the family she'd always hoped for, she went from Wall Street to a little Texas town…and found trouble in Prince Cooper, a spoiled playboy whose advances she desperately fought off. Wanting to make amends for his brother's shameless behavior, Magnus Cooper showed her a tenderness that made her believe she could trust again—and a passion that took her breath away. But when he suddenly proposed marriage, she began to doubt him, suspicious that he was only trying to protect his prominent family from scandal.…Can Lead To ObsessionMagnus loved Selena from the moment she moved into town. Even though she had agreed to marry him, Magnus still needed to convince Selena that he was truly in love with her and would continue to cherish her when she became his wife. But the utterly ruthless and seductive Prince, who had always been jealous of his brother, vowed to have Selena for himself. Now that she was the object of obsession, Selena was about to learn the cost of unstoppable passion…and what the priceless ecstasy of loving–forever–could be.

    Full-color illustrations.

    A colour poster is also included.

    From the Middle Passage to the auction block, from the whipping post to the fight for freedom, this book presents not just historical facts, but the raw emotions of the people who lived them. Inspired by Rod Brown's vivid paintings, Julius Lester has written a text that places each of us squarely inside the skin of both slave and slaveowner. It will capture the heart of every reader, black or white, young or old.An ALA Best Book for Young AdultsAn NCSS-CBC Notable Children's Trade Book in the Field of Social StudiesA Booklist Editors' Choice Book